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Tag: metal

0 Descend Into The Aztec Underworld With Cabrakaän’s Melodic “Mictlán” Off “Aztlán” Out November 2023

  • August 22, 2023
  • by Asher
  • · Cabrakaan · Music News

NEWS RELEASE

Montreal, QC – August 22, 2023

Descend Into The Aztec Underworld With Cabrakaän’s Melodic “Mictlán”

New Album “Aztlán” Out November 2023

Photo Credit – Angela Ambrose – Lunar Ring Sound & Graphics Inc.​

​Cabrakaän was formed in 2011 by drummer Marko Cipäktli and vocalist Pat Cuikani who are both from Toluca, Mexico and are currently based in Canada. They work with indigenous Mexican artists to incorporate authentic pre-Hispanic instruments like ocarinas, flutes, percussion instruments, and more in their dramatic, melodic music. They are ready to release their third album “Aztlán” this year along with a documentary to share their culture in a metal format. The first single off this release “Mictlán” (pronounced mickt-lahn), details the nine levels of the underworld in Aztec mythology through which the dead must overcome a series of challenges before reaching their final resting place. The band explains more:

“Through haunting melodies and thunderous rhythms, “Mictlán” delves into the depths of Mictlán, painting a sonic landscape that takes listeners on a journey through the nine levels of the Aztec underworld. With its powerful and energetic sound, the song captures the essence of Mictlán, enveloping the audience in an otherworldly experience. Mictlán is a concept that is still relevant today in understanding the meaning of our lives. The song contains the musical elements that make Cabrakaän who they are: a fusion of folkloric themes, orchestral arrangements, and, of course: heavy metal.”

The band’s sound and style were initially influenced by popular metal acts like Nightwish, Amon Amarth, and European folk metal bands. Soon after, the band established a distinct sound, style, and ambition to tell the forgotten pre-hispanic folk stories, mythologies, histories, and traditions of Mexico’s sociocultural past and present. Musically, “Mictlán” features nylon string instruments to emulate the sound of a vihuela (Spanish guitar), hompak (Mayan trumpet), and orchestral arrangements.

Cabrakaän’s lyrics and music are thematic and are heavily inspired by Mexican culture, history, and mythology. In the past, Cipäktli and Cuikani’s lyrics have engaged with Aztec and Mayan mythology. Lyrics from their upcoming album will engage with a mix of themes related to the Spanish conquest and more mythological concepts. It is recommended for fans of Nightwish, Epica, and Equilibrium.

Watch and listen to “Mictlán” at https://youtu.be/mPLYXJBGXGI

​

“Aztlán” is due out on November 17, 2023, and available for pre-order at https://cabrakaan.bandcamp.com/album/aztl-n​

Track Listing:​
1. Tonantzin – 3:50
2. Fuego – 5:28
3. Tlaloc – 4:01
4. Luces y Sombras – 3:51
5. Malintzin – 5:16
6. Mictlán – 4:25
7. Yolot – 5:16
8. Xóchitl – 2:42
9. La Cigarra (featuring Reed Alton) – 5:31
10. Mictlán (English Version) – 4:25
11. Fuego (English Version) – 5:28
Album Length: 50:13

Album Credits:​
– Produced by Marko Cipäktli and Cody Anstey
– All songs mixed by Cody Anstey at Clarity Recording & Mixing (Osyron, Ravenous E.H., Wu-Tang Clan)
– All songs mastered by Mika Jussila at Finnvox Studios (Nightwish, Children of Bodom, Amorphis)
– All lyrics by Pat Cuikani & Marko Cipäktli

Album Band Line-up:​
Pat Cuikani, Vocals
Marko Cipäktli, Drums & Rough Vocals
Alex Navarro, Lead Guitar, Rhythm Guitar
David Saldarriaga Tobón – Bass, Classical Guitar

Live Band Line-up:​
Pat Cuikani, Vocals
Marko Cipäktli, Drums & Rough Vocals
Alex Navarro, Lead Guitar
Brendan Wilkinson, Rhythm Guitar
David Saldarriaga Tobón – Bass, Classical Guitar

For more info: Cabrakaan.com | Instagram.com/cabrakaan_band | Facebook.com/CABRAKAAN​

-30-

“In the world of metal music, where genres often blend and boundaries are pushed, there emerges a band that beautifully merges traditional folk elements with the raw power of heavy metal. Enter Cabrakaän, a Mexican folk metal band on a mission to reconnect with their ancestral roots and preserve the rich cultural heritage of Mexico.” – Infrared Magazine

“CABRAKAÄN has released an amazing, fun, well-written album with influences from various folk styles aligned with Death Metal. It’s definitely one of the best releases of the year in the style and the band deserves all the attention they are getting from the media and the public. 10/10” – Metal Temple (review 2019 – Cem Anahuac My Home)

“While the band may celebrate cultures that are unknown to most Canadian metal fans, Cipäktli says live performances by Cabrakaan are an immersive experience. The band, who wear face paint and costumes to conjure up the “time of the Aztecs,” like to give audiences both a visual and sonic feast.”

-Calgary Herald: “Symphonic Metal Band Cabrakaän Brings Spirit Of Ancient Mexico To Calgary”

“The use of traditional, lesser-known instruments that rarely leave Central/South America jamming along with metal instruments – in a way that would make Ozzy Osbourne in his prime proud – is the last thing Calgary expected to experience, and yet Cabrakaän is here.”

– Calgary Journal: “Cabrakaän, Calgary’s friendly neighbourhood Mexican folk metal fusion band”

​
—
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0 Exitus Stratagem Records – Israel’s SINNERY Unleashes An Animated Thrash Assault w/ Single “Somber” + UK Tour Dates w/ Sworn Amongst

  • August 21, 2023
  • by Asher
  • · Music News · Sinnery (EXSR)

 

NEWS RELEASE

Montreal, QC – August 21, 2023

​

Israel’s SINNERY Unleashes An Animated Thrash Assault w/ Single “Somber”

New EP “Below the Summit” Out September 2023 via Exitus Stratagem Records

UK Tour Dates w/ Sworn Amongst

L to R – Alon Karnieli – Lead Vocals and Rhythm Guitar, Liam Fine – Drums, Saar Tuvi – Bass, Idan Kringle – Lead Guitar

Photo Credit – Or Shenkerman

Thrash metal fans, brace yourself for the next onslaught of music from Sinnery. The band is gearing up to drop their new EP “Below The Summit” this coming September to follow 2022’s break-out sophomore album “Black Bile”. Today, the band unleashes the second single “Somber”, which is ready to burrow into your ears with its animated music video. A blend of speed, technical prowess, and unyielding intensity, Sinnery will also be melting faces live this fall with UK tour dates with Sworn Amongst and a festival appearance at Metal Gates Festival in Romania alongside Katatonia, Rotting Christ, and more. The band comments on the single:

“‘Somber’ was the first song we wrote for the EP. We wanted a ferocious track combining everything we knew how to play up until that point in time. Musically, it’s probably one of the fastest, heaviest tracks we ever did. Lyrically, it’s about growing & emerging out of the soil and dirt that life can be for so many. It’s about dealing with some of the toughest issues in our lives.”

In the first song, the opening words are, “It feels like burying your mother,” because Sinnery wanted people to feel the intensities of the subject from the get-go. They wanted to present their human issues in the most loathsome and gruesome way possible while also focusing on dealing with them. The track combines all the things to love about metal – fast-paced riffs and drum licks take a bit from every genre that Sinnery admires and make it something very original. The initial concept behind “Somber” was taken from the book “The Subtle Art of Not Giving A Fuck” by Mark Manson, which talks about making the best out of the cards you are dealt in life.
​
Prepare to be swept away by Sinney‘s raw power and unapologetic attitude. Their live act is known to be extremely energetic and heavy & they tend to keep the mosh pretty intense throughout all their sets. Combining modern sound and old-school ferocity they are all about creating an intense experience for everyone in attendance. Recommended for fans of Power Trip, Trivium, and The Haunted.

Watch and listen to the animated music video for “Somber” – https://youtu.be/YD4BYI4xERE​

Digital – https://hypeddit.com/sinnery/somber

​

“Below The Summit” is due out on September 29, 2023, via Exitus Stratagem Records.

Previous Single:

“Share This” (Music Video) https://youtu.be/Yf5of0iJ_mw

​

Tour Dates:​
September 18 – The Cobbletones – Bridgewater, UK w/ Sworn Amongst
September 19 – The Black Heart – Camden, UK w/ Sworn Amongst
September 20 – Percy Picklebackers – Nottingham, UK w/ Sworn Amongst
September 21 – Fuel Rock Club – Cardiff, UK w/ Sworn Amongst
September 22 – The Gryphon – Bristol, UK w/ Sworn Amongst
September 23 – The Cavern – Exeter, UK w/ Sworn Amongst
September 28 – Quantic Club – Bucharest, RO – Metal Gates Festival w/ Katatonia, Rotting Christ

Track Listing:​
1. Somber – 3:27
2. An Ode (Knife Of Erato) – 5:16
3. We Just Want You To – 0:21
4. Share This – 2:19
5. Serene – 5:13
EP Length: 16:38
​
​EP Recording Credits:​
• All songs performed by: Sinnery
• All songs written by: SInnery
• Produced by: Sinnery
• Mixed by: Arie Aranovich
• Mastered by: Arie Aranovich
• EP Artwork by: Xul1349
​
​EP Band Lineup:​
Alon Karnieli – Vocals & Guitars
Idan Kringel – Guitars
Saar Tuvi – Bass
Liam Fine – Drums

For more info:​
​Exsrmusic.com​
​Facebook.com/SinneryBand​
​Instagram.com/sinnerybandofficial​

– 30 –

“I’ve said this many times in the past, but one of the many things I love about this business is following the progress of bands as they come of age, mature and get better at their craft. What’s not to love about paying early witness to a bunch of folks gelling and heading on an upward trajectory as they make the move towards proverbial world domination? Israeli thrashers Sinnery are one such band. Gathering their Exodus, Testament, Gojira, The Haunted and post-St. Anger Metallica influences, the quartet from Herzliya, Tel Aviv will soon be releasing their second full length, Black Bile via Exitus Stratagem Records. This new tasty little rager pops the clutch and pumps the gas on modern thrash with a grizzled edge that improves upon the roots planted with their 2016 debut A Feast of Fools and their 2013 demo, Showing Teeth.” – Decibel Magazine
​
“Sinnery [Israel] Proves Thrash is NOT Dead in Groove-Oozing Cesspit of ‘Black Bile’” – Metal Has No Borders
​
““Death thrash” is the simplified genre description for what Sinnery do, but it’s the strong melodies and the variations among and within the songs that make the album such an adventure to experience from start to finish. Compared to the debut all those years ago, which was entirely written by vocalist/guitarist Alon Karnieli back when he was about 16-17 years of age, these tracks are more elaborate, more sophisticated, more reflective of different moods, while at the same time being more brutally extreme.” – No Clean Singing
​
“You just gotta love a band that knows exactly what the hell they wanna be. Sinnery bow to no one, instead turning heel to scissor kick you in the temple with battering ram riffs, suplexing drums, and neck-twisting vocals. You know the opening of Back to the Future where Marty McFly plays a single guitar chord on Doc Brown’s hyper amplifier and goes flying across the room from the resulting sound? “The Burning” provides the same effect regardless of the size of your chosen sound output device – you will be ragdolled and tossed around like a frisbee in a college quad by the quartet’s supreme rippage.” – Everything Is Noise

“I am old enough to have seen the likes of Metallica, Anthrax and others perform live at small venues in London. I’m also a huge fan of the new wave of thrash like Dust Bolt, Lost Society, etc. Sinnery is welcome inclusion with their aggression, energy, and obvious hunger. They might verge on Death Metal a tad with the vocals but that’s ok. With Matt Hyde (Machine Head, Trivium, Slipknot) having mixed and mastered this beast you know the sounds are gonna be right in your face. An excellent sophomore effort – please just keep thrashing!” – My Global Mind

“Sinnery straddle those lines between conventional thrash and modern/groove metal with enough solid musicianship and heaviness to align well with a multitude of touring possibilities.” – Dead Rhetoric

“For those that just want to bang heads and go nuts, there are songs like “The Burning,” “Who Will Be Eaten First,” and “Anti Tribe.” “Hanged From The Sun” and “Holes” flesh out their thrash by either toning down the speed or putting an emphasis on melody.” – Heavy Music Headquarters

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​

0 Canada’s AUGURIUM Unleashes A Hauntingly Quivering Track “Inquisition Of The Possessed” + Tour Dates (BC, AB, SK); New Album “Unearthly Will” Out August 25th

  • August 13, 2023
  • by Asher
  • · Augurium · Music News

NEWS RELEASE

Montreal, QC – August 13, 2023

Canada’s AUGURIUM Unleashes A Hauntingly Quivering Track “Inquisition Of The Possessed”

New Album “Unearthly Will” Out August 2023

+ Western Canadian Tour Dates (BC, AB, SK)

L-R – Taylor MacDonald – Drums, Logan Barlow – Lead Guitar, Yianni Pantelopoulos – Vocals, Cejay Carnochan – Rhythm Guitar, Reid Paraszczynec – Bass

​

The deathly howls of “The Inquisition of Possessed” from Canadian death metallers Augurium will take you on a full-force impact of brutality. It’s a relentless track of speed and complex experimental sounds. It’s the perfect opening track to introduce current and new fans to the band’s forthcoming album “Unearthly Will”.

“This is by far the band’s most intricate song. We’re firing off on all cylinders for this song to express our attempt to dispel misconceptions about religion, and to promote inner discernment.” adds vocalist Yianni Pantelopoulos.

The track can be heard via its lyric video premiere on SlamWorldwide at https://youtu.be/acv80cu4iXU

​

Augurium builds on expressions of old and new references within the world of heavy metal transforming influences from black, death, progressive, and grindcore metal to concoct an original sound. “Unearthly Will”, the band’s second album and third studio offering to follow 2018’s “Unhallowed Ascendance” and 2017 EP “Omen” is a fresh take on what Canadian death metal has to offer. With a new and evolved lineup, Augurium brings forth heavy, filthy riffs in a variety of time signatures and genre-blending aspects, over finely executed percussion and rhythm section, along with low guttural screams.

Augurium has Western Canadian tour dates planned with Hooker Spit, Raising the Ruins, Kryotic, and Cell during the months of August and September in support of “Unearthly Will”. They promise a brutally good time for those who attend one of their gigs and plan to deliver a polished, dark, expressive, and rewarding performance for each city they visit.

Unabating, haunting, and quivering, “Inquisition of The Possessed” is recommended for fans of Septicflesh, Belphegor, and Rotting Christ.

“Unearthly Will” is due out on August 25, 2023, and is available for pre-order at https://augurium.bandcamp.com.

Previous Singles:

“Ancient Grimoire” and “Phantom Parallax” at the following links:

YouTube – https://www.youtube.com/@officialauguriumsk​

Spotify – https://spoti.fi/3QxKOv3​

Tour Dates:
​
w/ Hooker Spit & Raising The Ruins.
Aug 25 – Vancouver, BC – Astoria
Aug 26 – Kelowna, BC – Dunnezies Pizza
Aug 27 – Kamloops, BC – Blue Grotto
​
w/ Kryotic
Aug 30 – Edmonton, AB – Rendezvous pub
Aug 31 – Calgary AB – Nvrland
​
w/ Cell and Krytotic
Sept 1 – Saskatoon, SK – Black Cat Tavern
Sept 2 – Regina, SK – The Exchange

Track Listing: ​
1. Inquisition of the Possessed – 3:15
2. Phantom Parallax – 3:15
3. Sanguine – 2:58
4. Ancient Grimoire – 4:27
5. Inceptus Mysteria – 3:17
6. Unearthly Will 2:53
7. As Above… So Below – 3:19
8. Invictus – 3:49
Album Length: 27:16

More info: Facebook.com/AuguriumSK | Instagram.com/auguriumband​

– 30 –

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0 Decibel Magazine Premiere – Streaming Now! NECRONOMICON EX MORTIS Releases Hair Raising Horror EP “Silver Bullet”

  • August 10, 2023
  • by Asher
  • · Music News · Necronomicon Ex Mortis

NEWS RELEASE

Montreal, QC – August 10, 2023

​

Streaming Now! NECRONOMICON EX MORTIS Releases Hair Raising Horror EP “Silver Bullet”

Top – Michael Bala – Guitar, Manuel Barbarà – Guitar
Bottom – Yusuf Rashid – Bass, Craig Schmul – Vocals, Joey Ferretti – Drums

Necronomicon Ex Mortis was formed by Michael Nystrom Bala out of a desire to combine elements of classic death metal, 80s shred worship, and gory lyrics about B-horror movies. Their debut S/T EP was released earlier this year and since there is no rest for the wicked, the follow-up EP “Silver Bullet” is upon us. The four tracks, presented with fury, were written specifically for this EP. They weren’t pulled from other projects or other albums, so that expectation was created going into the process. They strive to bring back the celebration of the twin guitar attack that bands like Iron Maiden and Racer X had. They share their excitement for the release:

“We’re excited to present this EP. We had a great time recording it and we feel live we’ve become even more comfortable with the music both individually and as a band. We think fans will notice the wide array of influences on this EP. We’re not just pulling from the same band or the same style of metal. Variety is the spice of life, kids.”

Necronomicon Ex Mortis was birthed when Bala wanted to take all his favorite things and have them in the same place. All his musical ideas, all of his favorite things about horror, and all of his favorite Paul Gilbert licks. He writes everything (Except for “Cycle of the Werewolf”, which guitarist Manuel Barbará wrote). He sits around and writes riffs and then does his best to rip off Yngwie and Paul Gilbert. He then asked Barbará to write the opening title track to a horror movie which he did with glee, spending the next 45 minutes going to town with his fretless guitar while his girlfriend tried to get him to do literally anything else.

This is just the start for the band, they have roughly 69 fully written songs ready to go that are both terrifying and titillating. You’ll be sleeping with the lights on after digging into “Silver Bullet”. It is recommended for fans of B movies, off-the-wall humor, The Black Dhalia Murder, Racer X, and Obscura.

Listen to the full-stream premiere of “Silver Bullet” via Decibel Magazine HERE.

The EP is due out on August 11, 2023.

EP pre-order – https://necronomiconexmortis.bandcamp.com​

Lyric Video – “Crypt of The Gorilla God” – https://youtu.be/LyKA_arI46M

​

Track Listing:​
1. Crypt of the Gorilla God (5:40)
2. The Swamp (4:00)
3. Cycle of the Werewolf (1:17)
4. Silver Bullet (5:22)
EP Length: 16:18

EP/Live Band Lineup:​
Michael Nystrom Bala – Guitar
Manuel Barbará – Guitar
Yusuf Rashid – Bass
Joey Ferretti – Drums
Craig Schmuhl – Vocals

Discography:​
2023 – Silver Bullet – EP
2023 – Necronomicon Ex Mortis – EP

For more info: Necronomiconexmortisband.com | Facebook | Instagram.com/necronomiconexmortisband​

– 30 –

“From start to finish, it really is a head-spinner and a heart-pounder, and some of the most fun you can have with your clothes on (though you might need to strip down and dry off after the EP is done with you.). If it wasn’t clear already, it’s damned clear after Silver Bullet that Necronomicon Ex Mortis is “a band to watch”. And if these peoples really do have 69 more songs fully written, bring ’em on!” – No Clean Singing

“Sit back and marvel at the eccentric sound of Necronomicon Ex Mortis as they take us on a wild, but brief journey of thrilling heaviness. Starting with a track about getting ripped apart by a giant undead ape called Crypt of the Gorilla God. It’s a thrashy and speedy opener that features some absolutely screaming guitar solos. An immediate example of the lovable nature of this EP and band. 8.5/10” – Games, Brrraaains & A Head-Banging Life

“A tale of primordial monsters living in the dark waters, “The Swamp” finds Necronomicon Ex Mortis at their storytelling finest, evolving a tale in classical fashion while having some moments in the guitar work that wouldn’t be out of place if they were written by Scott Carstairs for a Fallujah record. Somehow they have taken the bare bones that surround them and carved them intro intricate designs that leap between Metal sub-genres with death defying consummate ease. There is so much depth and texture than you’d usually expect to find in these songs… You have to wonder just how long it will be before these Gentlemen find themselves playing the Summer Slaughter Tour because that’s exactly where they should be [8.5/10]” – Metal Noise

“Necronomicon Ex Mortis have shown with Silver Bullet that they want to hit hard very quickly. The pieces are striking and make you want to discover more very quickly! We hope that the European public will respond to the call of the Americans and their desire to immerse us in horror stories worthy of the 80s. We wish them the best and we encourage you to dive into their universe!” – Sounding Shivers

“Thrashy death metal with catchy groove” – The Mosh Pit 89.9 FM (Madison, WI)

“The fusion of Death Metal and shred is intriguing” – Amplified Magazin

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0 DEVOLVER Takes A New Look At Melodic Death Metal With Single “Jewels of the Maw” + Western Canadian Tour Tour Dates (AB, BC) w/ Widow’s Peak, Snakepit

  • July 14, 2023
  • by Asher
  • · Devolver · Music News

NEWS RELEASE

Montreal, QC – July 14, 2023

DEVOLVER Takes A New Look At Melodic Death Metal With Single “Jewels of the Maw”

+ Western Canadian Tour Tour Dates (AB, BC) w/ Widow’s Peak, Snakepit

L-R – Jayde Penner (Rhythm Guitar), Jaylen Elias (Bass), Chris Brown (Vocals), Bevin Booth (Drums), Devin Babcock (Lead Guitar)

Hailing from Grande Prairie, Canada, Devolver’s particular brand of metal can be described as “Gothenburg worship meets NWOAHM”. Formed by guitarist Devin Babcock and drummer/producer Bevin Booth, and later rounded out by guitarist Jayde Penner, vocalist Chris Brown, and bassist Jaylen Elias, Devolver blends groovy metalcore and melodic death metal, creating a unique sound that appeals to fans of modern metal genres while embracing their old school influences, wearing them on their sleeve. With their heavy-hitting new album in tow, and fueled by a passion that can only be understood by seeing their unbridled live performance, they are ready to make waves in Canadian and international metal scenes alike. The first look at their forthcoming album is the single “Jewels of the Maw” produced by Mark Lewis (The Black Dahlia Murder, Deicide, Devildriver, Whitechapel). The track was also heavily inspired by the novel Bluebeard by Kurt Vonnegut. The band gives some insight into the song:

“Musically, it comes in very hot with a scream and straight into an upbeat riff. As we move into the next section it picks up with the verse, which brings up memories of old In Flames. This single will eventually be on the album we recorded with Mark Lewis. He really motivated us to push the envelope and make a really strong body of work. This song is us making the music that WE want to hear, built on the foundation of all our influences that made us want to do this in the first place.”

Devolver’s lyrics come from many different places. Much of it comes across as calamitous and devastating. The novel this song takes inspiration from covers topics of the creation and value of art, what art means to us, striving to be the most honest version of yourself, and tying into themes of desperation, survival, and genocide.

According to the band, this single is going to turn some heads and call back to late 90’s/ 00’s melodic death metal and metalcore, while looking forward with a razor-sharp sound. They hope people will find it to be a breath of fresh air, that still reminds them of their favourite bands. It is recommended for fans of In Flames, At The Gates, and Soilwork.

Listen to “Jewels of the Maw” via its premiere on TheCirclePit on the YouTube channel – https://youtu.be/TAlnmggrfrI​

Digital – https://linktr.ee/devolverab

​

Tour Dates w/ Widow’s Peak and Snakepit​
July 20 – Edmonton, AB – Temple
July 21 – Calgary, AB – Nvrlnd
July 22 – Penticton, BC – Clancy’s Pub
July 23 – Vancouver, BC – Bully’s
Aug 12 – Edmonton, AB – Rendezvous *
* Devolver Only

More info: Facebook.com/DevolverMusic | Instagram.com/devolvermusic​

-30-

“Devolver uses melodies, intensity, and a variety of vocalists to hook you, reeling you from song to song making this such a welcoming and comfortable listen. I don’t mean they’re “easy listening,” there heavy as f***, I mean there’s always something different, you’ll never get bored while diving into this debut.” – Vulture Hound

“If After The Burial and The Ghost Inside had a lovechild, it would be Devolver. These guys blew me away with how professional, well written, and how well structured they’ve presented themselves with their SelfTitled record. Each song has its own personality, while still maintaining a signature sound. The breakdowns are simple, yet effective in each song. There is dynamic tension and then well-needed release throughout the record, and it’s downright masterful. This album is captivating, and I recommend anyone that is a fan of metal to check this out.” – Bucketlist Music Reviews

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0 Enter The Dark World Of DEAD FIELDS of WOOLWICH With Their Video “I’ve Made It To Hell” Off Self-Titled Debut Album

  • July 13, 2023
  • by Asher
  • · Dead Fields of Woolwich · Music News

NEWS RELEASE

Montreal, QC – July 13, 2023

Enter The Dark World Of DEAD FIELDS of WOOLWICH With Their Video “I’ve Made It To Hell” Off Self-Titled Debut Album

Dead Fields Of Woolwich has its beginnings going back to the autumn of 2020 in North Bay, Ontario, Canada when multi-instrumentalist Kye Bell (Withing Nostalgia, Falamh) created a gloomy, doom metal project focused on dreary lyrics and a gothic-laden sound. Now, the band, though still considered a solo project at heart, has grown from an individual entity to a dark twosome with the addition of Alyssa Broere for session vocals and the upcoming release of the self-titled debut album. Thus, far they have released two videos and are following them up with “I’ve Made It To Hell”, which Bell comments on:

“I chose this one to showcase as the single for the album because it has a great dirgy riff until it hits a catchy chorus. Probably more simple than other songs but packs a great punch with its contrasting riffs of heavy and catchy especially as the last chorus comes around. This one deals with the idea of transitioning to the afterlife and being stuck there. I took the phrase “let me know when you’ve made it there safe” and applied it to the afterlife.”

Dead Fields Of Woolwich hopes that their initial offering will be met with praise and excitement. According to Bell, it was very fulfilling to create an album that is truly his own and he hopes there is a positive reception to the gothic elements fused with the heavy doom. His love of gothic culture is interwoven in all of his songs to deliver a feeling of something haunting and heavy.

“I’ve Made It To Hell” is faster than the other six tracks on the album and is an excellent introduction to the dark and at times, bleak record. Its themes focus on acceptance of death and personal struggles from within and also touch on dark romanticism and twisted love all while trudging along with heaviness and memorable hooks.

Melodic and melancholic, it is recommended for fans of Paradise Lost, Type O Negative, and Katatonia.

Watch and listen to the music video for “I’ve Made It To Hell” via its premiere on NoCleanSinging HERE.

The self-titled album is due out on July 28th, 2023, and is available for pre-order on Deadfieldsofwoolwich.bandcamp.com.

​Spotify​

Track Listing:​
1. To Those Who Flower in Darkness – 4:43
2. Midnight In The Garden Of Earthly Delights – 6:42
3. Winters For Poets – 5:04
4. Casualties of Circumstance – 8:23
5. 31 Days For 31 Curses – 8:24
6. I’ve Made It To Hell – 6:28
Album Length: 39:47

Dead Fields of Woolwich is:
Kye Bell (All Instruments and songwriting)
Alyssa Boere (Vocals)

More info: Facebook.com/DeadFieldsOfWoolwich | Instagram.com/deadfieldsofwoolwich

-30-

​
—
ASHER MEDIA RELATIONS
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0 Canada’s BLACK PESTILENCE’s Chaotic Black Metal N’ Roll Returns With “The Devil’s Connection” Off “Chaotic Wisdom” Out Sept 2023

  • July 7, 2023
  • by Asher
  • · black pestilence · Music News

NEWS RELEASE

Montreal, QC – July 7, 2023

 

Canada’s BLACK PESTILENCE’s Chaotic Black Metal N’ Roll Returns With “The Devil’s Connection”

New Album “Chaotic Wisdom” Out September 2023

L-R – Daniel Toews – Guitar, Valax – Bass & Vocals, Davey Hellfire – Drums
Photo Credit – Wikked Twist Media

In the winter of 2008, Black Pestilence emerged from the frozen, windswept prairies of Canada, conjured by bassist/vocalist Valax. Initially, Black Pestilence was a one-man studio project, but years afterward, it evolved into a three-piece band and remains in that form. Over time, Black Pestilence has become known for an instantly recognizable sound that combines black metal, punk rock, and noise. To date, the band has released six full-length albums and two EPs. This impressive discography expands this year with “Chaotic Wisdom”, which further expands on lyrical themes including LaVeyan Satanism, current events, social issues, and the glorification of the epicurean lifestyle. Valax shares his thoughts on the first single off the album, “The Devil’s Connection”:

“The Devil’s Connection addresses the advantages of having an open mind. As esoteric as some scenarios might be, it will allow one to adapt to any situation. ”

According to Valax, fans will get the same infectious sound this band is known for but with a different style of production. On this album, it sounds a bit darker and more analog. For example, they used various different mic techniques for recording the guitars which added a very different overall sound. Each member of the trio spent more time recording their parts which results in a much better performance than the last album.

Black Pestilence started out as very chaotic black metal with small hints of punk rock and lots of noise. After, it slowly evolved into a punk rock structure with black metal vocals. Now it is much more catchy with shorter song lengths. Their chaotic black metal ’n’ roll is recommended for fans of Midnight, Toxic Holocaust, and Impaled Nazarene.

Watch and listen to their music video for “The Devil’s Connection” via its premiere on NoCleanSinging HERE.

Their forthcoming album “Chaotic Wisdom” is due out on September 8, 2023, and available for pre-order at https://blackpestilence.bandcamp.com.

Track Listing:
1. Mortal Rift (3:29)
2. A Life of Evil (3:06)
3. The Devil’s Connection (3:29)
4. Chaos and Carnality (3:18)
5. Aspect of Darkness (3:06)
6. Infernal Might (feat. Mark Russell) (2:35)
7. Animus (5:50)
Total Length: 24:53

​Facebook.com/blackpestilenceband | Instagram.com/blackpestilence | Youtube.com/blackpestilence | Spotify​

-30-

“A recent discovery that has tickled the excitement nerves in my jaded and encrusted ear drums is Calgary’s Black Pestilence. Their take on black metal incorporates old-school thrash and punk and if you listen closely you can hear the smatterings of plain ol’ rock ‘n’ roll and swaths of noise and is a sound that has been explored and nurtured since the band formed as a one-man project in 2008. The band’s handlers claim those fans of Toxic Holocaust, Impaled Nazarene, Municipal Waste, Midnight and Cradle of Filth unconcerned with genre boundaries will enjoy Black Pestilence and we have to say the nail has certainly been hit on the head in that regard. Additionally, fans of image and theatrics will find value in the band’s aesthetic which owes to a collision of black metal, goth rock and Judas Priest’s wardrobe and fashion sense. ” – Decibel Magazine

“Hail the Flesh is a nice, quick, in and out style album. There’s no messing around, there’s no overly extended bridges or songs that overstay their welcome. This is a 9 track album that only spans 34 minutes of constant, hard hitting riffs, blasts, and downright aggressive and dominative vocals. Even the final track on the album, “Ephemeral”, which nearly reaches 7 minutes in play time feels fresh the whole way through. ” – Metal Injection

“an album that really has a surprisingly wide range within the black/thrash/punk style so if you love that sort of black and roll aggressive metal, then “Hail The Flesh” will be an album for you.” – The Rockpit

“Calgary, Canada’s Black Pestilence bring a fresh take to the sound, though. Hail The Flesh, the band’s sixth full-length album is a blackened crossover punk-thrash album. It sounds old school, yet very 2000s at the same time…. Municipal Waste, Impaled Nazarene, Toxic Holocaust fans take notice.” – Heavy Music Headquarters

“They really don’t have another gear beyond ‘top’ which makes for a splitting headache of heavy but one that satisfies. After all there are only 9 tracks and as Godless spits and snarls, Frauds to the Throne exudes filthy groove, My Will to Power rages hard and Ephemeral drags the suffering out, the over-riding thought is Black Pestilence have impressed.” 8/10 – Games, Brrraaains & A Head-Banging Life

“Honestly, anyone with the remotest interest in Black ‘n’ Thrash, Black ’n’ Roll or even just plain old Thrash is going to love this album. It is a blisteringly addictive listen. The skilfully fluid ways that all these genres are melded is both brilliant and compelling as well as being lyrically inspiring.” – MetalTalk.net

“First things first, it’s not every day you hear black metal as fun as this! That is partly because of the exciting thrash and not-so-serious punk influences, but also because the songwriting is very strong. ” 4/ 5 – The Independent Voice

“dirty, punky Black/Thrash that occasionally makes feedback noises and consistently slaughters everything in its path.” 4/5 – The Metal Crypt

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 ORCHID’S CURSE Now Streaming Varied New Melodic Metal EP “The Decay”

  • June 15, 2023
  • by Asher
  • · Music News · Orchid's Curse

NEWS RELEASE

Montreal, QC – June 15, 2023

ORCHID’S CURSE Now Streaming Varied New Melodic Metal EP “The Decay”

L-R = Alex Wrathell (Drums), Brian Jones (Guitar), Keith MacLeod (Guitar), Jason Szeto (Bass), Josh Hogan (Vocals)

​

Orchid’s Curse formed way back in 2005 with their first release in 2006. 18 years have passed and they have withstood the test of time. Whether persevering through member changes or a pandemic, the band continues to push forward and release new music. “The Decay” is their sixth release and will highlight that the band has no plans to stop creating music any time soon.

Musically, “The Decay” is their most mature work yet, consisting of five songs with a variety of different musical influences but also still having the Orchid’s Curse signature sound. Listeners will experience a two-minute thrash banger, a six-minute melodic epic, and everything in between with lyrics that explore the decline and decay of our modern society. The band shares their excitement:

“We are elated to finally be releasing THE DECAY to the masses. Writing for this album started before the pandemic and we are glad the time to release it is finally here. One positive is that with the shutdowns we had a lot of extra time to spend refining these songs to ensure it was the most mature and competent release to date. With each new album we always try to continue to progress and up the ante musically and artistically. We all feel really confident in these songs and this release as a whole.”

They say variety is the slice of life and Orchid’s Curse delivers exactly that. This succinct journey runs the gamut from slow and sludgy to fast and relentless. The EP was produced by the band’s rhythm guitarist, Brian Jones; mixed and mastered by Mike Bowers (Pale Ache), and the EP artwork was done by lead guitarist, Keith MacLeod.

With something for everyone, “The Decay” will be enjoyed by a wide range of metalheads, including those into Darkest Hour, At the Gates, and The Black Dahlia Murder.

“The Decay” is due out Friday, June 16, 2023, and can be heard ahead of its release via its full stream premiere on Decibel Magazine HERE.

Album pre-order – https://orchidscurse.bandcamp.com/​

Track Listing:​
1. Better Men – 5:42
2. Dead Idols – 4:24
3. The Divergence of Man – 4:45
4. Divided by Everything – 2:31
5. Pay to Prey – 6:24
EP Length: 23:47

Orchid’s Curse is:​
Josh Hogan – Vocals
Brian Jones – Guitar/Vocals
Keith MacLeod – Guitar
Jason Szeto – Bass
Alex Wrathell – Drums

For more info: Orchidscurse.com | Facebook.com/orchidscurse | Instagram.com/orchidscurse​

About: With over a decade of musical output, Orchid’s Curse continues to create a beautiful amalgamation of brutal metal, progressive melody, and intelligent thought-provoking lyrics. Whether in a live setting or on an album, Orchid’s Curse refuses stagnation and orders your full attention.

Since forming in Dartmouth, Nova Scotia in late 2005, Orchid’s Curse has positioned itself at the forefront of the highly underrated East Coast metal scene in Canada. Ensuring that every show left the band drained of all they had and every album was created with the most care and the best team they could find. Now with their sixth release “The Decay” ready to release, the band continues to position itself at the forefront of maritime metal.

Metalsucks.net captured the band’s goal of blending various genres of metal, declaring “Orchid’s Curse is one of those bands that play around with melodeath, groove, thrash, and occasionally prog with enough fluidity to rid themselves of any sort of pesky sub-genre tags and earn the simple, yet elegant classification of ‘metal’.” while Canada’s Hellbound.ca recognized the bands continued progression and growth over the years stating, “Few bands demand that each album be a progression, a growth, in the way that Orchid’s Curse does. No musical influence is turned away, but everything is twisted, melded into an intense metal experience that makes your head bang one moment and your toes tap the next”

Since 2006 Orchid’s Curse has shared the stage with an incredibly diverse lineup of bands including, The Black Dahlia Murder, Children of Bodom, Every Time I Die, Cancer Bats, 3 Inches of Blood, Goatwhore, Exhumed, Fuck the Facts, KEN Mode, Misery Index, Counterparts, Baptized in Blood, Martyr, Beneath the Massacre, Vilipend, Ion Dissonance, Neuraxis, L’Espirit du Clan, Unexpect, Trigger Effect, Ninjaspy, Unbreakable Hatred, Misguided Aggression, Greber and many more.

– 30 –

“Orchid’s Curse is one of those bands that plays around with melodeath, groove, thrash, and occasionally prog with enough fluidity to rid themselves of any sort of pesky sub genre tags and earn the simple, yet elegant classification of ‘metal’.” – Metal Sucks

“Orchid’s Curse employ their familiar tactic of borrowing the techniques of multiple genres, from filthy death metal riffs to hardcore barks, progressive guitar explorations and dirge-like, doom-influenced song structures.” – Exclaim!

“Thick, brutal, aggressive and borderline cacophonous, at times, Voices is relentlessly engaging and explosive while maintaining a decisively melodic essence.” – Exclaim!

“heavy riffs built for headbanging” – Metal Storm

“Cynics & Liars, is very much an EP which epitomizes everything good about metal in 2016” – PureGrainAudio / V13

“Orchid’s Curse are versatile, able to play everything from menacing thrash to accessible melodeath to punishing metal” – HeavyMetal.About.com

“Every song punches you right between the eyes” – Mettalworx

“This album is just laced with hook after hook. Whether it be a classic metal riff, a psyched out interval or just a standard heavy rock n’ roll beat; the album is catchier than an STD on 2-for-1 night at a brothel.” – Echoes and Dust

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 Venezuelan Atmospheric Death Doom STRATUZ Find Refuge w/ New Lyric Video “Left” Off New Album “Osculum Pacis” Out Now!

  • June 13, 2023
  • by Asher
  • · Music News · Stratuz

NEWS RELEASE

Montreal, QC – June 13, 2023

 

Venezuelan Atmospheric Death Doom STRATUZ Find Refuge w/ New Lyric Video “Left”

New Album “Osculum Pacis” Out Now!

L-R – Franklin Berroteran (Vocals, Keyboard), Geronimo Egea (Guitar), Leonardo Rangel (Baa), Diego Cabrujas (Drums)

Venezuelan atmospheric death/doom Stratuz unleashed their latest album “Osculum Pacis” in April 2022, which marked their return since going on hiatus in 2006 and reforming in 2019. The album is an immersion into the band’s own universe of sound, which will lead you to listen to each of the themes repeatedly and thus discover each sound layer and the sensations to awaken you.

“So many years away from the scene led us to experiment with other musical currents and the studio, which allowed us to nourish ourselves and thus reach the level we are at now. This record we hope will awaken your senses with its eleven tracks that ebb and flow through dreary gutturals, majestic choruses, and heart-pumping riffs.” says the band.

Lyrically, “Osculum Pacis” speaks of the abuses of the church and its deafening silence in the face of so many denunciations of abuse. It speaks of the manipulation of the masses, and injustice, but at the same time, it also speaks of the awakening of consciousness, of death as a process of transformation, and the need to change ourselves in order to rise up and banish our own miseries. It speaks of rising up aware of who we are.

Today, Stratuz shares their latest lyric video for the track “Left”, a song that reflects the emptiness that many people feel internally.

“This is one for those who know that feeling of abandonment, loneliness, neglect, and that lack of sense for being on this plane, taking refuge in their own sorrow.” adds the band.

Watch and listen to the lyric video for “Left” via its premiere on Doomed and Stoned HERE.

The band is currently preparing to continue promoting their latest album “Osculum Pacis” in Venezuela and other countries along with working on new material to follow in the near future.

“For those of you who have already heard our current work Osculum Pacis, you will have high expectations with the new stuff we will produce, however, we are convinced that we will surprise many again and it will be very well received.”

Stratuz live transmits a much more powerful energy than on recordings, and there are always comments that the band sounds much better in concert than on recordings, and this is because of the particular energy that can be appreciated in the shows. They are recommended for fans of Paradise Lost, Tiamat, and Moonspell.

The album “Osculum Pacis” was released on April 26, 2022, and is available on CD / Digital on Stratuzofficial.bandcamp.com, and Spotify.

Live video (accompanied by a string ensemble and a choir) “Back To The Sun“ – https://youtu.be/ErVam3miymw

​

Track Listing:​
1. Intro – 1:58
2. Morning Star – 3:50
3. Father Amorth (e) – 2:58
4. Holy Grail – 4:36
5. Caelibatus – 4:33
6. In the Name of God – 3:06
7. Back to the Sun – 3:09
8. Sodomized – 4:41
9. Dawn – 5:06
10. Left – 4:57
11. Condemned – 5:26
Album Length: 44:22

Stratuz is:
Franklin Berroterán – Voices and Keyboards
Gerónimo Egea – Guitars
Leonardo Rangel – Bass
Diego Cabrujas – Drums

For more info: Stratuz.info | Facebook.com/stratuzofficial | Twitter.com/stratuzofficial | Instagram.com/stratuz_official​

About: Stratuz is a Venezuelan doom-death metal band formed in 1984. The group released their first demo in 1993 and their debut album “In Nomine…” in 1995, helping them to quickly become the most recognized metal band in Venezuela and cementing their place as one of the pioneer bands of extreme metal.
​
In 1999, Stratuz finished recording the album “The Last Angel” upon their return from a European tour. That same year, they signed with the Belgian label LSP-Company for a new album entitled “Spirit Seduction”.
​
The band decided to disband in 2006, but in 2019 they reform and start working on a new album titled “Osculum Pacis”, released on 26 April 2022.
​
Stratuz recently reached number one on the Jacquin Ravens Top 50 Metal on US radio station 99WNRR with their latest album “Osculum Pacis”.

Discography:
Stratuz 1993 KCT
In Nomine… 1995 CD
The Last Angel 1999 CD
Spirit Seduction 2000 CD
Without Original Sin 2006 EP(Digital)
Osculum Pacis 2022 CD /Digital

– 30 –

“the fathers of Venezuelan death/doom” – Femforgacs

“For me this material is the best of the Latin scene of 2022” (Osculum Pacis) – Metallerium

“Osculum Pacis is a brutally artistic journey with Stratuz, it loudly demonstrates their abilities and vision, which they stayed true to throughout all the changes and dynamic shifts that we’ve been through on this sonic trip. I loved how packed is it with pure emotions of anger, melancholy, and growing brutality.” – ROCK ERA MAGAZINE

“Fans of doom metal, death metal – even black metal, can find something to appreciate with “Osculum Pacis”. For metalheads who like their metal dark and more mature with its themes, this is a great release to sink your teeth into.” – Team Brutal

It is an album, a record that can captivate anyone who loves music, both for its lyrical content and for its musical enrichment within rock in different trends and trends, along with orchestral arrangements that surround you. Without a doubt, a musical production for export.” – Cresta Metalica

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 OUR DYING WORLD Put A Cinematic Spin On Melodic Death Metal With “The Egregious Sins Of Humanity”

  • June 12, 2023
  • by Asher
  • · Music News · Our Dying World

NEWS RELEASE

Montreal, QC – June 12, 2023

​

 

OUR DYING WORLD Put A Cinematic Spin On Melodic Death Metal With “The Egregious Sins Of Humanity”

L to R – Nick Laux – Bass, Graham Southern – Keyboards and Orchestration, Austin Mitrofanis – Guitar, Tom Tierney – Drums, David Ainsworth – Vocals, Ray Sanchez – Guitar
Credit – Jamie Kaufman Photography
​

Los Angeles’ Our Dying World is geared up to unleash a furious new single “The Egregious Sins Of Humanity”, which comes on the heels of two punishing records “Hymns Of Blinding Darkness” (2022) and “Expedition” (2019). Initially, they focused on the death and thrash metal subgenres but are now moving into the cinematic and symphonic realms. With this new offering, they are looking to give the audience a bridge between the fast and insane side of metal, to the clever and meticulously crafted end of the classical and orchestral spectrum. This new single is deadly fast, with drums clocking in at 225 BPM and the guitars falling in line culminating in a dark sound that will catch the ears of discerning metalheads everywhere. The band comments:

“We’re taking what so many icons have given us through the generations and we’re doing our best to blend them in a tasteful and fun way that inspires and creates that feeling that raises the hair on your arms. We think the fans are going to enjoy the change in sound. We’ve always strived to take our sound to the next level and with the amount of diversity between the full band versions of the single and the orchestral version, there truly is something for everyone to enjoy.”

“The Egregious Sins Of Humanity” marks the next phase in the band’s development. It shows another level of musical maturity and has pushed each member to create more sophisticated parts and make them work together. Those who are drawn into what Our Dying World has created won’t have long to wait for more intense melodic death metal as the band has two more singles in production.

The band all love dark, melodic death metal, and most of them enjoy the symphonic black metal that they’re slowly creeping towards. There’s a bit of thrash and deathcore in some of the riffs they create, but they love the moody, melodic, and symphonic elements that stay with some of the most dramatic styles in metal. Their music is recommended for fans of Dimmu Borgir, Cradle Of Filth, and Children Of Bodom.

Listen to “The Egregious Sins Of Humanity” via its premiere on NoCleanSinging HERE.

For more info:​
​Facebook.com/ourdyingworld​
​Instagram.com/ourdyingworld​
​Twitter.com/ourdyingworld11​

About: Over the last few years, Los Angeles’s Our Dying World has gone through a tremendous evolution of sound from the thrashy death metal of their debut EP Expedition to the symphonic and melodic keyboard-oriented stylings of bands like Children Of Bodom, Nightwish, and Dimmu Borgir.

Formed in 2018 by drummer/guitarist Tom Tierney (ex-Whiplash), the group has played shows all over the USA in their short time together, bringing their sound from the fabled Sunset Strip in Hollywood to the New Jersey Metalfest where they opened for Metal Mike of Halford.

One thing is clear from the young band as they prepare for the release of their new 2023 single “The Egregious Sins Of Humanity” to follow their highly praised sophomore album “Hymns Of Blinding Darkness ” they’ve come to stir the standards that hold the metal scene and redefine them.

Shared Stage with Abysmal Dawn, Abigail Williams, Swallow The Sun, Thrown Into Exile, Metal Mike of Halford.

– 30 –

“We’ll make you a solemn promise: Whatever condition you happen to be in now (unless you’re in a coma), the song and video we’re about to present will make you feel orders of magnitude more alive, accelerating your heart-rate, igniting your fast-twitch muscles, and spinning your head like a glorious top. And for those of you who want your music to attack like a pack of rabid dogs, it fills that need, too. The song is “Veil of the Reaper“, and it comes from Hymns Of Blinding Darkness, the forthcoming album by the Los Angeles band Our Dying World. The new album marks a significant departure from the music on their debut, Expedition, moving in directions that may spawn memories of such bands as Children Of Bodom, Nightwish, and Dimmu Borgir, and you’ll get a vivid understanding of that when you hear “Veil of the Reaper“.” – No Clean Singing​
​
​“Hymns of Blinding Darkness is an intricate album with lofty pursuits featuring a stunning band makeover.” – Decibel Mag​
​
​“As with many great evolutions, Our Dying World took all their best parts and made it huge. This album paces brilliantly and delivers in spades. An overall epic release of their own brand of hard rocking hymns.” – Heavy Mag​
​
​“Closing with the excellent Melodic Death Metal-esque piece “Veil of the Reaper”, Our Dying World manages to keep the listener’s attention with soaring guitar melodies, engaging keyboards, and overall solid songs that are well crafted but need more of a personal identity. There are definitely plenty of excellent things about this release that fans of the genre will greatly appreciate, so don’t be afraid and check out this band.” – Infernal Masquerade​
​
​“Fans who appreciate equal doses of orchestra and mosh pit will likely dig this passionate full-length debut.” – Angry Metal Guy​
​
​“One thing is clear from the young band as they prepare for the release of their second release; they’ve come to stir the standards that hold the metal scene and redefine them.” – Metal Temple

—
ASHER MEDIA RELATIONS
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#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
​

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