Tag: metal

0 Canada’s BLACK PESTILENCE’s Chaotic Black Metal N’ Roll Returns With “The Devil’s Connection” Off “Chaotic Wisdom” Out Sept 2023

July 7, 2023
by Asher
· black pestilence · Music News

NEWS RELEASE

Montreal, QC – July 7, 2023

Canada’s BLACK PESTILENCE’s Chaotic Black Metal N’ Roll Returns With “The Devil’s Connection”

New Album “Chaotic Wisdom” Out September 2023

L-R – Daniel Toews – Guitar, Valax – Bass & Vocals, Davey Hellfire – Drums
Photo Credit – Wikked Twist Media

In the winter of 2008, Black Pestilence emerged from the frozen, windswept prairies of Canada, conjured by bassist/vocalist Valax. Initially, Black Pestilence was a one-man studio project, but years afterward, it evolved into a three-piece band and remains in that form. Over time, Black Pestilence has become known for an instantly recognizable sound that combines black metal, punk rock, and noise. To date, the band has released six full-length albums and two EPs. This impressive discography expands this year with “Chaotic Wisdom”, which further expands on lyrical themes including LaVeyan Satanism, current events, social issues, and the glorification of the epicurean lifestyle. Valax shares his thoughts on the first single off the album, “The Devil’s Connection”:

“The Devil’s Connection addresses the advantages of having an open mind. As esoteric as some scenarios might be, it will allow one to adapt to any situation. ”

According to Valax, fans will get the same infectious sound this band is known for but with a different style of production. On this album, it sounds a bit darker and more analog. For example, they used various different mic techniques for recording the guitars which added a very different overall sound. Each member of the trio spent more time recording their parts which results in a much better performance than the last album.

Black Pestilence started out as very chaotic black metal with small hints of punk rock and lots of noise. After, it slowly evolved into a punk rock structure with black metal vocals. Now it is much more catchy with shorter song lengths. Their chaotic black metal ’n’ roll is recommended for fans of Midnight, Toxic Holocaust, and Impaled Nazarene.

Watch and listen to their music video for “The Devil’s Connection” via its premiere on NoCleanSinging HERE.

Their forthcoming album “Chaotic Wisdom” is due out on September 8, 2023, and available for pre-order at https://blackpestilence.bandcamp.com.

Track Listing:
1. Mortal Rift (3:29)
2. A Life of Evil (3:06)
3. The Devil’s Connection (3:29)
4. Chaos and Carnality (3:18)
5. Aspect of Darkness (3:06)
6. Infernal Might (feat. Mark Russell) (2:35)
7. Animus (5:50)
Total Length: 24:53

Facebook.com/blackpestilenceband | Instagram.com/blackpestilence | Youtube.com/blackpestilence | Spotify

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“A recent discovery that has tickled the excitement nerves in my jaded and encrusted ear drums is Calgary’s Black Pestilence. Their take on black metal incorporates old-school thrash and punk and if you listen closely you can hear the smatterings of plain ol’ rock ‘n’ roll and swaths of noise and is a sound that has been explored and nurtured since the band formed as a one-man project in 2008. The band’s handlers claim those fans of Toxic Holocaust, Impaled Nazarene, Municipal Waste, Midnight and Cradle of Filth unconcerned with genre boundaries will enjoy Black Pestilence and we have to say the nail has certainly been hit on the head in that regard. Additionally, fans of image and theatrics will find value in the band’s aesthetic which owes to a collision of black metal, goth rock and Judas Priest’s wardrobe and fashion sense. ” – Decibel Magazine

“Hail the Flesh is a nice, quick, in and out style album. There’s no messing around, there’s no overly extended bridges or songs that overstay their welcome. This is a 9 track album that only spans 34 minutes of constant, hard hitting riffs, blasts, and downright aggressive and dominative vocals. Even the final track on the album, “Ephemeral”, which nearly reaches 7 minutes in play time feels fresh the whole way through. ” – Metal Injection

“an album that really has a surprisingly wide range within the black/thrash/punk style so if you love that sort of black and roll aggressive metal, then “Hail The Flesh” will be an album for you.” – The Rockpit

“Calgary, Canada’s Black Pestilence bring a fresh take to the sound, though. Hail The Flesh, the band’s sixth full-length album is a blackened crossover punk-thrash album. It sounds old school, yet very 2000s at the same time…. Municipal Waste, Impaled Nazarene, Toxic Holocaust fans take notice.” – Heavy Music Headquarters

“They really don’t have another gear beyond ‘top’ which makes for a splitting headache of heavy but one that satisfies. After all there are only 9 tracks and as Godless spits and snarls, Frauds to the Throne exudes filthy groove, My Will to Power rages hard and Ephemeral drags the suffering out, the over-riding thought is Black Pestilence have impressed.” 8/10 – Games, Brrraaains & A Head-Banging Life

“Honestly, anyone with the remotest interest in Black ‘n’ Thrash, Black ’n’ Roll or even just plain old Thrash is going to love this album. It is a blisteringly addictive listen. The skilfully fluid ways that all these genres are melded is both brilliant and compelling as well as being lyrically inspiring.” – MetalTalk.net

“First things first, it’s not every day you hear black metal as fun as this! That is partly because of the exciting thrash and not-so-serious punk influences, but also because the songwriting is very strong. ” 4/ 5 – The Independent Voice

“dirty, punky Black/Thrash that occasionally makes feedback noises and consistently slaughters everything in its path.” 4/5 – The Metal Crypt

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0 ORCHID’S CURSE Now Streaming Varied New Melodic Metal EP “The Decay”

June 15, 2023
by Asher
· Music News · Orchid's Curse

NEWS RELEASE

Montreal, QC – June 15, 2023

ORCHID’S CURSE Now Streaming Varied New Melodic Metal EP “The Decay”

L-R = Alex Wrathell (Drums), Brian Jones (Guitar), Keith MacLeod (Guitar), Jason Szeto (Bass), Josh Hogan (Vocals)

Orchid’s Curse formed way back in 2005 with their first release in 2006. 18 years have passed and they have withstood the test of time. Whether persevering through member changes or a pandemic, the band continues to push forward and release new music. “The Decay” is their sixth release and will highlight that the band has no plans to stop creating music any time soon.

Musically, “The Decay” is their most mature work yet, consisting of five songs with a variety of different musical influences but also still having the Orchid’s Curse signature sound. Listeners will experience a two-minute thrash banger, a six-minute melodic epic, and everything in between with lyrics that explore the decline and decay of our modern society. The band shares their excitement:

“We are elated to finally be releasing THE DECAY to the masses. Writing for this album started before the pandemic and we are glad the time to release it is finally here. One positive is that with the shutdowns we had a lot of extra time to spend refining these songs to ensure it was the most mature and competent release to date. With each new album we always try to continue to progress and up the ante musically and artistically. We all feel really confident in these songs and this release as a whole.”

They say variety is the slice of life and Orchid’s Curse delivers exactly that. This succinct journey runs the gamut from slow and sludgy to fast and relentless. The EP was produced by the band’s rhythm guitarist, Brian Jones; mixed and mastered by Mike Bowers (Pale Ache), and the EP artwork was done by lead guitarist, Keith MacLeod.

With something for everyone, “The Decay” will be enjoyed by a wide range of metalheads, including those into Darkest Hour, At the Gates, and The Black Dahlia Murder.

“The Decay” is due out Friday, June 16, 2023, and can be heard ahead of its release via its full stream premiere on Decibel Magazine HERE.

Album pre-order – https://orchidscurse.bandcamp.com/

Track Listing:
1. Better Men – 5:42
2. Dead Idols – 4:24
3. The Divergence of Man – 4:45
4. Divided by Everything – 2:31
5. Pay to Prey – 6:24
EP Length: 23:47

Orchid’s Curse is:
Josh Hogan – Vocals
Brian Jones – Guitar/Vocals
Keith MacLeod – Guitar
Jason Szeto – Bass
Alex Wrathell – Drums

For more info: Orchidscurse.com | Facebook.com/orchidscurse | Instagram.com/orchidscurse

About: With over a decade of musical output, Orchid’s Curse continues to create a beautiful amalgamation of brutal metal, progressive melody, and intelligent thought-provoking lyrics. Whether in a live setting or on an album, Orchid’s Curse refuses stagnation and orders your full attention.

Since forming in Dartmouth, Nova Scotia in late 2005, Orchid’s Curse has positioned itself at the forefront of the highly underrated East Coast metal scene in Canada. Ensuring that every show left the band drained of all they had and every album was created with the most care and the best team they could find. Now with their sixth release “The Decay” ready to release, the band continues to position itself at the forefront of maritime metal.

Metalsucks.net captured the band’s goal of blending various genres of metal, declaring “Orchid’s Curse is one of those bands that play around with melodeath, groove, thrash, and occasionally prog with enough fluidity to rid themselves of any sort of pesky sub-genre tags and earn the simple, yet elegant classification of ‘metal’.” while Canada’s Hellbound.ca recognized the bands continued progression and growth over the years stating, “Few bands demand that each album be a progression, a growth, in the way that Orchid’s Curse does. No musical influence is turned away, but everything is twisted, melded into an intense metal experience that makes your head bang one moment and your toes tap the next”

Since 2006 Orchid’s Curse has shared the stage with an incredibly diverse lineup of bands including, The Black Dahlia Murder, Children of Bodom, Every Time I Die, Cancer Bats, 3 Inches of Blood, Goatwhore, Exhumed, Fuck the Facts, KEN Mode, Misery Index, Counterparts, Baptized in Blood, Martyr, Beneath the Massacre, Vilipend, Ion Dissonance, Neuraxis, L’Espirit du Clan, Unexpect, Trigger Effect, Ninjaspy, Unbreakable Hatred, Misguided Aggression, Greber and many more.

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“Orchid’s Curse is one of those bands that plays around with melodeath, groove, thrash, and occasionally prog with enough fluidity to rid themselves of any sort of pesky sub genre tags and earn the simple, yet elegant classification of ‘metal’.” – Metal Sucks

“Orchid’s Curse employ their familiar tactic of borrowing the techniques of multiple genres, from filthy death metal riffs to hardcore barks, progressive guitar explorations and dirge-like, doom-influenced song structures.” – Exclaim!

“Thick, brutal, aggressive and borderline cacophonous, at times, Voices is relentlessly engaging and explosive while maintaining a decisively melodic essence.” – Exclaim!

“heavy riffs built for headbanging” – Metal Storm

“Cynics & Liars, is very much an EP which epitomizes everything good about metal in 2016” – PureGrainAudio / V13

“Orchid’s Curse are versatile, able to play everything from menacing thrash to accessible melodeath to punishing metal” – HeavyMetal.About.com

“Every song punches you right between the eyes” – Mettalworx

“This album is just laced with hook after hook. Whether it be a classic metal riff, a psyched out interval or just a standard heavy rock n’ roll beat; the album is catchier than an STD on 2-for-1 night at a brothel.” – Echoes and Dust

—
ASHER MEDIA RELATIONS
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(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 Venezuelan Atmospheric Death Doom STRATUZ Find Refuge w/ New Lyric Video “Left” Off New Album “Osculum Pacis” Out Now!

June 13, 2023
by Asher
· Music News · Stratuz

NEWS RELEASE

Montreal, QC – June 13, 2023

Venezuelan Atmospheric Death Doom STRATUZ Find Refuge w/ New Lyric Video “Left”

New Album “Osculum Pacis” Out Now!

L-R – Franklin Berroteran (Vocals, Keyboard), Geronimo Egea (Guitar), Leonardo Rangel (Baa), Diego Cabrujas (Drums)

Venezuelan atmospheric death/doom Stratuz unleashed their latest album “Osculum Pacis” in April 2022, which marked their return since going on hiatus in 2006 and reforming in 2019. The album is an immersion into the band’s own universe of sound, which will lead you to listen to each of the themes repeatedly and thus discover each sound layer and the sensations to awaken you.

“So many years away from the scene led us to experiment with other musical currents and the studio, which allowed us to nourish ourselves and thus reach the level we are at now. This record we hope will awaken your senses with its eleven tracks that ebb and flow through dreary gutturals, majestic choruses, and heart-pumping riffs.” says the band.

Lyrically, “Osculum Pacis” speaks of the abuses of the church and its deafening silence in the face of so many denunciations of abuse. It speaks of the manipulation of the masses, and injustice, but at the same time, it also speaks of the awakening of consciousness, of death as a process of transformation, and the need to change ourselves in order to rise up and banish our own miseries. It speaks of rising up aware of who we are.

Today, Stratuz shares their latest lyric video for the track “Left”, a song that reflects the emptiness that many people feel internally.

“This is one for those who know that feeling of abandonment, loneliness, neglect, and that lack of sense for being on this plane, taking refuge in their own sorrow.” adds the band.

Watch and listen to the lyric video for “Left” via its premiere on Doomed and Stoned HERE.

The band is currently preparing to continue promoting their latest album “Osculum Pacis” in Venezuela and other countries along with working on new material to follow in the near future.

“For those of you who have already heard our current work Osculum Pacis, you will have high expectations with the new stuff we will produce, however, we are convinced that we will surprise many again and it will be very well received.”

Stratuz live transmits a much more powerful energy than on recordings, and there are always comments that the band sounds much better in concert than on recordings, and this is because of the particular energy that can be appreciated in the shows. They are recommended for fans of Paradise Lost, Tiamat, and Moonspell.

The album “Osculum Pacis” was released on April 26, 2022, and is available on CD / Digital on Stratuzofficial.bandcamp.com, and Spotify.

Live video (accompanied by a string ensemble and a choir) “Back To The Sun“ – https://youtu.be/ErVam3miymw

Track Listing:
1. Intro – 1:58
2. Morning Star – 3:50
3. Father Amorth (e) – 2:58
4. Holy Grail – 4:36
5. Caelibatus – 4:33
6. In the Name of God – 3:06
7. Back to the Sun – 3:09
8. Sodomized – 4:41
9. Dawn – 5:06
10. Left – 4:57
11. Condemned – 5:26
Album Length: 44:22

Stratuz is:
Franklin Berroterán – Voices and Keyboards
Gerónimo Egea – Guitars
Leonardo Rangel – Bass
Diego Cabrujas – Drums

For more info: Stratuz.info | Facebook.com/stratuzofficial | Twitter.com/stratuzofficial | Instagram.com/stratuz_official

About: Stratuz is a Venezuelan doom-death metal band formed in 1984. The group released their first demo in 1993 and their debut album “In Nomine…” in 1995, helping them to quickly become the most recognized metal band in Venezuela and cementing their place as one of the pioneer bands of extreme metal.

In 1999, Stratuz finished recording the album “The Last Angel” upon their return from a European tour. That same year, they signed with the Belgian label LSP-Company for a new album entitled “Spirit Seduction”.

The band decided to disband in 2006, but in 2019 they reform and start working on a new album titled “Osculum Pacis”, released on 26 April 2022.

Stratuz recently reached number one on the Jacquin Ravens Top 50 Metal on US radio station 99WNRR with their latest album “Osculum Pacis”.

Discography:
Stratuz 1993 KCT
In Nomine… 1995 CD
The Last Angel 1999 CD
Spirit Seduction 2000 CD
Without Original Sin 2006 EP(Digital)
Osculum Pacis 2022 CD /Digital

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“the fathers of Venezuelan death/doom” – Femforgacs

“For me this material is the best of the Latin scene of 2022” (Osculum Pacis) – Metallerium

“Osculum Pacis is a brutally artistic journey with Stratuz, it loudly demonstrates their abilities and vision, which they stayed true to throughout all the changes and dynamic shifts that we’ve been through on this sonic trip. I loved how packed is it with pure emotions of anger, melancholy, and growing brutality.” – ROCK ERA MAGAZINE

“Fans of doom metal, death metal – even black metal, can find something to appreciate with “Osculum Pacis”. For metalheads who like their metal dark and more mature with its themes, this is a great release to sink your teeth into.” – Team Brutal

It is an album, a record that can captivate anyone who loves music, both for its lyrical content and for its musical enrichment within rock in different trends and trends, along with orchestral arrangements that surround you. Without a doubt, a musical production for export.” – Cresta Metalica

0 OUR DYING WORLD Put A Cinematic Spin On Melodic Death Metal With “The Egregious Sins Of Humanity”

June 12, 2023
by Asher
· Music News · Our Dying World

NEWS RELEASE

Montreal, QC – June 12, 2023

OUR DYING WORLD Put A Cinematic Spin On Melodic Death Metal With “The Egregious Sins Of Humanity”

L to R – Nick Laux – Bass, Graham Southern – Keyboards and Orchestration, Austin Mitrofanis – Guitar, Tom Tierney – Drums, David Ainsworth – Vocals, Ray Sanchez – Guitar
Credit – Jamie Kaufman Photography

Los Angeles’ Our Dying World is geared up to unleash a furious new single “The Egregious Sins Of Humanity”, which comes on the heels of two punishing records “Hymns Of Blinding Darkness” (2022) and “Expedition” (2019). Initially, they focused on the death and thrash metal subgenres but are now moving into the cinematic and symphonic realms. With this new offering, they are looking to give the audience a bridge between the fast and insane side of metal, to the clever and meticulously crafted end of the classical and orchestral spectrum. This new single is deadly fast, with drums clocking in at 225 BPM and the guitars falling in line culminating in a dark sound that will catch the ears of discerning metalheads everywhere. The band comments:

“We’re taking what so many icons have given us through the generations and we’re doing our best to blend them in a tasteful and fun way that inspires and creates that feeling that raises the hair on your arms. We think the fans are going to enjoy the change in sound. We’ve always strived to take our sound to the next level and with the amount of diversity between the full band versions of the single and the orchestral version, there truly is something for everyone to enjoy.”

“The Egregious Sins Of Humanity” marks the next phase in the band’s development. It shows another level of musical maturity and has pushed each member to create more sophisticated parts and make them work together. Those who are drawn into what Our Dying World has created won’t have long to wait for more intense melodic death metal as the band has two more singles in production.

The band all love dark, melodic death metal, and most of them enjoy the symphonic black metal that they’re slowly creeping towards. There’s a bit of thrash and deathcore in some of the riffs they create, but they love the moody, melodic, and symphonic elements that stay with some of the most dramatic styles in metal. Their music is recommended for fans of Dimmu Borgir, Cradle Of Filth, and Children Of Bodom.

Listen to “The Egregious Sins Of Humanity” via its premiere on NoCleanSinging HERE.

For more info:
Facebook.com/ourdyingworld
Instagram.com/ourdyingworld
Twitter.com/ourdyingworld11

About: Over the last few years, Los Angeles’s Our Dying World has gone through a tremendous evolution of sound from the thrashy death metal of their debut EP Expedition to the symphonic and melodic keyboard-oriented stylings of bands like Children Of Bodom, Nightwish, and Dimmu Borgir.

Formed in 2018 by drummer/guitarist Tom Tierney (ex-Whiplash), the group has played shows all over the USA in their short time together, bringing their sound from the fabled Sunset Strip in Hollywood to the New Jersey Metalfest where they opened for Metal Mike of Halford.

One thing is clear from the young band as they prepare for the release of their new 2023 single “The Egregious Sins Of Humanity” to follow their highly praised sophomore album “Hymns Of Blinding Darkness ” they’ve come to stir the standards that hold the metal scene and redefine them.

Shared Stage with Abysmal Dawn, Abigail Williams, Swallow The Sun, Thrown Into Exile, Metal Mike of Halford.

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“We’ll make you a solemn promise: Whatever condition you happen to be in now (unless you’re in a coma), the song and video we’re about to present will make you feel orders of magnitude more alive, accelerating your heart-rate, igniting your fast-twitch muscles, and spinning your head like a glorious top. And for those of you who want your music to attack like a pack of rabid dogs, it fills that need, too. The song is “Veil of the Reaper“, and it comes from Hymns Of Blinding Darkness, the forthcoming album by the Los Angeles band Our Dying World. The new album marks a significant departure from the music on their debut, Expedition, moving in directions that may spawn memories of such bands as Children Of Bodom, Nightwish, and Dimmu Borgir, and you’ll get a vivid understanding of that when you hear “Veil of the Reaper“.” – No Clean Singing

“Hymns of Blinding Darkness is an intricate album with lofty pursuits featuring a stunning band makeover.” – Decibel Mag

“As with many great evolutions, Our Dying World took all their best parts and made it huge. This album paces brilliantly and delivers in spades. An overall epic release of their own brand of hard rocking hymns.” – Heavy Mag

“Closing with the excellent Melodic Death Metal-esque piece “Veil of the Reaper”, Our Dying World manages to keep the listener’s attention with soaring guitar melodies, engaging keyboards, and overall solid songs that are well crafted but need more of a personal identity. There are definitely plenty of excellent things about this release that fans of the genre will greatly appreciate, so don’t be afraid and check out this band.” – Infernal Masquerade

“Fans who appreciate equal doses of orchestra and mosh pit will likely dig this passionate full-length debut.” – Angry Metal Guy

“One thing is clear from the young band as they prepare for the release of their second release; they’ve come to stir the standards that hold the metal scene and redefine them.” – Metal Temple

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0 Out Now! War And Melodic Death Metal Collide In “The Future Remains In Oblivion” From Quebec’s VORTEX

June 9, 2023
by Asher
· Music News · Vortex

NEWS RELEASE

Montreal, QC – June 9, 2023

Out Now! War And Melodic Death Metal Collide In “The Future Remains In Oblivion” From Quebec’s VORTEX

L-R – Justin L’Italien Dubé (Drums and Piano), Simon Desjardins (Bass), Alexandre Labrie (Vocals), Dany Lévesque (Guitars), Mathieu Duguay (Guitars and Orchestrations)
Photo Credit: Freeman

Rimouski’s Quebec’s Vortex is now streaming its third epic concept album set to aggressive and beautiful orchestral melodic death metal with hints of black metal. Each song in “The Future Remains In Oblivion” is one chapter in their well-written sci-fi tale and there is a build-up in intensity and emotion that goes along with the storyline and the lyrics as you traverse the album. They share their thoughts:

“This is an orchestral death metal album with plenty of heavy riffing and melodies, technical vocals, and epic soloing. Some of the songs are riff-oriented and some others had the orchestra and melodies written before the drums and the guitars. We wrote all the lyrics before the music to make sure that it would fit the feel and emotion of each song/part of the story. When we start writing a song, we know exactly what feeling and emotion we are aiming at, it’s a good way to push ourselves creatively and write thoughtful music.”

Those familiar with the previous albums will note that they were more on the ambient/dramatic side. The new album’s songs are still melodic/orchestral but much more aggressive and some of them have a black metal influence. Vortex’s goal was to create songs that would have a greater impact on their live shows, and these aggressive songs will work well live. They feel the album is a good combination of aggression/melody, and ugliness/beauty.

Creativity and storytelling are the key tenets of Vortex. Their masterful lyric writing is equally matched with their prowess in devising riffs, and orchestrations. They will transport the listener into a new world and are recommended for fans of Lorna Shore, Dimmu Borgir, and Fleshgod Apocalypse.

“The Future Remains In Oblivion” is now available as of June 9th, 2023.

Digital (Bandcamp, Spotify, Apple Music) – https://linktr.ee/vortexband

Music Video – First Blood – https://youtu.be/Wd-yfIfRRzQ

Tour Dates:
June 9 – Matane, QC – Le Barachois – Gaspesian Metal fest
Sept 15 – Rivière du Loup, QC – Espace Collectif Berger St-Modeste w/ Aeternam
Sept 16 – Montreal, QC – Piranha Bar (Hellstorm Productions 20th Anniversary Show)
Oct 21 – Ottawa, ON – The House of Targ w/ Serene Dark, Strigampire
Nov 3 – Saguenay, QC – CEM w/ Beyond Fiction, Strigampire
Nov 4 – Montreal, QC – Piranha Bar w/ Strigampire, Serene Dark
Nov 15 – Edmundston, NB – Microbrasserie Ateepic w/ Aeternam
Nov 16 – Charlottetown, PEI – Trailside w/ Aeternam
Nov 17 – Moncton, NB – Xeroz w/ Aeternam
Nov 18 – Saint John, NB – The Panic Room w/ Aeternam
Dec 15 – Rimouski, QC – Le Paradis – Strigampire, Serene Dark, Beyond Fiction
Dec 16 – Trois-Rivières, QC – L’Entité w/ Strigampire, Serene Dark
Jan 26 – Drummondville, QC – La Sainte-Paix w/ Aeternam
Jan 27 – Quebec City, QC – L’Anti w/ Aeternam

Track Listing:
1. From The Sun (5:24)
2. Downfall (4:11)
3. The Fool (3:13)
4. The Walls (4:32)
5. Our Possible End (4:23)
6. First Blood (4:29)
7. The Future Remains In Oblivion (4:50)
8. When No More Words Will Be Heard (5:22)
Album Length: 36:29

For more info: Vortex.band | Facebook.com/vortex.band.ca | Instagram.com/vortex.band.ca | Twitter.com/vortexband

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“The song’s (The Walls) multi-faceted nature is further revealed in harrowing and haughty growls, jolting chords, and fiery sunbursts of sound, as well as through a swirling melodic guitar solo that spectacularly sends the song into the stratosphere. The song’s finale is itself a full-power spectacle that really gets the adrenaline surging.” – No Clean Singing

“For some music is pure escapism but does that still hold true when bands like Canadian Melodic Death Metal monster Vortex whisk the would be listener into a bleak world that is recovering from a devastating cataclysm? Scenes of war and survival are punctuated with harrowing strings, technical riffs, and guttural and Black Metal inspired vocals as the band weave cinematic stories and orchestral touches into their third concept album “The Future Remains In Oblivion”” – Metal Noise

“An excellent group that you must discover because of the intensity they are able to show” – Ondes Chocs

“The breakdowns are huge in places. There are big moments where the influences pour through, but are blended with giant choral arrangements and symphonics. It’s absolutely like something out of a Lord of the Rings movie. I love the melodies, the harmonics, and the guitar solos. This is absolutely an album which ought to be part of your listening rotation this month. I was genuinely impressed with quite a bit of the entire album. I think that when you look at this album, the absolute banger of the title tack is 100% worth several spins with the blackened guitar riffs and tremendous choral arrangements.” – Metal Epidemic

“The songs you’ll find on this upcoming release are aggressive, but Vortex also has a strong melodic approach and lots of orchestrations combined with guttural, black metal vocals and diverse guitar playing that alternates between howling snippets and beautiful, emotional riffs. Recommended for fans of Shadow of Intent, Septicflesh, and Dimmu Borgir.” – RTMB Music

0 NEOLIA Embrace Feverish Riffs And Heavy Grooves In “Rise And Fall” Off S/T Debut

June 5, 2023
by Asher
· Music News · Neolia

NEWS RELEASE

Montreal, QC – June 5, 2023

NEOLIA Embrace Feverish Riffs And Heavy Grooves In “Rise And Fall” Off S/T Debut

Album Mastered by Howie Weinberg (Metallica, Pantera, Nirvana)

L-R: Neolia Current Line Up – Tomer Mash (Bass), Yair Ben Shalom (Drums), Ben Reiss (Vocals), Guy Greenberg (Guitar), Inbar Davish (Guitar)

Photo Credit – Avi Veldman

Photo Edit by: Rana Sneider

Israel’s Neolia‘s debut self-titled album is a masterpiece of experimental, progressive metal that will leave you speechless. From the haunting melodies to the complex rhythms, every aspect of this album has been crafted with care and precision. Get ready to be transported to another dimension with this Israeli band’s stunning debut and the recently released single “Rise and Fall” being presented now with a lyric video. The band shares the background of the track:

“It was the first one of the first songs we wrote for the album. Its first draft was recorded with just an electric guitar as a very basic demo, but it had most of the original riffs. The next demo version that was crafted at Tomer’s home studio was already in its final form, but it had had tweaks done to it and other parts and elements added as well. It is directly related to the concept of the album and the struggles of day-to-day life but not only the common ones, and is based on a fictional story Tomer had written. The main character, Alex, tries his best to recreate his past as a raging prophet that leads the weak, bruised, and innocent to follow his path but he doesn’t succeed this time so he crawls back to the demons that comfort him in his depression.”

The track starts off with a heavy groove intro, but it breaks once the verse enters with a drum and bass-like pattern demonstrating the duality of the song as the energy stretches back and forth. Containing some odd signature rhythms and polyrhythmic components it even leans into different genres becoming thought-provoking, alongside relatable, cathartic lyrics.

Watch and listen to“Rise and Fall” via its lyric video’s premiere on Space Untravel Youtube channel – https://youtu.be/QUjIK5fSQNA

On a musical level, Neolia aspires to be a new horizon in the rock and metal scene, allowing a sense of freedom within the parameters of rock and metal, and leaving space for other musical inspirations such as African, Latin, and contemporary jazz music. They are recommended for fans of Protest The Hero, Coheed and Cambria, The Human Abstract, and Tool.

Neolia‘s self-titled album released on May 5th is available on https://neolia.bandcamp.com/album/neolia, Spotify – https://spoti.fi/3nsmoaf

Previous Videos:

Karma – https://youtu.be/DJUrWQkljrA

Blow The Leaves – https://youtu.be/kcsOO7tCf-Y

Version Of You – (Live at Barby) – https://youtu.be/pI_qa14kZ-k

Track Listing:
1. The Shed – 3:44
2. The Shed Outro – 0:52
3. Your Prophecy – 7:44
4. Dance of Violence – 7:10
5. Carried Away – 5:49
6. Carried Away Outro – 1:24
7. Karma – 4:09 ft. guest vocals Ran Yerushalmi
8. Karma Outro – 0:44
9. Day In Day Out – 11:06
10. Anchors – 7:14
11. Rise and Fall – 5:06
12. Blow the Leaves – 7:02
13. A Better Version of You – 4:53
14. Refahim – 8:00
Album Length: 74:57

For more info: Neoliaband.com | Facebook.com/neoliaband | Instagram.com/neoliaband

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“This band is going to be huge. You know how Tool and the Mars Volta developed into their own sound and how they have a legion of devoted fans? That’s what Israel’s Neolia is about to do with this self titled debut album.” – Transcending the Mundane

“Karma”, (the video) accompanied by a beautiful shot somewhere in the deserts of Israel, has that fantastic balance of aggression and melody that I love about alternative metal. At its more frenetic moments, like the excellent transitions from the heavier moments near the end of the track and the more melodic chorus, it reminds me of The Mars Volta, and that is one big compliment. Elsewhere, Yerushalmi’s guest vocals are expertly utilized to balance the rawer, more harried vocals of the band’s own singer, Ben Reiss. Together, they present the major melodic force on the track, while the instruments deliver well written, complex, and undeniable groove. This mix is exactly what alternative metal is so good for, hitting on both the emotional and the visceral level of enjoyment. The track ends up being both interesting to dissect and take apart but also something you can move and sing to. If the band’s self-titled is as good as this, and the other tracks released so far seem to indicate that that is indeed the case, then we’re in for a treat. Make sure you head on over to the band’s Bandcamp to pre-order it; I think it’s going to be a lot of fun!” – Heavy Blog Is Heavy

“Neolia’s Self-titled debut album is a reflection of years of soaking up music of different genres from rock to pop to world music and whatnot. It’s a fusion of bits upon bits of pieces absorbed and processed and then spat out from a personal perspective. In its musical aspect, its rock and metal based, but with a twist of African, Latin, Jazz, and ambient that reaches the spectrum of high and low, tender, extreme, and crazy.” – New Prog Releases

“It’s as if Ben’s screams had come straight out of hell tearing the skies in all directions” – Metalist Magazine

“Filled with different time signatures, that incorporate beautiful melodic parts and screams that hit you directly in the center of the stomach” – Radio Ze Rock Magazin

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Rockshots Records – Out Now! Canada’s WALK WITH TITANS’ Debut Album “Olympian Dystopia” (Greek Myths Meet Power Metal)

May 26, 2023
by Asher
· Music News · Walk With Titans

NEWS RELEASE

Montreal, QC – May 26, 2023

Rockshots Records – Out Now! Canada’s WALK WITH TITANS’ Debut Album “Olympian Dystopia” (Greek Myths Meet Power Metal)

Photo Credit – Dani Rod – Above the Sky Studios

Out Now! Rockshots Records presents epic power metal with a twist of Greek Mythology from Montreal, Canada’s Walk With Titans, and their debut album “Olympian Dystopia”.

Efficient, epic, well executed, heavy, and mythical, this is what power metal fans will discover from 50 minutes of Walk With Titans’ first full-length “Olympian Dystopia” brought forth by Nikko Cyr (drums), Nick Maugy (rhythm guitar), Louis Jacques (lead guitar) (ex-Blackguard), Lydz Grondin (bass), and Jonathan Vézina (vocals & orchestrations). Greatly inspired by Greek mythology and the band’s perspectives on life, it’s a unique trait that will not leave you indifferent.

”We are stocked to have our album ‘Olympian Dystopia’ finally released. We couldn’t be happier about them sharing our songs. Our music has been described as if Stratovarius, Rhapsody of Fire, and Angra had a child. We’re very happy to bring ‘Olympian Dystopia to the world! Making it was quite a ride and we had so much fun, we hope fans will have as much fun listening to it!” adds guitarist Louis Jacques.

Walk With Titans is recommended for fans of Angra, Stratovarius, and Rhapsody of Fire.

Album order – https://bit.ly/WalkWithTitansCD

Digital – https://bfan.link/olympian-dystopia

Lyric Video – Seven Against Thebes – https://youtu.be/B8RxVmKbLKY

Music Video – Herakles – https://youtu.be/3I3cQG9F7Fo

Track Listing:
1. Herakles (4:08)
2. Edge of Time (4:34)
3. Gods of the Pantheon (5:53)
4. As Titans Fall (4:36)
5. Lost Ways (4:28)
6. Final Dawn (5:31)
7. Gift of Fire feat. Renato Osório (5:38) – Guest guitar solo by Renato Osório (Atomic Elephant, ex-Hibria)
8. Lost Paradise (5:17)
9. Seven Against Thebes (4:16)
10. Eurydice (5:46)
Album Length: 50:22

Walk With Titans is:
Drums : Nikko Cyr
Rythm Guitar : Nick Maugy
Lead Guitar : Louis Jacques
Bass Guitar : Lydz Grondin
Vocals & Orchestrations : Jonathan Vézina

Album Credits:
Album Artwork: Jean-Michel Lima
Logo and album cover layout: Jivago Raymond
Booklet Layout: Simon Bertrand
Recordings: Nick Maugy and Louis Jacques, and vocals were at Silverwings Studio by Jonathan Lefrançois
Mix and Mastering: Francis Gagné from Progressive Acoustics
Drums on the Album: Martin Plante (session drummer)
Music by Walk With Titans
Guest solo on ”Gift of Fire” by Renato Osório (ex-Hibria)
Lyrics: Jonathan Vézina, Louis Jacques, and David Zinay (lost paradise, final dawn)

For more info: Rockshots.eu | Facebook.com/profile.php?id=100064909415917 | Instagram.com/walk_with_titans

– 30 –

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0 ETHEREAL VOID Explore War, Suffering And Demise In “Gods of a Dead World” Streaming Now!

May 25, 2023
by Asher
· Ethereal Void · Music News

NEWS RELEASE

Montreal, QC – May 25, 2023

ETHEREAL VOID Explore War, Suffering And Demise In “Gods of a Dead World” Streaming Now!

Behold Ethereal Void, a trinity of death metal musicians whose music emanates from the shadows of Ontario, Canada. Infused with groove and progressive elements, their rhythmic dirges speak of the void beyond time and space, a place of emptiness and desolation. Forged in that void, their music embodies the hopelessness of existence, reminding us of the futility of our struggles. Their third album “Gods of a Dead World” is now ready to be shown the light of day and they invite you to indulge in the album stream. They comment:

“This album is definitely our most consistent offering to date. We refined the sound both in writing and production while maintaining a unique angle for every song. The biggest stand-out is the introduction of orchestral elements to the sound. It feels like a long time coming, at least from my perspective. The album is much more refined musically as well. While we generally keep to the traditional EV themes, There is a constant-running sub-theme of the futility and violence of warfare.”

Throughout the album, Ethereal Void takes up through moments of tension, traditional death metal, instrumental interludes, relentless riffs, and anxious melodies. They cover bleak and harsh topics such as war, suicide, a dying planet, and the worship of entropy. The organic conjuring of the album is initially created by Terci Ruina creates, further embellished by Nemesis, and completed by “Voiicide” who also produced, mixed, and mastered it.

“Gods of a Dead World” is raw, visceral, and primitive. The groove-based death metal darkness within is recommended for fans of Gojira, Septic Flesh, and The Design Abstract.

Listen to it in full via its album stream premiere on Bravewords HERE.

“Gods of a Dead World” is due out May 26, 2023, via Abstrakted Records.

Album pre-order – https://design.bandcamp.com/album/gods-of-a-dead-world

Lyric Video – Seeds of Hatred – https://youtu.be/ZN2wTUjij8c

Track Listing:
1. Overture to Annihilation (1:35)
2. The Voiceless (2:59)
3. Seeds of Hatred (3:44)
4. The Art of Ruination (2:48)
5. Psychosomatic Suicide (2:59)
6. Decay (Interlude) (0:46)
7. Return to the Void (3:34)
8. The Brown Stone Spire (2:32)
9. Gods of a Dead World (5:49)
Album Length: 26:50

For more info: Facebook.com/EtherealVoid

– 30 –

““The Voiceless” is a rushing charge. It gets the listener’s pulse pumping because the song itself has such a mad pulse. Many of them actually, from the fast jolts in the fuzzed-out riffage to the die-stamp hammering of the snare and the jackhammer impact of the bass. And it does sound like a mad pulse, thanks to the swarms of frantic tremelo’ed fretwork, the relentless double-bass strafing, and the ugly ravenous growls. While the head-hooking energy of those assaulting ingredients never really lets go, the music does also move sideways. Eerie spectral tones ring out, creating an overlay of melancholy. The music even seems to elevate in wailing splendor, as a prelude to a sorcerous guitar solo that sounds both inviting and yearning, both enticing in its glimmering tones and downcast in its mood. Even the unhinged screams of the vocalist almost sound like singing (almost).” – No Clean Singing

“A compact and concise release, Gods of a Dead World comes in at around 26-minutes long and features a number of sharp and savage pieces of music. Kicking off with a frantic showcase of guitar screams and squeals, with the chunky familiarity of death metal heaviness, Overture to Annihilation gets in, smashes stuff up, and gets out.” – Games Brrraaains & A Head-Banging Life

“or a Death Metal cut “Overture to Annihilation” is a real eye opener, blood soaked in cinematic orchestration and virtuoso lead guitars, the barked vocals having that story telling quality to them. That flows nicely into “The Voiceless“, which introduces the lyrical themes and creatures with Voiicide playing both victim and killer as vocals come from alternate angles with a vocal tweak. It works incredibly well, the riffs flowing freely with chugging aggression, the leads bright and vibrant against the darkness. The way the cuts have been put together has been well thought through, the segway into “Seeds of Hatred” barely noticeable as the flow continues like an orchestral piece but there is also enough of shift to identify the track as being separate.” – Metal Noise
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 Streaming Now! WHYTHRE’s Electrifying Melo-Death Album “Impregnate My Hate”

May 25, 2023
by Asher
· Music News · Whythre

NEWS RELEASE

Montreal, QC – May 25, 2023

Streaming Now! WHYTHRE’s Electrifying Melo-Death Album “Impregnate My Hate”

L-R – Steve Fournier – Drums, Adam Chambers – Vocals, Guitars, Synths, Eric Close – Bass, Shon Petrey – Guitars, Synths
(Photographer Credit – Carolina Chambers)

Seattle-based Whythre’s new album “Impregnate My Hate” is about to be released on Friday, May 26th and before it officially drops, its full album stream is being premiered on Metal-Rules HERE.

Whether it’s writhing with wailing solos, slithering with sinuous synth lines, or awash with waves of riptide riffs, Whythre’s latest is without remorse. They came to lay waste and write solid album titles — and they’re all out of album titles. Consequently, “Impregnate My Hate” opens with the single “Scorchbreath”, an onslaught of solos, slamming breakdowns, subtle orchestration, and a sing-along chorus that embodies Whythre’s deft formulation of melodic death metal singed with a blackened edge.

Having been fixtures in the Seattle metal scene since 2016, band members Shon Petrey, Adam Chambers, Eric Close, and Steve Fournier know their way around both riff craft and laying down a tight performance. But Whythre’s latest expulsion of fury seethes like a band that’s only getting started, from the first violent lick to the final double-bass kick.

Follow along to standout tracks like “Immanence”, which thunders along with the certainty of slow death and offers little in the way of forgiveness, or to Scorpions of Sinai, which has a groove guaranteed to move any circle pit. The fury of Whythre’s writing is real, but fury is rarely this much fun: expect to get your ass kicked, and enjoy it.

When asked how they expect the album to be received by fans, Chambers replies that they just enjoy the creative process and evoking good memories, and are otherwise not concerned about how other people view it. Petrey expects that his mother will be just as, if not more disappointed with this one as previous efforts, Fournier suggests that fans will be surprised with their new material citing new blood in the band and a concise vision helped shape their most impressive record to date; and Close says that fans will be able to feel the energy from the album and that it will provide an electrifying experience for them.

For those who have the privilege of seeing Whythre play live, at the conclusion of their performance they will either hear the Mortal Kombat voice in their heads saying ‘FLAWLESS VICTORY’ or feel relief that they chose to shelter in the bathroom during their set.

The album was produced and mixed by Shon Petrey, it was mastered by Levi Seitz at Black Belt Recordings, the album artwork was done by Andrzej Masianis and the graphic design was done by Ryan Ricketts.

Recommended for fans of Children of Bodom, Hypocrisy, and Hans Zimmer, “Impregnate My Hate” is due out on May 26th, 2023 via High Point Records and is available for pre-order at https://whythre.bandcamp.com.

Music Video – Scorchbreath – https://youtu.be/tVGnpIA6Gk8

Lyric Video – Scorpions of Sinai – https://youtu.be/cowdXndpbVU

Animated Video – Impregnate My Hate – https://youtu.be/strDy2KrWs4

Track Listing:
1. Scorchbreath (3:54)
2. Impregnate My Hate (3:11)
3. Can’t Escape This (4:55)
4. Scorpions of Sinai (3:29)
5. C Section S1urpee (2:48)
6. Death Frontier (3:09)
7. Tantric Aspects of the Cross (2:32)
8. Immanence (4:02)
9. Run it Red (3:50)
Album Length: 31:54

For more info: Whythre.com | Facebook.com/Whythre | Instagram.com/whythreofficial

– 30 –

“The album as a whole is a hell of a twisting and turning trip, which might appeal especially to fans of Hypocrisy and Children of Bodom. You’ll get another taste of the album in its first single, “Scorchbreath“, which features backing vocals by Gabe Tachell (Whythre‘s first vocalist) and Carolina Chambers.” – No Clean Singing

“There is no mistaking that with this new album Whythe sound rejuvenated, the new rhythm section as precise and destructive as a laser guided missile. As a listener, opening cut “Scorchbreath” is exactly what you want. Punchy and aggressive, crossing sub-genre territories with death defying leaps with an onslaught of Thrash infused riffage, short and violent bursts of Black Metal inspired blast beats, gang chant moments in the chorus and the odd ethereal touch a real demonstration of prowess. That’s before we’ve mentioned the twin axe attack of the extended solo which will melt your face off… before the kick in the guts that is the title track “Impregnate My Hate“.” – Metal Noise

0 DOREA’s Debut Video “Hypnotic” Ensnares You Into Another Consciousness; Mixed/Mastered by Chris Donaldson (Cryptopsy)

May 22, 2023
by Asher
· Dorea · Music News

NEWS RELEASE

Montreal, QC – May 22, 2023

DOREA’s Debut Video “Hypnotic” Ensnares You Into Another Consciousness

Mixed and Mastered by Chris Donaldson (Cryptopsy)

L-R – Manuel Iradian – All Guitars/ Bass/ Vsts, Hugo McSween – Vocals, Kevin Alexander – Drums

Montreal, Canada’s Dorea is a fresh metal band on the scene that features high energy, tightness, and precision, a clear, modern sound with both clean and harsh vocals, insane guitar solos, and crushing drums. They are eager to introduce themselves to the world with their debut single along with many others they have recorded since their inception. They have carefully chosen their forthcoming music to show listeners what they’re capable of and they deliver nothing less than catchy hooks, moving lyrics, and melodies that give way to bone-shaking riffs. The band’s first introduction “Hypnotic” is presented with a dark and gloomy music video, which complements the dark theme of the lyrics. The band shares their thoughts:

“This song speaks about a man that loses everything he has, reminiscing about his past life and searching for truth in answers he never found. The song has everything from ballads to ripping guitar solos and complex riffing. It’s a melting pot of styles. We hope the fans perceive the sound as something fresh & unique. We continue to write music because it is our passion and we want to leave behind a legacy and repertoire of timeless music.”

Devoted to making the songs as groovy, heavy, melodic, and catchy as possible while at the same time adding elements of virtuosity, Dorea’s goal is to entice listeners to sing along to the hooks and at the same time, appreciate the musicianship and technical aspects of each member’s individual performance.

Their music is colorful, rich in its diversity of styles, with even some pop elements that can be heard from time to time. “Hypnotic” was chosen as the debut single as it is the most accessible in terms of its diversity of listening ability. It takes the audience on a journey by creating complex structures with fluid transitions, but unexpected heaviness hits you right in the face.

There is no fluff with Dorea, and they are devoid of any theatricals, they are simply three metal dudes writing and performing some of the best material they can. Edgy, and familiar, Dorea is recommended for fans of Avenged Sevenfold, Pantera, Symphony X, and Opeth.

Watch and listen to “Hypnotic” via its video premiere on Bravewords HERE. 

Digital – https://distrokid.com/hyperfollow/dorea/hypnotic

Single Credits:
• All songs performed by: Manuel Iradian, Kevin Alexander, Hugo McSween
• All songs written by: Manuel Iradian, Kevin Alexander & Vocals/Lyrics by: Hugo McSween
• Produced by: Manuel Iradian & Kevin Alexander
• Mixed by: Chris Donaldson
• Mastered by: Chris Donaldson
• Single Artwork by: AI

Dorea is:
Hugo McSween – Vocals
Manuel Iradian – All Guitars/ Bass/ Vsts
Kevin Alexander – Drums

For more info: Doreaband.com | Facebook.com/Doreaband | Instagram.com/doreaband

– 30 –

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