Tag: metal video

0 ASHEN HORDE Announces New Album “The Harvest” Out May 2026; Unveil Music Video “Entropy and Ecstasy”

March 17, 2026
by Asher
· ASHEN HORDE · Music News

NEWS RELEASE

Montreal, QC – March 17, 2026

ASHEN HORDE Announces New Album “The Harvest” Out May 2026; Unveil Music Video “Entropy and Ecstasy”

Photos by @still.squill (Trevor); Photo Dun Right (Karl); unknown (Robin)

Los Angeles extreme‑metal shapeshifters Ashen Horde return on May 1st, 2026, with “The Harvest”, their fifth full‑length album and the first to feature new vocalist Karl Chamberlain (Putrefier, Alcyone, Necrotic Remains). Known for weaving black metal, death metal, prog, and 90s‑inspired grit into something unmistakably their own, Ashen Horde push their sound further than ever, embracing melody, chaos, and sharp contrasts across eight thematically linked tracks.

Alongside the album announcement, Ashen Horde have unveiled the first single, “Entropy and Ecstasy”, a whirlwind of jagged riffs, angular Voivod‑like progressions, and Chamberlain’s soaring, chilling vocal hooks. The accompanying video represents a major milestone for the band: despite recording the entire album remotely, this is the first time the members have appeared together on camera.

The first preview to the album, “Entropy and Ecstasy,” captures the album’s core idea: finding exhilaration in collapse. The song follows a couple who thrive on the chaos of a world falling apart, a concept Portz admits was likely sparked by the early COVID lockdowns.

Guitarist and primary songwriter Trevor Portz recalls being floored by Chamberlain’s audition:

“I sent him a demo of ‘Entropy and Ecstasy’ with unfinished lyrics, and he sent back his take. His vocals on the line ‘how can we thrive if we expect to survive?’ still give me chills.”

Listen and watch the music video for “The Harvest” via its premiere on NoCleanSinging HERE.

Add to your Spotify playlist – pre-save – https://show.co/z0ZVdF9

“The Harvest” marks a turning point for Ashen Horde. After a decade as a studio‑driven project, the band is preparing to play its first‑ever live shows in May, coinciding with the album’s release. It’s also the first full‑length to feature Chamberlain, whose dynamic range helped reshape the band’s sonic identity.

While Ashen Horde’s previous four albums were tightly constructed concept records, “The Harvest” takes a different approach. Each track stands alone, yet all orbit the idea of endings, personal, societal, historical, and cosmic.

“I didn’t have a single story this time, but the lyrics kept circling reactions to things ending. From societal collapse to ancient rituals to the last days of Pompeii, everything tied together naturally,” explains Portz.

Musically, the album is a showcase of the band’s eclectic influences. From the opening track, “Autumnal”, a slow-burning ascent into full black‑metal fury, inspired by the Sensorio light installation in Paso Robles. “Backward Momentum” blends Opeth‑style clean‑vocal layering with 90s‑rock riffing and one of Portz’s favorite solos on the album. “Voids in the Ash” pairs grunge‑inflected vocal harmonies with hyperspeed black‑metal bursts, telling the story of Pompeii from both mortal and divine perspectives. “The Apparition” channels early death metal before spiraling into odd‑meter prog weirdness. The title track, “The Harvest,” closes the album with an apocalyptic vision inspired by Iceland’s stark landscapes and the album’s striking cover art.

The album’s cover, featuring two red skeletons locked in an eerie, autumnal tableau, was created by artist Venus Kohana, whose work Portz discovered at an art show. The imagery’s blend of beauty, decay, and ritual perfectly mirrors the album’s themes.

“I bought a print and couldn’t stop staring at it. Eventually, I realized it had to be the cover. It even inspired the lyrics to the title track.”

For over a decade, Ashen Horde has carved out a unique place in extreme metal, refusing to be confined to any single subgenre. Rooted in black and death metal but unafraid to explore melodic prog, 90s alternative, and avant‑garde experimentation, the band appeals to fans of Opeth, Enslaved, Amorphis, Ihsahn, and metal’s more adventurous corners.

Originally founded as a solo project by guitarist and primary songwriter Trevor Portz, Ashen Horde has evolved into a full lineup featuring vocalist Karl Chamberlain and Australian-based drummer Robin Stone (The Amenta, Convulsing).

“The Harvest” represents the band’s most dynamic, collaborative, and ambitious work to date.

Album pre-order (release date May 1, 2026) available on limited splatter vinyl and CD (along with t-shirt bundles) on Bandcamp, as well as everywhere digitally – https://ashenhorde.bandcamp.com/album/the-harvest

Tour Dates:
May 14 – Montclair, NJ – The Meatlocker
May 15 – Wallingford, CT – Cherry Street Station
May 16 – Brattleboro, VT – Midnight’s

Track Listing:
1. Autumnal (6:12)
2. Entropy and Ecstasy (5:47)
3. Backward Momentum (5:21)
4. Voids in the Ash (5:41)
5. Remnant (4:37)
6. A Place in the Rot (4:38)
7. Apparition (4:57)
8. The Harvest (5:46)
Album Length: 43:03

Credits:
Mixed by Ricardo Borges and mastered by Tony Lindgren at Fascination Street Studios
Artwork by Venus Kohana (venuskohana.com)

Lineup:
Trevor Portz: Guitar, Bass, Harmony Vocals
Karl Chamberlain: Vocals
Robin Stone: Drums

More Info:

https://www.facebook.com/AshenHorde/

https://www.instagram.com/ashenhorde

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“The harvest is coming! The new Ashen Horde album is a multi-faceted journey into every nook and cranny of extreme metal. “The Harvest” is challenging and quirky, but unlike a lot of other progressive/experimental releases, it never loses track of the key ingredient in music – good songwriting. All tracks are well-crafted and interesting in their own right, and the skillful instrumental performances are more like the icing on the cake and not the main focus. Highly recommended!” – Nik Sundin (Dark Tranquillity)

“Antimony; 3/5 rating; “the sound Ashen Horde has developed over three albums is pretty much theirs alone. It’s a dense but accessible approach that rewards both casual listens and sustained attention.” – Angry Metal Guy (2023 – Antimony)

“Equal parts blackened madness, death metal riffing, and clean vocals, “The Neophyte” should get just about anyone stoked for Antimony.” – Metal Injection (2023 – Antimony)

“an amazing odyssey all around and the amount of remarkable coherency as well as the instrumentation work and musicianship is just top notch.” – Metal Purgatory (2023 – Antimony)

“Progression like what Ashen Horde has undergone over the years is what the best tales in the underground are made out of.” – Head-Banger Reviews (2023 – Antimony)

“Fallen Cathedrals; 4.0 rating; “I can’t recommend this enough for fans of black and death metals being combined in unique ways.” – Angry Metal Guy (2019 – Fallen Cathedrals)

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0 Rockshots Records – Greek Heavy Metal THIRTY FATES New Music Video “The Pretender” Off Upcoming Album “Circus Black” Out December 10th

October 13, 2021
by Asher
· Music News · Thirty Fates (Rockshots Records)

NEWS RELEASE

Montreal, QC – October 13, 2021

Rockshots Records – Greek Heavy Metal THIRTY FATES New Music Video “The Pretender” Off Upcoming Album “Circus Black”

New Album “Circus Black” Out December 10th

Rockshots Records will be releasing Greece’s Thirty Fates‘ new album “Circus Black” on December 10th, 2021. The upcoming full-length is a 9 track anniversary record to celebrate the trio consisting of brothers Elias and Nick Tzintzilonis and Stelios Papakostas thirty years in heavy metal as friends and bandmates.

In preview to the record’s release, the band is sharing their new music video for their second single “The Pretender”, a classic heavy metal song with great riffs that lyrically reflects the changes of a human personality to survive day by day.

Watch the music video on Rockshots Records‘ YouTube channel

The history of Thirty Fates begins in 1988 when they introduced themselves to the world in a band named Metal Invaders, which was soon changed to Black Fate. Under that moniker, they released a 4-track demo (1991), but soon after Elias (guitars) continued on to other various bands. Stelios (vocals) went on to a solo pop career releasing singles and touring all around Greece, along with forming the band Blow. Nick (drums) went on to other rock-heavy-pop bands, touring also as a freelancer and continuing on with Black Fate with four amazing musicians, where they released a self-titled EP (2001) and four full-lengths “Uncover” (2002) (Secret Port Records), “Deliverance of Soul” (2009) (Asiral), Between Visions & Lies (2014) (Ulterium Records) and “Ithaca” (2020) (Rockshots Records).

The trio of Thirty Fates explain how their reunion came to be:

“We felt the need to reform the band after so long time for our thirst of playing music together again. It came out spontaneously when we met each other five years ago, rehearsing the old staff reminiscing the good old times. Then we decided to re-record our first demo and some spare old songs, as we had all the efforts for making a record come to life. Seemed from the beginning we knew what exactly we wanted to do. Making music after so long, was a joyful ride from the past to the present & we really enjoyed it. For all our friends & loyal fans, who have followed for thirty years & also for our new friends. We hope you enjoy our music. It’s worth a listen.”

“Circus Black” is nine tracks of classic melodic heavy metal, with four tracks (Indifferent People, The Edge of Destiny, Be Free, The Pretender) from their 1991 demo, two unreleased tracks from the ’80s, and three tracks from Black Fate’s 2001’s rare ep along with a brand-new song. The album is for those who truly enjoy 80’s classic heavy metal in the vein of Iron Maiden, Judas Priest, Queensryche, Dio, and Ozzy Osbourne.

“This did not happen on purpose, but if you follow the track listing, it’ll feel like a concept album. From the circus visual till the last song, it represents the simple human needs, the ways someone searching himself, how intensifies himself in the society trying to find substance. For sure this belongs to the metal community.” adds the band.

Thirty Fates‘ new album “Circus Black” is due out December 10th via Rockshots Records.
Album pre-order / pre-save – https://bfan.link/circus-black
CD – https://bit.ly/ThirtyFatesCD

First single “Just For A Little” at the following links:
Music Video – https://youtu.be/l6fNSuCywA8
Digital – https://bfan.link/just-for-a-little

Track Listing:
1. Circus of Fate (intro) (0:56)
2. Indifferent People ft. Angel Wolf Black (4:56)
3. The Pretender (4:08)
4. Just For A Little (4:41)
5. Sign of Rebellion (4:27)
6. The Edge of Destiny (4:38)
7. Be Free (4:01)
8. Depression (5:23)
9. Because We Fly (4:36)
Album Length: 37:52

Album Credits:
– Music & Lyrics by Thirty Fates
– Album Art & design concept by Stelios Papakostas
– Production by Christian Rahm & Stelios Papakostas at Thirty Three Music Lab Studios

More info:
Rockshots.eu
Facebook.com/ThirtyFatesOfficial
Instagram.com/thirtyfates_gr

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0 MORGAN RIDER & THE DEEP DARK RIVER Premiere “Ignite The Tempests” Music Video via Decibel Mag

January 2, 2020
by Asher
· Morgan Rider and The Deep Dark River · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – January 2, 2019

For fans of Woods of Ypres, Katatonia, Amorphis, Shawn James, Amigo The Devil

MORGAN RIDER (Vesperia) & THE DEEP DARK RIVER Premiere “Ignite The Tempests” Music Video

New Album “Leviathan and The Deep Dark Blue” Out Now!

L-R: Morgan Rider [Vocals, Guitar, Piano, Percussion], Nathen Morrison [Cello]

Canada’s Morgan Rider & The Deep Dark River are kicking off 2020 with their new music video “Ignite The Tempests” via Decibel Magazine HERE.

The track comes off their second installment in The Deep Dark River quadrilogy saga – “Leviathan and The Deep Dark Blue” (North Soul Records) released this past November. The album combines all the humble qualities of doom influenced metal, blues, folk and classical into a well-balanced, artfully crafted musical reflection on life, hope and old-fashioned storytelling while delivering a uniquely fresh and uplifting listening experience.

Morgan Rider explains the story of track:

“For ‘Ignite The Tempests’, the choruses are slower and doomier, they give a reprieve from the harder intro, mid section and outro to tell the story of The Tempest, who is enraged and casts his full weight upon the shore-dweller structure – crushing it utterly. His throes ignite the storms of the oceans and his writhing withers the numbers of the loathsome shore-dwellers. With a titanous gale of might, he sends the waters in full force at the green shores – crushing the structures of the poisoning shore-dwellers, bringing ruinous death to their kind and drowning the lands for many miles.”

“Leviathan and The Deep Dark Blue” available on Bandcamp, Spotify, Apple Music.

Tour Dates:
Jan 2 – Georgetown, ON – Uncorked On Main
Jan 4 – St. Thomas, ON – Railway City Brewing Company
Jan 10 – Lindsay, ON – Boiling Over’s Coffee Vault
Jan 11 – Cambridge, ON – Jackass Brewery
Jan 12 – Bowmanville, ON – Chronicle Brewing Co.
Jan 25 – Campellford, ON – That Little Pub
Feb 1 – Belleville, ON – The Beaufort Pub

Track Listing:
1 – Beneath The Crushing Tides (2:12)
2 – The Immeasurable Fathoms (6:35)
3 – Dread (4:38)
4 – Ignite The Tempests (5:01)
5 – The Seafaerers (4:50)
6 – When The Waves Are Stilled (7:15)
7 – Where the Light May Never Reach (2:53)
8 – The Immeasurable Fathoms (Acoustic) (4:59)
9 – Dread (Acoustic) (4:00)
10 – Ignite The Tempests (Acoustic) (5:33)
11 – The Seafaerers (Acoustic) (5:02)
12 – When The Waves Are Stilled (Acoustic) (5:28)
Album Length: 58:31

For more info:
Morganridermusic.com
Facebook
Twitter
Instagram

About:

Born in 1989, singer, songsmith and multi-instrumentalist Morgan Rider had his earliest imaginings of life as a musician while contending with an often tumultuous childhood. Overhearing his mother – who is a trained operatic soprano – his love and understanding of music blossomed at an early age. Morgan eventually spending his adolescent and early adult years performing in touring metal bands – appearing on tours and large festivals across North America and Europe.

During the summer of 2017, Morgan’s adoration of folk, classical and blues music finally culminated into a project and the beginnings of a collection of songs. The name Deep Dark River had been stuck in his head for years, as a byproduct of his writings and alluding to the very nature of his ideas as a musician and artist. As such, Deep Dark River became the name by which he would perform beneath.

While his ideas began to take form, so did his mindset for what became the early stages of Deep Dark River. In March of 2018, the first original Deep Dark River single ‘The Golden Bough’ was released digitally worldwide. Morgan began performing live and also toured solo to the Canadian east coast to promote the single. In the summer of 2018, the debut album Deep Dark River was released and supported with a full Canadian solo tour over 5 weeks.

As 2018 neared its end, Morgan called upon his friend Nathen Morrison to contribute cello to the sounds of Deep Dark River, solidifying the project as a duo. The pair immediately began rehearsing and recording the first of a four-album quadrilogy – which Morgan had written the bulk of on his travels. The first single featuring the pair – Starfire – was released in March of 2019 along with the album “King of The Forest” released on June 21st, 2019 via North Soul Records. Not slowing down, the pair have their next album just months later “The Deep Dark Blue” planned for release via North Soul Records on November 22nd, 2019 with its lead single ‘The Seafaerers’.

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“The result is an epic album which will appeal to fans of the dankest black metal as much it will to those of folk music, as it ploughs a dark furrow somewhere between the two, possessing as it does the atmospherics of the former and the story-telling ability of the latter. Quite an achievement, and one beautifully realized.” – Uber Rock

“Morgan Rider and the Deep Dark River and their sophomore record, “Leviathan And The Deep, Dark Blue”. It is, lyrically, truly a precious gem in a world where the written word matters little to the consumers of music. It does portray music, in its entirety, as an integral and an indispensable work of art, and for that, listeners worldwide can be only grateful.” – Metal Temple
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