Tag: metal press release 2026

0 Thrashers QUEMASANTOS Unleashes New Video “One Foot In Hell” From Concept Album “Stranded In Hell” Out Oct 2026 + Launch Pre-Order

September 3, 2026
by Asher
· Music News · QUEMASANTOS

NEWS RELEASE

Montreal, QC – September 3, 2026

QUEMASANTOS Unleashes New Video “One Foot In Hell”

Concept Album “Stranded In Hell” Out Oct 2026 + Launch Pre-Order

New York-based metal project QUEMASANTOS has officially opened digital pre-orders for its forthcoming second album, “Stranded In Hell,” and has simultaneously released the album’s opening track, “One Foot In Hell,” accompanied by its official lyric video.

WATCH THE OFFICIAL “ONE FOOT IN HELL” LYRIC VIDEO:
https://www.youtube.com/watch?v=03U1aPIF5Ls

DIGITAL PRE-ORDER STRANDED IN HELL:
https://quemasantos.bandcamp.com/album/stranded-in-hell

Fans who pre-order the album digitally can immediately hear “One Foot In Hell,” the first chapter of the eleven-song descent that makes up Stranded In Hell.

Musically, “One Foot In Hell” draws heavily from the aggressive character of late-’80s and early-’90s thrash and death metal. The song began with the memory of the type of fast, old-school, Pestilence-influenced drumming that QUEMASANTOS founder Ignacio Orellana had always been drawn to, but it developed into something broader as the composition took shape.

The track combines fast thrash-driven sections with a contrasting middle passage that became the foundation for its guitar solo section, carrying influences that Orellana associates with bands including Anthrax, Metallica, and elements of his own musical history.

Joining QUEMASANTOS on “One Foot In Hell” is Colombian guitarist Juancho Gómez of Masacre, whose performance brings another direct connection to the South American death metal tradition that has influenced Orellana throughout his career.

Orellana comments:

“One Foot In Hell was actually one of the last songs that came together for the album, but once it was finished, I knew it was the right place to begin. It has that old-school aggression I grew up loving, but it also contains several different pieces of my own musical history. For me, it became the perfect first step into Stranded In Hell.”

Vocalist and lyricist Nelson “Sr. Díaz” describes the track:

“One Foot In Hell is one of the most intense songs I’ve recorded in recent years. Many different styles coexist harmoniously within it, along with a high level of vocal demand. I believe the infernal horror it presents is captured faithfully through a demonically powerful yet technical performance that will take us into a paroxysm of metal.”

“Stranded In Hell” marks the second QUEMASANTOS album featuring Sr. Díaz on vocals and lyrics, and the first album by the project performed entirely in English.

The record was constructed differently from a traditional band recording process. Orellana composed the majority of the material beginning with the bass, followed by drums and guitars, allowing the bass to function as an independent compositional voice rather than simply following the guitar arrangements.

“One Foot In Hell” was the notable exception: its composition began with the guitars.

The finished album features 11 songs and 11 guest guitarists, with musicians from across the international metal scene contributing to individual tracks.

Track Listing:
1. One Foot In Hell (Juancho Gómez – Masacre, Colombia)
2. Burning The Black (Felipe Roa – Acaro, USA)
3. Succubus (Héctor Guzmán – Distraught, Chile)
4. Stalking Sharks (Marco Cusato, Chile)
5. Nameless (Joe Sims – Axemaster, USA)
6. Red Planet (Regisson Silva – Masterpiece, Brazil)
7. Vampire (Richard Pilnik, Chile)
8. The Oneironaut (Cristian Ira – Nimrod, Chile)
9. Under The Moonlight (Sebastián Osorio – Reigning, Chile)
10. Before The Law (Yanko Tolić – Massakre, Chile)
11. Lex Talionis (Enrique Zúñiga – Atomic Aggressor, Chile)

QUEMASANTOS

Ignacio Orellana — Drums, Bass, Music, Production, Mixing & Mastering
Nelson “Sr. Díaz” — Vocals & Lyrics

Guest Solo Guitarists

Juancho Gómez — Masacre
Felipe Roa — Acaro
Héctor Guzmán — Distraught
Marco Cusato
Joe Sims — Axemaster
Regisson Silva — Masterpiece
Richard Pilnik
Cristian Ira — Nimrod
Sebastián Osorio — Reigning
Yanko Tolić — Massakre
Enrique Zúñiga — Atomic Aggressor

Vocals were recorded at Estudios Ultrasónico with Arturo Contreras and Estudios Attic with Marco Cusato.

The album was produced, mixed, and mastered by Ignacio Orellana at Oily Sound Studios in New York.

LISTENING PARTY:
https://quemasantos.bandcamp.com/live/quemasantos-stranded-in-hell-listening-party

DIGMETALWORLD:
https://www.digmetalworld.com

More info:

https://quemasantos.com

https://instagram.com/quemasantos1

https://www.facebook.com/quemasantos

https://x.com/quemasantos1

-30-

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0 TRAUMATOMY Unleashes Groove Heavy Slamming Death “Visceral Maceration” From New Album “Ascension Of The Ineffable” Out Oct 2026

September 2, 2026
by Asher
· Music News · Traumatomy (Gore House Productions) · Uncategorized

NEWS RELEASE

Montreal, QC – September 2, 2026

TRAUMATOMY Unleashes Groove Heavy Slamming Death “Visceral Maceration”

New Album “Ascension Of The Ineffable” Out Oct 2026 via Gore House Productions

Traumatomy announces their fourth full‑length album, “Ascension Of The Ineffable,” due out on October 30th, 2026 via Gore House Productions. After two years of work, the upcoming record is their rawest, sharpest, and most brutal offering yet, elevated by the distinctive production of Konstantin Ogarkov, whose approach brought a uniquely savage edge to the album’s sound.

This next offering delivers a faster, rawer, and even more brutal evolution of Traumatomy’s sound while keeping their familiar lyrical themes intact. Each track highlights a different facet of their extremity. “Entropic Obliteration” sets the tone with full-force brutality, “Pervigilium of the Obsolesced Xenolith” pushes speed and blast beats to the limit, and “Endoneural Parasitosis” leans into sickening breakdowns. “Repugnant Coalescence” stands out as the drummer’s most balanced pick, while the title track “Ascension Of The Ineffable” embodies the album’s concept and atmosphere. “Visceral Maceration” brings groove-heavy slam energy, “Autognathic Avulsion” blends grooves, blasts, and atmosphere, and “Xeno‑Homeostasis” closes the record with a perfectly structured finale. The cover art, created by legendary artist Jon Zig, captures the exact atmosphere and cosmic horror the band envisioned. As Traumatomy put it: SLAM IS THE ONLY WAY!

The first single to be unleashed, “Visceral Maceration”, was written specifically for fans of true slamming brutal death metal.

“This may be the most groovy heavy track on the record and shows that we can find a different approach to composing and structuring music,” adds guitarist Constantine.

Listen to “Visceral Maceration” – https://www.youtube.com/watch?v=2r-5H2YkQb8

Formed in 2012 by guitarist and main songwriter Constantine Chevardin (Disfigurement Of Flesh, Nauseating, Morphogenetic Malformation) and Haruka Kamiyama (ex‑Gorevent / Medic Vomiting Pus), Traumatomy quickly became a cult force in the brutal death metal underground. Their 2013 debut “Transcendental Evisceration of Necrogenetic Beasts” established their reputation for slammy, primitive, crushing extremity. Between 2012 and 2018, they released two albums and three EPs before evolving into a full touring band with the addition of bassist Leonid (Cephalic Impurity) and drummer Ivan.

Known for coordinated, intense performances and a relentless commitment to monolithic slam, Traumatomy continues to push their sound into increasingly brutal, higher‑quality territory with every release. Lyrically inspired by H.P. Lovecraft and criminal TV shows, and musically driven by riffs, beer, and cosmic horror.

Recommended for fans of Gorevent, Cerebral Incubation, Disgorge, Epicardiectomy, and Defeated Sanity, “Ascension of the Ineffable” is out on October 30th, 2026, from Gore House Productions.

Album pre-save / CD/ Cassette – https://orcd.co/ascension-of-the-ineffable

Track Listing:
1. Entropic Obliteration (3:34)
2. Pervigilium of the Obsolesced Xenolith (3:26)
3. Endoneural Parasitosis (3:07)
4. Repugnant Coalescence (2:55)
5. Ascension Of The Ineffable (2:54)
6. Visceral Maceration (2:34)
7. Autognathic Avulsion (2:43)
8. Xeno-Homeostasis (3:07)
Album Length: 24:15

More info:

http://gorehouseproductions.com

https://www.facebook.com/traumatomy

https://www.instagram.com/traumatomy.slam

-30-

What the press has said:

“Brutal death metal enthusiasts rejoice!… Get in, make a s**t-ton of noise, wreck some bodies, and get out. That’s the mantra of this EP, and the mindset of Traumatomy, who deliver five of the nastiest and brutalising death metal tracks heard this year. With guitar riffs that are as thick as coagulated blood, bass hooks that rip through flesh as though they’ve emerged from a freshly opened Lament Configuration, drums that sound like a demon is hitting the skulls, ribcages, and stretched skin of its victims, and vocals that gurgle and growl like a creature driven to madness through hunger. This is Traumatomy’s sound, and it is f**king mean. There’s no refresh of the brutal death metal sound here. No suggestion that Traumatomy are about to drop a melodic one out of the blue. No attempt to do anything but deliver brain-crushing heaviness at its best. Which is what Traumatomy do here. Delivering the kind of savage and sickening heaviness that leaves you with a headache, a sore neck, aching limbs, and the strong feeling of having been well and truly violated.” – Games, Brrraaains, A Head-Banging Life

“TRAUMATOMY releases “Triumph Of Enslavement”, an EP that offers slam in its purest form, but which is attractively designed in terms of songwriting and rafinesses here and there, which reveals the many years of experience in this style, especially from guitarist Constantine Chevardin. Fans should be happy with this appetizer. 8/10″ – PowerMetal.de

“Well, this is short and sweet at just over 15 minutes. Triumph of Enslavement is a nice little (tiny?) slab of brutal death metal that opens up with a mid-paced but heavy, crushing intro before swerving in a faster, but no less heavy, death metal onslaught. They do slow down, sometimes almost to a crawl, but the crushing heaviness is omnipresent, clickety drums included (OK, that has nothing to do with heaviness, but you do get the clickety drums). The growls are deep, deeper than I usually like, but they’re a perfect fit for the music here—I wouldn’t see a different style working quite as well. It’s dark, it feels like the weight of the world going through your ears, and sometimes that’s just what you need.” – The Metal Crypt

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0 NARCOTIC WASTELAND’s New Single Battles The “Fentanyl Zombie Apocalypse” To Kick Off USA Tour w/ Visitant, Monochromatic Black, IATT, and Yotuma

August 14, 2026
by Asher
· Music News · Narcotic Wasteland

NEWS RELEASE

Montreal, QC – August 14, 2026

NARCOTIC WASTELAND’s New Single Battles The “Fentanyl Zombie Apocalypse” To Kick Off USA Tour w/ Visitant, Monochromatic Black, IATT, and Yotuma

Narcotic Wasteland, fronted by guitarist/vocalist Dallas Toler‑Wade of NILE fame, fires the first shot of their August tour with the release of their blistering new single “Fentanyl Zombie Apocalypse.” The track arrives as the band launches the “FENTANYL ZOMBIE APOCALYPSE TOUR,” featuring select dates with support from Visitant, Monochromatic Black, IATT, and Yotuma (dates listed below).

A ferocious blend of technical precision, social commentary, and unrelenting aggression, the single stands as one of Narcotic Wasteland’s most urgent works to date, an explosive warning siren aimed at the escalating fentanyl epidemic and the societal collapse surrounding it.

Dallas Toler‑Wade comments on the new single:

“I am very excited to release our new song, Fentanyl Zombie Apocalypse! The song is, of course, about the fentanyl epidemic and the overall impact it has on an already failing country. Musically, it really captures the mood of this very well. Fast and tricky, yet twisted and catchy! Kenji really brought some great bass and keys to the table. And Austin needs a drum set that won’t collapse under pressure! I am super proud of the work we have done together, and I cannot wait to show the world what we have been working on behind the scenes.”

Narcotic Wasteland continues to evolve into one of extreme metal’s most formidable units, featuring Dallas Toler‑Wade, former Nile guitarist, vocalist, and key songwriter; a defining force in technical death metal since the early ’90s. Austin Vicars, a high‑octane drummer known for blistering blast beats and commanding stage presence, and Kenji Tsunami, an inventive bassist whose depth, texture, and ferocity amplify the band’s overwhelming sonic assault.

Together, they deliver a live experience that is both punishing and surgically precise, an unrelenting wall of sound that has packed venues and earned critical acclaim throughout recent tours. Narcotic Wasteland has cemented its position as a dominant force in modern death metal, unleashing a volatile blend of razor‑sharp technicality, feral aggression, and raw intensity. Their music confronts addiction, corruption, and societal collapse with unflinching honesty, powered by musicianship that continually pushes the boundaries of extreme metal. Expect a barrage of new material, explosive performances, and the full force of Narcotic Wasteland’s latest evolution.

Recommended for fans of Nile, Suffocation, Dying Fetus, Incantation, Cannibal Corpse, Dark Funeral, Immolation, and Gorguts, listen to “Fentanyl Zombie Apocalypse” at the following links:

Spotify – https://orcd.co/fentanylzombieapocalypse

YouTube – https://www.youtube.com/watch?v=y5D7ruAX63c

FENTANYL ZOMBIE APOCALYPSE TOUR
Narcotic Wasteland – August 2026 Tour Dates
Select dates with support from Visitant, Monochromatic Black, IATT, and YOTUMA

August 12 – Columbus, OH – Spacebar With Visitant
August 14 – Akron, OH – Afterlife Nightclub
August 15 – Battle Creek, MI – Michigan Metal Fest With Monochromatic Black
August 16 – Chicago, IL – Liars Club With Visitant
August 18 – Saint Paul, MN – Amsterdam Bar & Hall With Visitant
August 19 – Cudahy, WI – X-Ray Arcade With Visitant and Yotuma
August 21 – Scranton, PA – The Ritz Theater With Visitant and IATT
August 22 – Wallingford, CT – Cherry Street Station With Visitant
August 23 – Lowell, MA – Taffeta Music Hall With Visitant
August 25 – Louisville, KY – Portal With Visitant
August 26 – Atlanta, GA – 529 With Monochromatic Black and Visitant
August 27 – Nashville, TN – The Cobra With Monochromatic Black and Visitant
August 28 – Raleigh, NC – Chapel of Bones With Monochromatic Black and Visitant
August 29 – Salisbury, MD – Lurking Class Skate Shop With Monochromatic Black and Visitant
August 30 – Charleston, WV – Live at the Shop With Monochromatic Black and Visitant

More info: https://linktr.ee/narcoticwasteland

– 30 –

“”Narcotic Wasteland dropped a caustic, pissed off new single titled “Barbarian” off their forthcoming album Digital Cordyceps. Though we don’t know too much about said album, Toler-Wade explained that the new track was essentially one big middle finger to the ruling class.” – Metal Sucks

“We’ve got the latest and greatest from drug-themed death dealers Narcotic Wasteland, the new video for “Victims of the Algorithm.” The song takes on lightning-fast and heavy riffs, in the tradition of the band, and the lyrics tackle our dependence on social media in the modern age.” – Decibel Magazine

“Narcotic Wasteland have hit us with another dark, campy gem in the form of “Sex, Lies & DNA.” The thrashy, aggressive new single is the latest from the band led by Dallas Toler-Wade of Nile fame. This track features guest vocals from Andrea_N_Black and takes on the beloved death metal fodder of true crime.” – Decibel Magazine

“Narcotic Wasteland showcases Toler-Wade’s penchant for writing killer riffs, which he did for a decade as a member of Nile, in a manner that’s reminiscent of early 1990s metal — when the lines between the “thrash” and “death” tags weren’t as rigidly defined, and everything just sounded fast and heavy as all hell.” – Denver Westword (NW Headlines Denver DeathFest 2023)

“Delirium Tremens is just pummeling, non-stop death metal that covers a ton of ground.” – Metal Injection

“More often than not, death metal bands have a tendency to stick to the familiar topics. Death, gore, killing – that sort of thing. There’s always exceptions, or bands that have a different take on the subject, but as they say, dark music demands dark themes. Narcotic Wasteland does, for one of its lyrical slants, face a slightly different (yet still suiting) take – that of addiction. Plenty of grim to still go around with such a concept, and Narcotic Wasteland hits just as hard sonically as any other death metal act to come through the pipeline.” – Dead Rhetoric

“another incredible death metal album that has the potential to end itself up on the year end top album lists.” – Metal Nexus (2017 – Delirium Tremens)

“On the track, Toler-Wade furiously rails against “expectations,” “silly rules,” and “fucking filters,” and victoriously celebrates being “totally free” with a repeated battle cry of “Let the music flow!” In case there was still any remaining doubt as to the meaning of the song, the track is as magnificently brutal an old school death metal song as you’re likely to hear this season. It gallops, it lacerates, it uses the listener’s skull as a battering ram. There can be no doubt that this truly is Toler-Wade, undiluted and free of limitations. We hope he lets this music flow for a long time to come.” – Metal Sucks (single Return to the Underground off 2017 album Delirium Tremens)

“Narcotic Wasteland have released a fantastic album in ‘Delirium Tremens’. It is not easy to thrust the listener consistently into an aural landscape orchestrated by the band and make them stay put for the entire length of the album. Narcotic Wasteland does it brilliantly as they take you through the nightmarish journey of Delirium Tremens.” – Metal Wani (2017 – Delirium Tremens)

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