Tag: metal

0 GRAVEMASS (ft. members of Zimmers Hole, 3 Inches of Blood, Revocation) Drops “This Is the Way” Video ft. Armstrong Metal Fest 2025 Footage + Debut Album Out March 2026

February 13, 2026
by Asher
· GraveMass · Music News

NEWS RELEASE

Montreal, QC – February 13, 2026

West Coast Death Metal Titans GRAVEMASS (ft. members of Zimmers Hole, 3 Inches of Blood, Revocation) Drops “This Is the Way” Video ft. Armstrong Metal Fest 2025 Footage

Debut Album “This Is The Way” Out March 6th, 2026 via End Game Records

Photo Credit – Derek Carr

L-R – Destroyer of Souls – Drums – Bowels of Hell – Bass – Murderer of Colonizers – Guitar – Mayan Hate – Guitar – Lorde Heathen – Vocals

West Coast death metal juggernaut Gravemass has officially announced the release of their highly anticipated debut album, “This Is the Way,” arriving March 6, 2026, via End Game Records. To mark the occasion, the band has unleashed the album’s crushing title track alongside a brand‑new music video featuring explosive live footage captured during their 2025 performance at Armstrong Metal Fest.

“This is the title track of our debut album!! THIS IS THE WAY!!!! Footage from our Armstrong Metal Fest 2025 performance! Hails to our Gravemass Family!!! \,,/\,,/” the band shared in their announcement.

Formed by long‑time veterans of the Vancouver metal scene, Gravemass is a supergroup built from decades of collective experience. Its members have performed in some of the most influential and notorious bands on the West Coast, including Zimmers Hole, Punch Drunk, 3 Inches of Blood, Revocation, Just Cause, West of Hell, Savannah, Process, Subversion, and The Golers.

The lineup includes Lord Heathen – Vocals (Zimmers Hole, Mechanism), Mayan Hate – Guitar (Savannah, Just Cause, Dialed), Murderer of Colonizers – Guitar (Process, Punch Drunk, Savannah), Bowels of Hell – Bass (Subversion, The Golers, Zucckuss), Destroyer of Souls – Drums (Zimmers Hole, 3 Inches of Blood, Revocation). Together, they channel a sound described by the band as “brutal, angry, fast, dark and evil.”

Gravemass’ formation, as guitarist Mayan Hate explains, was a natural extension of decades‑long friendships within the Vancouver metal scene. He wrote the foundation of the debut album over two months between other projects and shared it with vocalist Lorde Heathen, who immediately signed on. From there, the rest of the lineup, fellow West Coast metal veterans they had all known for years, fell into place. The writing process remained intentionally raw and instinctive: riffs first, lyrics second, and only the material that felt right survived. True to their no‑nonsense ethos, Mayan Hate believes fans of extreme music will embrace the new material, stating simply that “if you like brutal, you will dig it.”

Lyrically, Lorde Heathen draws from the chaos and decay of the modern world, channeling that bleakness into the band’s sinister sound. Musically, Gravemass pulls from the lineage of extreme metal’s greats, Slayer, Venom, Morbid Angel, Watain, and Napalm Death, while shaping their identity through decades immersed in death, black, and speed metal. With their second album already in early writing stages and set to be a more collaborative effort, the band emphasizes that their true power is unleashed onstage, where their live performance brings every element of Gravemass together in a full‑force assault meant for the masses.

Watch the newly released music video for “This Is the Way” as it captures that ferocity firsthand, showcasing the band’s commanding presence at Armstrong Metal Fest 2025.

Music Video – This Is The Way – https://www.youtube.com/watch?v=sR9gy-AD8-E

Add to your Spotify playlist – https://open.spotify.com/track/0JPFvvKR06w1ofDskaoeE4

Previous Singles:

Music Video – Fallen – https://www.youtube.com/watch?v=OQ4ws87xOJs

Music Video – Spitting Hell – https://www.youtube.com/watch?v=r477FZl1VFo

Music Video – Slaves to Pain – https://www.youtube.com/watch?v=9cW-Rk9koq0

Digital singles available at https://gravemass.bandcamp.com/

Track Listing:
1. Slaves To Pain – 2:38
2. This Is The Way – 3:45
3. Horned King – 2:54
4. Harvest of Souls – 2:53
5. Spitting Hell – 2:07
6. Black Bell – 2:50
7. Fallen – 3:27
8. Gravemass – 3:51
9. Abandon – 2:01
10. Poison Temple – 3:11
Album Length: 29:41

Album Band Line Up:
Lorde Heathen – Vocals
Mayan Hate – Guitar
Murderer of Colonizers – Guitar
Bowels of Hell – Bass
Destroyer of Souls – Drums

Album Recording Credits:
• All songs performed by: Gravemass
• All songs written by: Mayan Hate and Lorde Heathen
• Produced by: Tim Creviston
• Mixed by: Tim Creviston
• Mastered by: Tim Creviston
• Album Artwork by: Gravemass
• Member of SOCAN
• Canadian Content (MAPL)

More info:

https://endgamerecords.com/

http://www.gravemass.com/

https://www.facebook.com/people/Grave-Mass/61556695854887/

https://www.instagram.com/gravemass1/

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“Hold on to your hats, buds. Your eyes and ears are in for a blinding treat. Canada’s black/death metal band GraveMass just released the aural assault known as “Fallen.” The song and the video are delightfully overwhelming. ” – Metal Sucks

““Fallen” is a brutal, pummeling track with vocals that range from a guttural growl to a nasal screech, creating a blistering death metal assault. The black-and-white video with its flashing lights and quick cuts combines imagery of nature and religion in a way that perfectly complements the sonic onslaught of the video. It’s a breakneck track that leaves carnage in its wake, and you’ll want to check it out.” – New Noise Magazine

“With “Fallen,” GraveMass offers a glimpse into what promises to be a searing, unholy debut album. It’s a declaration of intent—and a brutal reminder that Canadian metal is as fierce and alive as ever.” – See Rock Live

“Gravemass Deliver Evil with Latest Single & Video, “Fallen”” – V13

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0 Canadian Prog CANDOR ZEALOT (ft. ex-members of Annihilator, The Slyde) Make Their Debut w/ Single “Lie For Country”

January 20, 2026
by Asher
· Candor Zealot · Music News

NEWS RELEASE

Montreal, QC – January 20, 2026

Canadian Prog CANDOR ZEALOT (ft. ex-members of Annihilator, The Slyde) Make Their Debut w/ Single “Lie For Country”

L-R – Chris Gagnon (Guitar, Vocals) | Nate Silva (Lead Vocals, Guitar) | Dino Soares (Drums) | Alberto Campuzano (Bass Guitar, Vocals)

Photo Credit: Ryan Stacey

Canadian (Ottawa, ON) progressive metal newcomers Candor Zealot are set to make their explosive debut with “Lie For Country”, the first in a series of singles to be released throughout 2026. With a sound that fuses the melodic intricacy of Rush and Dream Theater with the raw energy of Megadeth, Billy Talent, and Killswitch Engage, Candor Zealot are poised to deliver a fresh yet nostalgic take on modern progressive rock and heavy metal.

Formed by frontman Nate Silva after the disbandment of his previous project, The Slyde, in 2019, Candor Zealot emerged from years of creative exploration, pandemic delays, and solo ventures. Recruiting many of the same musicians from The Slyde, Silva describes the band as a “spiritual successor” to his earlier work, only this time with a sharper name and a renewed focus on honesty and intensity.

“‘Lie For Country’ is our debut single, and we wanted to introduce ourselves with breakneck speed, musical intensity, and a poignant political message. There are influences of Megadeth, Killswitch Engage, Billy Talent, and even System of a Down in this track, and it’s a song about being manipulated and politically indoctrinated without thinking critically. We are proud of this track, and we are pumped to release it!” – Nate Silva, Candor Zealot

Rather than releasing a traditional full-length album, Candor Zealot will roll out six singles across 2026, each designed to capture attention in today’s fast-paced listening culture. Fans can expect melodic hooks, technical proficiency, and thought-provoking lyrics that tackle both politics and relationships, two universal themes that resonate deeply.

Candor Zealot is comprised of seasoned musicians with deep roots in Canada’s metal scene, including ex-members of Annihilator and The Slyde. Frontman Nate Silva (vocals/guitar), formerly of The Slyde, is an international touring artist and academic researcher on chiptune music. Guitarist Chris Gagnon, based in Ottawa, is a versatile performer active in eight tribute bands covering acts from Queen to Rage Against the Machine. Drummer Dino Soares, a longtime collaborator with Silva since their teenage years, continues to freelance in Kingston’s music scene. On bass, Alberto Campuzano, formerly of Annihilator, also performs with Toronto’s Metallica tribute act Sandman. Collectively, the band brings decades of experience and a proven pedigree, highlighted by Silva, Soares, and Campuzano’s performance at Wacken Open Air in Germany after winning the 2019 Wacken Metal Battle Canada with The Slyde.

With “Lie For Country” as their fiery introduction, Candor Zealot plans to release five more singles throughout 2026, followed by additional recordings in 2027.

Listen to “Lie For Country” at the following links:

Add yo your Spotify playlist – https://distrokid.com/hyperfollow/candorzealot/lie-for-country-2

Music Video – https://www.youtube.com/watch?v=f26f_KNVBq0

For more info:

http://candorzealot.com/

https://www.facebook.com/profile.php?id=61582854735079

https://www.instagram.com/candorzealot

https://www.tiktok.com/@candorzealot

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0 Rockshots Records – ANTHEA Unveils First Single “Phantom In The Masquerade” From New Album “Beyond The Dawn” Out April 2026

January 16, 2026
by Asher
· Anthea (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 16, 2026

ANTHEA Unveils First Single “Phantom In The Masquerade” From New Album “Beyond The Dawn” Out April 2026

Rockshots Records announces the release of “Phantom in the Masquerade”, the brand new single by Los Angeles symphonic metal act Anthea, out now on all digital platforms.

“Phantom in the Masquerade” is the first single taken from Anthea’s upcoming third full-length album, “Beyond The Dawn,” and serves as an introduction to the band’s most ambitious and theatrical chapter to date. The song explores the feeling of being invisible while surrounded by others, translating emotional isolation into a powerful and evocative musical narrative.

Commenting on the track, the band states:

“‘Phantom in the Masquerade’ is one of the most theatrical songs we’ve written. We wanted it to feel both catchy and haunting, with lyrics that capture the experience of being surrounded by people yet completely unseen. It sets the stage for the dramatic direction we’ve been embracing, both musically and visually.”

Musically, the single highlights Anthea’s evolved sound, blending symphonic metal foundations with strong melodic hooks, driving guitar work, and layered orchestrations. The balance between immediacy and atmosphere reflects the broader identity of “Beyond The Dawn“, an album conceived as a dynamic journey where each song offers a distinct mood while remaining part of a cohesive whole.

Expanding on the vision behind the album, the band adds:

“This record pushed us to explore every corner of our sound – from fast and heavy tracks to more emotional and melodic moments. ‘Phantom in the Masquerade’ introduces that range and gives listeners a clear sense of the dramatic and expressive path the album follows.”

An official music video accompanies the release, transforming the song’s themes into a symbolic visual narrative centered on identity, isolation, and transformation. Set within a masquerade ball, the video reinforces Anthea’s strong theatrical aesthetic, a defining element of both their music and live performances.

“Phantom in the Masquerade” marks the opening step toward “Beyond The Dawn“, an album shaped by themes of growth, transition, uncertainty, and renewal, representing a significant evolution in Anthea’s songwriting and artistic vision.

For fans of: Dynazty, Kamelot, Powerwolf

DIGITAL SINGLE: https://lnk.to/sIZl8W

“Phantom In The Masquerade” Official Music Video – https://www.youtube.com/watch?v=hMxhW6gWY3g

New album “Beyond The Dawn” out April 17th, 2026.

PRE ORDER “Beyond The Dawn“: https://rockshots.eu/products/anthea-beyond-the-dawn

Track Listing:
1. Beyond The Dawn – 4:13
2. Phantom in the Masquerade – 3:32
3. The Lost Soul – 3:44
4. Awakening (Song for Spring) – 4:16
5. Bygone Age (Chicxulub) – 4:03
6. From Shadows to Light – 4:40
7. Crystal Moon – 4:11
8. Wanderer’s Quell – 3:53
9. Whispers of the Heart – 4:46
10. Duality of Gaia – 4:12
11. Burnin’ in the Third Degree (Tahnee Caine and Tryanglz cover) – 3:38
Album Length: 45:08

Anthea Line-Up:
Diego Valadez: Lead Vocals, Keyboards
Juan Pina: Rhythm Guitars, Harsh Vocals
Marcos Mejia: Lead Guitars
Gabby Hawk: Bass
Peter Vasquez: Drums

The Sirens (Backing Vocals)
Mel Del Real: Backing Vocals
Astrid Anaya: Backing Vocals

More info:
https://rockshots.eu
https://www.facebook.com/antheametal
https://www.instagram.com/antheametal

BIOGRAPHY:
Anthea is a symphonic metal band from Los Angeles, California, known for their distinctive theatrical approach and dynamic blend of symphonic, melodic, and progressive metal elements. Founded in 2015 by vocalist and keyboardist Diego Valadez, Anthea emerged from a desire to explore a more expressive and cinematic musical language combining powerful metal foundations with strong melodic sensibilities and dramatic atmospheres.

What began as a side project quickly evolved into a full-fledged band when Valadez joined forces with longtime collaborators from the local metal scene. Drawing from diverse influences ranging from symphonic metal and melodic death metal to musical theater and film scores, Anthea developed a sound that balances intensity and emotion, heaviness and accessibility, always placing storytelling at the core of their identity.

The band made their live debut at the iconic Whisky a Go Go in Hollywood and steadily gained recognition for their live performances and strong visual aesthetic. Their debut album “Illusion” (2020) received widespread critical acclaim, followed by “Tales Untold” (2022), which further solidified their reputation within the international symphonic metal scene through glowing reviews and extensive media coverage.

In recent years, Anthea has continued to refine and expand their artistic vision. The introduction of backing vocalists known as The Sirens added rich harmonic layers and reinforced the band’s theatrical dimension, both in the studio and on stage. This evolution culminates in their upcoming third studio album, “Beyond The Dawn”, their most ambitious release to date, showcasing a broader dynamic range, heavier arrangements, and a more pronounced dramatic identity.

With “Beyond The Dawn”, Anthea presents a mature and confident chapter in their journey, offering a cohesive yet varied listening experience shaped by themes of growth, transition, uncertainty, and renewal. Blending compelling melodies, powerful orchestration, and expressive songwriting, the band continues to establish itself as a distinctive voice within modern symphonic metal.

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“Beyond the Dawn is the third album from Los Angeles, California-based Anthea and finds them leaning more into their symphonic metal side and away from the progressive elements of their last one, 2022’s Tales Untold. Once again employing clean and harsh male vocals and a crystal-clear production, Beyond the Dawn has everything you want from symphonic metal, from a myriad of melodic hooks to intricate keyboard and guitar parts that swirl about one another effortlessly. The songwriting is consistently good throughout the album, without any dips or peaks to speak of… it is certainly quite enjoyable while it is on, doing exactly what fans of the genre want.” – The Metal Crypt

“An epic adventure that everyone needs to go on. 10/10” – Mark Lacey – Power Play Magazine

“The new album ‘Tales Untold’ – released in 2022 – has an even bigger sound than its predecessor, projecting a huge cinematic aura onto its listeners.” – Iron Mathew – Metal Gods TV

“ANTHEA “Tales Untold” Surpasses All Expectations For A Progressive Power Metal Album” – Doug Groff – Rock You Show

“Tales worth telling!” – Bryce Van Patten – Metal Express Radio

“I find ANTHEA’s interpretation to be both fresh and personal.” – Dave “That Metal Guy” Campbell – Metal Temple

“Blends speed, pomp, a catchy chorus and proggy keys into a unified and engaging whole that is fun to sing along with while playing air instruments” – MetalMike – Metal Crypt

“The song writing on this album is commendable and of the highest calibre. If you are looking out for a melodic sound with plenty of surprises and a true rollercoaster experience, you’ve hit the jackpot with this one. Go for it!” (9.5/10) – Ankit Sood – The Metal Resource

“The music and the vocals work together in perfect harmony, whether its through gentler moments or full unashamed bombastic power. Lyrically, Anthea offer a truly poetic experience, elevating a listener’s wonder and imagination to optimum level.” (5 STARS) – Amy Lawrence – MMH Radio

“A long-term, melodic debut album, with excellent musical combinations, there are different tempos that can be heard as Thrash metal briefly, they have a strong combination that goes from Symphonic Metal to Power Metal and vice versa, at the beginning they start very Power Metal and end very Symphonic Metal, that gives variety to the album!” (90/100) – Darkzen Dragon

“Overall, a fast paced and very infectious album of heavy hitting symphonic power metal with stunning twists and turns.” (9.5/10) – Iron Mathew Collins – Metal Gods TV

“I believe that Anthea have managed to convince us of the value of their musical ideas with a strong debut and of course with the composite result they present to us in ‘Illusion’.” – Angelos Hontzias – Rockway.gr

“A sort of dramatic theatrical experience that of this “Illusion”, which ranks among the best releases of the gothic-epic panorama of 2020.” (8/10) – Vittorio “Vice” Giorcelli – Tutto Rock Magazine

“Congratulations ANTHEA on achieving one of the better albums for 2020!” (9/10) – Kevin Lewis – Metal-Temple

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0 SIEGE PERILOUS Unveils First Single “As the Dragon Falls” ft. Fabio Lione From the Concept Album “Becoming the Dragon” Out March 2026

January 16, 2026
by Asher
· Music News · Siege Perilous

NEWS RELEASE

Montreal, QC – January 16, 2026

SIEGE PERILOUS Unveils First Single “As the Dragon Falls” ft. Fabio Lione From the Concept Album “Becoming the Dragon” Out March 2026

A narrative-driven punch of epic fantasy power metal featuring incredible guests like Fabio Lione and Kristin Starkey!

Left to Right: Mark Girard (Drums) | Eric Fischer (Bass) | Shaughnessy McDaniel (Vocals) | Ryan Flanagan (Guitar) | Scott Hancock (Guitar)

Photographer Credit – Gii Astorga

Colorado power metal storytellers Siege Perilous ignite the next chapter of their musical saga with the release of their first single and music video, “As the Dragon Falls”, featuring legendary vocalist Fabio Lione (Rhapsody, Angra). The track serves as the first glimpse into the band’s sweeping debut concept album, “Becoming the Dragon,” out March 27, 2026.

Forged from the camaraderie of live‑action roleplay and a shared love of epic storytelling, Siege Perilous has built a reputation for crafting cinematic, narrative‑driven metal that blends myth, history, and high‑fantasy adventure. Their upcoming full‑length album marks the culmination of years of collaborative writing, world‑building, and musical evolution.

“As the Dragon Falls” is more than a single; it’s a milestone for the band, especially for vocalist Shaughnessy McDaniel, who has been a devoted Rhapsody fan since his teens.

“As the Dragon Falls represents a true heavy metal dream come true for all of us, but especially for Shaughnessy. Working with Fabio far exceeded anything we could have hoped for. His classic soaring vocals combined with Shaughnessy’s lower register create a really unique and cool power metal sound,” adds the band.

The song’s narrative twist, where slaying the dragon becomes a metaphor for the double‑edged nature of achieving one’s goals, adds a bittersweet emotional core to the track. Lione himself was drawn to the story and, according to the band, “really gave it his all.”

Musically, the single fuses Siege Perilous’ signature melodic power with the symphonic grandeur of classic Rhapsody, delivering a heroic anthem that darkens into something far more ominous by its final moments.

Watch and listen to the music video for “As the Dragon Falls” featuring Fabio Lione via its premiere on MetalAddicts HERE.

Add to your Spotify Playlist – pre-save – https://distrokid.com/hyperfollow/siegeperilous/as-the-dragon-falls-feat-fabio-lione

“Becoming the Dragon” is a ten‑part epic chronicling the rise, fall, and metamorphosis of the “Child of Prophecy,” a hero who must confront fate, tragedy, and ultimately his own transformation into the titular dragon. The album features guest performances from both Fabio Lione and powerhouse vocalist Kristin Starkey (Twilight Force, Temperance), who also serves as McDaniel’s vocal mentor.

“Creating a massive, sweeping power metal epic has been a dream since before we even formed this band. This album represents our collective experience, skill, hopes, and dreams as musicians,” says the band.

The record showcases the band’s evolution since their earlier EPs, with more complex arrangements, expanded vocal range, and orchestration that heightens the album’s cinematic scope. Each track stands alone as a powerful metal anthem, yet together they form a cohesive narrative journey.

Their writing process is uniquely collaborative; every member contributes to the story and the music, resulting in songs that carry the DNA of the entire band. This approach, while unconventional, has become one of their greatest strengths.

Recommended for fans of Wind Rose, Hammerfall, Sabaton, Blind Guardian, and Iron Maiden, “Becoming the Dragon” is due out on March 27, 2026 and available for pre-order / pre-save at the following link:

https://siegemetal.bandcamp.com/album/becoming-the-dragon

Track Listing:
1. Overture (Instrumental) – (2:37)
2. Ancient Rite – (4:37)
3. As the Dragon Falls (feat. Fabio Lione) – (4:33)
4. Child of Prophecy – (4:05)
5. Shattered Mirage – (4:07)
6. Chieftain – (4:03)
7. Cut Down – (3:01)
8. Echoes of Home (feat. Kristin Starkey) – (4:48)
9. Becoming the Dragon – (5:09)
10. Eschaton – (7:50)
Album Length: 44:54

More info: Siegemetal.com | Facebook.com/siegeband | Instagram.com/siegeperilousmetal | Tiktok.com/@siegemetal

About:

Siege Perilous is a Colorado‑based power metal band specializing in epic, cinematic storytelling through music. Formed by Shaughnessy McDaniel (vocals), Scott Hancock (guitar), and Mark Girard (drums)—later joined by Eric Fischer (bass) and Ryan Flanagan (guitar/arrangements), the band draws from fantasy, history, and myth to craft immersive metal narratives. Their debut album, Becoming the Dragon, arrives March 27, 2026.

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“It gives me great pleasure to tell you that Creation’s Call is a blast. Siege Perilous has succeeded in creating what I would call Epic Power Metal for the Working Man. They don’t waste your time with overlong symphonic interludes between tracks, melodramatic narration, or overproduction that tests the limits of your sanity. The band gets right to the point and pulls you into their epic tales of heroic daring immediately. This is a nice breath of fresh air and if this EP is anything to go by, Siege Perilous has a great future ahead of them. Yes, this could be considered power metal but the no-nonsense approach and urgency to the songwriting makes this release absolutely worth checking out for those of us in the NWOTHM scene. Plus, it’s really just a lot of fun. This one is highly recommended. THENWOTHM SCORE: 9/10” – The NWOTHM

“‘Creation’s Call’ never gets boring, even on Heavy Rotation. Five gifted musicians have succeeded in creating a varied EP. The twin guitar solos are convincing the whole time. It’s just a shame that it ends after twenty-one minutes. It makes you wish for a full-length album. And, of course, a thrilling live performance. 9.3/10” – Metalheads Forever Magazine

“solid power metal style that should satiate any LARP-attendees or Dungeons and Dragons mavens. Keep an eye on this quintet – wield thy sword as they lead the battle charge for more quality power metal from the states. 8/10” – Dead Rhetoric

“There are any number of quality bands like Siege Perilous active right now but the style is popular (and I love it) and these guys are as decent as the next similar act. They lean more the Metal side of the equation using the folk and orchestral moments as flavour, not the main style. CREATION’S CALL is a fine effort and I could easily see them on tour with Brothers Of Metal, All For Metal, Fellowship and other costumed Metal heroes. Worth checking out!” 4/5 – Metal Rules

“Denver metal mob reckon that their goal on “Creation’s Call” was to build a world and tell a story in “three to five minutes.” It’s a world of fantasy, as “Oathsworn” proves, where metal rules and swords are held high. “Across The Rubicon,” however, is delivered with such skill that you can’t resist getting sucked in with them. Shaughnessy McDaniel has a brilliant “metal” voice, roaring on “Sons Of The Verdant,” and guitar duo Scott Hancock and Cody Martinez can knock out a NWOBHM riff like it’s 1982, as the title song underlines. “Brothers Of Five” brings the epic one last time, galloping in proper fashion, and it’ll be interesting to see how Siege Perilous develops. This is one hell of an opening statement, mind you. 8.5/10” – Maximum Volume Music

“Creation’s Call not only highlights Siege Perilous’ dedication to epic storytelling but also emphasises their versatility within the power metal genre. With influences ranging from historical events to high fantasy, this EP offers a rich and varied auditory experience that will captivate fans. Prepare to embark on a grand journey through myth and history as Siege Perilous delivers their latest saga.” – Amplify The Noise

“Creation’s Call it is a cohesive and well-crafted work, where the combination of rich letters in history and fantasy, with a meticulous musical execution, it makes mandatory, regardless of its short duration. [82%]” – Via Nocturna

“Creation’s Call doesn’t get boring even in heavy rotation. Five gifted musicians have created a varied EP. The solos of the twin guitars are convincing across the board. It’s just a shame that it’s over after twenty-one minutes. You want a full-length album. And of course a sweaty live performance. 9.4/10” – Keep On Rocking

“Colorfully mixed NWOTHM/Epic Heavy/Power Metal elixir that appeals to a broad range of fans between ALESTORM, BATTLEROAR, ETERNAL CHAMPION, GATEKEEPER, IRON MAIDEN, RUNNING WILD and WRATHBLADE. Awakens a huge appetite for a full long-play album. On this EP you can clearly see that the band has enormous potential and has already given a great taste of their skills. Conclusion: Strong-looking genretobak that falls out of the usual range! 8,5/10” – FFM-Rock

““Oathsworn” simply explodes out of the gate. The band ratchets every possible dial up to 11 and charges into battle with an epic statement of intent.” – Nine Circles

““Brothers Of The Five” offers classic power metal as you would appreciate it. The strain on the neck muscles is correspondingly high and in some places the number cannot deny a slight Maiden stable smell.” – Hellfire Magazin

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0 Exitus Stratagem Records – Tech-Death Shredder MATT MILLER Unleashes Guitar Playthrough for “Maimed Paralyzed Dead” From Latest Album “Fiber Tormentum”

January 14, 2026
by Asher
· Matt Miller · Music News

NEWS RELEASE

Montreal, QC – January 14, 2026

Tech-Death Shredder MATT MILLER Unleashes Guitar Playthrough for “Maimed Paralyzed Dead” From Latest Album “Fiber Tormentum”

L-R – Justice Robinett (Bass), Jordan Kelso (Drums, Synth), Matt Miller (Guitars, Synth), Biko Wright (Vocals)

Photo Credit – Lilly May Everett

Technical death metal visionary Matt Miller has unveiled a new guitar playthrough video for “Maimed Paralyzed Dead,” one of the most harrowing and cinematic tracks from his latest full‑band album, “Fiber Tormentum,” released through Exitus Stratagem Records. The video captures Miller’s trademark blend of precision, intensity, and melodic ferocity, offering fans a close look at the technical prowess behind one of the album’s most monstrous compositions.

“Maimed Paralyzed Dead” occupies a pivotal place in the album’s overarching sci‑fi narrative, depicting the grotesque physical consequences of alien‑engineered DNA manipulation.

“Musically, it’s something out of a monster movie. Like a zombie crawling on the floor or lumbering toward its victim.” The playthrough highlights the track’s relentless rhythmic shifts, soaring leads, and crushing atmosphere, all of which have become defining elements of Miller’s evolving sound,” explains Miller.

The release of the “Maimed Paralyzed Dead” guitar playthrough marks another step in that progression, offering fans a visceral look into the technical and emotional core of “Fiber Tormentum.” With its blend of cinematic horror, technical mastery, and thematic depth, the track stands as a testament to Miller’s commitment to crafting music that is both overwhelming and unforgettable.

Watch the playthrough: https://www.youtube.com/watch?v=FBIYWn7U8RI

“Fiber Tormentum” represents a major turning point in Miller’s career. Originally conceived as an instrumental record, the album transformed once he realized the material demanded a broader emotional and narrative range. The addition of vocalist Biko Wright, drummer Jordan Kelso, and bassist Justice Robinett elevated the project into a fully realized band.

“I knew it needed to be a proper album with vocals and the input of other people to make it come to life. This album features the heaviest, most melodic, and most technical music in my catalog so far,” adds Miller.

The album blends technical death metal, power metal, progressive elements, and epic vocal hooks into a sound Miller describes as relentless, soaring, crushing, intense, and epic. Lyrically, “Fiber Tormentum” forms a loose concept album centered on an advanced alien civilization subtly reshaping human DNA to enslave humanity. The story draws influence from real‑world anxieties and the societal fallout of the COVID‑19 era, giving the record a thematic weight that matches its musical aggression.

The album’s artwork, created by the late Joshua Nassaru Ward (Voraath), visually captures the torment of the narrative. The central figure’s face contorts in agony as its DNA fibers are forcibly rewritten, echoing the album’s themes of transformation, invasion, and loss of autonomy. The title itself, Fiber Tormentum, references the sound a Roman ballista makes when its ropes tighten before firing, a metaphor for tension, destruction, and the inevitability of conflict.

Miller’s journey to this moment began in 2020, when he launched his solo project during the pandemic. After touring the United States with Rings of Saturn on the Cyber Shred Tour 2022, he assembled his current lineup and soon after embarked on a European tour supporting death metal pioneers Possessed. Each member brings a diverse musical background, ranging from metal and jazz to folk and bluegrass, resulting in a dynamic and collaborative creative process.

“We strive to offer a show that grabs everyone’s attention. We play crushing technical music, but we want everyone to sing along and bang their heads,” says Miller.

The making of “Fiber Tormentum” was marked by its share of memorable moments. Vocalist Biko Wright tracked his parts between filming sessions for the Discovery Channel’s Expedition Bigfoot. The band became such regulars at a local Subway during recording that staff reserved a table for them every Tuesday and Thursday night. Their attempts to record samples using high‑end pianos and harps in music stores resulted in them being banned from multiple locations. And somewhere on the album, a hidden “One Take Willy” outburst, Biko’s triumphant shout after nailing a one‑take performance, awaits listeners with sharp ears.

Miller’s musical evolution has been steady and relentless. From his early instrumental EP in 2017 to the 2022 release of “Monument of Velocity” and his extensive catalog of covers and original material, he has consistently pushed the boundaries of extreme music. Now aligned with Extreme Management Group and backed by a full band of world‑class musicians, he continues to expand his reach and refine his sound.

Recommended for fans of Necrophagist, Symphony X, Wintersun, The Faceless, and Death, “Fiber Momentum” (released Sept 12th) is available on all major platforms through Exitus Stratagem Records.

Digital – https://hypeddit.com/mattmiller/fibertormentum

CD – https://www.exsrmusic.com/store/p/wnn3m10s6beq0pbmnot0e17ghvj629

Guitar Playthrough – Descent into Violence – https://www.youtube.com/watch?v=RCj0AKSkSTc

Music Video – Effecively Neutralized – https://www.youtube.com/watch?v=hJDoR9JL9b8

Band Playthrough – Summoned – https://www.youtube.com/watch?v=5FJxxg_dd2k

Track Listing:
1. Descent into Violence (5:04)
2. Summoned (3:33)
3. Effectively Neutralized (4:53)
4. Blight and Disfigurement (3:23)
5. Maimed Paralyzed Dead (3:12)
6. Horror Beyond Comprehension (3:15)
7. Fiber Tormentum (Instrumental) (3:31)
8. Abiotic Origin (3:14)
Album Length: 30:08

Album Lineup:
Matt Miller (Guitars, Synth)
Jordan Kelso (Drums, Synth)
Justice Robinett (Bass)
Biko Wright (Vocals)

For more info:

Exsrmusic.com | Shreded1.com | Facebook.com/matt.miller.96995238 | Instagram.com/mattmiller630

– 30 –

“All in all, it’s a fascinating song (Effectively Neutralized) — head-spinning and heart-palpitating but also a heavy-hitter and a conjurer of strange, sinister, and haunting visions. In other words, in the space of just five minutes it pulls off a lot of impressive feats. And the well-filmed and well-edited video for it is a perfect complement, in that it shows us how all these talented performers executed all the impressive accomplishments.” – NoCleanSinging

“Hell yeah. Holy moly canoli. Fiverr to Fiber Momentum, and that was the album. This song is Descent into Violence. Holy moly canoli, dude. Go support, Matt Miller. That was absolutely badass. Total shredding. Jordan, also a homie of mine, your drums are incredible. The new singer, Bo, I love the harsh vocals in the clean. Total is it almost the cleans almost reminded me of Queensryche meets Cannibal Corpse. It’s pretty freaking sweet. And of course, Justice always lays down the heavy bass with the beautiful bass faces. But an absolutely incredible album….Matt Miller, you could find him everywhere. He’s an incredible guitar player, one of the best guitar players of our generation. Remember, this is Fiber Tormentum courtesy of Exitus Stratagem Records. So, a huge shout-out to them as well. Matt Miller has so many more songs. If you guys like this song (Descent into Violence), believe me, this guy is an absolute shred master. Not only does he do like a ton of his own originals, he does a ton of covers, and also he’s just a shred master of all sorts. Just exactly how they say, melodic, technical, and death. But I will definitely say the big thing that stands apart about this whole song is great structure, absolutely shredding on all levels, and the vocals are just 100% one-of-a-kind. And I totally enjoyed it. Guys, I love you guys from the bottom of my heart. This has been Matt Miller with his new song, Descent into Violence. Pick up the new album on September 12, Fiber Tormentum.” – Omar Rodriguez – The Metal Mixtape – YouTube Channel

“The songs on “Fiber Tormentum” are rather good, and make for very interesting listening sessions.” – Metal Temple

“”Fiber Tormentum” is a real killer and so refreshingly creative that you can’t help but toast this previously unknown genius in awe! Cheers! 9/10″ – PowerMetal.de

“Soaring, crushing, ferocious, emotive, and relentless, are words that strongly describe Decrepit Shed. The album has a lot to offer from various metal sub-genres and encompasses the best elements of technical guitar playing while still having well-written songs”. – Brave Words

“Monument of Velocity” initially had a different title and was not going to be a Matt Miller release and some of the songs were written with vocals in mind and were not going to be instrumental, however, it turned out to be the sixth of seven powerful albums in his discography. contains eight tracks full of technical and progressive metal eliciting feelings of suspense, and tension while being fun, melodic and brutally heavy. Miller’s melodic and relentless music has a wide range of influences and is recommended for fans of Jeff Loomis, Necrophagist, and Obscura.” – Rock’n’ Load

“Even though Miller’s music is instrumental, he likes to think of the guitar as a voice. Which in turn makes him ask what is the guitar saying? He is able to easily convey emotion, tone, and a story even without the use of vocals. Throughout his releases, his music has developed a more modern sound in both the music and the production. Musically the songs are more well written and a lot of the ideas he writes are being accurately represented. He is always trying to push himself as a musician and this is reflected in his discography. Influenced primarily by technical and progressive death metal with a dash of power metal and symphonic metal as well, Matt Miller’s music is recommended for fans of Obscura, Dragon Force, and Racer X” – Metal Sucks

“Mr. Miller can shred like his fingers are on fire” – Ever-Metal.com

“Matt shreds all over this album with guitar solos galore”. – Transcending the Mundane

“Soaring, crushing, ferocious, and emotive, Miller conveys a wide range of tones throughout his instrumental music. It is recommended for fans of Dragon Force, Racer X, and Jeff Loomis” – Metal-Rules

“For guitar enthusiasts, I guess it is a feast for the eyes and ears.” – Antichrist Magazine

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0 RAVENMOCKER Unleashes A Fierce First Step Into a New Era of Melodic Death Metal w/ Debut Single “Infallible”

January 12, 2026
by Asher
· Music News · Ravenmocker

NEWS RELEASE

Montreal, QC – January 12, 2026

RAVENMOCKER Unleashes A Fierce First Step Into a New Era of Melodic Death Metal w/ Debut Single “Infallible”

From L – R – Dylan Suierveld – Drums, George Patmas – Guitar, Tom Tierney – Guitar and Vocals, Will Buckley – Bass

Photo Credits – Kim Moran – Photographer

Southern California’s newest force in melodic death metal, Ravenmocker, has released their debut single, “Infallible”, accompanied by a music video to mark the band’s official arrival and the first of several tracks set to drop throughout the year. Formed in 2025 by guitarist/vocalist Tom Tierney, the band emerges from a period of personal upheaval, creative rebirth, and a desire to carve out a culturally rooted identity inspired by Native American lore.

Joined by guitarist George Patmas (ex‑Dianthus), drummer Dylan Suierveld (Levinia), and bassist Will Buckley (Levinia, Anubis), the band quickly developed a sound that is both nostalgic and fresh. Their influences span Children of Bodom, Insomnium, Amon Amarth, Kalmah, and Dark Tranquillity, while each member brings unexpected flavors, country, jazz fusion, blues, funk, and classical choral music into the mix.

Ravenmocker’s writing process is collaborative, dynamic, and rooted in emotional honesty. While Tierney currently leads much of the songwriting, every member contributes ideas, arrangements, and refinements.

“We want to write good songs, not just content. These songs were years in the making. The melodies should stick with you. We want people singing with us at shows. We want to give fans something they can feel together,” adds Tierney.

The band’s first single, “Infallible,” represents the moment everything changed for Tierney, the song that pushed him to leave behind a project he’d been part of for five years and fully commit to forging Ravenmocker’s path.

“‘Infallible’ was the turning point. It came from a place in my life that was harming me more than helping me. The guys immediately heard the potential, and it became the first song we worked on. A small clip online hit over 75,000 views, and that connection really showed us this was the right direction. This song started it all,” explains Tierney.

“Infallible” tells the story of a man who has spent too long in darkness, giving everything to an entity that never gave anything back. The track captures the moment he finally walks away, choosing growth, clarity, and self‑determination over turmoil. Musically, the song is energetic and uplifting, while lyrically, it remains cold, rigid, and emotionally raw. This contrast reflects the duality of stepping into a new future while still carrying the weight of resentment, anger, and frustration.

The single artwork mirrors this theme: A lone figure stands in the ruins of a devastated city, surrounded by collapsed towers and shattered structures. Amid the destruction, a statue of a raven remains standing, wings spread, defiant, symbolizing resilience, rebirth, and the courage to rise from ruin.

Watch and listen to the music video for “Infallible” via its premiere on NoCleanSinging HERE.

Spotify pre-save – https://distrokid.com/hyperfollow/ravenmocker/infallible/

More info:

http://www.ravenmocker.net/

http://www.instagram.com/ravenmockerofficial

http://www.facebook.com/ravenmockerofficial

http://www.tiktok.com/ravenmockerofficial

About:

Formed in Southern California in 2025, Ravenmocker is a melodic death metal band founded by guitarist/vocalist Tom Tierney (formerly of Thrown Into Exile). Joined by George Patmas (guitar), Dylan Suierveld (drums), and Will Buckley (bass), the band blends soaring melody with raw aggression, drawing influence from melodic death metal giants while infusing elements of country, jazz, blues, funk, and classical orchestration.

Their music explores personal struggle, emotional catharsis, cultural identity, and the resilience found in confronting darkness head‑on.

In 2026, Ravenmocker will introduce themselves to the global metal community with their debut singles “Infallible” and “Where the Raven Flies,” leading into their first EP.

-30-

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0 Gore House Productions – Blast Beats Unleashed INSECT INSIDE Posts Drum Carnage w/ Playthrough “Hiveborn Abomination” From New Album “Reborn in Blight” Out March 2026

January 8, 2026
by Asher
· Insect Inside (Gore House Productions) · Music News

NEWS RELEASE

Montreal, QC – January 8, 2026

Blast Beats Unleashed INSECT INSIDE Posts Drum Carnage w/ Playthrough “Hiveborn Abomination”

New Album “Reborn in Blight” Out March 2026 via Gore House Productions

Gore House Productions has released a brand‑new drum playthrough for “Hiveborn Abomination” from brutal death metal unit Insect Inside, showcasing drummer Daniel Sementsov performing the track with the band’s signature blend of precision, speed, and crushing heaviness. The video arrives in the lead-up to the band’s highly anticipated new album, “Reborn in Blight,” set for release on March 6, 2026.

The playthrough offers an up‑close look at Sementsov’s blistering technique, capturing the relentless blast beats, punishing double‑kick work, and intricate rhythmic shifts that define Insect Inside’s sound. Shot in a clean, focused studio setting, the video highlights the physical intensity and technical mastery behind the band’s latest material.

Watch the drum playthrough at https://www.youtube.com/watch?v=2sfgjF0-JVw

Listen to the blistering track “Hiveborn Abomination” with guest vocals from Josh Welshman of Defeated Sanity at the following links:

YouTube – https://www.youtube.com/watch?v=OhaFr5xtoEo

Add to Spotify Playlist – https://open.spotify.com/track/5m0cWWNqF9DdVqamY0i1AY

Emerging from Chelyabinsk’s underground scene, Insect Inside have carved a reputation for their tight, aggressive sound, an unholy fusion of groove‑heavy slam and oppressive atmospherics. “Reborn in Blight” marks the band’s second full‑length album and showcases a shift toward a rawer, more visceral tone. Lyrically, the record continues their apocalyptic narrative, chronicling humanity’s collapse and the rise of an insectoid race.

The album unfolds as a relentless journey through death metal’s most punishing elements. Fragments erupts with chaotic groove and sinister atmosphere, distilling the band’s love for the genre into a concentrated assault. At the album’s core lies “Hiveborn Abomination,” elevated by Defeated Sanity vocalist Josh Welshman’s ferocious guest performance and serving as one of the band’s most commanding creations to date. “Carnal Ruins” pays homage to the New York death metal tradition with a hardcore‑infused, groove‑driven tribute to pioneers like Soils of Fate, Internal Bleeding, and Dying Fetus. The brutality continues with “Abhorrent Landscape,” featuring Mr. Ochoa of Cephalotripsy, whose gutturals reinforce the album’s slam‑heavy foundation. Meanwhile, “Echoes of the Swallowed Sinners” plunges into the darkest lyrical territory, exploring the abyss of humanity’s disfigured souls. The album closes with its towering title track, “Reborn in Blight,” weaving groove, speed, and soaring guitar solos into a monolithic finale.

Formed from a shared obsession with slamming brutality, Insect Inside began as friends jamming covers before evolving into a full‑fledged force within the brutal death metal realm. Their lineup features seasoned Eastern European veterans: Bogdan (bass – Cold Blooded Murder, Traumatomy), Pavel (guitar – Ocean In My Bath), Daniel (vocals – Nauseating, Morphogenetic Malformation), and Ivan (drums – Nauseating). Writing collaboratively across different cities, the band crafts a sound that is both meticulously constructed and relentlessly heavy. Onstage, they are notorious for chaotic, high‑energy performances filled with mosh pits, slams, and even fans dressed as dinosaurs.

Drawing influence from brutal death and black metal, Insect Inside cite Disentomb, Relics of Humanity, Cryptopsy, Defeated Sanity, and Vulvectomy among their top inspirations. The album’s artwork mirrors the music’s grotesque vision, gloom‑soaked, apocalyptic, and steeped in visceral disgust.

“Reborn in Blight” will be available March 6, 2026, via Gore House Productions.

Pre‑orders are now live on Digital, Vinyl, CD, and Cassette: https://orcd.co/reborn-in-blight

Track Listing:
1. Echoes Of The Swallowed Sinners – 3:31
2. Abhorrent Landscape (feat. Cephalotripsy) – 2:54
3. Fragments – 2:18
4. Putrid Lament – 3:35
5. Hiveborn Abomination (feat. Defeated Sanity) – 2:51
6. Flesh Cathedral – 3:00
7. Obscuration Worship – 1:20
8. Carnal Ruins – 2:45
9. Parasite Messiah (feat. Pestilectomy) – 3:29
10. Reborn In Blight – 5:22

Album and Live Band Line Up:
Daniel Sementsov – Drums
Bogdan Pisavnin – Bass
Pavel Pleshkov – Guitar
Ivan Tyulkin – Vocals

More info:

https://gorehouseproductions.com/

https://www.facebook.com/insectinsideslam

https://www.instagram.com/insect_inside

-30-

“From the Russian city of Zlatoust which overlooks the river Ay, famed for its creation of swords and sabres, beautiful instruments of death, comes the decimating sonic assault of Insect Inside. Lured into the web of Gore House Productions, Insect Inside are now primed to unleash the fear infused death metal of The First Shining Of New Genus on an unsuspecting world… An intro with some impact, the squelch of footsteps through what sounds like a swamp, leading to the cries of some poor victim sets the stage for Insect Inside’s The First Shining of New Genus. Focus on the filth, because that is what this band deliver in spates across nine rough and tough death metal tracks.” – Games, Brrraaains & A Head-Banging Life

“Insect Inside relies on unpredictability to elevate beyond the brutal stereotype. Shifting tempos, groovy rhythms, technical leads, pinch harmonics, and flashes of dissonance keep its grinding slams and beatdown sections from growing too stagnant… Insect Inside’s The First Shining of New Genus offers concussive slam that will get you buzzing.” – Angry Metal Guy

“A surprisingly level of hookiness invades Insect Inside, while they still deliver on all of the body-crippling violence you would expect from such an act. The First Shining of New Genus is a release that you can groove along with in addition to getting your daily dose of utter brutality.” – Dead Rhetoric

—
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0 Rockshots Records – Italian Melodic Death KARMIAN New Single “Beastmaster Of The Void” From Upcoming Album “Horror Vacui” Out March 2026

December 19, 2025
by Asher
· KARMIAN (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – December 19, 2025

Italian Melodic Death KARMIAN New Single “Beastmaster Of The Void”

New Album “Horror Vacui” Out March 20th, 2026

Italian melodic death metal force KARMIAN open a new and uncompromising chapter with the release of their first single, “Beastmaster of the Void”, taken from the forthcoming full-length “Horror Vacui“. The track arrives accompanied by an official visualizer published on the Rockshots Records YouTube channel.

VIDEO for “Beastmaster Of The Void”: https://youtu.be/-NhBZGSShJE

DIGITAL: https://lnk.to/PMCdGh

“Beastmaster of the Void” stands among the album’s most direct and unrelenting compositions – a surge of sharp riffing, relentless pacing, and psychological intensity. Drawing from the real-life crimes tied to the Bestie di Satana case, the song transforms adolescent alienation, obsession, and spiritual distortion into a violent descent through the existential void that defines the entire record. Here, the band channels the chaos, confusion, and moral collapse at the heart of the narrative, turning true events into stark allegory.

The single also offers a first glimpse into the conceptual breadth of “Horror Vacui“: a collection of nine songs, each inspired by a different Italian murderer, revealing how psychological emptiness, social disintegration, and spiritual vacuum mutate into violence. Rather than glorifying crime, the album examines the roots of human collapse – the internal abyss that corrodes empathy, identity, and meaning. Musically, it merges the ferocity of melodic death metal with narrative tension and introspective depth, confirming the band’s distinctive approach to extreme music.

“Horror Vacui” was recorded, mixed, and mastered by Luca Cocconi and Simone Sighinolfi at Audiocore Studio, with artwork and the new Karmian logo created by Sheila Franco. All songs were written by Andrea Baraldi and Nicholas Badiali, with lyrics by Andrea Bertolazzi and arranged collectively by Karmian.

With a career stretching from their early beginnings in 2005 to their present incarnation, Karmian have become one of the most distinctive voices of Italian melodic death metal, known for merging aggression, drama, and conceptual storytelling. Their upcoming full-length marks their most mature and introspective work to date, deepening the psychological and existential focus that has defined their evolution.

For fans of: The Haunted, Kataklysm, Heaven Shall Burn, At The Gates, early Dark Tranquillity, and early In Flames.

New album “Horror Vacui” out March 20th, 2026.

PRE ORDER “Horror Vacui” – https://rockshots.eu/products/karmian-horror-vacui-cd

Track Listing:
1. One Thousand Shining Bubbles – 06:38
2. Beastmaster of the Void – 03:21
3. Gott Mit Uns Nicht – 04:38
4. The Call of the Abyssal Bell – 06:17
5. Black Magical Soap Opera – 03:54
6. Temple of the Fleshless Goddess – 03:23
7. Libido et Mors – 03:40
8. Beyond the Dream Gate of Fear – 04:16
9. Maker of Angels – 04:43
Album Length: 40:50

Karmian Line-Up:
Andrea Bertolazzi: Vocals
Andrea Baraldi: Guitars
Michele Perla: Guitars
Luca Marmi: Bass
Nicholas Badiali: Drums

More info:

https://rockshots.eu/

https://www.instagram.com/karmian_official/

https://www.facebook.com/KarmianBand/

BIOGRAPHY:

Originating from Modena, Italy, Karmian stands as one of the most consistent and distinctive voices in Italian melodic death metal, forging a sound that blends raw aggression, melodic nuance, and strong conceptual depth. Their music draws from the sharp-edged intensity of the Swedish tradition while embodying a uniquely Italian sense of drama, history, and emotional resonance.

The band’s earliest incarnation dates back to 2005, when founders Andrea Baraldi, Mauro Leone, and Nicholas Badiali formed a project under the name When the Storm Broke. Though the group disbanded in 2009 after several lineup changes, the experience laid the foundations for what would later become Karmian. In 2011, the founding members revived the project with the addition of vocalist Andrea Bertolazzi, giving rise to the definitive identity of the band and solidifying their path within melodic death metal.

Karmian debuted in 2012 with the EP “Ways of Death”, a conceptual release exploring psychological decline and the “ways of death” – themes that would become central to the band’s artistic identity. Years of touring across Italy and Europe further strengthened their presence within the extreme metal scene, leading to their first full-length album, “Surgere et Cadere” (2018). Rooted in historical and mythological narratives, the album recounts the struggle of the Celtic Boii tribe against the Roman Empire, showcasing the band’s lyrical ambition and intricate musicianship.

Following extensive touring, including performances with Dying Fetus, Mortuary Drape, and Venom Inc., Karmian released “Live at Slaughter Club” (2022), a testament to their intensity and authenticity on stage. After the pandemic years, the lineup evolved with the arrival of Luca Marmi (bass) and Michele Perla (guitars), marking the beginning of a darker, more elaborate creative phase.

This evolution culminates in their most ambitious work to date: the 2026 full-length “Horror Vacui”, recorded at Audiocore Studio with Luca Cocconi and Simone Sighinolfi. The album explores the psychological and existential void behind real acts of Italian murder and madness, transforming nine true-crime cases into allegorical portraits of emptiness, collapse, and human frailty. Musically, “Horror Vacui” expands the band’s soundscape through intricate dual-guitar writing, powerful rhythmic structures, and Bertolazzi’s blend of guttural intensity and narrative expressiveness.

Across their discography, Karmian have built a reputation for merging conceptual storytelling with extreme metal intensity. Whether navigating historical epics or psychological abysses, their work is defined by a commitment to exploring the deeper forces that drive human behavior – resistance, decline, obsession, and the void within. “Horror Vacui” stands as the culmination of this journey: a mature, uncompromising statement of artistic vision, philosophy, and melodic death metal identity.

-30-

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0 Thank You Canadian MDs and DJs for the airplay love! !earshot – The National Loud Chart For the Week Ending: Tuesday, December 16, 2025 #1 Juliet Ruin, #6 Triskelyon – Moribund Records | 92.5 FM CFBX “the X” – Kamloops Loud – #3 Woodhawk, #6 Ivy Gardens | CFUV 101.9 FM – Victoria Loud – #5 Juliet Ruin | CIVL Radio 101.7 FM – Abbotsford Loud – #1 Triskelyon, #3 Juliet Ruin, #9 Phaeton | CJSR FM 88.5 – Edmonton Loud – #6 Juliet Ruin, #8 Devolver, #9 Ancient Thrones | CFBX 92.5FM – Kamloops Top 30 – #20 Merfolk, #30 Woodhawk | CFRU 93.3 FM – Guelph Top 30 – #20 Merfolk | Smithers Community Radio CICK 93.9 – Smithers Top 30 – #15 Z-Cocoon | CIVL 101.7 FM – Abbotsford Top 30 – #9 Triskelyon

December 17, 2025
by Asher
· Ancient Thrones · Devolver · Ivy Gardens · Juliet Ruin · MERFOLK · Phaeton · radio charts · Triskelyon · Woodhawk · Z-Cocoon

Thank You Canadian MDs and DJs for the airplay love!
!earshot – The National Loud Chart
For the Week Ending: Tuesday, December 16, 2025
#1 Juliet Ruin, #6 Triskelyon – Moribund Records
https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2025-12-16
====================
92.5 FM CFBX “the X” – Kamloops
Loud – #3 Woodhawk, #6 Ivy Gardens
https://earshot-online.com/charts/cfbx.cfm?intChartTypeID=6&dWeekOfID=2025-12-16
====================
CFUV 101.9 FM – Victoria
Loud – #5 Juliet Ruin
https://earshot-online.com/charts/cfuv.cfm?intChartTypeID=6&dWeekOfID=2025-12-16
====================
CIVL Radio 101.7 FM – Abbotsford
Loud – #1 Triskelyon, #3 Juliet Ruin, #9 Phaeton
https://earshot-online.com/charts/civl.cfm?intChartTypeID=6&dWeekOfID=2025-12-16
===================
CJSR FM 88.5 – Edmonton
Loud – #6 Juliet Ruin, #8 Devolver, #9 Ancient Thrones
https://earshot-online.com/charts/cjsr.cfm?intChartTypeID=6&dWeekOfID=2025-12-16
===================
CFBX 92.5FM – Kamloops
Top 30 – #20 Merfolk, #30 Woodhawk
https://earshot-online.com/charts/cfbx.cfm?dWeekOfID=2025-12-16
===================
CFRU 93.3 FM – Guelph
Top 30 – #20 Merfolk
https://earshot-online.com/charts/cfru.cfm?dWeekOfID=2025-12-16
===================
Smithers Community Radio CICK 93.9 – Smithers
Top 30 – #15 Z-Cocoon
https://earshot-online.com/charts/cick.cfm?dWeekOfID=2025-12-16
==================
CIVL 101.7 FM – Abbotsford
Top 30 – #9 Triskelyon
https://earshot-online.com/charts/civl.cfm?dWeekOfID=2025-12-16

0 Streaming Now! Quebec Deathcore Force DISCOVERY THROUGH TORMENT’s EP “Telesynthetic Rebirth”

December 4, 2025
by Asher
· Discovery Through Torment · Music News

NEWS RELEASE

Montreal, QC – December 4, 2025

Streaming Now! Quebec Deathcore Force DISCOVERY THROUGH TORMENT’s EP “Telesynthetic Rebirth”

+ New Video “Arcane Inception”

Saint-Jean-sur-Richelieu, QC, Canada deathcore force Discovery Through Torment is set to unleash their new EP, “Telesynthetic Rebirth,” with an exclusive advance stream premiering on Decibel Magazine a full day ahead of its official release on December 5th. Fans can experience the band’s most ambitious and brutal work yet before it drops worldwide.

Listen to the EP’s full stream premiere on Decibel Magazine HERE.

Formed out of a desire to push heaviness to its limits, Discovery Through Torment has carved a reputation in the Quebec underground for its uncompromising blend of slam, brutal death metal, and blackened atmospheres. Since their debut, “Divine in Blood” (2020), and the acclaimed follow-up, “The Mangled God” (2022), the band has evolved into a sharpened five-piece lineup, now fronted by vocalist Alex Desroches. With “Telesynthetic Rebirth,” they deliver a bold new chapter defined by narrative-driven lyrics, cinematic scope, and relentless aggression.

“On this EP, we took the time to experiment a lot and find the right balance between sounding fresh and staying true to our sound. It’s very dark and heavy, with sci-fi atmospheres and plenty of surprises. We are very proud of this one, it hits HARD,” adds the band.

The EP plays out like a video game-inspired descent into collapse and conquest, pulling listeners through five chapters of divine downfall, human abduction, and engineered genocide. Musically, it balances towering, cinematic compositions with suffocating heaviness, fusing slam brutality and blackened deathcore atmospheres into a relentless narrative arc. It begins with “Dethronement,” a grand opener announcing the fall of the Mangled God with epic scale, before plunging into “Arcane Inception,” where crushing riffs expose the apocalyptic intentions of a new force rising from the ashes. The tone grows colder and more clinical in “Veil Unfurling,” transforming captives into telepathic servants through a chilling blend of atmosphere and brutality. The intensity reaches its peak in “Lesions,” a punishingly direct assault that warns of inevitable demise with twisted vocal lines and relentless weight. Finally, “First Encounter Assault Regiment” closes the record with a genocidal march, its towering chorus and cliffhanger ending leaving the storyline suspended in anticipation of the destructive chapter still to come.

The EP’s artwork mirrors this ominous narrative, drenched in red hues and desolate landscapes that hint at alien origins and looming menace. Adding to its depth are several fun details: hidden nods to the first F.E.A.R. game woven into track titles and lyrics, the clinical edge of “Veil Unfurling” born from a binge of House M.D., and synth layers crafted in DIY fashion by guitarist Sam experimenting at home.

For fans of Aversions Crown, Rings of Saturn, and Mental Cruelty, “Telesynthetic Rebirth” drops December 5th, 2025, on all major platforms.

“Telesynthetic Rebirth” arrives December 5, 2025 is available for EP pre-order at https://discoverythroughtorment.bandcamp.com/

Add to your Spotify playlist – https://open.spotify.com/artist/3cttRrJzJ5CxdMlaJPkNtq?si=WK9PdT1SQ-yZOes9PP50IA

Music Video – “Arcane Inception” – https://youtu.be/XLjCTuAoXew

Track Listing:
1. Dethronement – (4:36)
2. Arcane Inception – (3:40)
3. Veil Unferling – (4:29)
4. Lesions – (3:35)
5. First Encounter Assault Regiment – (4:19)
Album Length – (20:39)

Album Recording Credits:
• All songs performed by: Discovery Through Torment
• All songs written by: Discovery Through Torment
• Produced by: Discovery Through Torment
• Mixed by: Maxime Lacroix of House of Gain Studio
• Mastered by: Maxime Lacroix of House of Gain Studio
• Album Artwork by: Mark Erskine of Erskine Designs
• Canadian Content (MAPL)

Album Band Line Up:
Charles-Étienne Lafrance – Drums
Samuel Fortin – Guitar
Frédéric Ricard – Guitar
Alexandre Desroche – Vocals
Alexis Lafrance – Bass

Live Band Line Up:
Charles-Étienne Lafrance – Drum
Samuel Fortin – Guitar
Frédéric Ricard – Guitar
Alexandre Desroche – Vocals

More info: Facebook.com/DiscoveryThroughTorment | Instagram.com/discovery.through.torment

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“It certainly won’t take long for Discovery Through Torment to attack again with the next chapter in their already solid career, and I can’t wait to see what’s next for such an up-and-coming Deathcore ensemble after the striking and incendiary Telesynthetic Rebirth. Best moments of the album: Arcane Inception and Lesions. Worst moments of the album: None.” – The Headbanging Moose

“Discovery Through Torment ont ouvert la soirée avec leur interprétation de pièce Slam/Deathcore. On a été servie avec des Breakdowns crasseux et des grooves de cavernes. Musiciens talentueux et un chanteur qui contrôle très bien les tonalités de haut à très gras. En fait, c’est bien Alex Desroches qui est aussi chanteur de Ignominy. Leur setlist est disponible sur Spotify

Discovery Through Torment opened the evening with their rendition of slam/deathcore tracks. We were treated to grimy breakdowns and cavern grooves. Talented musicians and a singer who masters the tones from high to very fat. In fact, it’s Alex Desroches who is also the singer of Ignominy. Their setlist is available on Spotify” – Ondes Chocs (Kaboom Fest @ Foufounes Électriques, Mtl – September 29 and 30, 2023)

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