Thank You Canadian MDs and DJs for the airplay love!
!earshot – The National Loud Chart
For the Week Ending: Tuesday, December 16, 2025
#1 Juliet Ruin, #6 Triskelyon – Moribund Records
https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2025-12-16
====================
92.5 FM CFBX “the X” – Kamloops
Loud – #3 Woodhawk, #6 Ivy Gardens
https://earshot-online.com/charts/cfbx.cfm?intChartTypeID=6&dWeekOfID=2025-12-16
====================
CFUV 101.9 FM – Victoria
Loud – #5 Juliet Ruin
https://earshot-online.com/charts/cfuv.cfm?intChartTypeID=6&dWeekOfID=2025-12-16
====================
CIVL Radio 101.7 FM – Abbotsford
Loud – #1 Triskelyon, #3 Juliet Ruin, #9 Phaeton
https://earshot-online.com/charts/civl.cfm?intChartTypeID=6&dWeekOfID=2025-12-16
===================
CJSR FM 88.5 – Edmonton
Loud – #6 Juliet Ruin, #8 Devolver, #9 Ancient Thrones
https://earshot-online.com/charts/cjsr.cfm?intChartTypeID=6&dWeekOfID=2025-12-16
===================
CFBX 92.5FM – Kamloops
Top 30 – #20 Merfolk, #30 Woodhawk
https://earshot-online.com/charts/cfbx.cfm?dWeekOfID=2025-12-16
===================
CFRU 93.3 FM – Guelph
Top 30 – #20 Merfolk
https://earshot-online.com/charts/cfru.cfm?dWeekOfID=2025-12-16
===================
Smithers Community Radio CICK 93.9 – Smithers
Top 30 – #15 Z-Cocoon
https://earshot-online.com/charts/cick.cfm?dWeekOfID=2025-12-16
==================
CIVL 101.7 FM – Abbotsford
Top 30 – #9 Triskelyon
https://earshot-online.com/charts/civl.cfm?dWeekOfID=2025-12-16
Tag: metal
0 Thank You Canadian MDs and DJs for the airplay love! !earshot – The National Loud Chart For the Week Ending: Tuesday, December 16, 2025 #1 Juliet Ruin, #6 Triskelyon – Moribund Records | 92.5 FM CFBX “the X” – Kamloops Loud – #3 Woodhawk, #6 Ivy Gardens | CFUV 101.9 FM – Victoria Loud – #5 Juliet Ruin | CIVL Radio 101.7 FM – Abbotsford Loud – #1 Triskelyon, #3 Juliet Ruin, #9 Phaeton | CJSR FM 88.5 – Edmonton Loud – #6 Juliet Ruin, #8 Devolver, #9 Ancient Thrones | CFBX 92.5FM – Kamloops Top 30 – #20 Merfolk, #30 Woodhawk | CFRU 93.3 FM – Guelph Top 30 – #20 Merfolk | Smithers Community Radio CICK 93.9 – Smithers Top 30 – #15 Z-Cocoon | CIVL 101.7 FM – Abbotsford Top 30 – #9 Triskelyon
0 Streaming Now! Quebec Deathcore Force DISCOVERY THROUGH TORMENT’s EP “Telesynthetic Rebirth”
NEWS RELEASE
Montreal, QC – December 4, 2025
Streaming Now! Quebec Deathcore Force DISCOVERY THROUGH TORMENT’s EP “Telesynthetic Rebirth”
+ New Video “Arcane Inception”
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Saint-Jean-sur-Richelieu, QC, Canada deathcore force Discovery Through Torment is set to unleash their new EP, “Telesynthetic Rebirth,” with an exclusive advance stream premiering on Decibel Magazine a full day ahead of its official release on December 5th. Fans can experience the band’s most ambitious and brutal work yet before it drops worldwide.
Listen to the EP’s full stream premiere on Decibel Magazine HERE.
Formed out of a desire to push heaviness to its limits, Discovery Through Torment has carved a reputation in the Quebec underground for its uncompromising blend of slam, brutal death metal, and blackened atmospheres. Since their debut, “Divine in Blood” (2020), and the acclaimed follow-up, “The Mangled God” (2022), the band has evolved into a sharpened five-piece lineup, now fronted by vocalist Alex Desroches. With “Telesynthetic Rebirth,” they deliver a bold new chapter defined by narrative-driven lyrics, cinematic scope, and relentless aggression.
“On this EP, we took the time to experiment a lot and find the right balance between sounding fresh and staying true to our sound. It’s very dark and heavy, with sci-fi atmospheres and plenty of surprises. We are very proud of this one, it hits HARD,” adds the band.
The EP plays out like a video game-inspired descent into collapse and conquest, pulling listeners through five chapters of divine downfall, human abduction, and engineered genocide. Musically, it balances towering, cinematic compositions with suffocating heaviness, fusing slam brutality and blackened deathcore atmospheres into a relentless narrative arc. It begins with “Dethronement,” a grand opener announcing the fall of the Mangled God with epic scale, before plunging into “Arcane Inception,” where crushing riffs expose the apocalyptic intentions of a new force rising from the ashes. The tone grows colder and more clinical in “Veil Unfurling,” transforming captives into telepathic servants through a chilling blend of atmosphere and brutality. The intensity reaches its peak in “Lesions,” a punishingly direct assault that warns of inevitable demise with twisted vocal lines and relentless weight. Finally, “First Encounter Assault Regiment” closes the record with a genocidal march, its towering chorus and cliffhanger ending leaving the storyline suspended in anticipation of the destructive chapter still to come.
The EP’s artwork mirrors this ominous narrative, drenched in red hues and desolate landscapes that hint at alien origins and looming menace. Adding to its depth are several fun details: hidden nods to the first F.E.A.R. game woven into track titles and lyrics, the clinical edge of “Veil Unfurling” born from a binge of House M.D., and synth layers crafted in DIY fashion by guitarist Sam experimenting at home.
For fans of Aversions Crown, Rings of Saturn, and Mental Cruelty, “Telesynthetic Rebirth” drops December 5th, 2025, on all major platforms.
“Telesynthetic Rebirth” arrives December 5, 2025 is available for EP pre-order at https://discoverythroughtorment.bandcamp.com/
Add to your Spotify playlist – https://open.spotify.com/artist/3cttRrJzJ5CxdMlaJPkNtq?si=WK9PdT1SQ-yZOes9PP50IA
Music Video – “Arcane Inception” – https://youtu.be/XLjCTuAoXew
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Track Listing:
1. Dethronement – (4:36)
2. Arcane Inception – (3:40)
3. Veil Unferling – (4:29)
4. Lesions – (3:35)
5. First Encounter Assault Regiment – (4:19)
Album Length – (20:39)
Album Recording Credits:
• All songs performed by: Discovery Through Torment
• All songs written by: Discovery Through Torment
• Produced by: Discovery Through Torment
• Mixed by: Maxime Lacroix of House of Gain Studio
• Mastered by: Maxime Lacroix of House of Gain Studio
• Album Artwork by: Mark Erskine of Erskine Designs
• Canadian Content (MAPL)
Album Band Line Up:
Charles-Étienne Lafrance – Drums
Samuel Fortin – Guitar
Frédéric Ricard – Guitar
Alexandre Desroche – Vocals
Alexis Lafrance – Bass
Live Band Line Up:
Charles-Étienne Lafrance – Drum
Samuel Fortin – Guitar
Frédéric Ricard – Guitar
Alexandre Desroche – Vocals
More info: Facebook.com/DiscoveryThroughTorment | Instagram.com/discovery.through.torment
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“It certainly won’t take long for Discovery Through Torment to attack again with the next chapter in their already solid career, and I can’t wait to see what’s next for such an up-and-coming Deathcore ensemble after the striking and incendiary Telesynthetic Rebirth. Best moments of the album: Arcane Inception and Lesions. Worst moments of the album: None.” – The Headbanging Moose
“Discovery Through Torment ont ouvert la soirée avec leur interprétation de pièce Slam/Deathcore. On a été servie avec des Breakdowns crasseux et des grooves de cavernes. Musiciens talentueux et un chanteur qui contrôle très bien les tonalités de haut à très gras. En fait, c’est bien Alex Desroches qui est aussi chanteur de Ignominy. Leur setlist est disponible sur Spotify
Discovery Through Torment opened the evening with their rendition of slam/deathcore tracks. We were treated to grimy breakdowns and cavern grooves. Talented musicians and a singer who masters the tones from high to very fat. In fact, it’s Alex Desroches who is also the singer of Ignominy. Their setlist is available on Spotify” – Ondes Chocs (Kaboom Fest @ Foufounes Électriques, Mtl – September 29 and 30, 2023)
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia
0 PYTHONIC Unleash Ferocious Single “Liturgy” Ahead of SLAUGHTERFEST 2025 + New EP “Decomposition” Out Dec 2025
NEWS RELEASE
Montreal, QC – December 4, 2025
PYTHONIC Unleash Ferocious Single “Liturgy” Ahead of SLAUGHTERFEST 2025 in Edmonton
+ New EP “Decomposition” Out Dec 19th, 2025
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Pythonic – Back Row – L to R: Max Hiske (Bass) | Morgan Warriner (Lead Vocals) | Vincent Kohut (Rhythm Guitar & Backing Vocals)
Front Row – L to R: Jayden Warriner (Drums) | Ryan Hunter (Lead Guitar )
Photo Credit – Carsen Warriner
Saskatoon, Canada’s death thrash force Pythonic has announced the release of their second single, “Liturgy”, following the success of their first single, “Guiltfeeder”. Both tracks pave the way for the band’s highly anticipated sophomore EP “Decomposition,” set to drop on December 19, 2025.
Formed by guitarist Vincent Kohut, Pythonic was born out of a desire to break free from subgenre constraints and deliver metal in its purest, most aggressive form. Alongside lead guitarist Ryan Hunter, bassist Max Hiske, drummer Jayden, and new vocalist Morgan Warriner, the band has forged a sound described as aggressive, groovy, raw, thick, and dirty.
“Liturgy came out so good on the recordings, we couldn’t help but spotlight this track. The riffs rip, the drums rip, the bass rips, what can we say, this song rips. It’s such a classic metal song, with lyrics about summoning a demon under a blood moon. Morgan’s guttural delivery took it to another level,” says the band.
Listen to “Liturgy” via its premiere on Bravewords HERE.
The band’s second EP, “Decomposition”, represents a heavier, more death-metal-oriented chapter for Pythonic. Tracks such as “Conceit”, “Pills”, and “Collateral” showcase themes of corruption, addiction, toxic relationships, and triumph, while “Liturgy” embodies the band’s darker, more extreme influences. The EP artwork, created by Danya Lawton, visually decays the band’s debut imagery to reflect the reimagined nature of the songs.
“When we brought in Morgan as our new singer, the songs came alive again. What once felt tired now feels powerful; his vocals gave them the chance they deserved. Max’s bass adds a soul-shaking thump, especially on Collateral, while Jayden’s heavier drumming drives the tracks with ferocity and double kicks. We also worked with Reid Paraszczynec of Lucid Distortion Audio, a longtime friend of Vincent and Ryan, whose mixing and mastering made the songs sound phenomenal. Reid’s sharp ear and easygoing nature helped usher in the next chapter of Pythonic the right way,” adds the band.
Fans can brace themselves for an all-out assault of crushing riffs, pounding bass, unrelenting drums, and guttural vocals, solidifying Pythonic as a powerhouse in Canada’s rising metal scene.
The band is set to storm Slaughterfest in Edmonton, AB, on December 6th, sharing the stage with Display of Decay, Brain Stem, Ages of Ashes, A Modern Prometheus, and Cell – info.
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Recommended for fans of Lamb of God, Morbid Angel, Devildriver, and Black Dahlia Murder, “Decomposition” will be available on digital platforms on December 19, 2025.
EP pre-order – https://pythonic.bandcamp.com/album/decomposition
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Track Listing:
1. Guiltfeeder (4:23)
2. Conceit (4:00)
3. Pills (3:09)
4. Liturgy (3:42)
5. Collateral (3:38)
EP Length: 18:54
EP Recording Credits:
All songs performed by Pythonic
All songs written by Pythonic with Alex Conley
Produced by Pythonic
Mixed by Reid Paraszczynec / Lucid Distortion Audio
Mastered by Reid Paraszczynec / Lucid Distortion Audio
EP Artwork by Danya Lawton
EP and Live Line-Up
Morgan Warriner – Lead Vocals
Ryan Hunter – Lead Guitar
Vincent Kohut – Rhythm Guitar and Backing Vocals
Max Hiske – Bass
Jayden Warriner – Drums
More info: https://www.facebook.com/pythonicband | https://instagram.com/pythonicband
About: Born in Saskatoon, SK, Pythonic is a death‑groove metal powerhouse that fuses the ferocity of Lamb of God, Black Dahlia Murder, and Cryptopsy with its own raw, uncompromising vision. Conceived by guitarist Vincent Kohut as a project free from subgenre boundaries, the band embraces the philosophy that “metal is metal.” Together with lead guitarist Ryan Hunter, Kohut carved out a sound that is aggressive, groovy, thick, and unapologetically dirty, a sonic identity that refuses to be confined. The addition of Morgan Warriner on vocals and Max Hiske on bass has solidified Pythonic’s most devastating lineup to date. Warriner’s guttural range, soaring highs, and earth‑shaking lows have been praised as transformative, while Hiske’s thunderous bass lines add depth and weight to every track. Anchored by Jayden’s relentless drumming, the band operates as a tightly locked unit, delivering a crushing live experience.
-30-
““EP 1” is a testament to Pythonic‘s dedication to their craft and their refusal to be confined by sub-genre limitations. Each song is a blend of technical prowess and raw emotion, offering listeners a chance to experience the full spectrum of the band’s capabilities. It is recommended for fans of Machine Head, Trivium and Pantera.” – Metal-Rules (EP01 – 2024)
“Pythonic comes from Canada with ‘Epica’, a track that features fast-paced guitar riffs, heavy drums and an engaging, torn vocal that delivers to listeners the essence of metal and subverts such as alternative, thrash and even melodic, being perfect to the circle and not to leave anyone standing still.” – Os Garot Os Deliverpool (EP01 – 2024)
“Pythonic has an EP for you. Blending Thrash with Old School Swedish Death Metal, the band manages to sound like Entombed but without losing its unique style… So if you have a few minutes of anger to drain, these guys are going to cover you!” – Metal Eclipse Reviews (EP01 – 2024)
“Overall I’m a pretty big fan of this record. If you want something that sounds maybe like an Anthrax or a Slayer record then you really want to check this out. The most dynamic and unique part of this EP, in particular is the vocals are double-tracked and they’re very high in the mix which is something that is somewhat different than a lot of the other metal releases this year which I greatly appreciate. If you want something that has a lot of the thrash guitar element then you’re really going to want to check this out. The guitar and drum parts are fantastic, they really keep the songs very tight even though the vocals are very in your face and they’re usually the the first thing that you would notice with this kind of record but overall this is very strong.” – Brutally Delicious (EP01 – 2024)
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 PHAETON Unleash Playthrough Video “Augmented” in Support of New Album Neurogenesis + BC Show Date with ANCIIENTS
NEWS RELEASE
Montreal, QC – November 27, 2025
PHAETON Unleash Playthrough Video “Augmented” in Support of New Album Neurogenesis
+ BC Show Date with ANCIIENTS
ft. Album Guest Derek Sherinian (Dream Theater, Planet X, Sons of Apollo)
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Front (L-R): Kevin Thiessen (Guitars, Keyboards), Ferdy Belland (Bass), Daniel Airth (Guitars), Back: Colin Righton (Drums)
Photo Credit – Scott Courtemanche
Instrumental progressive metal quartet Phaeton has released its latest playthrough video, “Augmented,” in support of its brand-new album, “Neurogenesis,” released on October 24, 2025. The release marks another bold step forward for the band, following their acclaimed sophomore album Between Two Worlds (2020).
The new playthrough video spotlights “Augmented,” a track inspired by humanity’s drive to transcend survival through technology, yet haunted by the dystopian possibilities of merging man and machine.
“This song was written to convey the mechanical unease and robotic inhumanity awaiting us in the near future, and how we must be on our guard,” the band explains.
Watch the playthrough via its premiere on Decibel Magazine HERE.
Formed in 2017 in Kimberley, BC, PHAETON blends neo-classical melodicism, crushing riffs, tornado percussion, and contrapuntal basslines. Their lineup includes Kevin Thiessen (guitars, keyboards; ex-Azsension, ex-Datura), Daniel Airth (guitars; ex-Chaos Logic), Ferdy Belland (bass; ex-Bif Naked), and Colin Righton (drums; ex-Chaos Machine).
Described in five words as Interplanetary Psychedelic Hyper-Melodic Metallic Prog, PHAETON’s sound is a kaleidoscope of influences ranging from Devin Townsend, Rush, Haken, Intervals, and Scale the Summit to the jazz-fusion pioneers Weather Report and Mahavishnu Orchestra. Their music blends prog-metal, tech-death, thrash, and djent into a visceral yet cerebral listening experience.
With “Neurogenesis,” the band sharpened their songwriting into concise, dynamic arrangements without sacrificing imagination. The album’s seven tracks form a connected anthology, while its themes explore the technological singularity and humanity’s uneasy march toward cybernetic augmentation. Engineered and mixed by guitarist Kevin Thiessen at The Cube in Kimberley, BC, and mastered by Jamie Sitar at Outtatown Sound in Winnipeg, MB, the album features artwork by Calgary-based artist Matt Semenok and a guest appearance by prog legend Derek Sherinian (Dream Theater, Planet X, Sons of Apollo) on the track “Isochron”.
“We’ll carry you away to the nebulae and you’ll enjoy every light-minute of it,” adds the band.
PHAETON’s journey began with their self-titled debut, establishing their technical virtuosity and adventurous spirit. Their sophomore offering, “Between Two Worlds”, expanded their sound with heavier, more emotionally impactful compositions. Now, “Neurogenesis” refines their approach with compact, hook-laden tracks that balance clarity with complexity.
Fans can expect more ambitious projects following “Neurogenesis” as the band plans to release a 22-minute epic, “Clouds of Mercury”, slated for 2026, and a fourth full-length album, “Quartum”, projected for 2027.
In additional news, the band will be opening for Vancouver prog masters Anciients in Cranbrook, BC, on November 29th, as part of their “Infinite Eclipse Tour”. Phaeton plans to deliver a heavier, crunchier, thrashier experience than their polished recordings suggest, surprising audiences with their dual identity.
“We don’t growl and shriek as if we’re imitating demons from the Ninth Level of Hell. We let the guitars and keyboards do the singing,” the band adds.
Upcoming Show Dates:
Nov 29 – Cranbrook BC – Shotties Nightclub w/ ANCIIENTS – info
“Neurogenesis” is available now on digital platforms via INB Music. Vinyl editions arrive later this year.
Spotify – https://open.spotify.com/album/46CVWFcd3u2pSRt0D9pSrV
Bandcamp – https://phaetonband.bandcamp.com/
Previous Singles:
Band playthrough – Arachnid – https://youtu.be/QxyU0U-vSOc
Isochron ft. Derek Sherinian – https://youtu.be/Ri8wXGYJcJg
Tethys Rising – https://youtu.be/mjehuUQS9G8
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Track Listing:
1. Tethys Rising (6:25)
2. Discontinuum (6:37)
3. Isochron (4:12) ft. Derek Sherinian
4. Synethesia (6:24)
5. Arachnid (4:48)
6. Augmented (4:37)
7. Neurogenesis (6:16)
Album Length: 39:19
Band Lineup:
– Colin Righton: Drums & Percussion
– Daniel Airth: Lead & Rhythm Guitars
– Kevin Thiessen: Lead & Rhythm Guitars, Keyboards
– Ferdy Belland: Electric Bass
For more info: https://linktr.ee/phaetonofficial
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“”Neurogenesis” one of the hottest tips of the running season. At least when it comes to instrumental prog, the band has reached the top of the annual list!” – PowerMetal.de
“Explore the sonic evolution of PHAETON in their album Neurogenesis, blending melody and heavy instrumentation for a unique experience.” – Bass Musician Magazine
“Neurogenesis is a crushing and cerebral listen from a band that has sharpened its sound to a fine point. Phaeton confidently bridges the gap between melody and pure, unadulterated musicianship. They fuse the ferocious compositions of modern metal with the ambitious spirit of classic prog rock, creating a unique and thrilling sound that stands alone.” – AltYegMusic
“Oh prog-metal how we love thee…case in point, the new single ‘Isochron ft. Derek Sherinian’ from Phaeton. This dandy little slice of modern prog-metal is not only exceptionally recorded but is jammed full of stabbing riffs, fluid bass lines, drum rolls galore and of course keyboard wizardry courtesy of the legendary Derek Sherinian (Dream Theater, Planet X, Sons of Apollo). Keep an eye out for the new album “Neurogenesis” from PHAETON set to drop on Oct. 24th and to tide you over listen up for ‘Isochron’ on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll
“I’ve always maintained that instrumental bands have to work harder at their craft, because the lack of vocals is one more thing they have to find a replacement for. Lead guitar breaks can take the place of vocals, as can keyboards. They do a solid job of this on the album… They have the chops, that’s for sure.” – Metal-Temple”Neurogenesis“ is a work that combines virtuosity, atmosphere and emotion in extraordinary balance.” 4/5 – MetalUnderground.at
“PHAETON’s Neurogenesis: Where Prog-Meets-Precision, and Machines Whisper to the Riffs” – Papy Jeff Metal
“Phaeton’s sound is a kaleidoscope of progressive sounds, tech-death, thrash and djent… The album opens with the song “Tethys Rising” has in it’s a lot of austerity, but you can hear perfectly strong and expressive here sound and style. Song “Discontinuum” also holds the right one level and very exciting. The dynamics and rhythm are impressive here. Piece “Isochron” with the guest participation of Derek Sherinian, he enriches and has in great riffs, but there are also Middle Eastern elements, which it also increases the effect. Number “Synethesia” it emphasizes even more the intensity and complexity of sounds with a lot of power and energy. Track “Arachnid” he has a lot of neoclassical playing, but he doesn’t forget about it crushing playing with lots of thrills. Song “Augmented” it also has a specific level to it. Title piece “Neurogenesis” he crowns the album with pride and precision. You can hear perfectly balanced music here, which has a claw, feistiness and focuses on diversity and versatility. 4/5″ – W-Mgnieniu-Rocka
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia
0 PYTHONIC Unleashes First Single “Guiltfeeder” From Sophomore EP “Decomposition” Out Dec 2025 + Show Dates w/ INTO ETERNITY and SLAUGHTERFEST 2025
NEWS RELEASE
Montreal, QC – November 21, 2025
PYTHONIC Unleashes First Single “Guiltfeeder” From Sophomore EP “Decomposition” Out Dec 2025
+ Opening For INTO ETERNITY in Saskatoon (Nov 21) and Playing SLAUGHTERFEST 2025 in Edmonton (Dec 6)
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Pythonic – Back Row – L to R: Max Hiske (Bass) | Morgan Warriner (Lead Vocals) | Vincent Kohut (Rhythm Guitar & Backing Vocals)
Front Row – L to R: Jayden Warriner (Drums) | Ryan Hunter (Lead Guitar )
Photo Credit – Carsen Warriner
Saskatoon, Canada’s rising metal force, Pythonic, has announced the release of their first single, “Guiltfeeder”, a blistering preview of their highly anticipated sophomore EP, “Decomposition,” set to drop on December 19, 2025.
“The intro riff just makes it the perfect fit for the lead spot. The sick new lyrics tell of backstabbing friends, the emotional toll it causes, and the unmasking of those backstabbers. A story most people can relate to. The ending of the song definitely is the best part, though. You have the grouped up vocals that transition right into Ryan’s solo. That solo is so masterfully clean you’ll want to just keep replaying it. You also have the rhythm behind it all, which just keeps your head bobbing along. Mix it all together and you’ve got a certifiable banger on your hands,” the band adds.
Listen to “Guiltfeeder” at the following links:
YouTube – https://youtu.be/dgyNSQOIcak
Spotify – https://open.spotify.com/track/513i3UQI2c132OTeAzt5qg
Pythonic’s forthcoming EP “Decomposition” marks a bold step into heavier, death‑metal territory, pushing the band’s sound to new extremes. The tracks have been “decomposed”, stripped down, sharpened, and rebuilt to spotlight the commanding presence of new vocalist Morgan Warriner and the band’s refined direction. Songs like “Liturgy” showcase their intensified death metal edge, while “Pills” captures Warriner’s versatility as he shifts seamlessly from frantic cadences to bone‑chilling screams. By breathing new life into older material, “Decomposition” revitalizes Pythonic’s catalogue, transforming solid songs into devastating anthems. With Warriner’s guttural power, Max Hiske’s thunderous bass, and Jayden’s relentless drumming, the band reaches its tightest and most ferocious form yet. Mixed and mastered by Reid Paraszczynec of Lucid Distortion Audio, the EP strikes the perfect balance between raw aggression and polished production, delivering a true sonic onslaught.
“These songs needed their fair chance, and Morgan has given them that through his vocal performance. Reid’s mixing brought the next chapter of Pythonic to life the right way,” says guitarist Vincent Kohut.
Lyrically, “Decomposition” explores themes of corruption, drug addiction, toxic relationships, and summoning the devil. Written primarily by Warriner, with contributions from former bassist Alex Conley, the lyrics are raw, personal, and vividly dark.
The EP artwork, created by Danya Lawton, continues the visual legacy of Pythonic’s debut release. Lawton “decayed” the original design with authentic mushroom imagery and a haunting central eye, symbolizing the band’s transformation and heavier direction.
The band will also celebrate the EP with two major live appearances: opening for Canadian metal legends Into Eternity on November 21st at Black Cat Tavern in Saskatoon, and storming the stage at Slaughterfest in Edmonton on December 6th at The Starlite Room.
Upcoming Shows:
Nov 21, 2025 – Saskatoon, SK – Black Cat Tavern (w/ Into Eternity)
Dec 6, 2025 – Edmonton, AB – Starlite Room – Slaughterfest (w/ Display of Decay, Brain Stem, Ages of Ashes, A Modern Prometheus, Cell) – info
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Recommended for fans of Lamb of God, Morbid Angel, Devildriver, and Black Dahlia Murder, “Decomposition” will be available on digital platforms on December 19, 2025.
EP pre-order – https://pythonic.bandcamp.com/album/decomposition
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Track Listing:
1. Guiltfeeder (4:23)
2. Conceit (4:00)
3. Pills (3:09)
4. Liturgy (3:42)
5. Collateral (3:38)
EP Length: 18:54
EP Recording Credits:
All songs performed by Pythonic
All songs written by Pythonic with Alex Conley
Produced by Pythonic
Mixed by Reid Paraszczynec / Lucid Distortion Audio
Mastered by Reid Paraszczynec / Lucid Distortion Audio
EP Artwork by Danya Lawton
EP and Live Line-Up
Morgan Warriner – Lead Vocals
Ryan Hunter – Lead Guitar
Vincent Kohut – Rhythm Guitar and Backing Vocals
Max Hiske – Bass
Jayden Warriner – Drums
More info: https://www.facebook.com/pythonicband | https://instagram.com/pythonicband
About: Born in Saskatoon, SK, Pythonic is a death‑groove metal powerhouse that fuses the ferocity of Lamb of God, Black Dahlia Murder, and Cryptopsy with its own raw, uncompromising vision. Conceived by guitarist Vincent Kohut as a project free from subgenre boundaries, the band embraces the philosophy that “metal is metal.” Together with lead guitarist Ryan Hunter, Kohut carved out a sound that is aggressive, groovy, thick, and unapologetically dirty, a sonic identity that refuses to be confined. The addition of Morgan Warriner on vocals and Max Hiske on bass has solidified Pythonic’s most devastating lineup to date. Warriner’s guttural range, soaring highs, and earth‑shaking lows has been praised as transformative, while Hiske’s thunderous bass lines add depth and weight to every track. Anchored by Jayden’s relentless drumming, the band operates as a tightly locked unit, delivering a crushing live experience.
-30-
““EP 1” is a testament to Pythonic‘s dedication to their craft and their refusal to be confined by sub-genre limitations. Each song is a blend of technical prowess and raw emotion, offering listeners a chance to experience the full spectrum of the band’s capabilities. It is recommended for fans of Machine Head, Trivium and Pantera.” – Metal-Rules (EP01 – 2024)
“Pythonic comes from Canada with ‘Epica’, a track that features fast-paced guitar riffs, heavy drums and an engaging, torn vocal that delivers to listeners the essence of metal and subverts such as alternative, thrash and even melodic, being perfect to the circle and not to leave anyone standing still.” – Os Garot Os Deliverpool (EP01 – 2024)
“Pythonic has an EP for you. Blending Thrash with Old School Swedish Death Metal, the band manages to sound like Entombed but without losing its unique style… So if you have a few minutes of anger to drain, these guys are going to cover you!” – Metal Eclipse Reviews (EP01 – 2024)
“Overall I’m a pretty big fan of this record. If you want something that sounds maybe like an Anthrax or a Slayer record then you really want to check this out. The most dynamic and unique part of this EP, in particular is the vocals are double-tracked and they’re very high in the mix which is something that is somewhat different than a lot of the other metal releases this year which I greatly appreciate. If you want something that has a lot of the thrash guitar element then you’re really going to want to check this out. The guitar and drum parts are fantastic, they really keep the songs very tight even though the vocals are very in your face and they’re usually the the first thing that you would notice with this kind of record but overall this is very strong.” – Brutally Delicious (EP01 – 2024)
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0 Streaming Now! SHORES OF NULL and CONVOCATION “Latitudes of Sorrow” Split Album
NEWS RELEASE
Montreal, QC – November 20, 2025
Streaming Now! SHORES OF NULL and CONVOCATION “Latitudes of Sorrow” Split Album
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Two of doom metal’s most uncompromising forces, Italy’s Shores of Null and Finland’s Convocation, have joined together to unleash one of the heaviest and most emotionally devastating split albums in recent memory. Their new release, “Latitudes of Sorrow,” premieres in full today via Doomed & Stoned, offering listeners an exclusive first encounter with this monumental collaboration before it is officially released from Everlasting Spew Records on Friday, November 21st.
Listen to the split album’s full stream via Doomed and Stoned HERE.
“Latitudes of Sorrow” transcends the idea of a traditional split release, standing instead as a profound conversation between two unique visions of doom. Shores of Null’s melodic yet crushing sound collides with Convocation’s suffocating atmospheres, opening vast, introspective landscapes where grief, mortality, and inner turmoil reverberate. The outcome is a work of staggering weight and resonance, an album destined to haunt listeners long after its final echoes fade.
Hailed as “a union of all the many shades of doom, forging one of the most grievous and heavy splits you’ll encounter for years to come,” the record presents exclusive new material from both bands. Each track delves into themes of absence, loss, and existential struggle, offering two distinct but complementary approaches to the genre’s darkest depths.
Shores of Null open the split with three tracks that balance catchiness with crushing despair. ‘An Easy Way’ reflects on depression and human frailty, pairing memorable hooks with unrelenting darkness. ‘The White Wound’ draws inspiration from the tragic 2017 Hotel Rigopiano avalanche in Italy, weaving grief and anger into a soundscape of doom passages and blackened blastbeats. “The Year Without Summer” meditates on the catastrophic events that occurred globally in 1816 after the volcanic eruption of Mount Tambora, located in modern-day Indonesia. It features guest growls from MN of Convocation to heighten its apocalyptic atmosphere.
Convocation contributes two tracks steeped in suffocating heaviness and spectral atmospheres. ‘Abaddon’s Shadow’ and ‘Empty Room’ expand the split’s themes of absence and mortality, recorded at The Desolate Dungeon and mastered at Trollhouse Audio. Together, the five tracks form a cohesive journey through grief, devastation, and the haunting beauty of doom metal.
The Shores of Null side of “Latitudes of Sorrow” was written by Raffaele Colace, Gabriele Giaccari, and Davide Straccione, and produced in collaboration with Marco “Cinghio” Mastrobuono, who also handled mixing and mastering at Bloom Recording Studios in Rome, Italy. Convocation’s contribution was recorded and mixed at The Desolate Dungeon, with mastering completed at Trollhouse Audio. Final split and vinyl mastering duties were carried out by Carlo Altobelli at Toxic Basement, ensuring a unified sonic weight across both sides of the release.
The album’s artwork, created by LL of Convocation, depicts a spectral figure and an empty chair—an evocative image symbolizing presence in absence. This visual perfectly mirrors the record’s themes, as “Latitudes of Sorrow” unfolds musically and lyrically into a harrowing journey through grief, solitude, and the crushing inevitability of mortality.
“Latitudes of Sorrow” drops digitally and on CD and Cassette physical format on November 21st via Everlasting Spew Records. The vinyl edition of the split will be issued in Spring 2026.
Album countdown and pre-save: https://open.spotify.com/prerelease/79oGZH6MpwHGsTTmnLKo8D
Pre-Order:
Physical: https://bit.ly/42PbNY8
Digital: https://everlastingspew.bandcamp.com/album/latitudes-of-sorrow
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Track Listing:
1. Shores Of Null – An Easy Way – 5:56
2. Shores Of Null – The White Wound – 6:00
3. Shores Of Null – The Year Without Summer – 5:53
4. Convocation – Abaddon’s Shadow – 10:31
5. Convocation – Empty Room – 8:55
Split Album Length: 37:17
For more info: Shoresofnull.com | Facebook.com/shoresofnull | Instagram.com/shoresofnull
About: Shores of Null stand out from their contemporaries with their ability to blend seemingly disparate elements into their sound, overwhelmingly heavy and soothing at the same time: blackened aggression stands alongside gothic-doom sections without either sounding out of place. Their music can be both melancholic and majestic, made of chorale-like guitar textures across the instrument’s entire range, sustained by a powerful rhythmic section and punctuated by a refined mixture of clean and growled vocals, along with extensive use of pleasing vocal harmonies which have become the band’s trademark through the years.
The Rome-based metal band has been an unwavering presence within the metal underground since their musical outset in 2013, churning out a series of impressive records: the melodic and somber Quiescence (Candlelight, 2014), the darker and more complex Black Drapes For Tomorrow (Candlelight/Spinefarm, 2017), and the ambitious Beyond The Shores (On Death And Dying) (Spikerot Records, 2020), a 38-minute long doom manifesto that sees guest appearances of the doom-titans Mikko Kotamäki (Swallow The Sun) and Thomas A.G. Jensen (Saturnus), along with the angelic voice of Elisabetta Marchetti (Inno).
Shores Of Null’s fourth album, The Loss Of Beauty, released in March 2023, was hailed as one of the best albums of the year within the genre. The band supported the release with an extensive EU/UK tour alongside Swallow The Sun, Draconian, and Avatarium, followed by standout performances at major festivals like Hellfest, Rock Imperium, and 70000 Tons Of Metal, among others, further solidifying their status as one of the rising forces in the metal scene.
In 2025, Shores of Null released Beauty over Europe, a powerful live album capturing the raw energy and emotional depth of their performances across the continent. The release serves as a testament to the band’s commanding stage presence and the resonance of their music with audiences worldwide. Looking ahead, the band is set to unveil Latitudes of Sorrow, a highly anticipated split album with Finnish funeral doom masters Convocation, promising a profound exploration of grief, atmosphere, and sonic weight.
– 30 –
““An Easy Way” is the first of three Shores of Null songs on the split, and it quickly begins in a very un-easy way, delivering slowly writhing and uncomfortably dissonant notes along with gritty, ragged growls. In its upper reaches, the music also miserably wails in glistening tones, in counterpoint to vividly throbbing beats. From there, the band ratchet up the music’s intensity, deploying hammering drums and tremolo’d riffing that creates a searing form of distress. At that point the vocals also change, soaring in song, but far from joyful in mood. The band then continue shifting gears and sensations (as well as the high/low vocal stylings), intertwining sounds of gloom and torment, as well as riffing that throbs and captivating melodies that both miserably sparkle and moodily flow above a heavy low-frequency undercurrent. At times the music seems to grieve and yearn, or to become dour and bitter, leavened with bursts of aggression that include hard jolts at the song’s conclusion.” – No Clean Singing
“The Shores Of Null tracks are atmospheric, bleak and haunting, while the Convocation pieces are crushing, very funereal and cavernous. Combined, they make a bleak, thought-provoking and sublime listen…. End-to-end, a superb EP,” – Metal Talk
“Reviewing a split release is interesting because you can often judge it from different perspectives. Should you review each band’s contribution separately or should you make a judgment of it as a cohesive front to back release? Both approaches are valid and for Latitudes of Sorrow, I think it’s a pretty good contribution from Shores of Null paired with a stellar one from Convocation, adding up to a really good release overall. If you like either band, you’ll certainly be pleased.” – 4/5 Flaming Toilets ov Hell
““Latitudes of Sorrow,” this split effort pitting Shores of Null and Convocation, lands at an ideal time, when summer has indeed ended and the cold weather is seeping into our pores. These are two bands that bury you in power and punishment, making sure the toll you pay is physical and mental. It also is perfect music for the darker days, when your hope is at its bleakest and you take some solace in knowing you don’t suffer alone. ” – Meat Mead Metal
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0 Streaming Now! Quebec Melodic Death OUTLYING Unleash Long-Awaited Album “Oblivisci”
NEWS RELEASE
Montreal, QC – November 20, 2025
Streaming Now! Quebec Melodic Death OUTLYING Unleash Long-Awaited Album “Oblivisci”
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L-R: Charles Alexandre Bilodeau (Bass, Back Vocals), Fred A. Dubeau (Guitar, Vocals), Martin Reithler (Drums)
Photo by Sandy Champagne
Trois-Rivières, Quebec, Canada, melodic death metal band Outlying will release their long-awaited new album “Oblivisci” on November 21st. A visceral and uncompromising work, the record blends aggression, melody, and raw emotion into a cohesive listening experience that fans will find impossible to ignore.
Formed in 2003 by high school friends jamming covers, Outlying has evolved through lineup changes and years of musical exploration into a band committed to creating music that is both powerful and accessible. Frontman Fred Dubeau, the band’s primary songwriter, sought to move beyond “music for musicians” and instead craft songs that resonate viscerally with listeners. The result is a sound described in five words: captivating, dark, aggressive, melodic metal.
The album’s title, “Oblivisci”, Latin for “to forget”, reflects themes of withdrawal, alienation, and the struggle to escape trauma. Across eleven tracks, the band explores grief, loneliness, disenfranchisement, and addiction, culminating in a three-part epic that chronicles frontman Dubeau’s personal battle with alcohol and drug dependency. Now sober, Dubeau channels those experiences into music that is both cathartic and brutally honest.
“It is a great pleasure for us after all this time and a very difficult process to introduce the world to our newest effort, Oblivisci. We are glad to be musicians who are somehow different from most other bands in our environment, and strive to make music that is expressive, dark, heavy, and brings the listener through many different kinds of atmospheres and vibes. We try to avoid trends and gimmicks, and create something that comes from our diverse musical influences, different backgrounds and lives, and many other forms of art such as movies, books, or video games. While staying true to what Outlying always was, we always try to step up our game and improve our sound and musical connection with our audience. Despite being more often than not called a melodic death metal band, the band absorbs influences from thrash, black, prog, and also 70s, 80s, and 90s rock. In a world of thousands of forgettable songs, we hope to find our way into the hearts of many metal enthusiasts locally and around the world,” says the band.
Musically, “Oblivisci” strikes a balance between relentless, heavy riffing and soaring melodic passages, enriched by clean vocal textures and dynamic arrangements. With Outlying, the band steers clear of unnecessary complexity, instead crafting songs that prioritize emotion and impact. While echoes of their influences, At The Gates, Testament, Cradle of Filth, In Flames, and Wintersun, are present, Outlying’s sound stands apart as distinct and refined, heavier yet more melodic than ever before.
The record begins with The Raven Is Gone, a blistering and epic opener that channels the urgency of escaping chaos in search of refuge. Stigma follows, rooted in old‑school melodic death metal, confronting themes of societal judgment and subcultural rejection. The atmosphere turns chilling with Snow, a haunting narrative of abuse elevated by female vocals and an expansive, epic structure. The descent continues in Pitch Black Serum, a dark and unsettling track that delves into defeatism and indulgence in fleeting pleasures. Sentinel then emerges as a poignant power ballad, weaving clean vocals with an aggressive bridge to capture grief and memory. Closing the album, the three‑part suite Dreamless Nights I–III delivers a sweeping chronicle of addiction, false escape, and painful aftermath, culminating in a climactic, melodic finale that leaves a powerful and lasting impression.
The album artwork depicts a post-apocalyptic version of the band’s home city, visually reinforcing the themes of decay, alienation, and survival that permeate the record. It mirrors the music’s balance of heaviness and melody, offering listeners a complete aesthetic experience.
With “Oblivisci,” Outlying has crafted a “no skipped tracks” album; every song matters, every riff and lyric carries weight. The band hopes to continue releasing music consistently, exploring new directions while staying true to their core sound.
Listen to the album in full via its stream premiere on Bravewords HERE.
Available on all digital platforms on November 21st, 2025.
Bandcamp – https://outlying.bandcamp.com
Spotify – https://open.spotify.com/artist/5q6oycizRFEpwSzpUBJ0Z8
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Track Listing:
1 – The Raven Is Gone – 5:27
2 – Stigma – 3:49
3 – Snow – 6:02
4 – Streets Of Rats And Vultures – 4:47
5 – Pitch-Black Serum – 4:36
6 – November – 5:56
7 – Sentinel – 5:43
8 – Impaired – 5:32
9 – Dreamless Nights Part I: A Lullaby For The Insomniac – 4:19
10- Dreamless Nights Part II: From Velvet Skies – 5:13
11- Dreamless Nights Part III: Walking Out Of Eden’s Ashes – 4:25
Album Length: 55:49
Album Credits:
All songs performed, written, and produced by Fred A. Dubeau and Martin Reithler
Mixed and mastered by Fred A. Dubeau
Album Artwork by Fred A. Dubeau
Album recording lineup:
Fred A. Dubeau – Guitar, Bass, All Vocals Martin Reithler – Drums
Guest musicians for the album:
Steph from “Exotoxic” – Auxiliary percussion
Marilyn from “Chained By Illness” – Female Vocals
Sim from “Lancaster” – Guest Guitar Solo
Hardcore Band “Northwalk” – Gang Vocals
Lineup for live:
Fred A. Dubeau – Guitar, Vocals
Charles Alex Bilodeau – Bass, Back Vocals
Martin Reithler – Drums
For more info:
http://www.facebook.com/outlyingband
http://www.instagram.com/outlyingband/
https://www.tiktok.com/@outlying.band
– 30 –
“Outlying pull together ingredients of thrash, melodic death metal, and black metal to create music that’s blood-rushing and muscle-flexing, and the panoply of changing riffs is very damned infectious too.” – No Clean Singing
“In the shadow of Quebec’s steel-forged skies, Outlying emerges once again with The Raven Is Gone — a melodic death metal masterstroke that’s equal parts chaos and catharsis… The Raven Is Gone is not just a song — it’s a statement. A declaration that melodic death metal is alive, vital, and pulsing through Canada’s veins. Outlying have evolved into something rare: a band that remembers what heavy music was meant to do — confront, release, and transcend.” – See Rock Live Magazine
“Melodic death metal band Outlying released their new single Pitch-Black Serum on November 16th. The song’s biting energy and unrelenting fervor hits with an uncommon ferocity while being dynamic…” – Din Intunerec
“Outlying offers a solid Swedish-style melodic death metal sound with their own personal touch.” – MetalUniverse.net
“With a biting energy and a relentless intensity, [Pitch-Black Serum] hits with an uncommon ferocity while keeping a dynamic, melodic and catchy structure.” – MetalUniverse.net
“I had never heard of this band before, so I was all the more amazed by the high level of performance the band had already achieved in 2012 [Scars Of Daylight album]. They are reminiscent of Scandinavian melodic death metal bands of the late 1990s.” – Ammo-underground.at
“The three gentlemen serve us finely spun melodies; the musicians tie everything together into a flowing, detailed unity. A bit of clean vocals are sprinkled in here and there, and so a lot happens in this largely whipping smasher. A few threatening vibes and thrashy, straight-ahead tactics are also effectively employed, as is polyphonic vocals – everything just fits! Raising fists, enjoying details, headbanging – it’s a mystery to me why these all-rounders are still so unknown!” – Ammo-underground.at
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0 Gore House Productions – One-Woman Slamming Goregrind CORDYCEPS CORPSE’s “From Flesh To Fluids” Cassette/CD Now Available! + Music Video For Title Track
NEWS RELEASE
Montreal, QC – November 18, 2025
One-Woman Slamming Goregrind CORDYCEPS CORPSE’s “From Flesh To Fluids” Cassette/CD Reissue Now Available!
+ New Music Video For Title Track
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Gore House Productions announces “From Flesh to Fluids,” the latest full-length album from one-woman slam/goregrind juggernaut, Cordyceps Corpse, is now available on CD and cassette, plus shipping worldwide. The digital release remains live across all major platforms.
Created by the twisted brainchild of multi-instrumentalist and vocalist Nani, Cordyceps Corpse’s “From Flesh to Fluids” is a sonic descent into madness, equal parts brutal, disgusting, and morbid. Inspired by slam legends like Devourment and Cephalotripsy, the album delivers a raw yet polished evolution of Cordyceps Corpse’s sound, now featuring live drums and tighter production while retaining the DIY filth fans crave.
Fans will blast earwrenching tracks like “Battery Acid Enema”, a vile, tongue-in-cheek collaboration with Nani’s partner Liv, “Stomach Bile For Miles” is a grotesque narrative of cannibalistic carnage, “Family Photo With Hella Cadavers” (feat. WORMFUCKER) is a dehumanizing snapshot of horror, and “Tools For Torture” is a slow-building frenzy inspired by Terrifier.
Nani, who writes, records, and performs every element of Cordyceps Corpse, describes the album as “pure chaos into heavy slam riffs.” Drawing inspiration from horror films, documentaries, and even neighborhood trash disasters, the music is driven by feeling rather than formula.
“I want this album to give the same feeling I got when I first heard Molesting the Decapitated by Devourment. Thick and brutal sound that just keeps hitting,” says Nani.
Gore House Productions label founder Carlos Matt adds:
“After following Cordyceps Corpse (Cordy) on social media for several months, I am excited to welcome the project to our roster. Seeing Nani creatively market Cordy while composing filthy, slamming death metal, there was no question but to partner up with Cordy. Her debut album, “From Flesh to Fluids,” quickly became a favorite; I’m beyond stoked to give it a proper release.”
Cordyceps Corpse began in late 2023 as a solo rebellion against the monotony of beat-making.
“I was bored with making music for other people. I wanted to form a band, but didn’t want to wait around. So I said, ‘f*** it, I’ll do it myself,” adds Nani.
That DIY ethos extends to everything, from the music to the logo, which Nani designed on a refurbished iPad after watching YouTube tutorials.
With live shows described as chaotic parties, complete with crowd participation and impromptu mic screams, Cordyceps Corpse is poised to carve a unique space in the underground metal scene. And with Gore House Productions backing the reissue, the band’s reach is about to get a whole lot bloodier.
CD and Cassette copies of “From Flesh to Fluids” are available from Gore House Productions at the following link: https://gorehouseproductions.com/collections/cordyceps-corpse
Check out the new music video for the title track, “From Flesh to Fluids,” a chaotic, anti-authoritarian blast of guttural vocals, slamming riffs, and visceral imagery that sets the tone for the album’s grotesque journey. Watch at https://youtu.be/L4ExQ4UzRK8
Digital Album (released Aug 22, 2025) – https://orcd.co/from-flesh-to-fluids
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Track Listing:
1. Intro to Putrefaction – (1:37)
2. From Flesh To Fluids – (2:07)
3. Decapitation – (2:34)
4. Slowly Poisoned – (2:32)
5. Battery Acid Enema – (2:41)
6. Stomach Bile For Miles – (3:16)
7. Family Photo With Hella Cadavers (feat. WORMFUCKER) – (2:08)
8. Left Over Limbs For Later – (3:03)
9. Tools For Torture – (2:17)
10. Skin Tortilla – (2:22)
Album Length: 24:37
Album Recording Credits:
• All songs performed by: Nani Porter
• All songs written by: Nani Porter
• Produced by: Nani Porter
• Mixed by: Nani Porter
• Mastered by: Nani Porter
• Album Artwork by: Nani Porter
Album Band Line Up:
Nani Porter – Guitars, bass, drums, and vocals
Live Band Line Up:
Nani Porter – Guitar and Vocals
More info: Gorehouseproductions.com | Instagram.com/cordycepscorpse | Tiktok.com/@cordycepscorpse | Youtube.com/@cordycepscorpseband
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CORDYCEPS CORPSE REVIEWS & MENTIONS
Shay top 20 women fronted/all woman bands: https://www.tiktok.com/t/ZTHGeWoaHSaaB-6NEcX/
Slam dad’s top slam albums 2025: https://www.tiktok.com/t/ZTHGe7svNe6Yg-XSZgA/ describes album “as thick and gross and I absolutely love it”
“dabbles into goregrind, a little bit brutal death meta,l but straight up slam”
Shortbus Pile Up slams of the week #38: https://www.tiktok.com/t/ZTHGe7oG6eawD-9smyt/ Bill “describes album as super fucking brutal …really good death metal”
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0 Streaming Now! Montreal Brass Metal FALLSTAF Returns w/ New Album “Ode To The Dead”
NEWS RELEASE
Montreal, QC – November 13, 2025
Streaming Now! Montreal Brass Metal FALLSTAF Returns w/ New Album “Ode To The Dead”
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SIMM/Guitars – RICKK /Horns – IANN/Vocals – GOYY/ Bass – MATT/Drums
Photo: Sébastien Roy
After nearly ten years away from the spotlight, Montreal’s groundbreaking brass-metal band Fallstaf makes a powerful return with their highly anticipated second album, “Ode to The Dead.” Produced by Kevin Jardine (Slaves on Dope), the full album will be available to stream ahead of its official release on November 14th, premiering exclusively on Hardcore Worldwide’s YouTube channel at https://youtu.be/3PPV6LE73cs
Known for pioneering the genre of brass-infused experimental metal, Fallstaf first made waves in 2011 with their debut album, “Bastard Son of a Pure Breed,” also produced by Jardine. Their signature sound, heavy riffs, progressive structures, and a masked trombonist in full suit and tie, earned them cult status in the Montreal metal scene.
But tragedy struck in 2016 when frontman IANN suffered a near-fatal accident, resulting in a coma, multiple injuries, and the loss of his leg. The band dissolved. Now, nearly ten years later, Fallstaf reunites with Jardine to deliver a powerful, deeply personal new record that channels pain, survival, and rebirth.
“Ode to The Dead” is a seven-track exploration of mortality, from personal tragedy and mental anguish to crime, conflict, and loss. Drawing from frontman IANN’s near-death experience and the band’s shared grief, the album is both a tribute and a release.
It opens with “Sunless Friday,” a chilling retelling of IANN’s accident, where cold riffs and screaming trombone set the tone. The title track, “Ode to The Dead,” honors those we’ve lost, echoing the idea that “they walk among us.” “Battered Soul” dives into depression and suicide with sludge-heavy weight and a fading finale. “Kings of the West Side” recounts Montreal’s mafia history with gangland grit and resurrected riffs. “Under the Same Sky” reflects on global unrest and shared humanity, while “Bastard Son” tells a hitman’s legacy through galloping riffs and thrash choruses. The closer, “The Burden,” mourns the toll of cancer with crushing heaviness and a melodic, mournful release. Each track is a raw, brass-laced chapter in Fallstaf’s powerful return.
“We didn’t make this album to impress anyone. We made it out of friendship. Music is therapeutic. Metal brings people together, and we missed that energy,” adds the band.
The album artwork, featuring a layered skull photo taken by IANN, reflects the lyrical darkness without veering into the macabre. It’s a visual metaphor for the band’s rebirth: haunting, honest, and human.
Musically, the band has evolved, embracing groove metal, prog metal, metalcore, and hardcore influences while incorporating melodic choruses and complex arrangements. Fans of Pantera, Shining, Hatebreed, and Mighty Mighty Bosstones will find familiar fire in Fallstaf’s brass-laced fury.
Stay tuned for upcoming live dates and new music. The resurrection has begun as Fallstaf’s live performances are legendary, and the band plans to return to the stage in 2026. Expect suits, ties, a masked brass player, and a frontman with a robotic leg, all delivering a high-energy spectacle that defies expectations.
“People think we’re a ska band until the first chord hits. Then they know we kick ass,” says the band.
“Ode to the Dead” will be available on November 14th, 2025, on Spotify, Apple Music, Bandcamp, and more. For collectors, grab the exclusive coffin-shaped USB drive packed with interactive content and bonus material.
Album pre-order – https://fallstaf1.bandcamp.com/album/ode-to-the-dead
Add to your Spotify Playlist – https://open.spotify.com/artist/3yaTJY58SzbbDJ3RsnTlZU
Lyric Video – Ode To The Dead – https://youtu.be/GM4EPsLnMlE
Lyric Video – Bastard Son – https://youtu.be/mQtwDn00JtQ
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Track Listing:
1. Sunless Friday – 2:57
2. Ode to the Dead – 3:27
3. Battered Soul – 3:40
4. Kings of the West Side – 3:31
5. Under the Same Sky – 3:31
6. Bastard Son – 3:45
7. The Burden – 4:41
Album length: 25:37
Album Credits:
Songs performed by: FALLSTAF
Songs written by: Ian Lavoie/Kevin Jardine
Produced by: Kevin Jardine
Mixed by: Kevin Jardine
Mastered by: Kevin Jardine
Album artwork by: Ian Lavoie
MAPL – Canadian Content
BAND LINE UP:
SIMM / Guitars
RICKK / Horns
IANN / Vocals
GOYY / Bass
MATT / Drums
More info: https://www.facebook.com/fallstafmontrealbrassmetal | https://www.instagram.com/fallstafmontreal/
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“Groovy mix of hardcore and other metal styles with an interesting addition in the trombone” Metal Underground (2011 – Bastard Sons of a Pure Breed – LP)
“to every track of the album, giving their rather intense metal a rather nice jazzy touch. This allows Fallstaf to step outside the conventional paths to get closer to the masters of the genre like Diablo Swing Orchestra or the Norwegians from Shining” – Music Waves (2011 – Bastard Sons of a Pure Breed – LP)
“These guys are a lot different than most bands out there and I really dig what they are doing. Check them out before they get really popular and there are tons of clones of them popping up everywhere “ – Beowolf Productions (2011 – Bastard Sons of a Pure Breed – LP)
“Looking for a Different Sort of Metal? Try FALLSTAF » – A Journal Of Musical Things (2011 – Bastard Sons of a Pure Breed – LP)
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0 DEVOLVER’s New Music Video “Wraiths” Captures The Camaraderie of Fans Under The Alberta Sky; New Album “Non Compos Mentis” Produced by Mark Lewis (Whitechapel, Trivium, DevilDriver, Black Dahlia Murder)
NEWS RELEASE
Montreal, QC – November 13, 2025
DEVOLVER’s New Music Video “Wraiths” Captures The Camaraderie of Fans Under The Alberta Sky
Produced by Mark Lewis (Whitechapel, Trivium, DevilDriver, Black Dahlia Murder)
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L-R: Jayde Penner (guitar), Bevin Booth (drums), Jaylen Elias (bass), Devin Babcock (guitar), Chris Brown (vocals)
Photo Credit – Heidi Robertson
Grande Prairie, Canada’s own metal force, Devolver, has dropped a powerful new music video for “Wraiths,” a standout track from their latest album “Non Compos Mentis.” Filmed during an intimate album release show at Grain Bin Brewing, the video captures the raw energy and camaraderie of a night that brought 150 fans together under the Alberta sky, immortalizing a night of celebration, community, and crushing riffs.
“We knew we wanted to do something special. So we had our friend Mike Evans film the show. This music video is for all the people who were there celebrating with us, making it such a special night,” adds the band.
“Wraiths” is a groove-driven, straight-ahead metal track with thrash undertones and a nod to classic rock and metal. Lyrically, it explores themes of mysticism as a bridge to connect with lost loved ones, an emotional depth that complements its sonic punch.
Watch the video for “Wraiths” via its premiere on Decibel Magazine HERE.
Formed in 2015 by guitarist Devin Babcock and drummer/producer Bevin Booth, Devolver has grown from a side project into a full-fledged metal powerhouse. With the addition of Jayde Penner (guitar), Chris Brown (vocals), and Jaylen Elias (bass), the band’s sound has matured into a collaborative blend of Gothenburg-style melodic death metal and early 2000s metalcore.
Their new album, produced by metal heavyweight Mark Lewis (Trivium, Whitechapel, The Black Dahlia Murder), marks a seismic shift in their sound.
“This is what the five of us sound like collaborating as a unit. Mark helped us push this thing over the edge,” adds the band.
The album’s artwork, created by legendary artist Travis Smith (Opeth, Megadeth), is a chilling visual interpretation of the true story behind the title track. It depicts Devin Babcock’s ancestor, Amos Babcock, who in 1805 committed a gruesome murder in Shediac, New Brunswick, during a religious frenzy. The haunting image of Amos in the snow, surrounded by the eyes of his nine children, adds a historical and emotional weight to the album’s narrative.
Devolver’s connection to their hometown runs deep. They partnered with Grain Bin Brewing to create “Brews of the Maw,” a blackberry and blood orange pale ale named after their track “Jewels of the Maw.” And for fans of Magic: The Gathering, the band has hidden lyrical nods throughout the album, including a track titled “Deathtouch.”
Recommended for fans of In Flames, Dark Tranquillity, Killswitch Engage, and As I Lay Dying, “Non Compos Mentis” is a bold leap forward, each track a chapter in a larger emotional and sonic narrative.
“Non Compos Mentis” (released Aug 22nd) is available at the following links:
Bandcamp – https://devolvermusic.bandcamp.com/
Spotify for Playlist Add – https://open.spotify.com/album/3eeLxBrxx55QvIm3EnahLm
Music Video – Merciless Storm – https://youtu.be/o_6jcqK2qFQ
Lyric Video – Suffocating Syndrome – https://youtu.be/mmRskxYe1q4
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Track Listing:
1. Deathtouch – 3:55
2. New Blood – 3:14
3. Jewels of the Maw – 3:30
4. Wraiths – 3:20
5. At Any Cost – 3:40
6. Non Compos Mentis – 3:53
7. Merciless Storm – 3:56
8. Suffocating Syndrome – 3:36
9. Dehumanize – 3:47
Album Length: 32:55
Album Credits:
– All songs performed by: Devolver
– All songs written by: Devolver
– Produced, Mixed, Mastered by: Mark Lewis
– Album Artwork by: Travis Smith
– SOCAN members
Band Lineup:
Chris Brown – Vocals
Devin Babcock – Guitar (lead)
Jayde Penner – Guitar (rhythm)
Bevin Booth – Drums
Jaylen Elias – Bass
More info: https://linktr.ee/devolverab
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“The goal of Devolver through Non Compos Mentis has been to take the listener on a thoroughly pleasing journey from the first note to the final crushing moment. That’s been achieved, and so much more – as these Canadians understand how to compose songs and execute them in a highly convincing fashion that has this scribe grinning ear to ear – bringing the exciting sounds of the late 90s/early 2000s to a newer generation who desire more of this style. 9/10” – Dead Rhetoric
“For a group from a small northern city, every move has required deliberate effort—whether it was recruiting the right collaborators, waiting until circumstances lined up, or carrying material through years of delay. Non Compos Mentis is the document of that persistence: an album shaped by distance, disruption, and devotion to the sound that first made them want to pick up instruments.” – IDIOTEQ
“DEVOLVER is definitely ahead of the last releases of their great role models. On the one hand, because the Canadians work straight and without any frills, and on the other hand, because the melodies are all right without reducing the heaviness. When it comes to melodic death, there’s no way around this album this year. The only downside: 32 minutes is pretty short, even for such energy output!” – PowerMetal.de
“Mixed and mastered by Mark Lewis (Fallujah, Whitechapel, DevilDriver, Deicide, Havok, Entheos, etc.), this new Devolver album is armed to face the critics. Composed of nine well-crafted tracks (all between three and four minutes long) and effective, Non Compos Mentis is soaked to the brim with Swedish melodeath influences.” – Metallian Magazine (France)
“There is a sense of nostalgia listening to the guitarmonies throughout the album, calling back to the golden days of early 2000’s metalcore. Whether you’re a fan of death metal or metalcore, you’ll definitely find elements that you’ll appreciate on this album. Personally, my favourites are “Deathtouch” and “Suffocate Syndrome”” – False Chord
“Now we have Devolver with Non Compos Mentis. The sophomore album from this Canadian band is the perfect blend of melodeath and metalcore. Much like chocolate and peanut butter, this takes the best aspects of both genres, makes enough changes to feel authentic, and creates a sound that hits just as much in 2025 as it would have back in 2005. The production is brutal, but still audible and filled with layers. The songwriting shows off the capabilities of everyone in the band, but it doesn’t reveal all of its tricks. Overall, this is for anyone who enjoys everything from ’90s era In Flames to 2000 Soilwork to later 2000’s Lamb of God to the modern-day capabilities of what Melodeath and Metal Core are all about. This is a great trip back in time, but also a look forward to what can be done. This is excellent stuff.” – Heavy Debriefing
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