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Tag: melodic death

0 Exitus Stratagem Records – Streaming Now! THIRTEEN GOATS’ Wild Death Metal Rock Opera “Capricorn Rising” + “Planet of the Goats Tour” w/ FALL OF EARTH

  • July 11, 2024
  • by Asher
  • · Music News · Thirteen Goats

NEWS RELEASE

Montreal, QC – July 11, 2024

Streaming Now! THIRTEEN GOATS’ Wild Death Metal Rock Opera “Capricorn Rising”

“Planet of the Goats Tour” w/ FALL OF EARTH

New Album “Capricorn Rising” Out July 12th, 2024 via Exitus Strategem Records

“It’s really strong. GREAT musicians, great production, as well as a very progressive aspect without losing the darkness.” – Kelly Schaefer, Atheist

L-R: Thirteen Goats Current Lineup | Rob Fitz-Gerald (Lead & Rhythm Guitars, Backing Vocals) | Graham K. Miles (Lead Vocals, Lead & Rhythm Guitars) | Cody Lewichew (Bass, Gang Vocals) | Leonid Verman (Drums, Gang Vocals) – Photo Credit: Kevyn Lilith Hoskin

​

Vancouver, Canada’s Thirteen Goats are proud to release their second album—the extreme metal rock opera “Capricorn Rising”. It tells the story of their mascot, Shepherd: a goat-skull-wearing Antichrist who raises an army of animals to liberate the earth from humanity’s constant wars and greed. This high-concept narrative is delivered with Thirteen Goats‘ signature blend of infernal riffs, huge hooks, and uniquely theatrical songwriting. They comment on the album:

“We think fans are going to get everything they loved about our first record, only more of it—and more focused. We’re exploring similar themes on this release, but we’ve connected them by weaving a cohesive story throughout these nine tracks that gives more context to the different musical and tonal shifts. And just like on the last record, we haven’t been afraid to break the rules.”

Each song on the album is part of a broader narrative that explores themes of disillusionment, radicalization, and rebellion as Shepherd and his 12 demon goats wage their crusade. Thirteen Goats delivers a unique blend of death and thrash metal, combined with a storytelling approach that takes listeners on a journey through the darkest aspects of both human and animal nature.

Listeners can expect furious riffage, ambitious song structures, and even occasional female guest vocals (courtesy of guest artist Carly Ellen Jones). What they shouldn’t expect is a record that plays it safe or falls neatly into one specific subgenre. Thirteen Goats is recommended for fans of Lamb of God, Carcass, and Mastodon.

Listen to the album’s full stream premiere via Decibel Magazine HERE.

Due out on July 12, 2024, “Capricorn Rising” is available from Exitus Stratagem Records for album pre-order at https://www.exsrmusic.com/store/p/pre-sale-thirteen-goats-capricorn-rising​

Music Video – Murder Lives in the Heart – https://youtu.be/hpgqlbehecM​​​

In additional news, following their performance at this year’s Armstrong Metal Fest (July 12/13), Vancouver’s Thirteen Goats announce that they will be hitting the road this July and August for their first major Western Canadian tour. They will be co-headlining the “Planet of the Goats Tour” with Edmonton’s Fall of Earth.

Planet of The Goats Tour – Fall of Earth, Thirteen Goats​
July 19 – Red Deer, AB – The Vat
July 20 – Edmonton, AB – Starlite Room
July 21 – Lloydminster, SK – The Sticks
July 23 – Brandon, MB – Eastside Eatery
July 24 – Winnipeg, MB – Bulldog Event Center
July 25 – Regina, SK – The Exchange
July 26 – Lethbridge, AB – The Slice
July 27 – Calgary, AB – Rec Room
July 31 – Kelowna, BC – Dunn Enzies (venue change from Revelry)
Aug 1 – Kamloops, BC -The Blue Grotto
Aug 2 – Penticton, BC – Clancy’s
Aug 3 – Vancouver, BC – The Fox Cabaret

Track Listing:​
1. Sign of the Goat (4:53)
2. Murder Lives in the Heart (5:30)
3. A Wolf in Shepherd’s Clothing (4:10)
4. Global Fuckup (3:57)
5. Beheading Zoo (3:44)
6. Permission to Die (3:48)
7. Beating the Disease (4:24)
8. Goats of War (5:25)
9. Animal Kingdom (6:19)

More info: Exsrmusic.com | ThirteenGoats.com​

-30-

“What makes this turbocharged song (Sign of The Goat) so damned much diabolical fun is the band’s melding of viscerally compulsive grooves, head-spinning instrumental pyrotechnics, and rapid-fire vocal assaults — and doing so in a way that makes the track highly infectious too. The song vividly intersects with the tech-death sphere through flurries of quickly darting, swirling, and swarming riffage, deliriously cavorting arpeggios, and a multitude of percussive fusillades. As displayed in the video, fingers and limbs fly like the wind, and the guttural barks and hair-raising screams in the vocal department rhythmically eject the violent words just as fast and just as furiously. But, as forecast, the song is also a viscerally groovesome beast. It’s almost relentlessly hard-slugging, but what really stands out are brutish, muscle-galvanizing jackhammer-bursts, the first of which comes only 25 seconds into the track. Another one of those episodes sets itself up as the backdrop for crazed guitar soloing that sounds like the ecstasies of fiends. And we did warn you — this thing is also immediately catchy and enduringly addictive. It comes recommended for fans of Bolt Thrower, Archspire, and Lamb of God.” – NoCleanSinging

​

What the press said about 2022 album “Servants of the Outer Dark”:

#14 on Top 20 – Loud – Canadain College Radio – August 2022 (Earshot)

“An alchemical style reminiscent of Cannibal Corpse, Misery Index, classic Megadeth, melodic Swe-death, and all eras of Death and Carcass.” – Decibel

“Rips, we’re here for it.” – MetalSucks

“Perfectly marries old school death metal, blackened tendencies, and heavy metal choruses.” – Metal Injection

“THIRTEEN GOATS unapologetically raise the deathcore flag for the new decade and absolutely don’t care what people think.” – Exclaim!

“Think Vulgar Display of Power-era Pantera in a cage match with Cannibal Corpse and Ministry.” – The Georgia Straight

“A gut-punching and head-hooking offering of death metal that borrows liberally from many of the genre’s subsets, as well as bringing in elements of thrash, black metal, and grindcore.” – No Clean Singing

“With a name like THIRTEEN GOATS, it’s gonna be evil. It’s cool, thrashy, blackened groove metal, a little like a Lamb of God sound with a bit more heavy brutality going on and a dash of black metal evilness. Great stuff!” – The Mosh Pit on WORT 89.9 FM (Madison, WI)

“THIRTEEN GOATS make seriously good music and sound like they have a lot of fun doing it. They write great upbeat thrash songs with strong melodies that appropriately sway from sinister to camp and pull it off tremendously. For some classic charcuterie of extreme metal mixed with a bit of tongue in cheek, you’re well looked after here.” – Heavy Mag

“THIRTEEN GOATS is a new strength in the extreme scene.” – Metal Temple

“The starting point of Thirteen Goats and their debut album Servants Of The Outer Dark is death metal, but it doesn’t remain tied to it. They explore all types, including tech death and melodic death metal, and even genres outside of that like thrash, groove, and doom metal. Each song brings out a unique side to the band, whether it’s the politically charged ‘Prisoner’s Anthem’ or the body horror of ‘Sub-Being.’” – Heavy Music Headquarters

“Canada’s THIRTEEN GOATS are incredibly fun to listen to and at multiple points subtly humorous—and, as such, make themselves easily a breath of fresh air within the technical scene. That sense of fun is backed up with very proficient playing and dizzying creativity, far beyond what you would expect from a debuting act’s first full length… Servants of the Outer Dark is an excellent debut full-length from these guys and I can’t wait to hear more!” [9/10] – Metal Observer

“All you need is love? No. All you need is THIRTEEN GOATS. Their debut album has everything your heart could desire in a Metal record, it’s a metaphorical pizza with all the toppings and a better thrill ride of a first crack we defy you to find!” [8.5/10] – Metal Noise

“These guys have the ability and the chops to succeed, whilst channeling bands like Lamb Of God into their output.” – Man of Much Metal

“This is so good.” – Stephen Quinn, The Early Edition (CBC Radio One)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 ORCHID’S CURSE Now Streaming Varied New Melodic Metal EP “The Decay”

  • June 15, 2023
  • by Asher
  • · Music News · Orchid's Curse

NEWS RELEASE

Montreal, QC – June 15, 2023

ORCHID’S CURSE Now Streaming Varied New Melodic Metal EP “The Decay”

L-R = Alex Wrathell (Drums), Brian Jones (Guitar), Keith MacLeod (Guitar), Jason Szeto (Bass), Josh Hogan (Vocals)

​

Orchid’s Curse formed way back in 2005 with their first release in 2006. 18 years have passed and they have withstood the test of time. Whether persevering through member changes or a pandemic, the band continues to push forward and release new music. “The Decay” is their sixth release and will highlight that the band has no plans to stop creating music any time soon.

Musically, “The Decay” is their most mature work yet, consisting of five songs with a variety of different musical influences but also still having the Orchid’s Curse signature sound. Listeners will experience a two-minute thrash banger, a six-minute melodic epic, and everything in between with lyrics that explore the decline and decay of our modern society. The band shares their excitement:

“We are elated to finally be releasing THE DECAY to the masses. Writing for this album started before the pandemic and we are glad the time to release it is finally here. One positive is that with the shutdowns we had a lot of extra time to spend refining these songs to ensure it was the most mature and competent release to date. With each new album we always try to continue to progress and up the ante musically and artistically. We all feel really confident in these songs and this release as a whole.”

They say variety is the slice of life and Orchid’s Curse delivers exactly that. This succinct journey runs the gamut from slow and sludgy to fast and relentless. The EP was produced by the band’s rhythm guitarist, Brian Jones; mixed and mastered by Mike Bowers (Pale Ache), and the EP artwork was done by lead guitarist, Keith MacLeod.

With something for everyone, “The Decay” will be enjoyed by a wide range of metalheads, including those into Darkest Hour, At the Gates, and The Black Dahlia Murder.

“The Decay” is due out Friday, June 16, 2023, and can be heard ahead of its release via its full stream premiere on Decibel Magazine HERE.

Album pre-order – https://orchidscurse.bandcamp.com/​

Track Listing:​
1. Better Men – 5:42
2. Dead Idols – 4:24
3. The Divergence of Man – 4:45
4. Divided by Everything – 2:31
5. Pay to Prey – 6:24
EP Length: 23:47

Orchid’s Curse is:​
Josh Hogan – Vocals
Brian Jones – Guitar/Vocals
Keith MacLeod – Guitar
Jason Szeto – Bass
Alex Wrathell – Drums

For more info: Orchidscurse.com | Facebook.com/orchidscurse | Instagram.com/orchidscurse​

About: With over a decade of musical output, Orchid’s Curse continues to create a beautiful amalgamation of brutal metal, progressive melody, and intelligent thought-provoking lyrics. Whether in a live setting or on an album, Orchid’s Curse refuses stagnation and orders your full attention.

Since forming in Dartmouth, Nova Scotia in late 2005, Orchid’s Curse has positioned itself at the forefront of the highly underrated East Coast metal scene in Canada. Ensuring that every show left the band drained of all they had and every album was created with the most care and the best team they could find. Now with their sixth release “The Decay” ready to release, the band continues to position itself at the forefront of maritime metal.

Metalsucks.net captured the band’s goal of blending various genres of metal, declaring “Orchid’s Curse is one of those bands that play around with melodeath, groove, thrash, and occasionally prog with enough fluidity to rid themselves of any sort of pesky sub-genre tags and earn the simple, yet elegant classification of ‘metal’.” while Canada’s Hellbound.ca recognized the bands continued progression and growth over the years stating, “Few bands demand that each album be a progression, a growth, in the way that Orchid’s Curse does. No musical influence is turned away, but everything is twisted, melded into an intense metal experience that makes your head bang one moment and your toes tap the next”

Since 2006 Orchid’s Curse has shared the stage with an incredibly diverse lineup of bands including, The Black Dahlia Murder, Children of Bodom, Every Time I Die, Cancer Bats, 3 Inches of Blood, Goatwhore, Exhumed, Fuck the Facts, KEN Mode, Misery Index, Counterparts, Baptized in Blood, Martyr, Beneath the Massacre, Vilipend, Ion Dissonance, Neuraxis, L’Espirit du Clan, Unexpect, Trigger Effect, Ninjaspy, Unbreakable Hatred, Misguided Aggression, Greber and many more.

– 30 –

“Orchid’s Curse is one of those bands that plays around with melodeath, groove, thrash, and occasionally prog with enough fluidity to rid themselves of any sort of pesky sub genre tags and earn the simple, yet elegant classification of ‘metal’.” – Metal Sucks

“Orchid’s Curse employ their familiar tactic of borrowing the techniques of multiple genres, from filthy death metal riffs to hardcore barks, progressive guitar explorations and dirge-like, doom-influenced song structures.” – Exclaim!

“Thick, brutal, aggressive and borderline cacophonous, at times, Voices is relentlessly engaging and explosive while maintaining a decisively melodic essence.” – Exclaim!

“heavy riffs built for headbanging” – Metal Storm

“Cynics & Liars, is very much an EP which epitomizes everything good about metal in 2016” – PureGrainAudio / V13

“Orchid’s Curse are versatile, able to play everything from menacing thrash to accessible melodeath to punishing metal” – HeavyMetal.About.com

“Every song punches you right between the eyes” – Mettalworx

“This album is just laced with hook after hook. Whether it be a classic metal riff, a psyched out interval or just a standard heavy rock n’ roll beat; the album is catchier than an STD on 2-for-1 night at a brothel.” – Echoes and Dust

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 Streaming Now! WHYTHRE’s Electrifying Melo-Death Album “Impregnate My Hate”

  • May 25, 2023
  • by Asher
  • · Music News · Whythre

NEWS RELEASE

Montreal, QC – May 25, 2023

​

Streaming Now! WHYTHRE’s Electrifying Melo-Death Album “Impregnate My Hate”

L-R – Steve Fournier – Drums, Adam Chambers – Vocals, Guitars, Synths, Eric Close – Bass, Shon Petrey – Guitars, Synths
(Photographer Credit – Carolina Chambers)

Seattle-based Whythre’s new album “Impregnate My Hate” is about to be released on Friday, May 26th and before it officially drops, its full album stream is being premiered on Metal-Rules HERE.

Whether it’s writhing with wailing solos, slithering with sinuous synth lines, or awash with waves of riptide riffs, Whythre’s latest is without remorse. They came to lay waste and write solid album titles — and they’re all out of album titles. Consequently, “Impregnate My Hate” opens with the single “Scorchbreath”, an onslaught of solos, slamming breakdowns, subtle orchestration, and a sing-along chorus that embodies Whythre’s deft formulation of melodic death metal singed with a blackened edge.

Having been fixtures in the Seattle metal scene since 2016, band members Shon Petrey, Adam Chambers, Eric Close, and Steve Fournier know their way around both riff craft and laying down a tight performance. But Whythre’s latest expulsion of fury seethes like a band that’s only getting started, from the first violent lick to the final double-bass kick.

Follow along to standout tracks like “Immanence”, which thunders along with the certainty of slow death and offers little in the way of forgiveness, or to Scorpions of Sinai, which has a groove guaranteed to move any circle pit. The fury of Whythre’s writing is real, but fury is rarely this much fun: expect to get your ass kicked, and enjoy it.

When asked how they expect the album to be received by fans, Chambers replies that they just enjoy the creative process and evoking good memories, and are otherwise not concerned about how other people view it. Petrey expects that his mother will be just as, if not more disappointed with this one as previous efforts, Fournier suggests that fans will be surprised with their new material citing new blood in the band and a concise vision helped shape their most impressive record to date; and Close says that fans will be able to feel the energy from the album and that it will provide an electrifying experience for them.

For those who have the privilege of seeing Whythre play live, at the conclusion of their performance they will either hear the Mortal Kombat voice in their heads saying ‘FLAWLESS VICTORY’ or feel relief that they chose to shelter in the bathroom during their set.

The album was produced and mixed by Shon Petrey, it was mastered by Levi Seitz at Black Belt Recordings, the album artwork was done by Andrzej Masianis and the graphic design was done by Ryan Ricketts.

Recommended for fans of Children of Bodom, Hypocrisy, and Hans Zimmer, “Impregnate My Hate” is due out on May 26th, 2023 via High Point Records and is available for pre-order at https://whythre.bandcamp.com.​

Music Video – Scorchbreath – https://youtu.be/tVGnpIA6Gk8

​

Lyric Video – Scorpions of Sinai – https://youtu.be/cowdXndpbVU

​

Animated Video – Impregnate My Hate – https://youtu.be/strDy2KrWs4

​

Track Listing:​
1. Scorchbreath (3:54)
2. Impregnate My Hate (3:11)
3. Can’t Escape This (4:55)
4. Scorpions of Sinai (3:29)
5. C Section S1urpee (2:48)
6. Death Frontier (3:09)
7. Tantric Aspects of the Cross (2:32)
8. Immanence (4:02)
9. Run it Red (3:50)
Album Length: 31:54

For more info: Whythre.com | Facebook.com/Whythre | Instagram.com/whythreofficial

– 30 –

“The album as a whole is a hell of a twisting and turning trip, which might appeal especially to fans of Hypocrisy and Children of Bodom. You’ll get another taste of the album in its first single, “Scorchbreath“, which features backing vocals by Gabe Tachell (Whythre‘s first vocalist) and Carolina Chambers.” – No Clean Singing

“There is no mistaking that with this new album Whythe sound rejuvenated, the new rhythm section as precise and destructive as a laser guided missile. As a listener, opening cut “Scorchbreath” is exactly what you want. Punchy and aggressive, crossing sub-genre territories with death defying leaps with an onslaught of Thrash infused riffage, short and violent bursts of Black Metal inspired blast beats, gang chant moments in the chorus and the odd ethereal touch a real demonstration of prowess. That’s before we’ve mentioned the twin axe attack of the extended solo which will melt your face off… before the kick in the guts that is the title track “Impregnate My Hate“.” – Metal Noise

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 Bravewords Premiere – Seattle’s WHYTHRE Unleashes New Video For Thrashy Melo-Death Title Track “Impregnate My Hate”

  • May 12, 2023
  • by Asher
  • · Music News · Whythre

NEWS RELEASE

Montreal, QC – May 12, 2023

​

WHYTHRE Unleashes New Video For Thrashy Melo-Death Title Track “Impregnate My Hate”

New Album “Impregnate My Hate” Out May 2023

L-R – Steve Fournier – Drums, Adam Chambers – Vocals, Guitars, Synths, Eric Close – Bass, Shon Petrey – Guitars, Synths
(Photographer Credit – Carolina Chambers)

Members of Seattle-based Whythre are like every other world citizen, observers of our conditions, and some of those observations are expressed on their forthcoming album and its title track “Impregnate My Hate”, which the band is unveiling today as its third single before the full-length releases on May 26th.

Vocalist/guitarist Adam Chambers explains the track further:

Lyrically, this song is about modern times! Most folks are jumping down each other’s throats, willing vessels to the online projection of what modern entertainment and communication should be. My friends showed me an old sci-fi series called ‘V’ that deals with subtle mind control and mass hypnosis… while I watched the series after writing the lyrics, I was like ‘yeah! This is it! This is what I’ve been trying to say.”

Guitarist Shon Petrey adds.

“This is our most thrashy song…it’s not really the most melodic tune at all. When writing the song an old school vibe kinda just appeared here and we ran with it.”

Whythre has two other albums out, and fans who have heard the previous efforts will be able to pick up subtle changes such as Chambers taking over on vocals and writing most of the instruments and vocals lines simultaneously with Shon Petrey. They find that it really gives a more cohesive feel to the songs. Rather than tacking on vocals at the end, there’s now a fleshed-out conversation between them and each instrument as the song is written. It’s way more natural, and the next step in the Whythre writing dynamic is to explore this a bit more with drummer Steve and bassist Eric.

The single, along with the album, is recommended for fans of Hypocrisy, Children of Bodom, Havok, and The Black Dahlia Murder.

Watch and listen to “Impregnate My Hate” via its premiere on Bravewords HERE.

The full album “Impregnate My Hate” is being released on May 26th, 2023 via High Point Records and is available for pre-order at https://whythre.bandcamp.com.​

Music Video – “Scorchbreath” – https://youtu.be/tVGnpIA6Gk8

​

Lyric Video – “Scorpions of Sinai” – https://youtu.be/cowdXndpbVU

​

Track Listing:​
1. Scorchbreath (3:54)
2. Impregnate My Hate (3:11)
3. Can’t Escape This (4:55)
4. Scorpions of Sinai (3:29)
5. C Section S1urpee (2:48)
6. Death Frontier (3:09)
7. Tantric Aspects of the Cross (2:32)
8. Immanence (4:02)
9. Run it Red (3:50)
Album Length: 31:54

For more info: Whythre.com | Facebook.com/Whythre | Instagram.com/whythreofficial

– 30 –

“The album as a whole is a hell of a twisting and turning trip, which might appeal especially to fans of Hypocrisy and Children of Bodom. You’ll get another taste of the album in its first single, “Scorchbreath“, which features backing vocals by Gabe Tachell (Whythre‘s first vocalist) and Carolina Chambers.” – No Clean Singing

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

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0 Streaming Now! Detroit Melo-Death ASYLENCE New Album “Endanger Us All”

  • February 23, 2023
  • by Asher
  • · Asylence · Music News

NEWS RELEASE

Montreal, QC – February 23, 2023

​

Streaming Now! Detroit Melo-Death ASYLENCE New Album “Endanger Us All”

New Album “Endanger Us All” Out Feb 24th

Bringing together a solid group of influences, Asylence presents their take on melodic death metal. Forged from the melting pot of Detroit’s underground metal scene, Asylence is a well-oiled metal machine built with passion, intent, and ferocity like no other. Today, they unleash the full stream of their first full-length “Endanger Us All” via its premiere on Metal-Rules ahead of its release on Friday, February 24th.

“We hope that everyone is ready for our greatest effort which is Endanger Us All. We couldn’t be more proud of how this album came together. Listeners who are familiar with us will hear some material they are used to and a lot of new attitudes that they have never heard before. Our first EP was merely an introduction to what we can do compared to the range this record has achieved.

We were faced with a decision on whether or not to include some of our oldest songs on this record which we never had properly recorded. After we realized how well our new and old material blended for a well-balanced experience from start to finish we really started to understand the raw energy this album radiates.

It’s heavy, it’s deadly, and it’s a warning and a declaration of desperation. Endanger Us All!” adds the band.

“Endanger Us All” can be heard in full via its premiere on Metal-Rules HERE.

Their new album “Endanger Us All” is a combination of Asylence’s oldest and newest material. The older songs have always been a staple in their live sets and they wanted to finally record them right and do them justice. The new songs have been completed since the release of their 2020 EP “Eulogy Of Man” and they really constructed the bridge from what they were to what they’re becoming.

The album was produced, mixed, and mastered by guitarist Aaron Lumsden and the artwork was done by Diyaco Paymazd. It is recommended for fans of Devildriver, Amon Amarth, and Arch Enemy.

“Endanger Us All” is due out on February 24, 2022.

Album pre-order – https://asylence.com/digital-album-pre-sale​

Music Videos:

​

​

​

Track Listing:​
1. A Call To Arms – 0:55
2. Endanger Us All – 3:53
3. The Garden of Disrespect – 3:34
4. Eternity, Please – 3:37
5. In Solidarity, We Die – 3:32
6. Arrows For Christ – 3:25
7. In This Hell – 3:47
8. Soulless – 3:32
9. A War Waging Within – 3:16
Album Length: 29:35

Album and Live Band Lineup:​
Ryan Lang – Vocals
Aaron Lumsden – Guitar
Alex Aubuchon – Drums
Richard Olrich – Bass Guitar

For more info:​
​https://www.asylence.com​
​http://www.facebook.com/asylence​
​http://www.instagram.com/asylence​
​http://www.twitter.com/asylence​
​http://www.tiktok.com/@asylence​

About: Asylence (uh-sigh-lence): A hybrid of the words Asylum and Silence, when joined together, present a universal idea and timeless message: The constant suffering and failures of mankind. After the dissolution of drummer Alex Aubuchon’s highly active, long-standing thrash band, he began to focus his efforts on recruiting for his new project. He discovered the talent of guitarist Aaron Lumsden, an avid scene supporter who frequented many local and regional shows.

A dedicated relationship quickly formed between the pair, and Asylence was born. Frontman Ryan Lang, having been a mainstay in the Detroit metal scene but group-less at the time, was Asylence’s first choice to handle vocal duties. Ryan accepted, excited at the idea of hitting the stage once again. Shortly after, bassist Richard Olrich joined the group to complete the sound. A new era of heavy metal ensued.

Forged from the melting pot of Detroit’s underground metal scene, Asylence is a well-oiled metal machine built with passion, intent, and ferocity like no other. Since their formation in 2016, Asylence has been on a path of sonic destruction as they crush their audiences with fierce live performances throughout Michigan and surrounding states, opening for national acts such as Archspire, Belphegor, and Sea of Treachery, among others. Taking no prisoners and amassing a loyal, respecting fan base in the Midwest and beyond, behold the rise of Asylence.

– 30 –

“There’s some truly fierce deathcore emerging from the Midwest. One of the most promising acts from the region is Asylence. Not only do they lean into the tropes of the genre (Gotta love that quick little bass fill before the vocals kick in!) but their brand new video, ‘Arrows For Christ’ is absolutely killer!” – Metal Injection​
​
​“Eulogy of Man features top musicianship and is a heavy, melodic, groove-laden group of songs sure to excite old-school heads as well as forward-thinking fans of modern bands.” – Ghost Cult Magazine​
​
​“Michigan metal outfit Asylence have teamed up with Metal Insider to premiere a video for their emotionally-driven new song, “Endanger Us All.” – Metal Insider​
​
​“Melodic death metal powerhouse” – Decibel Magazine​
​
​“Sometimes there’s nothing wrong with going with a classic formula and hitting it out of the park.” – Dead Rhetoric​
​
​“Nasty, angry, aggressive, and heavy. What’s not to like? Ranging from old-school death metal, black metal, and deathcore, it’s all here plus a shed load of real technical ability and attitude. The future’s bright for Asylence.” – Myglobalmind Online Magazine​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)
​

0 ASYLENCE Ask For “Eternity, Please” New Music Video Off Upcoming Album “Endanger Us All” Out Feb 2023

  • January 19, 2023
  • by Asher
  • · Asylence · Music News

NEWS RELEASE

Montreal, QC – January 19, 2023

​

ASYLENCE Ask For “Eternity, Please” New Music Video Off Upcoming Album “Endanger Us All” Out Feb 2023

New Album “Endanger Us All” Out Feb 24th

Photo Credit – Paul Raymond

Hailing from Detroit, USA, Asylence brings together a solid group of influences in their take on melodic death metal. The release of the album “Endanger Us All” is nearing this February and in lead up to its unveiling, the quartet is sharing their next single “Eternity, Please” accompanied by a music video. On this track, the band’s black metal influences are more prominent at the beginning before taking a turn into their own sound. With a little bit of experimentation, it is the darkest and brooding track on the record. The band dives into details about the song:

“The lyrics tell a tale of a king who wanders his halls with no question to his reign but still he suffers. Heavy and lonely is the crown, and the years can feel like an eternity alone. We wanted to continue to show off the newer material and this one starts off as heavy as you could ever want. Definitely a blend of old influences and the newer direction we’re taking, this song was a challenge to write but we couldn’t be more proud. This song is the perfect representation of the direction we want to continue for our music.”

Vocalist Ryan Lang explains that he wrote the lyrics to this song coming out of a pretty heavy depression and he feels like it shines through. Misery loves company, sometimes the misery never truly goes away. As for the rest of the album, lyrically it’s mixed because of the timeline in which songs were written, but overall the band feels like it hits the way it was meant to. They try to convey a message to their audience more than they try to shock with vulgarity, and Lang’s message is usually that of self-awareness and the horrors that can occur under the guise of salvation. Musically these songs weave the emotion and intensity of their message.

Their new album “Endanger Us All” is nine tracks long, was produced, mixed, and mastered by guitarist Aaron Lumsden and the artwork was done by Diyaco Paymazd. It is recommended for fans of Devildriver, Amon Amarth, and Arch Enemy.

Watch and listen to the video for “Eternity, Please” via its premiere on Decibel Magazine HERE.

“Endanger Us All” is due out on February 24, 2022.

Previous music videos can be seen on the band’s YouTube here.

Track Listing:​
1. A Call To Arms – 0:55
2. Endanger Us All – 3:53
3. The Garden of Disrespect – 3:34
4. Eternity, Please – 3:37
5. In Solidarity, We Die – 3:32
6. Arrows For Christ – 3:25
7. In This Hell – 3:47
8. Soulless – 3:32
9. A War Waging Within – 3:16
Album Length: 29:35

Album and Live Band Lineup:​
Ryan Lang – Vocals
Aaron Lumsden – Guitar
Alex Aubuchon – Drums
Richard Olrich – Bass Guitar

For more info:​
​https://www.asylence.com​
​http://www.facebook.com/asylence​
​http://www.instagram.com/asylence​
​http://www.twitter.com/asylence​
​http://www.tiktok.com/@asylence​

About: Asylence (uh-sigh-lence): A hybrid of the words Asylum and Silence, when joined together, present a universal idea and timeless message: The constant suffering and failures of mankind. After the dissolution of drummer Alex Aubuchon’s highly active, long-standing thrash band, he began to focus his efforts on recruiting for his new project. He discovered the talent of guitarist Aaron Lumsden, an avid scene supporter who frequented many local and regional shows.

A dedicated relationship quickly formed between the pair, and Asylence was born. Frontman Ryan Lang, having been a mainstay in the Detroit metal scene but group-less at the time, was Asylence’s first choice to handle vocal duties. Ryan accepted, excited at the idea of hitting the stage once again. Shortly after, bassist Richard Olrich joined the group to complete the sound. A new era of heavy metal ensued.

Forged from the melting pot of Detroit’s underground metal scene, Asylence is a well-oiled metal machine built with passion, intent, and ferocity like no other. Since their formation in 2016, Asylence has been on a path of sonic destruction as they crush their audiences with fierce live performances throughout Michigan and surrounding states, opening for national acts such as Archspire, Belphegor, and Sea of Treachery, among others. Taking no prisoners and amassing a loyal, respecting fan base in the Midwest and beyond, behold the rise of Asylence.

– 30 –

“There’s some truly fierce deathcore emerging from the Midwest. One of the most promising acts from the region is Asylence. Not only do they lean into the tropes of the genre (Gotta love that quick little bass fill before the vocals kick in!) but their brand new video, ‘Arrows For Christ’ is absolutely killer!” – Metal Injection

“Eulogy of Man features top musicianship and is a heavy, melodic, groove-laden group of songs sure to excite old-school heads as well as forward-thinking fans of modern bands.” – Ghost Cult Magazine

“Michigan metal outfit Asylence have teamed up with Metal Insider to premiere a video for their emotionally-driven new song, “Endanger Us All.” – Metal Insider

“Sometimes there’s nothing wrong with going with a classic formula and hitting it out of the park.” – Dead Rhetoric​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)
​

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0 ASYLENCE’s New Music Video “Soulless” Is Bloody Tears For Friends Lost To Addiction; New Album “Endanger Us All” Out February 2023

  • November 17, 2022
  • by Asher
  • · Asylence · Music News

NEWS RELEASE

Montreal, QC – November 17, 2022

​ASYLENCE’s New Music Video “Soulless” Is Bloody Tears For Friends Lost To Addiction

New Album “Endanger Us All” Out February 2023

Forged from the melting pot of Detroit’s underground metal scene, Asylence is a well-oiled metal machine built with passion, intent, and ferocity like no other. At the beginning of next year, they will be releasing their full-length album “Endanger Us All” and The Circle Pit is now premiering their second single “Soulless”, which comes at you heavy, fast, and punishing as they count down the days to the album release. They wanted the second look at this new offering to be a heavy one, “Soulless” was the obvious choice. Vocalist Ryan Lang explains further:

“This is another oldie but a goodie. One of the heaviest songs we’ve ever written especially early on in the band. This is screaming in an addict’s face. This is how hard it is to see a loved one fade away into the depths of addiction. This song is so emotional for me, I’ve lost far too many friends to drugs and addiction, and I’m no stranger to my own struggles myself. I hope that this song can provide someone with comfort that they are not alone and maybe this could help encourage people to wake up and change their lives for the better.”

A fun fact about the single, the ending was actually first written off the cuff live. They screwed up how it was supposed to end and just ran with it and the crowd loved it. They did too, so it was added to the final song. The album “Endanger Us All” is a combination of Asylence’s oldest and newest material. The older songs have always been a staple in their live sets and they wanted to finally record them right and do them justice. The new songs have been completed since the release of their 2020 EP “Eulogy Of Man” and they really constructed the bridge from what we were to what they’re becoming.

Asylence started out trying to be as heavy as they could possibly be but now they find themselves exploring more techniques and ideas that they had never previously thought to pursue. They are recommended for fans of Arch Enemy, DevilDriver, and Amon Amarth.

Watch and listen to the music video for “Soulless” at https://youtu.be/YIrMYwf3B2U​

Digital – Spotify, Apple Music

​

“Endanger Us All” is due out on February 24, 2022.

Previous Video – Endanger Us All – https://youtu.be/T8QsWbi97uw​

For more info:​
​https://www.asylence.com​
​http://www.facebook.com/asylence​
​http://www.instagram.com/asylence​
​http://www.twitter.com/asylence​
​http://www.tiktok.com/@asylence​

About: Asylence (uh-sigh-lence): A hybrid of the words Asylum and Silence, when joined together, present a universal idea and timeless message: The constant suffering and failures of mankind. After the dissolution of drummer Alex Aubuchon’s highly active, long-standing thrash band, he began to focus his efforts on recruiting for his new project. He discovered the talent of guitarist Aaron Lumsden, an avid scene supporter who frequented many local and regional shows.

A dedicated relationship quickly formed between the pair, and Asylence was born. Frontman Ryan Lang, having been a mainstay in the Detroit metal scene but group-less at the time, was Asylence’s first choice to handle vocal duties. Ryan accepted, excited at the idea of hitting the stage once again. Shortly after, bassist Richard Olrich joined the group to complete the sound. A new era of heavy metal ensued.

Forged from the melting pot of Detroit’s underground metal scene, Asylence is a well-oiled metal machine built with passion, intent, and ferocity like no other. Since their formation in 2016, Asylence has been on a path of sonic destruction as they crush their audiences with fierce live performances throughout Michigan and surrounding states, opening for national acts such as Archspire, Belphegor, and Sea of Treachery, among others. Taking no prisoners and amassing a loyal, respecting fan base in the Midwest and beyond, behold the rise of Asylence.

– 30 –

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Norway’s Féleth Now Streaming Their Technical Melodic Death Metal Album “Divine Blight” (Mixed and Mastered by Christian Donaldson (Cryptopsy))

  • November 10, 2022
  • by Asher
  • · Feleth · Music News

NEWS RELEASE

Montreal, QC – November 10, 2022

 

Norway’s Féleth Now Streaming Their Technical Melodic Death Metal Album “Divine Blight”

Mixed and Mastered by Christian Donaldson (Cryptopsy)

Féleth, from northern Norway, is now streaming their second album “Divine Blight”, which they see as a solid step up from 2020’s “Depravity”. They take on real-life events and put them to provocative music best described as melodic death metal with a healthy dose of technical death metal added in. The lyrical themes are often inspired by things that vocalist Espen Dagenborg finds massively wrong such as politicians waging war, being greedy, and also how humans can be extremely hateful against others. Then again there are also songs that are somewhat purely fictional, mostly showcasing his lyrical style.

As Féleth was the continuation of a former thrash metal band, IronBound, it’s natural to say that they started out as a thrash death band. As the then-young boys started to discover the joys of death metal the sound evolved more toward that. Along with the newfound joy came the struggle, for death metal wasn’t easy to play. After finally mastering the ways of death metal and having released “Depravity” disaster struck. The now not-so-young boys had developed a taste for technical death metal and big hooks. When the time came to work on “Divine Blight” they already had a handful of finished songs to choose from, each one a work of art – melodic, technical, brutal art. The band comments:

“After getting signed with our new label “Rob Mules Records” and playing some pretty sick gigs at both Buktafestivalen and Tons of Rock, we’re super stoked to release our new album “Divine Blight”. It was a long and tedious process of selecting, practicing, and recording, but the result will speak for itself. Our best album thus far. It’s a collection of stories based on the dystopian path humanity is set on. We felt that throughout this new journey of an album we’ve refined our songwriting and successfully achieved a style that’s not only ass-whoppingly brutal, but also more complex emotionally and lyrically. It is clear that we’ve got multiple influences and styles throughout the album which all contribute to a massive sonic package. It’s definitely a death metal album with some subtle takes on some of its many subgenres. Two and half years after our debut “Depravity” we’re ready to present ‘DIVINE BLIGHT’.”

The album was mixed and mastered by Christian Donaldson (Cryptopsy) and the album artwork was done by Kahinienn Graphix. The Northern Norwegian technical death rock is recommended for fans of Fit For An Autopsy, Inferi, and Soreption.

The album “Divine Blight” comes out on November 11, 2022, and can be heard in full before its official release on Metal-Rules HERE.

Music Video – Majesty – https://youtu.be/yce26-EGFMI​

Visualizer – Avarice – https://youtu.be/E2J3NnHAmsk​

Lyric Video – USA ft. Petter Carlsen – https://youtu.be/7jURKrmgt0M​

Track Listing:​
1. Majesty – 03:46
2. Caretaker – 03:58
3. Riven – 03:51
4. En Elskovsdans – 03:10
5. The Serpent – 03:32
6. Casanova – 03:35
7. Deadlands – 04:26
8. Absence – 04:09
9. USA – 05:32 ft. gust vocals Petter Carlsen
10. Avarice – 05:33
Album Length: 41:37

Album Credits:​
All songs performed by Féleth
Guest vocalist Petter Carlsen on USA
All songs written by Féleth
Produced by Féleth
Mixed and Mastered by Christian Donaldson
Assistant Engineer Jonathan Mazzeo
Album Artwork by Kahinienn Graphix

Live and Album Lineup:​
Espen Dagenborg – Vocals
Thomas Nyvoll – Guitar
Alexander Stamnes – Guitar
Brage Ingebrigtsen Westgaard – Bass
Aleksander Alsen – Drums

For more info:​
​Facebook.com/FelethBand
​
​Instagram.com/felethband​

– 30 –

““Majesty” is an exciting introduction to the differing styles and techniques that Féleth intertwine in their songwriting, drawing together ingredients from technical and melodic death metal in a white-hot rush that nevertheless is home to some bone-smashing grooves. “Avarice” puts those genre ingredients on display again, but expands the musical palette and makes the song an even ore multi-faceted and atmospheric experience. With no room to gasp a breath, the song explodes in a flurry of fleet-fingered, fret-leaping guitar work, neck-cracking drumming, and flame-throwing vocal intensity. But groaning chords and shrill, eerie melodic overtones also create dark and deleterious moods, building tension and fear. While the vocals are utterly unhinged in their madness (and doubled in the chorus for extra intensity), squirming guitar arpeggios create a different dimension of insanity, coupled with agony, and martial drum patterns and a misery-steeped closing solo add to the song’s relentless dynamism. On top of all that, the song also punches like a heavyweight fighter.” – No Clean Singing (Divine Blight 2022)

“Feleth is gaining a name for itself despite only being around for a couple of years. They are developing their sound and their technical ability rapidly and this release shows that development, especially in songwriting where they bring different elements in to add color. An excellent example of melodic/technical death metal and worth anyone’s hard-earned cash.” – My Global Mind (Divine Blight 2022)

“Depravity the newest album from Feleth is one brutal album full of riffs and hooks to keep even the most particular entertained. Feleth mix the roots of the Norwegian metal scene, with the death metal tone they strive for to create some well crafted blackened death metal, similar to that of Shadow of Intent.” – Metal Injection (Depravity 2020)
​
“With a melting pot of ideas, yet rooted in delivering a head-smashing and neck-destroying style of metal, Féleth are aggressive newcomers to a scene that constantly looks to surprise… Féleth deliver heavy and extreme noise so very well.” 9/10 – Games, Brrraaains & A Head-Banging Life (Depravity 2020)
​
“straight up heaviness and brutality, tech offerings and melodic atmopsheres, and enjoyable groove.” – Dead Rhetoric (Depravity 2020)
​
“Féleth: Transcends the traditional limits of the genre…” – Permafrost.today (Depravity 2020)
​
“9/10 “Féleth offer an edge-of-your-seat experience that is both fresh and captivating.” – Metal Inferno (Depravity 2020)
​
“Féleth does death metal fast and aggressive, reigning in their impressive technical chops for maximum impact, keeping their riffs (and songs, for that matter) relatively short and to the point. They strike a pretty even balance between chunky chords and caustic melodies, most of which are designed to coax headbanging than to impress with virtuosity. The album is front-loaded with catchy bangers, saving the more technical and weird bits for the latter half.” – Tolet Ov Hell (Depravity 2020)
​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

 

0 Quebec’s BORN DIVIDED Present Melodic Death Video For “Human Masquerade” Off New Album “Impending Doom” Out Oct 14th

  • October 12, 2022
  • by Asher
  • · Born Divided · Music News

NEWS RELEASE

Montreal, QC – October 12, 2022

​

Quebec’s BORN DIVIDED Present Melodic Death Video For “Human Masquerade” Off New Album “Impending Doom” Out Oct 14th

Quebec City’s melodic death metal act Born Divided comes from the remains of Blinded By Faith when bassist Tommy Demers decided to pick up the bass instead of staying solely on vocal duties. He brought in guitarist Michael Beaudoin, also from Blinded By Faith; guitarist Fred Bedard; drummer Lucas Biron; and Maxim Levesque on vocals. Together they are bringing forth a debut album “Impending Doom”. The single “Human Masquerade” is their first single and music video that will let the world hear and see what Born Divided is all about. The song represents them well with its aggressiveness, the rhythmical intro, the harmonies, its epic side, and the incredible vocal melodies that bomb into brutal screams. They explain the albums:

“We are very proud to show our first album “Impending Doom”. A lot of work went into this. We really wanted to incorporate our musical influences into this. We wanted every riff and beat to have its own colour. We like to go from prog to death, brutal to melodic. We like to surprise the listener with some radical changes in terms of sub-genre while keeping the listening experience as entertaining as possible.”

With “Impending Doom”, Born Divided intends to deliver the kind of experience that will feel new and unique. An experience that doesn’t feel like something you’ve heard before. They kind of just came to be, Demers had written some of these songs around 2015 and brought those forward for the album. Fans can expect a second album coming at a much quicker pace as they have already started the writing process of the next one.

Within “Impending Doom”, listeners can expect some clean singing along with some deadly growls, riffs that rip, and amazing and tasteful drumming that breathes music. It is recommended for fans of Dimmu Borgir, Symphony X, and Opeth.

The video for “Human Masquerade” can be seen and heard at https://youtu.be/hjgHFJ8eX6M

​

Born Divided‘s new album “Impending Doom” is out on October 14, 2022, and available on all digital platforms at the following link – https://distrokid.com/hyperfollow/borndivided/impending-doom-4​

Track Listing:​
1. Impending Doom – 6:15
2. The Scars That Unite Us – 6:57
3. Old Remorse – 4:46
4. Censorshit – 5:41
5. Human Masquerade – 6:17
6. We’ll Exist – 7:01
7. We’ve Seen You – 7:03
Album Length: 44:04

Album Recording Credits:
• All songs performed by: BORN DIVIDED
• All songs written by: Tommy Demers & Michaël Beaudoin
• Produced by: Fred Bedard
• Mixed by: Fred Bedard
• Mastered by: Fred Bedard
​
Album Band Lineup:
Tommy Demers – Bass
Maxim Levesque – Vocals
Michael Beaudoin – Guitars
Fred Bedard – Guitars
Lucas Biron – Drums

For more info:​
​https://www.facebook.com/BornDivided​
​https://twitter.com/borndivided​
​https://www.instagram.com/borndivided​

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 DISARMONIA MUNDI: “Fragments of D-Generation” in Vinyl Limited Edition

  • October 3, 2022
  • by Asher
  • · Disarmonia Mundi (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – October 3, 2022

​

DISARMONIA MUNDI: “Fragments of D-Generation” in Vinyl Limited Edition

Originally released in 2004 “Fragments of D-Generation” is the record that catapulted Disarmonia Mundi into the spotlight all over the world, radically changing the status of the Italian band from a promising underground cult phenomenon to an international point of reference for melodic death in its purest exception.

With “Fragments of D-Generation” band mastermind Ettore Rigotti (multi-instrumentalist, producer, and only composer of the band) developed the archetype of the sound that from then on would have fascinated millions of fans all over the world, bringing it all to the next level with the addition of the well-known vocalist Bjorn Speed Strid from the Swedish melodic death titans Soilwork.

Almost twenty years after its original release, the record finally sees the publication of its limited vinyl version by Rockshots Records. Songs like “Oceangrave“, “Quicksand Symmetry” or “Swallow The Flames” continue to be the cornerstones of the Disarmonia Mundi discography, demonstrating how the consistency of the compositions has largely stood the test of time.

The powerful and dynamic sound of the band has lost none of its original explosive charges and in anticipation of the imminent release of the new album, this is the right opportunity to rediscover a timeless classic from one of the flagships of international melodic death.
​
This is the very first of the “Vinyl Series” exclusive vinyl reissues by Rockshots Records.
​
​“Fragments of D-Generation” Vinyl Marble LTD Edition is available for pre-order: https://bit.ly/Fragments_Vinyl

 

​

TRACKLISTING:​
01 – Common State Of Inner Violence
02 – Morgue Of Centuries
03 – Red Clouds
04 – Quicksand Simmetry
05 – Swallow The Flames
06 – Oceangrave
07 – A Mirror Behind
08 – Come Forth My Dreadful One
09 – Shattered Lives and Broken Dreams
10 – Colors of a New Era
​
​Disarmonia Mundi are:
​Ettore Rigotti – vocals, guitars, bass, drums, synth
​Claudio Ravinale – Vocals
​Bjorn Speed Strid – Vocals
​
​For more info:​​
​https://www.rockhots.eu​​
​http://www.disarmoniamundi.com/​

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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