Tag: melodeath

0 Streaming Now! Quebec’s TROLLWAR’s Symphonic Melo-Death EP “Tales from the Frozen Wastes” ft. Guests From Kalmah, Atavistia

November 14, 2024
by Asher
· Music News · Trollwar

NEWS RELEASE

Montreal, QC – November 14, 2024

Streaming Now! Quebec’s TROLLWAR’s Symphonic Melo-Death EP “Tales from the Frozen Wastes”

EP Guests Veli-Matti Kananen (Kalmah), Mattias Sippola (Atavistia)

The wait is over! Quebec symphonic melodic death masters Trollwar are proud to present the full stream premiere of their highly anticipated EP “Tales from the Frozen Wastes”, before its official release on November 15, 2024.

Check out the EP stream premiere on Decibel Magazine HERE.

“Tales from the Frozen Wastes” marks a significant evolution in Trollwar‘s sound, showcasing a perfect blend of their brutal roots with refined symphonic orchestrations and progressive elements. The EP takes listeners on a journey through a dark dimension, exploring themes of fallen deities, the realm of the dead, and the consequences of mortal ambition. The band comments on the changes that can be found on the record:

“I think our EP could be described as a renewal. A renewal of our music and a new maturity for our music. I do think that you can hear it through our songs in this release. The ‘Unseen One’ and ‘In the Fields of Frost’ are both great songs that we wrote a couple of years ago, while ‘Bane of the Underworld’ and ‘The Offering’ are pretty much the new Trollwar that you should expect going forward. These two songs show a clear upgrade of how we write our music.”

This release represents the culmination of years of hard work and musical growth Trollwar has dedicated to their sound. They’ve pushed themselves to create something that’s not just heavy and melodic, but also tells a compelling story through both music and lyrics.

To celebrate the premiere, Trollwar will be hosting a live Q&A session on their official YouTube channel on the release date (Nov 15th). The band will discuss the creation of the EP, share behind-the-scenes stories, and answer fan questions. They are recommended listening for fans of Equilibrium, Wintersun, and Ensiferum.

Due out on November 15th, “Tales from the Frozen Wastes” is available for digital pre-save – https://distrokid.com/hyperfollow/trollwar/tales-from-the-frozen-wastes

Track Listing:
1. Prologue (2:00)
2. The Unseen One (7:05) ft. Keyboard Solo by Veli-Matti Kananen (Kalmah)
3. Bane of the Underworld (5:26)
4. In The Fields of Frost (4:05)
5. The Offering (5:46) ft. Clean Vocal / Choir by Mattias Sippola (Atavistia)
EP Length: 24:24

More info:

Trollwar.wixsite.com/trollwar | Facebook.com/Trollwar | x.com/trollwarqc | Instagram.com/trollwarmetal/

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“Trollwar waste no time lighting a fire under the listener with blazing and darting riffage, booming and battering drums, soaring symphonics, savage snarls, and heroic choral singing. But a finger-tapped guitar also introduces magically swirling melodies; grim vibrating fretwork and heavily jolting grooves throw us into fierce combat; and rippling keyboard tones add to the song’s fantastical glories. The band build toward an extravagant finale, hard-hitting and sky-flying, entirely in keeping with the song’s overarching mythic aura.” (Single – Bane of The Underworld) – No Clean Singing

“No scene outplays another on this vivid EP. From start to finish, the blend of orchestration and metal is curated in a way that the Fantasy plays through, while the harshness of its tale is presented with wicked solos, stunning riffs, and masterful sound. As a Fantasy fanatic, and a metalhead, this EP is a stunning display of talent and imagination, utilizing skill and story to present to us one hell of an adventure. 9/10” – All Father Metal

Top 20 2018 Metal album from Quebec by Metal Universe (Oath of the Storm LP – 2018)

“The whole record is an adventure; the sequencing flows well from song to song and is bumpered nicely by an intro that sets the mood, plus an outro that gently brings things to a close, returning the listener safely back to their respective realities. At the end of the day, I definitely think Trollwar is onto something here; they are proudly waving the folk-metal banner and are destined for big things.” – PureGrainAudio (Oath of the Storm LP – 2018)

”The vocals are abrasively savage, and the swirling keyboard melody is like ear heroin. I can’t help myself — the song pushes too many buttons for me to resist.” – No Clean Singing (Oath of the Storm LP – 2018)

“OATH OF THE STORM has a wave of well-written catchy songs, good production, lots of intensity and power as well, which is something some of the other bands lack. TrollWar is a pretty appropriate name for this enjoyable act and OATH OF THE STORM is one of the more intense Folk Metal albums out this year.” – Metal Rules (Oath of the Storm LP – 2018)

“Overall, this was an outstanding album, for a band that clearly has a lot to offer. What I can’t figure out is why no one has signed them yet? The production is excellent. They have a sophistication and complexity in their sound that few others do, yet each track is very easy to listen to. It’s like you combined the best of the old, IRON MAIDEN, with the best of the new, WINTERSUN, and you have TROLLWAR, with their own unique flair. The melodies are both playful and dangerous, and the entire album is excellent from the opener through the closer. “Oath of the Storm” is a fascinating glimpse into the soul of the band, where they let it all out there for you to enjoy. And enjoy it I did!” – 9/10 – Metal Temple (Oath of the Storm LP – 2018)

”the tracks are face smashing and memorable with enough layers to satisfy even the most tech savvy of you folksters”…….”It’s hard to necessarily give you specifics other than multiple layers of instrumentation, blast beats, keys and symphonic touches with shredding guitar and vocals.”- Folk Metal.NL (Oath of the Storm LP – 2018)

“TROLLWAR deliver “Oath of the Storm”, a strong second work that should not only be interesting for fans of FINNTROLL and ENSIFERUM… The Canadians’ independent, accordion-driven folk black metal proves that real fighting roles don’t just inhabit Scandinavia and the surrounding area. Then a resounding “kippis!” or an elegant “à votre santé!”. 4/5″ – Stormbringer

“Uncompromising and lovable – Oath Of The Storm… Conclusion: “Oath Of The Storm” is an interesting folk metal album and for fans of EQUILIBRIUM or FINNTROLL. TROLLWAR is characterized by good song progression and incredible joy in playing… So if you’re still looking for a Christmas present, you can grab it here without hesitation.” – Metal.de

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0 Streaming Now! Montreal’s CHÜZO Take Over The World w/ Aggro-Metal and New EP “M.T.M.D (Maximum Threshold, Minimum Decay)”

November 14, 2024
by Asher
· CHUZO · Music News

NEWS RELEASE

Montreal, QC – November 14, 2024

Streaming Now! Montreal’s CHÜZO Take Over The World w/ Aggro-Metal and New EP “M.T.M.D (Maximum Threshold, Minimum Decay)”

Produced by Kevin Jardine (Slaves On Dope)

L to R: Alex S (Bass), Cristian S (Guitars/Vocals), Mischa M (Vocals), Carlos G (Drums)

Photo Credit @stutteringuzii (Instagram)

Montreal, Canada’s CHÜZO is ready to take on the metal world with the introduction of their self-described Aggro-Metal and new EP entitled “M.T.M.D (Maximum Threshold, Minimum Decay)”. The three-track record marks the next chapter and true representation of what their sound is meant to be with the fresh new lineup who are hungry to showcase what this forthcoming EP will spark.

Produced by Kevin Jardine (Slaves On Dope), the EP is a full audio assault upon all the senses from the heavy riffs to the soaring vocals of Brazilian transplant and new vocalist Mischa M. She is joined by local first-generation Chilean Canadian and mastermind Cristian S. along with Carlos G from Venezuela and Alex S from Russia whom all have found Montreal, Canada to be home to breed their ‘Aggro Metal’, a blender of grindcore, Swedish death metal and a touch of thrash metal crossed over with hardcore punk.

“The sound of the band evolved from, initially, grindcore, to hardcore, to now Aggro Metal. This is finally what CHÜZO was meant to sound like after many years and many ex-band members. This mark III version of the band is the final evolution in the sound of CHÜZO.” adds Cristian S.

The EP’s lyrics are driven by self-reflection and daily struggles. The inspiration for writing comes from life experiences and trying to live past them, especially the traumatic ones. Using all bad energy from bad experiences to create something positive for yourself and the world. This EP speaks of vengeance and the bad side of dedicating your life to achieving your desired revenge despite your own life and sanity. Brutal Social Justice.

For fans of Sepultura (Cavalera Bros era 84-96), At the Gates, Napalm Death, Slipknot, and Fuck the Facts, “M.T.M.D (Maximum Threshold, Minimum Decay)” is due out on November 15, 2024, and can be heard in full before it officially drops via its stream premiere on Decibel Magazine HERE.

EP pre-order/digital per-save is available at the following links:

Bandcamp – https://chuzomtl.bandcamp.com/album/m-t-m-d-maximum-threshold-minimum-decay

Digital Pre-Save – https://distrokid.com/hyperfollow/chzo/mtmd

Lyric Video – Brand New Cell – https://youtu.be/61YlVuG3gsI

EP Artwork by Draught https://www.instagram.com/draught___/

Track Listing:
1. The Brutalator – 3:39
2. Brand New Cell – 3:12
3. Bruised and Broken – 4:21

More Info: Instagram.com/chuzo.band | Facebook.com/chuzo.band

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ASHER MEDIA RELATIONS
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0 MINDREAPER Unveils Epic New Video “The God I Am” In Anticipation of Upcoming Album “Withering Shine (…Into Oblivion)” Out Dec 2024

October 18, 2024
by Asher
· Mindreaper · Music News

NEWS RELEASE

Montreal, QC – October 18, 2024

German Melo-Death MINDREAPER Unveils Epic New Video “The God I Am”

New Album “Withering Shine (…Into Oblivion)” Out Dec 2024 via Death Age Records

L-R: Christian Schoenke – Bass, Marcel Schneider – Drums, Sebastian Rehbein – Lead Vocals, Manuel Nozulak – Additional Vocals, Marcel Bangert – Guitars, Keys

Fans of hard-hitting melodic death metal are in for a treat as Germany’s Mindreaper gears up to premiere their latest music video “The God I Am”. This visual spectacle serves as a powerful prelude to their highly anticipated album “Withering Shine (…Into Oblivion)” set to drop on December 2nd, 2024 via Death Age Records.

“Withering Shine (…Into Oblivion)” stands as Mindreaper‘s magnum opus, seamlessly blending traditional elements with modern symphonic touches to create a unique sonic landscape. The album promises to be a collection of eternal hymns, each track a testament to the band’s musical prowess and emotional depth.

Mindreaper takes listeners on a haunting journey through the echoes of past existences, confronting themes of transience and irrelevance. The album doesn’t shy away from societal critique, tearing open old wounds and processing the lowest socio-cultural structures while keeping an eye on potential apocalyptic dystopias.

Listeners can expect brutally snotty guitars, lung-piercing bass, and stomach-smashing percussion, all embraced by epic orchestral arrangements that avoid falling into kitsch. The varied vocals of two powerful singers add another layer of depth to the already rich soundscape.

As the band puts it, “It is not the raised index finger, but the middle finger that wields the pen and the sword!” It is recommended for fans of Carcass, Edge of Sanity, and At the Gates.

Watch and listen to the video for “The God I Am” via its premiere on TheCirclePit at https://youtu.be/5d3VbD29pPY

Due out on December 2nd, 2024 via Death Age Records, “Withering Shine (…Into Oblivion)” will be available at the following links:

Online Store – https://www.mindreaper.de/shop/de/2-mindreaper-shop

Bandcamp – https://mindreaper.bandcamp.com

Spotify – https://spoti.fi/3rmTjeL

Track Listing:
1 – Withering Shine (… Into Oblivion)
2 – Liberty’s Fate
3 – Death T(h)rust
4 – Nocturnal Animals
5 – Desert Trails
6 – Vengeance Dawn
7 – Power Plant
8 – The God I Am
9 – Bequest for No One
10 – Black Stone Misery
11 – Final Heaven

Line Up:
Sebastian Rehbein – Vocals
Marcel Bangert – Guitars, Keys
Christian Schoenke – Bass
Marcel Schneider – Drums
Manuel Nozulak – Additional Vocals

Album Credits:
Recording and Mixing: Andy Classen’s Stage One Studio
Mastering: Tue Madsen – Sheriff at Antfarm Studio
Music & Arrangement: Marcel Bangert
Lyrics: Sebastian Rehbein

More info: https://www.mindreaper.de | https://www.facebook.com/TheMindreaper | https://www.instagram.com/mindreaper_metal

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ASHER MEDIA RELATIONS
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0 Out Now! Ophidian Memory Unleashes New Melodic Death Album “Carrion Lord”

September 27, 2024
by Asher
· Music News

NEWS RELEASE

Montreal, QC – September 27, 2024

Ophidian Memory Unleashes New Melodic Death Album “Carrion Lord”

Melodic death metal project Ophidian Memory, the brainchild of Blake Lamoureux, is set to release its latest album “Carrion Lord” on September 27th, 2024. Ophidian Memory, hailing from Des Moines, USA, is known for its innovative approach to metal, using melodic death metal as a foundation to incorporate elements of black metal, thrash, progressive metal, and metalcore. “Carrion Lord” continues this tradition, offering a heavier and more unrelenting sound compared to its predecessor “Our Shattered Garden”. Lamoureux comments:

“Carrion Lord is the most ambitious and brutal Ophidian Memory release to date. The lyrics portray themes of deception, sacrifice, undreamt horror, and war. Musically the death and black metal notches have been turned all the way up, while the progressive notch has been turned down greatly until late in the album, giving a reprieve to the listener for a slight moment until the record ultimately closes with a ripping epic finishing track.”

The album is best experienced as a front-to-back listening journey, with each track offering a unique blend of subgenres that keeps the listener engaged throughout. Lyrically, “Carrion Lord” delves deeper into the fictional universe of “Existence”, a dark fantasy epic created by Lamoureux that has become the cornerstone of Ophidian Memory‘s conceptual approach.

On this album, Ophidian Memory has moved away from the progressive metal feel, choosing to take on a darker and heavier tone which reflects the brutal narrative this time around. Expect lots of unhinged vocals, riffs for days, and oppressive drums. For those who love extreme metal of all decades, in the vein of The Black Dahlia Murder, Behemoth, and Blood Red Throne, this one’s for you.

“Carrion Lord” is available at the following links:

Album Stream – https://youtu.be/Vf5F9SW1eA4

Bandcamp – https://ophidianmemory.bandcamp.com/

Spotify – https://spoti.fi/3BiMNxv

Track Listing:
1. The Mausoleum – (5:13)
2. Hunger Of Your Deceased Deity – (4:52)
3. A Jewel In Grocinia – (5:23)
4. Fleshbinding Ritual- (4:08)
5. Carrion Lord – (5:19)
6. The Murder On Warforged Soil – (6:17)
7. Hollowed – (3:50)
8. Sculptors Of Seraphic Tributes- (11:14)
9. Kept From Dust – (4:22)
10. Bloodborne – (4:40)

More Info: https://www.instagram.com/ophidianmemory/

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ASHER MEDIA RELATIONS
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0 Rockshots Records – EMBRYO New Video “Darkest Lights” ft. Drummer George Kollias (Nile) Off Forthcoming Album “A Vivid Shade on Misery” Out March 2023

January 17, 2023
by Asher
· Embryo (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 17, 2023

Rockshots Records – EMBRYO New Video “Darkest Lights” ft. Drummer George Kollias (Nile)

New Album “A Vivid Shade on Misery” Out March 17th

Italian melodic death Embryo is sharing the first glimpse of brutality from their forthcoming fifth album “A Vivid Shade on Misery”, which features the band’s recruitment of international drumming powerhouse George Kollias (Nile) for its recording. Due out on March 17th, 2023 via Rockshots Records, Embryo shares its first single “Darkest Lights” accompanied by a music video. The track is melodic, but with an unforgettable groove.

Watch and listen to “Darkest Lights” at the following links:

Digital – https://bfan.link/darkest-lights

“A Vivid Shade on Misery” follows the band’s 2017’s “A Step Beyond Divinity” (Art Gates Records), 2015’s Self-Titled (logic(il)logic Records) that featured Fleshgod Apocalypse’s drummer Francesco Paoli, 2010’s “No God Slave” and their 2006 debut “Chaotic Age”.

Since the band’s inception, Embryo has toured across Europe with Melechesh, Keep of Kalessin, Tribulation, Nile, Immolation, Ragnarok, Monuments of Misanthropy, and Suffocation along with performing on festivals such as Masters of Rock (CZ), and Total Metal Festival (Italy).

Embryo began writing their fifth offering in 2020 with George Kollias and entered the Domination Studio in July 2021 with producer Simone Mularoni, and engineer Simone Bertozzi.

Monolithic, intense, powerful, technical, and melodic this new album features eight brand new tracks and is another concept album like its predecessor “A Step Beyond Divinity”. The band is inspired by historical Italian figures of the Renaissance era and their tormented lives, their absolute genius, and the gifts they gave to the world. While the previous album “A Step Beyond Divinity” was inspired by Leonardo Da Vinci, this new work is totally inspired by Michelangelo Merisi alias Caravaggio, an Italian painter active in Rome for most of his artistic life.

“With “A Vivid Shade on Misery” we want to have listeners dive into our world by giving them brutal and atmospheric music melted together in the way we love to do plus having Kollias drum on this new album, one of the best drummers in the world, is just an absolute honour. Overall, fans will find this album has the “Embryo” matrix, there’s no doubt about that. It will be a more direct record and its songs make up a pattern that takes the listener on a journey through torments and anxieties, but which at the same time gives him pure energy.” adds the band.

From the band’s first album “Chaotic Age” (2006) to today, Embryo‘s music has evolved over the years. On the first record, they were more brutal and messier, now their compositions are much more “thought out” and brilliant. If they had to use one word to describe their compositional evolution they would say “sharp”.

Recommended for fans of Strapping Young Lad, Meshuggah, Fear Factory, Death, and Dimmu Borgir, Embryo will be sharing singles and videos in the coming months in lead up to the record’s release.

Album pre-order – https://bit.ly/Embryo_CD

Current Line-Up:
Roberto Pasolini – Vocals
Eugenio Sambasile – Guitars
Simone Solla – Keyboards
Gabriel Pignatta – Bass
George Kollias – Drums (guest)

Track Listing:
1. Pride – 3:58
2. Highest Fame – 4:19
3. Darkest Lights – 4:01
4. The Seed of Lividity – 4:02
5. MMDC – 5:04
6. Medusa – 4:18
7. Vanitas – 3:59
8. Concrete Visionary – 3:29
Album Length: 33:13

A Vivid Shade On Misery album credits:
The album was recorded in July 2021 @ Domination Studio – San Marino
Technicians: Simone Mularoni, Simone Bertozzi.
Mixed and Mastered by Simone Mularoni.
Drums recorded @ George Kollias Studio

For more info:
https://www.rockshots.eu
http://www.embryo-online.com
https://www.facebook.com/EMBRYO.DeathMetal
https://www.instagram.com/embryo_official
https://www.twitter.com/EMBRYOmetalband

About: After a couple of self-produced works and a first album (“Chaotic Age”) Embryo found its sound and recorded “No God Slave” (2010) with producer Simone Mularoni. The album received very good reviews and led the band to play new gigs in Switzerland, Germany, and Italy and be part of Kung Fu Factory’s Supremacy MMA videogame soundtrack with 2 songs. In 2014 Embryo first recorded a promo at Atomic Stuff Studio with Oscar Burato, then, in May, the band recorded the new self-titled cd at Domination Studio with Simone Mularoni. During the summer they played the main stage at Masters of Rock in the Czech Republic and Total Metal Festival in Italy. In October Embryo signed a deal with logic(il)logic Records for the release of the album and the reissue of “No God Slave” with some bonus tracks. In December the band made a little tour in Eastern Europe. The new album “Embryo” came out on the 10th of February 2015. The album received great reviews worldwide and Embryo started a European tour in May with Melechesh, Keep of Kalessin, and Tribulation. After a great show at MetalFest in the Czech Republic in July, the band joined Nile and Suffocation for the second part of their European tour in September. In 2016 the band has been part of the second leg of the “What Should Not Be Unearthed” Nile tour with Melechesh and Mithridatic. Embryo finished the recordings of the new album in January at Domination Studios again with guru Simone Mularoni. The band played at the 2017 edition of MetalFest in the Czech Republic on Sunday, June 4th, and signed a deal with Art Gates Records for the release of the 4th studio album “A Step Beyond Divinity” which came out on the 27th of October 2017 in Spain and the 24th of November 2017 in the rest of the world. The album has been enthusiastically reviewed entering the 2017 best albums of the year charts in various webzines all over the world. In November 2019 the band joined “The Last Atonement European tour” supporting Immolation, Ragnarok, and Monuments of Misanthropy for all the shows. In December the band released a free download digital EP including the new song Misguided legacy and three live songs taken from a live show of the band. In 2020 the famous drummer George Kollias (Nile) joined Embryo in the writing of the new album. The band entered again Domination Studio in July 2021 to record the brand new fifth album “A Vivid Shade On Misery”, which will be released in early 2023, anticipated by the video of the new song “Darkest Lights”. Stay tuned!

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(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 ASYLENCE’s New Music Video “Soulless” Is Bloody Tears For Friends Lost To Addiction; New Album “Endanger Us All” Out February 2023

November 17, 2022
by Asher
· Asylence · Music News

NEWS RELEASE

Montreal, QC – November 17, 2022

ASYLENCE’s New Music Video “Soulless” Is Bloody Tears For Friends Lost To Addiction

New Album “Endanger Us All” Out February 2023

Forged from the melting pot of Detroit’s underground metal scene, Asylence is a well-oiled metal machine built with passion, intent, and ferocity like no other. At the beginning of next year, they will be releasing their full-length album “Endanger Us All” and The Circle Pit is now premiering their second single “Soulless”, which comes at you heavy, fast, and punishing as they count down the days to the album release. They wanted the second look at this new offering to be a heavy one, “Soulless” was the obvious choice. Vocalist Ryan Lang explains further:

“This is another oldie but a goodie. One of the heaviest songs we’ve ever written especially early on in the band. This is screaming in an addict’s face. This is how hard it is to see a loved one fade away into the depths of addiction. This song is so emotional for me, I’ve lost far too many friends to drugs and addiction, and I’m no stranger to my own struggles myself. I hope that this song can provide someone with comfort that they are not alone and maybe this could help encourage people to wake up and change their lives for the better.”

A fun fact about the single, the ending was actually first written off the cuff live. They screwed up how it was supposed to end and just ran with it and the crowd loved it. They did too, so it was added to the final song. The album “Endanger Us All” is a combination of Asylence’s oldest and newest material. The older songs have always been a staple in their live sets and they wanted to finally record them right and do them justice. The new songs have been completed since the release of their 2020 EP “Eulogy Of Man” and they really constructed the bridge from what we were to what they’re becoming.

Asylence started out trying to be as heavy as they could possibly be but now they find themselves exploring more techniques and ideas that they had never previously thought to pursue. They are recommended for fans of Arch Enemy, DevilDriver, and Amon Amarth.

Watch and listen to the music video for “Soulless” at https://youtu.be/YIrMYwf3B2U

Digital – Spotify, Apple Music

“Endanger Us All” is due out on February 24, 2022.

Previous Video – Endanger Us All – https://youtu.be/T8QsWbi97uw

For more info:
https://www.asylence.com
http://www.facebook.com/asylence
http://www.instagram.com/asylence
http://www.twitter.com/asylence
http://www.tiktok.com/@asylence

About: Asylence (uh-sigh-lence): A hybrid of the words Asylum and Silence, when joined together, present a universal idea and timeless message: The constant suffering and failures of mankind. After the dissolution of drummer Alex Aubuchon’s highly active, long-standing thrash band, he began to focus his efforts on recruiting for his new project. He discovered the talent of guitarist Aaron Lumsden, an avid scene supporter who frequented many local and regional shows.

A dedicated relationship quickly formed between the pair, and Asylence was born. Frontman Ryan Lang, having been a mainstay in the Detroit metal scene but group-less at the time, was Asylence’s first choice to handle vocal duties. Ryan accepted, excited at the idea of hitting the stage once again. Shortly after, bassist Richard Olrich joined the group to complete the sound. A new era of heavy metal ensued.

Forged from the melting pot of Detroit’s underground metal scene, Asylence is a well-oiled metal machine built with passion, intent, and ferocity like no other. Since their formation in 2016, Asylence has been on a path of sonic destruction as they crush their audiences with fierce live performances throughout Michigan and surrounding states, opening for national acts such as Archspire, Belphegor, and Sea of Treachery, among others. Taking no prisoners and amassing a loyal, respecting fan base in the Midwest and beyond, behold the rise of Asylence.

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0 Norway’s Féleth Now Streaming Their Technical Melodic Death Metal Album “Divine Blight” (Mixed and Mastered by Christian Donaldson (Cryptopsy))

November 10, 2022
by Asher
· Feleth · Music News

NEWS RELEASE

Montreal, QC – November 10, 2022

Norway’s Féleth Now Streaming Their Technical Melodic Death Metal Album “Divine Blight”

Mixed and Mastered by Christian Donaldson (Cryptopsy)

Féleth, from northern Norway, is now streaming their second album “Divine Blight”, which they see as a solid step up from 2020’s “Depravity”. They take on real-life events and put them to provocative music best described as melodic death metal with a healthy dose of technical death metal added in. The lyrical themes are often inspired by things that vocalist Espen Dagenborg finds massively wrong such as politicians waging war, being greedy, and also how humans can be extremely hateful against others. Then again there are also songs that are somewhat purely fictional, mostly showcasing his lyrical style.

As Féleth was the continuation of a former thrash metal band, IronBound, it’s natural to say that they started out as a thrash death band. As the then-young boys started to discover the joys of death metal the sound evolved more toward that. Along with the newfound joy came the struggle, for death metal wasn’t easy to play. After finally mastering the ways of death metal and having released “Depravity” disaster struck. The now not-so-young boys had developed a taste for technical death metal and big hooks. When the time came to work on “Divine Blight” they already had a handful of finished songs to choose from, each one a work of art – melodic, technical, brutal art. The band comments:

“After getting signed with our new label “Rob Mules Records” and playing some pretty sick gigs at both Buktafestivalen and Tons of Rock, we’re super stoked to release our new album “Divine Blight”. It was a long and tedious process of selecting, practicing, and recording, but the result will speak for itself. Our best album thus far. It’s a collection of stories based on the dystopian path humanity is set on. We felt that throughout this new journey of an album we’ve refined our songwriting and successfully achieved a style that’s not only ass-whoppingly brutal, but also more complex emotionally and lyrically. It is clear that we’ve got multiple influences and styles throughout the album which all contribute to a massive sonic package. It’s definitely a death metal album with some subtle takes on some of its many subgenres. Two and half years after our debut “Depravity” we’re ready to present ‘DIVINE BLIGHT’.”

The album was mixed and mastered by Christian Donaldson (Cryptopsy) and the album artwork was done by Kahinienn Graphix. The Northern Norwegian technical death rock is recommended for fans of Fit For An Autopsy, Inferi, and Soreption.

The album “Divine Blight” comes out on November 11, 2022, and can be heard in full before its official release on Metal-Rules HERE.

Music Video – Majesty – https://youtu.be/yce26-EGFMI

Visualizer – Avarice – https://youtu.be/E2J3NnHAmsk

Lyric Video – USA ft. Petter Carlsen – https://youtu.be/7jURKrmgt0M

Track Listing:
1. Majesty – 03:46
2. Caretaker – 03:58
3. Riven – 03:51
4. En Elskovsdans – 03:10
5. The Serpent – 03:32
6. Casanova – 03:35
7. Deadlands – 04:26
8. Absence – 04:09
9. USA – 05:32 ft. gust vocals Petter Carlsen
10. Avarice – 05:33
Album Length: 41:37

Album Credits:
All songs performed by Féleth
Guest vocalist Petter Carlsen on USA
All songs written by Féleth
Produced by Féleth
Mixed and Mastered by Christian Donaldson
Assistant Engineer Jonathan Mazzeo
Album Artwork by Kahinienn Graphix

Live and Album Lineup:
Espen Dagenborg – Vocals
Thomas Nyvoll – Guitar
Alexander Stamnes – Guitar
Brage Ingebrigtsen Westgaard – Bass
Aleksander Alsen – Drums

For more info:
Facebook.com/FelethBand
Instagram.com/felethband

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““Majesty” is an exciting introduction to the differing styles and techniques that Féleth intertwine in their songwriting, drawing together ingredients from technical and melodic death metal in a white-hot rush that nevertheless is home to some bone-smashing grooves. “Avarice” puts those genre ingredients on display again, but expands the musical palette and makes the song an even ore multi-faceted and atmospheric experience. With no room to gasp a breath, the song explodes in a flurry of fleet-fingered, fret-leaping guitar work, neck-cracking drumming, and flame-throwing vocal intensity. But groaning chords and shrill, eerie melodic overtones also create dark and deleterious moods, building tension and fear. While the vocals are utterly unhinged in their madness (and doubled in the chorus for extra intensity), squirming guitar arpeggios create a different dimension of insanity, coupled with agony, and martial drum patterns and a misery-steeped closing solo add to the song’s relentless dynamism. On top of all that, the song also punches like a heavyweight fighter.” – No Clean Singing (Divine Blight 2022)

“Feleth is gaining a name for itself despite only being around for a couple of years. They are developing their sound and their technical ability rapidly and this release shows that development, especially in songwriting where they bring different elements in to add color. An excellent example of melodic/technical death metal and worth anyone’s hard-earned cash.” – My Global Mind (Divine Blight 2022)

“Depravity the newest album from Feleth is one brutal album full of riffs and hooks to keep even the most particular entertained. Feleth mix the roots of the Norwegian metal scene, with the death metal tone they strive for to create some well crafted blackened death metal, similar to that of Shadow of Intent.” – Metal Injection (Depravity 2020)

“With a melting pot of ideas, yet rooted in delivering a head-smashing and neck-destroying style of metal, Féleth are aggressive newcomers to a scene that constantly looks to surprise… Féleth deliver heavy and extreme noise so very well.” 9/10 – Games, Brrraaains & A Head-Banging Life (Depravity 2020)

“straight up heaviness and brutality, tech offerings and melodic atmopsheres, and enjoyable groove.” – Dead Rhetoric (Depravity 2020)

“Féleth: Transcends the traditional limits of the genre…” – Permafrost.today (Depravity 2020)

“9/10 “Féleth offer an edge-of-your-seat experience that is both fresh and captivating.” – Metal Inferno (Depravity 2020)

“Féleth does death metal fast and aggressive, reigning in their impressive technical chops for maximum impact, keeping their riffs (and songs, for that matter) relatively short and to the point. They strike a pretty even balance between chunky chords and caustic melodies, most of which are designed to coax headbanging than to impress with virtuosity. The album is front-loaded with catchy bangers, saving the more technical and weird bits for the latter half.” – Tolet Ov Hell (Depravity 2020)
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ASHER MEDIA RELATIONS
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(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Quebec’s BORN DIVIDED Present Melodic Death Video For “Human Masquerade” Off New Album “Impending Doom” Out Oct 14th

October 12, 2022
by Asher
· Born Divided · Music News

NEWS RELEASE

Montreal, QC – October 12, 2022

Quebec’s BORN DIVIDED Present Melodic Death Video For “Human Masquerade” Off New Album “Impending Doom” Out Oct 14th

Quebec City’s melodic death metal act Born Divided comes from the remains of Blinded By Faith when bassist Tommy Demers decided to pick up the bass instead of staying solely on vocal duties. He brought in guitarist Michael Beaudoin, also from Blinded By Faith; guitarist Fred Bedard; drummer Lucas Biron; and Maxim Levesque on vocals. Together they are bringing forth a debut album “Impending Doom”. The single “Human Masquerade” is their first single and music video that will let the world hear and see what Born Divided is all about. The song represents them well with its aggressiveness, the rhythmical intro, the harmonies, its epic side, and the incredible vocal melodies that bomb into brutal screams. They explain the albums:

“We are very proud to show our first album “Impending Doom”. A lot of work went into this. We really wanted to incorporate our musical influences into this. We wanted every riff and beat to have its own colour. We like to go from prog to death, brutal to melodic. We like to surprise the listener with some radical changes in terms of sub-genre while keeping the listening experience as entertaining as possible.”

With “Impending Doom”, Born Divided intends to deliver the kind of experience that will feel new and unique. An experience that doesn’t feel like something you’ve heard before. They kind of just came to be, Demers had written some of these songs around 2015 and brought those forward for the album. Fans can expect a second album coming at a much quicker pace as they have already started the writing process of the next one.

Within “Impending Doom”, listeners can expect some clean singing along with some deadly growls, riffs that rip, and amazing and tasteful drumming that breathes music. It is recommended for fans of Dimmu Borgir, Symphony X, and Opeth.

The video for “Human Masquerade” can be seen and heard at https://youtu.be/hjgHFJ8eX6M

Born Divided‘s new album “Impending Doom” is out on October 14, 2022, and available on all digital platforms at the following link – https://distrokid.com/hyperfollow/borndivided/impending-doom-4

Track Listing:
1. Impending Doom – 6:15
2. The Scars That Unite Us – 6:57
3. Old Remorse – 4:46
4. Censorshit – 5:41
5. Human Masquerade – 6:17
6. We’ll Exist – 7:01
7. We’ve Seen You – 7:03
Album Length: 44:04

Album Recording Credits:
• All songs performed by: BORN DIVIDED
• All songs written by: Tommy Demers & Michaël Beaudoin
• Produced by: Fred Bedard
• Mixed by: Fred Bedard
• Mastered by: Fred Bedard

Album Band Lineup:
Tommy Demers – Bass
Maxim Levesque – Vocals
Michael Beaudoin – Guitars
Fred Bedard – Guitars
Lucas Biron – Drums

For more info:
https://www.facebook.com/BornDivided
https://twitter.com/borndivided
https://www.instagram.com/borndivided

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0 TheCirclePit Premiere – Our Dying World Address Atrocities In “Survivor” Off “Hymns Of Blinding Darkness”

June 9, 2022
by Asher
· Music News · Our Dying World

NEWS RELEASE

Montreal, QC – June 9, 2022

Our Dying World Address Atrocities In “Survivor” Off “Hymns Of Blinding Darkness”

New Album “Hymns Of Blinding Darkness” Due Out June 24th

Photos Credit – Jamie Kaufman

L-R – Austin Mitrofanis (Guitar), Graham Southern (Keyboards and Orchestration), Tom Tierney (Drums), David Ainsworth (Vocals), Raymond Sanchez (Guitar), Nick Laux (Bass)

Our Dying World’s drummer Tom Tierney attended a small boarding school in New York state, which has gained notoriety after a disproportionate number of former students choose to end their lives, and the atrocities, torment, and abuse that took place at the school have come to light. These horrors have been channeled into the single “Survivor”, which is haunting and diverse.

The song starts with clips of a joyful choral arrangement of Tierney’s high school choir before now-deceased student Jon Martin Crawford echoes his testimony in the Supreme Court. This is followed by heavy and slow riffs, acoustic and clean vocal breaks, anguished howls, and desperate pleas of a boy who was once left in the woods at a school filled with cultists and now shoulders the pain of feeling like there’s something wrong that no one will ever understand. The band comments:

“Survivor was one of those songs that we threw into the single list to really bring diversity to the two standalones before we released the record. We want to give the listener both sides of the spectrum and then let your imagination take you to what you think you’ll hear next. Aside from it being a very deep and personal song, Tom thought it might be best that the song gets its own time to stand alone so that the alumni would get to see it more for how it was written as a personal feeling and effort to work through some major issues, and not just as another song on an album that’s lumped in with some metal songs. Tom put a lot of work into this and wanted certain people to know that it was not just another topic that went into a record; there are certain people we hope it brings some closure too about events that aren’t widely discussed.”

Throughout the song, the listener can hear the agony that Tierney conveys hearing that his fellow alumni are slowly dying off, and with everything he has in him he dedicates this song to them. Through the solos, the listener can almost feel the weeps and cries in his notes and bends.

“Survivor” is heavy, both musically and in melancholia. It is recommended listening for fans of Lamb Of God, Wintersun, and Children of Bodom.

Watch and listen to the lyric video for “Survivor” via its premiere on TheCirclePit – https://youtu.be/xZ8zw4lgAGY

The album “Hymns Of Blinding Darkness” is being released on June 24, 2022.

Album pre-order at https://ourdyingworld.com/music/

Album Teaser – https://youtu.be/e2gQomH-a3w

Music Video – Veil of The Reaper – https://youtu.be/QBBlQVNaJoI

Track Listing:
1. Ads Moriendi (1:46)
2. Everything We Know Is Gone (4:42)
3. Under The Hunter’s Blade (7:33)
4. Survivor (7:32)
5. Path Of The Nomad (4:58)
6. Diary Of A War Dog (6:31)
7. Valediction (1:50)
8. Veil Of The Reaper (4:37)
Album Length: 39:32

Album Credits:
– All songs written and performed by Our Dying World
– Produced, Mixed, and Mastered by Alex Crescioni at Stygian Sound
– Album Artwork by Nick Laux
– Album Band Lineup:
David Ainsworth – Vocals
Raymond Sanchez – Guitar
Austin Mitrofanis – Guitar
Graham Southern – Keyboards and Orchestration
Nick Loxx – Bass
Tom Tierney – Drums

For more info:
Facebook.com/ourdyingworld
Instagram.com/ourdyingworld
Twitter.com/ourdyingworld11

About:

Over the last few years, Los Angeles’s Our Dying World has gone through a tremendous evolution of sound from thrashy death metal of their debut EP Expedition to the symphonic and melodic keyboard-oriented stylings of bands like Children Of Bodom, Nightwish, and Dimmu Borgir.

Formed in 2018 by drummer/guitarist Tom Tierney (ex-Whiplash), the group has played shows all over the USA in their short time together, bringing their sound from the fabled Sunset Strip in Hollywood to the New Jersey Metalfest where they opened for Metal Mike of Halford.

One thing is clear from the young band as they prepare for the release of their second release; they’ve come to stir the standards that hold the metal scene and redefine them.

– 30 –

“We’ll make you a solemn promise: Whatever condition you happen to be in now (unless you’re in a coma), the song and video we’re about to present will make you feel orders of magnitude more alive, accelerating your heart-rate, igniting your fast-twitch muscles, and spinning your head like a glorious top. And for those of you who want your music to attack like a pack of rabid dogs, it fills that need, too. The song is “Veil of the Reaper“, and it comes from Hymns Of Blinding Darkness, the forthcoming album by the Los Angeles band Our Dying World. The new album marks a significant departure from the music on their debut, Expedition, moving in directions that may spawn memories of such bands as Children Of Bodom, Nightwish, and Dimmu Borgir, and you’ll get a vivid understanding of that when you hear “Veil of the Reaper“.” – No Clean Singing

“Closing with the excellent Melodic Death Metal-esque piece “Veil of the Reaper”, Our Dying World manages to keep the listener’s attention with soaring guitar melodies, engaging keyboards, and overall solid songs that are well crafted but need more of a personal identity. There are definitely plenty of excellent things about this release that fans of the genre will greatly appreciate, so don’t be afraid and check out this band.” – Infernal Masquerade

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Chicago’s BURNED IN EFFIGY Unleash “Nightfall” Off Upcoming Album “Rex Mortem” Out Jan 2022

November 15, 2021
by Asher
· Burned In Effigy · Music News

NEWS RELEASE

Montreal, QC – November 15, 2021

Chicago’s BURNED IN EFFIGY Unleash “Nightfall” Off Upcoming Album “Rex Mortem” Out Jan 2022

L-R – Mark “Smedy” Smedbron (Vocals) | Matt Watkins (Bass) | Eddie Dec (Drums) | Steve Bacakos (Guitar) | Mike Hisson (Guitar)
Photo Credit – Emily Fuschen – Dark Trix Photography

Chicago’s BURNED IN EFFIGY announces they will be unleashing their new album “Rex Mortem” on January 28, 2022 to follow their debut EP “Terrestrial”. Unlike their debut recording, which was all instrumental, this first full-length from the band will see not only new guitarists Mike Hisson and Steve Bacakos on the lineup, but also witness vocalist Mark “Smedy” Smedbron (Vocals) unleash his earworm fury unto the masses. The three new members join co-founding members Eddie Dec (drums), Matt Watkins (bass)

Fans can expect diverse high energy on “Rex Mortem”. The album takes elements from multiple subgenres within metal, mainly melodic death and progressive metal while infusing neoclassical elements into each track. No two tracks sound the same. The quintet skillfully and tastefully changes keys and time signatures throughout, so the feel of the music is constantly shifting, but also smoothly flowing between each section.

“We are psyched to present our debut album, Rex Mortem, a catalog of the first chapter of the band. This has been in the works for a long time and we couldn’t be more pleased with how it has turned out. The songs vary in complexity and intensity and demonstrate our growth as a band since its inception. Listeners will hear influences such as The Black Dahlia Murder and The Human Abstract, combining our love for death metal and progressive/neo-classical metal. The vocals are gritty and tense and the lyrics emphasize this with dark tales inspired by mythology, history, and classic literature. Many of the songs follow the story of a tyrannical king aiming to expand his power and influence, who ends up being brought down by his closest allies. We believe our album has something for all metal fans, regardless of preferred subgenre.” adds the band.

In lead up to the release of “Rex Mortem”, Burned In Effigy is unveiling their lead single “Nightfall”, a track that incorporates multiple clean sections to outline the main musical themes that then appear in the riffs, including fast-paced tremolo picking sections with blast beats. Bassist Matt Watkins explains further:

“Nightfall is a song we’ve been playing since the inception of the band and we felt it needed to be re-recorded for this album with vocals. Though we’ve progressed our songwriting and technicality since writing it and first recording it in 2017, this song has been a cornerstone of our sound. We experimented with multiple different styles with some songs that were written after Nightfall, but kept coming back to that neo-classical, dark sound. The lyrical themes of Dracula along with Smedy’s vocals fit right in with the mood of the song and inspired us to do a lyric video incorporating scenes from Nosferatu.”

Watch and listen to “Nightfall” via its lyric video at https://youtu.be/gqe2919mDJ4

Spotify

Album pre-order available at Burnedineffigy.bandcamp.com

Track Listing:
1. Doomsayer (3:28)
2. Artorias (5:08)
3. Nightfall (3:20)
4. The Empiricist (4:05)
5. Hades (4:26)
6. Atlas (4:23)
7. Treachery (3:25)
8. Vendetta (3:55)
Album Length: 32:12

Album Recording Lineup:
– Mark “Smedy” Smedbron – Vocals
– Matt Watkins – Bass
– Eddie Dec – Drums
– Vito Bellino – Guitar
– Brad Dose – Guitar

Live Band Line Up:
– Mark “Smedy” Smedbron – Vocals
– Matt Watkins – Bass
– Eddie Dec – Drums
– Steve Bacakos – Guitar
– Mike Hisson – Guitar

About:
Burned in Effigy is a neoclassical melodic death metal band from Chicago, IL. Formed in late 2016 by founding members Brad Dose (guitar), Vito Belino (guitar), Eddie Dec (drums), and Matt Watkins (bass). Starting as an instrumental melodic metal band, the four were brought together by their love of complex, melodic, and heavy music and sought to bring more of that to the Chicago extreme music scene.

Burned in Effigy released their debut EP, Terrestrial, in April 2017. The band focused on playing shows after and building an audience through top-notch live performances while opening for prominent bands such as Scale the Summit, Angel Vivaldi, Oh, Sleeper, and Mushroomhead. While supporting this EP, Burned in Effigy worked with a couple of different vocalists and eventually recruited vocalist Mark “Smedy” Smedbron in December 2019 while in the early demo stages for their first full length.

Instrumental recordings for the band’s masterpiece, Rex Mortem, were finished in early 2020. Shortly after, the band parted ways with guitarist Brad Dose. Vocal recording, mixing, and mastering was finished in mid 2021, after which guitarist Vito Bellino left in order to focus on music school. Shortly after, the remaining three members Eddie Dec (drums), Matt Watkins (bass), and Mark “Smedy” Smedbron (vocals) rallied and recruited guitarists Mike Hisson and Steve Bacakos, who naturally fit with and complemented the band’s signature sound.

For more info:
Facebook.com/burnedineffigyofficial
Instagram.com/burnedineffigyil
EPK

– 30 –

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#.514.581.5780
jon[@]ashermediarelations[.]com
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