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Tag: los calbos

0 EPK – The Great Sabatini – Goodbye Audio (2018)

  • October 2, 2018
  • by Asher
  • · EPKs · The Great Sabatini

The Great Sabatini – Goodbye Audio (2018)

For fans of Melvins, Unsane, Neurosis, Metz, KEN mode, and Today Is The Day

Release Date: November 16, 2018

PR Rep – Jon Asher – ashermedia (@)gmail.com

thegreatsabatini.com | Facebook | Instagram | Youtube | Metal-archives | Spotify | Itunes

Sales links: Bandcamp | Big Cartel

Record Label(s): No List Records, Ancient Temple Records, No Why Records, Pink Lemonade

Download promotional photo | Download album artwork

“The band’s noisy riffs border on doom, with yelled vocals and a punchy rhythm section; fans of Melvins, Unsane and KEN mode will find plenty to love here.” – Decibel Magazine

“Montreal’s the Great Sabatini practice sludgy hardcore with tinges of noise rock, but most importantly do it with a ferocity rarely seen nowadays. Their approach is downright venomous, hitting the midpoint between Melvins’ Stoner Witch and Unsane’s Scattered, Smothered, & Covered — violent, calculating and downright disturbing. Goodbye Audio is the band’s latest offering, fans of the aforementioned as well as Helmet, KEN Mode, Today is the Day and others, pay attention, this record is for you.” – Revolver Mag

“Goodbye Audio is a heady album in all of the best ways possible, honouring the past while also elevating the genre in ways so unexpected and desperately needed.” – Exclaim!

“Four years on from their psyche ravaging third album, Dog Years, Canadian noise sludgers The Great Sabatini return with another maelstrom of noise bred dissonance which, to continue a trend set from their first releases, is their most irresistible trespass to date. Goodbye Audio is around thirty five minutes of sonic abrasion as unpredictable creatively it is expectantly striking; an invasion of raw and toxic noise intent on caustic seduction.” – The Ringmaster Review

“If you were impressed with The Great Sabatini’s 2014 ‘Dog Years’ LP then prepare to have your jaw kicked off your silly face, because ‘Goodbye Audio’ is even better. ” – Collective Zine

“The other half is a wall of incredibly weighty, borderline-doom metal wailing, contingent upon instrumental tones that constrict like pythons and don’t let go.” – Stereogum

“…hails from further out in left-field with more peaks and valleys than the heads-down-tits-up sludgy rock they fire at you from the stage…these dudes have a 90s alt-rock edge grinding against their love affair with riffs that crash bolts of lightning into stacks of Orange amps in delivering a rumbling calling card of hellacious noise.” – Decibel Magazine

“In 2012, the unpredictability and wickedness of Matterhorn and the gritty violence of the companion release The Royal We established the group as one to watch closely; Dog Years confirms that attention was well worth it.” – Exclaim! Magazine

“The Great Sabatini are not just playing by-the-numbers sludge, but rather mixing things up, and transposing their punk attitude into new forms of musical expression beyond what you might be expecting.” – The Sleeping Shaman 

The Great Sabatini – Goodbye Audio (2018)
Release Date: November 16, 2018
LABEL: No List Records, Ancient Temple Records, Pink Lemonade, No Why Records
DISTRIBUTION: Independent

Track Listing:
1. Still Life With Maggots (2:06)
2. Dog Years (4:21)
3. Strip Mall or, The Pursuit Of Crappiness Parts 1-4 (3:11)
4. You’re Gonna Die (Unsatisfied) (3:28)
5. Tax Season In Dreamland (4:06)
6. Brute Cortege (3:16)
7. Hand Of Unmaking (14:06)
Album Length: 34:37

Sales link: Bandcamp | Big Cartel | Spotify

Album credits
• All songs were written and performed by The Great Sabatini
• Produced by: Sean Pearson (Cursed, Shallow North Dakota)
• Mixed by: Scott Evans (Kowloon Walled City)
• Mastered by: Carl Saff (Kowloon Walled City, Big Business, KEN mode)
• Album Artwork by: Sean Arsenian/Marisa Parisella

Available on Spotify, ITunes, and Bandcamp

Album and live Band Line-Up: 
Sean Sabatini (guitar/vocals)
Joey Sabatini (bass/vocals)
Rob Sabatini (guitar/vocals)
Steve Sabatini (drums/vocals)

L-R – Rob Sabatini (guitar/vocals), Joey Sabatini (bass/vocals), Steve Sabatini (drums/vocals), and Sean Sabatini (guitar/vocals)
Photo credit: Dave Levitt Photography

SHORT BIO:

Since forming in Montreal, Canada in late 2007, The Great Sabatini has released four EPs and four full length albums, and logged seemingly endless tour dates around North America and Europe. The music is an aggressive mixture of noise rock, doom, hardcore, and metal wrapped up in a burly sludge aesthetic.

The intrepid Sabatini’s; Sean (guitar/vocals), Joey (bass/vocals), Rob (guitar/vocals), and Steve (drums/vocals) got together with the intention of pursuing their musical dreams with similar goals: slow it down, tune it down, turn it up and keep screaming. With all four of them belting out the lyrics, they play loud, and with conviction.

The raw sound compliments the persistent theme of mortality that the new album centers on, with Sean concocted most of the lyrics for, but with heavy input from his band mates. Going forward, The Great Sabatini is less focused on complicating their parts and set on being direct along with working together and highlighting each other’s strengths.

 

LONG BIO:

Since forming in Montreal, Canada in late 2007, The Great Sabatini has released four EPs and four full length albums, and logged seemingly endless tour dates around North America and Europe. The music is an aggressive mixture of noise rock, doom, hardcore, and metal wrapped up in a burly sludge aesthetic.

The intrepid Sabatini’s; Sean (guitar/vocals), Joey (bass/vocals), Rob (guitar/vocals), and Steve (drums/vocals) got together with the intention of pursuing their musical dreams with similar goals: slow it down, tune it down, turn it up and keep screaming. With all four of them belting out the lyrics, they play loud, and with conviction.

The years of hard work have paid off and to date The Great Sabatini has released an extensive catalogue of recorded works: ‘Burning Wilderness’ EP (2008); ‘Sad Parade Of Yesterdays’ (2009); ‘Napoleon Sodomite’ EP (2011); ‘The Royal We’ EP (2011); ‘Matterhorn’ (2012); ‘Dog Years’ (2014); a split with Anthesis (2015); a split with Godstopper (2016); and ‘Goodbye Audio’ (2018). To amplify on this impressive discography they have also toured extensively across North America and Europe.

After working together for 11 years, the band has refined their heartfelt noisy sludge to perfection. Overcoming situations that prohibit them from getting together often, demos and samples are passed around amongst themselves until a final cohesive body of work is completed. Their upcoming album “Goodbye Audio” due out November 16th, 2018 is a prime example of the harmony and aptitude that can only come from over a decade of being together; it’s a more robust and evolved sound, but still maintaining the caustic energy they had when they started.

When asked about “Goodbye Audio”, they responded: ‘

“We’re trying to give people a raw-ass document of abrasive sludge and noise rock in the most hi-fi package possible. We’re not interested in polish or smoothing over any rough edges… just achieving something of high sonic quality that presents the band that we are today…”

The raw sound only compliments the persistent theme of mortality that the new album centers on, with Sean concocted most of the lyrics for, but with heavy input from his band mates. Going forward, The Great Sabatini is less focused on complicating their parts and set on being direct along with working together and highlighting each other’s strengths.

“Goodbye Audio” will be available on vinyl from No List Records, Ancient Temple Records and No Why Records. Cassette version will be available from Pink Lemonade and feature an exclusive bonus track “Drain The Swamp” only available on that format. Digital download available on TGS’ Bandcamp here.

Discography:
Goodbye Audio (Full Length) (2018)
Split Tape with Godstopper  (2016)
Split mini CD with Anthesis (2015)
Dog Years (Full Length) (2014)
Matterhorn (Full Length) (2012)
The Royal We (EP) (2012)
Napoleon Sodomite (EP) (2011)
Sad Parade Of Yesterdays (Full Length) (2009)
Burning Wilderness (EP) (2008)

Shared the stage with: 

Yautja, Pyrrhon, KEN mode, Kvelertak, Today Is The Day, Coliseum, Metz, Valient Thor, CKY, Godstopper, Indian, Dopethrone, Fuck The Facts, and Hivesmasher.

Tour Dates & Festivals:

  • 4 date stretch of Canadian cities on the Yautja/Pyrrhon tour November 2017
  • European tour November 2015
  • Fall North American Tour September 17-October 6, 2014
  • Western Canada/USA tour May 22-June 13, 2014
  • Calgary Metal Fest (2014)
  • Eastern Canada tour August 28-September 4, 2013
  • European tour April 2-April 27, 2013
  • Western USA/Canada Tour September 28 -October 19, 2012
  • Midwestern USA/Canada Tour August 2-August 13, 2012
  • Arsonfest (2012)
  • North American Tour March 1-March 24 2012
  • Eastern Canada Tour with KEN Mode August 4-August 14, 2011
  • North American Tour March 9-April 3rd, 2011
  • Full North American tour Sept 29-Oct 31, 2010
  • Eastern USA tour May 13-May 22, 2010
  • Eastern Canada tour February 11-February 20, 2010
  • East coast Canada tour September 19-September 28, 2008
  • Coast to coast Canadian tour February 29-April 5, 2008

Endorsements:

Steve Plays Los Cabos Drum Sticks

0 EPK – IOMAIR – Self-Titled (LP) (2018) (Infamous Butcher Records)

  • August 20, 2018
  • by Asher
  • · EPKs · Iomair

IOMAIR – Self-Titled (LP) (2018)

For fans of Eluveitie, Ne Obliviscaris, Tool, Coheed and Cambria, Porcupine Tree, Cynic 

Release Date: September 21, 2018

LABEL: Infamous Butcher Records

DISTRIBUTION: IDLA

Publicist – Jon Asher – ashermedia(@)gmail.com

Itunes | Infamous Butcher Records |  IDLA

Facebook | Instagram | Bandcamp | YouTube | Twitter

https://youtu.be/9XMKm-EJNOM

Iomair – Self-titled
Release Date: September 21, 2018

Label: Infamous Butcher Records
Distribution: IDLA

Track Listing:
1. Cast Away
2. By Design
3. Dance Of Eternal Insanity
4. Embodiment Of Emptiness
5. What Are You Waiting For?
6. Cavalcade for None
7. Yearning
8. Healing
9. Forever Travelling Within
Album Length:

Album Credits:

  • All songs performed by Iomair
  • All songs were written by Dylan Gowan
  • Produced by Dylan Gowan
  • Engineered by Tyler Williams at Monolithic Studios
  • Mixed by Tyler Williams at Monolithic Studios
  • Mastered by Tyler Williams at Monolithic Studios
  • Album Artwork by Marie Cher

Album Band Line Up:
Dylan Gowan – Composition, Arrangements, Drums, Vocals
Sam Astaroth – Vocals
Tyler Williams – Bass
Morgan Rider – Bass
Gabriel Bateman – Vocals
Laura C. Bates – Violin
Nathan Schiller – Guitar

Live Band Line Up:
Dylan Gowan – Drums, Vocals
Sam Astaroth – Vocals
Tyler Williams – Bass
Gabriel Bateman – Vocals
Laura C. Bates – Violin
Nathan Schiller – Guitar
Mike Amicarelli – Guitar

Discography:

Iomair – Self-Titled (2018)

SHORT BIO:

Iomair, (Scottish Gaelic for the word “Row”) is the experimental and progressive new band created by Drummer/Vocalist/Songwriter Dylan Gowan (Vesperia). The name reflects on Dylan’s Scottish/Irish ancestry and the songs are reflections of personal circumstances present in Dylan’s life.

Established in late 2017 in Scarborough, Ontario, Canada, with the desire to create something progressive and unorthodox, Iomair draws influences from all genres including metal, folk, latin and funk and especially from bands such as Opeth, Cynic and Porcupine Tree. As the primary composer and songwriter for the band, Dylan approaches topics relating to personal struggles that everyone can relate to. “I hope people will find comfort in these songs knowing that you’re not alone with your struggles.”  

The debut self-titled album features nine songs ranging from 4 and a half to 7 minutes in true prog fashion. It will be available September 21, 2018 via Infamous Butcher Records.

LONG BIO:

Iomair, (Scottish Gaelic for the word “Row”) is the experimental and progressive new band created by Drummer/Vocalist/Songwriter Dylan Gowan (Vesperia). The name reflects on Dylan’s Scottish/Irish ancestry and the songs are reflections of personal circumstances present in Dylan’s life.

Established in late 2017 in Scarborough , Ontario, Canada, with the desire to create something progressive and unorthodox, Iomair draws influences from all genres including metal, folk, latin and funk and especially from bands such as Opeth, Cynic and Porcupine Tree. As the primary composer and songwriter for the band, Dylan approaches topics relating to personal struggles that everyone can relate to. “I hope people will find comfort in these songs knowing that you’re not alone with your struggles.”  

After bringing together a who’s who of the Toronto Metal scene to form the recording and live line-ups, each member was given an opportunity to influence the music further. “They each provide their own ideas and interpretation of those songs and helped take the songs to places I thought were impossible.” Dylan explains. This roster of talented and seasoned musicians: Sam Astaroth (vocals), Gabriel Bateman (vocals), Laura C. Bates (violin), Tyler Williams (bass), Mike Amicarelli (guitar), Nathan Schiller (guitar), each with clout in the local music community, have continued to develop the melodic and emotional soundscape depicting the trials of life.

The debut self-titled album features nine songs ranging from 4 and a half to 7 minutes in true prog fashion. It will be available September 21, 2018 via Infamous Butcher Records.

Band Facts:

Dylan is a career drummer who plays live with Vesperia, Hallows Die, Moonlight Desires, Birds of Bellwoods (session drummer).
Co-vocalist Sam Astaroth is well known from his own Toronto-based Metal Supergroup, Astaroth Incarnate.
Violinist Laura C Bates is well known as a co-founder of the band Völur, a doom metal staple of the Toronto scene.

Shared The Stage with:

Protokult, Cellar Darling

Highlights:

Debuted at #45 on the iTunes Metal Chart and peaked at #28

Endorsements:

Dylan Gowan with Murat Diril Cymbals, Los Cabos Drumsticks

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