NEWS RELEASE
Montreal, QC – August 13, 2026
One-Woman Slamming Goregrind CORDYCEPS CORPSE Unleashes Video “Forced Out of Existence”
New Album “Perverse Craving For Rotting Corpses” Out Oct 2026 via Gore House Productions
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Ohio’s one‑woman brutal death metal force Cordyceps Corpse, the grotesque creation of multi‑instrumentalist Nani Porter, is set to unleash her most violent and ambitious work yet. “Perverse Craving For Rotting Corpses,” the project’s second full‑length album, due out on October 9th, 2026 from Gore House Productions, drags listeners deeper into a world of chaos, contrast, and pure sonic depravity.
With today’s album announcement, Cordyceps Corpse unleashes the album’s first single and music video, “Forced Out of Existence,”.
“This song starts with slow, held-out chords, then gets into the slams. Lyrically, I just wanted to write something wild and kinda fried. I think I accomplished that, haha,” adds Porter.
Watch the video at https://www.youtube.com/watch?v=qs6xYfN2YLY
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Formed in late 2023 when Porter decided “f*ck it, I’ll do it myself,” Cordyceps Corpse began as a solo experiment in fast, filthy brutality. After years of producing beats for others, she turned impatience into inspiration, recording the project’s first single in her bedroom and immediately carving out a place in the underground.
Following the Gore House Productions reissue of her debut “From Flesh To Fluids,” Porter dove headfirst into crafting its successor. In a whirlwind month‑and‑a‑half writing spree, she composed 26 songs, ultimately distilling the carnage into 11 tracks that feel like watching a truly fucked‑up movie unfold in audio form.
“Perverse Craving For Rotting Corpses” pushes Cordyceps Corpse’s sound into new extremes, faster, filthier, more technical, and more cinematic. The album’s 11 tracks explore murder, gore, supernatural serial killers, cannibalism, torture, revenge, bodily destruction, and surreal horror, all delivered with Porter’s unique mix of chaos and groove. From the opening track’s “Aileen Wuornos” interview sample to the piss‑drinking anthem “Urophagia,” each song pushes the boundaries of slam and brutal death metal.
Lyrically, the album marks a major shift. Instead of pure guttural rhythm, Porter wrote full narratives inspired by crime interrogation footage, horror films, Darby Valentine videos, and the grim psychology of figures like Aileen Wuornos. The album unfolds like the twisted diary of a Glock‑loving, necrophilic, cannibalistic misandrist woman who grows more powerful with every victim she consumes, flipping the genre’s typical violence dynamic on its head.
“This album dives more into the 90’s/2000’s brutal death metal sound. I really think that era was peak for bdm and slam. I focused on writing a little bit more technical riffs than just straight slam riffs. I feel like it gets to a point where if a song is nothing but slams, it starts to sound like the next song. I think what makes a slam riff hit is context. Like a basic ass slam riff sounds cool as f*ck after crazy fast riffs or whatever. 90’s/2000’s era, I feel, does this well with like switching stuff off and just being fast too,” says Porter.
The album artwork, created by Adam Nevler (GruesomeGraphx), captures the record’s gruesome cinematic energy in a single disturbing image.
Fast, brutal, gross, and gruesome, “Perverse Craving For Rotting Corpses” is recommended for fans of Devourment, .357 Homicide, Cephalotripsy, Kraanium, and Corpse Pile, and will be available digitally and on cassette from Gore House Productions on October 9th, 2026.
Digital pre-save / Cassette pre-order – https://orcd.co/perverse-craving-for-rotting-corpses
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More info:
https://gorehouseproductions.com/
https://www.facebook.com/profile.php?id=61580310663974
https://www.instagram.com/cordycepscorpse
https://www.tiktok.com/@cordycepscorpse
About Cordyceps Corpse:
Cordyceps Corpse is the solo sonic nightmare of Ohio‑based multi‑instrumentalist Nani Porter, mutating brutal death metal, slam, and goregrind into something feral, chaotic, and unmistakably her own. Everything from writing, recording, mixing, artwork, and performance is done entirely by her. Cordyceps Corpse isn’t a band. It’s a one‑woman horror machine.
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CORDYCEPS CORPSE REVIEWS & MENTIONS
“The solo project of multi-instrumentalist and deathgrind visionary Nani, Cordyceps Corpse delivers a grotesque cocktail of guttural slam, sludged-out goregrind, and DIY fury” – Necrozine
“a one-woman slam/goregrind wrecking ball spilling over with disgusting grooves, guttural violence, and Nani’s fully unhinged DIY vision. It’s her rawest, most chaotic statement yet, now upgraded with live drums, sharper production, and a brand new video for the title track that leans hard into the project’s anti-authority, horror-splattered energy. If you’re into thick Devourment-style slam filtered through a solo creator who writes, records, mixes, masters, designs, and performs everything herself, this reissue is worth diving into — chaotic, filthy, and completely owned from the ground up.” – IDIOTEQ
“In Slam / Brutal Death it is often the case that there is only one man behind it, but this is Nani Porter, a woman who takes care of everything. After a few singles and EPs, the lady presents her debut and a sample part gets tough, but not so quickly. The snare is set just right for me on the drum machine and you can hear it stapling wonderfully. I also think it’s great that the woman gets so deep with her voice and in the end there’s a lot of shooting. „From Flesh to Fluids“ starts at a crisp up pace and then bludgeons like crazy and Nani’s gargling is so intense that it almost ends in squeals. „Decapitation“ pushes forward properly before continuing at a pressing mid/slam pace and then sprinkling in a few shooting parts. „Slowly Poisoned“ lives up to its name because it is a tough and crawling track, after which „Battery Acid Enema“ is also played rather clumsily, But here and there it also goes up a gear. „Stomach Bile for Miles“ starts like a battlefield, but then drops more and more with clever breaks. We find rich stomping and robust riffs in „Family Photo with Hella Cadavers“, which then arrives at a crawling pace and rough squeals. „Left Over Limbs for Later“ is pure slam death, there’s a lot of crawling going on here, the coarse vocals have power and power that it gets through your bones. „Tools for Torture“ also holds back when it comes to tempo, but when it comes to brutality the track is high up and in the end „“Skin Tortilla“ is a really crushing song. For me, what the lady is pulling out of the hat is strong” – FFM-Rock
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