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Tag: Ihsahn

0 Canada’s Maudiir Unleashes Double Digipak For EPs “La Part du Diable” & “Le Temps Peste”, Includes Bonus Track: Sid Vicious Was Innocent (The Exploited cover)

  • May 25, 2021
  • by Asher
  • · Maudiir · Music News

NEWS RELEASE

Montreal, QC – May 25, 2021

For fans of Skeletonwitch, Darkthrone, Voivod, Ihsahn, Carcass

Canada’s Maudiir Unleashes Double Digipak For EPs “La Part du Diable” & “Le Temps Peste”

Includes Bonus Track: Sid Vicious Was Innocent (The Exploited cover)

Montreal’s one-man-black-metal-band Maudiir created by F. has unleashed two EPs since its inception. The debut “Le Temps Peste” was issued in 2020 and within a year later, the sophomore recording “La Part du Diable” was unveiled this past February.

Both are different in sonics, but similar in delivery of their creative veined black metal. The first EP featured more straightforward black/thrash elements whereas Maudiir‘s second release experimented more with progressive influences. Overall, both demonstrate intense, dark music from the mind of F. with lyrics that draw on societal reflections, religion, and the environment.

Today, Maudiir announces the release of both EPs on limited edition double digipak, which features a bonus cover track of The Exploited’s “Sid Vicious Was Innocent”.

F. aka Maudiir comments:

“I felt that combining the 2 EPs on one digipak would work well to offer an interesting listening experience, showing the progression of the music and sound between Le Temps Peste and La Part du Diable. Maudiir is very much a DIY family affair, so again my brother handled the visuals and did a beautiful job. It’s a really nice package to get into the world of Maudiir. Plus there is also a special version of The Exploited song “Sid Vicious Was Innocent” that’s going to surprise people.”

Maudiir is recommended for metalheads looking for something new, especially fans of Carcass, Darkthrone, and Skeletonwitch.

Digipak order is available on https://maudiir.bandcamp.com.

Song Stream – The Fortunate Few – https://youtu.be/fD6iXeZJ20s

Bonus Track Stream – Sid Vicious Was Innocent (The Exploited cover) – https://youtu.be/fAzKJMBBH54

Digital platforms:
Spotify: https://spoti.fi/3um1x74
Apple Music: https://apple.co/3pGpORP


Track Listing: Le Temps Peste (2020)
1. Product (5:14)
2. Abuse The Used (4:30)
3. Wasteland (5:15)
4. Surge of Fire (4:39)
5. Snakes of Creation (6:43)

Track Listing: La Part Du Diable (2021)
1. Fracture (4:50)
2. The Slumber (4:57)
3. The Fortunate Few (4:54)
4. Spirit of Sulfur (4:34)
5. The Crowning Hour (5:07)

Bonus Track: Sid Vicious Was Innocent (The Exploited cover) (3:10)

More Info:
Facebook
Instagram.com/maudiirofficial
Instagram.com/maudiirofficial
Twitter.com/maudiir1
EPK

– 30 –

Canadian College Radio Loud Charts: #1 – The National Loud Chart – For the Week Ending: Tuesday, February 16, 2021 (Earshot)

“As “The Slumber” begins, a jittery, dissonant bass riff, underlaid by droning guitar and soon joined by F.‘s rabid snarl, creates an immediate feeling of incipient and dangerous derangement as it quivers above a neck-popping back-beat and a febrile bass line.” – No Clean Singing

“Feel free to imagine Maudiir as a mix of early Metallica and Enslaved, Darkthrone, Diamond Head, Skeletonwitch, Martyrdöd, Skitsystem and fellow French Canadian technology users/abusers, Voivod. Sitting at home with no shows to attend or play for a year has provided F. the opportunity to work in isolation and create the next chapter in the Maudiir story, La Part du Diable. The five songs within continue stirring the influence pot with the result being simultaneous sweet and sourness, light and darkness, uplift and despondency.” – Decibel Magazine

“If you’re tired of all those black/thrash bands that sound too much like each other, this is a little different. Just solid blackened thrash with a strong footing in traditional heavy metal that calls for repeat plays.” – The Metal Crypt

“If this is what Maudiir can achieve in only 24 minutes and 24 seconds, bring on a full-length. If you’re into Skeletonwitch, Voivod, or Ihsahn, give release this a listen!” – 4/5 Metal-Rules.com

“It’s The Crowning Hour that closes out a banger of an EP. Where the guitars blur reality and the drums hammer so hard, the brain begins to ache. The tempo is fiery, and the passionate delivery is joyfully received again.” – Games, Brrraaains & A Head-Banging Life

“The first thing you notice about Maudiir‘s new EP, La Part du Diable, is just how good the record sounds. Crystal clear production on a blackened thrash release might not be at the top of every listener’s shopping list, but here the production absolutely works for F.” – Sentinel Daily

“What’s so refreshing with this E.P. is the flourishing evolution of styles and the sheer confidence in which the music is played. Aided by the crisp and professional production, this is a genuinely exciting release.” – The Razor’s Edge

“Maudiir entertain those who like black metal but also are open to prog and old school heavy metal. The mix is pleasing and the whole thing works very well.” – CGCM Podcast

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Out Now! Canada’s Maudiir Unleash Dark Progressive Black Thrash w/ New EP “La Part du Diable”

  • February 19, 2021
  • by Asher
  • · Maudiir · Music News

NEWS RELEASE

Montreal, QC – February 19, 2021

For fans of Skeletonwitch, Darkthrone, Voivod, Ihsahn, Carcass

Out Now! Canada’s Maudiir Unleash Dark Progressive Black Thrash w/ New EP “La Part du Diable”

“La Part du Diable” Out February 19, 2021

Riff-driven with big bass grooves and corrosive vocals, Montreal’s one-man-band Maudiir created by F. unleashes a new progressive black thrashing EP “La Part du Diable”, a full year after releasing the debut EP “Le Temps Peste”. The intense, dark music comes with lyrics that draw on societal reflections, religion, and the environment.

F. aka Maudiir comments:

“I had great reviews for the first EP “Le Temps Peste”. I think the new EP “La Part du Diable” expands on the first one and brings more progressive and thrash elements. I also added distortion to the bass guitar this time around, which I think adds a Voïvod feel to the songs. All in all, it’s a pretty interesting and unique listen. I also wrote everything alone. Starting on guitar, adding drums, then guitar leads and textures, bass, and finally writing the words and recording them as I am advancing through the vocals. In the case of “The Crowning Hour”, I had a structure done with rhythm guitars and drums, but when I started adding bass, I realized the structure needed to change. Basically, the bass riff made it clear to me what was the verse in the song. Pretty much the same thing happened with “The Slumber”; switching things around when I got to the bass parts. So after that, I thought “why not try to write a whole song on bass?” That experiment yielded the track “Spirit of Sulfur”. That was very interesting for me; getting out of my comfort zone trying to figure out guitar parts that would complement the main bass lines.”

Maudiir is recommended for metalheads looking for something new, especially fans of Carcass, Darkthrone, and Skeletonwitch.

“La Part du Diable” is out now as of February 19th and available on the following digital platforms:

Bandcamp: Maudiir.bandcamp.com
Spotify: https://spoti.fi/3um1x74
Apple Music: https://apple.co/3pGpORP


Track Listing:
1. Fracture (4:50)
2. The Slumber (4:57)
3. The Fortunate Few (4:54)
4. Spirit of Sulfur (4:34)
5. The Crowning Hour (5:07)
EP Length: 24:24

More Info:
Facebook
Instagram.com/maudiirofficial
Twitter.com/maudiir1
EPK

– 30 –

Canadian College Radio Loud Charts: #1 – The National Loud Chart – For the Week Ending: Tuesday, February 16, 2021 (Earshot)

“As “The Slumber” begins, a jittery, dissonant bass riff, underlaid by droning guitar and soon joined by F.‘s rabid snarl, creates an immediate feeling of incipient and dangerous derangement as it quivers above a neck-popping back-beat and a febrile bass line.” – No Clean Singing

“Feel free to imagine Maudiir as a mix of early Metallica and Enslaved, Darkthrone, Diamond Head, Skeletonwitch, Martyrdöd, Skitsystem and fellow French Canadian technology users/abusers, Voivod. Sitting at home with no shows to attend or play for a year has provided F. the opportunity to work in isolation and create the next chapter in the Maudiir story, La Part du Diable. The five songs within continue stirring the influence pot with the result being simultaneous sweet and sourness, light and darkness, uplift and despondency.” – Decibel Magazine

“If you’re tired of all those black/thrash bands that sound too much like each other, this is a little different. Just solid blackened thrash with a strong footing in traditional heavy metal that calls for repeat plays.” – The Metal Crypt

“It’s The Crowning Hour that closes out a banger of an EP. Where the guitars blur reality and the drums hammer so hard, the brain begins to ache. The tempo is fiery, and the passionate delivery is joyfully received again.” – Games, Brrraaains & A Head-Banging Life

“The first thing you notice about Maudiir‘s new EP, La Part du Diable, is just how good the record sounds. Crystal clear production on a blackened thrash release might not be at the top of every listener’s shopping list, but here the production absolutely works for F.” – Sentinel Daily

“What’s so refreshing with this E.P. is the flourishing evolution of styles and the sheer confidence in which the music is played. Aided by the crisp and professional production, this is a genuinely exciting release.” – The Razor’s Edge

“Maudiir entertain those who like black metal but also are open to prog and old school heavy metal. The mix is pleasing and the whole thing works very well.” – CGCM Podcast

“A fine example of how to put a solo project together, Maudiir has chosen the sound he wants and is developing it in some style while avoiding the trappings of self-indulgence.” – Metal Noise

“Please don’t let this one fall by the wayside folks. This is a very promising young band we got here and this is one damn good slice of metal!” – Noob Heavy

“Professional in every respect, the production and playing are top notch, and the songwriting is obviously advanced as well, rendering me very surprised that this hasn’t been picked up by a label yet.” – The Mighty Decibel

“Maudiir: Effortlessly moves between styles…” – Permafrost Today

“Black Metal one man band Maudiir is out with a new EP filled with sinister menacing.” – Flying Fiddlesticks Music Blog

“Le musicien de Montréal (Quebec) s’est investi corps et âme dans son projet et nous a fait passer un beau moment. Une sacré claque.” – Metal Alliance Mag

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s Maudiir Summon A Blackened Thrash Slaughter With “Spirit of Sulfur” Off “La Part du Diable” Out Feb 19th, Single Premiere via Decibel Magazine

  • February 11, 2021
  • by Asher
  • · Maudiir · Music News

NEWS RELEASE

Montreal, QC – February 11, 2021

For fans of Skeletonwitch, Darkthrone, Voivod, Ihsahn, Carcass

Canada’s Maudiir Summon A Blackened Thrash Slaughter With “Spirit of Sulfur” Off “La Part du Diable”

Single Premiere via Decibel Magazine

New EP “La Part du Diable” Out February 19, 2021

Montreal’s Maudiir has a new single out, “Spirit of Sulfur” being premiered on Decibel Magazine HERE.

The second single is from the upcoming EP “La Part du Diable” due out on February 19, 2021.

The fourth of five tracks, “Spirit of Sulfur” is where it starts to get more experimental on the EP. Very bass-driven, the contagious harmonies flirt with thrash and punk, and it then develops into a kind of space rock instrumental section. The abrasive lyrics are about deceitful leaders grinding down their countries.

The biggest benefit to a solo project is being unrestricted in style and creative direction, something that is fully embraced in Maudiir’s work. An aggressive blackened thrash base is complimented with upbeat punk drumming and a heavy focus on the bass parts, resulting in a fresh take on modern metal. This uncommon attention to bass riffs resulted in this single, as Maudiir explains:

“On the first single, ‘The Slumber’ I was switching things around when I got to the bass parts. After that, I thought “why not try to write a whole song on bass?” That experiment yielded the track ‘Spirit of Sulfur’. That was very interesting for me; getting out of my comfort zone trying to figure out guitar parts that would complement the main bass lines.”

Riff-driven with big bass grooves and corrosive vocals, “La Part du Diable” is the second release from the one-man project to follow the debut EP “Le Temps Peste” released in February of last year. The intense, dark music comes with lyrics that draw on societal reflections, religion, and the environment.

Maudiir is recommended for metalheads looking for something new, especially fans of Carcass, Darkthrone, and Skeletonwitch.

The entire EP “La Part du Diable” releases on February 19, 2021 on all digital platforms.

First single “The Slumber” – YouTube, Spotify


Track Listing:
1. Fracture (4:50)
2. The Slumber (4:57)
3. The Fortunate Few (4:54)
4. Spirit of Sulfur (4:34)
5. The Crowning Hour (5:07)
EP Length: 24:24

More Info:
Facebook
Bandcamp
EPK

About:
Maudiir, coming from the underbelly of Montreal, Quebec, Canada is an outlet for observations on obedience and industrialization riddled with man-made waste. With 80s heavy metal influences alongside black metal and punk, Maudiir is unique in sound; hauntingly dark while being corrosive and galloping.

Maudiir is a one-man black/thrash metal project that formed to be musically independent. Starting with guitar, F. works his way through each sullen track, adding drums, recording all the colorations and textures of the guitars, adding bass, and finally writing the words, very often at the same time they are being recorded.

The pessimistic aura of the music combines with lyrics about consumer society, religion, science going awry, addiction to technology, and environmental decay.

Maudiir released their debut EP “Le Temps Peste” during February 2020 and now returns exactly a year later with the follow up “ La Part du Diable”
due out February 19, 2021.

Creating an intensely dark sound, “La Part du Diable” was inspired by reactions from people to the health crisis created by Covid, the political climate in the US, and conspiracy theories. It’s a riff-driven  EP with big bass grooves and corrosive vocals, mixing thrash metal and black metal with progressive elements, giving it a unique sound and feel.

“I would say that with “La Part du Diable”, I’m going into a slightly more progressive and thrash sound than on the first EP. I also added distortion to the bass guitar this time around, which I think adds a Voïvod feel to the songs.”

F. (ex-Deeply Confused, Tears for the Dead Gods) is also currently leading prog/thrash metal outfit Trinity Blast.

Maudiir is F.

– 30-

“As “The Slumber” begins, a jittery, dissonant bass riff, underlaid by droning guitar and soon joined by F.‘s rabid snarl, creates an immediate feeling of incipient and dangerous derangement as it quivers above a neck-popping back-beat and a febrile bass line. But the flashing thrash riffs that come into play give the song a different and more glorious and heart-palpitating dimension. And the multi-faceted nature of the song becomes even more evident when the drums start spitting bullets and the riffing creates a manifestation of savage, blazing chaos, driven to further heights of spectacle by an incandescent guitar solo. F.‘s vocals rise to greater heights of throat-splitting madness as the feeling of perilous tension returns, but that turns out to be a prelude to another eye-popping solo and another dose of thrashing ebullience at the finale.” – No Clean Singing

“Crunchy, razor-sharp guitars, thundering drums and good vocal work all delivered with heaviness. If you’re tired of all those black/thrash bands that sound too much like each other, this is a little different. Just solid blackened thrash with a strong footing in traditional heavy metal that calls for repeat plays.” – 3.75/5 – The Metal Crypt

“I’d say that the one-man band exists in the progressive black/thrash zone, overall landing in a spot where extreme metal begins. This comes across as relatively accessible and modern, despite the pummeling drum sound, bracing guitar and bile vocals, not an easy thing to achieve. They are in the same family tree as their provincial compatriots Voivod, but on the slightly less odd side of the family. Professional in every respect, the production and playing are top notch, and the song writing is obviously advanced as well, rendering me very surprised that this hasn’t been picked up by a label yet.” – The Mighty Decibel

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s Maudiir Announce Corrosive Black Thrash Single “The Slumber” Off Upcoming “La Part Du Diable”

  • January 5, 2021
  • by Asher
  • · Maudiir · Music News

NEWS RELEASE

Montreal, QC – January 5, 2021

For fans of Skeletonwitch, Darkthrone, Voivod, Ihsahn, Carcass

Canada’s Maudiir Announce Corrosive Black Thrash Single “The Slumber” Off Upcoming “La Part Du Diable”

Single Premiere via NoCleanSinging

New EP “La Part Du Diable” Out February 19, 2021

Coined as ‘blackened thrash metal’ F of Maudiir takes advantage of complete creative control and effortlessly moves between styles, adding infusions of punk, focused guitar solos, and clean production to the classic black metal vocals and chunky bass riffs.

The first single “The Slumber” off Maudiir forthcoming 2021 EP “La Part du Diable” starts on a big bass riff flirting with drone guitars and explodes into an epic instrumental black metal section. The song is about the worst personality traits we have seen awaken in some people, and that might have stayed dormant if not for the current situation. Maudiir comments on the EP as a whole:

“I had great reviews for the first EP “Le Temps Peste”. I think the new EP “La Part du Diable” expands on the first one and brings more progressive elements to the songs. I also managed to get the bass guitar at the forefront of the songs, which is not so common in modern metal, so I’m really happy about that. All in all, it’s a pretty interesting and unique listen.”

Creating an intensely dark sound, “La Part du Diable’‘ was inspired by reactions from people to the health crisis created by Covid, the political climate in the US, and conspiracy theories. This second offering from the band goes in a slightly more progressive and thrash direction than the first, F has also added distortion to the bass guitar giving a Voïvod-esque feel to the songs. It’s a riff-driven  EP with big bass grooves and corrosive vocals, mixing thrash metal and black metal with progressive elements, giving it a unique sound and feel.

Recommended for fans of Skeletonwitch, Darkthrone, and Voivod, “The Slumber” can be heard via its premiere on NoCleanSinging HERE.

The single will be available on all digital platforms on January 8, 2021 and the full EP “La Part du Diable” is out on February 19, 2021.


Track Listing:
1. Fracture (4:50)
2. The Slumber (4:57)
3. The Fortunate Few (4:54)
4. Spirit of Sulfur (4:34)
5. The Crowning Hour (5:07)
EP Length: 24:24

More Info:
Facebook
Bandcamp
EPK

About:

Maudiir, coming from the underbelly of Montreal, Quebec, Canada is an outlet for observations on obedience and industrialization riddled with man-made waste. With 80s heavy metal influences alongside black metal and punk, Maudiir is unique in sound; hauntingly dark while being corrosive and galloping.

Maudiir is a one-man black/thrash metal project that formed to be musically independent. Starting with guitar, F. works his way through each sullen track, adding drums, recording all the colorations and textures of the guitars, adding bass, and finally writing the words, very often at the same time they are being recorded.

The pessimistic aura of the music combines with lyrics about consumer society, religion, science going awry, addiction to technology, and environmental decay.

Maudiir released their debut EP “Le Temps Peste” during February 2020 and now returns exactly a year later with the follow up “ La Part du Diable”
due out February 19, 2021.

Creating an intensely dark sound, “La Part du Diable” was inspired by reactions from people to the health crisis created by Covid, the political climate in the US, and conspiracy theories. It’s a riff-driven  EP with big bass grooves and corrosive vocals, mixing thrash metal and black metal with progressive elements, giving it a unique sound and feel.

“I would say that with “La Part du Diable”, I’m going into a slightly more progressive and thrash sound than on the first EP. I also added distortion to the bass guitar this time around, which I think adds a Voïvod feel to the songs.”

F. (ex-Deeply Confused, Tears for the Dead Gods) is also currently leading prog/thrash metal outfit Trinity Blast.

Maudiir is F.

– 30-

“Touches of punk add attitude to these five angry and aggressive pieces of blackened thrash metal and make it an impressive debut EP” –  Loud Enough? Magazine

“Some really great tracks and precise playing makes this debut EP a note worthy event” – Absolute Underground Magazine

““Le Temps Peste” is overall an engaging listen that, as it progresses, gets even better and more complex, gradually easing you into the building mood and feel of the EP, the first couple of tracks  “Product” and “Abuse The Used” build on bleak Blackened driving riffs alongside a vitriolic rasping vocal delivery, the latter also benefiting from more of a haunting melody developing, a galloping Thrashy second half and soaring lead work which really adds to the sound.” 4/5 – The Metal Wanderlust

“Métal de bord en bord, ce projet fait partie de ceux dont les sonorités sont parfaitement heavy, mais ô combien inclassables, où se mêlent habilement les influences et saveurs auditives les plus diverses. Avec Maudiir, on fusionne avec brio black, thrash et death mélodique, avec une touche de métal classique et de NWOBHM dans les acérés riffs. Le temps peste inclut tout plein de riffs aussi corrosifs que galopants, qui rendraient très fiers autant un prêtre traître qu’une vierge de fer, risquant très bien de vous donner un sale mal de cou.”  – BoulevardBrutal.com

“En tous les cas, F. ne s’enfonce pas dans l’erreur des artistes qui bossent en solo, à savoir, s’enfermer dans leur monde et devenir hermétique à l’oreille lambda. Sa musique est bien orchestrée ; même si elle fait appel à du déjà connu, elle tient la route et on y aime y retourner plusieurs fois. Il y a, à la fois de l’agressivité, de la noirceur, mais aussi de la fluidité dans ce metal un peu vieille école, mais bien vivant!” – Metal France

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Out Now! ASHEN HORDE Unleash The Darkness In “Fallen Cathedrals” (Extreme Metal Music)

  • March 22, 2019
  • by Asher
  • · Ashen Horde (Extreme Metal Music / Rockshots Records) · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – March 22, 2019

For fans of Ihsahn, Opeth, Borknagar

Out Now! ASHEN HORDE Unleash The Darkness In “Fallen Cathedrals”

New Album “Fallen Cathedrals” Out March 22, 2019 via Extreme Metal Music

  


Out now as of March 22nd, hailing from the cold, unforgiving wastelands of Hollywood, California, ASHEN HORDE have unleashed their third full length in Europe and North America via Extreme Metal Music/Rockshots Records.

The album is available on CD, vinyl plus stream and download on the following platforms:

Rockshots.eu (CD, Vinyl)
Bandcamp
iTunes
Spotify

Album Stream – https://ashenhorde.bandcamp.com/album/fallen-cathedrals

Lyric Video – “Profound Darkness” – https://youtu.be/Dvb03K0WPvM

Drawing influence from metal’s crème de le extreme, from Enslaved and Devin Townsend to Ihsahn and Opeth, ASHEN HORDE (aka Trevor Portz and Stevie Boiser (Vale of Pnath, Inferi)), may have a sound rooted in death and black metal, but can’t truly be called either. The concept album is in the vein of J.G. Ballard’s dystopian novel “High Rise,” and explores class warfare and a society’s descent into primitive, warring tribes. Musically, the album expands further on the complexities of the band’s earlier releases, but with even more emphasis on progressive and melodic elements, even incorporating clean vocals for the first time. It will appeal to fans of the more progressive side of extreme metal, from Ihsahn and Borknagar to Opeth and Enslaved.

The band adds:

“Fallen Cathedrals, is the perfect illustration of what Ashen Horde is all about. Musically, it draws influence from across the metal spectrum. There is hyper speed, blast-beat-fueled black metal that runs alongside pummeling death metal riffs; clean-sung melodic passages juxtaposed against face-melting screams, and headbanging beats intermixed with progressive odd-time signatures.”


Track Listing:
1. Parity Lost (7:37)
2. Profound Darkness (5:22)
3. Retaliation-Regret (4:45)
4. The Vanishing (4:36)
5. Atavism (3:55)
6. Cages (5:07)
7. Final Ascent (4:54)
8. Face of The Enmity (7:12)
9. Primal (bonus track on CD only) (4:33)
Album Length: 48:05

 

For more info:
https://www.rockshots.eu
http://www.ashenhorde.com
https://www.facebook.com/AshenHorde
https://www.instagram.com/ashenhorde 
https://twitter.com/ashenhorde

About:
Launched as a one-man project in 2013 by writer and multi-instrumentalist Trevor Portz, Ashen Horde has released two critically acclaimed albums, as well as several EPs, over the past three years. Beginning with the ambitious Sanguinum Vindicta trilogy, Portz has worked tirelessly to develop a sound that is both challenging and unique.

While the earlier work was more firmly rooted in black metal, subsequent releases have begun to shape the Ashen Horde sound into something more genre-neutral. As noted by Dead Rhetoric, “Ashen Horde takes the best of what’s around and melds it into something more interesting than the [individual] parts.”

2015 saw the release of the sophomore album, Nine Plagues. Again written, performed and recorded entirely by Portz, the album was described by Transcending Obscurity as “the ultimate modern death metal experience.” Lavished with positive reviews, the album greatly helped to boost Ashen Horde’s presence in the extreme metal community. In fact, demand for Nine Plagues on vinyl led to a successful Kickstarter campaign, the result being a double-LP version of the album.

2016 brought a major change to the band, as Portz made the decision to bring in a lead vocalist, ending Ashen Horde’s run as a solo project. Portz drafted Stevie Boiser, known for his work with several tech death heavies, including Vale of Pnath, Inferi, and Equipoise. Notes Portz, “I always felt like the vocals I was doing was fine, but they never turned out quite as dynamic as I heard them in my head. Stevie’s skill will, no doubt, push Ashen Horde to a whole new level.” The first release with Boiser on vocals was “The Alchemist” 7”, which saw the band exploring black and roll, giving a nod to bands like Khold and Satyricon.

Which brings us to 2018 and Fallen Cathedrals. The album represents a more diverse Ashen Horde sound but doesn’t compromise on the intensity and aggression for which the band has become known.

Absolute Zero Magazine commented, “If we the underground can get this into the right hands Ashen Horde will be a major force in the extreme metal world for years to come.” Portz and Boiser are ready to see that prediction play out.

– 30 –

“The ultimate modern death metal experience.” – Transcending Obscurity

“No matter your flavor of the extreme metal underground, Ashen Horde is bound to draw your attention and hold it…” – Dead Rhetoric

“If we the underground can get this into the right hands Ashen Horde will be a major force in the extreme metal world for years to come.” – Absolute Zero Magazine

“What we have here is some very competent progressive black death metal that would please the Behemoth crowd.” — Teeth of the Divine

“…every single moment is filled with an absolutely aggressive energy that does not let up.” – Head-Banger Reviews

“…[Ashen Horde] manages to mash so much together and actually make it sound good without it even seeming difficult.” – Metal Addicts

“Absolutely brilliant.” – The Path Less Travelled Records

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher@ashermediarelations.com
Facebook | Tweet @AsherMedia | Instagram @AsherMedia
AsherMediaRelations.com

0 ASHEN HORDE Premiere “Parity Lost” via NoCleanSinging Off Upcoming Album “Fallen Cathedrals”

  • March 8, 2019
  • by Asher
  • · Ashen Horde (Extreme Metal Music / Rockshots Records) · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – March 8, 2019



For fans of Ihsahn, Opeth, Borknagar

ASHEN HORDE Premiere “Parity Lost” via NoCleanSinging Off Upcoming Album “Fallen Cathedrals”

New Album “Fallen Cathedrals” Out March 22, 2019 via Extreme Metal Music

  


Hailing from the cold, unforgiving wastelands of Hollywood, California, ASHEN HORDE is a two-piece band that strives to embrace a multitude of extreme metal sub-genres, without being bound to any one of them. Drawing influence from metal’s crème de le extreme, from Enslaved and Devin Townsend to Ihsahn and Opeth, ASHEN HORDE (aka Trevor Portz and Stevie Boiser (Vale of Pnath, Inferi)), may have a sound rooted in death and black metal, but can’t truly be called either.

Completing their third full length, “Fallen Cathedrals”, the concept album is in the vein of J.G. Ballard’s dystopian novel “High Rise,” and explores class warfare and a society’s descent into primitive, warring tribes. Musically, the album expands further on the complexities of the band’s earlier releases, but with even more emphasis on progressive and melodic elements, even incorporating clean vocals for the first time. It will appeal to fans of the more progressive side of extreme metal, from Ihsahn and Borknagar to Opeth and Enslaved.

Set to be released on CD, vinyl and digitally in Europe and North America on March 22nd, 2019 via Extreme Metal Music/Rockshots Records, the duo is premiering the concept album’s second single and opening track “Parity Lost” via NoCleanSinging.

The band explains the track:

“‘Parity Lost’ sets the stage not only for the Fallen Cathedrals album, but also serves as a summary of what Ashen Horde is all about. It contains elements of black metal, death metal, and prog, all stitched together in a ball of controlled chaos. Lyrically, it lays the groundwork for the album’s story—a city divided by wealth, with the most affluent on one side, and those struggling to make ends meet on the other. The rich look at the poor as a lazy and low class, while the poor look at the rich as snobby and self-indulgent. Tensions have intensified with each passing year, and the precarious balance is about to be shattered…“

Listen to “Parity Lost” at the following link: https://www.nocleansinging.com/2019/03/08/an-ncs-premiere-ashen-horde-parity-lost/ 

The band adds:

“The forthcoming album, Fallen Cathedrals, is the perfect illustration of what Ashen Horde is all about. Musically, it draws influence from across the metal spectrum. There is hyper speed, blast-beat-fueled black metal that runs alongside pummeling death metal riffs; clean-sung melodic passages juxtaposed against face-melting screams, and headbanging beats intermixed with progressive odd-time signatures.”

Album pre-order is available on Rockshots.eu, Bandcamp, Amazon.

Lyric Video – “Profound Darkness” – https://youtu.be/Dvb03K0WPvM


Track Listing:
1. Parity Lost (7:37)
2. Profound Darkness (5:22)
3. Retaliation-Regret (4:45)
4. The Vanishing (4:36)
5. Atavism (3:55)
6. Cages (5:07)
7. Final Ascent (4:54)
8. Face of The Enmity (7:12)
9. Primal (bonus track on CD only) (4:33)
Album Length: 48:05

 

For more info:
https://www.rockshots.eu
http://www.ashenhorde.com
https://www.facebook.com/AshenHorde
https://www.instagram.com/ashenhorde 
https://twitter.com/ashenhordeAbout:
Launched as a one-man project in 2013 by writer and multi-instrumentalist Trevor Portz, Ashen Horde has released two critically acclaimed albums, as well as several EPs, over the past three years. Beginning with the ambitious Sanguinum Vindicta trilogy, Portz has worked tirelessly to develop a sound that is both challenging and unique.While the earlier work was more firmly rooted in black metal, subsequent releases have begun to shape the Ashen Horde sound into something more genre-neutral. As noted by Dead Rhetoric, “Ashen Horde takes the best of what’s around and melds it into something more interesting than the [individual] parts.”

2015 saw the release of the sophomore album, Nine Plagues. Again written, performed and recorded entirely by Portz, the album was described by Transcending Obscurity as “the ultimate modern death metal experience.” Lavished with positive reviews, the album greatly helped to boost Ashen Horde’s presence in the extreme metal community. In fact, demand for Nine Plagues on vinyl led to a successful Kickstarter campaign, the result being a double-LP version of the album.

2016 brought a major change to the band, as Portz made the decision to bring in a lead vocalist, ending Ashen Horde’s run as a solo project. Portz drafted Stevie Boiser, known for his work with several tech death heavies, including Vale of Pnath, Inferi, and Equipoise. Notes Portz, “I always felt like the vocals I was doing was fine, but they never turned out quite as dynamic as I heard them in my head. Stevie’s skill will, no doubt, push Ashen Horde to a whole new level.” The first release with Boiser on vocals was “The Alchemist” 7”, which saw the band exploring black and roll, giving a nod to bands like Khold and Satyricon.

Which brings us to 2018 and Fallen Cathedrals. The album represents a more diverse Ashen Horde sound but doesn’t compromise on the intensity and aggression for which the band has become known.

Absolute Zero Magazine commented, “If we the underground can get this into the right hands Ashen Horde will be a major force in the extreme metal world for years to come.” Portz and Boiser are ready to see that prediction play out.

– 30 –

“The ultimate modern death metal experience.” – Transcending Obscurity

“No matter your flavor of the extreme metal underground, Ashen Horde is bound to draw your attention and hold it…” – Dead Rhetoric

“If we the underground can get this into the right hands Ashen Horde will be a major force in the extreme metal world for years to come.” – Absolute Zero Magazine

“What we have here is some very competent progressive black death metal that would please the Behemoth crowd.” — Teeth of the Divine

“…every single moment is filled with an absolutely aggressive energy that does not let up.” – Head-Banger Reviews

“…[Ashen Horde] manages to mash so much together and actually make it sound good without it even seeming difficult.” – Metal Addicts

“Absolutely brilliant.” – The Path Less Travelled Records

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher@ashermediarelations.com
Facebook | Tweet @AsherMedia | Instagram @AsherMedia
AsherMediaRelations.com

0 ASHEN HORDE’s New Video Enters “Profound Darkness”; New Album “Fallen Cathedrals” Out March 22, 2019 via Extreme Metal Music

  • January 30, 2019
  • by Asher
  • · Ashen Horde (Extreme Metal Music / Rockshots Records) · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – January 30, 2019

For fans of Ihsahn, Opeth, Borknagar

ASHEN HORDE’s New Video Enters “Profound Darkness”

New Album “Fallen Cathedrals” Out March 22, 2019 via Extreme Metal Music

  

Hailing from the cold, unforgiving wastelands of Hollywood, California, ASHEN HORDE is a two-piece band that strives to embrace a multitude of extreme metal sub-genres, without being bound to any one of them. Drawing influence from metal’s crème de le extreme, from Enslaved and Devin Townsend to Ihsahn and Opeth, ASHEN HORDE (aka Trevor Portz and Stevie Boiser (Vale of Pnath, Inferi)), may have a sound rooted in death and black metal, but can’t truly be called either.

Completing their third full length, “Fallen Cathedrals”, the concept album is in the vein of J.G. Ballard’s dystopian novel “High Rise,” and explores class warfare and a society’s descent into primitive, warring tribes. Musically, the album expands further on the complexities of the band’s earlier releases, but with even more emphasis on progressive and melodic elements, even incorporating clean vocals for the first time. It will appeal to fans of the more progressive side of extreme metal, from Ihsahn and Borknagar to Opeth and Enslaved.

Set to be released on CD and vinyl in Europe and North America on March 22nd, 2019 via Extreme Metal Music/Rockshots Records, the duo has unleashed the concept album’s first single and video “Profound Darkness”.

The band explains the track:

“We slow things down a bit for this one, it is a song that is much grimmer and dark. The power has gone out across the entire poor part of the city, and the inhabitants—wary and distrusting of their wealthy neighbors—have decided that it must surely be the fault of the rich. Thus, they determine that the peace between the two sides is over and that they must get revenge.” 

Listen to “Profound Darkness” at the following link: https://youtu.be/Dvb03K0WPvM

The band adds:

“The forthcoming album, Fallen Cathedrals, is the perfect illustration of what Ashen Horde is all about. Musically, it draws influence from across the metal spectrum. There is hyper speed, blast-beat-fueled black metal that runs alongside pummeling death metal riffs; clean-sung melodic passages juxtaposed against face-melting screams, and headbanging beats intermixed with progressive odd-time signatures.”

Album pre-order is available on Rockshots.eu, Bandcamp, Amazon.


Track Listing:
1. Parity Lost (7:37)
2. Profound Darkness (5:22)
3. Retaliation-Regret (4:45)
4. The Vanishing (4:36)
5. Atavism (3:55)
6. Cages (5:07)
7. Final Ascent (4:54)
8. Face of The Enmity (7:12)
9. Primal (bonus track on CD only) (4:33)
Album Length: 48:05

 

For more info:
https://www.rockshots.eu
http://www.ashenhorde.com
https://www.facebook.com/AshenHorde
https://www.instagram.com/ashenhorde 
https://twitter.com/ashenhorde

 

About:

Launched as a one-man project in 2013 by writer and multi-instrumentalist Trevor Portz, Ashen Horde has released two critically acclaimed albums, as well as several EPs, over the past three years. Beginning with the ambitious Sanguinum Vindicta trilogy, Portz has worked tirelessly to develop a sound that is both challenging and unique.

While the earlier work was more firmly rooted in black metal, subsequent releases have begun to shape the Ashen Horde sound into something more genre-neutral. As noted by Dead Rhetoric, “Ashen Horde takes the best of what’s around and melds it into something more interesting than the [individual] parts.”

2015 saw the release of the sophomore album, Nine Plagues. Again written, performed and recorded entirely by Portz, the album was described by Transcending Obscurity as “the ultimate modern death metal experience.” Lavished with positive reviews, the album greatly helped to boost Ashen Horde’s presence in the extreme metal community. In fact, demand for Nine Plagues on vinyl led to a successful Kickstarter campaign, the result being a double-LP version of the album.

2016 brought a major change to the band, as Portz made the decision to bring in a lead vocalist, ending Ashen Horde’s run as a solo project. Portz drafted Stevie Boiser, known for his work with several tech death heavies, including Vale of Pnath, Inferi, and Equipoise. Notes Portz, “I always felt like the vocals I was doing was fine, but they never turned out quite as dynamic as I heard them in my head. Stevie’s skill will, no doubt, push Ashen Horde to a whole new level.” The first release with Boiser on vocals was “The Alchemist” 7”, which saw the band exploring black and roll, giving a nod to bands like Khold and Satyricon.

Which brings us to 2018 and Fallen Cathedrals. The album represents a more diverse Ashen Horde sound but doesn’t compromise on the intensity and aggression for which the band has become known.

Absolute Zero Magazine commented, “If we the underground can get this into the right hands Ashen Horde will be a major force in the extreme metal world for years to come.” Portz and Boiser are ready to see that prediction play out.

– 30 –

“The ultimate modern death metal experience.” – Transcending Obscurity

“No matter your flavor of the extreme metal underground, Ashen Horde is bound to draw your attention and hold it…” – Dead Rhetoric

“If we the underground can get this into the right hands Ashen Horde will be a major force in the extreme metal world for years to come.” – Absolute Zero Magazine

“What we have here is some very competent progressive black death metal that would please the Behemoth crowd.” — Teeth of the Divine

“…every single moment is filled with an absolutely aggressive energy that does not let up.” – Head-Banger Reviews

“…[Ashen Horde] manages to mash so much together and actually make it sound good without it even seeming difficult.” – Metal Addicts

“Absolutely brilliant.” – The Path Less Travelled Records

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher@ashermediarelations.com
Facebook | Tweet @AsherMedia | Instagram @AsherMedia

AsherMediaRelations.com

0 ASHEN HORDE Signs To Extreme Metal Music For New Album “Fallen Cathedrals” Out March 2019

  • January 3, 2019
  • by Asher
  • · Ashen Horde (Extreme Metal Music / Rockshots Records) · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – January 3, 2019

For fans of Ihsahn, Opeth, Borknagar

ASHEN HORDE Signs To Extreme Metal Music For New Album “Fallen Cathedrals” Out March 2019

  

Hailing from the cold, unforgiving wastelands of Hollywood, California, ASHEN HORDE is a two-piece band that strives to embrace a multitude of extreme metal sub-genres, without being bound to any one of them. Drawing influence from metal’s crème de le extreme, from Enslaved and Devin Townsend to Ihsahn and Opeth, ASHEN HORDE (aka Trevor Portz and Stevie Boiser (Vale of Phath, Inferi)), may have a sound rooted in death and black metal, but can’t truly be called either.

Originally launched as a one-man project in 2013 by writer and multi-instrumentalist Trevor Portz, ASHEN HORDE has released two critically acclaimed albums, as well as several EPs, over the past three years. Beginning with the ambitious Sanguinum Vindicta trilogy, Portz has worked tirelessly to develop a sound that is both challenging and unique.

The band has just completed its third album, “Fallen Cathedrals” and has signed with Extreme Metal Music/Rockshots Records for its release on CD and vinyl in Europe and North America on March 22nd, 2019. A concept album in the vein of J.G. Ballard’s dystopian novel “High Rise,” “Fallen Cathedrals” explores class warfare and a society’s descent into primitive, warring tribes. Musically, the album expands further on the complexities of the band’s earlier releases, but with even more emphasis on progressive and melodic elements, even incorporating clean vocals for the first time. It will appeal to fans of the more progressive side of extreme metal, from Ihsahn and Borknagar to Opeth and Enslaved.

Portz adds:

“The forthcoming album, Fallen Cathedrals, is the perfect illustration of what Ashen Horde is all about. Musically, it draws influence from across the metal spectrum. There is hyper speed, blast-beat-fueled black metal that runs alongside pummeling death metal riffs; clean-sung melodic passages juxtaposed against face-melting screams, and headbanging beats intermixed with progressive odd-time signatures.”

Album pre-order will be available on www.Rockshots.eu.

To listen to ASHEN HORDE‘s previous releases, please visit https://ashenhorde.bandcamp.com.

Lyric Video – Arisen (off their 2017 limited 7″ single, The Alchemist)


Track Listing:
1. Parity Lost (7:37)
2. Profound Darkness (5:22)
3. Retaliation-Regret (4:45)
4. The Vanishing (4:36)
5. Atavism (3:55)
6. Cages (5:07)
7. Final Ascent (4:54)
8. Face of The Enmity (7:12)
9. Primal (bonus track on CD only) (4:33)
Album Length: 48:05

Album Credits (music, cover/art, production):
– Music and lyrics by Trevor Portz, with additional lyrics by Stevie Boiser
– Recorded and mixed by Trevor Portz at La Maida Vale Studios, Hollywood, CA
– Mastered by Dan at Mammoth Sound Mastering
– Cover and interior photo by MWeiss Art (deviantart.com/mweiss-art
– Back cover photo by Intao (deviantart.com/intao)
– Logo by Dolores Rivera

 

For more info:
https://www.rockshots.eu
http://www.ashenhorde.com
https://www.facebook.com/AshenHorde
https://www.instagram.com/ashenhorde 
https://twitter.com/ashenhorde

 

About:

Launched as a one-man project in 2013 by writer and multi-instrumentalist Trevor Portz, Ashen Horde has released two critically acclaimed albums, as well as several EPs, over the past three years. Beginning with the ambitious Sanguinum Vindicta trilogy, Portz has worked tirelessly to develop a sound that is both challenging and unique.

While the earlier work was more firmly rooted in black metal, subsequent releases have begun to shape the Ashen Horde sound into something more genre-neutral. As noted by Dead Rhetoric, “Ashen Horde takes the best of what’s around and melds it into something more interesting than the [individual] parts.”

2015 saw the release of the sophomore album, Nine Plagues. Again written, performed and recorded entirely by Portz, the album was described by Transcending Obscurity as “the ultimate modern death metal experience.” Lavished with positive reviews, the album greatly helped to boost Ashen Horde’s presence in the extreme metal community. In fact, demand for Nine Plagues on vinyl led to a successful Kickstarter campaign, the result being a double-LP version of the album.

2016 brought a major change to the band, as Portz made the decision to bring in a lead vocalist, ending Ashen Horde’s run as a solo project. Portz drafted Stevie Boiser, known for his work with several tech death heavies, including Vale of Pnath, Inferi, and Equipoise. Notes Portz, “I always felt like the vocals I was doing was fine, but they never turned out quite as dynamic as I heard them in my head. Stevie’s skill will, no doubt, push Ashen Horde to a whole new level.” The first release with Boiser on vocals was “The Alchemist” 7”, which saw the band exploring black and roll, giving a nod to bands like Khold and Satyricon.

Which brings us to 2018 and Fallen Cathedrals. The album represents a more diverse Ashen Horde sound but doesn’t compromise on the intensity and aggression for which the band has become known.

Absolute Zero Magazine commented, “If we the underground can get this into the right hands Ashen Horde will be a major force in the extreme metal world for years to come.” Portz and Boiser are ready to see that prediction play out.

– 30 –

“The ultimate modern death metal experience.” – Transcending Obscurity

“No matter your flavor of the extreme metal underground, Ashen Horde is bound to draw your attention and hold it…” – Dead Rhetoric

“If we the underground can get this into the right hands Ashen Horde will be a major force in the extreme metal world for years to come.” – Absolute Zero Magazine

“What we have here is some very competent progressive black death metal that would please the Behemoth crowd.” — Teeth of the Divine

“…every single moment is filled with an absolutely aggressive energy that does not let up.” – Head-Banger Reviews

“…[Ashen Horde] manages to mash so much together and actually make it sound good without it even seeming difficult.” – Metal Addicts

“Absolutely brilliant.” – The Path Less Travelled Records

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us

AsherMediaRelations.com

Join AMR Mailing List

0 Brass Metallers FALLSTAF Return With New Music Video ‘Miller’s Crossing’ and New Bassist

  • December 7, 2012
  • by Asher
  • · Fallstaf

FALLSTAFF PROMOS CAN BE REQUESTED HERE

Tour Dates | Facebook | Reverbnation | Twitter

 Youtube   Bandcamp | LoudTrax | iTunes

The Hitman – Trombone|GOYY (Bruno Goyer) – Bass| Matt – Drums|Simm – Guitar |Ian – Vocals (Photo Credit – Paul Brutal)

   Working in studio and adding new bassist Bruno Goyer aka GOYY to their line-up, Montreal brass metallers Fallstaf have unleashed their latest music video and new single “Miller’s Crossing”at the following link below:

The new single follows last year’s debut album “Bastard Sons of A Pure Breed”, which features 11 tracks of fury; self-produced by Fallstaf, and mixed and mastered by Kevin Jardine (Slaves on Dope) of Uplift Studios and was the follow up their 2009 EP “The Hitman Plays Trombone”. Blending aggressive trombone with heavy rock, thrash and hardcore influences,  Fallstaf are excited to unleash a new sound to the metal family tree, which was born out of their other more soften music collective North East Bistro.

Show Dates:

Feb 21, 2013 – Cafe Chaos – Montreal, QC – Buckfest w/ Konkreat, Under Aspect

March 9, 2013 – Le Barock – Saint-Jean-sur-Richelieu, QC w/ La Corriveau – Show Details

Track Listing – Bastard Sons Of A Pure Breed

1. Dark Days
2. The Cost
3. Eulogy
4. Not Welcome
5. Pull The Knife
6. My Demons (acoustic version)
7. 10 Years In Flames
8. The Hounds
9. Fuck The Fence
10. My Demons
11. Violent As Violence Can Be

Music Video – ‘The Cost’ 

Music Video – ‘Pull The Knife’

 

BIO:

Hiring a hit man can sometimes to be seen as a means to an end, but not for Montreal, QC metallers Fallstaf. With their aggressive tendencies and energetic approach to lay it all out in the mosh pit, these brawlers realized that hiring a hit man with a trombone is the means to fuel the fire and only the beginning of what has become.

Forming their own new genre dubbed “Brass Metal”, out of their other more soften music collective North East Bistro. Fallstaf is the angry brother who has melange the trombone assassinations of the hit man with their brand of aggressive / heavy hitting metal that ranges in influences from heavy rock, thrash and hardcore. Expressing their darkest moments from their corner of the world with a creative metal soundscape, Fallstaf is set to release their debut full length  “Bastard Sons of a Pure Breed” on October 25, 2011 and add a new sound to the metal family tree.

The 11 track album of fury is the follow up to Fallstaf’s 2009 EP “The Hitman Plays Trombone” and was self produced by Fallstaf, and mixed and mastered by Kevin Jardine (Slaves on Dope) of Uplift Studios.

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