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Tag: High On Fire

0 NEWS: BLACK ABSINTHE Premiere New Video “The Wild” via Bravewords; EP Out Now “Early Signs of Denial”

  • November 8, 2017
  • by Asher
  • · Black Absinthe · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – November 8, 2017

 

For fans of Black Sabbath, Motorhead, Mastodon, High On Fire, Coheed and Cambria

BLACK ABSINTHE Premiere New Video “The Wild” via Bravewords

EP Out Now “Early Signs of Denial”

     BLACK ABSINTHE‘s powerful heavy riffs and bass lines are reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence. Surfacing from the basement last year, the Toronto, ON heavy metal trio unleashed their debut album “Early Signs of Denial” produced by Sum 41’s Dave Baksh (Cross Dog, The Mahones) plus was mixed and mastered by Frank Gryner (Rob Zombie- Hillbilly Deluxe). The album was the band’s first professional recording to follow their three self recorded EPs Live At Coalition (2014), Noise Complaint (2014) and Augusta (2012).

Taking a break from relentless touring of Ontario and Quebec during this summer, the band shot their latest video “The Wild” on the shores of Lake Ontario, inviting friends and fans to join them on a pirate ship where the outcome was rocking the boat, walking the plank and one hell of a party!

Teaming up with Bravewords.com, the band is proud to exclusively premiere “The Wild” at the following link: http://www.bravewords.com/news/exclusive-black-absinthe-premier-the-wild-video

The band comments on the video:

“We are excited to showcase our new video, ‘The Wild’, for fans both new and old. This song is the headbanging party track off our latest album ‘Early Signs Of Denial’ and we wanted a video to reflect that intensity. So we gathered a crew of our fans and friends from the Toronto music scene, rented a pirate themed boat intended for children, prepared and consumed some pre-sailing cocktails, and played a live show for all on board. The video was shot by Toronto based videographer/photographer Katherine Kwan (IG: kawaiiathy) who did a fantastic job capturing the look and spirit of what we wanted for the song as well as showcasing some great shots of the city skyline. The day, the show, and all the people involved with the video we say thank you! And for the rest of you, turn it up, grab a drink, and enjoy ‘The Wild’!”

BLACK ABSINTHE‘s latest EP Early Signs of Denial’ can be heard at the following links:
– https://soundcloud.com/blackabsintheband/sets/early-signs-of-denial
– https://blackabsinthe.bandcamp.com

Show Dates:
Nov 10 – Toronto, ON @ Coalition TO – info – w/ MUTANK, Doors & Fours, Death Perception, Inbred Fist

1. The Wild (3:50)
2. Is This Life (4:42)
3. Berj Khalifa (3:19)
4. Pigs (4:03)
5. NOW (3:58)
6. Winter (6:23)
Album Length: 26:18

For more info:
https://www.facebook.com/blackabsintheband

Tweets by blackabsintheTO

https://www.instagram.com/blackabsintheband

– 30 –

“Produced by Sum 41’s Dave Baksh, the new record serves as both a cleaner and heavier presentation of the sound the band have been honing since their formation in 2011. Running six tracks in length, the LP explores fear, corruption and overcoming disparity within their blend of classic and contemporary metal stylings.” – Exclaim!

“The whole record is classic metal & deserves to catapult this band over the wall & into the rooms of many. This is a band that doesn’t know the meaning of the words over play. Everything is understated, controlled & precise. Black Absinthe are not trying to re-invent the wheel but add a new spoke.” – All About The Rock

“It is one quite impressive EP that goes all out to impress. It is hard to imagine that just three guys could make such an impact, but they do! Quite a robust six tracker that is distinct and captivating!” – RAM Zine

“From the opening track “The Wild” to “Pigs” to my personal favorite “Winter” the band works their way through everything from classic rock all the way to hardcore…What Black Absinthe does is make music that comes across live; music that will bring a crowd to their feet, but contemplate the lyrics after the show is all said and done. It’s a tricky feat to bring that across on a studio recording. “Early Signs of Denial” nails it and shows the band must be a great time on stage.” – We Love Metal

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
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0 NEWS: TheSludgelord Album Premiere Ottawa Doom LONGHOUSE ‘II: Vanishing’

  • April 12, 2017
  • by Asher
  • · Longhouse · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – April 12, 2017

 

For Fans of Cult of Luna, High on Fire, Neurosis, Khemmis, Unearthly Trance

TheSludgelord Album Premiere Ottawa Doom LONGHOUSE ‘II: Vanishing’

Photo Credit – Amber Erica

     Ottawa, ON doom metal trio LONGHOUSE has teamed up with TheSludgelord for the exclusive full stream premiere of their sophomore album “II: Vanishing” due out digitally on Friday, April 14th plus will be available on physical cassette via Sunmask Records June 2017 (date to be determined). “II: Vanishing” follows their 2015 debut album ‘Earth from Water’, a spiritual odyssey into the perseverance of the human spirit and the lessons we can learn from the natural world.

Returning to Wolf Lake Studios to record with Mike Bond (Loviatar, Norilsk, Arms of the Girl) once again as producer and engineer. “II: Vanishing” continues the pleasing progression of their debut while retaining the band’s core sound of heavy, intricate riffs, splashed with a touch of post-metal to guide you on a dark and visceral journey spanning nearly 40 minutes over five tracks.

Vocalist / bassist comments:

“II: Vanishing has a logical evolution that is evident in the composition, as well as production. I also think that fans should take a moment to reflect on some of themes that are threaded throughout the album. The bulk of my ideas musically and lyrically come from exploring Indigenous ways of knowing. I am Algonquin First Nations. My family’s community is Kitigan Zibi, outside of Maniwaki, QC. However, I grew up in the city, mostly detached from my culture. As a father, I have been trying to immerse myself in the stories, wisdom, and strength of our Elders, knowledge keepers and story tellers, so that I can pass that on to my daughters. Because this takes up so much space in terms of who I am, and who I am becoming, it plays a very large part in terms of influences I draw upon.”


“II: Vanishing” can be heard at the following link: http://thesludgelord.blogspot.ca/2017/04/album-premiere-ottawa-ontarios.html

Along with album pre-order available at https://longhouse1.bandcamp.com/

Track Listing:
1. Hunter’s Moon (8:38)
2. Vanishing (6:13)
3. Blood And Stone (5:57)
4. No Name, No Marker (7:59)
5. The Vigil (10:06)
EP Length: 38:55

LONGHOUSE is:

Marc Casey – Guitar
Joshua Cayer – Vocals / Bass
Mike Hache – Drums

For More Info:
http://www.facebook.com/longhouse.ottawa/
EPK – http://wp.me/pciNW-9KP

– 30 –

“These Canadian doomsters may have a penchant for blistering fuzz-laden riffs, but there’s just as much focus on this, their second album, on atmospherics. Post-metal-influenced sonics are integral from the opening moments of the album, and remain throughout….Longhouse are to be commended for one thing, it’s the skill with which they blend the elements of their sound to provide a full-length that is as primitive as it is sinister.” – Bonded By Metal – 8/10

“Man, I don’t think I’ve been this geeked out about a Canadian post-sludge record since Pyres put out Year of Sleep back in 2013!” – Hellbound.ca – 8/10

“It might only be 5 songs long but Longhouse do more in that time then many bands do in double that. It’s a doom masterpiece that isn’t afraid to mess around with different ideas.” – Games, Brrraaains & A Head-Banging Life

“The one song from the album released for public listening so far is “No Name, No Marker“, and if you guess that refers to graves, you would be correct. It’s a riveting mix of doom and post-metal with blackened shrieking in the vocal department. After a haunting, grief-stricken opening, the track becomes heavier and more intense by orders of magnitude, eventually becoming a big juggernaut of earthquaking chugs and groaning chords, with guitar leads that shimmer, flicker, and spiral around the powerful rhythms like ghost lights. The wrenching vocals add to the music’s intensity, and the grinding bass solo is a nice touch as well.” – No Clean Singing

“This is an album that’s an extremely accomplished and enjoyable listen.  For a great mix of sludgy doom with progressive, post-metal and atmospheric elements, Longhouse might very well be one of my new favourites.” – Wonderbox Metal

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
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0 NEWS: ToiletOvHell Premiere Ottawa Doom LONGHOUSE ‘Vigil’; New Album ‘II: Vanishing’ Out April 14th

  • April 5, 2017
  • by Asher
  • · Longhouse · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – April 5, 2017

 

For Fans of Cult of Luna, High on Fire, Neurosis, Khemmis, Unearthly Trance

ToiletOvHell Premiere Ottawa Doom LONGHOUSE ‘Vigil’; New Album ‘II: Vanishing’ Out April 14th

Photo Credit – Amber Erica

     Set to unleash their sophomore album “II: Vanishing” digitally on April 14th via their Bandcamp with physical cassette release June 2017 (date to be determined) via Sunmask Records, Ottawa, ON doom metal trio LONGHOUSE has teamed up with ToiletOvHell.com for the exclusive premiere of their second single ‘Vigil’ featuring JD Gobeil from Loviatar.

Vocalist/ bassist Joshua Cayer comments:

“This song was written as a collaborative effort with JD Gobeil from Loviatar. It is an exploration of stories of the Thunderbirds. In First Nations stories and traditions, the Thunderbirds are powerful spirits, second only to the Creator. These immense birds dwell in the mountains and have the primary purpose of protector and nurturer of Mother Earth – guarding her from harm, quenching her thirst, and replenishing her garments. Thunderbirds are the enemy of the horned-serpents, who live deep beneath the waters and threaten to spread across the land and devour all life. They hold a constant vigil, to protect Mother Earth and all life from their foe. The Thunderbird is a good spirit, however, they are to be feared as they are quick to anger by those who ignore or disobey the natural laws, and are indifferent to humans and animals in their guardianship of our Mother, the earth.”

‘Vigil’ can be heard on ToiletOvHell.com at http://www.toiletovhell.com/premiere-longhouse-the-vigil/

and the band’s first single ‘No Name, No Marker’ can be heard at https://longhouse1.bandcamp.com/track/no-name-no-marker-2  

LONGHOUSE came into being in 2013 when guitarist Marc Casey and bassist/vocalist Joshua Cayer turned their long-standing song-writing partnership into a full band with drummer Mike Hache to complete their circle of dark, riffy, heavy textured doom metal. They released their debut album ‘Earth from Water’ in 2015, a spiritual odyssey into the perseverance of the human spirit and the lessons we can learn from the natural world.

In November 2016, LONGHOUSE returned to Wolf Lake Studios to record with Mike Bond (Loviatar, Norilsk, Arms of the Girl) once again as producer and engineer for the outcome to be their sophomore album entitled “II: Vanishing”. The album continues the pleasing progression of their debut while retaining the band’s core sound of heavy, intricate riffs, splashed with a touch of post-metal to guide you on a dark and visceral journey spanning nearly 40 minutes over five tracks.
Cayer adds:

“II: Vanishing has a logical evolution that is evident in the composition, as well as production. I also think that fans should take a moment to reflect on some of themes that are threaded throughout the album.” says vocalist / bassist Joshua Cayer. “The bulk of my ideas musically and lyrically come from exploring Indigenous ways of knowing. I am Algonquin First Nations. My family’s community is Kitigan Zibi, outside of Maniwaki, QC. However, I grew up in the city, mostly detached from my culture. As a father, I have been trying to immerse myself in the stories, wisdom, and strength of our Elders, knowledge keepers and story tellers, so that I can pass that on to my daughters. Because this takes up so much space in terms of who I am, and who I am becoming, it plays a very large part in terms of influences I draw upon.”

Track Listing:
1. Hunter’s Moon (8:38)
2. Vanishing (6:13)
3. Blood And Stone (5:57)
4. No Name, No Marker (7:59)
5. The Vigil (10:06)
EP Length: 38:55
For More Info:
EPK – http://wp.me/pciNW-9KP
http://www.facebook.com/longhouse.ottawa/

– 30 –

“These Canadian doomsters may have a penchant for blistering fuzz-laden riffs, but there’s just as much focus on this, their second album, on atmospherics. Post-metal-influenced sonics are integral from the opening moments of the album, and remain throughout….Longhouse are to be commended for one thing, it’s the skill with which they blend the elements of their sound to provide a full-length that is as primitive as it is sinister.” – Bonded By Metal – 8/10

“Man, I don’t think I’ve been this geeked out about a Canadian post-sludge record since Pyres put out Year of Sleep back in 2013!” – Hellbound.ca – 8/10

“The one song from the album released for public listening so far is “No Name, No Marker“, and if you guess that refers to graves, you would be correct. It’s a riveting mix of doom and post-metal with blackened shrieking in the vocal department. After a haunting, grief-stricken opening, the track becomes heavier and more intense by orders of magnitude, eventually becoming a big juggernaut of earthquaking chugs and groaning chords, with guitar leads that shimmer, flicker, and spiral around the powerful rhythms like ghost lights. The wrenching vocals add to the music’s intensity, and the grinding bass solo is a nice touch as well.” – No Clean Singing

“Longhouse plays a musical style that takes sludge and doom metal and mixes them with with a very heavy vocal approach to create a very dark sounding recording, the production sounds very professional while the lyrics cover various spiritual and occult concepts.”  – Doomed to Darkness

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
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Join AMR Mailing List

0 NEWS: Ottawa Doom LONGHOUSE Stream ‘No Name, No Marker’; New Album ‘II: Vanishing’ Out April 14th

  • March 23, 2017
  • by Asher
  • · Longhouse · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – March 23, 2017

 

For Fans of Cult of Luna, High on Fire, Neurosis, Khemmis, Unearthly Trance

Ottawa Doom LONGHOUSE Stream ‘No Name, No Marker’; New Album ‘II: Vanishing’ Out April 14th

Photo Credit – Amber Erica

     Ottawa, ON’s LONGHOUSE came into being in 2013 when guitarist Marc Casey and bassist/vocalist Joshua Cayer turned their long-standing song-writing partnership into a full band with drummer Mike Hache to complete their circle of dark, riffy, heavy textured doom metal. They released their debut album ‘Earth from Water’ in 2015, a spiritual odyssey into the perseverance of the human spirit and the lessons we can learn from the natural world.

In November 2016, LONGHOUSE returned to Wolf Lake Studios to record with Mike Bond (Loviatar, Norilsk, Arms of the Girl) once again as producer and engineer for the outcome to be their sophomore album entitled “II: Vanishing”. The album continues the pleasing progression of their debut while retaining the band’s core sound of heavy, intricate riffs, splashed with a touch of post-metal to guide you on a dark and visceral journey spanning nearly 40 minutes over five tracks.

“II: Vanishing has a logical evolution that is evident in the composition, as well as production. I also think that fans should take a moment to reflect on some of themes that are threaded throughout the album.” says vocalist / bassist Joshua Cayer. “The bulk of my ideas musically and lyrically come from exploring Indigenous ways of knowing. I am Algonquin First Nations. My family’s community is Kitigan Zibi, outside of Maniwaki, QC. However, I grew up in the city, mostly detached from my culture. As a father, I have been trying to immerse myself in the stories, wisdom, and strength of our Elders, knowledge keepers and story tellers, so that I can pass that on to my daughters. Because this takes up so much space in terms of who I am, and who I am becoming, it plays a very large part in terms of influences I draw upon.”

Those influences can be heard in LONGHOUSE‘s first single “No Name, No Marker”, a song written for the voiceless Indigenous children who were abused and died while forced to attend residential schools in Canada and were buried in unmarked graves.

“No Name, No Marker” streaming at https://longhouse1.bandcamp.com/track/no-name-no-marker-2

Youtube – https://www.youtube.com/watch?v=W0tVcMo2YoY&feature=youtu.be

“II: Vanishing” will be unleashed digitally on April 14th via their Bandcamp with physical cassette release June 2017 (date to be determined) via Sunmask Records.

Track Listing:
1. Hunter’s Moon (8:38)
2. Vanishing (6:13)
3. Blood And Stone (5:57)
4. No Name, No Marker (7:59)
5. The Vigil (10:06)
EP Length: 38:55
For More Info:
EPK – http://wp.me/pciNW-9KP
http://www.facebook.com/longhouse.ottawa/

– 30 –

“The one song from the album released for public listening so far is “No Name, No Marker“, and if you guess that refers to graves, you would be correct. It’s a riveting mix of doom and post-metal with blackened shrieking in the vocal department. After a haunting, grief-stricken opening, the track becomes heavier and more intense by orders of magnitude, eventually becoming a big juggernaut of earthquaking chugs and groaning chords, with guitar leads that shimmer, flicker, and spiral around the powerful rhythms like ghost lights. The wrenching vocals add to the music’s intensity, and the grinding bass solo is a nice touch as well.” – No Clean Singing

“Longhouse plays a musical style that takes sludge and doom metal and mixes them with with a very heavy vocal approach to create a very dark sounding recording, the production sounds very professional while the lyrics cover various spiritual and occult concepts.”  – Doomed to Darkness

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
AsherMediaRelations.com
Join AMR Mailing List

0 NEWS: New Noise Mag Video Premiere BLACK ABSINTHE ‘NOW’; New Album Out ‘Early Signs of Denial’

  • June 22, 2016
  • by Asher
  • · Black Absinthe · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – June 22, 2016

Album Promo Request here.

For fans of Black Sabbath, Killswitch Engage, Motorhead, Mastodon, High On Fire, Coheed and Cambria

Facebook | Twitter @ blackabsintheto | Instagram | YouTube | Bandcamp

New Noise Mag Video Premiere BLACK ABSINTHE ‘NOW’; New Album Out ‘Early Signs of Denial’

Upcoming Show Dates:

July 9 – Sudbury, ON – The Asylum w/ Sludgehammer, Laugh At The Fakes – info

      Toronto, ON heavy metal trio BLACK ABSINTHE have surfaced from the basement to unleash their debut album ‘Early Signs of Denial’ produced by Sum 41’s Dave Baksh (Cross Dog, The Mahones) plus mixed and mastered by Frank Gryner (Rob Zombie- Hillbilly Deluxe). Released recently this past May, the album is the band’s first professional recording to follow their three self recorded EPsLive At Coalition (2014), Noise Complaint (2014) and Augusta (2012).

Teaming up with New Noise Magazine, the band is proud to premiere their video ‘NOW‘ at the following link: http://newnoisemagazine.com/video-premiere-black-absinthe-now/

The band comments on the video:

“The main idea behind ‘NOW’ is about taking advantage of a moment you’ve anticipated for so long, of choosing action over caution. Within the track there’s a shift between the softer more contemplative chorus and the upfront in your face verses. The structure of the song aims to build on that theme of anticipation and impending action. This build ultimately boils over into a killer solo section that sounds like you’re behind the wheel during a high speed car chase. For the video we enlisted the help of Frank Gryner (who had done the mixing and mastering of the album) who came through with a great product. There’s an almost found footage vibe to a lot of the band shots we were really digging. The close-ups of Jack’s fretboard have this really interesting vibe to them. Rather than the smooth movement you get from a modern camera it looks like certain frames have been removed making it look like you’re flipping through a piece of animation. Having those shots of the road and oncoming traffic at night with all the lights speeding towards you captures the theme of the song. Here’s a light, a moment, speeding by you and it’s gone so soon. Contrast that with the shots of the band with that single light on the floor playing the song. ‘Now’ is a moment in time for Black Absinthe, another step on our journey as musicians. The next hurdle is always around the corner so meet it face on!”

The album stream for ‘Early Signs of Denial’ can be heard at the following links:
– https://soundcloud.com/blackabsintheband/sets/early-signs-of-denial
– http://exclaim.ca/music/article/black_absinthe-early_signs_of_denial_album_stream
along with album order at https://blackabsinthe.bandcamp.com/

BLACK ABSINTHE’s powerful heavy riffs and bass lines are reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence ready to be shared with fans new and old alike.

The title “Early Signs of Denial” is a conceptual connection to the themes of fear, corruption, and overcoming disparity, which is explored in the album’s songs. The record has emphasis of crushing modern tone, polished instrumental sections, soaring vocals and a blending of contemporary and classic metal. With each track, this unique record represents different aspects of BLACK ABSINTHE’s diversity in song writing. The band does not tread lightly over their new wave of British heavy metal song style or their technical and progressive metal influences.

1. The Wild (3:50)
2. Is This Life (4:42)
3. Berj Khalifa (3:19)
4. Pigs (4:03)
5. NOW (3:58)
6. Winter (6:23)
Album Length: 26:18

For more info, please visit: https://www.facebook.com/blackabsintheband.

About:

Formed in 2011 by vocalist and guitarist Jack Cerre, bassist Kyle Scarlett and drummer Austin Henderson, the trio continue to rip through the underground Toronto metal scene without pause.

Compounding heavy riffs and bass lines reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence, Black Absinthe presents a solid example of a Canadian metal band. They’re road hungry, influenced plus supported by other driven Canadian musicians and most of all, ready to innovate and grow the traditions of a genre they venerate and respect. As leaders in the scene, Black Absinthe were headlining Toronto semi-finalists in the Wacken Metal Battle Canada 2015.

With a new year ahead, Black Absinthe pushes on with their desire to provide their fans in Canada and online with a cleaner and heavier presentation of their sound. The years incubating in Toronto’s metal underground have served the band well. From their 2012 debut EP Augusta to their 2014 EP Noise Complaint, both releases have established the band’s sound as well as their stage presence, leading to their driven heavy metal machine. Now in 2016, Black Absinthe are ready to release their debut studio album Early Signs Of Denial (May 13, 2016). The album was produced by Dave Baksh (Cross Dog, The Mahones) out of the Gentleman’s Den studio in Pickering, ON who’s experience proved to be the final touch; aiding in refining drum dynamics, smoothing the transitions and layering harmonic guitar lines. Black Absinthe’s Early Signs Of Denial sound is a leading example of the contemporary Canadian metal scene serving to showcase how the band sounds in a crisp, powerful, and ultimately more professional recording environment.

The title “Early Signs of Denial” is a conceptual connection to the themes of fear, corruption, and overcoming disparity, which is explored in the songs. The record has emphasis of crushing modern tone, polished instrumental sections, soaring vocals and a blending of contemporary and classic metal. With each track, this unique record represents different aspects of Black Absinthe’s diversity in song writing. The band does not tread lightly over their new wave of British heavy metal song style or their technical and progressive metal influences.

Through the bands expanding network cultivated through Coalition Music’s “Artist Entrepreneur Program”, they chose Frank Gryner (Rob Zombie- Hillbilly Deluxe) to mix and master the album in the Winter of 2015. His strong ability to work with a diversity of sounds was the appeal to the band. His mixing took the album into the sonic spheres of a classic 80’s sound providing, grandeur, psychedelia, and an arena rock feel that could properly represent the textures put down in tracking. There was an immediate trust formed with the stylistic choices Gryner made throughout mixing.

– 30 –

—

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#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
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0 OUT NOW! BLACK ABSINTHE ‘Early Signs of Denial’; Post Full Album Stream

  • May 13, 2016
  • by Asher
  • · Black Absinthe · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – May 13, 2016

EP Promo Request here.

For fans of Black Sabbath, Killswitch Engage, Motorhead, Mastodon, High On Fire, Coheed and Cambria

Facebook | Twitter @ blackabsintheto | Instagram | YouTube | Bandcamp

OUT NOW! BLACK ABSINTHE ‘Early Signs of Denial’; Post Full Album Stream

Upcoming Show Dates:

May 13 – Oshawa, ON @ The Atria – Event info
May 14 – Toronto, ON @ Coalition T.O. (CD Release Show) – Event info

      Toronto, ON heavy metal trio BLACK ABSINTHE have surfaced from the basement to unleash their debut album ‘Early Signs of Denial’ produced by Sum 41’s Dave Baksh (Cross Dog, The Mahones) plus mixed and mastered by Frank Gryner (Rob Zombie- Hillbilly Deluxe). Out now as of May 13th, 2016, the album is the band’s first professional recording to follow their three self recorded EPs Live At Coalition (2014), Noise Complaint (2014) and Augusta (2012).

The album stream can be heard at the following links:
– https://soundcloud.com/blackabsintheband/sets/early-signs-of-denial
– http://exclaim.ca/music/article/black_absinthe-early_signs_of_denial_album_stream
along with album order at https://blackabsinthe.bandcamp.com/

“This was our first foray into recording in a studio environment plus working with a producer and mixer. Having a team of people around us helped us produce better songs at a higher quality to give our fans the chance to hear what we’re truly about without the barrier of poor recordings. It’s our jump from the basement to the studio, the raw energy is still there, but there’s an added level of detail to each track. We wanted to make a significant jump forward in quality and songwriting plus for fans who have been following us, we think they’ll be pleasantly surprised.” comments vocalist/guitarist Jack Cerre.

BLACK ABSINTHE’s powerful heavy riffs and bass lines are reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence ready to be shared with fans new and old alike.

The title “Early Signs of Denial” is a conceptual connection to the themes of fear, corruption, and overcoming disparity, which is explored in the album’s songs. The record has emphasis of crushing modern tone, polished instrumental sections, soaring vocals and a blending of contemporary and classic metal. With each track, this unique record represents different aspects of BLACK ABSINTHE’s diversity in song writing. The band does not tread lightly over their new wave of British heavy metal song style or their technical and progressive metal influences.

1. The Wild (3:50) [MetalNationRadio]
2. Is This Life (4:42)
3. Berj Khalifa (3:19)
4. Pigs (4:03)
5. NOW (3:58) [MMK]
6. Winter (6:23) [Hellbound]
Album Length: 26:18

For more info, please visit: https://www.facebook.com/blackabsintheband.

About:

Formed in 2011 by vocalist and guitarist Jack Cerre, bassist Kyle Scarlett and drummer Austin Henderson, the trio continue to rip through the underground Toronto metal scene without pause.

Compounding heavy riffs and bass lines reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence, Black Absinthe presents a solid example of a Canadian metal band. They’re road hungry, influenced plus supported by other driven Canadian musicians and most of all, ready to innovate and grow the traditions of a genre they venerate and respect. As leaders in the scene, Black Absinthe were headlining Toronto semi-finalists in the Wacken Metal Battle Canada 2015.

With a new year ahead, Black Absinthe pushes on with their desire to provide their fans in Canada and online with a cleaner and heavier presentation of their sound. The years incubating in Toronto’s metal underground have served the band well. From their 2012 debut EP Augusta to their 2014 EP Noise Complaint, both releases have established the band’s sound as well as their stage presence, leading to their driven heavy metal machine. Now in 2016, Black Absinthe are ready to release their debut studio album Early Signs Of Denial (May 13, 2016). The album was produced by Dave Baksh (Cross Dog, The Mahones) out of the Gentleman’s Den studio in Pickering, ON who’s experience proved to be the final touch; aiding in refining drum dynamics, smoothing the transitions and layering harmonic guitar lines. Black Absinthe’s Early Signs Of Denial sound is a leading example of the contemporary Canadian metal scene serving to showcase how the band sounds in a crisp, powerful, and ultimately more professional recording environment.

The title “Early Signs of Denial” is a conceptual connection to the themes of fear, corruption, and overcoming disparity, which is explored in the songs. The record has emphasis of crushing modern tone, polished instrumental sections, soaring vocals and a blending of contemporary and classic metal. With each track, this unique record represents different aspects of Black Absinthe’s diversity in song writing. The band does not tread lightly over their new wave of British heavy metal song style or their technical and progressive metal influences.

Through the bands expanding network cultivated through Coalition Music’s “Artist Entrepreneur Program”, they chose Frank Gryner (Rob Zombie- Hillbilly Deluxe) to mix and master the album in the Winter of 2015. His strong ability to work with a diversity of sounds was the appeal to the band. His mixing took the album into the sonic spheres of a classic 80’s sound providing, grandeur, psychedelia, and an arena rock feel that could properly represent the textures put down in tracking. There was an immediate trust formed with the stylistic choices Gryner made throughout mixing.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
AsherMediaRelations.com
Join AMR Mailing List
Brutal Battle Cuba
Armstrong Metal Fest
Farmageddon Open Air
Test Your Metal Records
Wacken Metal Battle Canada
Black Mourning Light Metal Fest
ShrEdmonton Fest & Conference

0 NEWS: BLACK ABSINTHE Full Album Stream ‘Early Signs of Denial’ via Exclaim!

  • May 6, 2016
  • by Asher
  • · Black Absinthe · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – May 6, 2016

EP Promo Request here.

For fans of Black Sabbath, Killswitch Engage, Motorhead, Mastodon, High On Fire, Coheed and Cambria

Facebook | Twitter @ blackabsintheto | Instagram | YouTube | Bandcamp

BLACK ABSINTHE Full Album Stream ‘Early Signs of Denial’ via Exclaim!

Debut Album ‘Early Signs of Denial’ Due Out May 13th

Upcoming Show Dates:

May 13 – Oshawa, ON @ The Atria – Event info
May 14 – Toronto, ON @ Coalition T.O. (CD Release Show) – Event info

      Toronto, ON heavy metal trio BLACK ABSINTHE are surfacing from the basement to team up with Exclaim! and unleash the full stream of their debut album ‘Early Signs of Denial’ produced by Dave Baksh (Cross Dog, The Mahones) plus mixed and mastered by Frank Gryner (Rob Zombie- Hillbilly Deluxe). Set for release on May 13th, 2016, the album is the band’s first professional recording to follow their three self recorded EPs Live At Coalition (2014), Noise Complaint (2014) and Augusta (2012).

BLACK ABSINTHE’s powerful heavy riffs and bass lines are reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence ready to be shared with fans new and old alike.

To hear the full album stream for ‘Early Signs of Denial’, please visit the following link at Exclaim!: http://exclaim.ca/music/article/black_absinthe-early_signs_of_denial_album_stream 

The title “Early Signs of Denial” is a conceptual connection to the themes of fear, corruption, and overcoming disparity, which is explored in the album’s songs. The record has emphasis of crushing modern tone, polished instrumental sections, soaring vocals and a blending of contemporary and classic metal. With each track, this unique record represents different aspects of BLACK ABSINTHE’s diversity in song writing. The band does not tread lightly over their new wave of British heavy metal song style or their technical and progressive metal influences.

Album Pre-order – https://blackabsinthe.bandcamp.com/

1. The Wild (3:50) [MetalNationRadio]
2. Is This Life (4:42)
3. Berj Khalifa (3:19)
4. Pigs (4:03)
5. NOW (3:58) [MMK]
6. Winter (6:23) [Hellbound]
Album Length: 26:18

For more info, please visit: https://www.facebook.com/blackabsintheband.

About:

 

Formed in 2011 by vocalist and guitarist Jack Cerre, bassist Kyle Scarlett and drummer Austin Henderson, the trio continue to rip through the underground Toronto metal scene without pause.

Compounding heavy riffs and bass lines reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence, Black Absinthe presents a solid example of a Canadian metal band. They’re road hungry, influenced plus supported by other driven Canadian musicians and most of all, ready to innovate and grow the traditions of a genre they venerate and respect. As leaders in the scene, Black Absinthe were headlining Toronto semi-finalists in the Wacken Metal Battle Canada 2015.

With a new year ahead, Black Absinthe pushes on with their desire to provide their fans in Canada and online with a cleaner and heavier presentation of their sound. The years incubating in Toronto’s metal underground have served the band well. From their 2012 debut EP Augusta to their 2014 EP Noise Complaint, both releases have established the band’s sound as well as their stage presence, leading to their driven heavy metal machine. Now in 2016, Black Absinthe are ready to release their debut studio album Early Signs Of Denial (May 13, 2016). The album was produced by Dave Baksh (Cross Dog, The Mahones) out of the Gentleman’s Den studio in Pickering, ON who’s experience proved to be the final touch; aiding in refining drum dynamics, smoothing the transitions and layering harmonic guitar lines. Black Absinthe’s Early Signs Of Denial sound is a leading example of the contemporary Canadian metal scene serving to showcase how the band sounds in a crisp, powerful, and ultimately more professional recording environment.

The title “Early Signs of Denial” is a conceptual connection to the themes of fear, corruption, and overcoming disparity, which is explored in the songs. The record has emphasis of crushing modern tone, polished instrumental sections, soaring vocals and a blending of contemporary and classic metal. With each track, this unique record represents different aspects of Black Absinthe’s diversity in song writing. The band does not tread lightly over their new wave of British heavy metal song style or their technical and progressive metal influences.

Through the bands expanding network cultivated through Coalition Music’s “Artist Entrepreneur Program”, they chose Frank Gryner (Rob Zombie- Hillbilly Deluxe) to mix and master the album in the Winter of 2015. His strong ability to work with a diversity of sounds was the appeal to the band. His mixing took the album into the sonic spheres of a classic 80’s sound providing, grandeur, psychedelia, and an arena rock feel that could properly represent the textures put down in tracking. There was an immediate trust formed with the stylistic choices Gryner made throughout mixing.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
AsherMediaRelations.com
Join AMR Mailing List
Brutal Battle Cuba
Armstrong Metal Fest
Farmageddon Open Air
Test Your Metal Records
Wacken Metal Battle Canada
Black Mourning Light Metal Fest
ShrEdmonton Fest & Conference

0 NEWS: The Time Is ‘NOW’! BLACK ABSINTHE Streaming New Track via Metal Master Kingdom; Debut Album ‘Early Signs of Denial’ Due Out May 13th

  • April 28, 2016
  • by Asher
  • · Black Absinthe · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – April 28, 2016

EP Promo Request here.

For fans of Black Sabbath, Killswitch Engage, Motorhead, Mastodon, High On Fire, Coheed and Cambria

Facebook | Twitter @ blackabsintheto | Instagram | YouTube | Bandcamp

The Time Is ‘NOW’! BLACK ABSINTHE Streaming New Track via Metal Master Kingdom

Debut Album ‘Early Signs of Denial’ Due Out May 13th

Upcoming Show Dates:

May 13 – Oshawa, ON @ The Atria – Event info
May 14 – Toronto, ON @ Coalition T.O. (CD Release Show) – Event info

      Toronto, ON heavy metal trio BLACK ABSINTHE are surfacing from the basement to unleash new tunes from their debut album ‘Early Signs of Denial’ produced by Dave Baksh (Cross Dog, The Mahones) plus mixed and mastered by Frank Gryner (Rob Zombie- Hillbilly Deluxe). Set for release on May 13th, 2016, the album is the band’s first professional recording to follow their three self recorded EPs Live At Coalition (2014), Noise Complaint (2014) and Augusta (2012).

BLACK ABSINTHE’s powerful heavy riffs and bass lines are reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence ready to be shared with fans new and old alike. The band recently teamed up with MetalMasterKingdom.com to premiere their third single ‘NOW’.

Bassist Kyle Scarlett comments on “NOW”:

“‘NOW is one of our favorites to play of the new songs. We wanted to build a song around a solid open chug you hear in a lot of NWOBHM. The chorus veers off from the old school metal vibe and comes back full force with some screams. The solo section was a lot of fun to work on in the studio, did a lot of layers and got it sounding mean. All in all a solid rager that gives ya little sections to breathe! To add, the lyrics are about the philosophy of time, thinking of what you want, but at the cost of what you have to do to get it.”

To listen to ‘NOW’, please visit the following link: http://www.metalmasterkingdom.com/home/black-absinthe-stream-now-metal-master-kingdom

The title “Early Signs of Denial” is a conceptual connection to the themes of fear, corruption, and overcoming disparity, which is explored in the album’s songs. The record has emphasis of crushing modern tone, polished instrumental sections, soaring vocals and a blending of contemporary and classic metal. With each track, this unique record represents different aspects ofBLACK ABSINTHE’s diversity in song writing. The band does not tread lightly over their new wave of British heavy metal song style or their technical and progressive metal influences.

Album Pre-order – https://blackabsinthe.bandcamp.com/ 

1. The Wild (3:50) [MetalNationRadio]
2. Is This Life (4:42)
3. Berj Khalifa (3:19)
4. Pigs (4:03)
5. NOW (3:58)
6. Winter (6:23) [Hellbound]
Album Length: 26:18

For more info, please visit: https://www.facebook.com/blackabsintheband.

About:

Formed in 2011 by vocalist and guitarist Jack Cerre, bassist Kyle Scarlett and drummer Austin Henderson, the trio continue to rip through the underground Toronto metal scene without pause.

Compounding heavy riffs and bass lines reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence, Black Absinthe presents a solid example of a Canadian metal band. They’re road hungry, influenced plus supported by other driven Canadian musicians and most of all, ready to innovate and grow the traditions of a genre they venerate and respect. As leaders in the scene, Black Absinthe were headlining Toronto semi-finalists in the Wacken Metal Battle Canada 2015.

With a new year ahead, Black Absinthe pushes on with their desire to provide their fans in Canada and online with a cleaner and heavier presentation of their sound. The years incubating in Toronto’s metal underground have served the band well. From their 2012 debut EP Augusta to their 2014 EP Noise Complaint, both releases have established the band’s sound as well as their stage presence, leading to their driven heavy metal machine. Now in 2016, Black Absinthe are ready to release their debut studio album Early Signs Of Denial (May 13, 2016). The album was produced by Dave Baksh (Cross Dog, The Mahones) out of the Gentleman’s Den studio in Pickering, ON who’s experience proved to be the final touch; aiding in refining drum dynamics, smoothing the transitions and layering harmonic guitar lines. Black Absinthe’s Early Signs Of Denial sound is a leading example of the contemporary Canadian metal scene serving to showcase how the band sounds in a crisp, powerful, and ultimately more professional recording environment.

The title “Early Signs of Denial” is a conceptual connection to the themes of fear, corruption, and overcoming disparity, which is explored in the songs. The record has emphasis of crushing modern tone, polished instrumental sections, soaring vocals and a blending of contemporary and classic metal. With each track, this unique record represents different aspects of Black Absinthe’s diversity in song writing. The band does not tread lightly over their new wave of British heavy metal song style or their technical and progressive metal influences.

Through the bands expanding network cultivated through Coalition Music’s “Artist Entrepreneur Program”, they chose Frank Gryner (Rob Zombie- Hillbilly Deluxe) to mix and master the album in the Winter of 2015. His strong ability to work with a diversity of sounds was the appeal to the band. His mixing took the album into the sonic spheres of a classic 80’s sound providing, grandeur, psychedelia, and an arena rock feel that could properly represent the textures put down in tracking. There was an immediate trust formed with the stylistic choices Gryner made throughout mixing.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
AsherMediaRelations.com
Join AMR Mailing List
Brutal Battle Cuba
Armstrong Metal Fest
Farmageddon Open Air
Test Your Metal Records
Wacken Metal Battle Canada
Black Mourning Light Metal Fest
ShrEdmonton Fest & Conference

0 ‘Winter’ Is Not Over Yet! BLACK ABSINTHE Streaming New Track via Hellbound.ca; Debut Album ‘Early Signs of Denial’ Due Out May 13th

  • April 14, 2016
  • by Asher
  • · Uncategorized

(contact info below)

NEWS RELEASE

Montreal, QC – April 14, 2016

EP Promo Request here.

For fans of Black Sabbath, Killswitch Engage, Motorhead, Mastodon, High On Fire, Coheed and Cambria

Facebook | Twitter @ blackabsintheto | Instagram | YouTube | Bandcamp

‘Winter’ Is Not Over Yet! BLACK ABSINTHE Streaming New Track via Hellbound.ca

Debut Album ‘Early Signs of Denial’ Due Out May 13th

Upcoming Show Dates:

May 13 – Oshawa, ON @ The Atria – Event info
May 14 – Toronto, ON @ Coalition T.O. (CD Release Show) – Event info

      Toronto, ON heavy metal trio BLACK ABSINTHE are surfacing from the basement to unleash new tunes from their debut album ‘Early Signs of Denial’produced by Dave Baksh (Cross Dog, The Mahones) plus mixed and mastered by Frank Gryner (Rob Zombie- Hillbilly Deluxe). Set for release on May 13th, 2016, the album is the band’s first professional recording to follow their three self recorded EPs Live At Coalition (2014), Noise Complaint (2014) and Augusta (2012).

BLACK ABSINTHE’s powerful heavy riffs and bass lines are reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence ready to be shared with fans new and old alike. The band recently teamed up with Hellbound.ca to premiere their second single ‘Winter’.

Vocalist/ guitarist Jack Cerre comments on “Winter”:

 

“‘Winter’ is one of our favourite tracks to play live, and the experimentation during production surprised us! The song is about a family crossing the frozen St. Lawrence River during the settlement of Canada. There are French and English lyrics about a struggle against time and nature. While recording, the song exploded with harmony. (Producer) Dave Baksh and I worked out a lot of interesting guitar work, really just ear candy for true metal fans. It’s an epic, so let the wind wash over you and take you to a cold dark place.”

To listen to ‘Winter’, please visit the following link: http://hellbound.ca/2016/04/black-absinthe-winter-track-premiere/

The title “Early Signs of Denial” is a conceptual connection to the themes of fear, corruption, and overcoming disparity, which is explored in the album’s songs. The record has emphasis of crushing modern tone, polished instrumental sections, soaring vocals and a blending of contemporary and classic metal. With each track, this unique record represents different aspects of BLACK ABSINTHE’s diversity in song writing. The band does not tread lightly over their new wave of British heavy metal song style or their technical and progressive metal influences.

Album Pre-order – https://blackabsinthe.bandcamp.com/

1. The Wild (3:50) [MetalNationRadio]
2. Is This Life (4:42)
3. Berj Khalifa (3:19)
4. Pigs (4:03)
5. NOW (3:58)
6. Winter (6:23)
Album Length: 26:18

For more info, please visit: https://www.facebook.com/blackabsintheband.

About:

 

Formed in 2011 by vocalist and guitarist Jack Cerre, bassist Kyle Scarlett and drummer Austin Henderson, the trio continue to rip through the underground Toronto metal scene without pause.

Compounding heavy riffs and bass lines reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence, Black Absinthe presents a solid example of a Canadian metal band. They’re road hungry, influenced plus supported by other driven Canadian musicians and most of all, ready to innovate and grow the traditions of a genre they venerate and respect. As leaders in the scene, Black Absinthe were headlining Toronto semi-finalists in the Wacken Metal Battle Canada 2015.

With a new year ahead, Black Absinthe pushes on with their desire to provide their fans in Canada and online with a cleaner and heavier presentation of their sound. The years incubating in Toronto’s metal underground have served the band well. From their 2012 debut EP Augusta to their 2014 EP Noise Complaint, both releases have established the band’s sound as well as their stage presence, leading to their driven heavy metal machine. Now in 2016, Black Absinthe are ready to release their debut studio album Early Signs Of Denial (May 13, 2016). The album was produced by Dave Baksh (Cross Dog, The Mahones) out of the Gentleman’s Den studio in Pickering, ON who’s experience proved to be the final touch; aiding in refining drum dynamics, smoothing the transitions and layering harmonic guitar lines. Black Absinthe’s Early Signs Of Denial sound is a leading example of the contemporary Canadian metal scene serving to showcase how the band sounds in a crisp, powerful, and ultimately more professional recording environment.

The title “Early Signs of Denial” is a conceptual connection to the themes of fear, corruption, and overcoming disparity, which is explored in the songs. The record has emphasis of crushing modern tone, polished instrumental sections, soaring vocals and a blending of contemporary and classic metal. With each track, this unique record represents different aspects of Black Absinthe’s diversity in song writing. The band does not tread lightly over their new wave of British heavy metal song style or their technical and progressive metal influences.

Through the bands expanding network cultivated through Coalition Music’s “Artist Entrepreneur Program”, they chose Frank Gryner (Rob Zombie- Hillbilly Deluxe) to mix and master the album in the Winter of 2015. His strong ability to work with a diversity of sounds was the appeal to the band. His mixing took the album into the sonic spheres of a classic 80’s sound providing, grandeur, psychedelia, and an arena rock feel that could properly represent the textures put down in tracking. There was an immediate trust formed with the stylistic choices Gryner made throughout mixing.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
AsherMediaRelations.com
Join AMR Mailing List
Brutal Battle Cuba
Armstrong Metal Fest
Farmageddon Open Air
Test Your Metal Records
Wacken Metal Battle Canada
Black Mourning Light Metal Fest
ShrEdmonton Fest & Conference

0 NEWS: BLACK ABSINTHE Premiere ‘The Wild’ From Upcoming Debut Album ‘Early Signs of Denial’

  • April 1, 2016
  • by Asher
  • · Black Absinthe · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – April 1, 2016

EP Promo Request here.

For fans of Black Sabbath, Killswitch Engage, Motorhead, Mastodon, High On Fire, Coheed and Cambria

Facebook | Twitter @ blackabsintheto | Instagram | YouTube | Bandcamp

MetalNationRadio Premiere BLACK ABSINTHE ‘The Wild’ From Upcoming Debut Album ‘Early Signs of Denial’ Due Out May 13th

Upcoming Show Dates:

May 14 – Toronto, ON @ Coalition T.O. (CD Release Show) – Event info

      Toronto, ON heavy metal trio BLACK ABSINTHE are surfacing from the basement to unleash new tunes from their debut album ‘Early Signs of Denial’produced by Dave Baksh (Cross Dog, The Mahones) plus mixed and mastered by Frank Gryner (Rob Zombie- Hillbilly Deluxe). Set for release on May 13th, 2016, the album is the band’s first professional recording to follow their three self recorded EPs Live At Coalition (2014), Noise Complaint (2014) and Augusta (2012).

“This was our first foray into recording in a studio environment plus working with a producer and mixer. Having a team of people around us helped us produce better songs at a higher quality to give our fans the chance to hear what we’re truly about without the barrier of poor recordings. It’s our jump from the basement to the studio, the raw energy is still there, but there’s an added level of detail to each track. We wanted to make a significant jump forward in quality and songwriting plus for fans who have been following us, we think they’ll be pleasantly surprised.” comments vocalist/guitarist Jack Cerre.

BLACK ABSINTHE’s powerful heavy riffs and bass lines are reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence ready to be shared with fans new and old alike. Teaming up withMetalNationRadio.com, the band is proud to premiere their first single ‘The Wild’. 

“The Wild is the first song from a culmination of two years of work, our blasting out of the gate declaration of freedom. Don’t overthink it, ROCK OUT! It’s about taking your life into the heat of the fire, crashing and burning at the feet of desire.” comments vocalist / guitarist Jack Cerre.

To listen to ‘The Wild’, please visit the following link: http://metalnationradio.ca/song-premiere-black-absinthe/

The title “Early Signs of Denial” is a conceptual connection to the themes of fear, corruption, and overcoming disparity, which is explored in the album’s songs. The record has emphasis of crushing modern tone, polished instrumental sections, soaring vocals and a blending of contemporary and classic metal. With each track, this unique record represents different aspects of BLACK ABSINTHE’s diversity in song writing. The band does not tread lightly over their new wave of British heavy metal song style or their technical and progressive metal influences.

Album Pre-order – https://blackabsinthe.bandcamp.com/ 

1. The Wild (3:50)
2. Is This Life (4:42)
3. Berj Khalifa (3:19)
4. Pigs (4:03)
5. NOW (3:58)
6. Winter (6:23)
Album Length: 26:18

For more info, please visit: https://www.facebook.com/blackabsintheband.

About:

Formed in 2011 by vocalist and guitarist Jack Cerre, bassist Kyle Scarlett and drummer Austin Henderson, the trio continue to rip through the underground Toronto metal scene without pause.

Compounding heavy riffs and bass lines reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence, Black Absinthe presents a solid example of a Canadian metal band. They’re road hungry, influenced plus supported by other driven Canadian musicians and most of all, ready to innovate and grow the traditions of a genre they venerate and respect. As leaders in the scene, Black Absinthe were headlining Toronto semi-finalists in the Wacken Metal Battle Canada 2015.

With a new year ahead, Black Absinthe pushes on with their desire to provide their fans in Canada and online with a cleaner and heavier presentation of their sound. The years incubating in Toronto’s metal underground have served the band well. From their 2012 debut EP Augusta to their 2014 EP Noise Complaint, both releases have established the band’s sound as well as their stage presence, leading to their driven heavy metal machine. Now in 2016, Black Absinthe are ready to release their debut studio album Early Signs Of Denial (May 13, 2016). The album was produced by Dave Baksh (Cross Dog, The Mahones) out of the Gentleman’s Den studio in Pickering, ON who’s experience proved to be the final touch; aiding in refining drum dynamics, smoothing the transitions and layering harmonic guitar lines. Black Absinthe’s Early Signs Of Denial sound is a leading example of the contemporary Canadian metal scene serving to showcase how the band sounds in a crisp, powerful, and ultimately more professional recording environment.

The title “Early Signs of Denial” is a conceptual connection to the themes of fear, corruption, and overcoming disparity, which is explored in the songs. The record has emphasis of crushing modern tone, polished instrumental sections, soaring vocals and a blending of contemporary and classic metal. With each track, this unique record represents different aspects of Black Absinthe’s diversity in song writing. The band does not tread lightly over their new wave of British heavy metal song style or their technical and progressive metal influences.

Through the bands expanding network cultivated through Coalition Music’s “Artist Entrepreneur Program”, they chose Frank Gryner (Rob Zombie- Hillbilly Deluxe) to mix and master the album in the Winter of 2015. His strong ability to work with a diversity of sounds was the appeal to the band. His mixing took the album into the sonic spheres of a classic 80’s sound providing, grandeur, psychedelia, and an arena rock feel that could properly represent the textures put down in tracking. There was an immediate trust formed with the stylistic choices Gryner made throughout mixing.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
AsherMediaRelations.com
Join AMR Mailing List
Brutal Battle Cuba
Armstrong Metal Fest
Farmageddon Open Air
Test Your Metal Records
Wacken Metal Battle Canada
Black Mourning Light Metal Fest
ShrEdmonton Fest & Conference
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