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Tag: heavy metal news 2026

0 Thrashers QUEMASANTOS Unleashes New Video “One Foot In Hell” From Concept Album “Stranded In Hell” Out Oct 2026 + Launch Pre-Order

  • September 3, 2026
  • by Asher
  • · Music News · QUEMASANTOS

NEWS RELEASE

Montreal, QC – September 3, 2026

QUEMASANTOS Unleashes New Video “One Foot In Hell”

Concept Album “Stranded In Hell” Out Oct 2026 + Launch Pre-Order

New York-based metal project QUEMASANTOS has officially opened digital pre-orders for its forthcoming second album, “Stranded In Hell,” and has simultaneously released the album’s opening track, “One Foot In Hell,” accompanied by its official lyric video.

WATCH THE OFFICIAL “ONE FOOT IN HELL” LYRIC VIDEO:​
​https://www.youtube.com/watch?v=03U1aPIF5Ls

​DIGITAL PRE-ORDER STRANDED IN HELL:​
​https://quemasantos.bandcamp.com/album/stranded-in-hell​

Fans who pre-order the album digitally can immediately hear “One Foot In Hell,” the first chapter of the eleven-song descent that makes up Stranded In Hell.

Musically, “One Foot In Hell” draws heavily from the aggressive character of late-’80s and early-’90s thrash and death metal. The song began with the memory of the type of fast, old-school, Pestilence-influenced drumming that QUEMASANTOS founder Ignacio Orellana had always been drawn to, but it developed into something broader as the composition took shape.

The track combines fast thrash-driven sections with a contrasting middle passage that became the foundation for its guitar solo section, carrying influences that Orellana associates with bands including Anthrax, Metallica, and elements of his own musical history.

Joining QUEMASANTOS on “One Foot In Hell” is Colombian guitarist Juancho Gómez of Masacre, whose performance brings another direct connection to the South American death metal tradition that has influenced Orellana throughout his career.

Ignacio Orellana

Orellana comments:

“One Foot In Hell was actually one of the last songs that came together for the album, but once it was finished, I knew it was the right place to begin. It has that old-school aggression I grew up loving, but it also contains several different pieces of my own musical history. For me, it became the perfect first step into Stranded In Hell.”

Nelson Diaz

Vocalist and lyricist Nelson “Sr. Díaz” describes the track:

“One Foot In Hell is one of the most intense songs I’ve recorded in recent years. Many different styles coexist harmoniously within it, along with a high level of vocal demand. I believe the infernal horror it presents is captured faithfully through a demonically powerful yet technical performance that will take us into a paroxysm of metal.”

“Stranded In Hell” marks the second QUEMASANTOS album featuring Sr. Díaz on vocals and lyrics, and the first album by the project performed entirely in English.

The record was constructed differently from a traditional band recording process. Orellana composed the majority of the material beginning with the bass, followed by drums and guitars, allowing the bass to function as an independent compositional voice rather than simply following the guitar arrangements.

“One Foot In Hell” was the notable exception: its composition began with the guitars.

The finished album features 11 songs and 11 guest guitarists, with musicians from across the international metal scene contributing to individual tracks.

Track Listing:​
1. One Foot In Hell (Juancho Gómez – Masacre, Colombia)
2. Burning The Black (Felipe Roa – Acaro, USA)
3. Succubus (Héctor Guzmán – Distraught, Chile)
4. Stalking Sharks (Marco Cusato, Chile)
5. Nameless (Joe Sims – Axemaster, USA)
6. Red Planet (Regisson Silva – Masterpiece, Brazil)
7. Vampire (Richard Pilnik, Chile)
8. The Oneironaut (Cristian Ira – Nimrod, Chile)
9. Under The Moonlight (Sebastián Osorio – Reigning, Chile)
10. Before The Law (Yanko Tolić – Massakre, Chile)
11. Lex Talionis (Enrique Zúñiga – Atomic Aggressor, Chile)

QUEMASANTOS

Ignacio Orellana — Drums, Bass, Music, Production, Mixing & Mastering
​Nelson “Sr. Díaz” — Vocals & Lyrics

Guest Solo Guitarists

Juancho Gómez — Masacre
Felipe Roa — Acaro
Héctor Guzmán — Distraught
Marco Cusato
Joe Sims — Axemaster
Regisson Silva — Masterpiece
Richard Pilnik
Cristian Ira — Nimrod
Sebastián Osorio — Reigning
Yanko Tolić — Massakre
Enrique Zúñiga — Atomic Aggressor

Vocals were recorded at Estudios Ultrasónico with Arturo Contreras and Estudios Attic with Marco Cusato.

The album was produced, mixed, and mastered by Ignacio Orellana at Oily Sound Studios in New York.

LISTENING PARTY:​
​https://quemasantos.bandcamp.com/live/quemasantos-stranded-in-hell-listening-party​

DIGMETALWORLD:​
​https://www.digmetalworld.com​

More info:

​https://quemasantos.com

​https://instagram.com/quemasantos1

​https://www.facebook.com/quemasantos

​https://x.com/quemasantos1​

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0 Blackened Thrashers ETERNAL DRAK Unleashes New Video “We Force It To Speak” + Quebec Tour Dates For Sixth Album “The Violence of Time” Out Now!

  • August 28, 2026
  • by Asher
  • · Eternal Drak · Music News

NEWS RELEASE

Montreal, QC – August 28, 2026

Blackened Thrashers ETERNAL DRAK Unleashes New Video “We Force It To Speak”

+ Quebec Tour Dates For Sixth Album “The Violence of Time” Out Now!

Eternal Drak has released the official music video for “We Force It To Speak”, taken from the band’s newly issued sixth album, “The Violence of Time.” The track, a dense and atmospheric black‑metal assault that opens up the record and embodies the album’s central thesis: that the human attempt to explain reality doesn’t clarify it; it distorts it.

“Trying to understand time doesn’t reveal it. It distorts it… Truth isn’t discovered. It’s enforced,” says the band.
​
The new video amplifies that tension, merging bleak imagery with the song’s shifting textures, from acoustic passages to suffocating walls of distortion, creating a visual and sonic immersion into Eternal Drak’s conceptual universe.

The video can be watched at https://www.youtube.com/watch?v=JKSsZR39cYU

​​“The Violence of Time’ is a ten‑track exploration of time as a hostile force, not a neutral medium, but an active pressure that erodes memory, identity, and causality. The band frames time as something that “does not flow; it imposes… it does not reveal meaning; it destroys it.”
​
Musically, the album is built for old‑school metal devotees: those who crave the rawness of thrash, the darkness of black metal, and the severity of death metal. Eternal Drak’s evolution is on full display, from analog aggression to modern digital density. Each track is a conceptual “violent thesis,” demolishing traditional ideas of past, present, and future. Rather than telling stories, the songs function as reflections of a larger narrative: a short story written by Andres Martinez Torres (Drakar), the band’s main songwriter, about an individual who realizes that time cannot be described, only confronted.

Over the years, Eternal Drak has evolved from raw thrash‑and‑black foundations into a dynamic force shaped by death metal, groove, and even Latin folk influences. Their sound has grown alongside the metal scene itself, adapting to new tools and technologies while preserving the intensity and character that define the band.

Recommended for fans of Dimmu Borgir, Watain, Kreator, Motörhead, and Desaster, experience “The Violence of Time” in its entirety at the following links

“The Violence of Time” (released July 17th, 2026) is available at the following links:

Band website – https://eternaldrak.com/the-violence-of-time​

Bandcamp – https://eternaldrak.bandcamp.com/​

Spotify – https://open.spotify.com/album/5wq0pSkPFNlU7BtqE0R5J2

​

YouTube – https://www.youtube.com/watch?v=DS3ueL-cETg​

Tour Dates – Eternal Drak​
Sept 4 – Quebec City, QC – Sonum
Oct 17 – Saint-Marie, QC – Bar Café Notre-Dame
Oct 31 – Montreal, QC – Piranha Bar

Track Listing:​
1. We Force It To Speak – 5:15
2. The Unborn Paths Rot – 3:51
3. Me Hice Simultaneo – 3:30
4. The Blasphemy of Time – 3:35
5. Chaos Is the Law – 3:34
6. Where Cause Is Buried – 3:55
7. Across the Watching Veils – 3:53
8. Breathing Once Again – 3:45
9. The Cosmos Rejects You – 4:09
10. No Direction Total War – 2:57
Album Length: 38:24

Album Band Line-up:​
Andres Martinez Torres (Drakar) – Vocals, Lead Guitar, Bass
Michel Amyot – Rhythm Guitar

More info: https://www.eternaldrak.com | https://www.facebook.com/EternalDrak | https://www.instagram.com/eternaldrak​

About:

Eternal Drak is an extreme metal band based in Quebec City, Canada, originally founded in Latin America in the late ’90s. Rooted in a fierce blend of thrash and black metal, the band has continually expanded its sound with elements of death metal, groove, and melodic experimentation. Lyrically, Eternal Drak explores human and cosmic darkness, a theme present across all seven of its official releases. The band is currently signed to the Canadian label FirstWave.

Formed in 1997 by brothers Drakar and Warhammer, later joined by guitarist Reijav, Eternal Drak quickly gained recognition, winning a City TV award for Best Metal Video in the early 2000s. After releasing early EPs and their first full-length, the band went on hiatus in 2007.

In 2020, the members reunited in Quebec to create The Past Is Gone, A New One Is Coming, honoring co‑founder and drummer Eduardo “Warhammer” Martínez. This revival led to a prolific new era, including the albums Drak Metal (2021), Shadow Storm (2022), Imprisoned Souls (2024), and multiple EPs. The lineup later expanded with guitarist Mike Amyot and drummer Patrick Auger.

Today, Eternal Drak (featuring Andres Martinez Torres (Drakar) – Vocals, Lead Guitar, Bass, and Michel Amyot – Rhythm Guitar) continues to evolve while staying true to its extreme metal roots, driven by intensity, melody, and a commitment to pushing its sound across continents.

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“Ultimately, Eternal Drak have created something truly remarkable here. They have taken a genre that often gets stuck in its own formulaic mud and used it to deliver a profound, deeply atmospheric, and heavy-as-hell exploration of human mortality. It is a record that manages to be simultaneously intellectually stimulating and physically punishing. It is a pure example of modern, thoughtful extreme metal. If you are ready to let a Latin-infused hurricane tear through your speakers and remind you of the terrifying fragility of your own existence, do yourself a massive favor: turn this up as loud as it goes and let the violence wash over you.” – The Black Metal Archives​
​
​“ETERNAL DRAK delivers a thought-provoking and crushing sixth album ”The Violence Of Time” that balances old-school extremity with philosophical ambition. STANDOUT TRACKS: ”The Blasphemy of Time”, ”Chaos Is the Law”, ”The Cosmos Rejects You”. 9/10″ – Metal Rager 666​
​
​“With “The Violence Of Time,” Eternal Drak deliver a well-thought-out, superbly produced, and surprisingly catchy blackened thrash album.” – Metalunderground.at​
​
​“This is some pretty good Blackened Thrash that has sick riffs, icy tremolos and eerie harmonies with some solos added to keep it interesting, add it to your lists. Rating: 8.1/10 – Drako Metal Reviews (The Violence of Time – 2026)​
​
​“10 new songs that will simultaneously brighten and darken your world… Eternal Drak evolve while staying true to their roots… you need to make time in your life to experience and enjoy the deathly screams and raucous riffs of Eternal Drak.” – The Razor’s Edge​
​
​“a really entertaining album that’s relatively accessible for the genre.” – The Metal Crypt​
​
​““The Violence Of Time” is focused, severe, and written with an old school extreme metal instinct, offering a cohesive attack with enough variation to hold attention across the full album.” – Heavy Metal Darkness​
​
​“another great sounding recording from Eternal Drak and if you are a fan of blackened thrash ​
​metal, you should check out this album. RECOMMENDED TRACKS INCLUDE “We Force It To Speak” “The Blasphemy Of Time” “Where Cause Is Buried” and “The Cosmos Reject You”. 8 out of 10.” – Bringer of Death Webzine​
​

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ASHER MEDIA RELATIONS
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0 Out Now! Canada’s Corrosive Prairie Doom/Sludge DESTROY MY BRAINS Unleashes Fifth Album “WILT”

  • August 14, 2026
  • by Asher
  • · Destroy My Brains · Music News

NEWS RELEASE

Montreal, QC – August 14, 2026

Out Now! Canada’s Corrosive Prairie Doom/Sludge DESTROY MY BRAINS Unleashes Fifth Album “WILT”

Destroy My Brains – L-R – Rob – Bass, Jarret – Vocals, Guitar, Chase – Guitar, Jadan – Drums

From the frozen prairies of Lloydminster, Canada, corrosive doom/sludge quartet Destroy My Brains returns with “WILT”, their most vicious, emotionally ruinous, and musically sharpened album. Out as of August 14th, “WILT” marks the final chapter in the band’s long‑planned W.I.L.T. series (Worthless, InsignifiCan’t, Lifeless, Tormented), a five‑album descent into self‑destruction, trauma, and sonic corrosion.
​
Formed when vocalist Jarret and drummer Jadan decided to turn daily basement jams and a massive bong hit from the Green Spiritual Bastard into a real band, Destroy My Brains have spent years refining their brand of corrosive, melting, abhorrent, Crowbar‑worshipping sludge. Their music has always been a celebration of self‑destruction, a philosophy embedded in the band name itself, and “WILT” pushes that ethos to its bleakest extreme.
​
Recorded at Doom Tomb Recording Studio, “WILT” is the band’s most accomplished production yet. Every element has been pushed further with its pounding grooves and heavy‑as‑sin chugs. It unleashes soul‑removing drums from Jadan, thick, thunderous bass from Rob, fuzz‑soaked riffs from Chase, and ear‑scorching vocals from Jarret. Destroy My Brains didn’t reinvent their sound; they perfected it. “WILT” is the culmination of everything they’ve ever done, turned louder, darker, and more devastating.
​
Each track on “WILT” drags the listener deeper into Destroy My Brains’ signature world of ruin, trauma, and corrosive sludge. “OCI” erupts in a frantic OCD‑driven implosion, while “Burn the Virgin” descends into ritual sacrifice and infernal doom. “Decontribute” rejects societal expectations entirely, serving as a manifesto of degeneracy, and “Avulsion” uses the tearing of flesh as a metaphor for lifelong psychological torment. “Downgrade” blends punk and sludge into a tale of manipulation, overdose, and Satanic delusion, captured visually in a chilling ShadowScape Pictures video. “Spill” confronts childhood violence and emotional shutdown. At the same time, the 11‑minute title track “Wilt” stands as the tragic, devastating finale, tackling child abuse with some of the darkest sonic moments in the band’s history.

“As a whole, the album is an ode to pain, trauma, and hate so thick you can touch it. It’s riffs on top of riffs, and songs about ruin and degradation. This album is not lyrically for the average listener, but the music will pull people in without them knowing what the songs are about. I can’t wait to subliminally fuck with people’s minds,” adds Jarret.

Recommended for fans of Eyehategod, Crowbar, Buzzov*en, Acid Bath, and Electric Wizard, Destroy My Brains’ “WILT” is available on all digital platforms as of August 14th, 2026.

Bandcamp – https://destroymybrains.bandcamp.com/​

Spotify – https://open.spotify.com/album/0TIFsddpd2wrYazelG9H5M

​YouTube (Album Stream) – https://www.youtube.com/watch?v=0QDhuJ9Dxis​

Music Video – Downgrade – https://www.youtube.com/watch?v=-ul8Zku8Z4Y

​

Track Listing:​
1. OCI (Obsessive Compulsive Imploder) – 4:32
2. Burn The Virgin – 10:30
3. Decontribute – 7:28
4. Avulsion – 7:08
5. Downgrade – 5:14
6. Spill – 9:30
7. Wilt – 11:40
Album Length: 56:03

More info: https://linktr.ee/destroymybrains​

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“If it’s churning, caustic vibes you’re seeking, look no further than the frozen prairies of Canada for DESTROY MY BRAINS. Since 2014, founding members Jarret Beach (vocals, guitar) and Jadan Paluck (drums) have been punching out one roaring album after another, joined by second guitarist Chase Shorter and bassist Rob Hayman for yet another offering, ‘Wilt’ (2026). The the feisty 7 tracker presents a stark view of human nature, confronting the visceral horror of flesh and blood (“Avulsion”), a messed up home life (“Spill,” “Wilt”), Satanic ambitions (“Burn the Virgin”), obsessive thinking patterns (“OCI”), and degeneration framed as social revolt (“Decontribute”)… You may not always be in the mood to rage, but when you are you’ll definitely want Destroy My Brains on deck to lead the charge.” – Doomed and Stoned

““Downgrade,” a five-minute crawl through manipulation, intoxication and deliberate ruin. The track reconnects Destroy My Brains with their punkier instincts without sacrificing the suffocating riffs, corrosive tones and full-throated hostility at the center of their sludge attack.” – Decibel Magazine (Downgrade Premiere)​
​
​“Lyrically, this is a hateful and hopeless screed, the vicious and fatalistic thoughts of someone falling apart and drowning in intoxicants.” No Clean Singing (Decontribute single off Wilt – 2026)​
​
​“WILT is the perfect end to a massive and sprawling five part album saga which may allow Destroy My Brains to try different musical avenues in the future. You gotta say the guys ultimately deserve that. As they’ve spent a long time bleeding their emotions dry for their “ART” and providing their dedicated fan base with records of amazing quality which will leave you broken down, beaten, physically and mentally exhausted. However, you’ll be glad you’ve listened, survived and experienced a brutal audio experience such as this. As Destroy My Brains have solidified their status as one of the best bands to emerge from the Canadian Heavy Metal underground scene of recent years.” – Outlaws of The Sun

“Some of the most interesting metal exists far outside the usual channels, and Destroy My Brains has been grinding away in the shadows delivering uncut gems… Wilt brings a nine‑year creative arc full circle and promises to be as rife with hate, desperation, and hunger as the Wendigo on the cover… Wilt quickly establishes itself as a far more vicious beast than its predecessors.” – Angry Metal Guy​
​
​“My take on the album: The tracks on the album are hard hitting Doom/Sludge Metal at the next level. The band doesn’t fool around and they let the music do the talking. Brilliantly composed and performed songs that combine to create a special album. I am hugely impressed by the album. A massive yes from me.” – Project Metal Music​
​
​“‘Avulsion’ and ‘Downgrade’ demonstrate how well Destroy My Brains know how to pace their music compared to many of their peers. The first of them stretches despair in such a way that each new sustained chord physically exhausts the listener, while the second of them injects enough punk venom so that the album won’t just sink in its emotional weight. It’s still sludge, but this time it moves with purpose rather than just resting on your chest for seven minutes and hoping you won’t notice that numbness you feel.” – Ever-Metal​
​
​“Ahead of the record, the Lloydminster quartet has shared the video for “Downgrade,” a five-minute crawl through manipulation, addiction and ruin that reconnects the band with the punkier, more direct instincts of their early days without giving up an inch of the suffocating riffs and corrosive tone that built their name.” – See Rock Live Mag

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ASHER MEDIA RELATIONS
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jon[@]ashermediarelations[.]com
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