Tag: grindcore

0 Gore House Productions – One-Woman Slamming Goregrind CORDYCEPS CORPSE’s “From Flesh To Fluids” Cassette/CD Now Available! + Music Video For Title Track

November 18, 2025
by Asher
· Cordyceps Corpse (Gore House Productions) · Music News

NEWS RELEASE

Montreal, QC – November 18, 2025

One-Woman Slamming Goregrind CORDYCEPS CORPSE’s “From Flesh To Fluids” Cassette/CD Reissue Now Available!

+ New Music Video For Title Track

Gore House Productions announces “From Flesh to Fluids,” the latest full-length album from one-woman slam/goregrind juggernaut, Cordyceps Corpse, is now available on CD and cassette, plus shipping worldwide. The digital release remains live across all major platforms.

Created by the twisted brainchild of multi-instrumentalist and vocalist Nani, Cordyceps Corpse’s “From Flesh to Fluids” is a sonic descent into madness, equal parts brutal, disgusting, and morbid. Inspired by slam legends like Devourment and Cephalotripsy, the album delivers a raw yet polished evolution of Cordyceps Corpse’s sound, now featuring live drums and tighter production while retaining the DIY filth fans crave.

Fans will blast earwrenching tracks like “Battery Acid Enema”, a vile, tongue-in-cheek collaboration with Nani’s partner Liv, “Stomach Bile For Miles” is a grotesque narrative of cannibalistic carnage, “Family Photo With Hella Cadavers” (feat. WORMFUCKER) is a dehumanizing snapshot of horror, and “Tools For Torture” is a slow-building frenzy inspired by Terrifier.

Nani, who writes, records, and performs every element of Cordyceps Corpse, describes the album as “pure chaos into heavy slam riffs.” Drawing inspiration from horror films, documentaries, and even neighborhood trash disasters, the music is driven by feeling rather than formula.

“I want this album to give the same feeling I got when I first heard Molesting the Decapitated by Devourment. Thick and brutal sound that just keeps hitting,” says Nani.

Gore House Productions label founder Carlos Matt adds:

“After following Cordyceps Corpse (Cordy) on social media for several months, I am excited to welcome the project to our roster. Seeing Nani creatively market Cordy while composing filthy, slamming death metal, there was no question but to partner up with Cordy. Her debut album, “From Flesh to Fluids,” quickly became a favorite; I’m beyond stoked to give it a proper release.”

Cordyceps Corpse began in late 2023 as a solo rebellion against the monotony of beat-making.

“I was bored with making music for other people. I wanted to form a band, but didn’t want to wait around. So I said, ‘f*** it, I’ll do it myself,” adds Nani.

That DIY ethos extends to everything, from the music to the logo, which Nani designed on a refurbished iPad after watching YouTube tutorials.

With live shows described as chaotic parties, complete with crowd participation and impromptu mic screams, Cordyceps Corpse is poised to carve a unique space in the underground metal scene. And with Gore House Productions backing the reissue, the band’s reach is about to get a whole lot bloodier.

CD and Cassette copies of “From Flesh to Fluids” are available from Gore House Productions at the following link: https://gorehouseproductions.com/collections/cordyceps-corpse

Check out the new music video for the title track, “From Flesh to Fluids,” a chaotic, anti-authoritarian blast of guttural vocals, slamming riffs, and visceral imagery that sets the tone for the album’s grotesque journey. Watch at https://youtu.be/L4ExQ4UzRK8

Digital Album (released Aug 22, 2025) – https://orcd.co/from-flesh-to-fluids

Track Listing:
1. Intro to Putrefaction – (1:37)
2. From Flesh To Fluids – (2:07)
3. Decapitation – (2:34)
4. Slowly Poisoned – (2:32)
5. Battery Acid Enema – (2:41)
6. Stomach Bile For Miles – (3:16)
7. Family Photo With Hella Cadavers (feat. WORMFUCKER) – (2:08)
8. Left Over Limbs For Later – (3:03)
9. Tools For Torture – (2:17)
10. Skin Tortilla – (2:22)
Album Length: 24:37

Album Recording Credits:
• All songs performed by: Nani Porter
• All songs written by: Nani Porter
• Produced by: Nani Porter
• Mixed by: Nani Porter
• Mastered by: Nani Porter
• Album Artwork by: Nani Porter

Album Band Line Up:
Nani Porter – Guitars, bass, drums, and vocals

Live Band Line Up:
Nani Porter – Guitar and Vocals

More info: Gorehouseproductions.com | Instagram.com/cordycepscorpse | Tiktok.com/@cordycepscorpse | Youtube.com/@cordycepscorpseband

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CORDYCEPS CORPSE REVIEWS & MENTIONS

Shay top 20 women fronted/all woman bands: https://www.tiktok.com/t/ZTHGeWoaHSaaB-6NEcX/

Slam dad’s top slam albums 2025: https://www.tiktok.com/t/ZTHGe7svNe6Yg-XSZgA/ describes album “as thick and gross and I absolutely love it”
“dabbles into goregrind, a little bit brutal death meta,l but straight up slam”

Shortbus Pile Up slams of the week #38: https://www.tiktok.com/t/ZTHGe7oG6eawD-9smyt/ Bill “describes album as super fucking brutal …really good death metal”

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0 Streaming Now! Blast Beats to Blood Rituals KRATORNAS Redefines Extreme Metal w/ New Album “God Of The Tribes”

August 21, 2025
by Asher
· Kratornas · Music News

NEWS RELEASE

Montreal, QC – August 21, 2025

Streaming Now! Blast Beats to Blood Rituals KRATORNAS Redefines Extreme Metal w/ New Album “God Of The Tribes”

Mastered by Dan Swanö (Dissection, Bloodbath, Marduk, Incantation)

“God of the Tribes”, the highly anticipated new full-length from Kratornas, will be available worldwide through Grathila Records as of this Friday, August 22nd. Before its official release, the full stream album premiere can be checked out on Decibel Magazine HERE.

This landmark release represents the most significant evolution yet for the pioneering one-man extreme metal project, originally founded in the Philippines and now residing in Saskatoon, Canada.

Breaking from the hyper-fast brutality that defined earlier Kratornas releases, “God of the Tribes”, mastered by Dan Swanö (Dissection, Bloodbath, Marduk, Incantation), showcases a more methodical approach, focusing on atmosphere, tension, and ritualistic elements. The album introduces previously unexplored instrumentation, including 7-string guitars for L/R channels and 6-string fretless bass, moving away from blast beats and heavily distorted guitars toward a more nuanced sonic palette. Kratornas comments:

“This album isn’t about being ‘advanced’ or ‘innovative’. It’s a return to roots, distilled into something raw and real. I’ve had firsthand experience with this kind of ‘indigenous music’. I was one of the drummers at festivals from fifth grade through my first year of high school. I didn’t copy those rhythms, but wrote my own, taking that foundation and fusing it with Kratornas. This album is the most natural and honest album I’ve ever done.”

The lyrics on “God of the Tribes” draw from the apocalyptic themes that have defined Kratornas since 1999, when the project shifted from its early Satanic themes to ‘doomsday predictions’. The album incorporates ritualistic chants throughout, with the creator noting that ‘the words are a bit ‘dangerous’ to chant along’.

Recommended for fans of Marduk, Beherit, Archgoat, Blasphemy, and Dark Funeral, Kratornas‘ “God of the Tribes” is available for album pre-order (CD) (Out Aug 22nd) – https://kratornas.bandcamp.com/album/god-of-the-tribes-gcd-2025

Lyric Video – Evil and Plunder – https://youtu.be/6cIDMbs-rA4

Lyric Video – Ravaged by Hurakaan – https://youtu.be/WcQVU7bvLx8

Album Artwork (non-explicit) – Kratornas – God of the Tribes

Track Listing:
1. Cursed Sky Serpent (15:00)
2. Evil and Plunder (3:00)
3. Ravaged by Hurakaan (7:00)
4. Novena para Guerra (11:00)

For more info: https://www.facebook.com/officialkratornas

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“I think it’s a good thing that it is a bit darker for music this intense and with so much “action” in the upper midrange – Dan Swano (on mastering God of the Tribes)

“The new music IS unquestionably different from what you might expect based on the last album, though if you caught the album’s first single “Ravaged by Hurakaan” you already know that, and you’ll get a further idea from the lyric video for another album track we’re premiering today, “Evil and Plunder“, which is the album’s shortest song… Now, to the music, which is surreal. In line with the raging words, the vocals are blistering in their incendiary screaming intensity, but what goes on around them is dazzling and also a bit bewildering. There are indeed no blast-beats, but the sharp clatter of the snare and crash of the cymbals are still attention-seizing, in part because the timing and nature of the outbursts is unpredictable. The fretwork is also unpredictable. Above bubbling bass upheavals the shrill guitars play off of each other. They vividly swirl and glitter, spiral and dive, squirm and spasm, dart about and blaze. Other strange sounds speckle the song with their own odd textures. The experience is exuberantly demented and exhilarating to hear, like a bizarre but still mesmerizing sonic hallucination and rightly described in a forthcoming press release as a “3-minute descent into ritualistic chaos and psychological warfare.” – No Clean Singing

“With the upcoming release of God of the Tribes, extreme metal entity Kratornas returns from the abyss with a devastating new record that leans into ritualism, atmosphere, and unapologetic chaos. For over two decades, Kratornas has operated as a one-man war machine, who has consistently rejected conformity, trends, and convention.” – Crannk

“My take on the album: It is unique and unconventional. The album is brilliantly performed and crafted. If you looking for something different with cutting edge performance this album is for you. The longer songs in the album is pure magic.” – Project Metal Music

“It’s this progressive sense of composition that separates “God of the Tribes” from many of its peers in the extreme metal scene. Even in its most chaotic moments, there’s a weird sense of direction, a dark, strange logic that guides the madness. Of course, this is not easy listening. It’s demanding, violent and uncompromising. But for those willing to give it time, attention and an open mind, “God of the Tribes” delivers the essence of underground black metal. It’s not about catchy hooks or accessible melodies—it’s about raw spirit, musical extremity and vision. And Zamora has plenty of all three. Active since 1995, Kratornas has always lurked in the shadows of the black metal underground, but this album has the potential to push the project into a more prominent position—not through trend-chasing, but by sheer force of artistic will. “God of the Tribes” is a a declaration that Kratornas is still here, still raging, and still deadly serious. Black metal fans, take note—this is an album that deserves your ears. 8/10” – Myths of Rock

“The music was energetic, and hyper… Call this album unique, that’s for sure, and If you can deal with chaos and dissonance, this album is for you.” – Metal Temple

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0 Streaming Now! Montreal’s CHÜZO Take Over The World w/ Aggro-Metal and New EP “M.T.M.D (Maximum Threshold, Minimum Decay)”

November 14, 2024
by Asher
· CHUZO · Music News

NEWS RELEASE

Montreal, QC – November 14, 2024

Streaming Now! Montreal’s CHÜZO Take Over The World w/ Aggro-Metal and New EP “M.T.M.D (Maximum Threshold, Minimum Decay)”

Produced by Kevin Jardine (Slaves On Dope)

L to R: Alex S (Bass), Cristian S (Guitars/Vocals), Mischa M (Vocals), Carlos G (Drums)

Photo Credit @stutteringuzii (Instagram)

Montreal, Canada’s CHÜZO is ready to take on the metal world with the introduction of their self-described Aggro-Metal and new EP entitled “M.T.M.D (Maximum Threshold, Minimum Decay)”. The three-track record marks the next chapter and true representation of what their sound is meant to be with the fresh new lineup who are hungry to showcase what this forthcoming EP will spark.

Produced by Kevin Jardine (Slaves On Dope), the EP is a full audio assault upon all the senses from the heavy riffs to the soaring vocals of Brazilian transplant and new vocalist Mischa M. She is joined by local first-generation Chilean Canadian and mastermind Cristian S. along with Carlos G from Venezuela and Alex S from Russia whom all have found Montreal, Canada to be home to breed their ‘Aggro Metal’, a blender of grindcore, Swedish death metal and a touch of thrash metal crossed over with hardcore punk.

“The sound of the band evolved from, initially, grindcore, to hardcore, to now Aggro Metal. This is finally what CHÜZO was meant to sound like after many years and many ex-band members. This mark III version of the band is the final evolution in the sound of CHÜZO.” adds Cristian S.

The EP’s lyrics are driven by self-reflection and daily struggles. The inspiration for writing comes from life experiences and trying to live past them, especially the traumatic ones. Using all bad energy from bad experiences to create something positive for yourself and the world. This EP speaks of vengeance and the bad side of dedicating your life to achieving your desired revenge despite your own life and sanity. Brutal Social Justice.

For fans of Sepultura (Cavalera Bros era 84-96), At the Gates, Napalm Death, Slipknot, and Fuck the Facts, “M.T.M.D (Maximum Threshold, Minimum Decay)” is due out on November 15, 2024, and can be heard in full before it officially drops via its stream premiere on Decibel Magazine HERE.

EP pre-order/digital per-save is available at the following links:

Bandcamp – https://chuzomtl.bandcamp.com/album/m-t-m-d-maximum-threshold-minimum-decay

Digital Pre-Save – https://distrokid.com/hyperfollow/chzo/mtmd

Lyric Video – Brand New Cell – https://youtu.be/61YlVuG3gsI

EP Artwork by Draught https://www.instagram.com/draught___/

Track Listing:
1. The Brutalator – 3:39
2. Brand New Cell – 3:12
3. Bruised and Broken – 4:21

More Info: Instagram.com/chuzo.band | Facebook.com/chuzo.band

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0 Horror Pain Gore Death Productions – Edmonton’s CULLED Political Grind Takes A Strike At Authoritarianism In “Coercion” Off New EP “Psycles” Out July 2024

July 11, 2024
by Asher
· Culled · Music News

NEWS RELEASE

Montreal, QC – July 11, 2024

Edmonton’s CULLED Political Grind Takes A Strike At Authoritarianism In “Coercion”

New EP “Psycles” Out July 2024 via Horror Pain Gore Death Productions

L-R – Curtis Blair – Drums, Chris Chapman – Bass, Shane Hawco – Vocals, Ben Harbak – Guitar

Photo Credit by Dana Zuk

Edmonton, Canada’s Culled started in early 2017 with the intention of embracing the contrast of slow crushing sludge and doom riffs with the blistering speed and chaos of grindcore ripe with messages of peace, and love that implore the need for empathy in today’s unpredictable and unstable political climate. Now in 2024, they have their second album coming out, “Psycles” on July 26th. Ahead of the full release, they have a single “Coercion” out, that delves into topics of authoritarianism as they comment on below:

“We wanted to give a taste of where we can land when we are not directly focused on the contrasts between chaotic grinding speed against sludging doom. Mid-paced groovy with an infectious and memorable hook helping to give weight to the lyrical theme of corruption being the core of authoritarianism and an essential need of our society, and our one true religion.”

The band goes on to explain that the groove in the middle of the EP adds a touch of rest from the chaos and a repeating theme that can bring the message home. Featuring members with a historical impact in the Western Canadian heavy music scene, including former and current members of bands such as Thorazine, Disciples of Power, WAKE, and Exit Strategy, Culled is known for their intensity of performance and message of integrity fueled with compassion and empathy. They are recommended for fans of Nasum, Pig Destroyer, and Neurosis.

Watch and listen to the video for “Coercion” via TheCirclePit – https://youtu.be/vRu_Y0JQGC4

Due out on July 26th from Horror Pain Gore Death Productions, “Psycles” is available for album pre-order (CD / Digital/ Bundles) at https://www.horrorpaingoredeath.com and (Cassettes/ Vinyl/ Digital) https://www.culled.ca.

Previous single – Music Video – “Halo of Flies” – https://youtu.be/vx8ku0sjvHc

Spotify – https://spoti.fi/3Vmr1PJ

Track Listing:
1. Trauma of History (7:22)
2. Psycles (1:45)
3. Coercion (3:14)
4. Halo of Flies (1:54)
5. Excision (Lost Cause) (6:40)
EP Length: 20:57

EP Band Line Up:
Ben Harbak – Guitar
Chris Chapman – Bass
Curtis Blair – Drums
Shane Hawco – Vocals

More info: Culled.ca | Facebook | Instagram.com/culled.ca

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“Political tensions in the world are running high, and Culled want you to know that they’re not down with it. Combining their searing take on the state of the world with a sludgy grind assault, Culled back their statements with tight songwriting and aggressive performance. On their debut album Thin the Herd, Fail to Learn, Culled wrap angular grindcore in thick sludge, spitting out blasts, mosh parts and distinctive vocals that reflect the band’s disgusted mindset.” – Decibel Magazine

“Sludge grind is one of those things that shouldn’t really exist and yet somehow Culled make it work. They sound absolutely colossal on their new track “Contagion,” a nearly nine minute epic that manages to combine everything that makes the band great. The stop/start madness and dynamic interplay of this song speaks to the band’s talent as songwriters. Meanwhile, the guitar tone alone speaks volumes to what this band has come to represent. With punk fringes on some truly punishing tracks, it’s hard not to be fascinated by the morbid horror of the band. The lead single, ‘Contagion,’ is a mesmerizing ode. It comes from their upcoming LP, Thin The Herd, Fail To Learn, due out October 26th on Hibernation Release. It’s hard to balance two genres that seem so diametrically opposed whilst simultaneously sneaking in moments of pure explorations into the sublime. Experimental, genre bending and clearly forward thinking, ‘Contagion’ is a triumph for a rising force.” – Metal Injection

“Edmonton, AB grind outfit Culled push the boundaries of the genre on their debut full-length, Thin the Herd, Fail to Learn. The quartet incorporate slow, sludgy grooves and doom-laden riffs into their discordant grindcore, resulting in a contrast of sounds that is jarring yet complementary… Thin the Herd, Fail to Learn is an impressive debut that showcases a battle of conflicting sounds throughout its 25-minute runtime. What makes it work is Culled’s thoughtful approach to song composition and structure, along with socio-political lyrical content to match the angst-filled emotions that their music emanates.” – Exclaim!

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0 Atlantic Canada Grindcore BONE TOWER Unleash Explosive Video “Under A Veil”; Video Premiere via NoCleanSinging

November 17, 2021
by Asher
· Bone Tower (No Funeral Records / Fresh Outbreak Records) · Music News

NEWS RELEASE

Montreal, QC – November 17, 2021

Atlantic Canada Grindcore BONE TOWER Unleash Explosive Video “Under A Veil”

Video Premiere via NoCleanSinging

“We All Will Die One Day” Out Now! via No Funeral Records & Fresh Outbreak Records

L-R – Bone Tower – Sean Carroll (guitars, bass), Jonas DeViller (electronics, vocals), Michael Bowers (guitars, bass, vocals)
Photo Credit: Hayley Frail

Assaulting the masses with their debut EP “We All Will Die One Day” recently unleashed on November 5th, Halifax, Canada’s Bone Tower is sharing their latest music video for their track “Under A Veil”, which can be seen and heard via its premiere on NoCleanSinging HERE.

“This song is pissed. There is more than one meaning, but it’s really written about the perception that you are always in the wrong, that who you are is a made-up persona, you aren’t good enough, and you should be exiled from everything positive in your life. This feeling couldn’t be further from the truth, and it is simply anxiety creeping in to say hello; A flurry of notes and blast beats being thrown at you really like to drive that idea deep into your head, though. Cower away under a veil of delusion.” adds the band.

Filthy grindcore from Atlantic Canada, Bone Tower formed earlier this year with a defined vision – to deliver an abusive and abrasive offering that would be the soundtrack for the madness that has ensued on a global level over the past year and a half during Covid times.

The trio of Jonas DeViller (vocals/electronics/lyrics), Sean Carroll (guitar/bass), and Michael Bowers (guitar/bass/vocals) are seasoned extreme musicians and were able to quickly write and produce their debut record in two weeks. Coming together very swiftly and organically, the band’s comments on the EP’s explosive earworm tendencies.

“Both sonically and lyrically, ‘We All Will Die One Day’ represents a collective status of disarray. Challenging speed and complex rhythms serve to accelerate unfavourable emotions to the forefront of your mind. A raw and unfiltered by-product of mental health in disarray and unfocused aggression, with no real direction on how to cope in a post-pandemic landscape. Basically, a big ‘f* you’ to the world we live in. While presented in an ugly package, these songs are a cathartic release with the intent of extinguishing deep feelings of depression and anger.”

With a ferocity influenced mostly by death metal, grindcore, and hardcore, Bone Tower is recommended for fans of Cryptopsy, Atka, and Trap Them.

“We All Will Die One Day” is available digitally and on cassette via No Funeral Records & Fresh Outbreak Records at the following links: Bonetower.bandcamp.com, Store.nofuneral.ca, Freshoutbreak.bandcamp.com, Spotify and Apple Music here.

Lyric Video “Mangled Wounds” – https://youtu.be/5oGUNz8srqE

Track Listing:
1. Dislodging Splinters (01:13)
2. Am I Conscious (01:16)
3. Mangled Wounds (01:15)
4. Cower Away (0:38)
5. Under A Veil (01:06)
6. Empty Cave (01:59)
7. The Sun (0:48)
8. We All Will Die One Day (0:50)
EP Length (9:09)

For more info:
Facebook.com/bonetower.hfx
Instagram.com/bonetower
EPK

About:
Bone Tower got its start early in 2021, with the sole purpose of channeling built-up negative energy and creating a hectic, pissed-off sounding record. Hailing from Atlantic Canada they got straight to the point through pummeling angry death metal.

Bone Tower is the musical equivalent of the chaos ensuing globally since last year. An angry jab back at the universe for anyone who was angry and watched the world unfold with racial upheaval, conservatives and conspiracists coming out of the woodwork against Covid, economic regression with millions losing jobs, the entire world changing beneath our feet, and for the politicians who claimed to be on our side but continue to fight against the truth.

The trio of Jonas DeViller (vocals/electronics/lyrics), Sean Carroll (guitar/bass), and Michael Bowers (guitar/bass/vocals) is a seasoned one at that and they were able to quickly write and produce their debut EP ‘We All Will Die One Day’ in two weeks. It came together as a whole very quickly and organically.

This is just the start for Bone Tower, they already have a follow-up record in the works. As of now, they are mostly a recording project but they intend on eventually playing shows. When they do finally play live, it’s bound to be just as fucked up as the recording.

EP ‘We All Will Die One Day’ is due out November 5, 2021.

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0 \m/\m/ Thank You Canadian MDs and DJs \m/\m/ #3 bone tower – No Funeral Records earshot – The National Loud Chart For the Week Ending: Tuesday, November 16, 2021

November 17, 2021
by Asher
· Bone Tower (No Funeral Records / Fresh Outbreak Records)

\m/\m/ Thank You Canadian MDs and DJs \m/\m/

#3 bone tower – No Funeral Records

earshot – The National Loud Chart

For the Week Ending: Tuesday, November 16, 2021

https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2021-11-16

0 Atlantic Canada’s BONE TOWER Release Relentless, Pejorative New EP “We All Will Die One Day”, EP Stream Premiere via Decibel Magazine

November 2, 2021
by Asher
· Bone Tower (No Funeral Records / Fresh Outbreak Records) · Music News

NEWS RELEASE

Montreal, QC – November 2, 2021

Atlantic Canada’s BONE TOWER Release Relentless, Pejorative New EP “We All Will Die One Day”

EP Stream Premiere via Decibel Magazine

“We All Will Die One Day” Out November 5th via No Funeral Records & Fresh Outbreak Records

L-R – Bone Tower – Sean Carroll (guitars, bass), Jonas DeViller (electronics, vocals), Michael Bowers (guitars, bass, vocals)
Photo Credit: Hayley Frail

Bone Tower is a filthy death metal band coming from Atlantic Canada. They formed earlier this year with a defined vision – to deliver an abusive and abrasive initial offering that would be the soundtrack for the madness that has ensued on a global level over the past year and a half.

The trio of Jonas DeViller (vocals/electronics/lyrics), Sean Carroll (guitar/bass), and Michael Bowers (guitar/bass/vocals) is a seasoned one at that and they were able to quickly write and produce their debut EP “We All Will Die One Day” in two weeks. It came together as a whole very quickly and organically. They comment on the title track and punishing conclusion of the EP:

“As the namesake of the EP, you really want to make a statement. We all know you are your own worst enemy, and that’s what ‘We All Will Die One Day’ stands to shove down your throat. We’re all human, we all have shitty habits, and those practices are probably what’s gonna give us the axe one day. The 8th and final track on ‘We All Will Die One Day’ hangs around for just a measly 50 seconds (and 17 of those are sustained feedback), but packs a major punch in that short amount of time. Blistering riffs lead into a short and sweet breakdown, leaving you confused about what the heck you just listened to.”

Both sonically and lyrically, “We All Will Die One Day” represents a collective status of disarray. Challenging speed and complex rhythms serve to accelerate unfavourable emotions to the forefront of your mind. A raw and unfiltered byproduct of mental health in disarray and unfocused aggression, with no real direction on how to cope in a post-pandemic landscape.

While presented in an ugly package, these songs are a cathartic release with the intent of extinguishing deep feelings of depression and anger. Their sound is influenced most by death metal, grindcore, and hardcore and is recommended for fans of Cryptopsy, Atka, and Trap Them.

“We All Will Die One Day” can be heard in full via its exclusive premiere on Decibel Magazine HERE.

The EP will be available as of November 5, 2021 via No Funeral Records & Fresh Outbreak Records with pre-order at Bonetower.bandcamp.com

Lyric Video “Mangled Wounds” – https://youtu.be/5oGUNz8srqE

For more info:
Facebook.com/bonetower.hfx
Instagram.com/bonetower
EPK

EP ‘We All Will Die One Day’ is due out November 5, 2021.

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0 Atlantic Canada’s Bone Tower Present Abusive and Abrasive “Under A Veil” Off ‘We All Will Die One Day’, Track Premiere via Metal-Rules

October 27, 2021
by Asher
· Bone Tower (No Funeral Records / Fresh Outbreak Records) · Music News

NEWS RELEASE

Montreal, QC – October 27, 2021

Atlantic Canada’s Bone Tower Present Abusive and Abrasive “Under A Veil” Off ‘We All Will Die One Day’

Track Premiere via Metal-Rules

“We All Will Die One Day” Out November 5th via No Funeral Records & Fresh Outbreak Records

L-R – Bone Tower – Sean Carroll (guitars, bass), Jonas DeViller (electronics, vocals), Michael Bowers (guitars, bass, vocals)
Photo Credit: Hayley Frail

Atlantic Canada’s Bone Tower is a fresh band, birthed this year in February, and they came together with one aim, to put the emotions from the surging global crisis into a tight, aggressive EP. The second single is “Under A Veil”, which is the angriest track on the EP. The band explains it in further detail:

According to them, if this record doesn’t disorient you, stress you out, or give you a headache then they fucked up. The eight tracks span just over nine minutes but each one is full of chaos that pummels the listener straight away. There is no filler, no breaks, just a relentless barrage of blast beats, coarse vocals, and punishing riffs. It’s what whiplash sounds like.

This is the first project where Jonas DeViller (vocals/electronics/lyrics) writes lyrics and he says that the lyrics are mostly inspired by the irrational, negative thoughts that tend to get stuck in the back of his mind, disregarding what reality really looks like. He tried to be blunt and straight-to-the-point while presenting multiple meanings and several different ways of interpretation.

This is just the beginning for Bone Tower as they already are working on a follow-up record. Loud and noisy, they are recommended for fans of Pig Destroyer, Cryptopsy, and Atka.

“Under A Veil” can be heard via its premiere on Metal-Rules HERE.

The EP “We All Will Die One Day” will drop on November 5, 2021 via No Funeral Records & Fresh Outbreak Records.

EP pre-order – https://bonetower.bandcamp.com

Lyric Video “Mangled Wounds” – https://youtu.be/5oGUNz8srqE

For more info:
Facebook.com/bonetower.hfx
Instagram.com/bonetower
EPK

EP ‘We All Will Die One Day’ is due out November 5, 2021.

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0 IDIOTEQ EXCLUSIVE STREAMS – BONE TOWER conjure a truly chaotic and crushing debut EP; new monstrous single “Mangled Wounds” streaming!

October 13, 2021
by Asher
· Bone Tower (No Funeral Records / Fresh Outbreak Records) · Music News

NEWS RELEASE

Montreal, QC – October 13, 2021

Atlantic Canada’s Bone Tower Conjure A Truly Chaotic And Crushing Debut EP “We All Will Die One Day”

Streaming Single “Mangled Wounds”

“We All Will Die One Day” Out November 5th via No Funeral Records & Fresh Outbreak Records

L-R – Bone Tower – Sean Carroll (guitars, bass), Jonas DeViller (electronics, vocals), Michael Bowers (guitars, bass, vocals)
Photo Credit: Hayley Frail

Both sonically and lyrically, the debut EP from Bone Tower, “We All Will Die One Day” represents a collective status of disarray. Challenging speed and complex rhythms serve to accelerate unfavourable feelings to the forefront of your mind.

The first single off this succinct record is “Mangled Wounds”, the words in which are totally up for interpretation and expresses a couple of different personal thoughts. According to the band, it was written both literally, outlining repeated trauma; as well as figuratively, about how one might process anxiety and depression. They continue to explain in their own words:

“Opening abruptly with tremorous blast beats and rattling vocals, this tune wastes no time in delivering its taunting message. With a sense of urgency, the cryptic lyrics rest upon escalating guitar licks, as drums rapidly push this anthem to the point of no return. Briefly, you are allowed to catch a quick breath, only to be slingshotted into a barrage of open chugs. The mainline ‘mangled wounds torn open again…’ is chanted back at you, and you are plunged into the second interlude track, ‘Cower Away’.”

The eight tracks on the EP come in at just over nine minutes, but capture a full array of raucous violence. “We All Will Die One Day” is abrasive, pissed off, and fatiguing. If you’re into that kind of thing, you’ll like it.

Bone Tower is a fresh group having started in February of this year, they came together with the sole purpose of creating this record, and have delivered on that with this auditory assault. The band worked collaboratively writing and performing the songs, it was produced, mixed, and mastered by Michael Bowers and the album artwork was done by Jonas Deviller.

For fans of grindcore and death metal, Bone Tower is suitable for fans of Full of Hell, Pig Destroyer, and Cryptopsy.

The single “Mangled Wounds” can be heard via its premiere on IDIOTEQ HERE.

The EP “We All Will Die One Day” will drop on November 5, 2021 via No Funeral Records & Fresh Outbreak Records.

EP pre-order – https://bonetower.bandcamp.com

For more info:
Facebook.com/bonetower.hfx
Instagram.com/bonetower
EPK

EP ‘We All Will Die One Day’ is due out November 5, 2021.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s Eclipser Usher In Harsh New EP “Pages” And Debut Video For Title Track, Lyric Video Premiere via NoCleanSinging

May 10, 2021
by Asher
· Eclipser · Music News

NEWS RELEASE

Montreal, QC – May 10, 2021

For Fans of Ulcerate, Deathspell Omega

Canada’s Eclipser Usher In Harsh New EP “Pages” And Debut Video For Title Track

Lyric Video Premiere via NoCleanSinging

Top L-R – Christian Beaupre – Guitar, Sebastien Choquette – Bass
Bottom L-R – Ryan Menard – Guitar, Vocals, Christopher Joyal – Drums

Set to release their new EP “Pages” on May 28th, Ottawa’s Eclipser is unleashing out the cage, their next single and title track via its premiere on NoCleanSinging HERE.

The opener to the five-track record, “Pages” sets the tone of the whole EP both musically and lyrically. In just a little over 3 minutes, Eclipser managed to pack instrumental layers that weave in and out of each other to give the song a very dense and dynamic feel. Lyrically, the song takes a very nihilistic stance, and much like the music, it’s straight to the point.

The band adds about the track:

“Pages is the tale of a weary soul in search of faith. He seeks out God but finds only empty words and misery.”

Harsh and succinct, “Pages” primarily resides in the black metal realm, however, Eclipser also writes using techniques that are found in death metal, and even a bit of grindcore and maintain a formulaic style. The EP was produced by Eclipser; mixed by Mike Raymond of Reverence Audio, and mastered by Topon Das (Fuck The Facts) at Apartment 2 Recording. The EP artwork was done by Misanthropic-Art. It is the fourth release from the band following Pathos (2019), Promo (2018), and the 2017 Demo.

Eclipser was founded in 2017 by Ryan Menard (guitars/vocals) and Christopher Joyal (drums), they are recommended for fans of Ulcerate, and Deathspell Omega.

The entire EP releases on May 28, 2021.
EP pre-order – https://eclipser.bandcamp.com

Track Listing:
1. Pages (3:10)
2. Matternaught (1:26)
3. Carry Your Burden (2:46)
4. To Never Wake Again (2:29)
5. Fathomless (4:46)
EP Length: 14:38

EP Band Line Up:
Ryan Menard – Guiatrs, Vocals
Christian Beaupre – Guitars
Sebastien Choquette – Bass
Chris Joyal – Drums

For more info:
Facebook.com/eclipserofficial
Twitter.com/Eclipseroffici1
Instagram.com/band_eclipser
EPK

About:
A name derived from the all-obscuring sound they produce, Ottawa, Ontario’s ECLIPSER spews forth a foreboding polarity of soaring melodies and nightmarish dissonance, coiled together to create a dreadful malaise of blackened death metal promised to starve the light of everything it touches.

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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