Tag: Gojira

0 DEVOLVER’s New Music Video “Wraiths” Captures The Camaraderie of Fans Under The Alberta Sky; New Album “Non Compos Mentis” Produced by Mark Lewis (Whitechapel, Trivium, DevilDriver, Black Dahlia Murder)

November 13, 2025
by Asher
· Devolver · Music News

NEWS RELEASE

Montreal, QC – November 13, 2025

DEVOLVER’s New Music Video “Wraiths” Captures The Camaraderie of Fans Under The Alberta Sky

Produced by Mark Lewis (Whitechapel, Trivium, DevilDriver, Black Dahlia Murder)

L-R: Jayde Penner (guitar), Bevin Booth (drums), Jaylen Elias (bass), Devin Babcock (guitar), Chris Brown (vocals)

Photo Credit – Heidi Robertson

Grande Prairie, Canada’s own metal force, Devolver, has dropped a powerful new music video for “Wraiths,” a standout track from their latest album “Non Compos Mentis.” Filmed during an intimate album release show at Grain Bin Brewing, the video captures the raw energy and camaraderie of a night that brought 150 fans together under the Alberta sky, immortalizing a night of celebration, community, and crushing riffs.

“We knew we wanted to do something special. So we had our friend Mike Evans film the show. This music video is for all the people who were there celebrating with us, making it such a special night,” adds the band.

“Wraiths” is a groove-driven, straight-ahead metal track with thrash undertones and a nod to classic rock and metal. Lyrically, it explores themes of mysticism as a bridge to connect with lost loved ones, an emotional depth that complements its sonic punch.

Watch the video for “Wraiths” via its premiere on Decibel Magazine HERE.

Formed in 2015 by guitarist Devin Babcock and drummer/producer Bevin Booth, Devolver has grown from a side project into a full-fledged metal powerhouse. With the addition of Jayde Penner (guitar), Chris Brown (vocals), and Jaylen Elias (bass), the band’s sound has matured into a collaborative blend of Gothenburg-style melodic death metal and early 2000s metalcore.

Their new album, produced by metal heavyweight Mark Lewis (Trivium, Whitechapel, The Black Dahlia Murder), marks a seismic shift in their sound.

“This is what the five of us sound like collaborating as a unit. Mark helped us push this thing over the edge,” adds the band.

The album’s artwork, created by legendary artist Travis Smith (Opeth, Megadeth), is a chilling visual interpretation of the true story behind the title track. It depicts Devin Babcock’s ancestor, Amos Babcock, who in 1805 committed a gruesome murder in Shediac, New Brunswick, during a religious frenzy. The haunting image of Amos in the snow, surrounded by the eyes of his nine children, adds a historical and emotional weight to the album’s narrative.

Devolver’s connection to their hometown runs deep. They partnered with Grain Bin Brewing to create “Brews of the Maw,” a blackberry and blood orange pale ale named after their track “Jewels of the Maw.” And for fans of Magic: The Gathering, the band has hidden lyrical nods throughout the album, including a track titled “Deathtouch.”

Recommended for fans of In Flames, Dark Tranquillity, Killswitch Engage, and As I Lay Dying, “Non Compos Mentis” is a bold leap forward, each track a chapter in a larger emotional and sonic narrative.

“Non Compos Mentis” (released Aug 22nd) is available at the following links:

Bandcamp – https://devolvermusic.bandcamp.com/

Spotify for Playlist Add – https://open.spotify.com/album/3eeLxBrxx55QvIm3EnahLm

Music Video – Merciless Storm – https://youtu.be/o_6jcqK2qFQ

Lyric Video – Suffocating Syndrome – https://youtu.be/mmRskxYe1q4

Track Listing:
1. Deathtouch – 3:55
2. New Blood – 3:14
3. Jewels of the Maw – 3:30
4. Wraiths – 3:20
5. At Any Cost – 3:40
6. Non Compos Mentis – 3:53
7. Merciless Storm – 3:56
8. Suffocating Syndrome – 3:36
9. Dehumanize – 3:47
Album Length: 32:55

Album Credits:
– All songs performed by: Devolver
– All songs written by: Devolver
– Produced, Mixed, Mastered by: Mark Lewis
– Album Artwork by: Travis Smith
– SOCAN members

Band Lineup:
Chris Brown – Vocals
Devin Babcock – Guitar (lead)
Jayde Penner – Guitar (rhythm)
Bevin Booth – Drums
Jaylen Elias – Bass

More info: https://linktr.ee/devolverab

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“The goal of Devolver through Non Compos Mentis has been to take the listener on a thoroughly pleasing journey from the first note to the final crushing moment. That’s been achieved, and so much more – as these Canadians understand how to compose songs and execute them in a highly convincing fashion that has this scribe grinning ear to ear – bringing the exciting sounds of the late 90s/early 2000s to a newer generation who desire more of this style. 9/10” – Dead Rhetoric

“For a group from a small northern city, every move has required deliberate effort—whether it was recruiting the right collaborators, waiting until circumstances lined up, or carrying material through years of delay. Non Compos Mentis is the document of that persistence: an album shaped by distance, disruption, and devotion to the sound that first made them want to pick up instruments.” – IDIOTEQ

“DEVOLVER is definitely ahead of the last releases of their great role models. On the one hand, because the Canadians work straight and without any frills, and on the other hand, because the melodies are all right without reducing the heaviness. When it comes to melodic death, there’s no way around this album this year. The only downside: 32 minutes is pretty short, even for such energy output!” – PowerMetal.de

“Mixed and mastered by Mark Lewis (Fallujah, Whitechapel, DevilDriver, Deicide, Havok, Entheos, etc.), this new Devolver album is armed to face the critics. Composed of nine well-crafted tracks (all between three and four minutes long) and effective, Non Compos Mentis is soaked to the brim with Swedish melodeath influences.” – Metallian Magazine (France)

“There is a sense of nostalgia listening to the guitarmonies throughout the album, calling back to the golden days of early 2000’s metalcore. Whether you’re a fan of death metal or metalcore, you’ll definitely find elements that you’ll appreciate on this album. Personally, my favourites are “Deathtouch” and “Suffocate Syndrome”” – False Chord

“Now we have Devolver with Non Compos Mentis. The sophomore album from this Canadian band is the perfect blend of melodeath and metalcore. Much like chocolate and peanut butter, this takes the best aspects of both genres, makes enough changes to feel authentic, and creates a sound that hits just as much in 2025 as it would have back in 2005. The production is brutal, but still audible and filled with layers. The songwriting shows off the capabilities of everyone in the band, but it doesn’t reveal all of its tricks. Overall, this is for anyone who enjoys everything from ’90s era In Flames to 2000 Soilwork to later 2000’s Lamb of God to the modern-day capabilities of what Melodeath and Metal Core are all about. This is a great trip back in time, but also a look forward to what can be done. This is excellent stuff.” – Heavy Debriefing

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0 Exitus Stratagem Records – VISITANT Unleashes New Video “Rubidium” Ahead of “In the Wake of Flame Tour” (FL/GA/TN/SC/NC) w/ IATT

September 9, 2025
by Asher
· Music News · Visitant

NEWS RELEASE

Montreal, QC – September 9, 2025

VISITANT Unleashes New Video “Rubidium” Ahead of “In the Wake of Flame Tour” (FL/GA/TN/SC/NC) w/ IATT

Debut Album “Rubidium” Out Aug 2025 via Exitus Stratagem Records

Blackened death metal collective Visitant has dropped the official video for their album’s title track, “Rubidium”, a visceral visual companion to one of the most progressive and punishing songs on their debut record, unleashed on August 22nd via Exitus Stratagem Records. The release sets the stage for Visitant’s scorching “In the Wake of Flame Tour”, a five-state trek through Florida, Georgia, Tennessee, South Carolina, and North Carolina with genre-defying allies IATT, culminating in a climactic performance at the Tennessee Metal Devastation Fest.

“Rubidium” is a sonic and lyrical descent into mythic horror. The track conjures a deity that feeds on human souls to nourish the forest floor, with trees bearing hauntingly human faces and worshippers willingly surrendering to the soil. Guitarist Taylor Tidwell, inspired by serpentine imagery, crafted riffs that slither and strike, while the band’s signature orchestral layering and thunderous rhythm section elevate the track into a cinematic nightmare.

The “Rubidium” video captures this eerie mythology with stark visuals and ritualistic intensity, setting the tone for the tour’s immersive live experience. Watch the music video at https://youtu.be/GL-kNR6rPDA

Visitant’s debut album “Rubidium” has already made waves for its genre-defying sound. Featuring seven tracks of ritualistic brutality, the record blends orchestral grandeur with guttural rage. The lineup includes riff architect Taylor Tidwell (Unaligned), drums and orchestration by Anthony Lusk-Simone (Abiotic, Lattermath), bassist Kilian Duarte (Abiotic, Scale the Summit), growler Chelsea Marrow (Voraath, DOOM ETERNAL, Hellblade II), and Thomas Weidick, on guitar, who recently joined their live lineup this past June.

The album explores themes of grief, betrayal, and vengeance, with each track acting as a chapter in a dark spiritual journey. As Chelsea Marrow puts it, “After you listen to the album from beginning to end, you feel like you were just on the biggest journey. It evokes all sorts of feels. Like damn… I feel like I was audibly hit by a big ol’ bus. In a good way… if there was a good way!”

Recommended for fans of Gojira, Opeth, Naglfar, and Between the Buried and Me, “Rubidium” is a must-listen. And for those craving more, they can catch Visitant with IATT live this fall as they bring “Rubidium” to life on the “In the Wake of Flame Tour” (dates listed below).

Visitant‘s “Rubidium” is available via Exitus Stratagem Records at https://hypeddit.com/visitant/rubidium

Music Videos:

Briars – https://youtu.be/XMr5E2DGX2E

Fodder – https://youtu.be/UCfxSpoPf60

Starless – https://youtu.be/quktaBXaeVM

“On The Wake of Flame Tour” – IATT, VISITANT:
Oct 2 – New Orleans, LA – Holy Diver (Visitant only)
Oct 3 – Pensacola, FL – Sisi’s Store
Oct 4 – Jensen Beach, FL – Dark Riff Records
Oct 5 – Duluth, GA – Sweetwater
Oct 7 – Nashville, TN – Cobra
Oct 8 – Piedmont, SC – Tribbles
Oct 9 – Raleigh, NC – Chapel Of Bones
Oct 10 – Knoxville, TN – The Pilot Light
Oct 11 – Jackson, TN – TN Metal Devastation Fest (Visitant only)

Track Listing:
1. Unworldly – 4:48
2. Briars – 5:20
3. Starless – 5:07
4. Rubidium – 5:24
5. Fodder – 4:37
6. Envies Lament – 4:56
7. Moon Bathe – 2:38
Album Length: 32:50

Album Band Line Up:
Chelsea Marrow Vocals
Kilian Duarte Bass
Taylor Tidwell Guitars
Anthony Lusk-Simone Drums / Orchestration

Live Band Line Up:
Chelsea Marrow – Vocals
Taylor Tidwell – Guitar & Backing Vocals
Kilian Duarte or Anthony Wheeler – Bass
Charles Webber or Anthony Lusk-Simone – Drums
Thomas Weidick – Guitar

For more info:

Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic | X.com/exsrmusic

Facebook.com/visitantband | Instagram.com/Visitantband | Tiktok.com/@_visitant_

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“Visitant is here to utterly wreck your morning thanks to their brand new single “Fodder”, the first offering from their upcoming album Rubidium due out on August 23 via Exitus Stratagem Records. Visitant is vocalist Chelsea Marrow (Voraath, The Monster Factory, Doom Eternal, Hellblade 2, etc.), guitarist Taylor Tidwell, drummer Anthony Lusk-Simone (Abiotic, Lattermath & ex-Pathogenic), and bassist Kilian Duarte (Abiotic, Lattermath, Felix Martin & Scale The Summit). So a real powerhouse of a band that brings some savage energy to the metal world.” – Metal Injection

“Called “a blackened invitation to a ghoulish night at the opera,” Rubidium proves why these vets of Abiotic, Scale the Summit, and more are turning heads in extreme metal. From spectral piano and spidery technical riffs on Starless to Opeth-esque solos on Unworldly and the ghoul choir on the title track, this album is a masterclass in dark symphonic extremity. Blending late-90s symphonic black metal flamboyance with modern melodic death precision, Visitant delivers “an apparition of necromantic delight”. Recommended for fans of Naglfar, Dark Fortress, and The Faceless, Rubidium proves these metal veterans are a force to watch in the underground.” – Metal Hammer UK

““Fodder“, presents different warps and wefts in its weave. Also presented through a video (this time we get to see the band perform), it was inspired by a very dark dream in which Chelsea attempted to bring a murdered friend back to life and lost her own life in the process, leaving the friend trapped in a hellish limbo, bound to a body over which their control had been lost to dark spirits. To be sure, this song is also musically extravagant. It features a lot of borderline deranged and technically demanding high-speed maneuvers (a tour de force that would make lots of tech-death bands jealous) but it’s also hallucinatory, and unhinged in many other respects. It further demonstrates that Chelsea Marrow can really sing, as well as howl like a wolf and scream like a goblin. It’s a highly theatrical experience, but also instrumentally kaleidoscopic and viscerally frightening, and the singing makes the song stand out as much as every other demented and dazzling aspect of it.” – No Clean Singing

“This was an outstanding album, and the band left no stone unturned, even the smaller ones. The aggressive bite of Black Metal was there, just as you would want, but intelligent, technical elements also mixed in, as well as thoughtful, Progressive ones. I would call this “thinking man’s Black Metal.”” – Metal Temple

“There’s no shortage of quality performances, and Rubidium has all the ingredients for a gripping album.” – Angry Metal Guy

“A stunning debut that announces the arrival of a band destined for great things. Rubidium burns bright and leaves a lasting impression.” – Moshville Times

“The powerful rhythmic presence in Vistant will keep this beast going. The drum work is phenomenal and the bass is tasty. A metalhead into extreme music should appreciate this debut album. It has its artistic moments with melodic riffs, solos and said beautiful singing….dont expect constant brutality. It’s so well done it makes the heavy parts even heavier, and the melodic sections prettier. It helps creates mood and emotion every second you listen to their music.” – Technical Music Review

“I try to be as objective and open on all of my reviews, but my dear reader, this may be my first 10/10 this year. Everything worked perfectly. There are ABSOLUTELY ZERO skips on this album and it needs to be heard in full to be completely appreciated. “Rubidium” is out on Exitus Stratagem Records on the 22nd of August. I know I am going to purchase a physical copy and I strongly encourage you to do the same. Sit in your living room, balcony, or in the middle of the desert and take this journey again and again.” – Female Fronted Power

“Rubidium by Visitant isn’t just a good Black Metal album, nor is it a just great Black Metal album. What it is, is an essential Black Metal album, and one that any fan of Black Metal should have pencilled in to purchase when it crawls into the light of day. You need this in your life.” – Black Metal Archive

“Rubidium is a tightly-wound, cerebral slab of modern dissonant death metal with a distinctly unearthly voice. Fans of Ulcerate, Artificial Brain, and Convulsing will find plenty to sink into here — just don’t expect comfort. Visitant aren’t here to soothe; they’re here to stare you down until you blink.” – Metal Purgatory Media

““2025 has definitely had its share of great albums, and I’m counting this among the those… It absolutely impressed, outshined by expectations, and I’m already anxiously awaiting the next release by Visitant!” – The Great Metal Debate

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0 Exitus Stratagem Records – Streaming Now! VISITANT’s Visceral Debut Album ”Rubidium” + Michigan Metal Fest + “In the Wake of Flame Tour” (FL/GA/TN/SC/NC) w/ IATT

August 21, 2025
by Asher
· Music News · Visitant

NEWS RELEASE

Montreal, QC – August 21, 2025

Album Download HERE (for media use only)

Streaming Now! VISITANT’s Visceral Debut Album ”Rubidium”

+ Michigan Metal Fest + “In the Wake of Flame Tour” (FL/GA/TN/SC/NC) w/ IATT

Debut Album “Rubidium” Out Aug 2025 via Exitus Stratagem Records

The wait is over. Blackened death metal collective Visitant unleashes their highly anticipated debut album “Rubidium” via Exitus Stratagem Records, delivering seven tracks of ritualistic, unrelenting music that weaves ethereal elements into haunting soundscapes. The album represents what the band calls ‘shadow work’, a visceral exploration of the bleakest parts of being human.

“Rubidium” showcases the full collaborative power of Visitant‘s seasoned lineup across 32 minutes of immersive music. Taylor Tidwell (Unaligned) serves as the primary architect of the band’s crushing riffs, while Anthony Lusk-Simone’s (Abiotic, Lattermath) orchestral passages and thunderous drumming build the cinematic worlds that define each composition. Kilian Duarte’s (Abiotic, Scale the Summit) monstrous bass work drives the album’s forward momentum, even contributing a guitar solo on “Envies Lament”. Chelsea Marrow’s (Voraath, Video Games: DOOM ETERNAL, Senua’s Saga: Hellblade II) commanding vocals tie everything together, transforming personal experiences into ghost stories that channel the essence of restless, vengeful spirits. Thomas Weidick, on guitar, recently joined their live lineup this past June.

The album explores themes of grief, loss, betrayal, vengeance, time lost, and regret through seven carefully constructed tracks that showcase Visitant‘s ability to transcend genre boundaries.

The band shares their thoughts on the record:

Tony: “Imagine Dimmu and UADA being smashed together like action figures during recess.”

Kilian: “This record, I think, threads the needle, blending a lot of different genres. But yes, imagine a bunch of metal bands as action figures in the best Super Smash bros type of way.”

Taylor: “While the genre-bending is ever-present, the release as a whole works cohesively, every part making up a piece of the puzzle.”

Chelsea: “I really do think it’s genre-bending as well. I didn’t actively approach it with that in mind, but I went for what I felt each part needed or made me feel. It was a freeing experience. I was hoping we could create something that was impactful. I think we did that. After you listen to the album from beginning to end, you feel like you were just on the biggest journey. It evokes all sorts of feels. Like damn.. I feel like I was audibly hit by a big ol’ bus. In a good way… if there was a good way!”

The album was produced and mixed by Anthony Lusk-Simone and mastered by Jason Fisher, with striking artwork created by Chelsea Marrow in collaboration with Maxwell Aston for layout and logo design. Every element of “Rubidium” has been crafted to create what the band describes as ‘epic, moving, bleak, beautiful, and uncompromising’ music.

For fans of Gojira, Opeth, Naglfar, and Between the Buried and Me, ‘Rubidium’ offers a visceral experience that promises to resonate for years to come. Visitant celebrates the album release with their live debut at Michigan Metal Fest, bringing their haunting world to audiences with an intense live experience that matches the cinematic scope of their recorded work.

Watch and listen to the album full stream premiere on Decibel Magazine HERE.

Visitant‘s “Rubidium” is available for album pre-order (out Aug 22nd) via Exitus Stratagem Records at https://hypeddit.com/visitant/rubidium

Music Videos:

Briars – https://youtu.be/XMr5E2DGX2E

Fodder – https://youtu.be/UCfxSpoPf60

Starless – https://youtu.be/quktaBXaeVM

Other Dates:
Aug 23 – Michigan Metal Fest – Leila Arboretum – Battle Creek, MI w/ Dying Fetus, Within Ruins, Ov Sulfur, The Convalescence

“On The Wake of Flame Tour” – IATT, VISITANT:
Oct 3 – Pensacola, FL – Pacific Kava
Oct 4 – Jensen Beach, FL – Dark Riff Records
Oct 5 – Duluth, GA – Sweetwater
Oct 7 – Nashville, TN – Cobra
Oct 8 – Piedmont, SC – Tribbles
Oct 9 – Raleigh, NC – Chapel Of Bones
Oct 10 – Knoxville, TN – The Pilot Light
Oct 11 – Jackson, TN – TN Metal Devastation Fest (Visitant only)

Track Listing:
1. Unworldly – 4:48
2. Briars – 5:20
3. Starless – 5:07
4. Rubidium – 5:24
5. Fodder – 4:37
6. Envies Lament – 4:56
7. Moon Bathe – 2:38
Album Length: 32:50

Album Band Line Up:
Chelsea Marrow Vocals
Kilian Duarte Bass
Taylor Tidwell Guitars
Anthony Lusk-Simone Drums / Orchestration

For more info:

Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic | X.com/exsrmusic

Facebook.com/visitantband | Instagram.com/Visitantband | Tiktok.com/@_visitant_

– 30 –

“Visitant is here to utterly wreck your morning thanks to their brand new single “Fodder”, the first offering from their upcoming album Rubidium due out on August 23 via Exitus Stratagem Records. Visitant is vocalist Chelsea Marrow (Voraath, The Monster Factory, Doom Eternal, Hellblade 2, etc.), guitarist Taylor Tidwell, drummer Anthony Lusk-Simone (Abiotic, Lattermath & ex-Pathogenic), and bassist Kilian Duarte (Abiotic, Lattermath, Felix Martin & Scale The Summit). So a real powerhouse of a band that brings some savage energy to the metal world.” – Metal Injection

“Visitant introduce the song (Starless) with subdued classical strings and rippling piano keys which together create a sorrowful but entrancing mood. The gentle nature of that overture makes the sudden crash that follows it even more startling — a sudden attack of slashing and sizzling fretwork, gargantuan bass-moans, neck-cracking beats, savage roars, and scorching screams. The song continues to bring in classically influenced piano melodies coupled with vividly dancing guitars, creating an almost diabolical kind of elegance, but the song also ignites a blackened firestorm of blasting drums, delirious fretwork, and sweeping symphonics. The notes vibrantly dart and blaze as the rhythm section thunder, and the music both elevates to heights of daunting, haughty grandeur and sweeps like wildfire. The torrid and tormented vocals seem to hold nothing back, howling and screaming out on the bleeding edge of intensity, and as if the song couldn’t get any more extravagant, the band make room for a head-spinning guitar solo at the end, in the midst of lots of other equally head-spinning fretwork and rhythm-section spectacles.” – No Clean Singing

““Fodder“, presents different warps and wefts in its weave. Also presented through a video (this time we get to see the band perform), it was inspired by a very dark dream in which Chelsea attempted to bring a murdered friend back to life and lost her own life in the process, leaving the friend trapped in a hellish limbo, bound to a body over which their control had been lost to dark spirits. To be sure, this song is also musically extravagant. It features a lot of borderline deranged and technically demanding high-speed maneuvers (a tour de force that would make lots of tech-death bands jealous) but it’s also hallucinatory, and unhinged in many other respects. It further demonstrates that Chelsea Marrow can really sing, as well as howl like a wolf and scream like a goblin. It’s a highly theatrical experience, but also instrumentally kaleidoscopic and viscerally frightening, and the singing makes the song stand out as much as every other demented and dazzling aspect of it.” – No Clean Singing

“Emerging from the shadowy fringes of the metal scene, blackened death metal outfit Visitant has unleashed their riveting debut single, “Fodder.” Released as a precursor to their eagerly anticipated first full-length album, “Rubidium,” the track invites listeners into a deeply atmospheric yet punishing sonic landscape.” – See Rock Live Magazine

“Uniting seasoned musicians from the Extreme Metal underground scene with members known for their previous works in Abiotic, Scale the Summit, Unaligned and Voraath, Blackened Death Metal quartet Visitant have spent the better part of three years crafting a debut album. The promise is of something dark, beautiful, visceral and compelling with single “Fodder” an almost ritualistic journey that weaves ethereal elements into an unrelentingly aggressive soundscape. Turning personal experiences into ghost stories for the half an hour of power that is “Rubidium” caught the attention of Exitus Stratagem Records who will distribute the affair on 29th August.” – Metal Noise

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0 Walk Into The Ocean With Iceland’s DRUNGI’s New Single “Alda” off Upcoming Album “Hamfarir Hugans” Out April 2024

February 29, 2024
by Asher
· Drungi · Music News

NEWS RELEASE

Montreal, QC – February 29, 2024

Walk Into The Ocean With Iceland’s DRUNGI’s New Single “Alda” off Upcoming Album “Hamfarir Hugans” Out April 2024

L-R: Magnus Addi Olafsson (Bass) | Sandra Maria Berþorsdottir (Drums & Vocals) | Sjafnar Bjorgvinsson (Vocals) | Runar Gauti Gunnarsson (Guitar) | Markus Loki Gunnarsson (Guitar)

Photo Credit: Hvergiland Photography

Iceland’s Drungi channel the vast landscapes of their homeland into eerie and powerful metal that will evoke a variety of emotions and cast the listener into folklore accompanied by exciting music. They are releasing their debut album “Hamfarir Hugans” on April 5th and the first look is with the single “Alda” (Wave), which is out now on YouTube. The band had the following today about this release:

“Alda was the first official single off our upcoming debut album. Having been in the back of our bassist’s head for numerous years he presented it to the band and something clicked in everyone’s mind. Following the intense feeling of drowning in one’s emotion and the sometimes suicidal feelings one has following a downforce of emotion, the song emphasizes that feeling with a rhythm pushing the oceanic feeling forward.”

The band continues to say that the flow of writing for “Alda” was significantly faster than most of their other songs and it spoke to them in a way that many others had not and thus it received the first single spot along with the first track of the album. It was something they knew right away would be a song worth sharing with the masses. The suicidal imagery of the songs comes from the Icelandic saying “Að ganga í sjóinn” or “walking into the ocean”, which is still to this day a form of suicide practiced in Iceland. Something each member of the band can connect to.

Drungi, formed in 2019, is comprised of Sjafnar Björgvinsson on vocals, Rúnar Gunnarsson on lead guitar, Loki Gunnarsson on rhythm guitar, Magnús Ólafsson on bass, and Sandra Bergþórsdóttir on drums. The band has been on a steady rise, captivating audiences with their unique blend of rock, black‘n‘roll, and doom. Having played notable festivals such as Lemmy Rock Festival 2022 and Culture Night 2022, Drungi has become a force to be reckoned with in the Icelandic music scene.

Watch and listen to the music video for “Alda” at https://youtu.be/_iEwHigmI4Q

Spotify – https://sptfy.com/Q5Mq

They are recommended for fans of Sólstafir, Skálmöld, and Gojira, “Hamfarir Hugans” is due out on April 5, 2024, and is available for pre-order at https://drungi.bandcamp.com.

Track Listing:
1. Alda – 5:42
2. Þoka – 7:00
3. Ófærð – 5:15
4. Skriða – 3:34
5. Frost – 4:42
6. Skjálfti – 4:20
7. Kvika – 7:31
8. Myrkur – 6:17

Album band lineup:
Magnús Addi Ólafsson – Bass
Rúnar Gauti Gunnarsson – Lead guitar,
Sjafnar Björgvinsson – Vocals,
Markús Loki Gunnarsson – Rhythm guitar,
Kristján B. Heiðarsson – Drums

Live band Lineup:
Magnús Addi Ólafsson – Bass
Rúnar Gauti Gunnarsson – Lead guitar,
Sjafnar Björgvinsson – Vocals,
Markús Loki Gunnarsson – Rhythm guitar,
Sandra María Bergþórsdóttir – Drums

More info: Drungi.is | Facebook.com/drungiiceland | Instagram.com/drungiiceland

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“Their music is so perfect that the only thing we can comment on is their clothes” – A&P Reacts

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0 ETHEREAL VOID Explore War, Suffering And Demise In “Gods of a Dead World” Streaming Now!

May 25, 2023
by Asher
· Ethereal Void · Music News

NEWS RELEASE

Montreal, QC – May 25, 2023

ETHEREAL VOID Explore War, Suffering And Demise In “Gods of a Dead World” Streaming Now!

Behold Ethereal Void, a trinity of death metal musicians whose music emanates from the shadows of Ontario, Canada. Infused with groove and progressive elements, their rhythmic dirges speak of the void beyond time and space, a place of emptiness and desolation. Forged in that void, their music embodies the hopelessness of existence, reminding us of the futility of our struggles. Their third album “Gods of a Dead World” is now ready to be shown the light of day and they invite you to indulge in the album stream. They comment:

“This album is definitely our most consistent offering to date. We refined the sound both in writing and production while maintaining a unique angle for every song. The biggest stand-out is the introduction of orchestral elements to the sound. It feels like a long time coming, at least from my perspective. The album is much more refined musically as well. While we generally keep to the traditional EV themes, There is a constant-running sub-theme of the futility and violence of warfare.”

Throughout the album, Ethereal Void takes up through moments of tension, traditional death metal, instrumental interludes, relentless riffs, and anxious melodies. They cover bleak and harsh topics such as war, suicide, a dying planet, and the worship of entropy. The organic conjuring of the album is initially created by Terci Ruina creates, further embellished by Nemesis, and completed by “Voiicide” who also produced, mixed, and mastered it.

“Gods of a Dead World” is raw, visceral, and primitive. The groove-based death metal darkness within is recommended for fans of Gojira, Septic Flesh, and The Design Abstract.

Listen to it in full via its album stream premiere on Bravewords HERE.

“Gods of a Dead World” is due out May 26, 2023, via Abstrakted Records.

Album pre-order – https://design.bandcamp.com/album/gods-of-a-dead-world

Lyric Video – Seeds of Hatred – https://youtu.be/ZN2wTUjij8c

Track Listing:
1. Overture to Annihilation (1:35)
2. The Voiceless (2:59)
3. Seeds of Hatred (3:44)
4. The Art of Ruination (2:48)
5. Psychosomatic Suicide (2:59)
6. Decay (Interlude) (0:46)
7. Return to the Void (3:34)
8. The Brown Stone Spire (2:32)
9. Gods of a Dead World (5:49)
Album Length: 26:50

For more info: Facebook.com/EtherealVoid

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““The Voiceless” is a rushing charge. It gets the listener’s pulse pumping because the song itself has such a mad pulse. Many of them actually, from the fast jolts in the fuzzed-out riffage to the die-stamp hammering of the snare and the jackhammer impact of the bass. And it does sound like a mad pulse, thanks to the swarms of frantic tremelo’ed fretwork, the relentless double-bass strafing, and the ugly ravenous growls. While the head-hooking energy of those assaulting ingredients never really lets go, the music does also move sideways. Eerie spectral tones ring out, creating an overlay of melancholy. The music even seems to elevate in wailing splendor, as a prelude to a sorcerous guitar solo that sounds both inviting and yearning, both enticing in its glimmering tones and downcast in its mood. Even the unhinged screams of the vocalist almost sound like singing (almost).” – No Clean Singing

“A compact and concise release, Gods of a Dead World comes in at around 26-minutes long and features a number of sharp and savage pieces of music. Kicking off with a frantic showcase of guitar screams and squeals, with the chunky familiarity of death metal heaviness, Overture to Annihilation gets in, smashes stuff up, and gets out.” – Games Brrraaains & A Head-Banging Life

“or a Death Metal cut “Overture to Annihilation” is a real eye opener, blood soaked in cinematic orchestration and virtuoso lead guitars, the barked vocals having that story telling quality to them. That flows nicely into “The Voiceless“, which introduces the lyrical themes and creatures with Voiicide playing both victim and killer as vocals come from alternate angles with a vocal tweak. It works incredibly well, the riffs flowing freely with chugging aggression, the leads bright and vibrant against the darkness. The way the cuts have been put together has been well thought through, the segway into “Seeds of Hatred” barely noticeable as the flow continues like an orchestral piece but there is also enough of shift to identify the track as being separate.” – Metal Noise
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 Seattle’s WHYTHRE Announce Synthy Single “Scorpions of Sinai” From New Album “Impregnate My Hate” Out May 2023

April 19, 2023
by Asher
· Music News · Whythre

NEWS RELEASE

Montreal, QC – April 19, 2023

Seattle’s WHYTHRE Announce Synthy Single “Scorpions of Sinai”

New Album “Impregnate My Hate” Out May 2023

L-R – Steve Fournier – Drums, Adam Chambers – Vocals, Guitars, Synths, Eric Close – Bass, Shon Petrey – Guitars, Synths
(Photographer Credit – Carolina Chambers)

NoCleanSinging is pleased to debut the second single from Seattle’s Whythre. The single “Scorpions of Sinai”, which comes from their third album “Impregnate My Hate”, is the fastest song on the album, a solid melodic death metal offering pumped full of textures and synth. The band gives a nod to classic tale as a hint of what the song is about and explains:

“Go read the first short story in Roald Dahl’s ‘Switch Bitch’ and then read the lyrics to Scorpions. I can’t say much more without spoiling that experience. It’s a quick read, just go do it. This is our fastest song by far and always leaves Steve sweatin’! There’s a lot of underlying repetition in this song, which was a first for us, honestly the track is heavily inspired by underground techno vibes.”

With this album, the band presents a simmering tension that’s in between chill and balls to the wall. They hope that listeners find some extra ‘medium’ moments here and there that tastefully strike the balance. There is a wide variety of moods present on each track, it’s packed with heavy grooves, blistering riffs and huge symphonic waves.

Whythre started in 2010 as a solo project for Shon Petrey who was traveling a lot for work at the time. At the time, he was really into the symphonic metal and folk metal influences coming out of Europe. In 2012 he met an opera trained singer named Jeran Michaels and the full length album “Hel’s Hollows” followed a few years later. It took several years for the rest of the lineup to be formed but now, as a cohesive unit, they push forwards, challenging the rules of the genres, their musicianship and their camaraderie as a band.

Shon Petrey and Adam Chambers write the songs for Whythre. When inspiration hits, they bounce ideas off each other – sometimes they collaborate from the beginning, sometimes one of them fleshes out an idea to explore. Each song has its own unique vibe and story behind it.

Whythre’s “Scorpions of Sinai” has a groove guaranteed to move any circle pit and a message meant for heretics, by heretics. They are especially recommended for fans of Hypocrisy and Children of Bodom.

Watch and listen to the lyric video for “Scorpions of Sinai” via its premiere on NoCleanSinging HERE.

The full album “Impregnate My Hate” is being released on May 26th, 2023 via High Point Records and available for pre order at https://whythre.bandcamp.com/

Music Video – “Scorchbreath” – https://youtu.be/tVGnpIA6Gk8

Track Listing:
1. Scorchbreath (3:54)
2. Impregnate My Hate (3:11)
3. Can’t Escape This (4:55)
4. Scorpions of Sinai (3:29)
5. C Section S1urpee (2:48)
6. Death Frontier (3:09)
7. Tantric Aspects of the Cross (2:32)
8. Immanence (4:02)
9. Run it Red (3:50)
Album Length: 31:54

For more info: Whythre.com | Facebook.com/Whythre | Instagram.com/whythreofficial

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“The drums snap and boom; the nimble, pulsing bass work amplifies the song’s surging, head-moving rhythms; the guitarists deliver jabs and jolts, fiery soloing, and fluid melody; and Tachell’s vocals [previous vocalist] are scalding in their intensity. You put all that together, and you get music that sends the blood rushing and proves to be highly addictive as well” – NO CLEAN SINGING ‘Savage’ single review (2019)

“The songs on this EP turn out to be damned addictive. It’s very easy, at the end, to just go back to the beginning and ride this lightning again… and again” StillBorn World EP Review (2019) – NO CLEAN SINGING

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 Surrender To Darkness With New Prog-Death Metal Track “Seeds of Hatred” From Canada’s ETHEREAL VOID; New Album “Gods of a Dead World” Out May 2023

April 19, 2023
by Asher
· Ethereal Void · Music News

NEWS RELEASE

Montreal, QC – April 19, 2023

Surrender To Darkness With New Prog-Death Metal Track “Seeds of Hatred” From Canada’s ETHEREAL VOID

New Album “Gods of a Dead World” Out May 2023

Ethereal Void is a 3-piece death metal band from Ontario, Canada that incorporates groove and progressive elements into their dark, rhythmic sounds of worship to the void. Forged in the void transcending time and space, they sought to create music different from our past experiences. Thus far, they have created two albums “Disciples of the Void” (2020) and “Acolytes of Entropy” (2021), and now their third “Gods of a Dead World” is ready to see the light of day. The first look at what’s to come is the single “Seeds of Hatred”. The band shares the theme and sound:

“This song is about a geographic area that’s cursed to be forever torn by war. Era after era, it sees bloodshed and turbulence. It is the type of groove-based chug-fest you’d expect from us. Like most of the album, it’s a crushing and to-the-point track about an area cursed to eternal warfare and bloodshed.”

Compared to the previous two albums, “Gods of a Dead World” is a departure. Ethereal Void started out as straightforward death metal with what was arguably progressive and groove influences. This new album takes that sound to a much more epic and grander scale while retaining the core of those aforementioned elements.

Those looking for groove-based death metal darkness need to look no further than Ethereal Void’s “Seeds of Hatred” single, which is streaming now, it is recommended for fans of Gojira, Septicflesh, and The Design Abstract.

Listen to “Seeds of Hatred” via its premiere on TheCirclePit YouTube channel – https://youtu.be/ZN2wTUjij8c

“Gods of a Dead World” is due out May 26, 2023.

Album pre-order – https://design.bandcamp.com

For more info: Facebook.com/EtherealVoid

– 30 –

0 Montreal’s VVON DOGMA I (ex-Unexpect – 9 String Bassist) Continue Their Progressive Assault With “The Void” Off Upcoming Album “The Kvlt of Glitch” Out May 2023

April 19, 2023
by Asher
· Music News · Vvon Dogma I

NEWS RELEASE

Montreal, QC – April 19, 2023

Montreal’s VVON DOGMA I (ex-Unexpect – 9 String Bassist) Continue Their Progressive Assault With “The Void”

New Album “The Kvlt of Glitch” Out May 2023

For VVON DOGMA I, music is more than just a form of entertainment, it’s an art form that allows them to explore their emotions and convey their message to the world. Their music is characterized by a sense of urgency, with powerful riffs and raw vocals that cut through the noise. The project of bassist Chaoth, formerly of Unexpect, is chaotic and thought-provoking and their upcoming album “The Kvlt of Glitch” is dark and melancholic. The newest single “The Void” is being presented with a lyric video, in which Chaoth shares some insight on what to expect:

“This one needed to be the first track of the record as it is the oldest material by far. Most of that song was written over a decade ago and I really love the sound design and glitchy introduction that gives a feel of what you’re walking into musically. I think a lot of people can relate to that feeling of emptiness inside, or maybe I’m just a hopeless bluesy melancholic. I actually wrote the first half of that song thinking it could be Unexpect material back in the day, so that tells you how old some of these parts are.”

When it comes to selecting tracks for the album, Chaoth doesn’t come from the school of thinking where you write 30 songs and the best 12 make it on the record. For him, everything he spent countless hours crafting will make it on the record. He also wanted to include a cover and selected the track “2 + 2 = 5” by Radiohead.

“The Kvlt of Glitch” is essentially Chaoth paying tribute to every period of different influences that he’s had in his life, from 90’s alternative and nu-metal to modern electronic and ambient music and everything in between. The album is recommended for fans of Unprocessed, Meshuggah, and Igorrr.

Watch and listen to the lyric video for “The Void” via its premiere on EverythingIsNoise HERE.

“The Kvlt of Glitch” was produced by Chaoth along with Blaise Borboën-Léonard, Chris Donaldson (Cryptopsy), and Dave Evangelista and is due out May 5, 2023.

Album pre-order – Vvondogmai.bandcamp.com

Music Video – “One Eye” – https://youtu.be/ebEmZojXIgk

In addition to the album, Chaoth has launched bass lessons via his Patreon – https://www.patreon.com/chaoth

Track Listing:
1. The Void – 4:45
2. Tabula Rasa – 4:25
3. Triangles and Crosses – 4:33
4. Day of The Dead – 4:36
5. One Eye – 4:34
6. Hivemind – 2:47
7. Lithium Blue – 4:51
8. 2 + 2 = 5 – 3:11 (Radiohead Cover)
9. Hurt – 3:58
10. The Great Maze – 6:54
Album Length: 44:40

Album Recording Credits:
• All songs performed by: VVON DOGMA I
• All songs written by: CHAOTH and VVON DOGMA I (except 2+2=5 written by Radiohead)
• Produced by: Blaise Borboën-Léonard, Chris Donaldson, Dave Evangelista, Chaoth
• Mixed by: Max Lacroix at House of Gain studio
• Mastered by: Max Lacroix at House of Gain studio
• Album Artwork by: Patrick Filteau and MidJourney
• Canadian Content (MAPL) (for Canadian

Vvon Dogma I – Album and Live Band Lineup:
ChaotH (Frederick F) – 9 String bass
Kevin Alexander – Drums
Yoan MP – Guitar
Blaise Borboën – Synth, Strings, Production

For more info: Facebook.com/VvonDogmaI | Instagram.com/vvondogmai | Twitter.com/vvondogmai | Youtube.com/@vvondogmai8596

– 30 –

“It sounds like Cynic mixed with The Algorithm, Last Chance To Reason, and others. It’s a shame this is only an EP, because I want so much more.” – Metal Injection

“It’s very much a ‘thinking outside of the box’ type of EP, with many different instruments and musical styles blended together.” – V13

“Chaoth (Frederick Filiatrault) is undoubtedly a member of the ranks of the most outstanding Canadian musicians.” – Silence-Magazin

“We may have the arrival of a whole new genre or style of music with what’s happening here from Montreal, Quebec’s Vvon Dogma I. Having just released the “Communion” EP in recent days, the music contained upon it is quite forward thinking progressive metal at its roots.” – Riff Relevant

“Vvon Dogma I’s new EP has more than twice as many bass strings than tracks…an explosive look at Frederick Filliatrault’s new project, one that he conceived almost entirely as an excuse to write with his nine-string bass. Yep. Nine strings. On a bass…the Canadian band’s debut starts them off strong.” – All About The Rock

“a very unique EP.” – Games, Braaains & A Headbanging Life

“Vvon Dogma I really makes you feel that there is a well planned progression that aims to make you go through different stages until you reach a safe place” – RTMB Music

“”Communion projects a cocktail of Creative Rock and Metal of outstanding quality that will appeal to the connoisseur of all things out there in prog and avant-garde space. This is some wild shit. And does the RMR office suite like wild? Damn straight we do. And so should you – get some.” – Rock Music Raider

“This is a band that have managed to create their own brand of odd progressive metal…This is a band that does to djent what Claypool does to funk and Patton does to rock and metal. An out there and challenging affair, and most likely with more of a niche appeal due to that. But those who get it will enjoy this stuff immensely.” – Progressor

0 Canada’s NOMAD Combine A Ballad With Groovy Death Metal In “Revolution” Off “The Mountain” Out March 2023; Mastered by Christian Donaldson (Cryptopsy)

January 16, 2023
by Asher
· Music News · Nomad

NEWS RELEASE

Montreal, QC – January 19, 2022

Canada’s NOMAD Combine A Ballad With Groovy Death Metal In “Revolution” Off “The Mountain” Out March 2023

Mastered by Christian Donaldson (Cryptopsy)

L-R – Josh MacDonald (Bass), Matt Johnstone (Guitar/Vocals), Bretton Melanson, (Drums/Vocals), Jeff Mabb (Guitar/Vocals)
Photo Credit – Chris Geistlinger

Nomad is a progressive death metal band from British Columbia’s Okanagan Valley in Canada who are excited to finally be releasing their debut album “The Mountain” this coming March. “Revolution” is the second single off the album and it is their most dynamic offering, featuring clean vocals and harmonies for the first half with a crushing ass kicking at the end. It’s a call to action, a challenge to take making the world a better place into your own hands. They comment on the track:

“The first half is our “ballad” with clean vocals, and the second half is rocking out to one hell of a sludge/groove riff, start light, go heavy, it’s kind of our “One”. The lyrics call for a revolution, a societal change, redistribution of wealth, symbiosis with nature, and to stop messing up the damn planet so our kids have a decent world to live in. The album title comes from the final line of the song, and the “fuck you” is directed to those that put profits over the preservation of our planet.”

Nomad is still early in their career and has cycled through different singers who have each brought their own style to the table and impacted the music in their own ways. Their new shared vocals setup, where three of the four musicians are vocalists, really lets them combine different styles taking the best of what they’ve had in the past from an old-school raw sound to a more refined modern sound.

The progressive melodic groove/death metal is recommended for fans of Lamb of God, Pantera, and Sepultura.

Listen to “Revolution” via its premiere on NoCleanSinging HERE.

“The Mountain” is due out on March 3, 2023, and was mixed by drummer Bretton Melanson and mastered by Christian Donaldson (Cryptopsy). It is recommended for fans of Gojira, Lamb of God, and Pantera.

Album pre-order (CD, Digital) – Nomadbc.bandcamp.com

Previous single – “Burning Alive” – https://youtu.be/N4uKBAfxc4c

Track Listing:
1. Burning Alive (4:30)
2. Haunted (6:00)
3. Revolution (6:05)
4. Relentless (6:09)
5. A Lonely Wanderer (5:08)
6. Blood Moon (9:40)
7. Rise in the Fall (6:20)
8. Processor (6:56)
9. Choke (8:52)
Album Length: 59:38

Album Credits:
– All songs written and performed by Nomad.
– Additional writing contributions by past members:
Kasey Klassen
Lorne Valliers
Dylan Heska
Justin Kleinsasser
– Mixed by Bretton Melanson
– Mastered by Christian Donaldson
– Album Artwork by: Angela Grimmuza/ Art Of Grimmuza
– MAPL – Canadian Content

Album and Live lineup:
Bretton Melanson: Drums/Vocals
Matt Johnstone: Guitar/Vocals
Jeff Mabb: Guitar/Vocals
Josh MacDonald: Bass

For more info: Facebook.com/nomadmetal | Instagram.com/nomadbandbc

About: Nomad is a dynamic, progressive death metal band from the Okanagan Valley in British Columbia, Canada and consists of drummer/vocalist Bretton Melanson; guitarist/vocalist Matt Johnstone; guitarist/vocalist Jeff Mabb; plus bassist Josh MacDonald. Kickstarted by Johnstone who was looking for an outlet, he approached Melanson and since the material felt right and with their previous history playing together, the ball was rolling. Over a few years, there was a lineup flux, with each additional leaving their mark on the material. Ultimately, they then recruited Mabb as a second guitarist and MacDonald on bass, and working collaboratively, they weave their melodic, groovy death metal.

Looking to avoid the violence and gore tropes that are quite prominent in metal music, they tend to tell stories based on fictional characters, historical events, science fiction, and astrophysics. Each member adds their own flair to the songs, imprinting their distinct influences.

When they hit the stage, the audience is greeted by multiple vocalists that deliver a massive wall of layered sound, integrated sound effects, and a well-thought-out visual element. They played Canada’s prominent Armstrong Metalfest in 2016-2019 and performed alongside bands such as Kataklysm, Origin, Soulfly, and Alestorm. They are releasing their debut album “The Mountain” in 2023.

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 MALICE DIVINE Assertive Black Metal Comes To The Front With Title Track Off “Everlasting Ascendancy” Out Jan 2023

January 6, 2023
by Asher
· Malice Divine · Music News

NEWS RELEASE

Montreal, QC – January 6, 2023

MALICE DIVINE Assertive Black Metal Comes To The Front With Title Track Off “Everlasting Ascendancy” Out Jan 2023

Driven by a passion for dark, brutal music and the desire to have full creative control, Toronto’s Ric Galvez created his one-man project Malice Divine. He released a self-titled full-length in 2021 and now with the full intention of starting to play live in 2023, the album “Everlasting Ascendancy” is being unveiled. The title track from this release summarizes everything that Malice Divine is about. It has uplifting lyrics, fast tremolo-picked sections, groovy and heavy riffs, epic melodies and solos, and a classical guitar piece that concludes the song. Galvez comments:

“I am very excited to have the title track of the new album “Everlasting Ascendancy” as the second single. This song has some of my most adventurous guitar work to date. It changes riffs frequently and has 5 guitar solos, which is the highest number of solos that I’ve had in one song as of right now. Lyrically the song is also quite personal to me. Essentially the message of the song is that no matter what life throws at me or what I end up going through, I will always come out on top.”

Galvez knew immediately that this track would be the one to finish the album and it is in good company with the other seven tracks, which include fast-paced ragers that will incite mosh pits, to mid-tempo groovy tracks. There are ferocious guitar solos juxtaposed against exceptional classical guitar work. Lyrical themes range from paranormal phenomena to personal growth. It’s a well-rounded offering, with enough diversity to not get stale and enough cohesion to be listened to from front to back without breaking immersion.

The album is a dynamic experience with its blend of different influences that aren’t found in many other bands; powerful and assertive it is recommended for fans of Watain, Thulcandra, and Dissection.

The album title track “Everlasting Ascendancy” can be heard via its premiere on NoCleanSinging HERE.

“Everlasting Ascendancy” will be released on January 27, 2023.

Album Trailer – https://youtu.be/HtpTgxAtE68

Pre-Save the album here: https://distrokid.com/hyperfollow/malicedivine/everlasting-ascendancy-2

Playthrough Video – “Silenced Judgement” – https://youtu.be/1txFo60rUKI

Track Listing:
1. Silenced Judgement (4:10)
2. Apparitions Of Conquest (8:22)
3. Usurping The Paragon (6:07)
4. At One With Infinity (6:06)
5. Parasitic Demons (5:39)
6. Reclaimed Strength (5:31)
7. Illusions Of Fragmentation (8:39)
8. Everlasting Ascendancy (8:10)
Album Length: 52:44

Album Recording Credits:
• All songs performed by: Malice Divine
• All songs written by: Ric Galvez
• Produced by: Tyler Williams
• Mixed by: Tyler Williams
• Mastered by: Jamie King
• Album Artwork by: Eka Saputra (Psychopart)
• Canadian Content (MAPL)

Album Band Lineup:
Ric Galvez – Vocals/Guitars/Bass
Dylan Gowan – Drums (Session)

For more info: Facebook.com/malicedivineband | Youtube.com/malicedivine | Instagram.com/malicedivineofficial

About: Toronto, Canada’s Malice Divine is a solo project conceived by Ric Galvez, who had always had the dream of being the leader of his own project. He wanted to expand beyond being known as just a lead guitarist, into also being known as a songwriter, vocalist, and frontman. Ric has played in local bands previously and was a contestant on Banger TV’s Shredders of Metal Seasons 1 & 2.

Ric has a major in music from York University, and through Malice Divine he shows off his vocal, guitar, and bass prowess. His lyrics are inspired by psychology, spirituality, as well as personal experiences that involve the overcoming of obstacles and hardships, using the resulting verses as a form of empowerment.

The second offering from Malice Divine, entitled “Everlasting Ascendancy”, will be released in early 2023. Once again it features Ric Galvez on Vocals, Guitars, & Bass, as well as Dylan Gowan (Vesperia, Banger TV) playing session drums. Malice Divine is also currently transitioning from being a solo project into being a band effort, and is set to start performing live in 2023. What people can expect from seeing Malice Divine live is highly aggressive black and death metal-inspired music, with shreddy and virtuosic guitar solos that add a melodic layer that isn’t common in the genre.

Malice Divine’s sophomore album “Everlasting Ascendancy” is set to be released on January 27th, 2023.

– 30 –

“Malice Divine hop back and forth between coming off like a death metal band doing covers of stuff they’ve recorded as a black metal band and coming off like a black metal band doing covers of stuff they’re recorded as a death metal band.”- Decibel Magazine

“Whether you’re into death metal, progressive metal, or epic metal, this album ticks all of those boxes effortlessly.” – Powerplay Magazine

“What exactly does Malice Divine bring to the table? Judging from “In Time” alone, the project brings a great cornucopia of gripping riffs, virtuosic soloing, constantly dynamic rhythms, harrowing vocals, and a talent for interweaving variant melodies that turn out to be memorable, as well as an ability to make such kaleidoscopic music both cohesive and catchy. The opening sequence of riffs begins to establish the pattern, shifting from sensations that are slow, dismal, and perilous to spidery and feverish, and then to cold and cruelly deranged. But that’s just the start of this dark but exhilarating piece.” – No Clean Singing

“My time with Malice Divine has shown me that Ric Galvez is a talented vocalist, guitarist, and songwriter, and fans of blackened and/or melodic death metal are highly encouraged to check it out. Malice Divine has planted their flag squarely on my radar, and I’m excited to see what Galvez comes up with on the next go-around.” – Angry Metal Guy

“Black Metal, Thrash Metal, Death Metal thrown into an insane blender of savage brutality\m/ \m/” – Heavy New York

“his self-titled debut is a very guitar-centric slab of Black/Death that sounds like a mixture of Dissection’s melodic sensibility with Skeletonwitch’s relentless energy. The playing is as sharp and precise as you’d expect it to be, and some of the leads are really superior…” – The Metal Crypt

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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