NEWS RELEASE
Montreal, QC – May 16, 2022
Bravewords Presents BRUTTA (Athemon, Ex-Haken) Brutal Self-Titled Single Off Upcoming Debut Out June 2022
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L-R: Gledson Gonçalves (drums) | Adriano Ribeiro (guitars and vocals) | Tom MacLean (bass)
Photo credit: Gledson and Adriano: Felipe Rinke. Tom: self-taken photo
Brutta out of São Paulo, Brazil, and the UK featuring the trio of Adriano Ribeiro (Athemon) (guitars, vocals), Tom MacLean (Athemon, ex-Haken) (bass), and Gledson Gonçalves (drums) are fresh, eager and ready to melt the faces off metalheads around the world. They have their debut self-titled album coming out this June, which is a formidable introduction to this new band of seasoned, professional musicians. Right now, the band is streaming the title track off the album via its premiere on Bravewords HERE.
The opening track on the full-length, it’s about letting yourself be transformed by Brutta’s aggressiveness, and admiring its uniqueness while being taken over by the transformation process. Brutta is what everyone will become, so watch out! The band explains further:
“We treasure this song a lot, as it was one of the first composed by us. It has an open evil chord followed by an explosion blast beat with a heavy bass seal. It’s the sound that never stops providing you with madness energy! The song is direct and precise. From its wicked atmosphere and obscure melody lines, we believe fans will be very curious about what’s to come!”
What follows after the title track is a high-speed, onslaught of blackened death metal spanning eight tracks, which is at times tense, occasionally experimental, but always heavy. The lyrics on the record come from human behaviour interests, especially its darker angles. Themes such as emptiness, hatred, and anxiety as well as religion and how it affects individuals.
According to Brutta, they believe fans will dig the sound, as it’s very original and consistent, but in a catchy and tuneful way. The dark atmospheres will drive the minds of listeners to obscure places. They are recommended listening for fans of Mayhem, Bloodbath, and Dark Funeral.
The album will be released on June 17th, 2022
Listen to the album teaser at https://youtu.be/E5F9g62pS3c
Album pre-order – https://bruttametal.bandcamp.com
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Track Listing:
1. Brutta (4:34)
2. Mortem (4:08)
3. Frgmntd (3:55)
4. Bastardo (4:20)
5. Inferno (4:21)
6. Cristus (3:42)
7. Devon (3:51)
8. Limbo (4:37)
Album Length: 33:20
Album Band Line Up:
Adriano Ribeiro (guitars, vocals)
Tom MacLean (bass)
Gledson Gonçalves (drums)
Album Recording Credits:
• All songs performed by: Brutta
• All songs written by: Brutta
• Produced by: Tom MacLean @ Twelve Tone Studio
• Mixed by: Tom MacLean @ Twelve Tone Studio
• Mastered by: Tom MacLean @ Twelve Tone Studio
• Album Artwork by: Luigi Quarta
For more info:
Bruttametal.com
Facebook.com/bruttametal
Instagram.com/bruttametal
About:
After working for Athemon (Adriano Ribeiro (guitars, vocals) and Tom MacLean (ex-Haken) (bass)) as their session drummer, Gledson Gonçalves had the idea of creating another project with more extreme music. Recruiting Ribeiro (guitars, vocals) and MacLean (bass), both were very eager to dive headfirst into the aggressive sound Gonçalves had in mind. A few jams later and Brutta was officially formed as a studio project over two contents. Gonçalves and Ribeiro in Brazil and MacLean in the UK.
Brutta works collaboratively through every part of the process, first Ribeiro develops and assembles the riffs, to which Gonçalves adds drum parts. The final musical touches come in as MacLean weaves the bass riffs and then vocals are layered on top with lyrical themes coming from human behaviour, especially its darker angles.
As they plan to hit the stage in the near future, fans will be met with loads of energy and power during the set as Brutta releases their demons through strong performances, so the audience can do the same.
A modern and in-your-face version of obscure and wicked music, Brutta rises like brutal “Heavy Post Metal” their debut, self-titled album will be released on June 17, 2022.
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