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Tag: Dimmu Borgir

0 XAEL’s New Music Video Resurrects “Srai – The Demon of Erring”, Sci-Fi Extreme Metal Album Out Now!, Music Video Premiere via Decibel Magazine

  • May 20, 2021
  • by Asher
  • · Music News · Xael

NEWS RELEASE

Montreal, QC – May 20, 2021

For fans of Septicflesh, Fleshgod Apocalypse, Wardruna, Nile, Cattle Decapitation, Dimmu Borgir

XAEL’s New Music Video Resurrects “Srai – The Demon of Erring”, Sci-Fi Extreme Metal Album Out Now!

Music Video Premiere via Decibel Magazine

New Album “Bloodtide Rising” Out Now!
XAEL (ft. members of Nile, The Reticent, Rapheumets Well)

May 2022 North American Tour Dates w/ Bloodbath

XAEL (ft. members of Nile, The Reticent, Rapheumets Well) are conjuring the resurrection of “Srai – The Demon of Erring” with their new music video in support of their latest album sci-fi escapade “Bloodtide Rising” released this past February via Pavement Entertainment.

The video is the next visual exploration into the fictional sci-fi world created by band founder and drummer Joshua “Nassaru” Ward and can be viewed via its premiere on Decibel Magazine HERE.

Ward explains the album in further detail:

“In Xael, we are trying to not only create some brutal and primal metal, but cultivate the fusion of storytelling and epic adventures. We are building a multiverse with diverse planets and odd-powerful creatures, taking listeners on a journey. This specific album follows the ‘watchers’ as we are assimilated into the vile and mysterious world of Vuul Athmar. It is a tragic love story turned horror. Musically, we incorporate tribal elements, Asian and traditional folk instruments, and an array of vocals to capture the variety of emotions. Though there was a global pandemic, we worked hard to bring this musical odyssey alive and we are excited to finally share it.” 

Hailing from the American Carolinas, XAEL brings forth with them epic symphonic death metal like no other. Their new album entitled “Bloodtide Rising” is a concept record rooted in a science fiction universe that XAEL revolves all their music around. The extreme symphonic release chronicles the journey of a character named Darmak, an immortal who is trying to find purpose in a chaotic and complex multiverse.

XAEL was initially meant to be a personal project by drummer Joshua “Nassaru” Ward, however, when other musicians showed interest it evolved into a full-fledged project with each member contributing equally towards this current full length and the band’s first album “The Last Arbiter” (2018).

Fans of progressive and brutal metal along with sci-fi enthusiasts will take interest in what XAEL is doing. It’s different, and listeners can get lost in the complex multiverse that they have conceived. Epic and extreme, it is recommended for fans of Septicflesh, Fleshgod Apocalypse, and Nile.

The album “Bloodtide Rising” is out now on the following platforms:
Apple Music, Amazon, Deezer, Tidal HERE.
Spotify

Music Video – “Bloodtide Rising” – https://youtu.be/gciPXZb8dvc
Music Video – “The Waste of Dreadrift” –  https://youtu.be/rZg7z8ek0PE

In additional news, the band will also be hitting the road in 2022 to support Sweden’s Bloodbath‘s North American tour dates:

May 22 – Brooklyn, NY – Warsaw
May 23 – Boston, MA – Paradise Rock Club
May 24 – Montreal, QC – L’Astral
May 25 – Toronto, ON – Opera House

Tickets on sale at www.bloodbath.biz

Track Listing:
1. Suun Rai Aru (Passion Begets Ruin) (3:04)
2. As Decreed: The Law of Vuul Athmar (4:25)
3. The Waste of Dreadrift (5:19)
4. Srai – The Demon of Erring (6:24)
5. Dark World Mirrors (4:42)
6. Bloodtide Rising (ft. Mathieu Marcotte of Augury) (3:48)
7. The Red Odyssey (2:07)
8. The Red Odyssey Part 2: The Temple of the Sky Eater (4:57)
9. The Odium and the Contrition (4:12)
Album Length: 39:02

Album Band Line Up:
Joshua Niemeyer – Vocals
Daniel Presnell – Guitar
Chris Hathcock – Guitar, Clean vocals
Brad Parris – Bass vocals
Joshua “Nassaru” Ward – Drums, Keys, Vocals

For more info:
Eldersverse.com/xael
Facebook.com/xael.metal
Instagram.com/xael_official
EPK

– 30 –


—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 XAEL (ft. members of Nile, The Reticent, Rapheumets Well) Announces May 2022 North American Tour Dates w/ BLOODBATH

  • May 6, 2021
  • by Asher
  • · Music News · Xael

NEWS RELEASE

Montreal, QC – May 6, 2021

For fans of Septicflesh, Fleshgod Apocalypse, Wardruna, Nile, Cattle Decapitation, Dimmu Borgir

XAEL Announces May 2022 North American Tour Dates w/ BLOODBATH

New Album “Bloodtide Rising” Out Now!
XAEL (ft. members of Nile, The Reticent, Rapheumets Well)

XAEL (ft. members of Nile, The Reticent, Rapheumets Well) announces they will be hitting the road in May 2022 to support Sweden’s BLOODBATH (Peaceville Records) for their North American tour dates (dates listed below).

XAEL drummer and band founder Joshua “Nassaru” Ward comments:

“We are really excited to be joining the mighty Bloodbath for the 2022 North American tour. Being long-term fans, this is a dream come true for us. This is going to be a unique and brutal tour with some rather interesting theatrics and bone-crushing metal! We look forward to seeing everybody on tour.”

May 22 – Brooklyn, NY – Warsaw – Ticket Info
May 23 – Boston, MA – Paradise Rock Club – Ticket Info
May 24 – Montreal, QC – L’Astral- Ticket Info
May 25 – Toronto, ON – Opera House – Ticket Info

Hailing from the American Carolinas, XAEL brings forth with them epic symphonic death metal like no other. Their new album entitled “Bloodtide Rising” is a concept record rooted in a science fiction universe that XAEL revolves all their music around. The extreme symphonic release chronicles the journey of a character named Darmak, an immortal who is trying to find purpose in a chaotic and complex multiverse.

XAEL was initially meant to be a personal project by drummer Joshua “Nassaru” Ward, however, when other musicians showed interest it evolved into a full-fledged project with each member contributing equally towards this current full length and the band’s first album “The Last Arbiter” (2018).

Fans of progressive and brutal metal along with sci-fi enthusiasts will take interest in what XAEL is doing. It’s different, and listeners can get lost in the complex multiverse that they have conceived. Epic and extreme, it is recommended for fans of Septicflesh, Fleshgod Apocalypse, and Nile.

The album “Bloodtide Rising” is out now on the following platforms via Pavement Music:
Apple Music, Amazon, Deezer, Tidal HERE.
Spotify

Music Video – “Bloodtide Rising” – https://youtu.be/gciPXZb8dvc
Music Video – “The Waste of Dreadrift” –  https://youtu.be/rZg7z8ek0PE


Track Listing:
1. Suun Rai Aru (Passion Begets Ruin) (3:04)
2. As Decreed: The Law of Vuul Athmar (4:25)
3. The Waste of Dreadrift (5:19)
4. Srai – The Demon of Erring (6:24)
5. Dark World Mirrors (4:42)
6. Bloodtide Rising (ft. Mathieu Marcotte of Augury) (3:48)
7. The Red Odyssey (2:07)
8. The Red Odyssey Part 2: The Temple of the Sky Eater (4:57)
9. The Odium and the Contrition (4:12)
Album Length: 39:02

Album Band Line Up:
Joshua Niemeyer – Vocals
Daniel Presnell – Guitar
Chris Hathcock – Guitar, Clean vocals
Brad Parris – Bass vocals
Joshua “Nassaru” Ward – Drums, Keys, Vocals

For more info:
Eldersverse.com/xael
Facebook.com/xael.metal
Instagram.com/xael_official
EPK

– 30 –


—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 XAEL’s Music Video “The Waste of Dreadrift” Continues The Exploration of Their Sci-Fi Metal Fictional World

  • April 6, 2021
  • by Asher
  • · Music News · Xael

NEWS RELEASE

Montreal, QC – April 6, 2021

For fans of Septicflesh, Fleshgod Apocalypse, Wardruna, Nile, Cattle Decapitation, Dimmu Borgir

XAEL’s Music Video “The Waste of Dreadrift” Continues The Exploration of Their Sci-Fi Metal Fictional World

New Album “Bloodtide Rising” Out Now!
XAEL (ft. members of Nile, The Reticent, Rapheumets Well)


Enter if you dare “The Waste of Dreadrift”, the latest music video from XAEL (ft. members of Nile, The Reticent, Rapheumets Well). The video is the next visual exploration into the fictional sci-fi world created by band founder and drummer Joshua “Nassaru” Ward for the band’s new album “Bloodtide Rising” released this past February via Pavement Entertainment.

Ward explains the album’s story in further detail:

“Imprisoned by the counsel of Tymeer in the waste of Dreadrift, Darmak and the Watchers of Xan were presented as an offering to the Sovereign Ruler of Vuul Athmar, Atara Avuniir where they were assimilated into her elite guard, the Suun Vir. Unforeseen, the Queen fell in love with Darmak and bore him a son, yet the queen harbors a dark secret, an anomaly that threatens the outer-worlds.”

To experience XAEL‘s planetary sci-fi adventure, please check out the music video for “The Waste of Dreadrift” via the band’s YouTube –  https://youtu.be/rZg7z8ek0PE.

Hailing from the American Carolinas, XAEL brings forth with them epic symphonic death metal like no other. Their new album entitled “Bloodtide Rising” is a concept record rooted in a science fiction universe that XAEL revolves all their music around. The extreme symphonic release chronicles the journey of a character named Darmak, an immortal who is trying to find purpose in a chaotic and complex multiverse.

XAEL was initially meant to be a personal project by drummer Joshua “Nassaru” Ward, however, when other musicians showed interest it evolved into a full-fledged project with each member contributing equally towards this current full length and the band’s first album “The Last Arbiter” (2018).

Fans of progressive and brutal metal along with sci-fi enthusiasts will take interest in what XAEL is doing. It’s different, and listeners can get lost in the complex multiverse that they have conceived. Epic and extreme, it is recommended for fans of Septicflesh, Fleshgod Apocalypse, and Nile.

The album “Bloodtide Rising” is out now on the following platforms:
Apple Music, Amazon, Deezer, Tidal HERE.
Spotify

Music Video – “Bloodtide Rising” – https://youtu.be/gciPXZb8dvc


Track Listing:
1. Suun Rai Aru (Passion Begets Ruin) (3:04)
2. As Decreed: The Law of Vuul Athmar (4:25)
3. The Waste of Dreadrift (5:19)
4. Srai – The Demon of Erring (6:24)
5. Dark World Mirrors (4:42)
6. Bloodtide Rising (ft. Mathieu Marcotte of Augury) (3:48)
7. The Red Odyssey (2:07)
8. The Red Odyssey Part 2: The Temple of the Sky Eater (4:57)
9. The Odium and the Contrition (4:12)
Album Length: 39:02

Album Band Line Up:
Joshua Niemeyer – Vocals
Daniel Presnell – Guitar
Chris Hathcock – Guitar, Clean vocals
Brad Parris – Bass vocals
Joshua “Nassaru” Ward – Drums, Keys, Vocals

For more info:
Eldersverse.com/xael
Facebook.com/xael.metal
Instagram.com/xael_official
EPK

About:
Xael, based out of the American Carolinas was formed in 2018. The band’s current line-up consists of Joshua Niemeyer, Daniel Presnell, Chris Hathcock (The Reticent), Brad Parris (Nile), and Joshua “Nassaru” Ward (Rapheumets Well). Xael combines elements of extreme metal with orchestrations and folk music to create soundscapes of the imagination.

Xael’s music focuses on the endeavors of its members in a science fantasy epic. From the wastelands of war-torn planets to the pits where the fallen gods dwell, Xael paints an odd and fantastic sci-fi world both musically and visually.

Discography:
2021 – Bloodtide Rising (Pavement Entertainment)
2018- The Last Arbiter (Test Your Metal Records)

Bloodtide Rising Concept:
Imprisoned by the counsel of Tymeer, led by the insidious entity Sen, Darmak “ cursed with a degrading immortality” and the Watchers of Xan were presented as an offering to the Sovereign Ruler and rare species collector, Atara Avuniir in exchange for military and economic support. Finding Favor with the Queen, the Watchers were integrated into her elite guard where they became renowned for their success.

Unforeseen, the Queen fell in love with Darkmak and she would bear to him a son.  Vuul Athmar along with the outer planets of the Eiasian-Rim prospered yet the queen harbors a dark secret, an anomaly that threatens the outer-worlds.

Touring history:
Though Xael is a new project, the members are no stranger to touring. Brad Parris, being the frontman and bass player for Nile embarks on yearly international tours. Along with Joshua Ward (who is the drum tech for George Kollias of Nile), they have toured most of Europe, Australia, India, South America, Russia, and Japan. Other members being from bands such as Rapheumets Well and The Reticent are all versed in national and international touring.

Sounds Like:  Septicflesh, Fleshgod Apocalypse, Wardruna, Nile, Cattle Decapitation, Heilung, Dimmu Borgir, Devin Townsend, Emperor, Augury

– 30 –


—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 XAEL (ft. members of Nile, The Reticent, Rapheumets Well) New Music Video “Bloodtide Rising”, New Album Out Now!

  • March 16, 2021
  • by Asher
  • · Music News · Xael

NEWS RELEASE

Montreal, QC – March 16, 2021

For fans of Septicflesh, Fleshgod Apocalypse, Wardruna, Nile, Cattle Decapitation, Dimmu Borgir

XAEL Clamours In Crimson With Music Video For Title Track Off “Bloodtide Rising”

Title-Track ft. guests Mathieu Marcotte (Augury, Humanoid) and Nate Miller (Chinese Violin)

New Album “Bloodtide Rising” Out Now!
XAEL (ft. members of Nile, The Reticent, Rapheumets Well)

Hailing from the Carolinas in the USA, comes XAEL (ft. members of Nile, The Reticent, Rapheumets Well), bringing with them epic symphonic death metal like no other. They have recently released an album entitled “Bloodtide Rising” (February 12, 2021) and now have a music video for the title track, which features guests Mathieu Marcotte (Guitarist from Augury and Humanoid) and Nate Miller (Chinese Violin).

The title track was the first song written for the new album, and thus sets the tone of the entire full length. It is primal and epic, showcasing the brutal nature of the main antagonist of the record’s story. XAEL explains the track and album in their own words:

“It’s an auditory odyssey, it’s brutal and emotional all at once. The story of the album really focuses on the members of the band who are called the “watchers of Xan” in which we navigate the different worlds. This album focuses on our arrival to Vuul Athmar as our characters are sold off from the prison of Dreadrift. We craft our own multiverse and create our own lore. The entire band is crafted from the dark and complex set of dimensions.”

The video for the album title track can be watched on YouTube: https://youtu.be/gciPXZb8dvc

“Bloodtide Rising” is a concept album rooted in a science fiction universe that XAEL revolves all their music around. The extreme symphonic release chronicles the journey of a character named Darmak, an immortal who is trying to find purpose in a chaotic and complex multiverse.

XAEL was initially meant to be a personal project by drummer Joshua “Nassaru” Ward, however, when other musicians showed interest it evolved into a full-fledged project with each member contributing equally towards this current full length and the band’s first album “The Last Arbiter” (2018).

Fans of progressive and brutal metal along with sci-fi enthusiasts will take interest in what XAEL is doing. It’s different, and listeners can get lost in the complex multiverse that they have conceived. Epic and extreme, it is recommended for fans of Septicflesh, Fleshgod Apocalypse, and Nile.

The album “Bloodtide Rising” is out now on the following platforms:
Apple Music, Amazon, Deezer, Tidal HERE.
Spotify


Track Listing:
1. Suun Rai Aru (Passion Begets Ruin) (3:04)
2. As Decreed: The Law of Vuul Athmar (4:25)
3. The Waste of Dreadrift (5:19)
4. Srai – The Demon of Erring (6:24)
5. Dark World Mirrors (4:42)
6. Bloodtide Rising (ft. Mathieu Marcotte of Augury) (3:48)
7. The Red Odyssey (2:07)
8. The Red Odyssey Part 2: The Temple of the Sky Eater (4:57)
9. The Odium and the Contrition (4:12)
Album Length: 39:02

Album Band Line Up:
Joshua Niemeyer – Vocals
Daniel Presnell – Guitar
Chris Hathcock – Guitar, Clean vocals
Brad Parris – Bass vocals
Joshua “Nassaru” Ward – Drums, Keys, Vocals

For more info:
Eldersverse.com/xael
Facebook.com/xael.metal
Instagram.com/xael_official
EPK

About:
Xael, based out of the American Carolinas was formed in 2018. The band’s current line-up consists of Joshua Niemeyer, Daniel Presnell, Chris Hathcock (The Reticent), Brad Parris (Nile), and Joshua “Nassaru” Ward (Rapheumets Well). Xael combines elements of extreme metal with orchestrations and folk music to create soundscapes of the imagination.

Xael’s music focuses on the endeavors of its members in a science fantasy epic. From the wastelands of war-torn planets to the pits where the fallen gods dwell, Xael paints an odd and fantastic sci-fi world both musically and visually.

Discography:
2021 – Bloodtide Rising (Pavement Entertainment)
2018- The Last Arbiter (Test Your Metal Records)

Bloodtide Rising Concept:
Imprisoned by the counsel of Tymeer, led by the insidious entity Sen, Darmak “ cursed with a degrading immortality” and the Watchers of Xan were presented as an offering to the Sovereign Ruler and rare species collector, Atara Avuniir in exchange for military and economic support. Finding Favor with the Queen, the Watchers were integrated into her elite guard where they became renowned for their success.

Unforeseen, the Queen fell in love with Darkmak and she would bear to him a son.  Vuul Athmar along with the outer planets of the Eiasian-Rim prospered yet the queen harbors a dark secret, an anomaly that threatens the outer-worlds.

Touring history:
Though Xael is a new project, the members are no stranger to touring. Brad Parris, being the frontman and bass player for Nile embarks on yearly international tours. Along with Joshua Ward (who is the drum tech for George Kollias of Nile), they have toured most of Europe, Australia, India, South America, Russia, and Japan. Other members being from bands such as Rapheumets Well and The Reticent are all versed in national and international touring.

Sounds Like:  Septicflesh, Fleshgod Apocalypse, Wardruna, Nile, Cattle Decapitation, Heilung, Dimmu Borgir, Devin Townsend, Emperor, Augury

– 30 –


—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 The Design Abstract’s New Sci-Fi Album “Technotheism” Now Available On CD via Abstrakted Records 

  • February 23, 2021
  • by Asher
  • · Music News · The Design Abstract

NEWS RELEASE

Montreal, QC – February 23, 2021

For fans Septicflesh, Scar Symmetry, Dimmu Borgir, Fleshgod Apocalypse, Machina

The Design Abstract’s New Sci-Fi Album “Technotheism” Now Available On CD via Abstrakted Records 


L-R: Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming)
Photo Credit – Tami Martin

Unleashing their melodic death sci-fi escapade “Technotheism” digitally on Jan 29th, Ontario, Canada’s The Design Abstract announce that the full-length is now available physically as a limited run of CDs via their label Abstrakted Records.

The band comments:

“We are very excited to announce that due to an overwhelming amount of interest from fans for a CD release of Technotheism, we now have exactly that! It features the iconic artwork in a full jewel case, manufactured right here in Canada. The run is limited to 50, and a lot of people got in on it early, so if this something you’ve been waiting for, don’t miss out! We’re very grateful we’ve been able to make this happen, thank you to everyone who expressed interest in buying our music on CD.”

The physical copy of “Technotheism” can be ordered via the band’s Bandcamp at the following link: https://design.bandcamp.com/album/technotheism

Digital stream and download at the following links:
YouTube
Spotify
Apple Music

The Design Abstract‘s new album “Technotheism” invokes the futuristic sounds of science fiction, as the band takes a step away from the traditional use of orchestral writing, by making it the soundtrack for anything space or cyberpunk related.

Still, in the experimental age for the band, each song is written completely differently and by different members of the band. “Technotheism” is purely a science fiction story told as such in a monumental thirteen track work of symphonic melodic death metal. It tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. The band explains the album:

“We incorporate a blend of metal, orchestra, and industrial music that hasn’t been done in this way. Nobody can top the orchestral metal masterpieces like Death Cult Armageddon by Dimmu Borgir or Codex Omega by Septicflesh, however, we push this genre into the distant future, with the sounds of a cyberpunk dystopia punctuating every release.

This album is the absolute pinnacle of what the band is currently capable of, which speaks volumes to the fact that most of it was written so long ago. Most metal bands who incorporate orchestral writing do so in a pointedly antiquated way: the goal is to sound a bit archaic. The sound of The Design Abstract is rooted in futuristic science fiction. It’s a classically scored orchestra, but it sounds anything but old fashioned.”

The dramatic, grandiose music is presented in an articulate, but extreme wall of sound suitable for fans of science fiction, and melodic death metal and bands such as Fleshgod Apocalypse, Machina, and Dimmu Borgir.

Previous videos:
“The Apotheosis” – YouTube (Music Video)

“The Return” – YouTube (Lyric Video)

“Annihilation” – YouTube (Quarantine Music Video)


Track Listing:
1. Relentless (2:05)
2. Deus Est Machina (6:33)
3. The Apotheosis (1:54)
4. Among the Stars (1:36)
5. The Resistance (4:37)
6. Voidwalkers (3:46)
7. The Omnisphere (1:32)
8. Data Shield Attack (6:18)
9. The Return (3:41)
10. Elucidate (1:11)
11. Parallel Projection (3:46)
12. Annihilation (3:46)
13. A World of One (4:00)
Album Length: 44:50

More info:
Facebook.com/thedesignabstract
Instagram.com/thedesignabstract
EPK

About:
The Design Abstract is a two-piece sci-fi-themed symphonic melo-death band from Ontario, Canada consisting of Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming). The band formed with a single goal: to create a blend of industrial-influenced symphonic metal that had never been done before. Since the debut album Emanate in 2017, The Design Abstract has sought to shed the antiquated tendencies of orchestral metal bands, instead pushing far into the future conceptually and lyrically. With each subsequent release (Corrupt in 2019 and Esoteric in 2020), the band pushed further into “melodic death metal” territory, brandishing more comprehensive riffs, technical drum writing, and more guttural vocals, but never lost the industrial-electronic edge or the massive and dramatic orchestral passages. The cumulation of this sound is their latest album Technotheism due out Jan 29, 2021.

A grandiose display of musicality, technicality, and narrative, the sophomore full length is a monumental 13-track work of symphonic melodic death metal that tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. One thing you’ll notice about Technotheism is how it’s structured and how it all flows together. The pattern of the types of tracks, the order, and their function was very carefully planned out in a way that few albums are.

– 30 –

“A symphonic technical death metal masterpiece with an amazing concept to keep you engaged from start to finish \m/” – Heavy New York

“Now for some nerd shit. Technotheism is a concept record about the future that at it’s core is a melodic death metal record, but the band dabbles with electronic elements, technicality, and grand orchestrations throughout. Fans of Last Chance To Reason and really any band Mike Semesky (Ordinance, Raunchy, etc) has been a part of will probably dig this.” – Metal Injection

“This is a grandiose affair, full of musicality, technicality, and narrative. Thirteen tracks of symphonic melodic death metal that tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between.” – The Prog Space

“The Canadian The Design Abstract continues exactly where the appetizer “Esoteric”, published last year, caused unimagined enthusiasm. As a result, the duo from Ontario cuts even more clearly into the notch of futuristic sci-fi melodic death metal, which lives largely from orchestral and symphonic density, but which also steers very sophisticated and elegant in the right direction… Rarely do you hear such an exciting album that continues to rotate a unique spindle of ideas between melodic and progressive elements. Death metal meets industrial, songs that are staged in a great symphonic and epic breadth. 9.5/10″ ” – Zephyrs Odem

“The Design Abstract goes for a big symphonic style in extreme metal, with a few twists and surprises along the way. Fans of the dystopian and/or futuristic sounds may find the album especially interesting. The Design Abstract is the symphony that remains after the alien zombies have taken over and this is the music that they want the world to hear to remind everyone that the zombies are horrible beings that enjoy tormenting the population with grandiose cacophony. When can the party begin, right?” – Metal Bulletin Zine 

“THE DESIGN ABSTRACT – Technothesim is an eavesdropping beyond one’s own musical nose, which is worth it!” – My Revelations

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 The Design Abstract Observe A Synthetic Assault w/ Video “Parallel Projection”, Lyric Video Premiere via TheCirclePit, New Sci-Fi Album “Technotheism” Out Now! via Abstrakted Records 

  • February 16, 2021
  • by Asher
  • · Music News · The Design Abstract

NEWS RELEASE

Montreal, QC – February 16, 2021

For fans Septicflesh, Scar Symmetry, Dimmu Borgir, Fleshgod Apocalypse, Machina

The Design Abstract Observe A Synthetic Assault w/ Video “Parallel Projection”

Lyric Video Premiere via TheCirclePit

New Sci-Fi Album “Technotheism” Out Now! via Abstrakted Records 


L-R: Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming)
Photo Credit – Tami Martin

Unleashing their melodic death sci-fi escapade “Technotheism” on Jan 29th, Ontario, Canada’s The Design Abstract are sharing with fans their latest lyric video for the track “Parallel Projection” in support of the full-length. The song is choppy electronic arpeggio punches along with the kick drum in perfect time, creating a more synthetic sound than most of the songs before it on the record. It features a very traditional song structure and some of the catchiest guitar parts you will on “Technotheism”.

The band adds:

“Parallel Projection is a very unique track in the context of Technotheism, since it contains almost no orchestral elements whatsoever. This track is the furthest we have ever gone into combining arpeggiated industrial electronic music with fairly straightforward melodic death metal. You could say it’s the most “minimal” track on the album if there even is such a thing with a band like us. The bridge was inspired by Gojira, which is an influence that also sets it apart from the rest of the album. We knew very early on that this song was going to be “single material”. “

Teaming up with TheCirclePit, the video can be viewed at https://youtu.be/x3IsfmpyTO8

The Design Abstract‘s new album “Technotheism” invokes the futuristic sounds of science fiction, as the band takes a step away from the traditional use of orchestral writing, by making it the soundtrack for anything space or cyberpunk related.

Still, in the experimental age for the band, each song is written completely differently and by different members of the band. “Technotheism” is purely a science fiction story told as such in a monumental thirteen track work of symphonic melodic death metal. It tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. The band explains the album:

“We incorporate a blend of metal, orchestra, and industrial music that hasn’t been done in this way. Nobody can top the orchestral metal masterpieces like Death Cult Armageddon by Dimmu Borgir or Codex Omega by Septicflesh, however, we push this genre into the distant future, with the sounds of a cyberpunk dystopia punctuating every release.

This album is the absolute pinnacle of what the band is currently capable of, which speaks volumes to the fact that most of it was written so long ago. Most metal bands who incorporate orchestral writing do so in a pointedly antiquated way: the goal is to sound a bit archaic. The sound of The Design Abstract is rooted in futuristic science fiction. It’s a classically scored orchestra, but it sounds anything but old fashioned.”

The dramatic, grandiose music is presented in an articulate, but extreme wall of sound suitable for fans of science fiction, and melodic death metal and bands such as Fleshgod Apocalypse, Machina, and Dimmu Borgir.

“Technotheism” is available now via Abstrakted Records on the following digital platforms for stream and download.

YouTube
Bandcamp
Spotify
Apple Music

Previous videos:
“The Apotheosis” – YouTube (Music Video)
“The Return” – YouTube (Lyric Video)
“Annihilation” – YouTube (Quarantine Music Video)


Track Listing:
1. Relentless (2:05)
2. Deus Est Machina (6:33)
3. The Apotheosis (1:54)
4. Among the Stars (1:36)
5. The Resistance (4:37)
6. Voidwalkers (3:46)
7. The Omnisphere (1:32)
8. Data Shield Attack (6:18)
9. The Return (3:41)
10. Elucidate (1:11)
11. Parallel Projection (3:46)
12. Annihilation (3:46)
13. A World of One (4:00)
Album Length: 44:50

More info:
Facebook.com/thedesignabstract
Instagram.com/voiicide
EPK

About:

The Design Abstract is a two-piece sci-fi-themed symphonic melo-death band from Ontario, Canada consisting of Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming). The band formed with a single goal: to create a blend of industrial-influenced symphonic metal that had never been done before. Since the debut album Emanate in 2017, The Design Abstract has sought to shed the antiquated tendencies of orchestral metal bands, instead pushing far into the future conceptually and lyrically. With each subsequent release (Corrupt in 2019 and Esoteric in 2020), the band pushed further into “melodic death metal” territory, brandishing more comprehensive riffs, technical drum writing, and more guttural vocals, but never lost the industrial-electronic edge or the massive and dramatic orchestral passages. The cumulation of this sound is their latest album Technotheism due out Jan 29, 2021.

A grandiose display of musicality, technicality, and narrative, the sophomore full length is a monumental 13-track work of symphonic melodic death metal that tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. One thing you’ll notice about Technotheism is how it’s structured and how it all flows together. The pattern of the types of tracks, the order, and their function was very carefully planned out in a way that few albums are.

– 30 –

“A symphonic technical death metal masterpiece with an amazing concept to keep you engaged from start to finish \m/” – Heavy New York

“Now for some nerd shit. Technotheism is a concept record about the future that at it’s core is a melodic death metal record, but the band dabbles with electronic elements, technicality, and grand orchestrations throughout. Fans of Last Chance To Reason and really any band Mike Semesky (Ordinance, Raunchy, etc) has been a part of will probably dig this.” – Metal Injection

“This is a grandiose affair, full of musicality, technicality, and narrative. Thirteen tracks of symphonic melodic death metal that tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between.” – The Prog Space

“The Canadian The Design Abstract continues exactly where the appetizer “Esoteric”, published last year, caused unimagined enthusiasm. As a result, the duo from Ontario cuts even more clearly into the notch of futuristic sci-fi melodic death metal, which lives largely from orchestral and symphonic density, but which also steers very sophisticated and elegant in the right direction… Rarely do you hear such an exciting album that continues to rotate a unique spindle of ideas between melodic and progressive elements. Death metal meets industrial, songs that are staged in a great symphonic and epic breadth. 9.5/10″ ” – Zephyrs Odem

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Montreal’s Valfreya Sound The Warcall In New Video “Warlords” Off “Promised Land”

  • February 9, 2021
  • by Asher
  • · Music News · Valfreya

NEWS RELEASE

Montreal, QC – February 9, 2021

For fans of Wintersun, Equilibrium, Ensiferum, Finntroll, Dimmu Borgir

Montreal’s Valfreya Sound The Warcall In New Video “Warlords” Off “Promised Land”

Back in 2017, Montreal, Quebec’s Valfreya released the critically acclaimed “Promised Land”, sending a rush of vicious folk metal around the world. Taking all the jolly melodies from the genre, but then making it faster and more aggressive, Valfreya has been weaving Norse mythology into a familiar, yet original tapestry since 2009.

Now, there is a new music video from the band, for the song “Warlords” off the 2017 release. The video channels all the energy that Valfreya brings to the stage, impactful growling, soaring clean vocals, imaginative solos, and of course, plenty of catchy verses to sing along to. The track “Warlords” is an excerpt from the tale that spans the entire concept album, the journey of Eric The Red. Valfreya goes into detail about the album:

“The album is a journey through a lot of emotions and situations, giving life to a host of varied songs, each with a different sound and personality. The story behind the album is about Eric The Red discovering America and how he defies the Gods, but pays a hefty price for that defiance. It’s a step-up in sound quality and has more intricate guitar parts and better-written music that with every listen you can discover parts you hadn’t noticed before. On top of that, we have an original sound and songs! We want to give more to people that enjoy good riffs!”

The world needs astonishing stories as an outlet for strong emotions now more than ever. In the shape of Montreal’s larger-than-life metal warriors Valfreya, it has them! And in their striking vocalist, it has its Valkyrie!

Valfreya is an orchestral folk metal that will entice listeners of Wintersun, Equilibrium, and Ensiferum.

Watch “Warlords” on YouTube: https://youtu.be/k-KFBRVD80A

“Promised Land” along with the rest of Valfreya’s discography is available on Spotify, Bandcamp, and all online major retailers.

The band is presently working on a new full-length, date of release to be determined.

For more info:
Valfreyaofficial.com
Facebook.com/Valfreya.Metal
Instagram.com/valfreya_band
Twitter.com/ValfreyaMetal

About:

The world needs heroes now more than ever. In the shape of Montreal’s larger-than-life metal warriors Valfreya, it has them! And in their striking vocalist Crook, they have their own Valkyrie!.

In 2009, vocalist Crook wanted to play something akin to folk metal, but even more aggressive and fast-paced. Combining Valhalla and the Norse goddess Freya, the band has been creating music and lyrics to revolve around stories inspired by Norse mythology.

Orchestral and death metal with a hint of folk music, the prolific Valfreya has unleashed three well-received EPs (‘First Chronicles’, ‘Acoustic Chronicles’, ‘Acoustic Chronicles Part II’), an impressive 2012 debut album entitled ‘Path To Eternity’ via Maple Metal Records and their self-released second ‘Promised Land’ independently on January 13, 2017.

What you hear on the albums is what you get on stage.  They dress in a fantasy-like Viking fashion to go with their story-telling, which gives an interesting visual aspect while delivering the instrument-playing with precision. Since their inception, Valfreya has satisfied fans with their epic live experiences (200+ shows throughout Canada and the USA) where they have opened for bands like Arkona, Dark Tranquility, Nekrogoblikon, Necronomicon, Korpiklaani, Moonsorrow, Tyr, Insomnium and more!

Valfreya is presently working on their next full-length planned for either late 2021 or early 2022 release.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 The Design Abstract Shares Quarantine Video “Annihilation”, New Sci-Fi Album “Technotheism” Out Now! via Abstrakted Records 

  • February 5, 2021
  • by Asher
  • · Music News · The Design Abstract

NEWS RELEASE

Montreal, QC – February 5, 2021

For fans Septicflesh, Scar Symmetry, Dimmu Borgir, Fleshgod Apocalypse, Machina

The Design Abstract Shares Quarantine Video “Annihilation”

New Sci-Fi Album “Technotheism” Out Now! via Abstrakted Records 

L-R: Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming)
Photo Credit – Tami Martin

Unleashing their melodic death sci-fi escapade “Technotheism” on Jan 29th, Ontario, Canada’s The Design Abstract are sharing with fans their latest video for the track “Annihilation” in support of the full-length. The video was filmed while the band, like many others, are observing Covid 19 quarantine lockdown.

The band comments:

“While we’re in lockdown, we wanted to share Annihilation, which can be best summarized in one word… ‘Violent’… From the gut-wrenching opening bass line to the slap-in-the-face industrial transitions, this song is indisputably the angriest and most irreverent on the album. The ending buildup and breakdown push into deathcore territory while the orchestral parts soar higher than ever.”

Watch and listen to “Annihilation” on YouTube here.

The Design Abstract‘s new album “Technotheism” invokes the futuristic sounds of science fiction, as the band takes a step away from the traditional use of orchestral writing, by making it the soundtrack for anything space or cyberpunk related.

Still, in the experimental age for the band, each song is written completely differently and by different members of the band. “Technotheism” is purely a science fiction story told as such in a monumental thirteen track work of symphonic melodic death metal. It tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. The band explains the album:

“We incorporate a blend of metal, orchestra, and industrial music that hasn’t been done in this way. Nobody can top the orchestral metal masterpieces like Death Cult Armageddon by Dimmu Borgir or Codex Omega by Septicflesh, however, we push this genre into the distant future, with the sounds of a cyberpunk dystopia punctuating every release.

This album is the absolute pinnacle of what the band is currently capable of, which speaks volumes to the fact that most of it was written so long ago. Most metal bands who incorporate orchestral writing do so in a pointedly antiquated way: the goal is to sound a bit archaic. The sound of The Design Abstract is rooted in futuristic science fiction. It’s a classically scored orchestra, but it sounds anything but old fashioned.”

The dramatic, grandiose music is presented in an articulate, but extreme wall of sound suitable for fans of science fiction, and melodic death metal and bands such as Fleshgod Apocalypse, Machina, and Dimmu Borgir.

“Technotheism” is available now via Abstrakted Records on the following digital platforms for stream and download.

YouTube
Bandcamp
Spotify
Apple Music

Previous videos:
“The Apotheosis” – YouTube (Music Video)

“The Return” – YouTube (Lyric Video)


Track Listing:
1. Relentless (2:05)
2. Deus Est Machina (6:33)
3. The Apotheosis (1:54)
4. Among the Stars (1:36)
5. The Resistance (4:37)
6. Voidwalkers (3:46)
7. The Omnisphere (1:32)
8. Data Shield Attack (6:18)
9. The Return (3:41)
10. Elucidate (1:11)
11. Parallel Projection (3:46)
12. Annihilation (3:46)
13. A World of One (4:00)
Album Length: 44:50

More info:
Facebook.com/thedesignabstract
Instagram.com/voiicide
EPK

About:

The Design Abstract is a two-piece sci-fi-themed symphonic melo-death band from Ontario, Canada consisting of Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming). The band formed with a single goal: to create a blend of industrial-influenced symphonic metal that had never been done before. Since the debut album Emanate in 2017, The Design Abstract has sought to shed the antiquated tendencies of orchestral metal bands, instead pushing far into the future conceptually and lyrically. With each subsequent release (Corrupt in 2019 and Esoteric in 2020), the band pushed further into “melodic death metal” territory, brandishing more comprehensive riffs, technical drum writing, and more guttural vocals, but never lost the industrial-electronic edge or the massive and dramatic orchestral passages. The cumulation of this sound is their latest album Technotheism due out Jan 29, 2021.

A grandiose display of musicality, technicality, and narrative, the sophomore full length is a monumental 13-track work of symphonic melodic death metal that tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. One thing you’ll notice about Technotheism is how it’s structured and how it all flows together. The pattern of the types of tracks, the order, and their function was very carefully planned out in a way that few albums are.

– 30 –

“A symphonic technical death metal masterpiece with an amazing concept to keep you engaged from start to finish \m/” – Heavy New York

“Now for some nerd shit. Technotheism is a concept record about the future that at it’s core is a melodic death metal record, but the band dabbles with electronic elements, technicality, and grand orchestrations throughout. Fans of Last Chance To Reason and really any band Mike Semesky (Ordinance, Raunchy, etc) has been a part of will probably dig this.” – Metal Injection

“The Canadian The Design Abstract continues exactly where the appetizer “Esoteric”, published last year, caused unimagined enthusiasm. As a result, the duo from Ontario cuts even more clearly into the notch of futuristic sci-fi melodic death metal, which lives largely from orchestral and symphonic density, but which also steers very sophisticated and elegant in the right direction… Rarely do you hear such an exciting album that continues to rotate a unique spindle of ideas between melodic and progressive elements. Death metal meets industrial, songs that are staged in a great symphonic and epic breadth. 9.5/10″ ” – Zephyrs Odem

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Canada’s The Design Abstract Are Streaming Their Science Fiction Masterpiece “Technotheism”, Full Stream Premiere via Bravewords, “Technotheism” Out Jan 29th via Abstrakted Records 

  • January 28, 2021
  • by Asher
  • · Music News · The Design Abstract

NEWS RELEASE

Montreal, QC – January 28, 2021

For fans Septicflesh, Scar Symmetry, Dimmu Borgir, Fleshgod Apocalypse, Machina

Canada’s The Design Abstract Are Streaming Their Science Fiction Masterpiece “Technotheism”

Full Stream Premiere via Bravewords

“Technotheism” Out Jan 29th via Abstrakted Records 

L-R: Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming)
Photo Credit – Tami Martin

The Design Abstract, from Ontario, Canada are now streaming their new album “Technotheism”. The album invokes the futuristic sounds of science fiction, as the band takes a step away from the traditional use of orchestral writing, by making it the soundtrack for anything space or cyberpunk related.

Still, in the experimental age for the band, each song is written completely differently and by different members of the band. “Technotheism” is purely a science fiction story told as such in a monumental thirteen track work of symphonic melodic death metal. It tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. The band explains the album:

“We incorporate a blend of metal, orchestra, and industrial music that hasn’t been done in this way. Nobody can top the orchestral metal masterpieces like Death Cult Armageddon by Dimmu Borgir or Codex Omega by Speticflesh, however, we push this genre into the distant future, with the sounds of a cyberpunk dystopia punctuating every release.

This album is the absolute pinnacle of what the band is currently capable of, which speaks volumes to the fact that most of it was written so long ago. Most metal bands who incorporate orchestral writing do so in a pointedly antiquated way: the goal is to sound a bit archaic. The sound of The Design Abstract is rooted in futuristic science fiction. It’s a classically scored orchestra, but it sounds anything but old fashioned.”

The dramatic, grandiose music is presented in an articulate but extreme wall of sound suitable for fans of science fiction, and melodic death metal and bands such as Fleshgod Apocalypse, Machina, and Dimmu Borgir.

“Technotheism” is streaming now via its premiere on Bravewords HERE.

“Technotheism” is out on January 29, 2021 via Abstrakted Records. Album pre-order – https://design.bandcamp.com/

“The Apotheosis” – YouTube (Music Video), Spotify

“The Return” – YouTube (Lyric Video), Spotify


Track Listing:
1. Relentless (2:05)
2. Deus Est Machina (6:33)
3. The Apotheosis (1:54)
4. Among the Stars (1:36)
5. The Resistance (4:37)
6. Voidwalkers (3:46)
7. The Omnisphere (1:32)
8. Data Shield Attack (6:18)
9. The Return (3:41)
10. Elucidate (1:11)
11. Parallel Projection (3:46)
12. Annihilation (3:46)
13. A World of One (4:00)
Album Length: 44:50

More info:
Facebook.com/thedesignabstract
Instagram.com/voiicide
EPK

About:

The Design Abstract is a two-piece sci-fi-themed symphonic melo-death band from Ontario, Canada consisting of Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming). The band formed with a single goal: to create a blend of industrial-influenced symphonic metal that had never been done before. Since the debut album Emanate in 2017, The Design Abstract has sought to shed the antiquated tendencies of orchestral metal bands, instead pushing far into the future conceptually and lyrically. With each subsequent release (Corrupt in 2019 and Esoteric in 2020), the band pushed further into “melodic death metal” territory, brandishing more comprehensive riffs, technical drum writing, and more guttural vocals, but never lost the industrial-electronic edge or the massive and dramatic orchestral passages. The cumulation of this sound is their latest album Technotheism due out Jan 29, 2021.

A grandiose display of musicality, technicality, and narrative, the sophomore full length is a monumental 13-track work of symphonic melodic death metal that tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. One thing you’ll notice about Technotheism is how it’s structured and how it all flows together. The pattern of the types of tracks, the order, and their function was very carefully planned out in a way that few albums are.

– 30 –

“A symphonic technical death metal masterpiece with an amazing concept to keep you engaged from start to finish \m/” – Heavy New York 

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Canada’s The Design Abstract Flirts With The Future With New Album “Technotheism” Out Jan 29th, Streaming Singles “The Apotheosis” and “The Return”

  • January 21, 2021
  • by Asher
  • · Music News · The Design Abstract

NEWS RELEASE

Montreal, QC – January 21, 2021

For fans Septicflesh, Scar Symmetry, Dimmu Borgir, Fleshgod Apocalypse, Machina

Canada’s The Design Abstract Flirts With The Future With New Album “Technotheism” Out Jan 29th

Streaming Singles “The Apotheosis” and “The Return”

Out on January 29, 2021, “Technotheism” is the second full-length album from the band who also have two EPs in their catalogue. For those already familiar with their music, the creative blend of industrial and orchestra continue in “Technotheism”, albeit being even more technical and expansive than the previous releases. The band maintains that this will be the flagship album for them.

The two singles from the album “The Apotheosis” and “The Return” have already been released and are now streaming.

“The Apotheosis” – YouTube (Music Video), Spotify

“The Return” – YouTube (Lyric Video), Spotify

The singles are respectively the second oldest and second newest tracks on the album, and the bulk of the album lands somewhere in the middle in terms of writing and sound. “The Apotheosis” is two minutes packed full of everything The Design Abstract is capable of, and “The Return” is a more open and whimsical track revisiting some of the elements that made the earlier releases work. The band remarks on the singles:

“They were carefully chosen to show the scope of the album at large. “The Apotheosis” was written with the explicit purpose of showing off everything the band could do in one two minute whirlwind. The synth in this track is something very unique and indicative of the character of the band, and the structure is a fresh take on the genre. “The Return” is a triumphant song, littered with innovative, instrument layering and crunchy synth sounds. We really wanted to turn the contrast up so to speak: the guitar work is noticeably more death metal, but the vocals and orchestral passages are more soaring than ever. The outro features a notably unique synth solo, followed by the anthemic chorus.”

The Design Abstract crosses all the lines of the musical spectrum, darting from harsh industrial, soaring orchestral, melodic death complete with guttural screams contrasted with crystal clean singing finished off with a generous serving of synth. Each element is worked into the songs in a unique and comprehensive way.

Recommended for fans of Septicflesh, Scar Symmetry, and Dimmu Borgir, “Technotheism” is suitable for a variety of music fans.

“Technotheism” is out on January 29, 2021. Album pre-order – https://design.bandcamp.com/

More info:
Facebook.com/thedesignabstract
Instagram.com/voiicide
EPK

About:

The Design Abstract is a two-piece sci-fi-themed symphonic melo-death band from Ontario, Canada consisting of Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming). The band formed with a single goal: to create a blend of industrial-influenced symphonic metal that had never been done before. Since the debut album Emanate in 2017, The Design Abstract has sought to shed the antiquated tendencies of orchestral metal bands, instead pushing far into the future conceptually and lyrically. With each subsequent release (Corrupt in 2019 and Esoteric in 2020), the band pushed further into “melodic death metal” territory, brandishing more comprehensive riffs, technical drum writing, and more guttural vocals, but never lost the industrial-electronic edge or the massive and dramatic orchestral passages. The cumulation of this sound is their latest album Technotheism due out Jan 29, 2021.

A grandiose display of musicality, technicality, and narrative, the sophomore full length is a monumental 13-track work of symphonic melodic death metal that tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. One thing you’ll notice about Technotheism is how it’s structured and how it all flows together. The pattern of the types of tracks, the order, and their function was very carefully planned out in a way that few albums are.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

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