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Tag: Deftones

0 Montreal’s NOVA SPEI Announces New Album “Sequentis” + New Single “Qui Sème Le Vent”

  • October 7, 2021
  • by Asher
  • · Music News · Nova Spei (Bam&Co. Heavy)

NEWS RELEASE

Montreal, QC – October 7, 2021

 

Montreal’s NOVA SPEI Announces New Album “Sequentis” + New Single “Qui Sème Le Vent”

New Album “Sequentis” Out November 12 via Bam&Co-Heavy


L-R – Nicolas Dumais (Bass/BackVocal) | Julien De Carufel (Drums) | Dany Duplessis (Singer/Screamer)
Stéphane Filion (Lead Guitarist) | Dany Soucy (Rhythm Guitarist/Ambiant Lead)
Photo Credit – Claude Prud’Homme – Studio-017

 

Nova Spei is a Francophone groove metal band from Montreal, Quebec, Canada. They are releasing their second album “Sequentis” this November via label Bam&Co-Heavy. The 12 track record comes in at just over 45 minutes of music spanning a wide range of metal influences.

The first single off the album “Qui Sème Le Vent” is already out and fans have been eating it up. The band expects the rest of the album will be devoured by fans of groovy, djent and progressive metal. The band explains the theme behind the song and what they are trying to accomplish with the album:

“We try to give listeners something to reflect on, lyrics that represent their day-to-day reality. We created this album as a more ‘’metal’’ album, with lots of energy and powerful riffs. The basis of the single is that some people despise others, they have no respect for their neighbors. But sooner or later the wind picks up and they reap what they sowed.”

Nova Spei got together to create something new in the local music scene as they had been missing the stage for quite some time. The current lineup consists of Dany Soucy (Rhythm Guitarist), Dany Duplessis (Vocals), Julien De Carufel (Drums), Nicolas Dumais (Bass/Back Vocal) and Stéphane Filion (Lead Guitarist).

“Sequentis” was written and produced by Nova Spei, it was mixed and mastered by Anthony Chognard and the album artwork was done by Filip Ivanovic.

“Qui Sème Le Vent” can be listened to right now on YouTube: https://youtu.be/F8o8o9QYv70

“Sequentis” comes out on November 12, 2021 via Quebec label Bam&Co-Heavy and is recommended for fans of Architects, Gojira and Deftones.

Album pre-order – https://novaspei.bandcamp.com/album/sequentis


Track Listing:
1. Animal (3:36)
2. Génération Perdue (3:55)
3. Assez (3:25)
4. La Proie (5:07)
5. Sorcière (3:40)
6. Digitalisé (3:50)
7. Nouvel Espoir (4:07)
8. Damné (3:32)
9. Qui Sème Le Vent (3:40)
10. Tête Dure (3:26)
11. Mal Incarné (4:26)
12. Démocratie Bafouée (3:39)
Album Length: 46:26

Album and Live Band Line Up:
Dany Soucy (Rhythm Guitarist / Founder)
Dany Duplessis (Singer/Screamer)
Julien De Carufel (Drums)
Nicolas Dumais (Bass/Back Vocal)
Stéphane Filion (Lead Guitarist)

For more info:
NovaSpei.com
Facebook.com/NovaSpei
Twitter.com/NovaSpeiBand
Instagram.com/novaspei
EPK

About:
NOVA SPEI, is a Francophone progressive metal band from Montreal Quebec. They were formed in 2012 by Dany Soucy (guitar) (Dook, Legion) and in 2014, Nicolas Dumais (bass) and Dany Duplessis (vocals) joined the lineup. Stéphane Filion (guitar) joined the band in August 2018 while Julien De Carufel (drums) arrived in August 2021.

In 2014, Nicolas Dumais (bass) and Dany Duplessis (vocals. Stéphane Filion (guitar) joined the formation in August 2018 while Julien De Carufel (drums) arrived in August 2021.

The band is a heavy sound coming from the guitar and the drums reminiscent of Deftones, Meshuggah and Tesseract. Vocals are influenced by Killswitch Engage, Staind, and Breaking Benjamin. The progressive side on the bass is inspired by Dream Theater and Porcupine Tree.

Their rhythms depict texts that leave room for reflection. A reflective metal with a Djent flavor.

They presented their first album “Éponyme” 2017. In 2019, they were tour support for Anonmyus’ 30th anniversary Quebec tour of the same group, which added to their 50 date tour to promote the debut album.

The production and direction of their first full length were done in the band’s home studio in Champlain, QC, and it was mixed/produced/mastered in France by Anthony Chognard (Smash Hit Combo, CHSprod). Their lead single “The Man with 1000 Smiles” is in constant rotation on Quebec RadioX 98.1FM and their song “Ma Muse” can be heard during the Canadiens hockey games at the Centre Bell in Montreal.

2019 marked the beginning of the recording of their second album, which is entitled “Sequentis”, which will be released on November 12, 2021 via label Bam & Co Heavy.

– 30 –

“Une pièce qui a tout ce qui faut pour devenir un classique du métal québécois. Des phrases percutantes et pleine de sens sur une musique lourde à souhait.” – Ondes Chocs

“Nova Spei : Nouvel espoir sur la scène métallique au Québec” – Voir

—

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0 No Hope For The Lost Shares Video “Jecht” From Final Fantasy X Themed EP “The Pilgrimage”, Video Premiere via NewFuryMedia

  • April 23, 2021
  • by Asher
  • · Music News · No Hope For The Lost

NEWS RELEASE

Montreal, QC – April 23, 2021

For fans of Periphery, Meshuggah, Deftones, Devin Townsend, Gojira

No Hope For The Lost Shares Video “Jecht” From Final Fantasy X Themed EP “The Pilgrimage”

Video Premiere via NewFuryMedia

“The Pilgrimage” Out Now!

Following the Covid related demise of their band Deadlights, Re Mayer (guitar/backing vocals/synth) and Nathanael Bohnet (bass/lead vocals) took the opportunity to reimagine their sound and image to create No Hope For The Lost. Unleashing their introductory EP entitled “The Pilgrimage” earlier this April; the duo gave fans a taste of their entirely new sound, but left it just short enough to keep hype levels high.

The EP as a whole is structured to be a listening experience from beginning to end, combining an atmosphere of melody and groove with a foundation of heavy rhythms and ferocious vocal patterns, all wrapped up in a Final Fantasy X theme that will surely please members of that fandom.

Today, the band shares their music video for EP closer “Jecht” via its premiere on NewFuryMedia HERE.

The band adds:

“Jecht is a reimagining of a song originally written by Nate on his first solo album dubbed The Painted World. The song was originally intended to be played live in the Deadlights setlist, but after spending a lot of time in the studio with it and switching off ideas with Re, the song slowly evolved into an entirely almost new track. The intro song Braska was originally the beginning of Jecht, but once the full recording was made, it was then realized that splitting the song sections across the EP made a reprising theme throughout the short duration of the record. What really makes this song are the addition of guitar leads and synths written by Re to make it sound almost entirely different than the original, as well as the use of Nate’s massive choir-like choruses and vocal production to give it the explosive and finale-esque feel it was imagined as in the studio. Rhythm guitar-wise, this song was especially used to show off Re’s use of fast palm muting, dynamics, and various squeal and scrape based noises to transition parts while still following a template that the bass recorded by Nate really helped sound crunchy and thick in the bottom end.”

Recommended for fans of Periphery, Meshuggah, and Deftones, “The Pilgrimage” is a high-energy EP based on groove, melody, and a massive-sounding layered production. In a world where the fine line between djent, metalcore, and progressive metal is continuously blurred, “The Pilgrimage” is a sound confident on its own that refuses to fit in while still having the formulas that make interesting and catchy music.

“The Pilgrimage” is available at the following links: Bandcamp and Spotify, Apple Music here.

Lyric video “Yu Yevon” – https://youtu.be/OLHtGgNw_To


Track Listing:
1. Braska (1:36)
2. Yu Yevon (4:26)
3. Yunalesca (1:30)
4. Jecht (4:55)
EP Length: 12:28

For more info:
Facebook.com/NHFTL
Instagram.com/n0h0pef0rthel0st
EPK

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“The demonic possession vocals are back for “Jecht” with a barrage of Nu-Metalcore riffs that create a dramatic and frantic pit starter. An unexpected and sumptuous solo followed by a big breakdown sequence is an absolute pleasure.” – Metal Noise

““Yunalesca” is another super-short track, but the melodies are outstanding. There is a thick heavy synth line with clean guitars and piano notes, along with some ethereal singing. It begins to pick up, and segues into “Jecht.” The angry vocals and Djent tones are back. It chugs along with some meter shifting until the chorus, where some clean vocals come in. Here is where I might recommend some backing vocals to thicken up the sound, but the song is on fire.” – Metal Temple

“The guitar work exists in a sort of djent space without being overwhelming, knowing when to take breaks and go for it. A good example of this is part three which  acts as an interlude. The instrumentation here is actually really clever with the feeling of space being very apparent. ” – Rock Out Stand Out

“”Yu Yevon” knocks everything and everyone over like a waltz from the start. Expect a kind of mix of diverse genres such as progressive metal, metalcore mixed with soundscapes, and a predilection for video games.” – Musika
—

ASHER MEDIA RELATIONS

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asher[@]ashermediarelations[.]com
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0 Streaming Now! No Hope for The Lost’s Final Fantasy X Themed EP “The Pilgrimage”, EP Stream Premiere via MetalInsider, “The Pilgrimage” Out April 9th, 2021

  • April 8, 2021
  • by Asher
  • · Music News · No Hope For The Lost

NEWS RELEASE

Montreal, QC – April 8, 2021

For fans of Periphery, Meshuggah, Deftones, Devin Townsend, Gojira

Streaming Now! No Hope for The Lost’s Final Fantasy X Themed EP “The Pilgrimage”

EP Stream Premiere via MetalInsider

“The Pilgrimage” Out April 9th, 2021

Following the Covid related demise of their band Deadlights, Re Mayer (guitar/backing vocals/synth) and Nathanael Bohnet (bass/lead vocals) took the opportunity to reimagine their sound and image to create No Hope For The Lost. They created their forthcoming introductory EP entitled “The Pilgrimage” to give fans a taste of their entirely new sound, but left it just short enough to keep hype levels high.

The EP as a whole is a structured listening experience that combines an atmosphere of melody and groove with a foundation of heavy rhythms and ferocious vocal patterns, all wrapped up in a Final Fantasy X theme that will surely please members of that fandom.

Today, before it officially drops on April 9th, the duo has teamed up with MetalInsider for the EP’s full stream premiere, which can be heard HERE.

The band adds:

“The Pilgrimage is a high-energy EP based on groove, melody, and a massive-sounding layered production. It draws influences from many sounds that prevailed through the 2010s, while continuously tipping a hat to the atmospheric soundscapes and vibes of the early 2000s. In a world where the fine line between djent, metalcore, and progressive metal is continuously blurred, The Pilgrimage is a sound confident on its own that refuses to fit in while still having the formulas that make interesting and catchy music. The Pilgrimage is a sound that imagines the heavy side of catchy, and the catchy side of heavy.”

Recommended for fans of Periphery, Meshuggah, and Deftones, “The Pilgrimage” will be released on April 9, 2021 and will be available at the following links:
EP pre-order on Bandcamp.
EP digital pre-save here.

Lyric video “Yu Yevon” – https://youtu.be/OLHtGgNw_To


Track Listing:
1. Braska (1:36)
2. Yu Yevon (4:26)
3. Yunalesca (1:30)
4. Jecht (4:55)
EP Length: 12:28

For more info:
Facebook.com/NHFTL
Instagram.com/n0h0pef0rthel0st
EPK

– 30 –


—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Canada’s No Hope for The Lost Announce Final Fantasy X Themed EP “The Pilgrimage” With Single “Yu Yevon”, Lyric Video Premiere via IDIOTEQ, EP Out April 9th, 2021

  • March 12, 2021
  • by Asher
  • · Music News · No Hope For The Lost

NEWS RELEASE

Montreal, QC – March 12, 2021

For fans of Periphery, Meshuggah, Deftones, Devin Townsend, Gojira

Canada’s No Hope for The Lost Announce Final Fantasy X Themed EP “The Pilgrimage” With Single “Yu Yevon”

Lyric Video Premiere via IDIOTEQ

EP “The Pilgrimage” Out April 9th, 2021

Following the Covid related demise of their band Deadlights, Re Mayer (guitar/backing vocals/synth) and Nathanael Bohnet (bass/lead vocals) took the opportunity to reimagine their sound and image to create No Hope For The Lost. They created their forthcoming introductory EP entitled “The Pilgrimage” to give fans a taste of their entirely new sound, but left it just short enough to keep hype levels high.

Their first single “Yu Yevon” immediately explodes into a rhythmic groove driven by heavy guitars and bass. It is quickly followed by screamed vocals and synth-driven interludes. The chorus of the track is a key change towards an upbeat and soaring movement that descends back into the heavy rhythmic territory that glues the song together. The band explains the track in more detail:

“It is the combination of an old demo from a band both Re and Nate had their separate times in, with the new direction that they had both been imagining. It ended up becoming a heavy yet upbeat back and forth between pummeling rhythms and soaring choruses. A very verse/chorus/verse/bridge/chorus song at heart, “Yu Yevon” was designed to be the set opener/EP kickstarter that reintroduces us as No Hope For The Lost.”

The EP as a whole is a structured listening experience that combines an atmosphere of melody and groove with a foundation of heavy rhythms and ferocious vocal patterns, all wrapped up in a Final Fantasy X theme that will surely please members of that fandom.

Groovy metalcore blended with hints of prog awaits with “The Pilgrimage”, which is highly recommended for fans of Periphery, Meshuggah, and Deftones.

The lyric video for the lead single “Yu Yevon” can be heard via its premiere on IDIOTEQ HERE.

Single digital pre-save here.

“The Pilgrimage” will be released on April 9, 2021.

EP pre-order on Bandcamp.
EP digital pre-save here.


Track Listing:
1. Braska (1:36)
2. Yu Yevon (4:26)
3. Yunalesca (1:30)
4. Jecht (4:55)
EP Length: 12:28

For more info:
Facebook.com/NHFTL
Instagram.com/n0h0pef0rthel0st
EPK

– 30 –


—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Canada’s Phantom High Are Putting The Fun Back Into Dysfunctional With “Black Divine”, Music Video Premiere via MetalInjection

  • December 16, 2020
  • by Asher
  • · Music News · Phantom High

NEWS RELEASE

Montreal, QC – December 16, 2020

For fans of KORN, Deftones, Motionless In White, In This Moment, New Years Day

Canada’s Phantom High Are Putting The Fun Back Into Dysfunctional With “Black Divine”

Music Video Premiere via MetalInjection


L-R: Phantom High is Jairo Lopez (Synth) | Blaire French (Bass) | Peril Erinyes (Vocals) | Seven Six (Guitar) | J3D1 (Drums)
Photo Credit – Lyon Smith

Toronto’s Phantom High are debuting their latest single “Black Divine” on Metal Injection right now.

Phantom High has amassed several singles and an EP since their inception in 2017, putting a glam core twist on Lady Gaga, Bryan Adams, and Childish Gambino tracks as well as shaping their own originals. Coined as “ironic pop back from hell”, Phantom High will entice those looking for something very different from the traditional rock aesthetic. Those who can look past the mask can expect a cathartic release, anthemic melodies, heavy guitars, and abysmal soundscapes, under honest unfiltered lyrics. The lyrics and inspiration behind “Black Divine” resonate in a special way as vocalist Peril Erinyes explains:

“Taken from ancient Egyptian culture, “Sacred or Divine Feminine”, which referred to aspects and/or traits of artistry. Mine was dark, hence the addition of “black”. It’s essentially the title I’d given the “closet” I was in, the music and dreams of becoming my true self, were what kept me from ending my life, despite how poor, how alone, and how sick or abused I was, there was always my “Black Divine” to close my eyes and fall into its promise, like a symbiotic possession.”

Phantom High is purely an experience, a real-life exorcism every time they go on stage. A flurry of passion, musicianship, and over the top antics await anyone who dares to witness the spectacle. A first-hand look at Phantom High can be seen over at MetalInjection who is premiering the video HERE.

Recommended for fans of goth, glam, and nu-metal, especially those who enjoy KORN, Deftones, and Motionless In White, the single releases worldwide on December 18, 2020 and available on Bandcamp, Spotify, Apple Music, Amazon.

For more info:
PhantomHigh.ca
Facebook.com/phantomhigh666
Twitter.com/phantomhigh666
Instagram.com/phantomhigh666
EPK

About:

Hailing from Toronto and flaunting a deep personal relationship with the pageantry of the macabre, Phantom High is already making their mark on a scene that too often leaves the “fun” out of “dysfunction”. The band has launched with a mission statement to bring authenticity, conviction, and theatrics back to a genre that centers on navel-gazing and nihilism.

The roots of their inspiration are easy to see for veterans of the golden days of goth and glam, drawing energy as much from the horror in film, anime, and literature as from the music genres that inform their hard-hitting live show.

Phantom High is anarchistic alchemy, bringing together the fundamental elements of what scares us, what turns us on, and what makes us hungry for substance in an ephemeral, digital world that no longer seems interested in keeping the blood pumping, the volume loud and the music in each and every face.

Phantom High prides itself on putting the music and the show first and foremost, staying true to their roots while planting new ones like mausoleums in the fertile ground of a whole new generation desperate for something to scream along to.

– 30 –

“I think it’s rad! Good job!” Munky – Korn

“It sucks to go on after Phantom High” Dan Lobalsamo – Rehab Is For Quitters

“Phantom High performing at Handlebar, where the Toronto based horror glamcore group gave fans quite the show! The four piece shared the stage with Trick Casket & DI Auger for a horror filled night. If you’re looking for a terrifying mix of hard rock/electro with elements of Nu Metal Synthwave you’re in luck”. – Dropout Entertainment

“When a roving band of glam-core horror enthusiasts hunt down Trent Reznor on Purge Night and pull his guts out through his nose with a rusty fishhook, they’ll be listening to Phantom High.” – MyFreakingEars

“Just before the world fell apart, we recorded a studio session inside Playdead Cult’s DIY concert space, with an awesome Toronto GLAMCORE band called PHANTOM HIGH. If you haven’t heard of them that’s because they’re fairly new, but tune in and you’re gonna leave this episode understanding why we’re so excited about this band.” – Gobs The Zombie – Midnight Looms/94.9FM radio Western (London, ON)
—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Canada’s Feed After Midnite New Single “Out of Time” Reminiscent Of 80s Hard Rock

  • November 27, 2020
  • by Asher
  • · Feed After Midnite · Music News

NEWS RELEASE

Montreal, QC – November 27, 2020

For fans of Deftones, Avenged Sevenfold, Breaking Benjamin, Volbeat

Canada’s Feed After Midnite New Single “Out of Time” Reminiscent Of 80s Hard Rock


L-R: Feed After Midnite Current Line-Up:

Dylan DeRepentigny (Bass), Sean Bolster (Drums), Yvon Gauthier (Vocals), Denis Bastien (Guitar), Marc Bastien (Guitar)

Photo Credit- Laura Collins

Feed After Midnite hails from Ottawa, Canada, and thanks to recent, pandemic-granted free time, released a single “Out of Time”.

This is the first single from the fairly new, laid back band who are out to show rock fans around the world that they are “just some dudes having fun and playing tunes”. Embodying that mantra, Feed After Midnite maintains a high level of professionalism, which comes through in their musicianship.

Feed After Midnite shares their hopes for the energetic, upbeat single:

“We are aiming to provide our fans with a mix of a modern hard-hitting sound and also the refreshing nostalgic sound of old school rock and metal. A driving, anthemic hard rock tune with lyrics that paint a picture of a post-apocalyptic world in need of someone to fight for what is right. Are you ready to fight?”

“Out of Time” can be heard on YouTube and Spotify.

Feed After Midnite formed in 2018 and take a large amount of inspiration from horror movies, current events, and childhood memories. When they started they had a predominantly hard rock sound which evolved into heavier stylings but at the same time, remaining catchy and simple.

Those who enjoy many facets of hard rock and metal will appreciate Feed After Midnite, especially those who like Deftones, Avenged Sevenfold, Volbeat, and Faith No More. The band expects to be releasing more music in 2021.

The single “Out of Time” was released on October 2, 2020 and available for download on Bandcamp, Apple Music, Amazon.

For more info:
Facebook.com/FeedAfterMidnite
Instagram.com/feed_after_midnite_band
EPK

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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0 Florida’s NoSelf New Single “Resistance” Off Upcoming Album “Human-Cyborg Relations: Episode III”, New Album Coming 2021 via Zombie Shark Records

  • November 6, 2020
  • by Asher
  • · Music News · Noself (Zombie Shark Records)

NEWS RELEASE

Montreal, QC – November 6, 2020

 

 

For fans of Korn, Deftones, Nothing More, Spineshank, 36 Crazyfists, Adema

Florida’s NoSelf New Single “Resistance” Off Upcoming Album “Human-Cyborg Relations: Episode III”

New Album Coming 2021 via Zombie Shark Records

Florida alternative metal outfit NoSelf have released their powerful new single “Resistance” produced by Matt Johnson at Revelation Studios. The song will be featured on the band’s upcoming album “Human-Cyborg Relations: Episode III” due out in 2021 via Zombie Shark Records.

The band comments on the track:

“We are really excited for our new single, “Resistance”. 2020 has hit the music scene hard and we are stoked to be able to put out some new music. The song itself is about the emotional road you travel when a loved one is dealing with substance abuse.”

The single “Resistance” can be heard on YouTube, Spotify.

NoSelf first inked a worldwide distribution deal with Zombie Shark Records in 2017, founded by Noah “Shark” Robertson (Motograter/Jeffrey Nothing/The Browning); shortly after releasing ‘Human-Cyborg Relations: Episode I’ and later ‘Human-Cyborg Relations: Episode II’ in 2019. The band is putting a modern twist on the nu-metal genre, similar to bands like Cane Hill, DED, My Ticket Home, and Issues. The group is heavily influenced by bands like Deftones, Spineshank, Adema, Nothingface, and Korn.

In regards to NoSelf’s third full-length release “Human-Cyborg Relations: Episode III”, Robertson comments:

“The Trilogy is complete! I’m really proud of what Zombie Shark Records and NoSelf have been able to accomplish together. The future’s looking bright! Look out for much to come in 2021!” 

NoSelf is:
Dylan Hart Kleinhans
Justin Dabney
Drew Miller
Glenn Desormeaux

For more info:
NoSelf.net
Facebook.com/noself
Instagram.com/noself_official
Twitter.com/noselfofficial
Zombiesharkrecords.com

– 30 –

 

—

ASHER MEDIA RELATIONS
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0 TheObelisk Premiere: Progressive Doom Duo Uncle Woe Streaming Second Album “Phantomescence”

  • October 21, 2020
  • by Asher
  • · Music News · Uncle Woe

(contact info below)

NEWS RELEASE

Montreal, QC – October 21, 2020

Interview request at asher[@]ashermediarelations[.]com

For fans of Yob, Chrome Ghost, Deftones, Slomatics, Tool

Progressive Doom Duo Uncle Woe Is Now Streaming Their Second Album “Phantomescence”

Album Stream Premiere via TheObelisk

“Phantomescence” Due Out October 23rd

Hailing from the oft frozen hills of rural Canada, Uncle Woe is a phantom limb, shown here wielding some bludgeoning tool against mostly true tales of bittersweet sorrow, revenge, and regret.

The album “Phantomescence” is comprised of four abstract ghost stories, as each track features various dead and ‘phantomescent’ characters. With hopes that listeners find it immersive, the lyrical content is a solid mix of poetry and prose and should be rewarding for people who are interested in the thematic element of an album as well as the sonic side. It’s a fairly warm and intriguing album, composed of a lot of lush passages that unfold over time.

Showing more maturity and contemplation that the first, 100% solo effort, “Phantomescence” was created under less than ideal circumstances during COVID-19. The band shares their thoughts on the album:

“We are more than thrilled with the results, and can’t wait to let it into the light. The growth between the first record, which was essentially a glorified solo-project, and this album, has been highly rewarding, and I think we’ve really honed and solidified the Uncle Woe sound on this release. I know we’ve both poured a lot of ourselves into this album, and it has proven to be a fruitful endeavour!”

Lyrically, the content is more outwardly focused than on the previous record, with some science fiction and several abstract ghost stories seeping into the subject matter. There is a lot of contrast between sparse sections and full walls of sound, beefy doom passages, which grow after multiple listens and the underlying, subtle progressive tendencies really start to come through.

Suitable for anyone fond of doom and progressive metal, Uncle Woe will be especially interesting for fans of Chrome Ghost, Deftones, and Slomatics.

The album “Phantomescence” is due out October 23rd via Packard Black Productions and before it’s officially out, the full stream is available on TheObelisk HERE.

Digital, CD, and vinyl pre-order HERE.

Music Video “Become The Ghost” – YouTube.

Track Listing:
1. Become The Ghost (6:29)
2. On Laden Shores (13:30)
3. Lucid Degrees of Autoscopic Ruin (6:45)
4. A Map of Dead Stars (13:14)
Album Length: 40:00

Album Credits:
• All songs performed by: Rain Fice/Nicholas Wowk
• All songs written by: Rain Fice *Become the Ghost by Fice/Wowk
• Produced by: Rain Fice/Nicholas Wowk
• Mixed by: Rain Fice
• Mastered by: Rain Fice
• Album Artwork by: Rain Fice
• Canadian Content (MAPL)

Album Recording Band Line Up:
Rain Fice – Guitar, Vocals, Bass, Keyboards
Nicholas Wowk – Drums/Percussion

More info:
Facebook.com/unclewoe
Instagram.com/unclewoedoom
EPK

About:

Hailing from the oft frozen hills of rural Canada, Uncle Woe is a phantom limb, wielding a bludgeoning tool against mostly true tales of bittersweet sorrow, revenge, and regret.

The bleak desolation of Bancroft, Ontario spawned Uncle Woe in 2019 when Rain Fice grew weary of floundering in non-committed projects and instead dove into songwriting mode with a rough idea of his ideal sound and started carving out what would become the first Uncle Woe LP “Our Unworn Limbs”.

After the album was released in 2019 and started to pick up some buzz, a full band began to form. However, the pandemic was not far off and the band whittled down to a 2 piece. Before lockdown began, Uncle Woe managed to lock down the rough elements of what would become the second album “Phantomescence”, Fice expanded on them, and after being fed to drummer Nicholas Wowk, and recording remotely, the album was complete: a meandering exploration of death and dreams. Many chugging, bludgeoning passages are offset by expansive and contemplative, subdued, almost post-rock soundscapes.

As Uncle Woe begins to hit their stride, fans can look forward to the band putting out music pretty much indefinitely, plans are in motion for a third album already.

The band’s second album “Phantomescence” will be available digitally, CD, and on vinyl on October 23rd via Packard Black Productions.

– 30 –

“The lone member (although it does seem as if drummer Nicholas Wowk has been added to the band) Rain Fice has created a truly wondrous journey through pure doom lands into that astral, transcendental other place doom of the aforementioned Yob that gives you goosebumps with its completely distressing doom metal. Fice’s clean echo-drenched vocals are also of very high quality, while not actually sounding like Mike Scheidt, Fice does exude a similar aura of supreme enlightenment and complete mastery of his art.” – Verbal Aggression

“Never be afraid to take a chance on a new name. This one comes to us from Ontario and was released earlier in the month, though I’m just now getting around to hearing it. I was pretty damned impressed and count UNCLE WOE in the same company as Domkraft, Spaceslug, Chrome Ghost, and Slomatics. Some damned good doom with crunchy low end and transcendent vocals. Count it among the #HeavyBest19” – Doomed & Stoned

“Chugging, sprawling, and most of all reaching, the late-2019 debut LP, Our Unworn Limbs, from Ontario as-yet-solo-outfit Uncle Woe — composed, performed, and recorded by Rain Fice — is one of marked promise, taking elements of modern progressive and cosmic doom from the likes of YOB’s subtly angular riffing style and unfolding them across an emotionally resonant but still manageable 43-minute span.” – The Obelisk

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Canada’s Doom Duo Uncle Woe Offers “A Map of Dead Stars” Off Upcoming Album “Phantomescence”, Single Premiere via Doomed & Stoned, New Album “Phantomescence” Due Out October 23rd

  • October 6, 2020
  • by Asher
  • · Music News · Uncle Woe

(contact info below)

NEWS RELEASE

Montreal, QC – October 6, 2020

Interview request at asher[@]ashermediarelations[.]com

For fans of Yob, Chrome Ghost, Deftones, Slomatics, Tool

Canada’s Doom Duo Uncle Woe Offers “A Map of Dead Stars” Off Upcoming Album “Phantomescence”

Single Premiere via Doomed & Stoned

New Album “Phantomescence” Due Out October 23rd

Canada’s Uncle Woe brings you a contemplative, progressive doom album “Phantomescence” that was completely conceived and recorded in pandemic induced isolation.

“Phantomescence” deviates from the first Uncle Woe album as the band moves forward from a solo studio project. It is an easily digestible, logical next step in the band’s evolution; elements, which made the first LP, “Our Unworn Limbs”, engaging and intriguing are present again on this offering; expanded upon, polished, and moderately better produced. The new album deals with death in a much broader and less personal sense, and also contains a lot of abstract, dream sequence type elements.

Currently, as a two-piece, Rain Fice and Nicholas Wowk worked on their parts separately, shared them online, and managed to pull off the second album as the band.

Today leading up to the album’s release, the duo are sharing their second single “A Map of Dead Stars” via its premiere on Doomed & Stoned HERE.

The band adds about the track:

“The closing number on the album, ‘A Map of Dead Stars’, probably covers the most musical ground within a single song, and is somewhat difficult to describe in terms of common verse and chorus sections. It starts with a very bluesy, psychedelic passage built around a hypnotic 9/4 bassline, and features a fine slice of expressive lead playing. The bridge between this section and the first ‘verse’ comes in as a hefty wall of beefy sound, not dissimilar to the vibe one might expect from some sort of astral ‘battle doom,’ like Conan or Slomatics. This lets it go into some progressive stoner, alternating verse/chorus sections in 11/4, which give way to a slow, almost groove metal bridge in straight 4/4. We travel from there into an extended 6/4 section featuring almost ethereal, very clean vocal harmonies set against a simple, churning and harmonious guitar/bass arpeggio section, which leads back into that Slomatics style wall of sound section, and finally out through a reprisal of the initial psychedelic blues section. -fade to black.

Lyrically, this song is loosely based on a short sci-fi story I’m writing, about an ALMOST tide-locked planet, whose daily rotation takes several lifetimes to complete. The sunlit side of the planet is a scorching desert, and the dark side of the planet is a frozen, barren wasteland. The inhabitants of the planet are designed to live in the dusk and dawn slivers at the edges of the planet, perpetually migrating with the habitable section of soft light. They follow ancient maps of the stars, which lead them along safe passages over generations. The people in the dawn and dusk regions are ultimately unaware that each other exists, until such a time as the people on the dusk side eventually traverse the polar region and ultimately wage war on the peaceful dawn-dwelling peoples. If budget weren’t an issue, I would LOVE to see a video for this song as a fairly literal, short-film interpretation. Sadly, I am not independently wealthy. haha”

The full album “Phantomescence” is due out October 23rd via Packard Black Productions and available for digital, CD and vinyl pre-order HERE.

Many chugging, bludgeoning passages are offset by expansive and contemplative, subdued, almost post-rock soundscapes, making Uncle Woe suitable for fans of Yob, Chrome Ghost and Deftones.

First single “Become The Ghost” – YouTube.

Track Listing:
1. Become The Ghost (6:29)
2. On Laden Shores (13:30)
3. Lucid Degrees of Autoscopic Ruin (6:45)
4. A Map of Dead Stars (13:14)
EP Length: 40:00

Album Credits:
• All songs performed by: Rain Fice/Nicholas Wowk
• All songs written by: Rain Fice *Become the Ghost by Fice/Wowk
• Produced by: Rain Fice/Nicholas Wowk
• Mixed by: Rain Fice
• Mastered by: Rain Fice
• Album Artwork by: Rain Fice
• Canadian Content (MAPL)

EP Recording Band Line Up:
Rain Fice – Guitar, Vocals, Bass, Keyboards
Nicholas Wowk – Drums/Percussion

More info:
Facebook.com/unclewoe
Instagram.com/unclewoedoom
EPK

About:

Hailing from the oft frozen hills of rural Canada, Uncle Woe is a phantom limb, wielding a bludgeoning tool against mostly true tales of bittersweet sorrow, revenge, and regret.

The bleak desolation of Bancroft, Ontario spawned Uncle Woe in 2019 when Rain Fice grew weary of floundering in non-committed projects and instead dove into songwriting mode with a rough idea of his ideal sound and started carving out what would become the first Uncle Woe LP “Our Unworn Limbs”.

After the album was released in 2019 and started to pick up some buzz, a full band began to form. However, the pandemic was not far off and the band whittled down to a 2 piece. Before lockdown began, Uncle Woe managed to lock down the rough elements of what would become the second album “Phantomescence”, Fice expanded on them, and after being fed to drummer Nicholas Wowk, and recording remotely, the album was complete: a meandering exploration of death and dreams. Many chugging, bludgeoning passages are offset by expansive and contemplative, subdued, almost post-rock soundscapes.

As Uncle Woe begins to hit their stride, fans can look forward to the band putting out music pretty much indefinitely, plans are in motion for a third album already.

The band’s second album “Phantomescence” will be available digitally, CD, and on vinyl on October 23rd via Packard Black Productions.

– 30 –

“The lone member (although it does seem as if drummer Nicholas Wowk has been added to the band) Rain Fice has created a truly wondrous journey through pure doom lands into that astral, transcendental other place doom of the aforementioned Yob that gives you goosebumps with its completely distressing doom metal. Fice’s clean echo-drenched vocals are also of very high quality, while not actually sounding like Mike Scheidt, Fice does exude a similar aura of supreme enlightenment and complete mastery of his art.” – Verbal Aggression

“Never be afraid to take a chance on a new name. This one comes to us from Ontario and was released earlier in the month, though I’m just now getting around to hearing it. I was pretty damned impressed and count UNCLE WOE in the same company as Domkraft, Spaceslug, Chrome Ghost, and Slomatics. Some damned good doom with crunchy low end and transcendent vocals. Count it among the #HeavyBest19” – Doomed & Stoned

“Chugging, sprawling, and most of all reaching, the late-2019 debut LP, Our Unworn Limbs, from Ontario as-yet-solo-outfit Uncle Woe — composed, performed, and recorded by Rain Fice — is one of marked promise, taking elements of modern progressive and cosmic doom from the likes of YOB’s subtly angular riffing style and unfolding them across an emotionally resonant but still manageable 43-minute span.” – The Obelisk

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Mournful And Meandering, Canada’s Uncle Woe Reveal Second Album “Phantomescence”; Premiere First Single “Become The Ghost” via TheSludgelord

  • September 18, 2020
  • by Asher
  • · Music News · Uncle Woe

(contact info below)

NEWS RELEASE

Montreal, QC – September 18, 2020

Interview request at asher[@]ashermediarelations[.]com

For fans of Yob, Chrome Ghost, Deftones, Slomatics, Tool

Mournful And Meandering, Canada’s Uncle Woe Reveal Second Album “Phantomescence”

Premiere First Single “Become The Ghost” via TheSludgelord

Canada’s Uncle Woe brings you a contemplative, progressive doom album “Phantomescence” that was completely conceived and recorded in pandemic induced isolation. The opening track/lead single, “Become The Ghost” is a meandering exploration of death and dreams.

“Phantomescence” deviates from the first Uncle Woe album as the band moves forward from a solo studio project. It is an easily digestible, logical next step in the band’s evolution; elements, which made the first LP, “Our Unworn Limbs”, engaging and intriguing are present again on this offering; expanded upon, polished, and moderately better produced. The new album deals with death in a much broader and less personal sense, and also contains a lot of abstract, dream sequence type elements.

Currently, as a two-piece, Rain Fice and Nicholas Wowk worked on their parts separately, shared them online and managed to pull off the second album from the band. Fice details the intricacies of the single:

“Become The Ghost is almost relentless in its forward, mid-tempo, stomping march. The first chorus comes as a very small, simple 3/4 breather, in the midst of the opening/verse riff’s endless churning and revolving 11/4 and 15/4 riff. The vocals throughout are rough, and finally build to a scream in that last, closing verse. After the death of someone very near to me, I remember a feeling of loss so great that it seemed that even though THEY had died, I was the one who became a ghost if that makes sense; a ghost, or shadow, or shell.”

Many chugging, bludgeoning passages are offset by expansive and contemplative, subdued, almost post-rock soundscapes, making Uncle Woe suitable for fans of Yob, Chrome Ghost and Deftones.

“Become The Ghost” can be heard via its premiere on TheSludgelord HERE.

The full album “Phantomescence” is due out October 23rd via Packard Black Productions and available for digital, CD and vinyl pre-order HERE.

Track Listing:
1. Become The Ghost (6:29)
2. On Laden Shores (13:30)
3. Lucid Degrees of Autoscopic Ruin (6:45)
4. A Map of Dead Stars (13:14)
EP Length: 40:00

Album Credits:
• All songs performed by: Rain Fice/Nicholas Wowk
• All songs written by: Rain Fice *Become the Ghost by Fice/Wowk
• Produced by: Rain Fice/Nicholas Wowk
• Mixed by: Rain Fice
• Mastered by: Rain Fice
• Album Artwork by: Rain Fice
• Canadian Content (MAPL)

EP Recording Band Line Up:
Rain Fice – Guitar, Vocals, Bass, Keyboards
Nicholas Wowk – Drums/Percussion

More info:
Facebook.com/unclewoe
Instagram.com/unclewoedoom
EPK

About:

Hailing from the oft frozen hills of rural Canada, Uncle Woe is a phantom limb, wielding a bludgeoning tool against mostly true tales of bittersweet sorrow, revenge, and regret.

The bleak desolation of Bancroft, Ontario spawned Uncle Woe in 2019 when Rain Fice grew weary of floundering in non-committed projects and instead dove into songwriting mode with a rough idea of his ideal sound and started carving out what would become the first Uncle Woe LP “Our Unworn Limbs”.

After the album was released in 2019 and started to pick up some buzz, a full band began to form. However, the pandemic was not far off and the band whittled down to a 2 piece. Before lockdown began, Uncle Woe managed to lock down the rough elements of what would become the second album “Phantomescence”, Fice expanded on them, and after being fed to drummer Nicholas Wowk, and recording remotely, the album was complete: a meandering exploration of death and dreams. Many chugging, bludgeoning passages are offset by expansive and contemplative, subdued, almost post-rock soundscapes.

As Uncle Woe begins to hit their stride, fans can look forward to the band putting out music pretty much indefinitely, plans are in motion for a third album already.

The band’s second album “Phantomescence” will be available digitally, CD, and on vinyl on October 23rd via Packard Black Productions.

– 30 –

“The lone member (although it does seem as if drummer Nicholas Wowk has been added to the band) Rain Fice has created a truly wondrous journey through pure doom lands into that astral, transcendental other place doom of the aforementioned Yob that gives you goosebumps with its completely distressing doom metal. Fice’s clean echo-drenched vocals are also of very high quality, while not actually sounding like Mike Scheidt, Fice does exude a similar aura of supreme enlightenment and complete mastery of his art.” – Verbal Aggression

“Never be afraid to take a chance on a new name. This one comes to us from Ontario and was released earlier in the month, though I’m just now getting around to hearing it. I was pretty damned impressed and count UNCLE WOE in the same company as Domkraft, Spaceslug, Chrome Ghost, and Slomatics. Some damned good doom with crunchy low end and transcendent vocals. Count it among the #HeavyBest19” – Doomed & Stoned

“Chugging, sprawling, and most of all reaching, the late-2019 debut LP, Our Unworn Limbs, from Ontario as-yet-solo-outfit Uncle Woe — composed, performed, and recorded by Rain Fice — is one of marked promise, taking elements of modern progressive and cosmic doom from the likes of YOB’s subtly angular riffing style and unfolding them across an emotionally resonant but still manageable 43-minute span.” – The Obelisk

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

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