Tag: decibel

0 Streaming Now! Quebec Deathcore Force DISCOVERY THROUGH TORMENT’s EP “Telesynthetic Rebirth”

December 4, 2025
by Asher
· Discovery Through Torment · Music News

NEWS RELEASE

Montreal, QC – December 4, 2025

Streaming Now! Quebec Deathcore Force DISCOVERY THROUGH TORMENT’s EP “Telesynthetic Rebirth”

+ New Video “Arcane Inception”

Saint-Jean-sur-Richelieu, QC, Canada deathcore force Discovery Through Torment is set to unleash their new EP, “Telesynthetic Rebirth,” with an exclusive advance stream premiering on Decibel Magazine a full day ahead of its official release on December 5th. Fans can experience the band’s most ambitious and brutal work yet before it drops worldwide.

Listen to the EP’s full stream premiere on Decibel Magazine HERE.

Formed out of a desire to push heaviness to its limits, Discovery Through Torment has carved a reputation in the Quebec underground for its uncompromising blend of slam, brutal death metal, and blackened atmospheres. Since their debut, “Divine in Blood” (2020), and the acclaimed follow-up, “The Mangled God” (2022), the band has evolved into a sharpened five-piece lineup, now fronted by vocalist Alex Desroches. With “Telesynthetic Rebirth,” they deliver a bold new chapter defined by narrative-driven lyrics, cinematic scope, and relentless aggression.

“On this EP, we took the time to experiment a lot and find the right balance between sounding fresh and staying true to our sound. It’s very dark and heavy, with sci-fi atmospheres and plenty of surprises. We are very proud of this one, it hits HARD,” adds the band.

The EP plays out like a video game-inspired descent into collapse and conquest, pulling listeners through five chapters of divine downfall, human abduction, and engineered genocide. Musically, it balances towering, cinematic compositions with suffocating heaviness, fusing slam brutality and blackened deathcore atmospheres into a relentless narrative arc. It begins with “Dethronement,” a grand opener announcing the fall of the Mangled God with epic scale, before plunging into “Arcane Inception,” where crushing riffs expose the apocalyptic intentions of a new force rising from the ashes. The tone grows colder and more clinical in “Veil Unfurling,” transforming captives into telepathic servants through a chilling blend of atmosphere and brutality. The intensity reaches its peak in “Lesions,” a punishingly direct assault that warns of inevitable demise with twisted vocal lines and relentless weight. Finally, “First Encounter Assault Regiment” closes the record with a genocidal march, its towering chorus and cliffhanger ending leaving the storyline suspended in anticipation of the destructive chapter still to come.

The EP’s artwork mirrors this ominous narrative, drenched in red hues and desolate landscapes that hint at alien origins and looming menace. Adding to its depth are several fun details: hidden nods to the first F.E.A.R. game woven into track titles and lyrics, the clinical edge of “Veil Unfurling” born from a binge of House M.D., and synth layers crafted in DIY fashion by guitarist Sam experimenting at home.

For fans of Aversions Crown, Rings of Saturn, and Mental Cruelty, “Telesynthetic Rebirth” drops December 5th, 2025, on all major platforms.

“Telesynthetic Rebirth” arrives December 5, 2025 is available for EP pre-order at https://discoverythroughtorment.bandcamp.com/

Add to your Spotify playlist – https://open.spotify.com/artist/3cttRrJzJ5CxdMlaJPkNtq?si=WK9PdT1SQ-yZOes9PP50IA

Music Video – “Arcane Inception” – https://youtu.be/XLjCTuAoXew

Track Listing:
1. Dethronement – (4:36)
2. Arcane Inception – (3:40)
3. Veil Unferling – (4:29)
4. Lesions – (3:35)
5. First Encounter Assault Regiment – (4:19)
Album Length – (20:39)

Album Recording Credits:
• All songs performed by: Discovery Through Torment
• All songs written by: Discovery Through Torment
• Produced by: Discovery Through Torment
• Mixed by: Maxime Lacroix of House of Gain Studio
• Mastered by: Maxime Lacroix of House of Gain Studio
• Album Artwork by: Mark Erskine of Erskine Designs
• Canadian Content (MAPL)

Album Band Line Up:
Charles-Étienne Lafrance – Drums
Samuel Fortin – Guitar
Frédéric Ricard – Guitar
Alexandre Desroche – Vocals
Alexis Lafrance – Bass

Live Band Line Up:
Charles-Étienne Lafrance – Drum
Samuel Fortin – Guitar
Frédéric Ricard – Guitar
Alexandre Desroche – Vocals

More info: Facebook.com/DiscoveryThroughTorment | Instagram.com/discovery.through.torment

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“It certainly won’t take long for Discovery Through Torment to attack again with the next chapter in their already solid career, and I can’t wait to see what’s next for such an up-and-coming Deathcore ensemble after the striking and incendiary Telesynthetic Rebirth. Best moments of the album: Arcane Inception and Lesions. Worst moments of the album: None.” – The Headbanging Moose

“Discovery Through Torment ont ouvert la soirée avec leur interprétation de pièce Slam/Deathcore. On a été servie avec des Breakdowns crasseux et des grooves de cavernes. Musiciens talentueux et un chanteur qui contrôle très bien les tonalités de haut à très gras. En fait, c’est bien Alex Desroches qui est aussi chanteur de Ignominy. Leur setlist est disponible sur Spotify

Discovery Through Torment opened the evening with their rendition of slam/deathcore tracks. We were treated to grimy breakdowns and cavern grooves. Talented musicians and a singer who masters the tones from high to very fat. In fact, it’s Alex Desroches who is also the singer of Ignominy. Their setlist is available on Spotify” – Ondes Chocs (Kaboom Fest @ Foufounes Électriques, Mtl – September 29 and 30, 2023)

—
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0 STERILIZING THE DECEASED Confronts Inner Demons w/ New Video “Recovery” From EP “Nothing” Out Now!

October 2, 2025
by Asher
· Music News · Sterilizing The Deceased

NEWS RELEASE

Montreal, QC – October 2, 2025

STERILIZING THE DECEASED Confronts Inner Demons w/ New Video “Recovery” From EP “Nothing” Out Now!

L- R – Alex Phillips – Bass, John Hruby – Lead Guitar, Angelo Vespucci – Vocalist, Matt Jarvis – Drums, Nikolas Adamczewski – Rhythm Guitar

Photo Credit – Paige Margulies

Melodic deathcore outfit Sterilizing The Deceased has dropped a gripping new music video for “Recovery,” the opening track from their emotionally charged EP “Nothing,” released August 1st. Known for their bone-crushing breakdowns and atmospheric aggression, the Cleveland-based band delivers a visual experience as raw and visceral as the music itself.

“Recovery” dives deep into themes of personal reflection, addiction, and the struggle to find light in overwhelming darkness. The video mirrors the EP’s overarching narrative, a fictional/non-fictional journey through drug addiction and suicidal ideation, inspired by frontman Angelo Vespucci’s own battles. With imagery that evokes resistance, pain, and redemption, the video amplifies the track’s emotional weight and lyrical intensity.

“This song is about wondering where things went wrong and why they had to change. It’s the beginning of a story that’s deeply personal to me, and I wanted the visuals to reflect that internal war,” says Vespucci.

The EP “Nothing” marks a turning point for Sterilizing The Deceased, showcasing a mature sound that blends melodic deathcore, progressive metalcore, and djent influences. Fans of Reflections, Chelsea Grin, and old-school Lorna Shore will find familiar sonic territory, but with a distinct emotional edge. From the chaotic descent of “Self Meditated” to the cathartic rebirth in “Awake,” the EP offers a full-circle listening experience that encourages introspection and connection.

Formed in 2014, Sterilizing The Deceased has carved out a reputation in the Midwest metal scene, sharing stages with heavyweights like Cannibal Corpse, Dying Fetus, and Slaughter to Prevail. With members also active in projects like xEIGHTY-SIXEDx, Lie In Wait, and Terra Vista, the band brings a wealth of experience and collaborative firepower to every release.

Experience the beginning of a journey through pain, purgatory, and ultimately, awakening with the music video premiere of “Recovery” via Decibel Magazine HERE.

Fans can expect more music in the coming year, with another EP or full-length already in the works.

Sterilizing The Deceased‘s latest EP “Nothing” can be heard on all digital platforms.

YouTube – https://www.youtube.com/playlist?list=PLhdBBwjEYqN77KmhXIbJkO9TIF5ZxNmpO

Spotify – https://open.spotify.com/album/4aTbT4KtSuLM2V2G1136Zt

Bandcamp – https://sterilizingthedeceased.bandcamp.com/

Track Listing:
1. Recovery – 3:58
2. Self Meditated – 3:28
3. Nothing – 3:50
4. Unconscious – 2:15
5. Awake – 3:02
EP Length: 16:34

EP Credits:
• All songs performed by: Sterilizing The Deceased
• All songs written by: Sterilizing The Deceased
• Produced by: Sterilizing The Deceased
• Mixed by: Sammy Morales
• Mastered by: Sammy Morales
• EP Artwork by: Caelan Stokkermans

Line-up:
Angelo Vespucci – Vocals
John Hruby – Guitar
Nioklas Adamczewski – Guitar
Alex Phillips – Bass
Matt Jarvis – Drums

More info: Facebook.com/SterilizingTheDeceased | Instagram.com/sterilizingthedeceased

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“Sterilizing the Deceased know how to incorporate some vivid, resonating melodies into their deathcore structuring and it makes the listen more memorable for it.” – Dead Rhetoric

“Harrowing lyrical narratives are the stock in trade of Sterilizing The Deceased and “Awake” is no different, despite having a soaring guitar solo and leads that run throughout. The DJent fuelled groove of this one is neck snappingly good, a vision in blood and thunder that has been matched by the bands skull execution. If you need a new nightmare, this is it [8/10]” – Metal Noise

“This is some pretty solid Deathcore that’s straight up savage and brutal, it’s inspired by original Deathcore too and is comparable to Carnifex, Chelsea Grin and The Acadia Strain in points. If Deathcore is your thing, then I recommend in giving this one a spin.” – Drako’s Metal Reviews

“This album is powerful, passionate and uncompromisingly heavy. It is only five songs, a mere 16 minutes, and yet it hits with the force of runaway bus. In that brief amount of time Sterilizing the Deceased has managed to create a titan of an album. Ultimately in the end all I can do, is say this, I highly recommend “Nothing” by Sterilizing the Deceased and I suggest you get on your favorite streaming service and check it out right away.” – Rust Belt Rock Review

“Here’s a brand new single for the Deathcore fans out there. If you like bands like Chelsea Grin and I Declare War, chances are you may dig this. Sterilizing The Deceased is an up-and-coming band hailing from Cleveland, Ohio. They’re known for bringing the heavy and that’s exactly what they do with this new single. It’s called “Forgotten” and it certainly packs a punch with the weight of its breakdowns and the delivery of some melodic riffs. Check it out and show the dudes some support if you dig it.” – The Circle Pit (2015)

—
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0 Streaming Now! Blast Beats to Blood Rituals KRATORNAS Redefines Extreme Metal w/ New Album “God Of The Tribes”

August 21, 2025
by Asher
· Kratornas · Music News

NEWS RELEASE

Montreal, QC – August 21, 2025

Streaming Now! Blast Beats to Blood Rituals KRATORNAS Redefines Extreme Metal w/ New Album “God Of The Tribes”

Mastered by Dan Swanö (Dissection, Bloodbath, Marduk, Incantation)

“God of the Tribes”, the highly anticipated new full-length from Kratornas, will be available worldwide through Grathila Records as of this Friday, August 22nd. Before its official release, the full stream album premiere can be checked out on Decibel Magazine HERE.

This landmark release represents the most significant evolution yet for the pioneering one-man extreme metal project, originally founded in the Philippines and now residing in Saskatoon, Canada.

Breaking from the hyper-fast brutality that defined earlier Kratornas releases, “God of the Tribes”, mastered by Dan Swanö (Dissection, Bloodbath, Marduk, Incantation), showcases a more methodical approach, focusing on atmosphere, tension, and ritualistic elements. The album introduces previously unexplored instrumentation, including 7-string guitars for L/R channels and 6-string fretless bass, moving away from blast beats and heavily distorted guitars toward a more nuanced sonic palette. Kratornas comments:

“This album isn’t about being ‘advanced’ or ‘innovative’. It’s a return to roots, distilled into something raw and real. I’ve had firsthand experience with this kind of ‘indigenous music’. I was one of the drummers at festivals from fifth grade through my first year of high school. I didn’t copy those rhythms, but wrote my own, taking that foundation and fusing it with Kratornas. This album is the most natural and honest album I’ve ever done.”

The lyrics on “God of the Tribes” draw from the apocalyptic themes that have defined Kratornas since 1999, when the project shifted from its early Satanic themes to ‘doomsday predictions’. The album incorporates ritualistic chants throughout, with the creator noting that ‘the words are a bit ‘dangerous’ to chant along’.

Recommended for fans of Marduk, Beherit, Archgoat, Blasphemy, and Dark Funeral, Kratornas‘ “God of the Tribes” is available for album pre-order (CD) (Out Aug 22nd) – https://kratornas.bandcamp.com/album/god-of-the-tribes-gcd-2025

Lyric Video – Evil and Plunder – https://youtu.be/6cIDMbs-rA4

Lyric Video – Ravaged by Hurakaan – https://youtu.be/WcQVU7bvLx8

Album Artwork (non-explicit) – Kratornas – God of the Tribes

Track Listing:
1. Cursed Sky Serpent (15:00)
2. Evil and Plunder (3:00)
3. Ravaged by Hurakaan (7:00)
4. Novena para Guerra (11:00)

For more info: https://www.facebook.com/officialkratornas

– 30 –

“I think it’s a good thing that it is a bit darker for music this intense and with so much “action” in the upper midrange – Dan Swano (on mastering God of the Tribes)

“The new music IS unquestionably different from what you might expect based on the last album, though if you caught the album’s first single “Ravaged by Hurakaan” you already know that, and you’ll get a further idea from the lyric video for another album track we’re premiering today, “Evil and Plunder“, which is the album’s shortest song… Now, to the music, which is surreal. In line with the raging words, the vocals are blistering in their incendiary screaming intensity, but what goes on around them is dazzling and also a bit bewildering. There are indeed no blast-beats, but the sharp clatter of the snare and crash of the cymbals are still attention-seizing, in part because the timing and nature of the outbursts is unpredictable. The fretwork is also unpredictable. Above bubbling bass upheavals the shrill guitars play off of each other. They vividly swirl and glitter, spiral and dive, squirm and spasm, dart about and blaze. Other strange sounds speckle the song with their own odd textures. The experience is exuberantly demented and exhilarating to hear, like a bizarre but still mesmerizing sonic hallucination and rightly described in a forthcoming press release as a “3-minute descent into ritualistic chaos and psychological warfare.” – No Clean Singing

“With the upcoming release of God of the Tribes, extreme metal entity Kratornas returns from the abyss with a devastating new record that leans into ritualism, atmosphere, and unapologetic chaos. For over two decades, Kratornas has operated as a one-man war machine, who has consistently rejected conformity, trends, and convention.” – Crannk

“My take on the album: It is unique and unconventional. The album is brilliantly performed and crafted. If you looking for something different with cutting edge performance this album is for you. The longer songs in the album is pure magic.” – Project Metal Music

“It’s this progressive sense of composition that separates “God of the Tribes” from many of its peers in the extreme metal scene. Even in its most chaotic moments, there’s a weird sense of direction, a dark, strange logic that guides the madness. Of course, this is not easy listening. It’s demanding, violent and uncompromising. But for those willing to give it time, attention and an open mind, “God of the Tribes” delivers the essence of underground black metal. It’s not about catchy hooks or accessible melodies—it’s about raw spirit, musical extremity and vision. And Zamora has plenty of all three. Active since 1995, Kratornas has always lurked in the shadows of the black metal underground, but this album has the potential to push the project into a more prominent position—not through trend-chasing, but by sheer force of artistic will. “God of the Tribes” is a a declaration that Kratornas is still here, still raging, and still deadly serious. Black metal fans, take note—this is an album that deserves your ears. 8/10” – Myths of Rock

“The music was energetic, and hyper… Call this album unique, that’s for sure, and If you can deal with chaos and dissonance, this album is for you.” – Metal Temple

—–
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0 Exitus Stratagem Records – Streaming Now! VISITANT’s Visceral Debut Album ”Rubidium” + Michigan Metal Fest + “In the Wake of Flame Tour” (FL/GA/TN/SC/NC) w/ IATT

August 21, 2025
by Asher
· Music News · Visitant

NEWS RELEASE

Montreal, QC – August 21, 2025

Album Download HERE (for media use only)

Streaming Now! VISITANT’s Visceral Debut Album ”Rubidium”

+ Michigan Metal Fest + “In the Wake of Flame Tour” (FL/GA/TN/SC/NC) w/ IATT

Debut Album “Rubidium” Out Aug 2025 via Exitus Stratagem Records

The wait is over. Blackened death metal collective Visitant unleashes their highly anticipated debut album “Rubidium” via Exitus Stratagem Records, delivering seven tracks of ritualistic, unrelenting music that weaves ethereal elements into haunting soundscapes. The album represents what the band calls ‘shadow work’, a visceral exploration of the bleakest parts of being human.

“Rubidium” showcases the full collaborative power of Visitant‘s seasoned lineup across 32 minutes of immersive music. Taylor Tidwell (Unaligned) serves as the primary architect of the band’s crushing riffs, while Anthony Lusk-Simone’s (Abiotic, Lattermath) orchestral passages and thunderous drumming build the cinematic worlds that define each composition. Kilian Duarte’s (Abiotic, Scale the Summit) monstrous bass work drives the album’s forward momentum, even contributing a guitar solo on “Envies Lament”. Chelsea Marrow’s (Voraath, Video Games: DOOM ETERNAL, Senua’s Saga: Hellblade II) commanding vocals tie everything together, transforming personal experiences into ghost stories that channel the essence of restless, vengeful spirits. Thomas Weidick, on guitar, recently joined their live lineup this past June.

The album explores themes of grief, loss, betrayal, vengeance, time lost, and regret through seven carefully constructed tracks that showcase Visitant‘s ability to transcend genre boundaries.

The band shares their thoughts on the record:

Tony: “Imagine Dimmu and UADA being smashed together like action figures during recess.”

Kilian: “This record, I think, threads the needle, blending a lot of different genres. But yes, imagine a bunch of metal bands as action figures in the best Super Smash bros type of way.”

Taylor: “While the genre-bending is ever-present, the release as a whole works cohesively, every part making up a piece of the puzzle.”

Chelsea: “I really do think it’s genre-bending as well. I didn’t actively approach it with that in mind, but I went for what I felt each part needed or made me feel. It was a freeing experience. I was hoping we could create something that was impactful. I think we did that. After you listen to the album from beginning to end, you feel like you were just on the biggest journey. It evokes all sorts of feels. Like damn.. I feel like I was audibly hit by a big ol’ bus. In a good way… if there was a good way!”

The album was produced and mixed by Anthony Lusk-Simone and mastered by Jason Fisher, with striking artwork created by Chelsea Marrow in collaboration with Maxwell Aston for layout and logo design. Every element of “Rubidium” has been crafted to create what the band describes as ‘epic, moving, bleak, beautiful, and uncompromising’ music.

For fans of Gojira, Opeth, Naglfar, and Between the Buried and Me, ‘Rubidium’ offers a visceral experience that promises to resonate for years to come. Visitant celebrates the album release with their live debut at Michigan Metal Fest, bringing their haunting world to audiences with an intense live experience that matches the cinematic scope of their recorded work.

Watch and listen to the album full stream premiere on Decibel Magazine HERE.

Visitant‘s “Rubidium” is available for album pre-order (out Aug 22nd) via Exitus Stratagem Records at https://hypeddit.com/visitant/rubidium

Music Videos:

Briars – https://youtu.be/XMr5E2DGX2E

Fodder – https://youtu.be/UCfxSpoPf60

Starless – https://youtu.be/quktaBXaeVM

Other Dates:
Aug 23 – Michigan Metal Fest – Leila Arboretum – Battle Creek, MI w/ Dying Fetus, Within Ruins, Ov Sulfur, The Convalescence

“On The Wake of Flame Tour” – IATT, VISITANT:
Oct 3 – Pensacola, FL – Pacific Kava
Oct 4 – Jensen Beach, FL – Dark Riff Records
Oct 5 – Duluth, GA – Sweetwater
Oct 7 – Nashville, TN – Cobra
Oct 8 – Piedmont, SC – Tribbles
Oct 9 – Raleigh, NC – Chapel Of Bones
Oct 10 – Knoxville, TN – The Pilot Light
Oct 11 – Jackson, TN – TN Metal Devastation Fest (Visitant only)

Track Listing:
1. Unworldly – 4:48
2. Briars – 5:20
3. Starless – 5:07
4. Rubidium – 5:24
5. Fodder – 4:37
6. Envies Lament – 4:56
7. Moon Bathe – 2:38
Album Length: 32:50

Album Band Line Up:
Chelsea Marrow Vocals
Kilian Duarte Bass
Taylor Tidwell Guitars
Anthony Lusk-Simone Drums / Orchestration

Live Band Line Up:
Chelsea Marrow – Vocals
Taylor Tidwell – Guitar & Backing Vocals
Kilian Duarte or Anthony Wheeler – Bass
Charles Webber or Anthony Lusk-Simone – Drums
Thomas Weidick – Guitar

For more info:

Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic | X.com/exsrmusic

Facebook.com/visitantband | Instagram.com/Visitantband | Tiktok.com/@_visitant_

– 30 –

“Visitant is here to utterly wreck your morning thanks to their brand new single “Fodder”, the first offering from their upcoming album Rubidium due out on August 23 via Exitus Stratagem Records. Visitant is vocalist Chelsea Marrow (Voraath, The Monster Factory, Doom Eternal, Hellblade 2, etc.), guitarist Taylor Tidwell, drummer Anthony Lusk-Simone (Abiotic, Lattermath & ex-Pathogenic), and bassist Kilian Duarte (Abiotic, Lattermath, Felix Martin & Scale The Summit). So a real powerhouse of a band that brings some savage energy to the metal world.” – Metal Injection

“Visitant introduce the song (Starless) with subdued classical strings and rippling piano keys which together create a sorrowful but entrancing mood. The gentle nature of that overture makes the sudden crash that follows it even more startling — a sudden attack of slashing and sizzling fretwork, gargantuan bass-moans, neck-cracking beats, savage roars, and scorching screams. The song continues to bring in classically influenced piano melodies coupled with vividly dancing guitars, creating an almost diabolical kind of elegance, but the song also ignites a blackened firestorm of blasting drums, delirious fretwork, and sweeping symphonics. The notes vibrantly dart and blaze as the rhythm section thunder, and the music both elevates to heights of daunting, haughty grandeur and sweeps like wildfire. The torrid and tormented vocals seem to hold nothing back, howling and screaming out on the bleeding edge of intensity, and as if the song couldn’t get any more extravagant, the band make room for a head-spinning guitar solo at the end, in the midst of lots of other equally head-spinning fretwork and rhythm-section spectacles.” – No Clean Singing

““Fodder“, presents different warps and wefts in its weave. Also presented through a video (this time we get to see the band perform), it was inspired by a very dark dream in which Chelsea attempted to bring a murdered friend back to life and lost her own life in the process, leaving the friend trapped in a hellish limbo, bound to a body over which their control had been lost to dark spirits. To be sure, this song is also musically extravagant. It features a lot of borderline deranged and technically demanding high-speed maneuvers (a tour de force that would make lots of tech-death bands jealous) but it’s also hallucinatory, and unhinged in many other respects. It further demonstrates that Chelsea Marrow can really sing, as well as howl like a wolf and scream like a goblin. It’s a highly theatrical experience, but also instrumentally kaleidoscopic and viscerally frightening, and the singing makes the song stand out as much as every other demented and dazzling aspect of it.” – No Clean Singing

“Emerging from the shadowy fringes of the metal scene, blackened death metal outfit Visitant has unleashed their riveting debut single, “Fodder.” Released as a precursor to their eagerly anticipated first full-length album, “Rubidium,” the track invites listeners into a deeply atmospheric yet punishing sonic landscape.” – See Rock Live Magazine

“Uniting seasoned musicians from the Extreme Metal underground scene with members known for their previous works in Abiotic, Scale the Summit, Unaligned and Voraath, Blackened Death Metal quartet Visitant have spent the better part of three years crafting a debut album. The promise is of something dark, beautiful, visceral and compelling with single “Fodder” an almost ritualistic journey that weaves ethereal elements into an unrelentingly aggressive soundscape. Turning personal experiences into ghost stories for the half an hour of power that is “Rubidium” caught the attention of Exitus Stratagem Records who will distribute the affair on 29th August.” – Metal Noise

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0 FAMOUS STRANGERS’ New Video “L.S.C.” Explores Beauty and Danger, Intimacy and Destruction + Festival Dates (Armstrong MetalFest, Loud As Hell Open Air)

June 26, 2025
by Asher
· Famous Strangers · Music News

NEWS RELEASE

Montreal, QC – June 26, 2025

Canada’s FAMOUS STRANGERS’ New Video “L.S.C.” Explores Beauty and Danger, Intimacy and Destruction

+ Festival Dates – Armstrong MetalFest (July 11- 12), Loud As Hell Open Air (Aug 1-3)

L-R – Jeff Kittlitz (Guitar, Vocals) | Braden Sustrik (Bass) | Brian “Beej” Jolly (Drums) | Amanda Keirnan (Lead Vocals, Lyrics)

Edmonton, Canada’s Famous Strangers, unravels their new music video for their latest single “L.S.C.” as they gear up for perfmances at this year’s festival appearances at Armstrong Metal Fest (Armstrong, BC – July 11-12) and Loud As Hell Open Air (Drumheller, AB – Aug 1-3) along with upcoming tour dates to be announced.

As one of the first songs that all four of them in Famous Strangers wrote together from start to finish, the track is raw and intense. It represents exactly where they are as a band right now: fearless in their songwriting and unafraid to blend melody with brutality.

“L.S.C. is meant to take you on a ride. It starts soft, like it is letting you in slowly, and then it flips the switch. The heaviness hits out of nowhere. It grabs you, shakes you, and then drags you through the rest of the track without letting go. It eases you in, then completely takes over, and by the time it is done, it feels like it has drained the life out of you in the best way,” adds guitarist Jeff Kittilitz.

Lyrically, the song is told from the perspective of a female figure who is part human and part spider. It is inspired by the mating behavior of black widows, where attraction, intimacy, and destruction all collide. At its core, it is about obsession, power, and survival. It speaks to the emotional weight of wanting something that was never meant to be yours, and the strength it takes to pull yourself back from that edge.

“What we hope is that this song opens people up a little, even if it’s not what they usually listen to. There’s so much music out there that people miss out on because they’re stuck in one genre or one mindset. We’re trying to break through that and just write what feels real, no matter what it sounds like. We are about being fearless in our songwriting. Put everything on the table, be yourself, and don’t hold back. That’s the energy they’re trying to give people when they press play,” says Kittilitz.

Famous Strangers has had a healthy and steady evolution. Since their earlier singles in 2024, Famous Strangers have started to lock in with each other creatively and naturally found a sound that they can all stand behind. It flows and feels more cohesive, and everyone in the band feeds off each other in a way that keeps pushing the songs to a new level.

Watch and listen to the music video for “L.S.C.” via its premiere on Decibel Magazine HERE.

Spotify – https://spoti.fi/4kNbe7F

Previous Singles:

Music Video – I’ll See You In The Stars” – https://youtu.be/OtdfaMp4Hec

George – https://youtu.be/fz85ChqELO4

Deepstar – https://youtu.be/00jujvck9sM

More info:

Famousstrangersband.com

Facebook.com/profile.php?id=61559110131774

Instagram.com/famousstrangersband

Tiktok.com/@famousstrangersband

About: Since their formation in 2023, Famous Strangers‘ signature blend of haunting melodies, powerful vocals, and immersive soundscapes has captivated listeners. The band brings together accomplished musicians whose past experiences in various musical projects have shaped their collective sound. Their diverse influences converge in a unique sonic experience characterized by atmospheric instrumentals and a dynamic vocal approach that seamlessly shifts between melodic and aggressive. They are recommended for fans of Halestorm, Judas Priest, Dio, and Arch Enemy.

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“Haunting, Stirring and Impactful…those words just keep going through our mind as we take in the new single “I’ll See You In The Stars” from Famous Strangers. This one is quite unique with a powerful intensity that is full of rhythm and achieves the rare feat of fury as a pure form of beauty. We really dig this one and you can catch it on your Home for the Best New Rock…” – WJOE – Findlay’s Home for Rock & Roll

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0 Exitus Stratagem Records – Blackened Doom TIGGUO COBAUC Unleashes New Music Video “Ascended Deliverance” ft. Guest Vocals Chelsea Marrow (Voraath, Visitant)

May 29, 2025
by Asher
· Music News · Tigguo Cobauc (Exitus Stratagem Records)

NEWS RELEASE

Montreal, QC – May 29, 2025

Blackened Doom TIGGUO COBAUC Unleashes New Music Video “Ascended Deliverance” ft. Guest Vocals Chelsea Marrow (Voraath, Visitant)

L-R – Luca Martello – Guitars, Craig Phillips – Vocals, Antoine Mouquod – Drums

UK-blackened doom trio Tigguo Cobauc are unleashing their latest music video “Ascended Deliverance” featuring guest vocals from Chelsea Marrow (Voraath, Visitant). The song itself is a reworked version of the album track from 2024’s “Fountains of Anguish,” released via Exitus Stratagem Records.

With a focus on always giving the listener the most intense and emotional experience, no more so than on the live stage. Tigguo Cobauc is the soundtrack to your darkest desires, as they explain the concept of the song and video:

“The track opens with the haunting pulse of a heartbeat, accompanied by the creeping distortion of industrial noise, drawing the listener into a space of tension and unease. As the first notes of the story unfold, the listener is already submerged in a melodic nightmare—a dreamscape that’s as surreal as it is sinister. The narrative follows a man, lost in his disillusionment with the world, burdened by the weight of life’s cruelty and suffering. Desperate for answers, he becomes obsessed with confronting God directly, seeking retribution for the pain he’s endured. When the conventional means of prayer, the church, and the promises of faith offer no solace, he grows increasingly frustrated and turns to darker paths.

His search leads him to a witch, a figure said to possess the ability to commune with angels, beings who might offer the answers he seeks. The witch, aware of the risks, warns him that the power to speak with such celestial beings is not to be taken lightly; without proper guidance, the consequences could be catastrophic. But driven by desperation and a growing sense of arrogance, the man dismisses the warning. He murders the witch in cold blood, seizing the book of forbidden spells she possessed. With reckless abandon, he chants the incantation, his voice trembling with anticipation and fear.

In that moment, an angel appears—not a being of divine grace, but one of wrath and inevitability. The angel, sensing the man’s hubris and defiance, consumes him entirely. The track climaxes with a surge of chaos and intensity as the angel’s judgment is carried out. The heartbeat, which has been a steady rhythm throughout, begins to slow, fading as the man succumbs to his fate.

The track closes with the silence that follows his death—a chilling, final echo that serves as both a literal and metaphorical end. This tale, woven into the fabric of the music, is a cautionary one—a stark reminder of the dangers of unchecked ambition and the folly of trying to command forces beyond one’s understanding. It is a warning against acting without caution, against chasing something that may not be meant for you. And, above all, it underscores the truth that sometimes, when you wish for something too fervently, you may just get it—and the consequences may be far worse than you ever imagined.”

The music video for “Ascended Deliverance” can be seen and heard via its premiere on Decibel Magazine HERE.

Digital – https://hypeddit.com/tigguocobauc/ascendeddeliverance

Single Band Line Up:
Luca Martello – Guitars
Antoine Mouquod – Drums
Wayne Turton – Bass, Synth, Keyboards
Craig Phillips – Vocals
*guest vocalists – Chelsea Marrow (Voraath, Visitant)

Forged by ancient magic deep in the sandstone depths of Nottingham, UK, Tigguo Cobauc‘s spellbinding guitar riffs over primal rhythm are the sound of your darkest desires. The band’s birth into the constellations has been steeped in the murky depths of Death/Doom, cloaked in a sludgy resonance. They have evolved from these beginnings, transcending into realms infused with black metal’s ethereal atmospheres, where shadows and intensity intertwine.

Their sophomore record, “Fountains of Anguish,” is an amalgamation of classic black metal, reinterpreted with a modern sensibility, and infused with doomy elements that evoke a sense of atmospheric weight. Tigguo Cobauc has seamlessly integrated keyboards into their compositions, adding depth and texture to enhance the listening experience. Through this unique blend, they aspire to infuse their music with a distinctive touch of originality, creating a soundscape that resonates with the genre’s traditions and contemporary influences.

Recommended for fans of Celtic Frost, Bathory, and Venom, “Fountains of Anguish” is available at the following links:

Album order (CD) at https://www.exsrmusic.com/store/p/pre-sale-tigguo-cobauc-fountains-of-anguish-lp-cd

Digital – https://hypeddit.com/tigguocobauc/fountainsofanguish

More info:

Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic

Tigguocobauc.mystrikingly.com | Instagram.com/tigguocobauc | Facebook.com/tigguocobaucband | Tiktok.com/@tigguocobauc

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“this was a fantastic album, and it brought Doom to a whole new level for me, because the band was bold, and unafraid to explore uncharted territory, while keeping their roots strong. 8/10” – Metal-Temple

“IIn the waning days of 2024 comes quite a surprise…one of the best doom albums of the year from an unknown band who clearly know what they are doing. This record is full of crushing riffs, dark melodies and an otherworldly atmosphere. In every way this is an absorbing listen.n the waning days of 2024 comes quite a surprise…one of the best doom albums of the year from an unknown band who clearly know what they are doing…. Definitely track this one down!” – Wormwood Chronicles

“Unlike many of their contemporaries, Tigguo Cobauc let the slimy guitars carry the mix rather than hide under the keyboards. ‘The Darkest Emperor’ starts like an agonising piece of death-doom before it uses the influence of Bathory to accelerate into a higher gear. You’ll hear the early Celtic Frost records in this song, but the keyboards belong in the straight-to-video horror film market of the 1980s. Each elongated ripped-windpipe vocal feels like the testimony of a man who knows his fate is to be hung, drawn and quartered. The rhythms in ‘Inner Disaster’ change tempo as easily as snow turns to slush…. Often, extreme metal bands go through the motions of screaming in pain, but Tiggou Cobauc mean it. They love to menace the listener like the early legends of underground metal. And they embrace the dramatic rather than shy away from it…. Most artists want to deliver the perfect steak, but Tigguo Cobauc would like you to gorge on the gristle and enjoy the fat dribbling on your chin. Their song structures appear to be easy to grasp, but they’re more complex on second listen. 8/10” – Scream Blast Repeat

“A production to seek out by those who enjoy extreme metal explored with a bit of an off kilter intent and an atmospheric laden orientation.” – Viking in the Wilderness

“If I had to name Tigguo Cobauc’s musical style, it would be doomizing black heavy metal.
You won’t regret the time spent listening to their music!” – Margoth PDF Webzine

“refreshing and provides a listening experience designed to be consumed in one sitting. Trust me, if you love Blackened Sludge and Doom, there’ll be more than one sitting for you listening to this work of art…. the production is impressive, hitting the sweet spot of providing sharpness and clarity whilst retaining a subtle touch of grit and rawness that the genre demands and avoiding being overly polished.” – Ever-Metal

“an album of the year contender.” – Black Metal Archives

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0 Streaming Now! Prog Collective LUNAR Unveils Groundbreaking Concept Album “Tempora Mutantur”

January 30, 2025
by Asher
· Lunar · Music News

NEWS RELEASE

Montreal, QC – January 31, 2024

Streaming Now! Prog Collective LUNAR Unveils Groundbreaking Concept Album “Tempora Mutantur”

ft. members Helion Prime, Beholder, Vis Mystica, Mokili Wa, Nordic Frost, Outloud, Double Vision

Fourth Studio Album “Tempora Mutantur” Out Jan 2025 via Saibot Reigns Records

Making Live Debut at Hyperspace Metal Festival 2025 (Vancouver, BC) – April 11th

Top 1st Row – Ryan Price – Bass, Alex Bosson – Drums
Middle 2nd Row – Connor McCray – Lead Guitar, Chandler Mogel – Clean Vocals
Bottom 3rd Row – Carlos Alvarez – Rhythm Guitar, Brian Lewis – Growl Vocals, Anthony Stahl – Keyboards

Sacramento, USA’s progressive metal pioneers LUNAR are set to release their most ambitious project to date, “Tempora Mutantur” on January 31, 2025. A meticulously crafted concept album that explores the intricate passages of time, personal transformation, and emotional landscapes, the record represents a milestone in the band’s continuing musical evolution. They comment on the release:

“We’re very excited to present our new album “Tempora Mutantur” to the world! This album is more thematic rather than conceptual like the last album. This album deals with something everyone can relate to and no one can escape: the passing of time. As we get older, our perspective changes, we gain some things, and lose others… sometimes the things and ones we love. And we struggle and fight along the way.”

Lunar hopes that fans will be able to resonate with the album and find some solace in it as it is highly relatable to the theme of time passing. Continued and driven by drummer and primary songwriter Alex Bosson (Helion Prime, Planeswalker) after the passing of co-band founder Ryan Erwin in 2018, the album is the result of a deeply personal and introspective creative process.

The album’s eight tracks weave a complex narrative that explores themes of seasonal change as metaphors for personal growth, mental health, and the passage of time. From the opening track to the three-part title suite that closes the album, Lunar demonstrates its unique ability to transform personal struggles into universal musical statements that resonate with listeners on multiple levels. The album is recommended for fans of Haken, Tool, and Porcupine Tree.

Listen to the album stream premiere of “Tempora Mutantur” via Decibel Magazine HERE.

Lunar‘s fresh lineup features guitarists Carlos Alvarez and Connor McCray (Vis Mystica) along with keyboardist Anthony Stahl plus album guests Wayne Ingram (Wildrun), Joe Gullace (Thank You Scientist), and Sam Vallen (Caligula’s Horse).

A studio project since first conceived in 2014, LUNAR will make its live debut next year at the 2025 Hyperspace Metal Festival in Vancouver, BC, Canada on April 11th. Info here.

LUNAR’s “Tempora Mutantur” will be available from Saibot Reigns Records as of January 31st, 2025.

Album pre-order – http://lunarbandofficial.bandcamp.com/

Videos:

“Watch The Weather Change” – https://youtu.be/WKdnZD_DJsE

“Weakening Winter Touch” – https://youtu.be/0in2WNVshGM

“Spring In My Step – https://youtu.be/mtOhnwOpK_0

“Fall Back Into Old Habits” – https://youtu.be/J4jTMq-XaTY

(Album Artwork by Ed Bosson)

Track Listing:
1. A Summer To Forget – 6:37
2. Fall Back Into Old Habits – 11:16 ft. guest guitar solo by Wayne Ingram (Wilderun)
3. Seasonal Interlude – 4:47
4. Weakening Winter Touch – 8:46
5. Spring In My Step – 7:26
6. Tempora Mutantur: Part I – Passage of Time – 3:12 ft. guest guitar solo by Sam Vallen (Caligula’s Horse)
7. Tempora Mutantur: Part II – Broken Pendulum – 3:47
8. Tempora Mutantur: Part III – Watch The Weather Change – 4:51
Album Length: 50:45

Album Credits:
Performance and Writing credits – full info HERE.
Produced by: Alex Bosson
Mixed by: Carlos Alvarez
Mastered by: Tony Lindgren

Album Main Lineup:
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Carlos Alvarez – Rhythm Guitar
Connor McCray – Lead Guitar
Ryan Price – Bass
Alex Bosson – Drums
Anthony Stahl – Keyboards

Live Lineup:
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Jordan Price – Guitars
Ryan Price – Bass
Alex Bosson – Drums

For more info: Facebook.com/lunarbandofficial | Instagram.com/lunarbandofficial | X.com/LunarBandOffcl | Spotify

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“It’s really well done technically by a band that clearly cares about their music and can play.” – Rock The Joint Mag (The Illusionist 2023)

“If I had one word to describe this album, it would be this one: whirlwind… “The Illusionist” is an album that is living. From its jazzy highs to its heavy metal lows, this album is constantly on its toes, never repeating itself and never, ever growing complacent. A wonderful whirlwind indeed. 9/10” – Ever Metal

“I feel like Lunar has captured the balance between accessibility and technicality very well. I hear many of the same elements in their sound that, when employed well, make bands like Dream Theater, King Crimson, Voïvod and even Sigh so engaging. I love when an album comes out of nowhere (for me, anyway) and makes this much of an impression.” – The Metal Crypt

“As I said at the start, when I heard this album I was immediately grabbed by it. The story works nicely, it is very character based and features plenty of emotions which as a listener I certainly could relate to. The music is terrific with all the players putting in excellent performances and the instrumentation used in a clever way to match all that is going on with the lead character. There are moments of heavy prog as well as metal, but melody runs through the heart of it. The fact that some of the people in the band have never met or even been in the same room together is remarkable as it sounds like everyone was on the same hymn sheet and it doesn’t sound pieced together. That is a great credit to the writing, arranging as well as all the musicians doing their parts to the benefit of the whole piece. An absolutely delightful as well as enjoyable album.” – CGCM Rock Radio

“The concept is that there are songs that are angry, songs that are confused, songs that are depressing, and everywhere in between. Styles on the album run the gambit from Progressive Metal with melodic vocals, to moments of Jazz, to cookie monster Thrash…. The musicianship is solid on all of the parts, with some excellent performances, notably vocalist Chandler Mogel… it does warrant checking out for Prog-Metal fans that like a mix of growler and melodic vocals.” – Metal Express Radio

“The Illusionist again is at the highest level of the progsphere, Bosson’s continuation of the Lunar name, honouring his co-founder and friend, through the medium of progressive metal, is an advantageous endeavour. 9/10” – Musipedia of Metal

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0 Streaming Now! Quebec’s TROLLWAR’s Symphonic Melo-Death EP “Tales from the Frozen Wastes” ft. Guests From Kalmah, Atavistia

November 14, 2024
by Asher
· Music News · Trollwar

NEWS RELEASE

Montreal, QC – November 14, 2024

Streaming Now! Quebec’s TROLLWAR’s Symphonic Melo-Death EP “Tales from the Frozen Wastes”

EP Guests Veli-Matti Kananen (Kalmah), Mattias Sippola (Atavistia)

The wait is over! Quebec symphonic melodic death masters Trollwar are proud to present the full stream premiere of their highly anticipated EP “Tales from the Frozen Wastes”, before its official release on November 15, 2024.

Check out the EP stream premiere on Decibel Magazine HERE.

“Tales from the Frozen Wastes” marks a significant evolution in Trollwar‘s sound, showcasing a perfect blend of their brutal roots with refined symphonic orchestrations and progressive elements. The EP takes listeners on a journey through a dark dimension, exploring themes of fallen deities, the realm of the dead, and the consequences of mortal ambition. The band comments on the changes that can be found on the record:

“I think our EP could be described as a renewal. A renewal of our music and a new maturity for our music. I do think that you can hear it through our songs in this release. The ‘Unseen One’ and ‘In the Fields of Frost’ are both great songs that we wrote a couple of years ago, while ‘Bane of the Underworld’ and ‘The Offering’ are pretty much the new Trollwar that you should expect going forward. These two songs show a clear upgrade of how we write our music.”

This release represents the culmination of years of hard work and musical growth Trollwar has dedicated to their sound. They’ve pushed themselves to create something that’s not just heavy and melodic, but also tells a compelling story through both music and lyrics.

To celebrate the premiere, Trollwar will be hosting a live Q&A session on their official YouTube channel on the release date (Nov 15th). The band will discuss the creation of the EP, share behind-the-scenes stories, and answer fan questions. They are recommended listening for fans of Equilibrium, Wintersun, and Ensiferum.

Due out on November 15th, “Tales from the Frozen Wastes” is available for digital pre-save – https://distrokid.com/hyperfollow/trollwar/tales-from-the-frozen-wastes

Track Listing:
1. Prologue (2:00)
2. The Unseen One (7:05) ft. Keyboard Solo by Veli-Matti Kananen (Kalmah)
3. Bane of the Underworld (5:26)
4. In The Fields of Frost (4:05)
5. The Offering (5:46) ft. Clean Vocal / Choir by Mattias Sippola (Atavistia)
EP Length: 24:24

More info:

Trollwar.wixsite.com/trollwar | Facebook.com/Trollwar | x.com/trollwarqc | Instagram.com/trollwarmetal/

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“Trollwar waste no time lighting a fire under the listener with blazing and darting riffage, booming and battering drums, soaring symphonics, savage snarls, and heroic choral singing. But a finger-tapped guitar also introduces magically swirling melodies; grim vibrating fretwork and heavily jolting grooves throw us into fierce combat; and rippling keyboard tones add to the song’s fantastical glories. The band build toward an extravagant finale, hard-hitting and sky-flying, entirely in keeping with the song’s overarching mythic aura.” (Single – Bane of The Underworld) – No Clean Singing

“No scene outplays another on this vivid EP. From start to finish, the blend of orchestration and metal is curated in a way that the Fantasy plays through, while the harshness of its tale is presented with wicked solos, stunning riffs, and masterful sound. As a Fantasy fanatic, and a metalhead, this EP is a stunning display of talent and imagination, utilizing skill and story to present to us one hell of an adventure. 9/10” – All Father Metal

Top 20 2018 Metal album from Quebec by Metal Universe (Oath of the Storm LP – 2018)

“The whole record is an adventure; the sequencing flows well from song to song and is bumpered nicely by an intro that sets the mood, plus an outro that gently brings things to a close, returning the listener safely back to their respective realities. At the end of the day, I definitely think Trollwar is onto something here; they are proudly waving the folk-metal banner and are destined for big things.” – PureGrainAudio (Oath of the Storm LP – 2018)

”The vocals are abrasively savage, and the swirling keyboard melody is like ear heroin. I can’t help myself — the song pushes too many buttons for me to resist.” – No Clean Singing (Oath of the Storm LP – 2018)

“OATH OF THE STORM has a wave of well-written catchy songs, good production, lots of intensity and power as well, which is something some of the other bands lack. TrollWar is a pretty appropriate name for this enjoyable act and OATH OF THE STORM is one of the more intense Folk Metal albums out this year.” – Metal Rules (Oath of the Storm LP – 2018)

“Overall, this was an outstanding album, for a band that clearly has a lot to offer. What I can’t figure out is why no one has signed them yet? The production is excellent. They have a sophistication and complexity in their sound that few others do, yet each track is very easy to listen to. It’s like you combined the best of the old, IRON MAIDEN, with the best of the new, WINTERSUN, and you have TROLLWAR, with their own unique flair. The melodies are both playful and dangerous, and the entire album is excellent from the opener through the closer. “Oath of the Storm” is a fascinating glimpse into the soul of the band, where they let it all out there for you to enjoy. And enjoy it I did!” – 9/10 – Metal Temple (Oath of the Storm LP – 2018)

”the tracks are face smashing and memorable with enough layers to satisfy even the most tech savvy of you folksters”…….”It’s hard to necessarily give you specifics other than multiple layers of instrumentation, blast beats, keys and symphonic touches with shredding guitar and vocals.”- Folk Metal.NL (Oath of the Storm LP – 2018)

“TROLLWAR deliver “Oath of the Storm”, a strong second work that should not only be interesting for fans of FINNTROLL and ENSIFERUM… The Canadians’ independent, accordion-driven folk black metal proves that real fighting roles don’t just inhabit Scandinavia and the surrounding area. Then a resounding “kippis!” or an elegant “à votre santé!”. 4/5″ – Stormbringer

“Uncompromising and lovable – Oath Of The Storm… Conclusion: “Oath Of The Storm” is an interesting folk metal album and for fans of EQUILIBRIUM or FINNTROLL. TROLLWAR is characterized by good song progression and incredible joy in playing… So if you’re still looking for a Christmas present, you can grab it here without hesitation.” – Metal.de

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0 Streaming Now! Montreal’s CHÜZO Take Over The World w/ Aggro-Metal and New EP “M.T.M.D (Maximum Threshold, Minimum Decay)”

November 14, 2024
by Asher
· CHUZO · Music News

NEWS RELEASE

Montreal, QC – November 14, 2024

Streaming Now! Montreal’s CHÜZO Take Over The World w/ Aggro-Metal and New EP “M.T.M.D (Maximum Threshold, Minimum Decay)”

Produced by Kevin Jardine (Slaves On Dope)

L to R: Alex S (Bass), Cristian S (Guitars/Vocals), Mischa M (Vocals), Carlos G (Drums)

Photo Credit @stutteringuzii (Instagram)

Montreal, Canada’s CHÜZO is ready to take on the metal world with the introduction of their self-described Aggro-Metal and new EP entitled “M.T.M.D (Maximum Threshold, Minimum Decay)”. The three-track record marks the next chapter and true representation of what their sound is meant to be with the fresh new lineup who are hungry to showcase what this forthcoming EP will spark.

Produced by Kevin Jardine (Slaves On Dope), the EP is a full audio assault upon all the senses from the heavy riffs to the soaring vocals of Brazilian transplant and new vocalist Mischa M. She is joined by local first-generation Chilean Canadian and mastermind Cristian S. along with Carlos G from Venezuela and Alex S from Russia whom all have found Montreal, Canada to be home to breed their ‘Aggro Metal’, a blender of grindcore, Swedish death metal and a touch of thrash metal crossed over with hardcore punk.

“The sound of the band evolved from, initially, grindcore, to hardcore, to now Aggro Metal. This is finally what CHÜZO was meant to sound like after many years and many ex-band members. This mark III version of the band is the final evolution in the sound of CHÜZO.” adds Cristian S.

The EP’s lyrics are driven by self-reflection and daily struggles. The inspiration for writing comes from life experiences and trying to live past them, especially the traumatic ones. Using all bad energy from bad experiences to create something positive for yourself and the world. This EP speaks of vengeance and the bad side of dedicating your life to achieving your desired revenge despite your own life and sanity. Brutal Social Justice.

For fans of Sepultura (Cavalera Bros era 84-96), At the Gates, Napalm Death, Slipknot, and Fuck the Facts, “M.T.M.D (Maximum Threshold, Minimum Decay)” is due out on November 15, 2024, and can be heard in full before it officially drops via its stream premiere on Decibel Magazine HERE.

EP pre-order/digital per-save is available at the following links:

Bandcamp – https://chuzomtl.bandcamp.com/album/m-t-m-d-maximum-threshold-minimum-decay

Digital Pre-Save – https://distrokid.com/hyperfollow/chzo/mtmd

Lyric Video – Brand New Cell – https://youtu.be/61YlVuG3gsI

EP Artwork by Draught https://www.instagram.com/draught___/

Track Listing:
1. The Brutalator – 3:39
2. Brand New Cell – 3:12
3. Bruised and Broken – 4:21

More Info: Instagram.com/chuzo.band | Facebook.com/chuzo.band

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0 ORCHID’S CURSE Now Streaming Varied New Melodic Metal EP “The Decay”

June 15, 2023
by Asher
· Music News · Orchid's Curse

NEWS RELEASE

Montreal, QC – June 15, 2023

ORCHID’S CURSE Now Streaming Varied New Melodic Metal EP “The Decay”

L-R = Alex Wrathell (Drums), Brian Jones (Guitar), Keith MacLeod (Guitar), Jason Szeto (Bass), Josh Hogan (Vocals)

Orchid’s Curse formed way back in 2005 with their first release in 2006. 18 years have passed and they have withstood the test of time. Whether persevering through member changes or a pandemic, the band continues to push forward and release new music. “The Decay” is their sixth release and will highlight that the band has no plans to stop creating music any time soon.

Musically, “The Decay” is their most mature work yet, consisting of five songs with a variety of different musical influences but also still having the Orchid’s Curse signature sound. Listeners will experience a two-minute thrash banger, a six-minute melodic epic, and everything in between with lyrics that explore the decline and decay of our modern society. The band shares their excitement:

“We are elated to finally be releasing THE DECAY to the masses. Writing for this album started before the pandemic and we are glad the time to release it is finally here. One positive is that with the shutdowns we had a lot of extra time to spend refining these songs to ensure it was the most mature and competent release to date. With each new album we always try to continue to progress and up the ante musically and artistically. We all feel really confident in these songs and this release as a whole.”

They say variety is the slice of life and Orchid’s Curse delivers exactly that. This succinct journey runs the gamut from slow and sludgy to fast and relentless. The EP was produced by the band’s rhythm guitarist, Brian Jones; mixed and mastered by Mike Bowers (Pale Ache), and the EP artwork was done by lead guitarist, Keith MacLeod.

With something for everyone, “The Decay” will be enjoyed by a wide range of metalheads, including those into Darkest Hour, At the Gates, and The Black Dahlia Murder.

“The Decay” is due out Friday, June 16, 2023, and can be heard ahead of its release via its full stream premiere on Decibel Magazine HERE.

Album pre-order – https://orchidscurse.bandcamp.com/

Track Listing:
1. Better Men – 5:42
2. Dead Idols – 4:24
3. The Divergence of Man – 4:45
4. Divided by Everything – 2:31
5. Pay to Prey – 6:24
EP Length: 23:47

Orchid’s Curse is:
Josh Hogan – Vocals
Brian Jones – Guitar/Vocals
Keith MacLeod – Guitar
Jason Szeto – Bass
Alex Wrathell – Drums

For more info: Orchidscurse.com | Facebook.com/orchidscurse | Instagram.com/orchidscurse

About: With over a decade of musical output, Orchid’s Curse continues to create a beautiful amalgamation of brutal metal, progressive melody, and intelligent thought-provoking lyrics. Whether in a live setting or on an album, Orchid’s Curse refuses stagnation and orders your full attention.

Since forming in Dartmouth, Nova Scotia in late 2005, Orchid’s Curse has positioned itself at the forefront of the highly underrated East Coast metal scene in Canada. Ensuring that every show left the band drained of all they had and every album was created with the most care and the best team they could find. Now with their sixth release “The Decay” ready to release, the band continues to position itself at the forefront of maritime metal.

Metalsucks.net captured the band’s goal of blending various genres of metal, declaring “Orchid’s Curse is one of those bands that play around with melodeath, groove, thrash, and occasionally prog with enough fluidity to rid themselves of any sort of pesky sub-genre tags and earn the simple, yet elegant classification of ‘metal’.” while Canada’s Hellbound.ca recognized the bands continued progression and growth over the years stating, “Few bands demand that each album be a progression, a growth, in the way that Orchid’s Curse does. No musical influence is turned away, but everything is twisted, melded into an intense metal experience that makes your head bang one moment and your toes tap the next”

Since 2006 Orchid’s Curse has shared the stage with an incredibly diverse lineup of bands including, The Black Dahlia Murder, Children of Bodom, Every Time I Die, Cancer Bats, 3 Inches of Blood, Goatwhore, Exhumed, Fuck the Facts, KEN Mode, Misery Index, Counterparts, Baptized in Blood, Martyr, Beneath the Massacre, Vilipend, Ion Dissonance, Neuraxis, L’Espirit du Clan, Unexpect, Trigger Effect, Ninjaspy, Unbreakable Hatred, Misguided Aggression, Greber and many more.

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“Orchid’s Curse is one of those bands that plays around with melodeath, groove, thrash, and occasionally prog with enough fluidity to rid themselves of any sort of pesky sub genre tags and earn the simple, yet elegant classification of ‘metal’.” – Metal Sucks

“Orchid’s Curse employ their familiar tactic of borrowing the techniques of multiple genres, from filthy death metal riffs to hardcore barks, progressive guitar explorations and dirge-like, doom-influenced song structures.” – Exclaim!

“Thick, brutal, aggressive and borderline cacophonous, at times, Voices is relentlessly engaging and explosive while maintaining a decisively melodic essence.” – Exclaim!

“heavy riffs built for headbanging” – Metal Storm

“Cynics & Liars, is very much an EP which epitomizes everything good about metal in 2016” – PureGrainAudio / V13

“Orchid’s Curse are versatile, able to play everything from menacing thrash to accessible melodeath to punishing metal” – HeavyMetal.About.com

“Every song punches you right between the eyes” – Mettalworx

“This album is just laced with hook after hook. Whether it be a classic metal riff, a psyched out interval or just a standard heavy rock n’ roll beat; the album is catchier than an STD on 2-for-1 night at a brothel.” – Echoes and Dust

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

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