Tag: death

0 Gore House Productions – Streaming Now! Descend Into The Abyss Of Death Metal With Display Of Decay’s Sixth Album “Vitriol”

October 17, 2023
by Asher
· Display of Decay · Music News

NEWS RELEASE

Montreal, QC – October 17, 2023

Streaming Now! Descend Into The Abyss Of Death Metal With Display Of Decay’s Sixth Album “Vitriol”

New Album “Vitriol” Out October 20th, 2023 via Gore House Productions

(Mixed & Mastered by Chris Donaldson – Cryptopsy)

Alberta Tour Dates (Calgary, Edmonton, Lloydminster)

L – R – Brandon Siefert (Bass), Sean Watson (Guitar / Vocals), Logan Wilson (Drums)

Photo Credit – Display of Decay

Prepare to have your senses shattered as Canada’s Display Of Decay unveils the chaos and power that can only be found in death metal in their sixth album “Vitriol” due out on Friday, October 20th from Gore House Productions.

Before it is officially unleashed, you can check out the whole album via its full-stream premiere on NoCleanSinging HERE.

The eight tracks on “Vitriol” will take listeners through distorted riffs colliding with thunderous percussion, creating a maelstrom of sound that leaves no room for compromise. The lyrical content covers a variety of topics ranging from pop culture references like Diablo & Mass Effect to darker undertones of acts of senseless violence and brutality. The band explains more:

“At long last, we are excited to finally announce our long-awaited new record and 6th installment into the discography, Vitriol! This album took a lot of the technical elements of ‘Art in Mutilation’ and blended them with the classic ‘DOD’ style of ‘bang your head, groovy riffs.’ I believe this album follows the trajectory our style has grown over the years, whilst still paying homage to the first few records of our discography.”

“Vitriol” was mixed and mastered by Christian Donaldson (Cryptopsy) and assistant mix engineer Dominic Grimard. The cover art was done by Caelan Stokkermans with graphic design by Logan Wilson. The writing process consists of Sean Watson (Guitar – Vocals) and Brandon Siefert (Bass) slinging riffs back and forth, and getting a rough layout done to bring to the table. With the return of Logan Wilson halfway through the process, it’s become more of a unified process. ‘Familial Feast’ as an example, was written while they were tracking the record, and after they ended up scrapping a tune halfway through the recording process, this one came together extremely well.

“Vitriol” was born of rage and spite fueled further by the chaos and uncertainty felt worldwide over the last few years. It is recommended for fans of Pantera, Morbid Angel, and Cannibal Corpse.

“Vitriol” will be available on October 20, 2023, via Gore House Productions and is available for pre-order (Vinyl/ CD/ Digital) at https://orcd.co/vitriol

Lyric Video – “The Butcher” – https://youtu.be/8Bz0JKqbSkg

Guitar & Bass Playthrough – “Harbinger” - https://youtu.be/DsRWwIgXIjU

Tour Dates:
Nov 10 – Calgary, AB – Dickens Pub
Nov 11 – Edmonton, AB – Starlite Room
Nov 17 – Lloydminster, AB – Cheers Live

Track Listing:
1. Malicious Motorcide (3:17)
2. The Butcher (4:26)
3. Legion of Doom (4:04)
4. Familial Feast (3:26)
5. Harbinger (3:06)
6. Hot Lead Vengeance (4:01)
7. Slaughtercast (3:54)
8. Vitriol (3:19)
Album Length: 29:36

More info:

Gorehouseproductions.com | Facebook.com/GoreHouseProductionsOfficial | Instagram.com/gorehouseproductions

Displayofdecay.ca | Facebook.com/displayofdecayofficial | Instagram.com/displayofdecayofficial | Tiktok.com/@displayofdecay

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“Edmonton’s long-standing denizens of death metal” – Decibel Magazine

“Should have lots of these from previous record, here are a few “This three-piece, hailing from the Canadian badlands, are an absolutely crushing ode to no-frills, old-school brutality.” – Metal Injection

‘’Perfect for fans of Deicide and Cannibal Corpse” – Bloody-Disgusting

“death metal that is surely to snap your neck and crush your skull.” – My Global Mind

“From pit anthems to intricate playing identifiable sound and raspy deep growls, every reason you love death metal is inside the tracks that lay within “Art in Mutilation.” – Metal Temple

“This is pure North American death metal with a dosage of thrash, but it’s the effective songwriting that keeps your interest from start to finish.” – Dead Rhetoric

“This is Brutal Death Metal that wastes no time on pointless intros or messing around.” – Wonderbox Metal

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0 MASSIVE SCAR ERA’s Groundbreaking “Between Waves” Pushes Music Boundaries Off “Metal Goes Egyptian” Out Nov 2023

September 28, 2023
by Asher
· Massive Scar Era · Music News

NEWS RELEASE

Montreal, QC – September 28, 2023

MASSIVE SCAR ERA’s Groundbreaking “Between Waves” Pushes Music Boundaries

New EP “Metal Goes Egyptian” Out November 2023

Massive Scar Era, the brainchild of visionary artist Cherine Amr, is proud to announce the upcoming release of their highly anticipated seventh release, an EP, “Metal Goes Egyptian”, which is coming out in November. Known for pushing the boundaries of music and blending genres, Massive Scar Era is set to captivate audiences once again with its unique fusion of progressive rock, post-grunge, Egyptian music, and metal. The second single is “Between Waves”, which Amr comments on:

“Between the Waves was the first song that we worked on. It’s one of the oldest songs for MSE that wasn’t released digitally. In this song’s intro, a heavy riff is playing in the background, consisting of just two notes. Weka was free to incorporate the Hijaz scale without constraints, and he used maqam kord as a secondary “gens,” a modern approach to this maqam. That’s how the song began. As the song progresses, it transitions into a new section with modulation on the G note, leading into maqam Rust. Finally, the ending of the intro (“Taslim” in Arabic) concludes with a return to the Hijaz scale, creating a glamorous ending. I wrote this song when I was very young. It was even before I moved to Cairo in 2009. I was still in the process of discovering myself as a person before a lyricist and a songwriter. While I don’t resonate with the lyrics anymore, singing this song again reminded me of an entire lifetime.”

Watch and listen to the music video for “Between Waves” via its premiere on GhostCultMagazine HERE.

Originating from Alexandria, Egypt, and currently based in Montreal, Canada, Cherine Amr has led Massive Scar Era on an incredible journey since its inception in 2004. The project’s music reflects the cosmopolitan allure of Alexandria intertwined with the raw essence of Cairo’s urban landscape. This distinctive sound and cultural blend have garnered widespread recognition, including appearances in influential documentaries such as “Microphone” (2012) and “Before the Spring After the Fall” (2013).

“Metal Goes Egyptian” represents a unique concept that will particularly appeal to metal enthusiasts who appreciate a diverse range of folkloric influences. With its fusion of metal and various folk elements, this EP promises an unforgettable musical journey that transcends genre boundaries. It is recommended for fans of Merkfolk, Aeternam and Huntress.

“Metal Goes Egyptian” is due out on November 3, 2023.

EP pre-order at https://massivescarera.bandcamp.com.

“Back to the Sun” (music video) – https://youtu.be/WULR4FvSCHI

Track Listing:
1. Between Waves – 3:22
2. 30 Years – 4:43
3. Oblivious – 3:46
4. Back to the Sun – 3:41
5. Color Blind – 3:14
6. Endorphins – 2:37
EP Length: 21:26

Credits:
All songs performed by: Violins: Kristin Molnar, Zoé Dumais, and Rasha Masalkhi
Viola: Omar Abou Afach
Oud: Mohamed Masmoudi
Qanun: Nizar Tabcharani
Percussions: Phyras Haddad, and Bertil Schulrabe
Drums: Julia Geaman
Bass: Etienne Tremblay
Songwriting, Vocals, Guitar: Cherine Amr
Arabic Music Arranger: Weka Soliman
Music Copyist: Hugo Mayrand
Sound Technicians: Jacob Lacroix-Cardinal, and Nicolas Pétrowski
Music Producer, mix and master: Etienne Tremblay (La Machine à Mixer)
Recorded by Nicolas Pétrowski and Etienne Tremblay (La Machine à Mixer) at Studio Mixart, Montreal, QC,
• All songs written by: Cherine Amr
• Produced by: Etienne Tremblay
• Mixed by: Etienne Tremblay
• Mastered by: Etienne Tremblay
• Album Artwork by: Biggg Rock Films

More info: Facebook.com/massivescarera | Instagram.com/massivescarera

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0 Sol Negate Introduces Themselves With Visionary Progressive Death Album “On the Verge of Dreaming Again”

September 26, 2023
by Asher
· Music News · Sol Negate

NEWS RELEASE

Montreal, QC – September 26, 2023

Sol Negate Introduces Themselves With Visionary Progressive Death Album “On the Verge of Dreaming Again”

Sol Negate emerged from the mind of Edoardo Curatolo in Seattle, USA. He had the intention to compose music in a classical manner, but with modern guitars/drums as part of the orchestral ensemble. He wanted to “paint” using the palette that extreme metal offers without necessarily writing traditional metal songs. With the aid of drummer Sebastian Lanser (ex-Obscura, Juvaliant, Obsidious) finalizing drum parts and making them his own along with vocalist Riley McShane (Continuum, ex-Allegaeon) taking on the concept to add his unique lyrics and vocal parts, the result transformed into the debut album “On the Verge of Dreaming Again”, which challenges the boundaries of progressive death metal. Curatolo explains what’s in store:

“It explores the journey of the mind as one approaches death, reliving moments of life flashing before their eyes and experiencing the fall into the unknown. Each track on the album represents a passage of time, reflecting how seemingly insignificant experiences can leave lasting imprints and how perceptions of events can continue to haunt us even in our final moments.”

The album, “On the Verge of Dreaming Again,” is more than just a collection of tracks; it is a carefully crafted concept album, centered around the themes of death and dreams, that invites listeners to embark on a profound musical journey. Best experienced from start to finish, with headphones on, late in the evening, the album offers a deeply personal experience that evolves with each listen.

The progressive side of this endeavor was about making the music both fun and interesting while concealing the complexity of the composition. Those who appreciate ‘crazy’ time signatures, unconventional song structures, and intricate approaches, will discover them within the music, but it won’t feel like a gimmick. “On the Verge of Dreaming Again” is symphonic and progressive without sacrificing being heavy. It is recommended listening for fans of Fleshgod Apocalypse, Dream Theater, and Obscura.

“On the Verge of Dreaming Again” will be available as of September 26th, 2023 on Spotify, Apple Music, SolNegate.bandcamp.com.

Note: Special Instrumental Version of the album is only available on the band’s Bandcamp.

Lyric Video – Waves Into The Darkness – https://youtu.be/Khhszu1-qnA

Guitar Playthrough – Come and Embrace Me – https://youtu.be/KCYDsAlV8vM

Track Listing:
1. Prologue (3:01)
2. … and All Creation Was A Dream (5:01)
3. A Mind That Bleeds (4:07)
4. Waves Into The Darkness (4:25)
5. Dusk Has Come; Stars Are Forming (5:15)
6. Come and Embrace Me (3:58)
7. Dissipate Into (5:31)
Album Length: 31:18

Album Credits:
All songs performed by:
– Guitars, orchestration, keyboards: Edoardo Curatolo
– Drums: Sebastian Lanser
– Vocals: Riley McShane
Produced by: Edoardo Curatolo
Mixed/Mastered by: Stefano Morabito @ 16th Cellar Studio
Album artwork by Voidgazer (IG: v01dgazer)
Album Band Line Up:
– Guitars, orchestration, keyboards: Edoardo Curatolo
– Drums: Sebastian Lanser
– Vocals: Riley McShane

More info: SolNegate.com | Facebook.com/SolNegate | Instagram.com/SolNegate

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0 Decibel Magazine Premiere – Streaming Now! NECRONOMICON EX MORTIS Releases Hair Raising Horror EP “Silver Bullet”

August 10, 2023
by Asher
· Music News · Necronomicon Ex Mortis

NEWS RELEASE

Montreal, QC – August 10, 2023

Streaming Now! NECRONOMICON EX MORTIS Releases Hair Raising Horror EP “Silver Bullet”

Top – Michael Bala – Guitar, Manuel Barbarà – Guitar
Bottom – Yusuf Rashid – Bass, Craig Schmul – Vocals, Joey Ferretti – Drums

Necronomicon Ex Mortis was formed by Michael Nystrom Bala out of a desire to combine elements of classic death metal, 80s shred worship, and gory lyrics about B-horror movies. Their debut S/T EP was released earlier this year and since there is no rest for the wicked, the follow-up EP “Silver Bullet” is upon us. The four tracks, presented with fury, were written specifically for this EP. They weren’t pulled from other projects or other albums, so that expectation was created going into the process. They strive to bring back the celebration of the twin guitar attack that bands like Iron Maiden and Racer X had. They share their excitement for the release:

“We’re excited to present this EP. We had a great time recording it and we feel live we’ve become even more comfortable with the music both individually and as a band. We think fans will notice the wide array of influences on this EP. We’re not just pulling from the same band or the same style of metal. Variety is the spice of life, kids.”

Necronomicon Ex Mortis was birthed when Bala wanted to take all his favorite things and have them in the same place. All his musical ideas, all of his favorite things about horror, and all of his favorite Paul Gilbert licks. He writes everything (Except for “Cycle of the Werewolf”, which guitarist Manuel Barbará wrote). He sits around and writes riffs and then does his best to rip off Yngwie and Paul Gilbert. He then asked Barbará to write the opening title track to a horror movie which he did with glee, spending the next 45 minutes going to town with his fretless guitar while his girlfriend tried to get him to do literally anything else.

This is just the start for the band, they have roughly 69 fully written songs ready to go that are both terrifying and titillating. You’ll be sleeping with the lights on after digging into “Silver Bullet”. It is recommended for fans of B movies, off-the-wall humor, The Black Dhalia Murder, Racer X, and Obscura.

Listen to the full-stream premiere of “Silver Bullet” via Decibel Magazine HERE.

The EP is due out on August 11, 2023.

EP pre-order – https://necronomiconexmortis.bandcamp.com

Lyric Video – “Crypt of The Gorilla God” – https://youtu.be/LyKA_arI46M

Track Listing:
1. Crypt of the Gorilla God (5:40)
2. The Swamp (4:00)
3. Cycle of the Werewolf (1:17)
4. Silver Bullet (5:22)
EP Length: 16:18

EP/Live Band Lineup:
Michael Nystrom Bala – Guitar
Manuel Barbará – Guitar
Yusuf Rashid – Bass
Joey Ferretti – Drums
Craig Schmuhl – Vocals

Discography:
2023 – Silver Bullet – EP
2023 – Necronomicon Ex Mortis – EP

For more info: Necronomiconexmortisband.com | Facebook | Instagram.com/necronomiconexmortisband

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“From start to finish, it really is a head-spinner and a heart-pounder, and some of the most fun you can have with your clothes on (though you might need to strip down and dry off after the EP is done with you.). If it wasn’t clear already, it’s damned clear after Silver Bullet that Necronomicon Ex Mortis is “a band to watch”. And if these peoples really do have 69 more songs fully written, bring ’em on!” – No Clean Singing

“Sit back and marvel at the eccentric sound of Necronomicon Ex Mortis as they take us on a wild, but brief journey of thrilling heaviness. Starting with a track about getting ripped apart by a giant undead ape called Crypt of the Gorilla God. It’s a thrashy and speedy opener that features some absolutely screaming guitar solos. An immediate example of the lovable nature of this EP and band. 8.5/10” – Games, Brrraaains & A Head-Banging Life

“A tale of primordial monsters living in the dark waters, “The Swamp” finds Necronomicon Ex Mortis at their storytelling finest, evolving a tale in classical fashion while having some moments in the guitar work that wouldn’t be out of place if they were written by Scott Carstairs for a Fallujah record. Somehow they have taken the bare bones that surround them and carved them intro intricate designs that leap between Metal sub-genres with death defying consummate ease. There is so much depth and texture than you’d usually expect to find in these songs… You have to wonder just how long it will be before these Gentlemen find themselves playing the Summer Slaughter Tour because that’s exactly where they should be [8.5/10]” – Metal Noise

“Necronomicon Ex Mortis have shown with Silver Bullet that they want to hit hard very quickly. The pieces are striking and make you want to discover more very quickly! We hope that the European public will respond to the call of the Americans and their desire to immerse us in horror stories worthy of the 80s. We wish them the best and we encourage you to dive into their universe!” – Sounding Shivers

“Thrashy death metal with catchy groove” – The Mosh Pit 89.9 FM (Madison, WI)

“The fusion of Death Metal and shred is intriguing” – Amplified Magazin

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0 Canada’s BLACK PESTILENCE’s Chaotic Black Metal N’ Roll Returns With “The Devil’s Connection” Off “Chaotic Wisdom” Out Sept 2023

July 7, 2023
by Asher
· black pestilence · Music News

NEWS RELEASE

Montreal, QC – July 7, 2023

Canada’s BLACK PESTILENCE’s Chaotic Black Metal N’ Roll Returns With “The Devil’s Connection”

New Album “Chaotic Wisdom” Out September 2023

L-R – Daniel Toews – Guitar, Valax – Bass & Vocals, Davey Hellfire – Drums
Photo Credit – Wikked Twist Media

In the winter of 2008, Black Pestilence emerged from the frozen, windswept prairies of Canada, conjured by bassist/vocalist Valax. Initially, Black Pestilence was a one-man studio project, but years afterward, it evolved into a three-piece band and remains in that form. Over time, Black Pestilence has become known for an instantly recognizable sound that combines black metal, punk rock, and noise. To date, the band has released six full-length albums and two EPs. This impressive discography expands this year with “Chaotic Wisdom”, which further expands on lyrical themes including LaVeyan Satanism, current events, social issues, and the glorification of the epicurean lifestyle. Valax shares his thoughts on the first single off the album, “The Devil’s Connection”:

“The Devil’s Connection addresses the advantages of having an open mind. As esoteric as some scenarios might be, it will allow one to adapt to any situation. ”

According to Valax, fans will get the same infectious sound this band is known for but with a different style of production. On this album, it sounds a bit darker and more analog. For example, they used various different mic techniques for recording the guitars which added a very different overall sound. Each member of the trio spent more time recording their parts which results in a much better performance than the last album.

Black Pestilence started out as very chaotic black metal with small hints of punk rock and lots of noise. After, it slowly evolved into a punk rock structure with black metal vocals. Now it is much more catchy with shorter song lengths. Their chaotic black metal ’n’ roll is recommended for fans of Midnight, Toxic Holocaust, and Impaled Nazarene.

Watch and listen to their music video for “The Devil’s Connection” via its premiere on NoCleanSinging HERE.

Their forthcoming album “Chaotic Wisdom” is due out on September 8, 2023, and available for pre-order at https://blackpestilence.bandcamp.com.

Track Listing:
1. Mortal Rift (3:29)
2. A Life of Evil (3:06)
3. The Devil’s Connection (3:29)
4. Chaos and Carnality (3:18)
5. Aspect of Darkness (3:06)
6. Infernal Might (feat. Mark Russell) (2:35)
7. Animus (5:50)
Total Length: 24:53

Facebook.com/blackpestilenceband | Instagram.com/blackpestilence | Youtube.com/blackpestilence | Spotify

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“A recent discovery that has tickled the excitement nerves in my jaded and encrusted ear drums is Calgary’s Black Pestilence. Their take on black metal incorporates old-school thrash and punk and if you listen closely you can hear the smatterings of plain ol’ rock ‘n’ roll and swaths of noise and is a sound that has been explored and nurtured since the band formed as a one-man project in 2008. The band’s handlers claim those fans of Toxic Holocaust, Impaled Nazarene, Municipal Waste, Midnight and Cradle of Filth unconcerned with genre boundaries will enjoy Black Pestilence and we have to say the nail has certainly been hit on the head in that regard. Additionally, fans of image and theatrics will find value in the band’s aesthetic which owes to a collision of black metal, goth rock and Judas Priest’s wardrobe and fashion sense. ” – Decibel Magazine

“Hail the Flesh is a nice, quick, in and out style album. There’s no messing around, there’s no overly extended bridges or songs that overstay their welcome. This is a 9 track album that only spans 34 minutes of constant, hard hitting riffs, blasts, and downright aggressive and dominative vocals. Even the final track on the album, “Ephemeral”, which nearly reaches 7 minutes in play time feels fresh the whole way through. ” – Metal Injection

“an album that really has a surprisingly wide range within the black/thrash/punk style so if you love that sort of black and roll aggressive metal, then “Hail The Flesh” will be an album for you.” – The Rockpit

“Calgary, Canada’s Black Pestilence bring a fresh take to the sound, though. Hail The Flesh, the band’s sixth full-length album is a blackened crossover punk-thrash album. It sounds old school, yet very 2000s at the same time…. Municipal Waste, Impaled Nazarene, Toxic Holocaust fans take notice.” – Heavy Music Headquarters

“They really don’t have another gear beyond ‘top’ which makes for a splitting headache of heavy but one that satisfies. After all there are only 9 tracks and as Godless spits and snarls, Frauds to the Throne exudes filthy groove, My Will to Power rages hard and Ephemeral drags the suffering out, the over-riding thought is Black Pestilence have impressed.” 8/10 – Games, Brrraaains & A Head-Banging Life

“Honestly, anyone with the remotest interest in Black ‘n’ Thrash, Black ’n’ Roll or even just plain old Thrash is going to love this album. It is a blisteringly addictive listen. The skilfully fluid ways that all these genres are melded is both brilliant and compelling as well as being lyrically inspiring.” – MetalTalk.net

“First things first, it’s not every day you hear black metal as fun as this! That is partly because of the exciting thrash and not-so-serious punk influences, but also because the songwriting is very strong. ” 4/ 5 – The Independent Voice

“dirty, punky Black/Thrash that occasionally makes feedback noises and consistently slaughters everything in its path.” 4/5 – The Metal Crypt

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0 Out Now! War And Melodic Death Metal Collide In “The Future Remains In Oblivion” From Quebec’s VORTEX

June 9, 2023
by Asher
· Music News · Vortex

NEWS RELEASE

Montreal, QC – June 9, 2023

Out Now! War And Melodic Death Metal Collide In “The Future Remains In Oblivion” From Quebec’s VORTEX

L-R – Justin L’Italien Dubé (Drums and Piano), Simon Desjardins (Bass), Alexandre Labrie (Vocals), Dany Lévesque (Guitars), Mathieu Duguay (Guitars and Orchestrations)
Photo Credit: Freeman

Rimouski’s Quebec’s Vortex is now streaming its third epic concept album set to aggressive and beautiful orchestral melodic death metal with hints of black metal. Each song in “The Future Remains In Oblivion” is one chapter in their well-written sci-fi tale and there is a build-up in intensity and emotion that goes along with the storyline and the lyrics as you traverse the album. They share their thoughts:

“This is an orchestral death metal album with plenty of heavy riffing and melodies, technical vocals, and epic soloing. Some of the songs are riff-oriented and some others had the orchestra and melodies written before the drums and the guitars. We wrote all the lyrics before the music to make sure that it would fit the feel and emotion of each song/part of the story. When we start writing a song, we know exactly what feeling and emotion we are aiming at, it’s a good way to push ourselves creatively and write thoughtful music.”

Those familiar with the previous albums will note that they were more on the ambient/dramatic side. The new album’s songs are still melodic/orchestral but much more aggressive and some of them have a black metal influence. Vortex’s goal was to create songs that would have a greater impact on their live shows, and these aggressive songs will work well live. They feel the album is a good combination of aggression/melody, and ugliness/beauty.

Creativity and storytelling are the key tenets of Vortex. Their masterful lyric writing is equally matched with their prowess in devising riffs, and orchestrations. They will transport the listener into a new world and are recommended for fans of Lorna Shore, Dimmu Borgir, and Fleshgod Apocalypse.

“The Future Remains In Oblivion” is now available as of June 9th, 2023.

Digital (Bandcamp, Spotify, Apple Music) – https://linktr.ee/vortexband

Music Video – First Blood – https://youtu.be/Wd-yfIfRRzQ

Tour Dates:
June 9 – Matane, QC – Le Barachois – Gaspesian Metal fest
Sept 15 – Rivière du Loup, QC – Espace Collectif Berger St-Modeste w/ Aeternam
Sept 16 – Montreal, QC – Piranha Bar (Hellstorm Productions 20th Anniversary Show)
Oct 21 – Ottawa, ON – The House of Targ w/ Serene Dark, Strigampire
Nov 3 – Saguenay, QC – CEM w/ Beyond Fiction, Strigampire
Nov 4 – Montreal, QC – Piranha Bar w/ Strigampire, Serene Dark
Nov 15 – Edmundston, NB – Microbrasserie Ateepic w/ Aeternam
Nov 16 – Charlottetown, PEI – Trailside w/ Aeternam
Nov 17 – Moncton, NB – Xeroz w/ Aeternam
Nov 18 – Saint John, NB – The Panic Room w/ Aeternam
Dec 15 – Rimouski, QC – Le Paradis – Strigampire, Serene Dark, Beyond Fiction
Dec 16 – Trois-Rivières, QC – L’Entité w/ Strigampire, Serene Dark
Jan 26 – Drummondville, QC – La Sainte-Paix w/ Aeternam
Jan 27 – Quebec City, QC – L’Anti w/ Aeternam

Track Listing:
1. From The Sun (5:24)
2. Downfall (4:11)
3. The Fool (3:13)
4. The Walls (4:32)
5. Our Possible End (4:23)
6. First Blood (4:29)
7. The Future Remains In Oblivion (4:50)
8. When No More Words Will Be Heard (5:22)
Album Length: 36:29

For more info: Vortex.band | Facebook.com/vortex.band.ca | Instagram.com/vortex.band.ca | Twitter.com/vortexband

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“The song’s (The Walls) multi-faceted nature is further revealed in harrowing and haughty growls, jolting chords, and fiery sunbursts of sound, as well as through a swirling melodic guitar solo that spectacularly sends the song into the stratosphere. The song’s finale is itself a full-power spectacle that really gets the adrenaline surging.” – No Clean Singing

“For some music is pure escapism but does that still hold true when bands like Canadian Melodic Death Metal monster Vortex whisk the would be listener into a bleak world that is recovering from a devastating cataclysm? Scenes of war and survival are punctuated with harrowing strings, technical riffs, and guttural and Black Metal inspired vocals as the band weave cinematic stories and orchestral touches into their third concept album “The Future Remains In Oblivion”” – Metal Noise

“An excellent group that you must discover because of the intensity they are able to show” – Ondes Chocs

“The breakdowns are huge in places. There are big moments where the influences pour through, but are blended with giant choral arrangements and symphonics. It’s absolutely like something out of a Lord of the Rings movie. I love the melodies, the harmonics, and the guitar solos. This is absolutely an album which ought to be part of your listening rotation this month. I was genuinely impressed with quite a bit of the entire album. I think that when you look at this album, the absolute banger of the title tack is 100% worth several spins with the blackened guitar riffs and tremendous choral arrangements.” – Metal Epidemic

“The songs you’ll find on this upcoming release are aggressive, but Vortex also has a strong melodic approach and lots of orchestrations combined with guttural, black metal vocals and diverse guitar playing that alternates between howling snippets and beautiful, emotional riffs. Recommended for fans of Shadow of Intent, Septicflesh, and Dimmu Borgir.” – RTMB Music

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(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 ETHEREAL VOID Explore War, Suffering And Demise In “Gods of a Dead World” Streaming Now!

May 25, 2023
by Asher
· Ethereal Void · Music News

NEWS RELEASE

Montreal, QC – May 25, 2023

ETHEREAL VOID Explore War, Suffering And Demise In “Gods of a Dead World” Streaming Now!

Behold Ethereal Void, a trinity of death metal musicians whose music emanates from the shadows of Ontario, Canada. Infused with groove and progressive elements, their rhythmic dirges speak of the void beyond time and space, a place of emptiness and desolation. Forged in that void, their music embodies the hopelessness of existence, reminding us of the futility of our struggles. Their third album “Gods of a Dead World” is now ready to be shown the light of day and they invite you to indulge in the album stream. They comment:

“This album is definitely our most consistent offering to date. We refined the sound both in writing and production while maintaining a unique angle for every song. The biggest stand-out is the introduction of orchestral elements to the sound. It feels like a long time coming, at least from my perspective. The album is much more refined musically as well. While we generally keep to the traditional EV themes, There is a constant-running sub-theme of the futility and violence of warfare.”

Throughout the album, Ethereal Void takes up through moments of tension, traditional death metal, instrumental interludes, relentless riffs, and anxious melodies. They cover bleak and harsh topics such as war, suicide, a dying planet, and the worship of entropy. The organic conjuring of the album is initially created by Terci Ruina creates, further embellished by Nemesis, and completed by “Voiicide” who also produced, mixed, and mastered it.

“Gods of a Dead World” is raw, visceral, and primitive. The groove-based death metal darkness within is recommended for fans of Gojira, Septic Flesh, and The Design Abstract.

Listen to it in full via its album stream premiere on Bravewords HERE.

“Gods of a Dead World” is due out May 26, 2023, via Abstrakted Records.

Album pre-order – https://design.bandcamp.com/album/gods-of-a-dead-world

Lyric Video – Seeds of Hatred – https://youtu.be/ZN2wTUjij8c

Track Listing:
1. Overture to Annihilation (1:35)
2. The Voiceless (2:59)
3. Seeds of Hatred (3:44)
4. The Art of Ruination (2:48)
5. Psychosomatic Suicide (2:59)
6. Decay (Interlude) (0:46)
7. Return to the Void (3:34)
8. The Brown Stone Spire (2:32)
9. Gods of a Dead World (5:49)
Album Length: 26:50

For more info: Facebook.com/EtherealVoid

– 30 –

““The Voiceless” is a rushing charge. It gets the listener’s pulse pumping because the song itself has such a mad pulse. Many of them actually, from the fast jolts in the fuzzed-out riffage to the die-stamp hammering of the snare and the jackhammer impact of the bass. And it does sound like a mad pulse, thanks to the swarms of frantic tremelo’ed fretwork, the relentless double-bass strafing, and the ugly ravenous growls. While the head-hooking energy of those assaulting ingredients never really lets go, the music does also move sideways. Eerie spectral tones ring out, creating an overlay of melancholy. The music even seems to elevate in wailing splendor, as a prelude to a sorcerous guitar solo that sounds both inviting and yearning, both enticing in its glimmering tones and downcast in its mood. Even the unhinged screams of the vocalist almost sound like singing (almost).” – No Clean Singing

“A compact and concise release, Gods of a Dead World comes in at around 26-minutes long and features a number of sharp and savage pieces of music. Kicking off with a frantic showcase of guitar screams and squeals, with the chunky familiarity of death metal heaviness, Overture to Annihilation gets in, smashes stuff up, and gets out.” – Games Brrraaains & A Head-Banging Life

“or a Death Metal cut “Overture to Annihilation” is a real eye opener, blood soaked in cinematic orchestration and virtuoso lead guitars, the barked vocals having that story telling quality to them. That flows nicely into “The Voiceless“, which introduces the lyrical themes and creatures with Voiicide playing both victim and killer as vocals come from alternate angles with a vocal tweak. It works incredibly well, the riffs flowing freely with chugging aggression, the leads bright and vibrant against the darkness. The way the cuts have been put together has been well thought through, the segway into “Seeds of Hatred” barely noticeable as the flow continues like an orchestral piece but there is also enough of shift to identify the track as being separate.” – Metal Noise
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 Streaming Now! WHYTHRE’s Electrifying Melo-Death Album “Impregnate My Hate”

May 25, 2023
by Asher
· Music News · Whythre

NEWS RELEASE

Montreal, QC – May 25, 2023

Streaming Now! WHYTHRE’s Electrifying Melo-Death Album “Impregnate My Hate”

L-R – Steve Fournier – Drums, Adam Chambers – Vocals, Guitars, Synths, Eric Close – Bass, Shon Petrey – Guitars, Synths
(Photographer Credit – Carolina Chambers)

Seattle-based Whythre’s new album “Impregnate My Hate” is about to be released on Friday, May 26th and before it officially drops, its full album stream is being premiered on Metal-Rules HERE.

Whether it’s writhing with wailing solos, slithering with sinuous synth lines, or awash with waves of riptide riffs, Whythre’s latest is without remorse. They came to lay waste and write solid album titles — and they’re all out of album titles. Consequently, “Impregnate My Hate” opens with the single “Scorchbreath”, an onslaught of solos, slamming breakdowns, subtle orchestration, and a sing-along chorus that embodies Whythre’s deft formulation of melodic death metal singed with a blackened edge.

Having been fixtures in the Seattle metal scene since 2016, band members Shon Petrey, Adam Chambers, Eric Close, and Steve Fournier know their way around both riff craft and laying down a tight performance. But Whythre’s latest expulsion of fury seethes like a band that’s only getting started, from the first violent lick to the final double-bass kick.

Follow along to standout tracks like “Immanence”, which thunders along with the certainty of slow death and offers little in the way of forgiveness, or to Scorpions of Sinai, which has a groove guaranteed to move any circle pit. The fury of Whythre’s writing is real, but fury is rarely this much fun: expect to get your ass kicked, and enjoy it.

When asked how they expect the album to be received by fans, Chambers replies that they just enjoy the creative process and evoking good memories, and are otherwise not concerned about how other people view it. Petrey expects that his mother will be just as, if not more disappointed with this one as previous efforts, Fournier suggests that fans will be surprised with their new material citing new blood in the band and a concise vision helped shape their most impressive record to date; and Close says that fans will be able to feel the energy from the album and that it will provide an electrifying experience for them.

For those who have the privilege of seeing Whythre play live, at the conclusion of their performance they will either hear the Mortal Kombat voice in their heads saying ‘FLAWLESS VICTORY’ or feel relief that they chose to shelter in the bathroom during their set.

The album was produced and mixed by Shon Petrey, it was mastered by Levi Seitz at Black Belt Recordings, the album artwork was done by Andrzej Masianis and the graphic design was done by Ryan Ricketts.

Recommended for fans of Children of Bodom, Hypocrisy, and Hans Zimmer, “Impregnate My Hate” is due out on May 26th, 2023 via High Point Records and is available for pre-order at https://whythre.bandcamp.com.

Music Video – Scorchbreath – https://youtu.be/tVGnpIA6Gk8

Lyric Video – Scorpions of Sinai – https://youtu.be/cowdXndpbVU

Animated Video – Impregnate My Hate – https://youtu.be/strDy2KrWs4

Track Listing:
1. Scorchbreath (3:54)
2. Impregnate My Hate (3:11)
3. Can’t Escape This (4:55)
4. Scorpions of Sinai (3:29)
5. C Section S1urpee (2:48)
6. Death Frontier (3:09)
7. Tantric Aspects of the Cross (2:32)
8. Immanence (4:02)
9. Run it Red (3:50)
Album Length: 31:54

For more info: Whythre.com | Facebook.com/Whythre | Instagram.com/whythreofficial

– 30 –

“The album as a whole is a hell of a twisting and turning trip, which might appeal especially to fans of Hypocrisy and Children of Bodom. You’ll get another taste of the album in its first single, “Scorchbreath“, which features backing vocals by Gabe Tachell (Whythre‘s first vocalist) and Carolina Chambers.” – No Clean Singing

“There is no mistaking that with this new album Whythe sound rejuvenated, the new rhythm section as precise and destructive as a laser guided missile. As a listener, opening cut “Scorchbreath” is exactly what you want. Punchy and aggressive, crossing sub-genre territories with death defying leaps with an onslaught of Thrash infused riffage, short and violent bursts of Black Metal inspired blast beats, gang chant moments in the chorus and the odd ethereal touch a real demonstration of prowess. That’s before we’ve mentioned the twin axe attack of the extended solo which will melt your face off… before the kick in the guts that is the title track “Impregnate My Hate“.” – Metal Noise

0 Quebec’s VORTEX Lay Down Intricate Storytelling And Melodic Death Metal Riffs In “The Walls” Off Forthcoming Album “The Future Remains In Oblivion” Out June 2023

May 10, 2023
by Asher
· Music News · Vortex

NEWS RELEASE

Montreal, QC – May 10, 2023

Quebec’s VORTEX Lay Down Intricate Storytelling And Melodic Death Metal Riffs In “The Walls”

New Concept Album “The Future Remains In Oblivion” Out June 2023

L-R – Justin L’Italien Dubé (Drums and Piano), Simon Desjardins (Bass), Alexandre Labrie (Vocals), Dany Lévesque (Guitars), Mathieu Duguay (Guitars and Orchestrations)
Photo Credit: Freeman

Prepare to be whisked away to a bleak world that is recovering from a devastating cataclysm in the latest album from Canada’s Vortex. “The Future Remains In Oblivion” is the third concept album from the band which takes great pride in weaving cinematic stories set to orchestral melodic death metal. Scenes of war and survival are punctuated with harrowing strings, technical riffs, and guttural and black metal vocals. The second single “The Walls” is the fourth chapter in this eight-track sojourn and the band is eager to explain this part of the story:

“Our Fool got all sorts of people to believe and follow him. They’ve put everything they’ve got into building a secret small city that is protected by reinforced walls and an arsenal. Inside these walls, they have everything they need to survive any cataclysm and its aftermath. Although it is fast and aggressive, ‘The Walls’ is the catchiest song on our new album. Its verses have a strong orchestral melody underlying black metal riffing and vocals to create a unique feel.”

According to the band, the choruses have some of their best orchestral writing with its predominant violin melody supporting powerful layers of guttural vocals. “The Walls” has one of the best solos of the album, technical with lots of feel and melody.

Listen to “The Walls” via its premiere on NoCleanSinging HERE.

Vortex is comprised of seasoned musicians with an abundance of studio and live experience, and with an offer to join a label, they decided to band together to create music that would have dynamics and a strong melodic side while retaining the essence of what death metal is.

Recommended for fans of Septicflesh, Lorna Shore, and Dimmu Borgir, “The Future Remains In Oblivion” is due out June 9th, 2023.

Digital (Bandcamp, Spotify, Apple Music) – https://linktr.ee/vortexband

Music Video – First Blood – https://youtu.be/Wd-yfIfRRzQ

Tour Dates:
May 20 – Lévis, QC – Corsaire Microbrasserie w/ Fracturus, Strigampire
June 9 – Matane, QC – Le Barachois – Gaspesian Metal fest
Sept 15 – Rivière du Loup, QC – Espace Collectif Berger St-Modeste w/ Aeternam
Sept 16 – Montreal, QC – Piranha Bar (Hellstorm Productions 20th Anniversary Show)
Oct 20 – Quebec City, QC – L’Anti Bar w/ Strigampire, Beyond Fiction
Oct 21 – Ottawa, ON – The House of Targ w/ Serene Dark, Strigampire
Nov 3 – Saguenay, QC – CEM w/ Beyond Fiction, Strigampire
Nov 4 – Montreal, QC – Piranha Bar w/ Strigampire, Serene Dark
Dec 15 – Rimouski, QC – Le Paradis – Strigampire, Serene Dark, Beyond Fiction
Dec 16 = Trois-Rivières, QC – L’Entité w/ Strigampire, Serene Dark

For more info: Vortex.band | Facebook.com/vortex.band.ca | Instagram.com/vortex.band.ca | Twitter.com/vortexband

– 30 –

“Vortex, with their epic and heavy music, are truly a staple of the Quebec metal scene and it’s always a pleasure to see them perform.” – Thorium Mag – Live Review 2022

“Symphonic tones merge beautifully with wailing guitar riffs and thunderous drums in a storm of terrible and wonderful fury of the gods. VORTEX’s very name sums up the unique blend of complex sounds they’ve taken time to master.” – 9/10 – Metal Temple (Lighthouse Review 2019)

0 Descend Into Darkness With ETHEREAL VOID’s Death Metal Single “The Voiceless”; New Album “Gods of a Dead World” Out May 2023

May 9, 2023
by Asher
· Ethereal Void · Music News

NEWS RELEASE

Montreal, QC – May 9, 2023

Descend Into Darkness With ETHEREAL VOID’s Death Metal Single “The Voiceless”

New Album “Gods of a Dead World” Out May 2023

Behold Ethereal Void, a triad of malevolence hailing from the dark corners of Ontario, Canada. Their macabre melodies blend together the harmony of death metal with a sinister groove and progressive flair, all in worship to the gaping maw of the void. Born from the emptiness beyond time and space, they defy the norms of mortal ears with a sound that defiles all that has come before. They are ready to unleash their third album “Gods of a Dead World”, which promises to be unlike anything they have done before. They are now streaming their second single “The Voiceless” and share the background of the track:

“Conceptually, this song is about a mass exodus of people from another realm, silently venturing onward to an unfathomable destination. It is definitely one of the more chaotic songs on the album, countered by what could generously be called a thrashy riff in the chorus. The theme is a little more abstract, dealing with a mass exodus of people in a different existential realm.”

Ethereal Void are inspired by the darkness alive within humanity and within the universe as a whole. Throughout their discography, they explore the concepts of entropy, decay, void, and ruin. This third album diverges from their first two and they expect that it will be a welcome change for existing fans. It is more raw, visceral, and primitive than before.

“Gods of a Dead World” is a dark and heavy exploration of war, suffering, and demise. It is recommended for fans of Gojira, Septic Flesh, and The Design Abstract.

Listen to “The Voiceless” via its premiere on NoCleanSinging HERE.

“Gods of a Dead World” is due out May 26, 2023 via Abstrakted Records.

Album pre-order – https://design.bandcamp.com

Lyric Video – Seeds of Hatred – https://youtu.be/ZN2wTUjij8c