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Tag: Dark Tranquillity

0 DEVOLVER’s New Music Video “Wraiths” Captures The Camaraderie of Fans Under The Alberta Sky; New Album “Non Compos Mentis” Produced by Mark Lewis (Whitechapel, Trivium, DevilDriver, Black Dahlia Murder)

  • November 13, 2025
  • by Asher
  • · Devolver · Music News

NEWS RELEASE

Montreal, QC – November 13, 2025

DEVOLVER’s New Music Video “Wraiths” Captures The Camaraderie of Fans Under The Alberta Sky

Produced by Mark Lewis (Whitechapel, Trivium, DevilDriver, Black Dahlia Murder)

L-R: Jayde Penner (guitar), Bevin Booth (drums), Jaylen Elias (bass), Devin Babcock (guitar), Chris Brown (vocals)

Photo Credit – Heidi Robertson

Grande Prairie, Canada’s own metal force, Devolver, has dropped a powerful new music video for “Wraiths,” a standout track from their latest album “Non Compos Mentis.” Filmed during an intimate album release show at Grain Bin Brewing, the video captures the raw energy and camaraderie of a night that brought 150 fans together under the Alberta sky, immortalizing a night of celebration, community, and crushing riffs.
​
​“We knew we wanted to do something special. So we had our friend Mike Evans film the show. This music video is for all the people who were there celebrating with us, making it such a special night,” adds the band.
​
​“Wraiths” is a groove-driven, straight-ahead metal track with thrash undertones and a nod to classic rock and metal. Lyrically, it explores themes of mysticism as a bridge to connect with lost loved ones, an emotional depth that complements its sonic punch.

Watch the video for “Wraiths” via its premiere on Decibel Magazine HERE.

Formed in 2015 by guitarist Devin Babcock and drummer/producer Bevin Booth, Devolver has grown from a side project into a full-fledged metal powerhouse. With the addition of Jayde Penner (guitar), Chris Brown (vocals), and Jaylen Elias (bass), the band’s sound has matured into a collaborative blend of Gothenburg-style melodic death metal and early 2000s metalcore.
​
Their new album, produced by metal heavyweight Mark Lewis (Trivium, Whitechapel, The Black Dahlia Murder), marks a seismic shift in their sound.

“This is what the five of us sound like collaborating as a unit. Mark helped us push this thing over the edge,” adds the band.
​
The album’s artwork, created by legendary artist Travis Smith (Opeth, Megadeth), is a chilling visual interpretation of the true story behind the title track. It depicts Devin Babcock’s ancestor, Amos Babcock, who in 1805 committed a gruesome murder in Shediac, New Brunswick, during a religious frenzy. The haunting image of Amos in the snow, surrounded by the eyes of his nine children, adds a historical and emotional weight to the album’s narrative.
​
​Devolver’s connection to their hometown runs deep. They partnered with Grain Bin Brewing to create “Brews of the Maw,” a blackberry and blood orange pale ale named after their track “Jewels of the Maw.” And for fans of Magic: The Gathering, the band has hidden lyrical nods throughout the album, including a track titled “Deathtouch.”

Recommended for fans of In Flames, Dark Tranquillity, Killswitch Engage, and As I Lay Dying, “Non Compos Mentis” is a bold leap forward, each track a chapter in a larger emotional and sonic narrative.

“Non Compos Mentis” (released Aug 22nd) is available at the following links:

Bandcamp – https://devolvermusic.bandcamp.com/​

Spotify for Playlist Add – https://open.spotify.com/album/3eeLxBrxx55QvIm3EnahLm​

Music Video – Merciless Storm – https://youtu.be/o_6jcqK2qFQ​

Lyric Video – Suffocating Syndrome – https://youtu.be/mmRskxYe1q4​

Track Listing:​
1. Deathtouch – 3:55
2. New Blood – 3:14
3. Jewels of the Maw – 3:30
4. Wraiths – 3:20
5. At Any Cost – 3:40
6. Non Compos Mentis – 3:53
7. Merciless Storm – 3:56
8. Suffocating Syndrome – 3:36
9. Dehumanize – 3:47
Album Length: 32:55

Album Credits:​
– All songs performed by: Devolver
– All songs written by: Devolver
– Produced, Mixed, Mastered by: Mark Lewis
– Album Artwork by: Travis Smith
– SOCAN members

Band Lineup:​
Chris Brown – Vocals
Devin Babcock – Guitar (lead)
Jayde Penner – Guitar (rhythm)
Bevin Booth – Drums
Jaylen Elias – Bass

More info: https://linktr.ee/devolverab​

-30-

“The goal of Devolver through Non Compos Mentis has been to take the listener on a thoroughly pleasing journey from the first note to the final crushing moment. That’s been achieved, and so much more – as these Canadians understand how to compose songs and execute them in a highly convincing fashion that has this scribe grinning ear to ear – bringing the exciting sounds of the late 90s/early 2000s to a newer generation who desire more of this style. 9/10” – Dead Rhetoric
​
“For a group from a small northern city, every move has required deliberate effort—whether it was recruiting the right collaborators, waiting until circumstances lined up, or carrying material through years of delay. Non Compos Mentis is the document of that persistence: an album shaped by distance, disruption, and devotion to the sound that first made them want to pick up instruments.” – IDIOTEQ
​
“DEVOLVER is definitely ahead of the last releases of their great role models. On the one hand, because the Canadians work straight and without any frills, and on the other hand, because the melodies are all right without reducing the heaviness. When it comes to melodic death, there’s no way around this album this year. The only downside: 32 minutes is pretty short, even for such energy output!” – PowerMetal.de
​
“Mixed and mastered by Mark Lewis (Fallujah, Whitechapel, DevilDriver, Deicide, Havok, Entheos, etc.), this new Devolver album is armed to face the critics. Composed of nine well-crafted tracks (all between three and four minutes long) and effective, Non Compos Mentis is soaked to the brim with Swedish melodeath influences.” – Metallian Magazine (France)
​
“There is a sense of nostalgia listening to the guitarmonies throughout the album, calling back to the golden days of early 2000’s metalcore. Whether you’re a fan of death metal or metalcore, you’ll definitely find elements that you’ll appreciate on this album. Personally, my favourites are “Deathtouch” and “Suffocate Syndrome”” – False Chord
​
“Now we have Devolver with Non Compos Mentis. The sophomore album from this Canadian band is the perfect blend of melodeath and metalcore. Much like chocolate and peanut butter, this takes the best aspects of both genres, makes enough changes to feel authentic, and creates a sound that hits just as much in 2025 as it would have back in 2005. The production is brutal, but still audible and filled with layers. The songwriting shows off the capabilities of everyone in the band, but it doesn’t reveal all of its tricks. Overall, this is for anyone who enjoys everything from ’90s era In Flames to 2000 Soilwork to later 2000’s Lamb of God to the modern-day capabilities of what Melodeath and Metal Core are all about. This is a great trip back in time, but also a look forward to what can be done. This is excellent stuff.” – Heavy Debriefing

—​
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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0 Bun to Be Wild DEVOLVER Shreds in a Hot Dog Suit of Fury in New Playthrough “Merciless Storm” Off New Album “Non Compos Mentis”

  • October 9, 2025
  • by Asher
  • · Devolver · Music News

NEWS RELEASE

Montreal, QC – October 9, 2025

Bun to Be Wild DEVOLVER Shreds in a Hot Dog Suit of Fury in New Playthrough “Merciless Storm”

New Album “Non Compos Mentis” Out Now!

Produced by Mark Lewis (Whitechapel, Trivium, DevilDriver, Black Dahlia Murder)

L-R: Jayde Penner (guitar), Bevin Booth (drums), Jaylen Elias (bass), Devin Babcock (guitar), Chris Brown (vocals)

Photo Credit – Heidi Robertson

Canadian metal outfit Devolver has dropped a new playthrough video for “Merciless Storm,” a standout track from their latest album “Non Compos Mentis,” released August 22nd. The video showcases the band’s precision, intensity, and collaborative firepower, offering fans a raw look at the musicianship behind one of the album’s most punishing cuts, along with a comedic side to them.

The band explains further:

“Merciless Storm” began as a tongue-in-cheek experiment in heaviness, but quickly transformed into a full-fledged monster. With slam riffs, groovy solos, and a breakdown written on the spot in the studio, the track embodies the album’s ethos: unrelenting force and the emotional wreckage left in the wake of disaster. Jayde and Jaylen mustered up the courage to hot dog suit their way through the playthrough, delivering a performance that’s both relentless and razor-sharp. True to Devolver’s spirit, the band doesn’t take themselves too seriously and just aims to have fun with their videos. Devin’s solo, featuring a wild “horsey squeal,” cements the song as one of the band’s most technically daring.”

Watch the “Merciless Storm” playthrough video now and experience the storm for yourself via its premiere on TheCirclePit YouTube channel at https://youtu.be/RleEVAAsdl4

​

Formed in 2015 by guitarist Devin Babcock as a creative outlet for material outside his main project, Devolver has evolved into a five-piece force of nature. Their sound, described as “Gothenburg melodic death and 2000s metalcore,” has matured into a focused, aggressive, and massive sonic identity, thanks in part to the razor-sharp production of acclaimed producer Mark Lewis (Whitechapel, Trivium, DevilDriver, Black Dahlia Murder).

Non Compos Mentis marks a major evolution for Devolver. Unlike their debut, which was written solely by Babcock, this album is the product of full-band collaboration. The result is a cohesive, emotionally resonant record that blends melody and brutality with surgical precision. From the haunting true-crime-inspired title track to the high-octane energy of “Merciless Storm,” the album is designed to be experienced front to back without pause.

The band also teamed up with legendary artist Travis Smith (Opeth, Avenged Sevenfold, Soilwork) for the album artwork, which depicts the chilling story of the 1805 murder of Amos Babcock’s sister in a religious frenzy, an ancestor of Devin Babcock. The art depicts Amos bloodied in the snow, surrounded by the ghostly eyes of his nine children.

Recommended for fans of In Flames, Dark Tranquillity, Killswitch Engage, and As I Lay Dying, “Non Compos Mentis” is a bold leap forward, each track a chapter in a larger emotional and sonic narrative.

“Non Compos Mentis” is available at the following links:

Album order (released Aug 22nd) – https://devolvermusic.bandcamp.com/​

Spotify for Playlist Add – https://open.spotify.com/album/3eeLxBrxx55QvIm3EnahLm​

Music Video – Merciless Storm – https://youtu.be/o_6jcqK2qFQ​

Lyric Video – Suffocating Syndrome – https://youtu.be/mmRskxYe1q4​

Track Listing:​
1. Deathtouch – 3:55
2. New Blood – 3:14
3. Jewels of the Maw – 3:30
4. Wraiths – 3:20
5. At Any Cost – 3:40
6. Non Compos Mentis – 3:53
7. Merciless Storm – 3:56
8. Suffocating Syndrome – 3:36
9. Dehumanize – 3:47
Album Length: 32:55

Album Credits:​
– All songs performed by: Devolver
– All songs written by: Devolver
– Produced, Mixed, Mastered by: Mark Lewis
– Album Artwork by: Travis Smith
– SOCAN members

Band Lineup:​
Chris Brown – Vocals
Devin Babcock – Guitar (lead)
Jayde Penner – Guitar (rhythm)
Bevin Booth – Drums
Jaylen Elias – Bass

More info: https://linktr.ee/devolverab​

-30-

“The goal of Devolver through Non Compos Mentis has been to take the listener on a thoroughly pleasing journey from the first note to the final crushing moment. That’s been achieved, and so much more – as these Canadians understand how to compose songs and execute them in a highly convincing fashion that has this scribe grinning ear to ear – bringing the exciting sounds of the late 90s/early 2000s to a newer generation who desire more of this style. 9/10” – Dead Rhetoric
​
“For a group from a small northern city, every move has required deliberate effort—whether it was recruiting the right collaborators, waiting until circumstances lined up, or carrying material through years of delay. Non Compos Mentis is the document of that persistence: an album shaped by distance, disruption, and devotion to the sound that first made them want to pick up instruments.” – IDIOTEQ
​
“DEVOLVER is definitely ahead of the last releases of their great role models. On the one hand, because the Canadians work straight and without any frills, and on the other hand, because the melodies are all right without reducing the heaviness. When it comes to melodic death, there’s no way around this album this year. The only downside: 32 minutes is pretty short, even for such energy output!” – PowerMetal.de
​
“There is a sense of nostalgia listening to the guitarmonies throughout the album, calling back to the golden days of early 2000’s metalcore. Whether you’re a fan of death metal or metalcore, you’ll definitely find elements that you’ll appreciate on this album. Personally, my favourites are “Deathtouch” and “Suffocate Syndrome”” – False Chord
​
“Now we have Devolver with Non Compos Mentis. The sophomore album from this Canadian band is the perfect blend of melodeath and metalcore. Much like chocolate and peanut butter, this takes the best aspects of both genres, makes enough changes to feel authentic, and creates a sound that hits just as much in 2025 as it would have back in 2005. The production is brutal, but still audible and filled with layers. The songwriting shows off the capabilities of everyone in the band, but it doesn’t reveal all of its tricks. Overall, this is for anyone who enjoys everything from ’90s era In Flames to 2000 Soilwork to later 2000’s Lamb of God to the modern-day capabilities of what Melodeath and Metal Core are all about. This is a great trip back in time, but also a look forward to what can be done. This is excellent stuff.” – Heavy Debriefing

—​
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media PR News
Instagram – AsherMedia
Tweet – AsherMedia

0 Wacken Metal Battle Canada 2023 Champions STRIGAMPIRE Announces New Album “All To Dominate” Out Dec 2023; Unveil First Single “Liberty”; Produced by Christian Donaldson (Cryptopsy)

  • October 31, 2023
  • by Asher
  • · Music News · Strigampire

NEWS RELEASE

Montreal, QC – October 31, 2023

Wacken Metal Battle Canada 2023 Champions STRIGAMPIRE Announces New Album “All To Dominate” Out Dec 2023

Unveil First Single “Liberty”

Produced by Christian Donaldson (Cryptopsy)

L-R – (Back row) James Foster / Drums – BadGuy P / Bass (Front row) – Steve DC / Vocals – Willy Thousand / Guitars – Johnny Dead / Guitars

​

Created in 2001 in Quebec, Canada, Strigampire has been recognized over the years for its eloquence and the energy coming out from each of its frantic live performances. Over two decades of hard work culminated last year when they entered the studio with producer Christian Donaldson (Cryptopsy) to record their highly anticipated third full-length album “All To Dominate”. The first look at the album is with the single “Liberty”, which addresses the psychological and emotional consequences of the COVID-19 pandemic. Vocalist Steve DC explains:

“This song kicks off the album, brilliantly capturing the variety of moods that unfold through our melodies. Although precise labeling of metal styles and subgenres isn’t my forte, I would say it starts with a fast and thrashy riff, subtly guiding us towards powerful and rock-oriented sections, an evolution we increasingly incorporate into our songs. Then, a guitar solo in Johnny Dead’s style emerges, followed by a bridge that quickly returns us to the initial atmosphere, concluding with a warrior-like riff that urges one to wreak havoc all around!”

Earlier this year, after 3 years of no performances and adding new members, the band made a triumphant return to the stage and emerged Wacken Metal Battle Canada 2023 Champions garnering a spot at the legendary festival Wacken Open Air.

“All To Dominate” features 10 tracks, including 9 new original songs and one cover. Strigampire didn’t have a surplus of additional songs to include on the album, so they selected the ones with the most potential and worked diligently to complete them. The result is an album that is melancholic, unique, and powerful. It is recommended for fans of Dark Tranquillity, Children Of Bodom, Arch Enemy, and At The Gates.

Watch and listen to the lyric video for “Liberty” via its premiere on Bravewords HERE.

“All To Dominate” is due out on December 15, 2023, and is available for pre-order (CD/Digital) at https://strigampire.bandcamp.com.

Track Listing​
1. Liberty (4:37)
2. Dominate Them All (4:17)
3. Sold Our Soul (5:31)
4. In The Maze of The Lost (4:23)
5. Where I Belong (6:11)
6. Basking In Paradise (5:02)
7. Death Silence (4:49)
8. The Day I’ll Join You (4:24)
9. Brave The Tempest (4:21)
10. TNT (AC/DC cover) (3:32)
Album Length (47:07)

Album Recording Credits:​
• All songs performed by: Strigampire
• All songs written by: Johnny Dead & Willy Thousand
• Produced by: Christian Donaldson & Strigampire
• Mixed by: Christian Donaldson
• Mastered by: Christian Donaldson
• Album Artwork by: Dan “Dotel” Turcotte

Album and Live Band Line Up:​
Steve DC – Vocals
Johnny Dead – Guitars
Willy Thousand – Guitars
BadGuy P. Provencher – Bass
James Foster – Drums

More info: Strigampire.com | Facebook.com/Strigampire | Instagram.com/strigampire​

-30-

“Charisma, efficiency, and talent are three fitting words to describe Strigampire’s performance. With music that blends the finest elements of black metal and melodic death metal, and a phenomenal stage presence.” Fred Laroche – Capitale Du Métal

“This group is a treasure from Quebec and they did not come back from Wacken Open Air in Germany for nothing, they were finally noticed after years of work and it is well deserved because they are in their place performing in front of us with such conviction. We are talking about musicians of great quality with a lot of movement despite the difficulty of what they play most of the time. I would have loved for them to play on the big stage with the big sound, but it was Mononc Serge and Anonymus who were coming to close the long day of festivities.” – Metal Universe

“A music group from Trois-Rivières, Strigampire, will participate in the most important death metal festival, Wacken Open Air, this summer in Germany.” CBC Radio Canada

“It’s the story of five teenagers who form a musical group at the age of 15. They rehearse at school at lunchtime, in their parents’ basement or garage in the evenings and on weekends. They have nourished their passion for more than 20 years. They could never have suspected that this adventure would lead them to the most prestigious international heavy metal music competition. The Strigampire group from Trois-Rivières will represent Canada at the Wacken Battle Music in Germany on August 2.” – L’Hebdo Journal

“Throughout the album (One Fix, Nine Clouds and Six Feet Deep), the Canadian quintet walk the line between throat-shredding aggression and accessible melodies.” – Decibel Magazine

“Strigampire are a melodic death metal band offering a unique blend of aggression, bitterness and power combined with a rock and roll attitude.” – La Grosse Radio Metal

““The Only Hell I Know” balances between ripping vocals and galloping, melodic riffs.” – Decibel Magazine (2018 – One Fix, Nine Clouds and Six Feet Deep)

“If a combo has reached a level like STRIGAMPIRE on “One Fix, Nine Clouds & Six Feet Deep”, you can’t make enough use of it. Two thumbs up for this fine piece of melodic death lead entertainment!” – PowerMetal.de

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 NoCleanSinging Premiere – Streaming Now! BURIED REALM Melo-Death S/T Album Ft. Guests From Finntroll, Obscura, Dark Tranquillity, Serious Black and more!

  • June 2, 2022
  • by Asher
  • · Buried Realm · Music News

NEWS RELEASE

Montreal, QC – June 2, 2022

​

Streaming Now! BURIED REALM Melo-Death S/T Album Ft. Guests From Finntroll, Obscura, Dark Tranquillity, Serious Black and more!

Self-Titled Album Out June 3, 2022

Hailing from Colorado Springs, USA, Buried Realm is the solo project of Josh Dummer who has enlisted the talent of musicians from around the world to contribute to three distinguished, melodic death metal albums. The third one is a self-titled release featuring names such as Heikki Saari (Finntroll, Whorion), Bob Katsionis (Outloud, Serious Black, ex-Firewind), Christian Münzner (Obscura), Dean Arnold (Primalfrost), Christopher Amott (Dark Tranquillity), Christofer Malmström (Darkane), and Dan Swanö. Dummer explains the album and his hopes for it:

“I think the overall atmosphere of this album is more energetic and aggressive compared to the previous ones. The general lyrical theme is a paranormal and psychological twist… mind tricks if you will. I am very pleased to present and share this album with everyone. I’m honored to be joined by some killer musicians who’ve influenced my writing and playing over the years. Their contributions have truly helped bring the album to the next level. Go give it a spin!”

Melodic, and memorable, Dummer cites that after writing the first few songs for the album it began to take shape and the rest of the tracks fell into place. His themes revolve around personal experiences and often there’s more play on metaphors rather than being literal which creates more room for interpretation and paints a more interesting picture for him.

With a running time of almost 40 minutes, Dummer takes the listener on a journey full of heavy riffs, soaring solos, passionate lyrics, and pummeling drums across nine tracks that have been influenced and complemented by the guests present on each. Dummer produced the album, and it was mixed and mastered by Ronnie Björnström. The album art was done by Pär Olofsson.

Anyone who has enjoyed the previous albums, or are fans of melodic death metal including Scar Symmetry, Children of Bodom, and Nevermore will be interested in what Buried Realm has created.

Today, before it officially drops on June 3rd, Buried Realm has teamed up with NoCleanSinging for its full stream premiere HERE.

Digital pre-save – https://linktr.ee/buriedrealm​

Lyric Video – Spectral Light – https://youtu.be/HCMQd5dirTE​

Lyric Video – Quicksand Memory – https://youtu.be/pVHVv3n2GYU​

Track Listing:​
1. Entrance (2:00)
2. Spectral Light (5:00)
3. Poison Palace (5:11)
4. The Iron Flame (4:46)
5. Witch Bones (3:43)
6. Where the Armless Phantoms Glide (4:01)
7. Elder Gods (4:17)
8. Quicksand Memory (5:37)
9. He’s Back (The Man Behind the Mask) (Alice Cooper cover) (3:53)
Album Length: 38:23

Album Recording Credits:​
– All songs performed by: Josh Dummer
– All songs written by: Josh Dummer
– Produced by: Josh Dummer
– Mixed by: Ronnie Björnström
– Mastered by: Ronnie Björnström
– Album Artwork by: Pär Olofsson
​
​Album Band Line Up:​
– Josh Dummer – All instruments and vocals
– Heikki Saari – Drums
Guest Performances:
– Bob Katsionis (Witch Bones)
– Christian Münzner (Poison Palace)
– Christofer Malmström (Elder Gods)
– Christopher Amott (The Iron Flame/ Quicksand Memory)
– Dan Swanö (Where the Armless Phantoms Glide)
– Dean Arnold (Spectral Light)

For more info:​
​BuriedRealm.com​
​Facebook.com/BuriedRealm​
​Instagram.com/BuriedRealm​
​Twitter.com/BuriedRealm​

About:​
A true visionary is a rare thing, but such a man is Josh Dummer exemplified in his solo studio project Buried Realm. Influenced by personal experience and executed through metaphors, the progressive and heavy metal leaves room for interpretation and paints an interesting picture for listeners.
​
Inspired by Opeth, Kreator, Old Man’s Child, Symphony X (and tons of old Hair Metal!), Dummer is a man who is not afraid to gaze into the abyss for music and lyrical inspiration. He describes Buried Realm’s music as ‘fierce, cutting, technical, melodic, and memorable.’
​
Following up on his long-time idea of releasing a solo album, he seized the chance with his first offering “Ichor Carcinoma”. Released in 2017 it features guests such as Christopher Amott (Arch Enemy, Armageddon), Peter Wichers (Soilwork), Teemu Mäntysaari (Wintersun) and Travis Montgomery (Threat Signal, Jeff Loomis band).
​
In 2020, Dummer released is the follow-up sophomore “Embodiment of the Divine” and while it was parallel to the first, both musically and lyrically, it took a step in a sojourn journey. It featured many guests such as Andy Gillion (Mors Principium Est), Benjamin Ellis (Scar Symmetry), Bob Katsionis (ex-Firewind), Dean Arnold (Primalfrost, Operus, ex-Vital Remains), Lee McKinney (Born of Osiris), Peter Wichers (ex-Soilwork), Rafael Trujillo (ex-Obscura), and Ryan Strain (Chaos For The Masses.
​
The next chapter in Dummer’s journey is the release of his third self-titled Buried Realm studio album on June 3, 2022. Once again, Dummer has invited many guests on this record with Bob Katsionis (Witch Bones), Christian Münzner (Poison Palace), Christofer Malmström (Elder Gods), Christopher Amott (The Iron Flame/ Quicksand Memory), Dan Swanö (Where the Armless Phantoms Glide) and Dean Arnold (Spectral Light). The lyrical theme on this full length is about paranormal and psychological twists… mind tricks.

Discography:
2022 – Buried Realm
2020 – Embodiment of the Divine
2017 – The Ichor Carcinoma

– 30 –

“Like its predecessor, this one’s an absolute ripper on the more technical / heavy side of the melodic death metal coin.” – Metal Sucks (Embodiment of the Divine Review)

“Creative, melodic and really charming, “Embodiment of the Divine” is an amazing experience. 10/10” – Metal Temple

“Well done melodic death metal that hits all the right marks.” – Dead Rhetoric

“The fast-punching grooves in the song (The Wonder and Terror of Fortune) are a match for the ecstatic energy of everything else. One listen, and you can tell why this track was chosen as the album closer — it sends the listener out on an enormous high.” – No Clean Singing

“Buried Realm play an eager, galloping sort of melodeath, with lots of speedy leads, upbeat riffs, synthesizers, and solos everywhere. It’s almost as if Blind Guardian enthusiasm and subject matter met up with Scar Symmetry’s love of ambience and melodic-yet-death-y riffs… I commend Buried Realm for their songwriting, performances, and ambition.” – Angry Metal Guy

“Given that The Ichor Carcinoma has so many guests, it stands to reason that it has a diverse sound, ranging from hyper-speed solos, breakdowns, a mixture of screams and clean singing and more, but at the end of the day, it can be classified as an impressive melodic death metal debut.” – Decibel Magazine (Review – The Ichor Carcinoma 2017)

“Buried Realm sound a whole lot like what you’d expect given the bands whose guest musicians Dummer tapped for the project: aggressive, catchy, Sweden-inspired melodic death metal. If you like all the bands name-checked above, you’re sure to like this one. It’s incredibly well-done and expertly crafted.” – MetalSucks (Review – The Ichor Carcinoma 2017)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Saudi Arabian Melo-Death WASTED LAND’s First Single In Eight Years “Fade Away”

  • May 31, 2021
  • by Asher
  • · Music News · Wasted Land (Wall of Sound Records)

NEWS RELEASE

Montreal, QC – May 31, 2021



For fans of In Flames, Dark Tranquillity, Suidakra

Saudi Arabian Melo-Death WASTED LAND’s First Single In Eight Years “Fade Away”

L-R – Wastend Land – Ahmed Khojah – Guitar, Emad Mujalid – Vocals,  Ayman Al Ghamdi – Guitar

Saudi Arabia’s Wasted Land has a new single coming out entitled “Fade Away”, this is following their self-titled 2013 album. Since that full-length, the band suggests that they have evolved over time from being melody and folk focused into something heavier, but still having a strong melodic base.

“Fade Away” has been in the works since 2017, and will be the first music video from the band, which can be viewed at https://youtu.be/a66F36A8FDw

Lyrically, the single talks about someone having severe depression and comparing his journey in life to that of a candle, getting shorter and shorter until it eventually burns out. Then he finds his soul’s salvation after his death. Musically, it starts with heavy doses of melody which are complimented by heavy riffs and even more melodies. To contribute to the theme of depression and life’s waning, it carries a somber and melancholic tune near the end. The band comments on the track:

“It’ll be a new mixture from our old folkish style with more heavy catchy riffs and chorus. We hope we can catch the attention from the old fans and attract new ones.”

For Wasted Land, they compose the music first and then create lyrics that fit. For this song in particular guitarist Ayman composed the lyrics a long time ago for his previous band Banj. Writing for the band is a joint endeavour between guitarists Ayman and Ahmed whenever they jam together. Vocalist Emad adds his flavours in the lyrics and of course the vocal lines.

Wasted Land originally formed in 2005 to participate in Metal II gig in Dammam. Ahmed and Ayman were jamming together and felt there was chemistry between them while composing folky melodic death metal. From there they decided to add more members to create a full band. They were one of the first Saudi metal bands to get massive media exposure from outlets like CNN, BBC radio and other local and international newspapers.

Recommended for fans of In Flames, Dark Tranquillity, and Suidakra.

“Fade Away” is available for stream and download via Saudi Arabian based label Wall of Sound Records.

Bandcamp – https://wastedlandsa.bandcamp.com/track/fade-away
Spotify – https://spoti.fi/3yOm32h

Band Line Up:
Ahmed Khojah – Guitar
Emad Mujalid – Vocals
Ayman Al Ghamdi – Guitar

For more info:
Wallofsoundsa.com | Facebook.com/wallofsoundsa | Instagram.com/wallofsoundsa
Facebook.com/wasted.land.official | Instagram.com/wastedlandofficial | YouTube
EPK

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canadian Progressive Death Skyless Aeons Streaming New Album “Drain The Sun”, Album Stream via MetalInsider

  • October 1, 2020
  • by Asher
  • · Music News · Skyless Aeons

(contact info below)

 

NEWS RELEASE

Montreal, QC – October 1, 2020

 

Interview request at asher[@]ashermediarelations[.]com

For fans of Opeth, Dark Tranquillity, Death, Garden of Shadows, Dissection

Canadian Progressive Death Skyless Aeons Streaming New Album “Drain The Sun”

Album Stream via MetalInsider

“Drain The Sun” Out via CDN Records


L-R: Stefan Oliva (Bass), Nicholas Luck (Guitars/Vocals), Nathan Ferreira (Lead Vocals), Martin Burchill (Drums)
Photo Credit: Skye Camara

Canada’s Skyless Aeons will be unleashing their new album “Drain The Sun” via CDN Records on October 2nd, 2020. Before the record officially drops, they have teamed with MetalInsider.net for its full stream HERE.

Meticulous and methodical, the writing process for “Drain The Sun” was roughly two years long to follow their debut EP “The Era of Famine” released in 2016. This new album adds more progressive, technical, and yet somehow more deliberate and doomy influences simultaneously, leading to a more progressive death metal sound.

The band comments on “Drain The Sun”:

“We are extremely excited to finally be releasing our first full-length “Drain the Sun”. On our previous EP four years ago, we were more focused on paying tribute to some of our favourite bands and getting every good idea we had onto a recording. With our new album, we wanted to create something that felt like a complete album from front to back. On “Drain the Sun” we have found our true sound, one that adds more from death, doom, and progressive metal to create a more atmospheric experience. Expect the same melodic turbulence and technical flourishes as before, with a darker, more dissonant approach all our own that we hope will bring in a variety of new extreme metal fans.”

Album pre-order on CDN Records here (CD), Bandcamp (Digital)


Track Listing:
1. Ascension Towards Nothing (6:30)
2. A Consciousness Decays (7:09)
3. Go Forth and Multiply (3:19)
4. The Age of Regression (7:32)
5. Dimensional Entrapment (6:31)
6. Path of Desolation (6:15)
7. Drain The Sun (8:05)
Album Length: 45:23

More info:
Facebook.com/SkylessAeons
EPK

About:

Around 2014, guitarist Nicholas Luck and drummer Martin Burchill met as a result of an errant bus ride in London, Canada. At this time, Burchill was looking for a stable project after drumming in various rock/punk/metal bands over the last decade or so, and Luck, only 18 at the time, was looking to start a death metal band.

Vocalist Nathan Ferreira and bassist Steve Oliva followed shortly after and with a scathing collective disdain for the larger structures of society and a commitment to constant evolution in sound and ethos the band recorded and released the “Era of Famine” EP in 2016.

The band has already gained a reputation through local shows as one of the more unique and energetic death metal bands in the scene, opening up for artists such as Ashbringer, The Convalescence, Nesseria, and Killitorous – a wide variety of styles, yet somehow, Skyless Aeons shares musical similarities with all of them.

At a live show, one can expect certain synchronicity and chemistry that can only come from years of experience and practice feeding off of each other’s ideas. Couple that with vocalist Ferreira’s on-stage recklessness mixed with unusually sardonic and self-deprecating stage banter, and it’s no surprise that Skyless Aeons are gaining notoriety and drawing more and more people to their local performances as of late.

2020 brings a new album “Drain the Sun”; it takes a different approach, using much heavier and expansive riffing textures and shows refining and maturation of the band’s identity. It can best be described as “; progressive death metal” with some dissonant, doom-influenced leanings.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Skyless Aeons Signs To CDN Records For New Album “Drain The Sun” Out October 2nd

  • September 15, 2020
  • by Asher
  • · Music News · Skyless Aeons

(contact info below)

NEWS RELEASE

Montreal, QC – September 15, 2020

Interview request at asher[@]ashermediarelations[.]com

For fans of Opeth, Dark Tranquillity, Death, Garden of Shadows, Dissection

Skyless Aeons Signs To CDN Records For New Album “Drain The Sun” Out October 2nd


L-R: Stefan Oliva (Bass), Nicholas Luck (Guitars/Vocals), Nathan Ferreira (Lead Vocals), Martin Burchill (Drums)
Photo Credit: Skye Camara

Canada’s Skyless Aeons announce they have signed with CDN Records for the release of their new album “Drain The Sun” on October 2nd, 2020. The band was already in motion to unleash the album independently, with two singles recently discharged in promotion of it.

Singles:
“Go Forth and Multiply” here.
“Dimensional Entrapment” here.

The band comments:

“We are very excited to be working with CDN and to be on a roster alongside some of the sickest and nastiest bands from our area and beyond. They’ve been in business since the 90s and we know their old school approach of going through the underground is the perfect way to get our strange music in the ears of those who will truly appreciate it”

 

A unique blend of extreme metal styles come forth on the album “Drain the Sun”, which is loosely intended to be a concept album, with a much darker, more focused and tense sound than fans will expect. The title is a metaphor: “the sun” refers to whatever it is that gives us life, light, purpose, structure, or pleasure. In countless forms, humans have a habit of taking something that is good for us and abusing it until it literally destroys us. The band explains this further:

“Even if you’re aware of it happening (and a lot of us are), the machinations of society and the bleak reality of everyday living force us towards the sun in order to cope. Everyone has their sun – that thing that makes life bearable and worth living – and everyone will drain their sun until it cannot provide any more energy, collapses in on us and we are sent hurtling into the abyss. This album is our artistic interpretation of both where we’re at and a terrible warning of what we’re headed towards.”

 

This new album adds more progressive, technical, and yet somehow more deliberate and doomy influences simultaneously, leading to a more progressive death metal sound.

Album pre-order on CDN Records here (CD), Bandcamp (Digital)


Track Listing:
1. Ascension Towards Nothing (6:30)
2. A Consciousness Decays (7:09)
3. Go Forth and Multiply (3:19)
4. The Age of Regression (7:32)
5. Dimensional Entrapment (6:31)
6. Path of Desolation (6:15)
7. Drain The Sun (8:05)
Album Length: 45:23

More info:
Facebook.com/SkylessAeons
EPK

About:

Around 2014, guitarist Nicholas Luck and drummer Martin Burchill met as a result of an errant bus ride in London, Canada. At this time, Burchill was looking for a stable project after drumming in various rock/punk/metal bands over the last decade or so, and Luck, only 18 at the time, was looking to start a death metal band.

Vocalist Nathan Ferreira and bassist Steve Oliva followed shortly after and with a scathing collective disdain for the larger structures of society and a commitment to constant evolution in sound and ethos the band recorded and released the “Era of Famine” EP in 2016.

The band has already gained a reputation through local shows as one of the more unique and energetic death metal bands in the scene, opening up for artists such as Ashbringer, The Convalescence, Nesseria, and Killitorous – a wide variety of styles, yet somehow, Skyless Aeons shares musical similarities with all of them.

At a live show, one can expect certain synchronicity and chemistry that can only come from years of experience and practice feeding off of each other’s ideas. Couple that with vocalist Ferreira’s on-stage recklessness mixed with unusually sardonic and self-deprecating stage banter, and it’s no surprise that Skyless Aeons are gaining notoriety and drawing more and more people to their local performances as of late.

2020 brings a new album “Drain the Sun”; it takes a different approach, using much heavier and expansive riffing textures and shows refining and maturation of the band’s identity. It can best be described as “; progressive death metal” with some dissonant, doom-influenced leanings.

– 30 –

“This debut EP by Skyless Aeons is monstrous. 35-minutes and four sweeping songs worth of intense songs blackened-death: riffs aplenty, interesting transitions, and solos smothered by a lead-heavy old-school sounding production. The vocals are inhuman and loud in the mix fluctuating from mid-to-high range shrieks similar to Anaal Nathrakh to mid-range growls. There are moments of real technical efficiency – think Gorguts and Mithras – along with an atmospheric undertone akin to Ulcerate and Flourishing. I highly recommend it.” – Akerblogger

“There’s a rich diversity to Skyless Aeons’ music, even though their material is cohesive and doesn’t feel the need to go into extra clean, girlfriend metal territories to get the point across. The four tracks (all between seven to eleven minutes) are progressive affairs without too much fluff. The guitars of Nicholas Luck alternate between early 90s tremolos, a modern dissonant approach to black metal and a healthy dose of melancholic Nordic melodic death metal and he plays everything well.”  – Metantoine’s Magickal Realm

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Skyless Aeons Premiere “Dimensional Entrapment” via NoCleanSinging; New Album “Drain The Sun” Out October 2nd

  • September 11, 2020
  • by Asher
  • · Music News · Skyless Aeons

(contact info below)

NEWS RELEASE

Montreal, QC – September 11, 2020


Interview request at asher[@]ashermediarelations[.]com

For fans of Opeth, Dark Tranquillity, Death, Garden of Shadows, Dissection

Skyless Aeons Premiere “Dimensional Entrapment” via NoCleanSinging

New Album “Drain The Sun” Out October 2nd


L-R: Stefan Oliva (Bass), Nicholas Luck (Guitars/Vocals), Nathan Ferreira (Lead Vocals), Martin Burchill (Drums)
Photo Credit: Skye Camara

Canada’s Skyless Aeons are unveiling their next single “Dimensional Entrapment” via NoCleanSinging HERE.

 

The premise of the single is how humans are bound to the limits of their finitude, and the only things that give us comfort and relief are the things that will eventually destroy us. “Dimensional Entrapment” provides some of the most dissonant material the band has written, with subtle nods to Ulcerate and Portal that grows into a powerful melody.

 

A unique blend of extreme metal styles come forth on the album “Drain the Sun”, which is loosely intended to be a concept album, with a much darker, more focused and tense sound than fans will expect. The title is a metaphor: “the sun” refers to whatever it is that gives us life, light, purpose, structure, or pleasure. In countless forms, humans have a habit of taking something that is good for us and abusing it until it literally destroys us. The band explains this further:

“Even if you’re aware of it happening (and a lot of us are), the machinations of society and the bleak reality of everyday living force us towards the sun in order to cope. Everyone has their sun – that thing that makes life bearable and worth living – and everyone will drain their sun until it cannot provide any more energy, collapses in on us and we are sent hurtling into the abyss. This album is our artistic interpretation of both where we’re at and a terrible warning of what we’re headed towards.”

 

This new album adds more progressive, technical, and yet somehow more deliberate and doomy influences simultaneously, leading to a more progressive death metal sound.

Album pre-order on Bandcamp.

First Single: “Go Forth and Multiply” here.


Track Listing:
1. Ascension Towards Nothing (6:30)
2. A Consciousness Decays (7:09)
3. Go Forth and Multiply (3:19)
4. The Age of Regression (7:32)
5. Dimensional Entrapment (6:31)
6. Path of Desolation (6:15)
7. Drain The Sun (8:05)
Album Length: 45:23

More info:
Facebook.com/SkylessAeons
EPK

About:

Around 2014, guitarist Nicholas Luck and drummer Martin Burchill met as a result of an errant bus ride in London, Canada. At this time, Burchill was looking for a stable project after drumming in various rock/punk/metal bands over the last decade or so, and Luck, only 18 at the time, was looking to start a death metal band.

Vocalist Nathan Ferreira and bassist Steve Oliva followed shortly after and with a scathing collective disdain for the larger structures of society and a commitment to constant evolution in sound and ethos the band recorded and released the “Era of Famine” EP in 2016.

The band has already gained a reputation through local shows as one of the more unique and energetic death metal bands in the scene, opening up for artists such as Ashbringer, The Convalescence, Nesseria, and Killitorous – a wide variety of styles, yet somehow, Skyless Aeons shares musical similarities with all of them.

At a live show, one can expect certain synchronicity and chemistry that can only come from years of experience and practice feeding off of each other’s ideas. Couple that with vocalist Ferreira’s on-stage recklessness mixed with unusually sardonic and self-deprecating stage banter, and it’s no surprise that Skyless Aeons are gaining notoriety and drawing more and more people to their local performances as of late.

2020 brings a new album “Drain the Sun”; it takes a different approach, using much heavier and expansive riffing textures and shows refining and maturation of the band’s identity. It can best be described as “; progressive death metal” with some dissonant, doom-influenced leanings.

– 30 –

“This debut EP by Skyless Aeons is monstrous. 35-minutes and four sweeping songs worth of intense songs blackened-death: riffs aplenty, interesting transitions, and solos smothered by a lead-heavy old-school sounding production. The vocals are inhuman and loud in the mix fluctuating from mid-to-high range shrieks similar to Anaal Nathrakh to mid-range growls. There are moments of real technical efficiency – think Gorguts and Mithras – along with an atmospheric undertone akin to Ulcerate and Flourishing. I highly recommend it.” – Akerblogger

“There’s a rich diversity to Skyless Aeons’ music, even though their material is cohesive and doesn’t feel the need to go into extra clean, girlfriend metal territories to get the point across. The four tracks (all between seven to eleven minutes) are progressive affairs without too much fluff. The guitars of Nicholas Luck alternate between early 90s tremolos, a modern dissonant approach to black metal and a healthy dose of melancholic Nordic melodic death metal and he plays everything well.”  – Metantoine’s Magickal Realm

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Skyless Aeons Present Dissonant Hymns For Global Catastrophe With “Drain The Sun”; Premiere First Single “Go Forth and Multiply” via GhostCultMag; New Album “Drain The Sun” Out October 2nd

  • August 19, 2020
  • by Asher
  • · Music News · Skyless Aeons

(contact info below)

 

NEWS RELEASE

Montreal, QC – August 19, 2020

 

Interview request at asher[@]ashermediarelations[.]com

For fans of Opeth, Dark Tranquillity, Death, Garden of Shadows, Dissection

Skyless Aeons Present Dissonant Hymns For Global Catastrophe With “Drain The Sun”

Premiere First Single “Go Forth and Multiply” via GhostCultMag

New Album “Drain The Sun” Out October 2nd


L-R: Stefan Oliva (Bass), Nicholas Luck (Guitars/Vocals), Nathan Ferreira (Lead Vocals), Martin Burchill (Drums)
Photo Credit: Skye Camara

Hailing from London, Canada, Skyless Aeons bring forth a unique blend of extreme metal styles with their first full-length album “Drain The Sun” due out October 2nd, 2020.

Meticulous and methodical, the writing process for “Drain The Sun” was roughly two years long, the songs being shaped and directed according to the concept the band created. The band shares the inspiration being the album:

“Our inspiration comes from the faults in the human condition we encounter in our everyday lives: greed, over-consumption, over-population, the failure to recognize our dogmatic beliefs are wrong leading to division. The music serves as a warning call to what will happen if we fail to recognize the error of our ways, some of which we already see happening in civil unrest.”

Compared to the initial release, the new offering maintains the chunky melodic death metal riffing and occasional black metal flourishes of the previous, but also has much more detailed and structured songwriting, much tighter musicianship and higher-quality production values.

The anti-natalist single, “Go Forth and Multiply” is a short, sweet punch to the gut that came together in a fit of inspiration. It speaks of humanity’s relentless desire to multiply and overpopulate, creating a world full of defective minds that never wanted to be born, with nothing better to do than populate the earth further. The song shows up, hits hard, and leaves, and it’s the best sneak preview for some of the musical and lyrical themes that are explored in greater depth on the album.

Dark, focused, and tense, Skyless Aeons is recommended for fans of Opeth, Dark Tranquillity, Death, and Swallow the Sun.

Listen to “Go Forth and Multiply” via its premiere on GhostCultMag HERE.

Album pre-order on Bandcamp.


Track Listing:
1. Ascension Towards Nothing (6:30)
2. A Consciousness Decays (7:09)
3. Go Forth and Multiply (3:19)
4. The Age of Regression (7:32)
5. Dimensional Entrapment (6:31)
6. Path of Desolation (6:15)
7. Drain The Sun (8:05)
Album Length: 45:23

More info:
Facebook.com/SkylessAeons
EPK

About:

Around 2014, guitarist Nicholas Luck and drummer Martin Burchill met as a result of an errant bus ride in London, Canada. At this time, Burchill was looking for a stable project after drumming in various rock/punk/metal bands over the last decade or so, and Luck, only 18 at the time, was looking to start a death metal band.

Vocalist Nathan Ferreira and bassist Steve Oliva followed shortly after and with a scathing collective disdain for the larger structures of society and a commitment to constant evolution in sound and ethos the band recorded and released the “Era of Famine” EP in 2016.

The band has already gained a reputation through local shows as one of the more unique and energetic death metal bands in the scene, opening up for artists such as Ashbringer, The Convalescence, Nesseria, and Killitorous – a wide variety of styles, yet somehow, Skyless Aeons shares musical similarities with all of them.

At a live show, one can expect certain synchronicity and chemistry that can only come from years of experience and practice feeding off of each other’s ideas. Couple that with vocalist Ferreira’s on-stage recklessness mixed with unusually sardonic and self-deprecating stage banter, and it’s no surprise that Skyless Aeons are gaining notoriety and drawing more and more people to their local performances as of late.

2020 brings a new album “Drain the Sun”; it takes a different approach, using much heavier and expansive riffing textures and shows refining and maturation of the band’s identity. It can best be described as “; progressive death metal” with some dissonant, doom-influenced leanings.

– 30 –

“This debut EP by Skyless Aeons is monstrous. 35-minutes and four sweeping songs worth of intense songs blackened-death: riffs aplenty, interesting transitions, and solos smothered by a lead-heavy old-school sounding production. The vocals are inhuman and loud in the mix fluctuating from mid-to-high range shrieks similar to Anaal Nathrakh to mid-range growls. There are moments of real technical efficiency – think Gorguts and Mithras – along with an atmospheric undertone akin to Ulcerate and Flourishing. I highly recommend.” – Akerblogger

“There’s a rich diversity to Skyless Aeons’ music, even though their material is cohesive and doesn’t feel the need to go into extra clean, girlfriend metal territories to get the point across. The four tracks (all between seven to eleven minutes) are progressive affairs without too much fluff. The guitars of Nicholas Luck alternate between early 90s tremolos, a modern dissonant approach to black metal and a healthy dose of melancholic Nordic melodic death metal and he plays everything well.”  – Metantoine’s Magickal Realm

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Italian Death Metal DYING AWKWARD ANGEL Unleash Music Video “Isaiah 53:7”

  • March 7, 2019
  • by Asher
  • · Dying Awkward Angel · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – March 7, 2019

For fans of At The Gates, Carcass, Dark Tranquillity, In Flames

Italian Death Metal DYING AWKWARD ANGEL Unleash Music Video “Isaiah 53:7”

New Album “Absence of Light” Out Now via Extreme Metal Music / Rockshots Records

 

Italian death metal tyrants DYING AWKWARD ANGEL have posted a new music video for “Isaiah 53:7” off their latest full length “Absence of Light” released May 2018 via Extreme Metal Music / Rockshots Records.

Watch it now at the following link: https://youtu.be/utxw4zZXh6s

Initially formed two decades ago in Turin, Italy, DYING AWKWARD ANGEL is a total testament to the strength and convictions of true metallers. Enduring line-up changes and travails that would have crushed a lesser band, DYING AWKWARD ANGEL refused to die…instead they have thrived!

Inspired by In Flames, At The Gates, Carcass, Dark Tranquillity, in 2013, DYING AWKWARD ANGEL unleashed their debut full-length album ‘Waiting For Punishment’, following it in 2016 with a well-received EP entitled ‘Madness Rising’. Then in 2018, the band’s current line up with founding member Edoardo Demuro on guitar, Luca Pellegrino on drums, Lorenzo Asselli on guitars, Davide Onida on bass and Michele Spallieri on vocals released their next full length “Absence of Light”.

Guitarist Edoardo Demuro comments:

“We started with the only goal of destroying everything…Over the years we have been working to achieve a more solid and understandable sound. We have created the very personal Dying Awkward Angel sound…’Absence of Light’ is a new era for us; the first official release, a mature sound, an increased richness of themes, a really powerful new voice on our music. You can see it as the might of God when it doesn’t give you what you expected. This new chapter of Dying Awkward Angel is heavy, fast, powerful, dark and bright at the same time. We hope to give the fans the same emotions we have when we play! We hope they have a lot of fun!”

“Absence of Light” is available for stream and download on Extreme Metal Music / Rockshots Records here, iTunes, Spotify, and all other major online retailers.

Track Listing:
1. Blood of Your Blood (5:39)
2. Death Coach (2:58)
3. Isaiah 53:7 (4:33)
4. Shade (2:54)
5. Dolls (4:50)
6. Sancta Sanctorum (4:19)
7. Absence of Light (1:59)
8. Maldita Seas (4:03)
9. The Dust Devil (3:52)
10. T.U.S.K. (3:42)
11. The Killing Floor (5:47)
Album Length: 44:42

DYING AWKWARD ANGEL is:
Edoardo Demuro (Guitars)
Luca Pellegrino (Drums)
Lorenzo Asselli (Guitars)
Davide Onida (Bass)
Michele Spallieri (Vocals)

For more info:
http://www.Rockshots.eu
http://www.dyingawkwardangel.com
https://www.facebook.com/dyingawkwardangel
https://twitter.com/dyingawkwarda

EPK – https://wp.me/pciNW-bRN
(Bio written by Steve Earles)

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher@ashermediarelations.com
Facebook | Tweet @AsherMedia | Instagram @AsherMedia
AsherMediaRelations.com
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