Tag: concert

0 PYTHONIC Unleash Ferocious Single “Liturgy” Ahead of SLAUGHTERFEST 2025 + New EP “Decomposition” Out Dec 2025

December 4, 2025
by Asher
· Music News · Pythonic

NEWS RELEASE

Montreal, QC – December 4, 2025

PYTHONIC Unleash Ferocious Single “Liturgy” Ahead of SLAUGHTERFEST 2025 in Edmonton

+ New EP “Decomposition” Out Dec 19th, 2025

Pythonic – Back Row – L to R: Max Hiske (Bass) | Morgan Warriner (Lead Vocals) | Vincent Kohut (Rhythm Guitar & Backing Vocals)

Front Row – L to R: Jayden Warriner (Drums) | Ryan Hunter (Lead Guitar )

Photo Credit – Carsen Warriner

Saskatoon, Canada’s death thrash force Pythonic has announced the release of their second single, “Liturgy”, following the success of their first single, “Guiltfeeder”. Both tracks pave the way for the band’s highly anticipated sophomore EP “Decomposition,” set to drop on December 19, 2025.

Formed by guitarist Vincent Kohut, Pythonic was born out of a desire to break free from subgenre constraints and deliver metal in its purest, most aggressive form. Alongside lead guitarist Ryan Hunter, bassist Max Hiske, drummer Jayden, and new vocalist Morgan Warriner, the band has forged a sound described as aggressive, groovy, raw, thick, and dirty.

“Liturgy came out so good on the recordings, we couldn’t help but spotlight this track. The riffs rip, the drums rip, the bass rips, what can we say, this song rips. It’s such a classic metal song, with lyrics about summoning a demon under a blood moon. Morgan’s guttural delivery took it to another level,” says the band.

Listen to “Liturgy” via its premiere on Bravewords HERE.

The band’s second EP, “Decomposition”, represents a heavier, more death-metal-oriented chapter for Pythonic. Tracks such as “Conceit”, “Pills”, and “Collateral” showcase themes of corruption, addiction, toxic relationships, and triumph, while “Liturgy” embodies the band’s darker, more extreme influences. The EP artwork, created by Danya Lawton, visually decays the band’s debut imagery to reflect the reimagined nature of the songs.

“When we brought in Morgan as our new singer, the songs came alive again. What once felt tired now feels powerful; his vocals gave them the chance they deserved. Max’s bass adds a soul-shaking thump, especially on Collateral, while Jayden’s heavier drumming drives the tracks with ferocity and double kicks. We also worked with Reid Paraszczynec of Lucid Distortion Audio, a longtime friend of Vincent and Ryan, whose mixing and mastering made the songs sound phenomenal. Reid’s sharp ear and easygoing nature helped usher in the next chapter of Pythonic the right way,” adds the band.

Fans can brace themselves for an all-out assault of crushing riffs, pounding bass, unrelenting drums, and guttural vocals, solidifying Pythonic as a powerhouse in Canada’s rising metal scene.

The band is set to storm Slaughterfest in Edmonton, AB, on December 6th, sharing the stage with Display of Decay, Brain Stem, Ages of Ashes, A Modern Prometheus, and Cell – info.

Recommended for fans of Lamb of God, Morbid Angel, Devildriver, and Black Dahlia Murder, “Decomposition” will be available on digital platforms on December 19, 2025.

EP pre-order – https://pythonic.bandcamp.com/album/decomposition

Track Listing:
1. Guiltfeeder (4:23)
2. Conceit (4:00)
3. Pills (3:09)
4. Liturgy (3:42)
5. Collateral (3:38)
EP Length: 18:54

EP Recording Credits:
All songs performed by Pythonic
All songs written by Pythonic with Alex Conley
Produced by Pythonic
Mixed by Reid Paraszczynec / Lucid Distortion Audio
Mastered by Reid Paraszczynec / Lucid Distortion Audio
EP Artwork by Danya Lawton

EP and Live Line-Up
Morgan Warriner – Lead Vocals
Ryan Hunter – Lead Guitar
Vincent Kohut – Rhythm Guitar and Backing Vocals
Max Hiske – Bass
Jayden Warriner – Drums

More info: https://www.facebook.com/pythonicband | https://instagram.com/pythonicband

About: Born in Saskatoon, SK, Pythonic is a death‑groove metal powerhouse that fuses the ferocity of Lamb of God, Black Dahlia Murder, and Cryptopsy with its own raw, uncompromising vision. Conceived by guitarist Vincent Kohut as a project free from subgenre boundaries, the band embraces the philosophy that “metal is metal.” Together with lead guitarist Ryan Hunter, Kohut carved out a sound that is aggressive, groovy, thick, and unapologetically dirty, a sonic identity that refuses to be confined. The addition of Morgan Warriner on vocals and Max Hiske on bass has solidified Pythonic’s most devastating lineup to date. Warriner’s guttural range, soaring highs, and earth‑shaking lows have been praised as transformative, while Hiske’s thunderous bass lines add depth and weight to every track. Anchored by Jayden’s relentless drumming, the band operates as a tightly locked unit, delivering a crushing live experience.

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““EP 1” is a testament to Pythonic‘s dedication to their craft and their refusal to be confined by sub-genre limitations. Each song is a blend of technical prowess and raw emotion, offering listeners a chance to experience the full spectrum of the band’s capabilities. It is recommended for fans of Machine Head, Trivium and Pantera.” – Metal-Rules (EP01 – 2024)

“Pythonic comes from Canada with ‘Epica’, a track that features fast-paced guitar riffs, heavy drums and an engaging, torn vocal that delivers to listeners the essence of metal and subverts such as alternative, thrash and even melodic, being perfect to the circle and not to leave anyone standing still.” – Os Garot Os Deliverpool (EP01 – 2024)

“Pythonic has an EP for you. Blending Thrash with Old School Swedish Death Metal, the band manages to sound like Entombed but without losing its unique style… So if you have a few minutes of anger to drain, these guys are going to cover you!” – Metal Eclipse Reviews (EP01 – 2024)

“Overall I’m a pretty big fan of this record. If you want something that sounds maybe like an Anthrax or a Slayer record then you really want to check this out. The most dynamic and unique part of this EP, in particular is the vocals are double-tracked and they’re very high in the mix which is something that is somewhat different than a lot of the other metal releases this year which I greatly appreciate. If you want something that has a lot of the thrash guitar element then you’re really going to want to check this out. The guitar and drum parts are fantastic, they really keep the songs very tight even though the vocals are very in your face and they’re usually the the first thing that you would notice with this kind of record but overall this is very strong.” – Brutally Delicious (EP01 – 2024)

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0 PHAETON Unleash Playthrough Video “Augmented” in Support of New Album Neurogenesis + BC Show Date with ANCIIENTS

November 27, 2025
by Asher
· Music News · Phaeton

NEWS RELEASE

Montreal, QC – November 27, 2025

PHAETON Unleash Playthrough Video “Augmented” in Support of New Album Neurogenesis

+ BC Show Date with ANCIIENTS

ft. Album Guest Derek Sherinian (Dream Theater, Planet X, Sons of Apollo)

Front (L-R): Kevin Thiessen (Guitars, Keyboards), Ferdy Belland (Bass), Daniel Airth (Guitars), Back: Colin Righton (Drums)

Photo Credit – Scott Courtemanche

Instrumental progressive metal quartet Phaeton has released its latest playthrough video, “Augmented,” in support of its brand-new album, “Neurogenesis,” released on October 24, 2025. The release marks another bold step forward for the band, following their acclaimed sophomore album Between Two Worlds (2020).

The new playthrough video spotlights “Augmented,” a track inspired by humanity’s drive to transcend survival through technology, yet haunted by the dystopian possibilities of merging man and machine.

“This song was written to convey the mechanical unease and robotic inhumanity awaiting us in the near future, and how we must be on our guard,” the band explains.

Watch the playthrough via its premiere on Decibel Magazine HERE.

Formed in 2017 in Kimberley, BC, PHAETON blends neo-classical melodicism, crushing riffs, tornado percussion, and contrapuntal basslines. Their lineup includes Kevin Thiessen (guitars, keyboards; ex-Azsension, ex-Datura), Daniel Airth (guitars; ex-Chaos Logic), Ferdy Belland (bass; ex-Bif Naked), and Colin Righton (drums; ex-Chaos Machine).

Described in five words as Interplanetary Psychedelic Hyper-Melodic Metallic Prog, PHAETON’s sound is a kaleidoscope of influences ranging from Devin Townsend, Rush, Haken, Intervals, and Scale the Summit to the jazz-fusion pioneers Weather Report and Mahavishnu Orchestra. Their music blends prog-metal, tech-death, thrash, and djent into a visceral yet cerebral listening experience.

With “Neurogenesis,” the band sharpened their songwriting into concise, dynamic arrangements without sacrificing imagination. The album’s seven tracks form a connected anthology, while its themes explore the technological singularity and humanity’s uneasy march toward cybernetic augmentation. Engineered and mixed by guitarist Kevin Thiessen at The Cube in Kimberley, BC, and mastered by Jamie Sitar at Outtatown Sound in Winnipeg, MB, the album features artwork by Calgary-based artist Matt Semenok and a guest appearance by prog legend Derek Sherinian (Dream Theater, Planet X, Sons of Apollo) on the track “Isochron”.

“We’ll carry you away to the nebulae and you’ll enjoy every light-minute of it,” adds the band.

PHAETON’s journey began with their self-titled debut, establishing their technical virtuosity and adventurous spirit. Their sophomore offering, “Between Two Worlds”, expanded their sound with heavier, more emotionally impactful compositions. Now, “Neurogenesis” refines their approach with compact, hook-laden tracks that balance clarity with complexity.

Fans can expect more ambitious projects following “Neurogenesis” as the band plans to release a 22-minute epic, “Clouds of Mercury”, slated for 2026, and a fourth full-length album, “Quartum”, projected for 2027.

In additional news, the band will be opening for Vancouver prog masters Anciients in Cranbrook, BC, on November 29th, as part of their “Infinite Eclipse Tour”. Phaeton plans to deliver a heavier, crunchier, thrashier experience than their polished recordings suggest, surprising audiences with their dual identity.

“We don’t growl and shriek as if we’re imitating demons from the Ninth Level of Hell. We let the guitars and keyboards do the singing,” the band adds.

Upcoming Show Dates:
Nov 29 – Cranbrook BC – Shotties Nightclub w/ ANCIIENTS – info

“Neurogenesis” is available now on digital platforms via INB Music. Vinyl editions arrive later this year.

Spotify – https://open.spotify.com/album/46CVWFcd3u2pSRt0D9pSrV

Bandcamp – https://phaetonband.bandcamp.com/

Previous Singles:

Band playthrough – Arachnid – https://youtu.be/QxyU0U-vSOc

Isochron ft. Derek Sherinian – https://youtu.be/Ri8wXGYJcJg

Tethys Rising – https://youtu.be/mjehuUQS9G8

Track Listing:
1. Tethys Rising (6:25)
2. Discontinuum (6:37)
3. Isochron (4:12) ft. Derek Sherinian
4. Synethesia (6:24)
5. Arachnid (4:48)
6. Augmented (4:37)
7. Neurogenesis (6:16)
Album Length: 39:19

Band Lineup:
– Colin Righton: Drums & Percussion
– Daniel Airth: Lead & Rhythm Guitars
– Kevin Thiessen: Lead & Rhythm Guitars, Keyboards
– Ferdy Belland: Electric Bass

For more info: https://linktr.ee/phaetonofficial

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“”Neurogenesis” one of the hottest tips of the running season. At least when it comes to instrumental prog, the band has reached the top of the annual list!” – PowerMetal.de

“Explore the sonic evolution of PHAETON in their album Neurogenesis, blending melody and heavy instrumentation for a unique experience.” – Bass Musician Magazine

“Neurogenesis is a crushing and cerebral listen from a band that has sharpened its sound to a fine point. Phaeton confidently bridges the gap between melody and pure, unadulterated musicianship. They fuse the ferocious compositions of modern metal with the ambitious spirit of classic prog rock, creating a unique and thrilling sound that stands alone.” – AltYegMusic

“Oh prog-metal how we love thee…case in point, the new single ‘Isochron ft. Derek Sherinian’ from Phaeton. This dandy little slice of modern prog-metal is not only exceptionally recorded but is jammed full of stabbing riffs, fluid bass lines, drum rolls galore and of course keyboard wizardry courtesy of the legendary Derek Sherinian (Dream Theater, Planet X, Sons of Apollo). Keep an eye out for the new album “Neurogenesis” from PHAETON set to drop on Oct. 24th and to tide you over listen up for ‘Isochron’ on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“I’ve always maintained that instrumental bands have to work harder at their craft, because the lack of vocals is one more thing they have to find a replacement for. Lead guitar breaks can take the place of vocals, as can keyboards. They do a solid job of this on the album… They have the chops, that’s for sure.” – Metal-Temple”Neurogenesis“ is a work that combines virtuosity, atmosphere and emotion in extraordinary balance.” 4/5 – MetalUnderground.at

“PHAETON’s Neurogenesis: Where Prog-Meets-Precision, and Machines Whisper to the Riffs” – Papy Jeff Metal

“Phaeton’s sound is a kaleidoscope of progressive sounds, tech-death, thrash and djent… The album opens with the song “Tethys Rising” has in it’s a lot of austerity, but you can hear perfectly strong and expressive here sound and style. Song “Discontinuum” also holds the right one level and very exciting. The dynamics and rhythm are impressive here. Piece “Isochron” with the guest participation of Derek Sherinian, he enriches and has in great riffs, but there are also Middle Eastern elements, which it also increases the effect. Number “Synethesia” it emphasizes even more the intensity and complexity of sounds with a lot of power and energy. Track “Arachnid” he has a lot of neoclassical playing, but he doesn’t forget about it crushing playing with lots of thrills. Song “Augmented” it also has a specific level to it. Title piece “Neurogenesis” he crowns the album with pride and precision. You can hear perfectly balanced music here, which has a claw, feistiness and focuses on diversity and versatility. 4/5″ – W-Mgnieniu-Rocka

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0 Streaming Now! Quebec Melodic Death OUTLYING Unleash Long-Awaited Album “Oblivisci”

November 20, 2025
by Asher
· Music News · Outlying

NEWS RELEASE

Montreal, QC – November 20, 2025

Streaming Now! Quebec Melodic Death OUTLYING Unleash Long-Awaited Album “Oblivisci”

L-R: Charles Alexandre Bilodeau (Bass, Back Vocals), Fred A. Dubeau (Guitar, Vocals), Martin Reithler (Drums)

Photo by Sandy Champagne

Trois-Rivières, Quebec, Canada, melodic death metal band Outlying will release their long-awaited new album “Oblivisci” on November 21st. A visceral and uncompromising work, the record blends aggression, melody, and raw emotion into a cohesive listening experience that fans will find impossible to ignore.

Formed in 2003 by high school friends jamming covers, Outlying has evolved through lineup changes and years of musical exploration into a band committed to creating music that is both powerful and accessible. Frontman Fred Dubeau, the band’s primary songwriter, sought to move beyond “music for musicians” and instead craft songs that resonate viscerally with listeners. The result is a sound described in five words: captivating, dark, aggressive, melodic metal.

The album’s title, “Oblivisci”, Latin for “to forget”, reflects themes of withdrawal, alienation, and the struggle to escape trauma. Across eleven tracks, the band explores grief, loneliness, disenfranchisement, and addiction, culminating in a three-part epic that chronicles frontman Dubeau’s personal battle with alcohol and drug dependency. Now sober, Dubeau channels those experiences into music that is both cathartic and brutally honest.

“It is a great pleasure for us after all this time and a very difficult process to introduce the world to our newest effort, Oblivisci. We are glad to be musicians who are somehow different from most other bands in our environment, and strive to make music that is expressive, dark, heavy, and brings the listener through many different kinds of atmospheres and vibes. We try to avoid trends and gimmicks, and create something that comes from our diverse musical influences, different backgrounds and lives, and many other forms of art such as movies, books, or video games. While staying true to what Outlying always was, we always try to step up our game and improve our sound and musical connection with our audience. Despite being more often than not called a melodic death metal band, the band absorbs influences from thrash, black, prog, and also 70s, 80s, and 90s rock. In a world of thousands of forgettable songs, we hope to find our way into the hearts of many metal enthusiasts locally and around the world,” says the band.

Musically, “Oblivisci” strikes a balance between relentless, heavy riffing and soaring melodic passages, enriched by clean vocal textures and dynamic arrangements. With Outlying, the band steers clear of unnecessary complexity, instead crafting songs that prioritize emotion and impact. While echoes of their influences, At The Gates, Testament, Cradle of Filth, In Flames, and Wintersun, are present, Outlying’s sound stands apart as distinct and refined, heavier yet more melodic than ever before.

The record begins with The Raven Is Gone, a blistering and epic opener that channels the urgency of escaping chaos in search of refuge. Stigma follows, rooted in old‑school melodic death metal, confronting themes of societal judgment and subcultural rejection. The atmosphere turns chilling with Snow, a haunting narrative of abuse elevated by female vocals and an expansive, epic structure. The descent continues in Pitch Black Serum, a dark and unsettling track that delves into defeatism and indulgence in fleeting pleasures. Sentinel then emerges as a poignant power ballad, weaving clean vocals with an aggressive bridge to capture grief and memory. Closing the album, the three‑part suite Dreamless Nights I–III delivers a sweeping chronicle of addiction, false escape, and painful aftermath, culminating in a climactic, melodic finale that leaves a powerful and lasting impression.

The album artwork depicts a post-apocalyptic version of the band’s home city, visually reinforcing the themes of decay, alienation, and survival that permeate the record. It mirrors the music’s balance of heaviness and melody, offering listeners a complete aesthetic experience.

With “Oblivisci,” Outlying has crafted a “no skipped tracks” album; every song matters, every riff and lyric carries weight. The band hopes to continue releasing music consistently, exploring new directions while staying true to their core sound.

Listen to the album in full via its stream premiere on Bravewords HERE.

Available on all digital platforms on November 21st, 2025.

Bandcamp – https://outlying.bandcamp.com

Spotify – https://open.spotify.com/artist/5q6oycizRFEpwSzpUBJ0Z8

Track Listing:
1 – The Raven Is Gone – 5:27
2 – Stigma – 3:49
3 – Snow – 6:02
4 – Streets Of Rats And Vultures – 4:47
5 – Pitch-Black Serum – 4:36
6 – November – 5:56
7 – Sentinel – 5:43
8 – Impaired – 5:32
9 – Dreamless Nights Part I: A Lullaby For The Insomniac – 4:19
10- Dreamless Nights Part II: From Velvet Skies – 5:13
11- Dreamless Nights Part III: Walking Out Of Eden’s Ashes – 4:25
Album Length: 55:49

Album Credits:
All songs performed, written, and produced by Fred A. Dubeau and Martin Reithler
Mixed and mastered by Fred A. Dubeau
Album Artwork by Fred A. Dubeau

Album recording lineup:
Fred A. Dubeau – Guitar, Bass, All Vocals Martin Reithler – Drums
Guest musicians for the album:
Steph from “Exotoxic” – Auxiliary percussion
Marilyn from “Chained By Illness” – Female Vocals
Sim from “Lancaster” – Guest Guitar Solo
Hardcore Band “Northwalk” – Gang Vocals

Lineup for live:
Fred A. Dubeau – Guitar, Vocals
Charles Alex Bilodeau – Bass, Back Vocals
Martin Reithler – Drums

For more info:

http://www.outlying.ca/

http://www.facebook.com/outlyingband

http://www.instagram.com/outlyingband/

https://www.tiktok.com/@outlying.band

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“Outlying pull together ingredients of thrash, melodic death metal, and black metal to create music that’s blood-rushing and muscle-flexing, and the panoply of changing riffs is very damned infectious too.” – No Clean Singing

“In the shadow of Quebec’s steel-forged skies, Outlying emerges once again with The Raven Is Gone — a melodic death metal masterstroke that’s equal parts chaos and catharsis… The Raven Is Gone is not just a song — it’s a statement. A declaration that melodic death metal is alive, vital, and pulsing through Canada’s veins. Outlying have evolved into something rare: a band that remembers what heavy music was meant to do — confront, release, and transcend.” – See Rock Live Magazine

“Melodic death metal band Outlying released their new single Pitch-Black Serum on November 16th. The song’s biting energy and unrelenting fervor hits with an uncommon ferocity while being dynamic…” – Din Intunerec

“Outlying offers a solid Swedish-style melodic death metal sound with their own personal touch.” – MetalUniverse.net

“With a biting energy and a relentless intensity, [Pitch-Black Serum] hits with an uncommon ferocity while keeping a dynamic, melodic and catchy structure.” – MetalUniverse.net

“I had never heard of this band before, so I was all the more amazed by the high level of performance the band had already achieved in 2012 [Scars Of Daylight album]. They are reminiscent of Scandinavian melodic death metal bands of the late 1990s.” – Ammo-underground.at

“The three gentlemen serve us finely spun melodies; the musicians tie everything together into a flowing, detailed unity. A bit of clean vocals are sprinkled in here and there, and so a lot happens in this largely whipping smasher. A few threatening vibes and thrashy, straight-ahead tactics are also effectively employed, as is polyphonic vocals – everything just fits! Raising fists, enjoying details, headbanging – it’s a mystery to me why these all-rounders are still so unknown!” – Ammo-underground.at

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0 Streaming Now! IVY GARDENS Live Off The Floor Sludge Rock Album “Death of Don Valley” + Canadian Tour Dates (ON/NS/PEI/NB/QC/MB/SK/AB/BC)

August 28, 2025
by Asher
· Ivy Gardens · Music News

NEWS RELEASE

Montreal, QC – August 28, 2025

Streaming Now! IVY GARDENS Live Off The Floor Sludge Rock Album “Death of Don Valley”

New Album “Death of Don Valley” Out August 29th, 2025 via Paper Cut Recordings

Cross Canada Tour Dates (ON/NS/PEI/NB/QC/MB/SK/AB/BC)

L-R – Andrew Blackborow (Guitar, Vocals), Joe Zandwyk (Drums, Vocals), Sebastian Hogg (Keyboards)

Photo Credit by Luka Kartveli

Niagara Falls, Canada’s Ivy Gardens is unveiling their lush-sounding, raw and live off the floor sludge rock storytelling album “Death of Don Valley” as they prepare to hit the road across Canada in support of its release on August 29th, 2025 via Paper Cut Recordings.

Before it officially drops, the trio has teamed up with Bravewords for its full stream premiere, which can be heard HERE.

The band comments on their sophomore album:

“Death of Don Valley is the record we had inside us, but couldn’t quite articulate for several years. Musically, it’s a huge leap in a more experimental direction. It’s about death, decay, and the ultimate destruction of the world around you. Everybody knows of some sort of small natural space that gets slowly encroached upon until only a shell remains. The pond beside the highway, the wetlands behind the factory. The Don Valley in Toronto is one such natural feature, slowly tainted by industrialization until it can’t support any of the life that it used to. After touring for several years, we grew a lot as musicians, and only after really honing all of this material live for about a year, we felt we were ready to get it tracked and send it into the world. We recorded everything live off the floor, and Frank, our engineer, had heard nothing beforehand and had no idea what we actually sounded like going into it. Eventually, he asked us, ‘How do you determine what becomes a 2-minute song, and what becomes a 9-minute song?’ Pure instinct, Frank. Here it is.”

Formed in the unlikely crucible of a Princess Auto parking lot, Ivy Gardens began with a simple desire to shred through Rush instrumentals and explore the outer reaches of heavy music. Now, following their acclaimed first full-length “Goon” released in 2024, the band takes a daring leap into more dour, experimental terrain. “Death of Don Valley” presents a concept album steeped in decay, lyrically and sonically portraying the slow death of natural spaces like Toronto’s Don River, drowned by industry and time.

Ivy Gardens’ influences are vast, ranging from progressive icons like Rush, Yes, and King Crimson to sludge pioneers like EYEHATEGOD and Iron Monkey. Their sound blends elements of stoner metal, sludge, math rock, and progressive rock, creating an unpredictable listening experience that takes the listener through a series of emotional and sonic landscapes.

Fans can expect a live experience unlike any other as Ivy Gardens is hitting the road for a cross-Canada tour in kicking off on August 29th in St. Catharines, ON, and will wrap up in Victoria, BC on October 25th (dates listed below).

“Death of Don Valley” (out August 29th) is available for pre-order at https://ivygardens.bandcamp.com/

Spotify – https://open.spotify.com/artist/1TBuI2vFSltCNhiHdHnz01

Music Video – Burden – https://youtu.be/r4o-YPv-RcY

Music Video – Eye Witness – https://youtu.be/_RiZ8i7udjs

Ivy Gardens – Live or Die Tour:
Aug 29 – St. Catharines, ON – Warehouse Concert Hall
Aug 30 – Toronto, ON – Monarch Tavern
Sept 5 – Kitchener, ON – The Golden Apple
Sept 12 – Windsor, ON – Phog Lounge
Sept 13 – Sarnia, ON – AJs Bar
Sept 14 – London, ON – Grogettes Living Room
Sept 18 – Halifax, NS – Radstorm
Sept 19 – Sydney, NS – Daniels Ale House
Sept 20 – Charlottetown, PEI – Babas Lounge
Sept 21 – Moncton, NB – Generator Show
Sept 25 – Woodstock, NB – Montieth Manor
Sept 26 – Montreal, QC – Turbo Haus
Sept 27 – Quebec City, QC – Sonum
Oct 9 – Barrie, ON – CW Coops
Oct 10 – Sudbury, ON – Townhouse Tavern
Oct 11 – Thunder Bay, ON – Black Pirates Pub
Oct 12 – Winnipeg, MB – Bulldog Event Center
Oct 16 – Regina, SK – The Cure Kitchen and Bar
Oct 17 – Saskatoon, SK – The Black Cat
Oct 18 – Calgary, AB – Palomino
Oct 19 – Edmonton, AB – Blak Bar
Oct 23 – Kelowna, BC – Dunnenzies
Oct 24 – Vancouver, BC – Black Alley
Oct 25 – Victoria, BC – Fernwood Community Center

Track Listing:
1. Burn For Murder – 2:02
2. Eye Witness – 2:50
3. Burden – 3:08
4. Guiding Hand – 6:18
5. Frozen Limbs – 5:15
6. Gearth – 2:29
7. Astray – 4:56
8. Bliss – 8:59
9. Golden – 7:07
Album Length: 43:08

Album Credits:
All songs written and performed by Ivy Gardens
Produced by Ivy Gardens
Recorded and mixed by Frank Ditillio
Mastered by Cameron Lee
Album Artwork by Ivy Gardens
Death of Don Valley is Canadian Content (MAPL)

Recording and Live Lineup:
Joe Zandwyk: Drums, Vocals, Samples
Sebastian Hogg: Organ, Piano, Synth, Samples
Andrew Blackborow: Guitar, Vocals

More info: Facebook.com/ivygardensband | Instagram.com/ivygardensofficial

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“Death Of Don Valley is a wonderfully eccentric, off-beat and demented slice of Sludge/Stoner Metal that demands your full and undivided attention.” – Outlaws of The Sun

“First of all, can we just give a lot of overdue appreciation to the fact that there are still hard-gigging bands out there that play with the kind of urgency as IVY GARDENS. You can damn AI music straight to fiery pits of hell; this is where the real sound and fury is at. Another thing I appreciate about Ivy Gardens is all the dark humor. You see it in their new music video, with its Red Fangish tongue-in-cheek adventure. This one features a vintage style videotaped car chase, which would play well off a viewing of V/H/S/94. …Fake blood ahead… We’re arrested right away by the powerful strumming of the guitar as “Eye Witness” opens. Drumming is crazy, a frenetic attack of Animal from The Muppets, chasing that beat all over the place… Of course, the classic organ-sound of the keyboards adds a certain kind of spookiness to it all, which can be at once cheeky, mysterious, and cool. I myself love this send-back to ‘60s rock, while respecting that Ivy Gardens brings us a sound that clearly feels “now.”” – Doom and Stoned

“With the premiere of the video for “Burden” below, Niagara Falls progressive sludge trio Ivy Gardens announce their second full-length, Death of Don Valley, will be out Aug. 29 through Paper Cut Recordings. The follow-up to the sans-bass three-piece’s well-received 2024 debut, Goon, is introduced with the lead single “Burden,” which you can find the band playing live in the video premiering below. This ethic would seem to be the crux of Death of Don Valley itself, hence “live off the floor sophomore album” in the headline below. “Burden” benefits from the lack of trickery behind it, from the visually-evidenced capacity on the part of guitarist/vocalist Andrew Blackborow, key-specialist/synthesist Sebastian Hogg and drummer/vocalist Joe Zandwyk, the latter two of whom are also responsible for samples on the record, and while one can hear a bit of Melvinsian do-rock-and-make-it-weird ethos underlying, “Burden” brings charge to coincide with its telltale rhythmic intricacy — not quite doing ‘math’ in the musical sense, but not far off. They say the album’s more complex than the last one, and even if it was tracked entirely live with no overdubs, “Burden” bears that out.” – The Obelisk

“Throughout the album Joe Zandwyk’s drums almost dance like swirls of sand through the desert. Sebastian Hogg’s keyboard adds a great layer on top of Andrew Blackborow’s guitar playing. While no one particular instrument claims the spotlight, the instruments all have the freedom to claim their own space in the gritty depth that is Ivy Gardens and Death of Don Valley.” – The Metal Pit

“Ivy Gardens bringing ‘sludge-soaked, high-decibel’ rock to Barrie” – Barrie Today

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0 SHORES OF NULL Announces UK Tour Dates + Headlining “One For Sorrow Festival” + New Live Album “Beauty Over Europe” Out Now!

August 26, 2025
by Asher
· Music News · Shores of Null (Spikerot Records)

NEWS RELEASE

Montreal, QC – August 26, 2025

SHORES OF NULL Announces UK Tour Dates + Headlining “One For Sorrow Festival” + New Live Album “Beauty Over Europe” Out Now!

After playing extensively all over Europe in support of their acclaimed album “The Loss Of Beauty” and their recent live album, “Beauty Over Europe”, Italian melancholic dark metal outfit Shores Of Null is thrilled to announce a string of four UK performances. The tour includes a headlining appearance at Plymouth’s One For Sorrow Festival. Joining them on this UK leg will be Lisburn’s own The Crawling. (dates listed below)

“We always enjoy returning to the UK. In our 12-year career, we have been back here several times and have always found people ready to welcome us. The very first time we played in London was even before we had our debut album out, at Doom Over London in 2013. This time we are returning as headliners for our own tour with The Crawling, and we are looking forward to seeing many familiar faces and meeting new ones,” adds vocalist Davide Straccione.

“The Loss of Beauty UK Tour” w/ Shores of Null, The Crawling:
Aug 28 – The Black Heart – London, UK
Aug 29 – The Fenton – Leeds, UK
Aug 30 – One For Sorrow Festival – Plymouth, UK
Aug 31 – The Gryphon – Bristol, UK

“Shores Of Null Capture Tour Magic In Beauty Over Europe… Beauty Over Europe is a great listen. Heavy, emotive, engaging, and well-delivered, Shores Of Null fans will love it.” – Metal Talk

Shores of Null‘s first live album, “Beauty Over Europe,” was released on May 9th, 2025, via Sulphur Music / Masked Dead Records. The live album features 10 tracks recorded during the monumental 2023 European tour with Swallow The Sun, Draconian, and Avatarium. Throughout that tour, Shores of Null performed 35 shows across 18 countries, including Norway, Denmark, Germany, the UK, Ireland, France, Italy, Switzerland, the Netherlands, and Hungary, bringing their critically acclaimed album “The Loss Of Beauty” to the stage.

The live recordings, captured in Leipzig, Munich, Aschaffenburg, Budapest, and Belfast, preserve the raw and emotive energy of their performances. Each track reflects the band’s ability to blend melancholic melodies with crushing heaviness, offering fans a visceral live experience.

“Beauty Over Europe” is both a celebration of the tour and a gift to all fans of the band. Exactly two years after that unforgettable journey, this live album offers a chance to relive the emotional intensity and true essence of Shores Of Null’s live performances.

Reflecting on the experience, vocalist Davide Straccione and guitarist Gabriele Giacarri share their thoughts:

“This tour was an incredible journey, the longest in our career, and a true milestone for Shores Of Null. As the promotional tour for The Loss Of Beauty, our latest and most acclaimed album to date, it was an honor to bring these songs to life across 35 shows in 18 countries. Sharing the stage with monumental bands like Swallow The Sun and Draconian—huge inspirations for our music—was unforgettable. Despite the melancholy of their sound, they’re some of the most fun and genuine people we’ve met, and by the end of this epic journey, we were proud to call them friends.

We owe special thanks to our incredible crew—Petri, Matti, Mikko, and Tero—who ensured everything ran seamlessly and made this experience unforgettable. To pay homage to this extraordinary chapter, we decided to produce a live album. Recorded during key moments of the tour, it captures the essence of these unforgettable performances and is dedicated to all the people who supported us live and shared these magical moments with us.” – Gabriele Giaccari

Davide Straccione adds:

“Our 2023 European tour with Swallow The Sun, Draconian, and Avatarium was one of the most beautiful and intense experiences of my life. Night after night, we poured everything we had into our performances, connecting deeply with audiences across 18 countries. It was a journey that marked a pivotal moment in our career as a band as well, and one we’ll carry with us forever. This live album is our way of preserving and sharing that beauty, not only as a gift to those who joined us in the crowd, but also for those who couldn’t be there to witness it.”

Recommended for fans of Swallow The Sun, Borknagar, and Paradise Lost, “Beauty Over Europe” is available at the following links:

Physical CD: https://maskeddeadrecords.com/product/shores-of-null-beauty-over-europe/

Digital: https://shoresofnull.bandcamp.com/album/beauty-over-europe

Spotify: https://open.spotify.com/artist/76lKNyW77arKg42qdDO9Sm

Live Video – “Quiescent” – https://youtu.be/DOk616SWofA

Live Video – “The Last Flower” – https://youtu.be/w-Hq69KG2RM

Live Video – “A Nature in Disguise” – https://youtu.be/Yye8s-6w1rg

Setlist:
1. Transitory (Live intro)
2. Destination Woe (Live in Leipzig)
3. Nothing Left To Burn (Live in Leipzig)
4. Quiescent (Live in Munich)
5. The Last Flower (Live in Aschaffenburg)
6. Black Drapes For Tomorrow (Live in Budapest)
7. A Nature in Disguise (Live in Munich)
8. Darkness Won’t Take Me (Live in Belfast)
9. My Darkest Years (Live in Aschaffenburg)
10. Blazing Sunlight (Live Outro)

Live Recording: Matti Kynsijärvi
Mixing and Mastering: Marco Mastrobuono at Bloom Recording Studios

Band:
Davide Straccione – Vocals
Gabriele Giaccari – Guitars, Backing Vocals
Raffaele Colace – Guitars, Backing Vocals
Lorenzo Carlini – Live Bass
Matteo Capozucca – Bass
Emiliano Cantiano – Drums

For more info: Shoresofnull.com

About:

Shores of Null stand out from their contemporaries with their ability to blend seemingly disparate elements into their sound, overwhelmingly heavy and soothing at the same time: blackened aggression stands alongside gothic-doom sections without either sounding out of place. Their music can be both melancholic and majestic, made of chorale-like guitar textures across the instrument’s entire range, sustained by a powerful rhythmic section and punctuated by a refined mixture of clean and growled vocals, along with extensive use of pleasing vocal harmonies which have become the band’s trademark through the years.

The Rome-based metal band has been an unwavering presence within the metal underground since their musical outset in 2013, churning out a series of impressive records: the melodic and somber “Quiescence” (Candlelight, 2014), the darker and more complex “Black Drapes For Tomorrow” (Candlelight/Spinefarm, 2017), and the ambitious “Beyond The Shores (On Death And Dying)” (Spikerot Records, 2020), a 38-minute long doom manifesto that sees guest appearances of the doom-titans Mikko Kotamäki (Swallow The Sun) and Thomas A.G. Jensen (Saturnus), along with the angelic voice of Elisabetta Marchetti (Inno).

Shores Of Null’s fourth album, “The Loss Of Beauty”, released in March 2023, was hailed as one of the best albums of the year within the genre. The band supported the release with an extensive EU/UK tour alongside Swallow The Sun, Draconian, and Avatarium, followed by standout performances at major festivals like Hellfest, Rock Imperium, and 70000 Tons Of Metal, among others, further solidifying their status as one of the rising forces in the metal scene.

– 30 –

“Shores Of Null Capture Tour Magic In Beauty Over Europe… Beauty Over Europe is a great listen. Heavy, emotive, engaging and well-delivered, Shores Of Null fans will love it.” – Metal Talk

Metal Hammer writers’ top metal albums of 2023 – Edwin McFee – #20 – Shores of Null – The Loss of Beauty

“With The Loss Of Beauty, SHORES OF NULL have produced their second world class record in a row.” – Distorted Sound Mag (9/10)

“The deep, dark, poetic brilliance behind The Loss Of Beauty is undeniable, and Shores Of Null’s doomy melancholic style is especially ideal for those considering themselves fans of Swallow The Sun, Draconian and Saturnus.” – Metal Storm (8,5/10)

“The Loss of Beauty is a morose and often magnificent listen.” – Metal Hammer UK (8/10)

“The Loss of Beauty is an engaging, exquisite, and moving slice of melodic doom that further cements Shores of Null’s esteemed position in the scene.” – Dead Rhetoric (9/10)

“The Loss of Beauty is an incredibly strong and versatile album, on which themes known from genres such as post black metal or post punk are presented in a diverse and varied manner.” – BetreutesProggen (13/15)

“Once again, Shores of Null continue to impress with yet another slab of high-quality doom/death that seems the quintet on an upwards trajectory.” – Angry Metal Guy (4/5)

“With lyrics like “my loneliness will guide me” and “isolation will set us free,” classic doom drumming, and impressive vocals, Shores of Null announce their intent to deliver the best doom album of 2023.” – Noizze UK (9/10)

“Un grato disco de casi una hora de música, donde la melancolía no es predominante, sino lo melódico, y eso es cae a la perfección.” – Metallerium (9.2/10)

“A savourer, en s’aimant. A savourer, l’esprit ouvert aux beautés que l’on croit – ou que l’on relègue au rang d’- insignifiantes et qui sont le sel du monde qui nous entoure. A savourer, tout simplement..” – Soil Chronicles (9/10)

“Shores of Null haben für mich mit The Loss of Beauty einen heißen Anwärter auf mein Album des Jahres veröffentlicht, das ich jedem Fan von melancholischem Metal mit Doom, Gothic, Melodic Death und Black Metal Einflüssen nur wärmstens empfehlen kann! Von mir gibts für dieses Meisterwerk die Höchstnote!.” – Sound Magnet (10/10)

“If “Beyond the Shores (On Death and Dying)” granted them the status of Masters of the Genre, with “The Loss of Beauty” we cannot help but acknowledge their unquestionable talent for creating stunning beauty that goes under your skin, both with music and words.” – Tuonela Magazine

“It is an album with many faces, a true chameleon, that shows the best of heavy, doom, dark, gothic, death, and a pinch of black metal. The musicians of this band are playing at the very highest level and it is unprecedented what this band is capable of.” – Zware Metalen (94/100)

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0 Ex-Nile Frontman Dallas Toler-Wade Revives “Annihilation of the Wicked” on NARCOTIC WASTELAND’s Fall Tour “Annihilation of The Wasteland”

August 19, 2025
by Asher
· Music News · Narcotic Wasteland

NEWS RELEASE

Montreal, QC – August 19, 2025

Ex-Nile Frontman Dallas Toler-Wade Revives “Annihilation of the Wicked” on NARCOTIC WASTELAND’s Explosive Fall Tour “Annihilation of The Wasteland”

+ New Music Video “Introspective Nightmares”

Narcotic Wasteland, fronted by ex-Nile guitarist/vocalist Dallas Toler-Wade along with drummer Joseph Howard (Fields of Elysium, Neuromorphic) and bassist Kenji Tsunami (Ontogeny), will be hitting the road for the “Annihilation of Wasteland Tour” (dates listed below). On this tour, they will be celebrating the 20-year release of “Annihilation of the Wicked”, in which Dallas will perform two of the songs he wrote for the album: “Lashed to the Slave Stick” and “The Burning Pits of the Duat”, giving Nile fans the unique opportunity to hear these tracks played live by the original voice and composer. Narcotic Wasteland will also be performing fan favorites and new material, including such tracks as “Barbarian”, “Sex, Lies and DNA”, “Introspective Nightmares”, “Coastal Killings”, “The Best Times Have Passed”, and more!

To mark the launch of their tour, the band is unveiling the official music video for “Introspective Nightmares” today, exclusively on Bravewords HERE.

Narcotic Wasteland is a relentless force in the metal scene, delivering a crushing blend of technical precision, unyielding aggression, and raw energy. Fronted by Dallas Toler-Wade—renowned vocalist and guitarist best known for his work with Nile—he brings his signature technical prowess and intense energy to the band.

On drums, Joseph Howard unleashes a torrent of precision and power, driving the band’s pummeling rhythms with thunderous intensity. His dynamic performance creates the perfect foundation for the band’s heavy and often dark sonic atmosphere.

Kenji Tsunami commands the low end with inventive, hard-hitting bass lines that add both depth and texture, solidifying the band’s signature wall of sound. His stage presence and musicianship bring an extra dimension to Narcotic Wasteland’s live assault.

Together, Dallas, Joseph, and Kenji forge an unstoppable musical unit—one that captivates audiences with high-octane performances and uncompromising compositions. With unmatched technical skill and a shared vision for pushing metal’s boundaries, Narcotic Wasteland stands as a true powerhouse in today’s extreme music landscape.

Playthrough video – “The Burning Pits of Duat” – https://youtu.be/nQG9tS0za-I

Music Video – “Barbarian” – https://youtu.be/E9ndVD2zzWk

Merch Stores:
Narcotic Wasteland – https://shopusa.season-of-mist.com/band/narcotic-wasteland
Dallas Toler-Wade – https://shopusa.season-of-mist.com/band/dallas-toler-wade

Tickets & Tour Info:
https://tr.ee/rZ3dOvB3TC

Headlining Shows:
9/03 – Madison, WI – The Annex
9/04 – West Chicago, IL – WC Social Club
9/05 – Flint, MI – Flint Local 432
9/06 – New Haven, IN – Carl’s Tavern
9/07 – Cleveland, OH – The Foundry
9/08 – Rochester, NY – Photo City Music Hall
9/09 – New Bedford, MA – The Vault
9/10 – Raleigh, NC – Chapel of Bones
9/11 – Spartanburg, SC – GroundZero (Special Guest to Crypta)
9/12 – Chattanooga, TN – JJ’s Bohemia
9/13 – Wallingford, CT – Cherry St. Station
9/14 – Dunbar, WV – Live at the Shop
9/15 – Charleston, SC – Tin Roof
9/17 – Orlando, FL – Conduit
9/18 – Fort Pierce, FL – Tipsy Tiki
9/19 – Tampa, FL – Brass Mug
9/20 – Long Beach, MS – Trax Bar & Grill

Special Guest to Filth:
9/21 – Atlanta, GA – Boggs Social & Supply
9/22 – Pensacola, FL – Handlebar
9/23 – Shreveport, LA – Strange Brew
9/24 – Amarillo, TX – The Atomic Yellow
9/25 – Denver, CO – Black Buzzard at Oskar Blues
9/26 – Greeley, CO – Moxi Theater
9/27 – Casper, WY – Wyoming Hardcore Festival
9/28 – Colorado Springs, CO – Vultures
9/29 – Lincoln, NE – Witches’ Brew
9/30 – Nashville, TN – The End

More info: https://linktr.ee/narcoticwasteland

– 30 –

“”Narcotic Wasteland dropped a caustic, pissed off new single titled “Barbarian” off their forthcoming album Digital Cordyceps. Though we don’t know too much about said album, Toler-Wade explained that the new track was essentially one big middle finger to the ruling class.” – Metal Sucks

“We’ve got the latest and greatest from drug-themed death dealers Narcotic Wasteland, the new video for “Victims of the Algorithm.” The song takes on lightning-fast and heavy riffs, in the tradition of the band, and the lyrics tackle our dependence on social media in the modern age.” – Decibel Magazine

“Narcotic Wasteland have hit us with another dark, campy gem in the form of “Sex, Lies & DNA.” The thrashy, aggressive new single is the latest from the band led by Dallas Toler-Wade of Nile fame. This track features guest vocals from Andrea_N_Black and takes on the beloved death metal fodder of true crime.” – Decibel Magazine

“Narcotic Wasteland showcases Toler-Wade’s penchant for writing killer riffs, which he did for a decade as a member of Nile, in a manner that’s reminiscent of early 1990s metal — when the lines between the “thrash” and “death” tags weren’t as rigidly defined, and everything just sounded fast and heavy as all hell.” – Denver Westword (NW Headlines Denver DeathFest 2023)

“Delirium Tremens is just pummeling, non-stop death metal that covers a ton of ground.” – Metal Injection

“More often than not, death metal bands have a tendency to stick to the familiar topics. Death, gore, killing – that sort of thing. There’s always exceptions, or bands that have a different take on the subject, but as they say, dark music demands dark themes. Narcotic Wasteland does, for one of its lyrical slants, face a slightly different (yet still suiting) take – that of addiction. Plenty of grim to still go around with such a concept, and Narcotic Wasteland hits just as hard sonically as any other death metal act to come through the pipeline.” – Dead Rhetoric

“another incredible death metal album that has the potential to end itself up on the year end top album lists.” – Metal Nexus (2017 – Delirium Tremens)

“On the track, Toler-Wade furiously rails against “expectations,” “silly rules,” and “fucking filters,” and victoriously celebrates being “totally free” with a repeated battle cry of “Let the music flow!” In case there was still any remaining doubt as to the meaning of the song, the track is as magnificently brutal an old school death metal song as you’re likely to hear this season. It gallops, it lacerates, it uses the listener’s skull as a battering ram. There can be no doubt that this truly is Toler-Wade, undiluted and free of limitations. We hope he lets this music flow for a long time to come.” – Metal Sucks (single Return to the Underground off 2017 album Delirium Tremens)

“Narcotic Wasteland have released a fantastic album in ‘Delirium Tremens’. It is not easy to thrust the listener consistently into an aural landscape orchestrated by the band and make them stay put for the entire length of the album. Narcotic Wasteland does it brilliantly as they take you through the nightmarish journey of Delirium Tremens.” – Metal Wani (2017 – Delirium Tremens)

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0 MILE HIGH POWER FEST (Denver, CO) Announces 2025 Line Up w/ POWERGLOVE, GLYPH, OWLBEAR, EMPRESS, LYCANTHRO, CELESTIAL WIZARD and more!

February 17, 2025
by Asher
· Mile High Power Fest · Music News

NEWS RELEASE

Montreal, QC – February 17, 2025

MILE HIGH POWER FEST (Denver, CO) Announces 2025 Line Up

w/ POWERGLOVE, GLYPH, OWLBEAR, EMPRESS, LYCANTHRO, CELESTIAL WIZARD and more!

Mile High Power Fest 2025 Spotify Playlist – https://spoti.fi/432isz9

In August 2024, Mile High Power Fest kicked off a new chapter for the Denver, Colorado power metal scene, and for local promoter BiteSize Productions. With an attendance of nearly 400 for its inaugural year, Mile High Power Metal Fest is proud to return on August 16th, once again at the Oriental Theater for its 2nd edition with its 2025 lineup featuring POWERGLOVE, GLYPH, OWLBEAR, EMPRESS, LYCANTHRO, CELESTIAL WIZARD and more! (details listed below).

The Mile High Power Festival is a celebration of strength, unity, and the unyielding spirit of metal. Deeply rooted in Denver’s vibrant culture, it champions local talent and businesses while providing a stage for rising power metal bands to unleash their sound and seize the spotlight. Like the thunderous clash of steel against the Rocky Mountains, this festival delivers an unforgettable experience, forging connections and showcasing the future of power metal.

“After an incredible debut in 2024, we’ve taken everything we learned from last year to make 2025 even more exciting. Expect a weekend filled with electrifying performances, an unbeatable atmosphere, and the energy that only power metal can deliver. Whether you’re a devoted fan or new to the scene, this festival is your chance to be part of something truly special. Don’t miss out on the energy, the excitement, and the chance to be part of Denver’s next great tradition. Get your tickets now and experience the power for yourself at The Mile High Power Festival 2025—where metal and steel collide with the cold, untamed spirit of the Rocky Mountains!” adds festival co-founder Lucyfer – BiteSize Productions.

Featuring headliner Boston’s PowerGlove, the very beloved instrumental power metal cover band will present a night of nostalgic tributes to retro video game and television themes. The band released their latest EP “The Super Smash Bros” in August 2024.

They are joined by the Pacific Northwest’s Glyph, which is not just a heavy metal band, they are a crew of intergalactic mercenaries escaping a dying planet in their spaceship, the VSS Dragonlord. Clearly, Glyph isn’t just writing songs, they’re building worlds and they bring it forth in their latest album “Honor, Power, Glory” released in March 2024.

Formed in 2020 during a time in which plague stalked the land and time lost all meaning, the core of Owlbear is comprised of North American scene veterans Katheryn Scary (vocals), Jeff Taft (guitars), and Leona Hayward (bass), all of whom hail from different corners of the continent. The band made their live debut at the sold-out Legions of Metal festival in Chicago in 2024 in support of their debut album “Chaos to the Realm” (2023) (Alone Records). Musically, Owlbear draws influence from classic heavy and speed metal and roots their lyrics in the media its members love, from the famous roleplaying game that inspired the band’s namesake to the Final Fantasy franchise. Dynamic vocals, frenetic riffing, and bass that are equal parts pummeling and acrobatic drive the band’s relentless approach, and with the imminent release of their sophomore album “Feather & Claw” on February 28th, 2025 via Alone Records, Owlbear aims to continue to carve out its niche within the heavy metal community with a savage swipe of a plumed talon.

Hailing from Philadelphia, Empress is a symphonic power metal quintet that loves weaving grand tales over catchy and triumphant symphonic soundscapes. Their critically acclaimed debut album, titled “Fateweaver” released in August 2022, which renowned mixing and mastering engineer Dan Swanö has characterized as one of his best works in melodic metal, carefully entwines musical universes and invites you to follow your imagination and fantasy. Among Empress’ remarked past live performances, it is worth mentioning their album release show at Mad With Power Fest in Madison, WI, on the release day of “Fateweaver”, as well as having shared the stage with bands such as Oceans of Slumber, Seven Spires, and Grim Reaper on their journey to conquering the symphonic metal stronghold with sophistication.

Trekking from the Canadian North, Ottawa’s Lycanthro encapsulates a heavy, yet melodic sound, that is drawn from influences of both European/American classic power and thrash metal along with high howling vocals, piercing guitars, a booming rhythm section as well as uses of instruments such as piano and classical guitar to forge a powerful sound. Fans be prepared for an energetic and epic stage presence as they take you on their lyrical journey of classic horror and mythology. They recently released their new single “Iris”, which will be featured on their upcoming 2025 album “Remnants of Rapture”. The single was mixed/mastered by Damien Rainaud (Dragonforce / Once Human) and features a keyboard solo from Arttu Vauhkonen (Arion).

Local hometown heroes, Denver’s Celestial Wizard brings a mix of fantasy and heavy metal to the table, giving you a front-row seat to a sci-fi experience unlike any other! The band has been blazing new trails with their aggressive, powerful sound. Pulling from both power metal and death metal, they achieve a melodic, high-intensity mix that hits just right. Their sophomore album ‘Winds of the Cosmos’ showcases just that, as they deliver hard-driving riffs paired with aggressive, death metal-styled vocals. ‘Winds of the Cosmos’ is a metal monster in a league all its own!

Also supporting the lineup will be Denver’s blackened pagan power metal Oak, Ash & Thorn who released their latest album “Our Grief Is Thus” in April 2024 on Lost Future Records. The album is a powerful, unique sound that is fully their own, as melodic and memorable as it is heavy and crushing. Now, Oak, Ash & Thorn are taking the next step in their journey by signing with Season of Mist. As they continue to tour in support of their latest album, the band will begin writing what’s bound to be a highly-anticipated follow-up.

To open the festival’s night, winners of the 2024 Battle of the Bands for the festival will be Denver locals Viperwitch and Signs of Tranquility. Make sure to come early to the fest to cheer on the local winners!

In addition to the primary festival night, Mile High Power Fest hosts a pre-party that puts Denver’s local talent in the spotlight. But this isn’t your average showdown—it’s a platform for rising Denver local metal bands to showcase their passion and skill, with the chance to earn a coveted spot on next year’s MHPF lineup. Industry pros from across the country join the fun, offering feedback, mentorship, and networking opportunities that can launch careers. It’s a night of powerful performances, community connections, and metal excellence that sets MHPF apart from every other festival out there.

Mile High Power Fest 2025 Lineup:
Powerglove
Glyph
Owlbear
Empress
Lycanthro
Celestial Wizard
Oak, Ash, & Thorn
Viperwitch
Signs of Tranquility

Ticket info:
GA tickets: $45
Reserved Table (Limit 10, includes 4 GA tickets): $200
Ticket link: https://tickets.holdmyticket.com/tickets/444811

Venue: Oriental Theater – 4335 W 44th Ave, Denver, CO 80212

More info:
Website: https://www.bitesizeevents.com/mile-high-power-fest

FAQ – https://www.bitesizeevents.com/mhpf-2025-press-release
Facebook: https://www.facebook.com/profile.php?id=61556641145956
Instagram: https://www.instagram.com/milehighpowerfest

Festival Press Materials Dropbox HERE.

About:

The Mile High Power Festival, Denver’s only power metal festival was derived from the creative mind of Soren Bray. The idea was born after a night of celebration with his band, Celestial Wizard while attending the HyperSpace Festival in Vancouver, Canada. It was then that Soren realized the U.S. had only a handful of power metal festivals—and none near his home in Denver. Partnering with Lucy, owner of Bitesize Productions LLC, Soren teamed up to turn this dream into a reality. The duo pitched Soren’s dream fest idea to the Oriental Theater (Denver, CO, USA) who was thrilled to join the project! Thus it began.

MHPF’s inaugural 2024 lineup featured Seven Spires, Aether Realm, Traveler, Lords of the Trident, AfterTime, Judicator, Graveshadow, Celestial Wizard, Seizure, Starwraith, and Siege Perilous.

Mile High Power Festival is the ultimate gathering for power metal enthusiasts. Nestled in the heart of Denver, Colorado, this annual event is a showcase of the finest power metal bands locally and from around the globe. It’s a testament to the unyielding spirit and intensity of power metal music, uniting devoted fans and talented artists in a euphoric celebration. Immerse yourself in a weekend of high-voltage performances, camaraderie, and the unapologetic essence of power metal.

The night before the festival, they host an exciting Battle of the Bands event where local artists compete for a chance to perform at the following year’s fest. This event not only uplifts the Denver local music community but also provides valuable feedback to the artists from industry professionals. Join us for a night of great music and support Denver’s local talent!

-30-

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0 HYPERSPACE METALFEST Adds AfterTime To 2025 Lineup w/ ENFORCER, PSYCHOSTICK, GREYHAWK, GLYPH, CRIMSON SHADOWS, LUNAR and more!

February 11, 2025
by Asher
· Hyperspace Metal Festival · Music News

NEWS RELEASE

Montreal, QC – February 11, 2025

HYPERSPACE METALFEST Adds AfterTime To 2025 Lineup

w/ ENFORCER, PSYCHOSTICK, GREYHAWK, GLYPH, CRIMSON SHADOWS, LUNAR and more!

April 10th – 12th – Vancouver

HMF 2025 Lineup Spotify Playlist – https://spoti.fi/3T4kU2p

Returning for its 6th edition after another year of crowd-pleasing epic fun in Vancouver, B.C., Canada’s premier melodic and power metal festival HYPERSPACE METAL FEST announces the addition of Symphonic Metal Storytellers, Minneapolis’ AfterTime to their 2025 lineup to replace the unfortunate cancelation of OwlBear.

Since their inception in 2011, AfterTime has been perfecting a potent blend of Symphonic Metal and orchestral film scores. Their songs are larger-than-life and unapologetically epic, with a special focus on adventurous storytelling and marvelous atmospheres. This past September, the band announced Narcissa as their new vocalist and released a version of their song “Sons of Fenrir” with her on vocals. The track is from their latest album “Arcane Horizons” released in May 2024. Video – “Sons of Fenrir” – https://youtu.be/8q-JD0PCLPI

Festival organizer Joey Hockin of Journeyman Productions adds:

“This time of year is always hectic for us, and this year is no exception. Owlbear has been forced to pull out of the lineup this year. For more info on that, watch for a statement from them on their page. In their place, we will have the epic AfterTime from Minneapolis! They’ll be playing Vancouver for the very first time on day 3 of Hyperspace and we can’t wait!”

Being hosted at The Cobalt (April 10 &11th) and the Rickshaw Theatre (April 12th), Hyperspace Metal Fest’s 2025 lineup features headliners ENFORCER, PSYCHOSTICK, Greyhawkalong with Crimson Shadows, Lunar, AfterTime, Tower Hill, Solarus, Red Cain, Tylor Dory Trio, Serpent Rider, Luminator, The Astral Prophets and Crüzer.

Headlining Saturday, April 12th at The Rickshaw Theatre, Sweden’s ENFORCER have proved themselves both live and on record, they stake their place amongst the world’s most renowned heavy metal bands since first forming in 2005. They have toured the world over, playing the biggest festivals and garnering a global fanbase. Their latest sixth studio album Nostalgia (released May 2023 – Nuclear Blast), features 13 heavy metal anthems and throws ENFORCER back to their speed metal roots. Fusing extreme guitar riffing with catchy stadium choruses, ENFORCER is out to conquer the world. Music Video – Nostalgia – https://youtu.be/XhfrJAPbOCY

Supporting ENFORCER on the closing night lineup will be Comedy Metal Kings PSYCHOSTICK. These humorcore titans bring forth a nostalgic escapade of sing-alongs and moshing fun with iconic titles such as “Beer!”, “Numbers (I Can Only Count to Four)”, “Dogs Like Socks”, “Obey The Beard!”, “Boobs”, and their latest single “Ultra Mega Fast” – https://youtu.be/kaqeizvxefM

Friday, April 11th, the second-night lineup will also witness the return of the formidable force that is Toronto’s Crimson Shadows bringing forth tales of fantasy and warfare in their fierce melodic power and death metal-imbued sound. Thundering across the icy Canadian mountains, Crimson Shadows has awoken after five years away. The band has emerged from the dark and is preparing to forge its own path in this next stage of its journey. Across their defiant career stretching almost two decades, to date notable highlights of Crimson Shadows‘ journey include the band’s appearance at Wacken Open Air in Germany in mid-2013 and subsequent victory in obtaining the title of International Wacken Battle Champions. Alongside international performances, Crimson Shadows has ventured across the length and breadth of their homeland delivering brutality, technical prowess, and unyielding intensity in their melding of power and death. Music Video – Guardians – https://youtu.be/W9BKYvGYeCM

Headlining Friday, April 11th at The Cobalt and returning for their third time at HMF is Seattle’s Greyhawk stepping in at the last minute to headline night 2 of Hyperspace this year. With new singer Anthony Corso, Greyhawk is ready to bring the power with what is sure to be their best performance at Hyperspace yet! Anyone who has seen this traditional heavy metal titan before knows that they are in for an incredible set. Their newest album “Thunderheart” released in April 2024 on Fighter Records, a division of Xtreem Music has been making waves across the heavy metal and power metal scenes worldwide. Band playthrough – Spellstone – https://youtu.be/65ySwth-LKo

Also featured on the Friday night lineup is the first-ever live performance from Lunar, a progressive metal project from California that features members from Helion Prime, Beholder, Vis Mystica, Mokili Wa, Nordic Frost, Outloud, and Double Vision. Founded by drummer Alex Bosson (Helion Prime, Planeswalker) and Ryan Erwin who passed away in 2018, LUNAR continues in his memory. Their fourth full-length “Tempora Mutantur” was released on January 31st via Saibot Reigns Records to follow 2023’s “The Illusionist” and features a fresh lineup with the addition of guitarists Carlos Alvarez and Connor McCray (Vis Mystica) along with keyboardist Anthony Stahl plus album guests Wayne Ingram (Wildrun), Joe Gullace (Thank You Scientist) and Sam Vallen (Caligula’s Horse). Music Video – Watch The Weather Change – https://youtu.be/WKdnZD_DJsE

Meant to perform on the 2024 lineup, but forced to cancel, Tylor Dory Trio returns for 2025, they are a monstrous progressive metal unit and beloved by many in Western Canada. This live performance on Friday, April 11th, will be their first following a nearly seven-year layoff. Music Video – The Waitress – https://youtu.be/nh9MxcSqlOE

Also added to the Friday lineup and opening that night is The Astral Prophets, a psychedelic rock/metal band from Calgary, AB featuring Apprentice, Lycanthro, and Scythia members. This is the band’s first time on the fest although some members have played the fest before in previous groups. They will be supporting their latest 2023 EP “Anywhere But Here”. EP Stream – https://youtu.be/255g8CZX2F8

Opening night of the festival, Thursday, April 10th at The Cobalt, will showcase the Pacific Northwest’s Glyph, which is not just a heavy metal band, they are a crew of intergalactic mercenaries escaping a dying planet in their spaceship, the VSS Dragonlord. Clearly, Glyph isn’t just writing songs, they’re building worlds and they bring it forth in their latest album “Honor, Power, Glory” released this past March. Music Video – March of the Northern Clan – https://youtu.be/htSyUb25wD4

Traveling from Edmonton, AB, Tower Hill delivers premium old-school heavy metal inspired by bands like Running Wild, Riot, Judas Priest, early Blind Guardian, and Helloween. Forging the best of the late 80s and early 90s German, British, and US metal scenes into a new blend of shimmering steel, Tower Hill’s riff-driven, hook-laden traditional metal will have you banging your head and singing along. Lyric Video – Deathstalker – https://youtu.be/IGybnd-HZRU

Replacing the originally announced Lost Nebula, Calgary’s RED CAIN has been imported to perform their power-prog storytelling with Eastern European roots for the masses. They have been making waves since their first release in 2016, with award-winning music videos and concept albums “Kindred: Act I”, “Kindred: Act II” and “NÄE’BLISS”. The albums contained a ton of genre inspirations, from gothic rock to ambient electronica, power, black, and death metal, and were universally lauded for their inventiveness, variety, and strong conceptual content. They continue this momentum with the latest singles “Firestarter” and “Demons II”. Music Video – Demons II – https://youtu.be/7VViLOrFfQ8

Hyperspace Metal Festival VI – April 10th – 12th.
One-day passes and three-day passes are available at: https://www.eventbrite.ca/e/hyperspace-metal-festival-vi-tickets-1000996957847

Facebook Event – https://www.facebook.com/events/1637280440385808

Thursday, April 10th – The Cobalt
Glyph
Tower Hill
Red Cain
Serpent Rider
Crüzer

Friday, April 11th – The Cobalt
Greyhawk
Lunar
Solarus
Tylor Dory Trio
The Astral Prophets

Saturday, April 12th – The Rickshaw Theatre
Enforcer
Psychostick
Crimson Shadows
AfterTime
Luminator

To follow updates for Hyperspace Metal Festival 2024, please visit the following links:
Facebook.com/HyperspaceMetalFestival
Instagram.com/HyperspaceMetalFestival

Festival Press Materials Dropbox HERE.

Over the five editions of Hyperspace Metal Festival, bands from all over the world have come to play power, prog, melodic death, and speed metal on the Canadian West Coast. The festival has presented lineups that have included performances by Týr, Flotsam and Jetsam, Skelator, Trollfest, Aether Realm, Exmortus, Striker, Riot City, Into Eternity, Witherfall, Planeswalker, Iron Kingdom, Helion Prime, Ravenous, Crimson Shadows, West of Hell, Judicator, Odinfist, Tanagra, Scythia, Greyhawk, The Order of Chaos, Red Cain, and many more.

– 30 –

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ASHER MEDIA RELATIONS
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0 ART OF ATTRITION Announce Cross Canada “The Subservient Bloodletting Tour” w/ Beguiler

February 6, 2025
by Asher
· Art of Attrition · Music News

NEWS RELEASE

Montreal, QC – February 6, 2025

ART OF ATTRITION Announces Cross Canada “The Subservient Bloodletting Tour” w/ BEGUILER

L-R – Jack Sutherland (Guitars), back Johnny VanderRoest (Guitars), front Joshua Hahn (Vocals), L-R – Greg Smith (Drums)

Photo Credit – Abscene Productions

Red Deer, Alberta’s ART OF ATTRITION announces they are hitting the road this May to bring carnage straight to your city alongside 2024 Wacken Metal Battle Canada Champions, Toronto, ON’s BEGUILIER. Entitled “The Subservient Bloodletting Tour”, this cross-country trek marks a new chapter for both bands as they expand their reach, unleashing their most punishing sets to date along with new songs to unveil. Enter the moshpit for this east-to-west assault, have a beer, and enjoy some good ol’ DEATHCORE!

The Subservient Bloodletting Tour w/ Art of Attrition, Beguiler
May 2 – La Source de la Martinière- Quebec City, QC
May 3 – Piranha Bar – Montréal, QC
May 4 – Taverne Royale – Trois Rivières, QC
May 7 – The Union – Kitchener, ON
May 8 – Queens Nightclub – Barrie, ON
May 9 – Dominion House – Windsor, ON
May 10 – Sneaky Dee’s – Toronto, ON
May 11 – Dominion Tavern – Ottawa, ON
May 14 – SideStage – Winnipeg, MB
May 15 – Black Cat Tavern – Saskatoon, SK
May 16 – The Vat – Red Deer, AB
May 17 – Dickens – Calgary, AB
May 23 – Stariite Temple – Edmonton, AB
May 24 – The Cobalt – Vancouver, BC

Formed in early 2019, Red Deer, AB’s Art Of Attrition is a band that redevelops “the typical” deathcore sound by delivering aggression with melody, atmosphere with intricacy, and brutality with technicality. Combining ferocious work ethic with refined musicality, their songs challenge the notion that deathcore cannot evolve or be unique.

In July 2024, they unleashed their EP “…And It Will All End Forever” to follow their 2023 debut album “Void Eternal”. As a whole, their latest EP brought listeners disgusting breakdowns, matched by speed and intense guitar work that channeled emotions such as anger and anxiety. Hauntingly memorable solos gave way to epic choruses that share relatable moments. A whirlwind of deathcore it’s matched with classic black metal, and capitalized with bits of groove and creative drum parts.

On February, 14th, 2025, Art of Attrition will unshackle their first single of 2025, entitled “Subserviate & Decay”. The new song is an experimentation of some particular ideas that the band has over the years. With such diverse musical tastes, Art of Attrition is bringing some evolutionary ideas into their material for a new world order to “throw down”.

Music Video – Vitriol – https://youtu.be/_07sY_7A95A

Bandcamp – https://artofattrition.bandcamp.com

Digital (Spotify) – https://distrokid.com/hyperfollow/artofattrition/and-it-will-all-end-forever

Art of Attrition is:
Jack Sutherland – Guitars
Johnny VanderRoest – Guitars
Joshua Hahn – Vocals
Greg Smith – Drums

More info: http://artofattrition.com | https://www.facebook.com/ArtofAttrition | https://www.instagram.com/artofattrition

-30-

Canadian College Radio Charts 2024 – !earshot – October 2024 – top 20 loud – #12 Art of Attrition

Canadian College Radio Charts 2024 – !earshot – September 2024 – Top 200 – #183 Art of Attrition

“Since the speed is incredibly fast, you get the feeling that every song is a 10-minute epic, but they are all in the 5-minute plus/minus direction. But epic is a good keyword, because every single piece has such technical power that you really need several runs to understand, what’s actually going on and that’s what brings tears of joy to the eyes of every metal fan who loves the technical hidden refinements. A small highlight is probably the last of the four songs, as well as the title song “…And It Will All End Forever”, which expresses the band’s entire range and makes it clear to everyone, what is meant by “Technical Deathcore”.9.5/10” – Hellfire Magazin

““…And It Will All End Forever” rises to the surface with the speed and dexterity of bands like Archspire. Mesmerising lead guitars shine brightly above the powerhouse rhythms, momentary silences between anvil heavy sections giving fleeting respite. A gargantuan monolithic breakdown is the last thing you might expect to hear on a track with such stunning lead guitars but the band brought it and it is nothing short of brutal, contrasted perfectly the delicate piano fade out. It’s hard to fathom how this band are not on a major label because this record is sublime [9/10]” – metal Noise

“Blackened technical deathcore… brutal and pissed off too” – 89.9 WORT FM – The Moshpit (Madison, WI)

“But then the EP’s ending title track. Holy fuck do they knock it out of the park with 6 minutes of killer melodies, a killer chorus and key/choirs, and a massive breakdown that make it an absolutely killer track, maybe one of the year’s best in the genre” – Teeth of The Divine

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 VORTEX Announces “Symphony for the Dead” Eastern Canadian Tour w/ France’s XAON – (ON, QC, NB)

January 14, 2025
by Asher
· Music News · Vortex

NEWS RELEASE

Montreal, QC – January 15, 2025

VORTEX Announces “Symphony for the Dead” Eastern Canadian Tour w/ France’s XAON – (ON, QC, NB)

Rimouski, Quebec’s Vortex announces they are pairing up with France’s XAON for an eastern Canadian tour this coming April followed by European dates in October and November.

Entitled “Symphony For The Dead Tour”, the Canadian edition of shows will kick off in Montreal, QC on April 15th and see both bands perform 10 dates across Quebec, Ontario, and New Brunswick with support on select shows from Omnivide, Strigampire, Ulfhednar, and Burning Attic (dates listed below).

The tour will also be in support of VORTEX‘s next release for 2025, a new 5-song EP to follow their third studio album “The Future Remains In Oblivion” released in 2023. That info will be revealed in the coming weeks.

Symphony For The Dead Tour – Vortex + XAON (QC, ON, NB)
April 15 – Montreal, QC – Le Petit Campus ***
April 16 – Edmundston, NB – Ateepic *
April 17 – Saint John, NB – Haven Music Hall and Cafe *
April 18 – Moncton, MB – Xeroz *
April 19 – Rimouski, QC – Coop Le Paradis *
April 22 – Ottawa, ON – The Rainbow
April 23 – Drummondville, QC – La Ste-Paix ****
April 24 – Quebec City, QC – L’Anti ****
April 25 – Saguenay, QC – Microbrasserie Port-Alfred
April 26 – Trois-Rivieres, QC – L’Entite **

* Omnivide
** Strigampire
*** Ulfhednar
**** Burning Attic

About Vortex:

Vortex is a symphonic Death Metal band from Quebec, Canada, and is comprised of seasoned musicians with an abundance of studio and live experience. Their masterful lyric writing is equally matched with their prowess in devising riffs, and orchestrations.

Vortex music is filled with heavy riffing and melodies, technical vocals, and epic soloing. They will transport the listener into a new world and are recommended for fans of Lorna Shore, Shadow of Intent, Dimmu Borgir, and Fleshgod Apocalypse.

In June 2023, Vortex released “The Future Remains In Oblivion”, their third epic concept album set to aggressive and beautiful orchestral melodic death metal with hints of black metal. Each song on the album is one chapter in their well-written sci-fi tale and there is a build-up in intensity and emotion that goes along with the storyline and the lyrics as you traverse the album. VORTEX is gearing up to release a new 5-song EP and hit the road in 2025 alongside the talented band XAON. They will be supporting each other on a tour across Canada in April 2025 and Europe in October-November 2025.

Music Video – The Future Remains In Oblivion – https://youtu.be/rN9fKCm_PkE

Music Video – First Blood – https://youtu.be/Wd-yfIfRRzQ

For more info (Official Website, Socials, Videos, Bandcamp, Spotify, Apple Music): https://linktr.ee/vortexband

About XAON:

XAON. An elusive name born in the Alpine Might. Never quite fitting in any of the numerous galleries metal has to offer, drifting through the extremes whilst juxtaposing finesse and vehemence from an unworldly orchestra, endlessly exploring the vast echoic gloominess of the human mind.

In only a few short years, the combo has managed to step foot on 3 continents through the release of their debut album “The Drift”, notably across Europe with gothic metal monsters SIRENIA and folk metal legends TYR, in Japan with OBSCURA and ARCHSPIRE, in the US with THE VEER UNION, and sharing the stage in festivals across Europe with bands such as MEGADETH, TESTAMENT, EXODUS, GOJIRA, PARADISE LOST, ELUVEITIE and many more. In 2019, XAON came back with their critically acclaimed 2nd album “Solipsis” and raged across Europe with SEPTICFLESH and KRISIUN and distinguished themselves as an extremely powerful live act.

On July 1st, 2022, XAON released their new magnum opus, “The Lethean”, bringing the band’s grandiose aggressiveness to a whole new level, pummeling their way through a cataclysmic atmosphere while reaching a new majestic apotheosis. This record got them to play at the mighty WACKEN OPEN AIR 2023.

Music Video – If I Had Wings – https://youtu.be/OXAA1Flep7Y

Live Video – And Yet I Smile (Wacken Open Air 2023) – https://youtu.be/k6iZZZ9etvA

More info: https://www.xaonmusic.com/

– 30 –

Canadian College Radio Charts – – August 2023 – top 20 loud – #14 Vortex (earshot)

“#8 on Top 10 Quebec Band 2023 Albums – The Future Remains In Oblivion delivers a solid punch with their intense and well-felt symphonic death metal and, with a quality product like this, they have nothing to envy of the big names in the genre.” – Thorium Mag

“The Future Remains in Oblivion is the collision zone between powdered wig classical and battle jacketed death metal that should hold appeal for fans of Fleshgod Apocalypse, Septicflesh and those who like their Suffocation mixed with Dimmu Borgir.” – Decibel Magazine

“The song’s (The Walls) multi-faceted nature is further revealed in harrowing and haughty growls, jolting chords, and fiery sunbursts of sound, as well as through a swirling melodic guitar solo that spectacularly sends the song into the stratosphere. The song’s finale is itself a full-power spectacle that really gets the adrenaline surging.” – No Clean Singing

“If there’s anything that Vortex nails, it’s drama. Album highlight and banger track “First Blood” is simply massive” – Angry Metal Guy

“For some music is pure escapism but does that still hold true when bands like Canadian Melodic Death Metal monster Vortex whisk the would be listener into a bleak world that is recovering from a devastating cataclysm? Scenes of war and survival are punctuated with harrowing strings, technical riffs, and guttural and Black Metal inspired vocals as the band weave cinematic stories and orchestral touches into their third concept album “The Future Remains In Oblivion”” – Metal Noise

“the title-track The Future Remains In Oblivion, a song that will blow your mind with its insane wall of sounds, background orchestrations, epic passages, striking riffs and solos, and visceral yet intricate drums, resulting in one of the most breathtaking moments of the entire album.” – The Headbanging Moose

“An excellent group that you must discover because of the intensity they are able to show” – Ondes Chocs

“a band that takes great pride in weaving together cinematic stories set to orchestral melodic death metal. Canada’s very own Vortex is prepared to whisk you away to a bleak world that is recovering from a devastating cataclysm in the latest album, The Future Remains In Oblivion.” – Canadian Beats

“The Future Remains In Oblivion est un disque coloré, aux mélodies chaleureuses et aux superbes guitares.
“The Future Remains In Oblivion is a colorful record, with warm melodies and superb guitars.” – Music Waves

“The breakdowns are huge in places. There are big moments where the influences pour through, but are blended with giant choral arrangements and symphonics. It’s absolutely like something out of a Lord of the Rings movie. I love the melodies, the harmonics, and the guitar solos. This is absolutely an album which ought to be part of your listening rotation this month. I was genuinely impressed with quite a bit of the entire album. I think that when you look at this album, the absolute banger of the title tack is 100% worth several spins with the blackened guitar riffs and tremendous choral arrangements.” – Metal Epidemic

“Melodic death, a bit technical and prog” – Mosh Pit Radio WORT 89.9FM (Madison, WI)

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