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Tag: CHON

0 Canada’s Matt Chanway Breathes New Life Into Progressive Metal With “Unrelenting”, Guitar Playthrough Premiere via GearGods

  • February 17, 2021
  • by Asher
  • · Matt Chanway (Guitar Shredder) · Music News

NEWS RELEASE

Montreal, QC – February 17, 2021

 

For fans of Plini, Scale The Summit, Animals As Leaders, CHON

Canada’s Matt Chanway Breathes New Life Into Progressive Metal With “Unrelenting”

Guitar Playthrough Premiere via GearGods

Vancouver’s talented Matt Chanway returns in 2021 with a new single “Unrelenting”, for which he has done a playthrough video being premiered today on GearGods HERE.

Chanway was a finalist in Guitar Idol, the world-renowned guitar competition that features the top up and coming musicians from around the globe, as well as holding a fellowship from The University of West London in music performance. His skills are on full display for the new playthrough video for his single “Unrelenting”. Chanway quotes on the track:

“This tune was a lot of fun to write, and I feel it flows a lot better than songs I’ve released in the past. One big difference is the use of live drums, played by the amazing Mike ‘Machine’ Mallais.  Previous music I’ve released has used programmed drums, and while my programmer did a great job, there is just something about live drums and Mike slayed it on this track. This is the first of several new songs I’ve got lined up this year, and I am very excited to play these live when it is safe to do so!”

Chanway’s progressive, instrumental metal is sure to tantalize listeners around the world who are looking for a mind-expanding sonic experience. His music is highly recommended for fans of Plini, Scale The Summit, and Animals As Leaders.

“Unrelenting” is will be available on all digital platforms on February 19, 2021.
Spotify
Bandcamp
Apple Music

For more info:
Facebook.com/MattChanway
Instagram.com/MattChanway

About:

Matt Chanway is a Canadian guitarist, instructor, and session musician from Vancouver BC. His debut album was released in 2016 to critical acclaim, and not long after finished as a finalist in Guitar Idol, the world’s foremost guitar competition showcasing the top emerging players on the planet. In 2019, Chanway released the follow-up single “The Beyond”, once again to high praise. Holding a Fellowship in music performance from the University of West London, Matt teaches guitar and theory full-time in his hometown Vancouver BC.

Matt’s playing is inspired by a combination of the old and new school, with rock guitar players from the ’80s, modern progressive “shredders” such as Dan Mongrain and Jeff Loomis, as well as 70’s jazz-rock musicians John Mahavishnu and Al Di Meola. Fans of challenging, progressive, intense instrumental music – artists such as Plini, Alluvial, Tony Macalpine, Animals As Leader – will enjoy Chanway’s music.

Now in 2021, Chanway returns with a fresh new single entitled “Unrelenting”, an upbeat, shredtacular track to take listeners on a wonderful sonic adventure of instrumental progressive metal showcasing his authentic guitar themes, and addictive riffs. Plans for more music in 2021 is already in the works, and Chanway looks forward to sharing his razor-sharp passages meld with soaring solos.

– 30 –

“Solo artist Matt Chanway is a shredder whose instrumental compositions elicit comparisons to Conquering Dystopia, Alluvial, and the like. It becomes immediately evident that the dude knows his way around a fretboard (having studied guitar performance at the University of West London), but his widdely-woo is tasteful enough so as to not become tiresome, with care taken to first craft a sick riff to wail over.” – Geargods

“Matt’s self-titled solo debut is proof of his versatility and prowess as a musician… quite impressed by his new material” – Progzilla (Album Review – Self-Titled 2016)

“if you find bands like Megadeth, Revocation and guitarists such as Jeff Loomis to be up your alley, Matt Chanway’s debut effort is absolutely your cup of tea and you would be well-advised to give it a spin. A compelling debut in every aspect.” – Metal Assault (Album Review – Self-Titled 2016)

“This is not an album just for shredders, it’s for anyone who wants an album of great metal that will get your head banging and wear your air guitar out.” – The Ripple  Effect (Album Review – Self-Titled 2016)

“Burstfire solos, frantic time signatures, complicated riffing and the like are all signposts of an artist who wants to see how far he can go. Unsurprisingly, this ambition pays off. The release could stand on its own as proof that Matt could play alongside the world’s greatest in shred guitar.” – Prog Sphere Magazine (Album Review – Self-Titled 2016)

“The progressive metal genre never ceases to provide scores of insanely skilled guitar-slingers, and Vancouver’s Matt Chanway can now be recognized as another mind-blowing practitioner of the style.” – Guitar.com

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Beat The Heat With The Dead Centuries’ New Summer Single “Crystal Summer” Featuring Jacob Umansky (Intervals); Premiere Video via TheCirclePit

  • August 28, 2020
  • by Asher
  • · Music News · The Dead Centuries

(contact info below)

NEWS RELEASE

Montreal, QC – August 28, 2020

For fans of Intervals, Plini, Polyphia, Periphery, CHON

Beat The Heat With The Dead Centuries’ New Summer Single “Crystal Summer” Featuring Jacob Umansky (Intervals)

Premiere Video via TheCirclePit

Back in June, The Dead Centuries released their catchy sun-baked song “Pop a Soda”, and their second summer single “Crystal Summer” is ready for ears as of August 28, 2020.

Energetic, and uplifting, The Dead Centuries continue to provide the soundtrack for an awesome summer with hook oriented, melody-driven songs. They agree that this is the best material that they have released to date and they explain their musical journey in their own words:

“The idea behind ‘Crystal Summer’ was to release a track that has an upbeat, summer vibe (hence the name) that is in line with what we’ve done with our previous single “Pop A Soda”. We also shot a guitar playthrough video to add a visual element to the song, and our goal was to invoke feelings of fun, relaxation, and summertime.”

“Crystal Summer” features a solo piano introduction that establishes one of the main melodies of the song. This song builds on the foundation that they’ve laid down with “Pop A Soda”. Once again the inclusion of Jacob Umansky (Intervals/JIA) on bass brings another element to the track that helped them get closer to their vision.

With plans to keep releasing singles, The Dead Centuries is a band to keep an ear out for. They are recommended for fans of Intervals, Plini and Polyphia, and anyone else who likes melodic and technical tunes.

“Crystal Summer” can be heard via TheCirclePit‘s YouTube channel HERE.

Previous single:

“Pop A Soda” is on YouTube – YouTube, Spotify, Bandcamp, Apple Music

Bass clip of Jacob Umansky (INTERVALS) – HERE.

For more info:
Facebook.com/thedeadcenturies
Instagram.com/thedeadcenturiesband
Twitter.com/deadcenturies
EPK

About:

Visionary and highly influential writer Michael Moorcock, who worked with the bands Hawkwind and Blue Oyster Cult, memorably stated that ‘it is the business of the future to be dangerous.’

Ottawa three-piece The Dead Centuries are both futuristic and dangerous…which is as it should be. Influenced by Protest The Hero, Periphery, Paul Gilbert, Sithu Aye and Intervals, The Dead Centuries can easily hold their heads up in such exalted company. In their current form, The Dead Centuries compose and perform technically precise instrumental music, rich in virtuosity, melody, compositional skills, and most importantly…they create superb music to listen to. This isn’t the sound of three musicians showing off their undoubted skills, rather they are serving their songs above all else, with every fiber of their beings, every neuron firing in their minds, every tendon in their bodies.

In a sense, it is as if the three musicians that make up The Dead Centuries have become one mind in their own music! Adam Tremblett describes the sound of The Dead Centuries as “technical, melodic, energetic, heavy, precise.” Indeed The Dead Centuries are so precise, they are like some kind of cosmic clock; they are always on time.

The Dead Centuries had a natural evolution into the special band they are now, originally consisting of two guitarists, a bassist, female vocalist, and drummer; as members leftover time, those that remained rose to the occasion and created more technical and original music.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 The Dead Centuries w/ Guest Bassist Intervals’ Jacob Umansky – New Single / Music Video “Pop A Soda”

  • June 23, 2020
  • by Asher
  • · Music News · The Dead Centuries

(contact info below)

NEWS RELEASE

Montreal, QC – June 23, 2020

 

For fans of Intervals, Plini, Polyphia, Periphery, CHON

Crack A Cold Beverage And Drink Up Summer With “Pop A Soda” From The Dead Centuries Featuring Jacob Umansky (Intervals)


 

The Dead Centuries have a new standalone single out entitled “Pop A Soda”, it is the first track to be released from the band with guitarist Jacob McSheffrey as a writer. It’s the first step in the direction of more hook oriented, catchy songs.

“We’re extremely excited to release this track as we feel it marks a big step forward in terms of songwriting, composition, playing, and production. We think the sonic depth in “Pop A Soda” is more interesting, ear-catching, and rewarding than previous efforts from the band, and we think listeners will love the caliber of this track. The inclusion of Jacob Umansky (Intervals/JIA) on bass brings another element to the track that helped us get closer to our vision.”

“Pop A Soda” was recorded in Jacob’s home studio, with the exception of bass, which was written and performed by Jacob Umanksy of Intervals. The band reached out to Jacob via email asking if he would provide bass for the track, sent the track over and what you hear on the track is the first take that he sent them. Jacob also provided a video clip of him playing a section of the track, which highlights his unique approach to playing bass.

The Dead Centuries released an EP in 2018, “Race Against Time” and in their opinion, this single is the best material the band has released to date. It is energetic, upbeat, and technical and builds upon the foundation of “Race Against Time” to add more melody, hooks, and catchy riffs, which is what fans have come to expect from The Dead Centuries.

More is to come from The Dead Centuries, as they plan to continue to release singles to keep new fresh music coming to fans, reflecting their ever-evolving approach to music and songwriting.

For fans of Intervals, Plini and Polyphia the video for “Pop A Soda” is on YouTube – HERE.

Bass clip of Jacob Umansky (INTERVALS) – HERE.

Stream and download for “Pop A Soda” available at the following links:
Spotify
Bandcamp
Apple Music

For more info:
Facebook.com/thedeadcenturies
Instagram.com/thedeadcenturiesband
Twitter.com/deadcenturies
EPK

About:

Visionary and highly influential writer Michael Moorcock, who worked with the bands Hawkwind and Blue Oyster Cult, memorably stated that ‘it is the business of the future to be dangerous.’

Ottawa three-piece The Dead Centuries are both futuristic and dangerous…which is as it should be. Influenced by Protest The Hero, Periphery, Paul Gilbert, Sithu Aye and Intervals, The Dead Centuries can easily hold their heads up in such exalted company. In their current form, The Dead Centuries compose and perform technically precise instrumental music, rich in virtuosity, melody, compositional skills, and most importantly…they create superb music to listen to. This isn’t the sound of three musicians showing off their undoubted skills, rather they are serving their songs above all else, with every fiber of their beings, every neuron firing in their minds, every tendon in their bodies.

In a sense, it is as if the three musicians that make up The Dead Centuries have become one mind in their own music! Adam Tremblett describes the sound of The Dead Centuries as “technical, melodic, energetic, heavy, precise.” Indeed The Dead Centuries are so precise, they are like some kind of cosmic clock; they are always on time.

The Dead Centuries had a natural evolution into the special band they are now, originally consisting of two guitarists, a bassist, female vocalist, and drummer; as members leftover time, those that remained rose to the occasion and created more technical and original music.

– 30 –

—

ASHER MEDIA RELATIONS
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#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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