Montreal, QC – January 28, 2021
For fans Septicflesh, Scar Symmetry, Dimmu Borgir, Fleshgod Apocalypse, Machina
Canada’s The Design Abstract Are Streaming Their Science Fiction Masterpiece “Technotheism”
Full Stream Premiere via Bravewords
“Technotheism” Out Jan 29th via Abstrakted Records
L-R: Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming)
Photo Credit – Tami Martin
The Design Abstract, from Ontario, Canada are now streaming their new album “Technotheism”. The album invokes the futuristic sounds of science fiction, as the band takes a step away from the traditional use of orchestral writing, by making it the soundtrack for anything space or cyberpunk related.
Still, in the experimental age for the band, each song is written completely differently and by different members of the band. “Technotheism” is purely a science fiction story told as such in a monumental thirteen track work of symphonic melodic death metal. It tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. The band explains the album:
“We incorporate a blend of metal, orchestra, and industrial music that hasn’t been done in this way. Nobody can top the orchestral metal masterpieces like Death Cult Armageddon by Dimmu Borgir or Codex Omega by Speticflesh, however, we push this genre into the distant future, with the sounds of a cyberpunk dystopia punctuating every release.
This album is the absolute pinnacle of what the band is currently capable of, which speaks volumes to the fact that most of it was written so long ago. Most metal bands who incorporate orchestral writing do so in a pointedly antiquated way: the goal is to sound a bit archaic. The sound of The Design Abstract is rooted in futuristic science fiction. It’s a classically scored orchestra, but it sounds anything but old fashioned.”
The dramatic, grandiose music is presented in an articulate but extreme wall of sound suitable for fans of science fiction, and melodic death metal and bands such as Fleshgod Apocalypse, Machina, and Dimmu Borgir.
“Technotheism” is streaming now via its premiere on Bravewords HERE.
“Technotheism” is out on January 29, 2021 via Abstrakted Records. Album pre-order – https://design.bandcamp.com/
1. Relentless (2:05)
2. Deus Est Machina (6:33)
3. The Apotheosis (1:54)
4. Among the Stars (1:36)
5. The Resistance (4:37)
6. Voidwalkers (3:46)
7. The Omnisphere (1:32)
8. Data Shield Attack (6:18)
9. The Return (3:41)
10. Elucidate (1:11)
11. Parallel Projection (3:46)
12. Annihilation (3:46)
13. A World of One (4:00)
Album Length: 44:50
The Design Abstract is a two-piece sci-fi-themed symphonic melo-death band from Ontario, Canada consisting of Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming). The band formed with a single goal: to create a blend of industrial-influenced symphonic metal that had never been done before. Since the debut album Emanate in 2017, The Design Abstract has sought to shed the antiquated tendencies of orchestral metal bands, instead pushing far into the future conceptually and lyrically. With each subsequent release (Corrupt in 2019 and Esoteric in 2020), the band pushed further into “melodic death metal” territory, brandishing more comprehensive riffs, technical drum writing, and more guttural vocals, but never lost the industrial-electronic edge or the massive and dramatic orchestral passages. The cumulation of this sound is their latest album Technotheism due out Jan 29, 2021.
A grandiose display of musicality, technicality, and narrative, the sophomore full length is a monumental 13-track work of symphonic melodic death metal that tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. One thing you’ll notice about Technotheism is how it’s structured and how it all flows together. The pattern of the types of tracks, the order, and their function was very carefully planned out in a way that few albums are.
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“A symphonic technical death metal masterpiece with an amazing concept to keep you engaged from start to finish \m/” – Heavy New York
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