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Tag: Canada’s NOMAD Now Streaming Dynamic Debut Progressive Death Metal Album “The Mountain” – Mastered by Christian Donaldson (Cryptopsy)

0 Streaming Now! Quebec’s BACKSTABBER Holds Power Over Metals With Their New EP “Patterns of Domination”

  • March 14, 2024
  • by Asher
  • · Backstabber · Music News

NEWS RELEASE

Montreal, QC – March 14, 2024

Streaming Now! Quebec’s BACKSTABBER Holds Power Over Metals With Their New EP “Patterns of Domination”

Mixed and Mastered by Christian Donaldson (Cryptopsy)

Backstabber, the groovy Canadian death metal force, returns after a long silence, with their latest EP “Patterns of Domination”, out now. Originating as a solo project in 2012, founder Christian Thériault turned Backstabber into a full-fledged band in 2015, driven by a relentless thirst for angry metal and a need for vengeance. They take no prisoners with this release that is inspired by James Redfield’s “The Celestine Prophecy”, which explores four patterns designed to consume someone’s attention and energy. Backstabber shares their thoughts on the album and what fans can expect from them:

“Each track digs into a specific pattern giving for a wide array of emotions throughout the EP. It can also be felt musically as each song has a very distinct style while the production makes a good wrap up keeping it as a whole. Our music being live-oriented from the start, it makes way for an energetic output. Our shows are well rounded up and fronted accordingly.”

The evolution of the band’s sound from their previous two releases underscores a departure from the solo origins, with Thériault making room for other members to express themselves more prominently. Thériault leads the charge on guitar and vocals, accompanied by Philippe B. St-Jacques on guitar, Eric Séguin on bass/back vocals, and Keven L.-Hull on drums. As the band’s evolution continues, “Patterns of Domination” marks a pivotal moment where the members’ contributions shine through, creating a distinct and cohesive musical expression.

The tracklist includes the bone-crushing “Harvesting The Weak”, the relentless “Langues Sales”, the haunting “Crawling Through Your Bones”, and the brutal “Snitches Get Stitches”. Backstabber‘s sound, ranging from old-school death metal riffs to slamming brutal death, promises an intense auditory experience and is recommended for fans of Kataklysm, Lamb of God, and Mors Principium Est.

“Patterns of Domination” was produced by Backstabber vocalist/guitarist Christian M. Thériault and mixed and mastered by Christian Donaldson (Cryptopsy) and can be heard via its full stream premiere on NoCleanSinging HERE.

The EP is due out on March 15, 2024, and is available for pre-order at https://backstabbermetal.bandcamp.co.

Spotify – https://spoti.fi/3OwNJSD​

Track Listing:​
1. Harvesting The Weak (4:06)
2. Langues Sales (4:34)
3. Crawling Through Your Bones (5:03)
4. Snitches Get Stitches (5:46)
EP Length: 19:29

EP and Live Band Lineup:​
Christian M. Thériault: Guitar/Vocals
Philippe B. St-Jacques: Guitar
Eric Séguin: Bass/Back Vocals
Keven L.-Hull : Drums

More info: Facebook.com/BackStabberMetal​

-30-

What the press has said about Backstabber’s 2019 album “Conspiracy Theorist”:

“Powered by drumwork that resembles a ferocious mix of machine-gun and mortar fire, Backstabber mount the attack with flurries of vicious, seething riffery and nail-gunning jab-fests, with the lyrics voiced in heartless, imperious roars. The devastation is pushed to further heights of frenzy with a shrill, eerily spiraling solo, and concludes with a hint of off-planet mystery.” – No Clean Singing

“Out of northern Quebec comes the Men In Black, melodic death metal band Backstabber. Last year, these guys dropped their debut album Conspiracy Theorist and it still stands as one of the best albums of the year. Full of tinges of Hypocrisy from style and sound, to the obvious connection of alien themed lyrics. A little over a year later now, Backstabber are dropping a music video for their song “My Disclosure” and it’s essentially nothing you would expect from a small independent band only on their first album.” – Metal Injection​
​
​“Fast, frantic, politically minded and heavy” – Exclaim!​
​
​“Backstabber’s death metal is more of the modern variety (in a good way) with a very clean yet brutal sound and speed aplenty. The playing is insanely tight at times and it’s often hard to believe that this is only the first album of a relatively young band, their first demo having been released in 2016. Some passages are a little on the thrash side but for the most part, this is heavy, pounding, fast death metal driven by a drummer who is really asking for a speeding ticket. ” – 4/5 – The Metal Crypt​
​
​“The songs are heavy, and the death and thrash influences make for some fairly easy to get into head bobbing as each track progresses… Conspiracy Theorist is a solid beginning for Backstabber… Solid for those that want some new, well-rounded death metal.” – Dead Rhetoric​
​
​“Backstabber’s Conspiracy Theorist is a self-released album that makes one wonder how they haven’t been signed to any label yet… Backstabber have on their hands the first essential death metal release of 2019.” – 4/5 – Heavy Music HQ​
​
​“BACKSTABBER deliver aggressively systematic silver lining lacerations of rip-roaring screams of vengefully vicious old-school Death ‘N’ Thrash Metal professionalism – simply put – recommended.” – Metal-Temple

“The tracks that attracted my attention the most were ‘Ink Spill’, ‘My Disclosure’ and ‘Banksters’: continuing the old-school texture, these tracks, as well as the entire full-length, include no clean vocals nor breakdowns; all that is contained is substantial and complete death-thrash metal led on by a superb stream of undeniable thinking and design. Backstabber’s music can definitely be cherished over time by fans of Decapitated, At The Gates, Deicide and Hypocrisy as the band grows in following. This release shows glory in blending their musical layout with dynamic and spirited riffs.” – Metal-Rules

“Conspiracy Theorist has a real face crushing, devastatingly great death/thrash metal feel to it…” – Crannk

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s NOMAD Now Streaming Dynamic Debut Progressive Death Metal Album “The Mountain” – Mastered by Christian Donaldson (Cryptopsy)

  • March 2, 2023
  • by Asher
  • · Music News · Nomad

NEWS RELEASE

Montreal, QC – March 2, 2023

 

Canada’s NOMAD Now Streaming Dynamic Debut Progressive Death Metal Album “The Mountain”

Mastered by Christian Donaldson (Cryptopsy)

L-R – Josh MacDonald (Bass), Matt Johnstone (Guitar/Vocals), Bretton Melanson, (Drums/Vocals), Jeff Mabb (Guitar/Vocals)
Photo Credit – Chris Geistlinger

Hailing from Canada’s Okanagan Valley in British Columbia, Nomad is a dynamic, progressive death metal band consisting of drummer/vocalist Bretton Melanson; guitarist/vocalist Matt Johnstone; guitarist/vocalist Jeff Mabb; and bassist Josh MacDonald. Having three vocalists creates a unique sound that is powerful, complex, and full-bodied. They have solidified their name in the local scene with festival appearances and supporting big-name acts and now they are stoked to have their debut album “The Mountain” ready for ears around the world. They share their excitement for the release:

“This has been a long time coming. After so many external factors holding us back, we are so happy to finally get this out to the world, and start crushing audiences again. I think we have a more “Rural” feel than most metal bands. The music feels like being in nature, camping, etc. Johnstone’s old band called themselves “Bush Metal” and that kind of feeling came over.”

Throughout the album, they confront personal and societal issues, explore sci-fi worlds and question authority. The seamlessly go from soft, clean ballad parts to raging, full-throttle death metal chaos. Drum and guitar solos abound, and the diversity in the vocal styles makes “The Mountain” an exciting and dynamic musical adventure.

The nine-track album was mixed by Bretton Melanson, mastered by Christian Donaldson and the album artwork was done by Angela Grimmuza. A melting pot of different styles and eras, Nomad is recommended for fans of Devildriver, Gojira, and Lamb of God.

“The Mountain” is due out on March 3, 2023, and can be heard in full before it officially drops via its album stream premiere on TheProgSpace HERE.

Album pre-order (CD, Digital) – Nomadbc.bandcamp.com​

Track Listing:​
1. Burning Alive (4:30)
2. Haunted (6:00)
3. Revolution (6:05)
4. Relentless (6:09)
5. A Lonely Wanderer (5:08)
6. Blood Moon (9:40)
7. Rise in the Fall (6:20)
8. Processor (6:56)
9. Choke (8:52)
Album Length: 59:38

Album Credits:​
– All songs written and performed by Nomad.
– Additional writing contributions by past members:
Kasey Klassen
Lorne Valliers
Dylan Heska
Justin Kleinsasser
– Mixed by Bretton Melanson
– Mastered by Christian Donaldson
– Album Artwork by: Angela Grimmuza/ Art Of Grimmuza
– MAPL – Canadian Content

Album and Live lineup:​
Bretton Melanson: Drums/Vocals
Matt Johnstone: Guitar/Vocals
Jeff Mabb: Guitar/Vocals
Josh MacDonald: Bass

For more info: Facebook.com/nomadmetal | Instagram.com/nomadbandbc​

About: Nomad is a dynamic, progressive death metal band from the Okanagan Valley in British Columbia, Canada and consists of drummer/vocalist Bretton Melanson; guitarist/vocalist Matt Johnstone; guitarist/vocalist Jeff Mabb; plus bassist Josh MacDonald. Kickstarted by Johnstone who was looking for an outlet, he approached Melanson and since the material felt right and with their previous history playing together, the ball was rolling. Over a few years, there was a lineup flux, with each additional leaving their mark on the material. Ultimately, they then recruited Mabb as a second guitarist and MacDonald on bass, and working collaboratively, they weave their melodic, groovy death metal.

Looking to avoid going too crazy on the violence and gore tropes that are quite prominent in metal music, they tend to tell stories based on fictional characters, historical events, science fiction, and astrophysics. Each member adds their own flair to the songs, imprinting their distinct influences.

When they hit the stage, the audience is greeted by multiple vocalists that deliver a massive wall of layered sound, integrated sound effects, and a well-thought-out visual element. They played Canada’s prominent Armstrong Metalfest in 2016-2019 and performed alongside bands such as Kataklysm, Origin, Soulfly, and Alestorm. They are releasing their debut album “The Mountain” in 2023.

– 30 –

“Scary, violent and good” – Frequence Metal

““Revolution” takes no time at all to seize attention. The drums clatter and boom with immediately thrilling effect, and around those convulsive strikes the guitars slowly meander and ring in a beguiling harmony. The vocals have their own interesting harmony but flare into rabid, throat-cutting growls. That slithering opening melody, warmed by the bass, reappears and becomes a swelling ear-worm — but with a pause the song transforms into a hulking and jolting brute. The guitars jitter and whine, and the vocals change into goblin-like snarls, creating a feeling of sinister menace, which becomes even more sinister thanks to an exotically swaying and swirling guitar solo whose piercing tones are somehow inviting as well as increasingly crazed. Maniac howls, ugly gurgling expulsions, and berserk screams vent the lyrics with their own groove, while the band as a whole continue on with their nasty but highly headbangable beating.” – No Clean Singing

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

 

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