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Tag: Brutal Death Metal

0 SAPRAEMIA Unveils New Single “7th Entity” From Upcoming EP “Voidbirth of the Pleroma”

  • November 12, 2026
  • by Asher
  • · Music News · Sapraemia

NEWS RELEASE

Montreal, QC – November 12, 2026

SAPRAEMIA Unveils New Single “7th Entity” From Upcoming EP “Voidbirth of the Pleroma”

​
Emerging from the depths of the American underground death metal scene, Sapraemia has unleashed their new single “7th Entity,” the first of two standalone singles serving as a preview of the band’s forthcoming third EP, “Voidbirth of the Pleroma,” scheduled for release on December 8th, 2026.
​
Founded by guitarist and principal songwriter Rudy Martinez, whose death metal roots trace back to his native Nicaragua, Sapraemia has steadily evolved into a formidable force blending brutal death metal intensity with technical precision, atmospheric depth, and esoteric themes.
​
Their latest offering, the single “7th Entity,” explores a psychedelic journey through DMT, where a multidimensional being manifests as a seemingly negative force and ultimately becomes a reflection of unresolved trauma stored within the self. Through self-realization, forgiveness, and acceptance, the darkness transforms into a path toward spiritual evolution and inner liberation.
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Reflecting those themes musically, the track opens as a relentless barrage of technical brutality before gradually expanding into more atmospheric and dissonant passages, mirroring the narrative’s movement from confrontation to transcendence.
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​“‘7th Entity’ brings together classic death metal elements with a strong technical approach. We want to give listeners an experience where brutality and musicianship come together to create emotional depth and immersive sonic landscapes. Musically, the song mirrors this transformation. It begins as a relentless and chaotic assault, reflecting the overwhelming intensity of the experience and confrontation with the shadow self. As the lyrics progress, the music gradually begins to release, introducing harmonic dissonance and more expansive passages. By the latter half of the song, these dissonant harmonies create brief glimpses of something ethereal, a glimmer of hope emerging from the darkness, representing the clarity and light attained through acceptance, forgiveness, and release,” says Martinez.

The upcoming EP, “Voidbirth of the Pleroma,” draws heavily from Gnostic cosmology, exploring themes of creation, consciousness, decay, transcendence, and the conflict between divine origin and imperfect creation. Inspired by figures such as Terence McKenna, Manly P. Hall, and the band’s ongoing exploration of occult philosophy and metaphysical concepts, the EP presents a conceptual journey through the fracture of divine fullness and the search for knowledge beyond material reality.
​
Musically, the release will showcase a band continuing to expand its identity. While maintaining the brutal and technical death metal foundation that defined its earlier work, Sapraemia increasingly incorporates complex arrangements, atmospheric textures, and emotional depth into its songwriting. Martinez notes that the band’s sound truly began to take shape following the arrival of vocalist Weston Stone, whose distinctive vocal approach added another dimension to the group’s evolving style.
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The songwriting process remains highly collaborative between Martinez and Stone. Most compositions begin with conceptual ideas and guitar arrangements written by Martinez before being expanded through the contributions of the full band.
​
​Sapraemia‘s current lineup features musicians active in several respected underground projects, including Devoidment, Of Void and Ash, Dark Karma, Virulentus, Written in Blood, Wykked Witch, Shady Graves, and Blowtorch Sodomy.
​
Adding further firepower to the release, the drums for “7th Entity” were recorded by John Longstreth of Origin.​
​
Written during a challenging period in the lives of Martinez and Stone, the material takes on an especially personal character. The song was later mixed and mastered by Carlos Santos of Sadman Studios (Spain), whose work helped fully realize the emotional and atmospheric vision behind the recording.
​
As the first chapter of “Voidbirth of the Pleroma,” “7th Entity” offers a glimpse into Sapraemia‘s most ambitious and conceptually immersive work and the eventual arrival of the complete EP.
​
Recommended for fans of Suffocation, Cannibal Corpse, Death, Devourment, and Dying Fetus, listen to “7th Entity” via its premiere on Decibel Magazine HERE.

More info:

​https://www.facebook.com/profile.php?id=61579619133226​

​https://www.instagram.com/sapraemia/​

​https://open.spotify.com/artist/5eQlgoutjd16bN4LiuwWA8​

​https://sapraemiafl.bandcamp.com/​

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​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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0 Slam Is The Only Way! TRAUMATOMY Unleashes New Album “Ascension Of The Ineffable”

  • October 29, 2026
  • by Asher
  • · Music News · Traumatomy (Gore House Productions)

NEWS RELEASE

Montreal, QC – October 29, 2026

Slam Is The Only Way! TRAUMATOMY Unleashes New Album “Ascension Of The Ineffable”

​Slamming brutal death metal force Traumatomy is unleashing its fourth full-length album, “Ascension Of The Ineffable,” on October 30, 2026, via Gore House Productions.
​
Over the last several months, the band has offered a glimpse into the record’s devastating power with the release of the singles “Entropic Obliteration” and “Visceral Maceration”, both showcasing the album’s uncompromising brutality, crushing groove, and relentless intensity. Now, listeners can immerse themselves in the complete eight-track assault that further solidifies Traumatomy’s place among the elite names in modern slamming brutal death metal.

Before “Ascension Of The Ineffable” officially drops, fans can experience the album’s first listen through an exclusive stream premiere hosted by MetalInsider.net HERE.
​
Commenting on the new album, the band states:

“We are very happy with our new album ‘Ascension Of The Ineffable’. We worked on it for two years. We believe fans will love this album for a long time. Konstantin Ogarkov brought a special sound to this album. The sound is raw but at the same time sharp and brutal. The album cover by Jon Zig captured our vision and atmosphere. SLAM IS THE ONLY WAY.”​
​
Written entirely by guitarist and founding member Constantine Chevardin, “Ascension Of The Ineffable” represents the band’s most savage and refined work to date. Faster, rawer, and more punishing than its predecessors, the album pushes Traumatomy‘s trademark blend of primitive slamming brutality into even more extreme territory while maintaining the memorable grooves and crushing breakdowns that have become hallmarks of their sound.
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Inspired by the cosmic horror of H.P. Lovecraft and the bleak absurdity of crime television, the album continues the band’s fascination with grotesque storytelling and otherworldly atmospheres. From the opening devastation of “Entropic Obliteration” to the mammoth title track and the climactic closer “Xeno-Homeostasis,” the record delivers a relentless barrage of slam-fueled chaos and precision.
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Formed in 2012 by Constantine Chevardin and former Gorevent vocalist Haruka Kamiyama, Traumatomy began as an online studio project before evolving into a full-fledged live act. With the additions of bassist Leonid (Cephalic Impurity) and drummer Ivan in 2018, the band transformed into a touring force renowned for their coordinated stage performance, professionalism, and crushing live presence.
​
Fueled by beer, riffs, blast beats, and cosmic horror, Traumatomy remains committed to their singular mission: creating monolithic slamming brutal death metal without compromise. “Ascension Of The Ineffable” stands as the definitive expression of that vision.
​
Recommended for fans of Gorevent, Cerebral Incubation, Disgorge, Epicardiectomy, and Defeated Sanity, “Ascension of the Ineffable” is out on October 30th, 2026, from Gore House Productions.

Album pre-save / CD/ Cassette – https://orcd.co/ascension-of-the-ineffable​

Single – “Visceral Maceration” – https://www.youtube.com/watch?v=2r-5H2YkQb8​

Single – “Entropic Obliteration” – https://www.youtube.com/watch?v=EOsVA0-oJjQ​

Track Listing:​
1. Entropic Obliteration (3:34)
2. Pervigilium of the Obsolesced Xenolith (3:26)
3. Endoneural Parasitosis (3:07)
4. Repugnant Coalescence (2:55)
5. Ascension Of The Ineffable (2:54)
6. Visceral Maceration (2:34)
7. Autognathic Avulsion (2:43)
8. Xeno-Homeostasis (3:07)
Album Length: 24:15

Album Credits:​
All songs performed by Traumatomy
All songs written by Constantine Chevardin
Produced by Constantine Chevardin
Mixed and Mastered by Konstantin Ogarkov
Cover artwork by Jon Zig

Album band line-up:​
Constantine – Guitars
Ivan – Drums
Leonid – Bass
Haruka – Vocals
Kirill – Vocals

Live band line-up:​
Constantine – Guitars
Ivan – Drums
Leonid – Bass
Kirill – Vocals

More info:

​https://gorehouseproductions.com​

​https://www.facebook.com/traumatomy​

​https://www.instagram.com/traumatomy.slam​

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“This is a faster, more aggressive and brutal album by the band. I do like the change and the performance on every song is awesome. The album is for those who like their metal a bit harder and darker. This isn’t an album by big name commercial record labels where most of the artist follow a predetermined path and so many of them sound the same. This is Traumatomy they do things their way and for their fans. For me this is a banger of an album and score the perfect 10.” – Project Metal Music

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
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0 CAVERNOUS MAW Unleashes Video “The Yeti Approaches the Wall” From New EP “Ancestral Lands Beyond the Antarctic Ice Wall”

  • October 27, 2026
  • by Asher
  • · Cavernous Maw · Music News

NEWS RELEASE

Montreal, QC – October 27, 2026

CAVERNOUS MAW Unleashes Video “The Yeti Approaches the Wall” From New EP “Ancestral Lands Beyond the Antarctic Ice Wall”

A crushing new chapter begins as Cavernous Maw, the Minneapolis duo, expands its vision with a concept-driven journey into the unknown with the release of its brand-new video, “The Yeti Approaches the Wall,” from their new EP “Ancestral Lands Beyond the Antarctic Ice Wall,” out now as of October 27th, 2026.
​
Blending relentless death metal intensity with emotional weight, memorable melodies, and unexpected influences drawn from black metal, technical death metal, and classic extreme metal, “The Yeti Approaches the Wall” marks the next evolutionary step for the two-piece act.
​
Comprised of longtime friends and collaborators Niilo Smith (Vocals/Guitar) and Ben Fagerness (Drums), Cavernous Maw was born from a desire to strip away complications and focus purely on creating music. After years of playing together in various projects, the pair embraced the simplicity and creative freedom of a two-member lineup, forging a sound that is equal parts brutal, dynamic, and unmistakably their own.
​
The new single showcases a more mature and refined version of the vision first introduced on their debut EP, “Primitive.”​
​
​“The Yeti Approaches the Wall was the first song we wrote for our next EP. It started as nearly all of our songs do, the two of us jamming in the practice space, locking onto a riff and expanding it. The arrangement and drum parts were carefully crafted to keep the energy flowing from beginning to end. Lyrically, the song is about exactly what the title suggests: a yeti approaching a wall. Whether that wall is physical or mental is up to the listener,” adds Ben.
​
Serving as the opening chapter of a larger concept, the track introduces listeners to a mysterious protagonist embarking on a journey beyond the boundaries of his known world. Throughout “Ancestral Lands Beyond the Antarctic Ice Wall,” the EP follows the yeti’s path of discovery, curiosity, growth, understanding, and ultimately, humanity’s downfall.
​
The EP’s central theme explores exploration, self-discovery, and the pursuit of knowledge. What begins as a literal story about a yeti reaching the edge of the world becomes a broader metaphor for pushing beyond personal limitations and remaining curious about what lies beyond the horizon.
​
Musically, the new release builds upon the foundation established by their EP “Primitive.” While the debut evolved organically and initially wasn’t even intended to feature vocals, “Ancestral Lands Beyond the Antarctic Ice Wall” was conceived from the start as a fully realized death metal record. The result is a collection of songs with stronger structure, deeper arrangements, and a more focused songwriting approach while maintaining the raw energy and riff-driven assault that defines Cavernous Maw.
​
The band’s songwriting process remains firmly rooted in old-school collaboration. The band develops every song together in the rehearsal space, where riffs are shaped, arrangements refined, and ideas transformed into complete compositions through a shared creative vision.
​
To add to the project’s authenticity, the band recorded “Ancestral Lands Beyond the Antarctic Ice Wall” largely live in their practice space before adding vocals. The accompanying video for “The Yeti Approaches the Wall” further demonstrates the duo’s commitment to immersive storytelling. In preparation for filming, Ben and Niilo even constructed a rudimentary “Viking hut” from pine branches on location, a detail that appears briefly in the final video for eagle-eyed viewers to discover.
​
Beyond the fantasy narrative, Cavernous Maw‘s lyrical themes draw inspiration from humanity, history, ancestral living, exploration, and the natural world. The band’s ethos celebrates curiosity, self-reliance, and the enduring spirit of discovery that has driven civilization from its earliest beginnings to the modern age.
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With additional material already written for future releases and a dedicated recording studio currently under construction, Cavernous Maw shows no signs of slowing down.
​
​“We absolutely love this new EP record, and we hope fans will too. “It’s a more mature expansion of our original vision. Fans can expect a lot more music from Cavernous Maw in the future.”

Fans of Nile, Behemoth, Cannibal Corpse, Death, and Borknagar will find plenty to appreciate in Cavernous Maw‘s blend of crushing heaviness, technical precision, and thematic ambition.

Watch and listen to “The Yeti Approaches the Wall” via its video premiere on Decibel Magazine HERE.

The EP “Ancestral Lands Beyond the Antarctic Ice Wall” is available at the following links:

Spotify – https://open.spotify.com/album/20OJGUrdNrYr6uocmOZmC9​

Bandcamp (100 hand-numbered limited edition CDs available) – https://cavernousmaw.bandcamp.com/album/ancestral-lands-beyond-the-antarctic-ice-wall​

Track Listing:​
1. The Yeti Approaches the Wall – 3:43
2. Choke to Choke – 2:49
3. Forever and a Day – 3:10
4. Onward to Salvation – 3:17
5. Ash for Bread, Poison for Rain – 4:21

More info: https://linktr.ee/cavernousmaw​

​Cavernous Maw is a two-piece death metal band dedicated to crafting heavy, brutal, emotional, and immersive extreme music. Drawing inspiration from nature, history, humanity, and exploration, the duo combines old-school death metal aggression with modern songwriting sensibilities to create a powerful and distinctive sound.

Band Lineup:​
Niilo Smith – Vocals/Guitar
Ben Fagerness – Drums

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“One final, and very important point: These songs are also very infectious. They get in, they do their work quickly, and they get out.” – No Clean Singing (2025 – Primitive EP)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Gore House Productions – One-Woman Slamming Goregrind CORDYCEPS CORPSE’s “From Flesh To Fluids” Cassette/CD Now Available! + Music Video For Title Track

  • November 18, 2025
  • by Asher
  • · Cordyceps Corpse (Gore House Productions) · Music News

NEWS RELEASE

Montreal, QC – November 18, 2025

One-Woman Slamming Goregrind CORDYCEPS CORPSE’s “From Flesh To Fluids” Cassette/CD Reissue Now Available!

+ New Music Video For Title Track

Gore House Productions announces “From Flesh to Fluids,” the latest full-length album from one-woman slam/goregrind juggernaut, Cordyceps Corpse, is now available on CD and cassette, plus shipping worldwide. The digital release remains live across all major platforms.

Created by the twisted brainchild of multi-instrumentalist and vocalist Nani, Cordyceps Corpse’s “From Flesh to Fluids” is a sonic descent into madness, equal parts brutal, disgusting, and morbid. Inspired by slam legends like Devourment and Cephalotripsy, the album delivers a raw yet polished evolution of Cordyceps Corpse’s sound, now featuring live drums and tighter production while retaining the DIY filth fans crave.
​
Fans will blast earwrenching tracks like “Battery Acid Enema”, a vile, tongue-in-cheek collaboration with Nani’s partner Liv, “Stomach Bile For Miles” is a grotesque narrative of cannibalistic carnage, “Family Photo With Hella Cadavers” (feat. WORMFUCKER) is a dehumanizing snapshot of horror, and “Tools For Torture” is a slow-building frenzy inspired by Terrifier.
​
Nani, who writes, records, and performs every element of Cordyceps Corpse, describes the album as “pure chaos into heavy slam riffs.” Drawing inspiration from horror films, documentaries, and even neighborhood trash disasters, the music is driven by feeling rather than formula.

“I want this album to give the same feeling I got when I first heard Molesting the Decapitated by Devourment. Thick and brutal sound that just keeps hitting,” says Nani.

Gore House Productions label founder Carlos Matt adds:

“After following Cordyceps Corpse (Cordy) on social media for several months, I am excited to welcome the project to our roster. Seeing Nani creatively market Cordy while composing filthy, slamming death metal, there was no question but to partner up with Cordy. Her debut album, “From Flesh to Fluids,” quickly became a favorite; I’m beyond stoked to give it a proper release.”​
​
​Cordyceps Corpse began in late 2023 as a solo rebellion against the monotony of beat-making.

“I was bored with making music for other people. I wanted to form a band, but didn’t want to wait around. So I said, ‘f*** it, I’ll do it myself,” adds Nani.

That DIY ethos extends to everything, from the music to the logo, which Nani designed on a refurbished iPad after watching YouTube tutorials.
​
With live shows described as chaotic parties, complete with crowd participation and impromptu mic screams, Cordyceps Corpse is poised to carve a unique space in the underground metal scene. And with Gore House Productions backing the reissue, the band’s reach is about to get a whole lot bloodier.

CD and Cassette copies of “From Flesh to Fluids” are available from Gore House Productions at the following link: https://gorehouseproductions.com/collections/cordyceps-corpse​
​
Check out the new music video for the title track, “From Flesh to Fluids,” a chaotic, anti-authoritarian blast of guttural vocals, slamming riffs, and visceral imagery that sets the tone for the album’s grotesque journey. Watch at https://youtu.be/L4ExQ4UzRK8

​

Digital Album (released Aug 22, 2025) – https://orcd.co/from-flesh-to-fluids

​

Track Listing:​
1. Intro to Putrefaction – (1:37)
2. From Flesh To Fluids – (2:07)
3. Decapitation – (2:34)
4. Slowly Poisoned – (2:32)
5. Battery Acid Enema – (2:41)
6. Stomach Bile For Miles – (3:16)
7. Family Photo With Hella Cadavers (feat. WORMFUCKER) – (2:08)
8. Left Over Limbs For Later – (3:03)
9. Tools For Torture – (2:17)
10. Skin Tortilla – (2:22)
Album Length: 24:37
​
​Album Recording Credits:​
• All songs performed by: Nani Porter
• All songs written by: Nani Porter
• Produced by: Nani Porter
• Mixed by: Nani Porter
• Mastered by: Nani Porter
• Album Artwork by: Nani Porter
​
​Album Band Line Up:​
Nani Porter – Guitars, bass, drums, and vocals
​
​Live Band Line Up:​
Nani Porter – Guitar and Vocals

More info: ​Gorehouseproductions.com​ | Instagram.com/cordycepscorpse | Tiktok.com/@cordycepscorpse | Youtube.com/@cordycepscorpseband​

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CORDYCEPS CORPSE REVIEWS & MENTIONS

Shay top 20 women fronted/all woman bands: https://www.tiktok.com/t/ZTHGeWoaHSaaB-6NEcX/​

Slam dad’s top slam albums 2025: https://www.tiktok.com/t/ZTHGe7svNe6Yg-XSZgA/ describes album “as thick and gross and I absolutely love it”​
​“dabbles into goregrind, a little bit brutal death meta,l but straight up slam”

Shortbus Pile Up slams of the week #38: https://www.tiktok.com/t/ZTHGe7oG6eawD-9smyt/ Bill “describes album as super fucking brutal …really good death metal”​
​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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