Tag: black metal

0 NoCleanSinging Premiere – Montreal’s Fall Of Stasis Release Video For “Baal Arise” Off Upcoming “The Chronophagist” Produced by Chris Donaldson (Cryptopsy)

February 1, 2022
by Asher
· Fall of Stasis · Music News

NEWS RELEASE

Montreal, QC – February 1, 2022

Montreal’s Fall Of Stasis Release Video For “Baal Arise” Off Upcoming “The Chronophagist”

Video Premiere via NoCleanSinging

“The Chronophagist” Out Feb 25th, 2022 (Produced by Chris Donaldson (Cryptopsy))

L-R – Sergei Lecours (Drums), Mélissa Bissonnette (Keyboard), Mathieu Groulx (Bass), Jessica Dupré (Lead Vocals), Gabriel Bernier (Lead Guitar), Tristan Bergeron-Boucher (Rhythm Guitar)

Photo Credit – Martin Trottier, Darkest Media

Fall Of Stasis has been making its name known in the Montreal metal scene since they first stepped on a stage in 2017. A formidable blend of symphonics, black metal, prog and even a bit of folk, the band weaves an eclectic tapestry that will entice a wide variety of listeners.

The single “Baal Arise” describes a demon’s awakening and his wish to enslave humanity. This is a short, fast-paced, “in-your-face” type of song that starts off with a brutal death metal riff followed by an epic chorus. The band explains in further detail:

“This song was almost entirely written by Tristan, although it’s been fine-tuned and improved thanks to the band’s creative input. This song is short and very aggressive, and for that reason, we feel like it is very effective in grabbing the attention of our target audience. It was inspired by old-school metal songs that usually delve into satanic themes. We also felt like the storytelling was interesting and well-suited for a lyric video.”

It is apparent throughout the 50-minute album that a lot of effort was put into it, each song that was included was carefully picked to pique the listener’s interest and showcase the band‘s songwriting abilities. Overall, it is a melting pot of each band member’s musical tastes and influences, which makes for a pretty varied repertoire, ranging from smooth and melancholic ballads to aggressive and fast metal riffs. This gives them somewhat of an “apocalyptic” sound, something that is also reflected in most of the lyrics.

Metalheads looking for something brutal, eclectic, and original especially those with an interest in Fleshgod Apocalypse, The Black Dahlia Murder and Unexpect will likely enjoy Fall of Stasis.

“Baal Arise” can be watched and heard via its premiere on NoCleanSinging HERE.

Digital pre-save – https://distrokid.com/hyperfollow/fallofstasis/baal-arise

“The Chronophagist” was produced by Chris Donaldson (Cryptopsy) along with album artwork by Roberto Napolitano and will be available on February 25, 2022.

Album pre-order – https://fallofstasis.bandcamp.com

Music Video – The Cult – https://youtu.be/0xAXfd8Gthk

Track Listing:
1. Wilted Forests (3:14)
2. Fall of Stasis (6:52)
3. Drunken Howl (4:08)
4. Baal Arise (2:01)
5. The Cult (2:54)
6. Twilight Carnival (5:41)
7. Baron (6:19)
8. The Last Waltz (4:49)
9. Swarm Of Casualties (6:40)
10. The Chronophagist (Feat. Viky Boyer) (6:5)
Album Length: 49:31

Album Band Line Up:
Jessica Dupré – Lead singer
Gabriel Bernier – Lead guitar/back vocals
Tristan Bergeron-Boucher – Rhythm guitar
Mathieu Groulx – Bass
Sergei Lecours – Drums
Mélissa Bissonnette – Keyboard

Live Band Line Up:
Jessica Dupré – Lead singer
Gabriel Bernier – Lead guitar/back vocals
Tristan Bergeron-Boucher – Rhythm guitar
Mathieu Groulx – Bass
Sergei Lecours – Drums
Mélissa Bissonnette – Keyboard
Viky Boyer – Feature vocalist

For more info:
Fallofstasis.com
Facebook.com/fallofstasis
Instagram.com/fallofstasis

About:
Fall Of Stasis, based in Montreal, Canada, was originally formed in 2014 with the intention of creating original music that couldn’t be defined by a specific genre. They started off with a very eclectic and progressive style, and as time went on, it was toned down in favour of musical cohesion and they added symphonic arrangements.

In 2017, the band released their demo and will be following it up in 2022 with the full-length “The Chronophagist”, which maneuvers closer to black metal but with definitive prog-heavy stylings. Working together on everything, there isn’t a single song where the creative input from a band member has not been blended into the mix. Fall of Stasis firmly believes that creative collaboration is one of their main strengths.

The current lineup of Fall of Stasis consists of Jessica Dupré (vocals), Gabriel Bernier (lead guitar/backing vocals), Tristan Bergeron-Boucher (rhythm guitar), Mathieu Groulx (bass), Sergei Lecours (drums) and Mélissa Bissonnette (keyboard). Each of the musicians brings a wide array of influences which results in a distinct sound, which caters to folk, black, progressive and death metal fans alike, but also to the uninitiated, thanks to their original and catchy melodies.

Symphonic yet brutal and often unpredictable, they present a mix of very powerful growls and clean vocals, along with good stage presence, efficient crowd work and tight musicianship. They have had the pleasure of sharing the stage with many notable local and international bands such as The Agonist, Wolfheart and Beyond Creation.

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0 Snakeblade Is Now Streaming Game Of Thrones Adjacent Extreme Metal Album “The Curse”; Album Stream Premiere via Bravewords

October 12, 2021
by Asher
· Music News · Snakeblade

NEWS RELEASE

Montreal, QC – October 12, 2021

Snakeblade Is Now Streaming Game Of Thrones Adjacent Extreme Metal Album “The Curse”

Album Stream Premiere via Bravewords

New Album “The Curse” Out October 13, 2021

Snakeblade, the one-man project of Mike Redston, came about during the Covid lockdown. He was searching for an escape from pandemic anxiety, and quickly absorbed himself in this project and recorded his first release “The Kingdom” in a month. To deepen the escape, all his lyrics surround fantasy concepts from his favorite video games and movies. Redston coins his music as “One-Man Nerdy’n’Dirty Black Metal” and this nerdiness continues with his second album “The Curse” as he explains:

“Snakeblade is where all my nerdiness gets released. On “The Curse”, I wanted to zero-in on one of my all-time favorite fantasy series – Game of Thrones. As I started writing though, more personal experiences started to creep into my lyrics. What came out is a melting pot of themes from Game of Thrones and my personal shit. Lyrics inspired by GOT mostly revolve around the plotlines of The Red Woman, Stannis Baratheon, and The Lord of Light religion. Mix all this with my own experiences of betrayal, failure, and rage and you’ve got The Curse.”

The second full-length is quite an evolution from the experience of the first. Where “The Kingdom” was an escape from reality; through “The Curse” Redston confronts reality head-on. Musically, the project has grown immensely in complexity and scale and a session drummer was hired to handle the kit. The songs are much more emotional and heavy and full of new orchestral elements of strings, pianos, and choirs. Overall, it’s much darker atmospherically and more sophisticated sonically.

Snakeblade isn’t destined to be a studio project forever, Redston says, “Live shows are definitely in the cards as I want to bring these songs to a concert setting with a ton of energy and a fun atmosphere.”

“The Curse” is ten tracks of dark, dirty, and epic non-traditional black metal, and has a total running time of 43 minutes. It was written and performed by Redston except for the drums, which were performed by Dennis Kraakman. The album artwork was done by Elizabeth Holmes.

Snakeblade embraces a wide variety of metal subgenres and is recommended for fans of Skeletonwitch, Dimmu Borgir, and Death.

“The Curse” is streaming now via Bravewords before its full release on October 13, 2021.

Listen HERE.

Album pre-order – https://snakeblade.bandcamp.com/album/the-curse

Track Listing:
1. Destiny (Intro) (1:42)
2. Rotten Souls (6:48)
3. Harvester (3:35)
4. Dreams of Aida (1:53)
5. The Red Mage’s Seduction (6:01)
6. Foul Sorcery of Flame and Shadow (5:04)
7. Godswood (2:28)
8. Born Among Salt and Smoke (5:46)
9. Archways (3:05)
10. Exile, Outlaw… The Essence (6:34)
Album Length: 42:56

Album Credits:
• All songs performed by: Mike Redston
Drums performed by Dennis Kraakman
Artwork by Elizabeth Holmes
‘Dreams of Aida’ co-produced with Macca Grills
‘Godswood’ co-produced with Logan Macdonald
• All songs written by: Mike Redston
• Produced by: Mike Redston
• Album Artwork by: Elizabeth Holmes
• Member of SOCAN
• Music is Canadian Content (MAPL)

Album Band Line Up:
Mike Redston – Vocals, Guitar, Bass Guitar,
Dennis Kraakman – Drums

For more info:
Facebook.com/snakebladeofficial
Instagram.com/snakebladeofficial
EPK

About:
Amidst the Covid-19 pandemic, Snakeblade was formed by Mike Redston as an escapist project while the entire world was quarantined. What came out of this anxious time may surprise you though, as Snakeblade refuses to follow typical one-man black metal trends. Every song on their debut album The Kingdom explodes with energy and youthful rage, delivering a pummelling of riffs, blastbeats, and shrieking vocals. With lyrical topics of fantasy, medieval battles, lord of the rings, and video games, Snakeblade is a headbanging nerd’s wet dream. Now on their second effort, the one-man project delves into bold new territory adding orchestral and electro elements to the blackened thrashy chaos that is: The Curse.

Discography:
2020 – The Kingdom
2021 – The Curse

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“intense shrieks, murderous riffs, and all the fantasy black metal you need!” – Heavy Blog Is Heavy

“This new song (The Red Mage’s Seduction) is a wild but multi-faceted thrill-ride. A burst of jolting riffage launches the track, and as it grows more feverish it provokes a long, throat-ruining scream. The drums (performed by session drummer Dennis Kraakman) hammer and spit like machine guns as the bass bubbles and the guitar writhes in flames. There are chilling moments when slashing chords, slithering arpeggios, and flickering spectral solos sound like magic spells cast in sound by a viciously demented sorceror and the vocals descend into monstrous croaking growls, only to have the song erupt again in chaotic incendiary gales. The song’s feeling of magical mystery and ominous peril emerges again and rises to towering heights, elevated by grand synths and gigantic booms. Once there, an extravagant extended guitar solo lights the listener’s nerve endings on fire without relinquishing the music’s aura of sorcery run amok. The song slashes and burns again, with the elaborate layering of guitars, tumultuous percussion, and slaughtering screams creating an ecstatic finale.” – No Clean Singing

“This one man black metal project from Canada, spearheaded by Mike Redston, wastes no time in pushing the pedal to the metal and letting it all go. No, seriously; the very first track on his new album, The Kingdom, has an insanely flamboyant and satisfying guitar solo, breakneck drums, and vocal shrieks aplenty.” – Heavy Blog Is Heavy

“Snakeblade Goes Beyond Black Metal Trappings on ‘The Kingdom'” – Exclaim!

“It’s safe to say that Snakeblade’s musical genius will quickly outgrow Redston’s one-man credo, for other musicians will surely seek out his vision. That he has crafted such venomous metal that is still wildly entertaining during this pandemic is a huge accomplishment, and The Kingdom will appeal to fans of this black metal style, particularly followers of Mayhem, Borknagar and classic Slayer.” – Exclaim!

“This is absolutely my jam, and The Kingdom is one of my favorite albums of the year so far.” – Toilet ov Hell

“I am compelled to say that SNAKEBLADE most definitely delivered an utmost maddening, but enjoyably entertaining discovery that made me replay this …pretty much all day long. “The Kingdom” is an addicting spin that will blow brains & shatter windows with explosive clarity. Full of density, technical prowess & engaging captivation. This is an incredibly amazing debut album, and I will most look forward to their upcoming projects. And for a singular writing attempt, bravo! I couldn’t help but score this as a masterful piece of other-worldly malevolence which most certainly deserves a slot in your collection for sure. Check it out!” – Metal Temple

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0 Newfoundland Black Metal Duo Artach Shares Chilling Lyric Video “Ice Throne”, New Album “Sworn to Avenge” Out Now! via Depressive Illusions Records

September 2, 2021
by Asher
· Artach · Music News

NEWS RELEASE

Montreal, QC – September 2, 2021

For fans of Venom, Immortal, Celtic Frost, Darkthrone, Satyricon

Newfoundland Black Metal Duo Artach Shares Chilling Lyric Video “Ice Throne”

New Album “Sworn to Avenge” Out Now! via Depressive Illusions Records

Canada, St. John’s, Newfoundland’s black metal duo Artach unleashed their latest album “Sworn to Avenge” this past June via Depressive Illusions Records. Heavily influenced by nature and the bleak climate they are surrounded by in the cold frozen north, the band is also inspired by sci-fi fiction, one series, in particular, is Stargate SG-1, which inspired their latest lyric video for the chilling “Ice Throne”.

“This one is inspired by the technologies of the ancients left behind in the Arctic and discovered by the Stargate SG-1 team. It’s fairly self-descriptive and a fan of the show would recognize some of the ideas.” adds the band.

Watch and listen to the lyric video “Ice Throne” – https://youtu.be/jJmKNXIKkXg

“Sworn to Avenge” is the second album from Artach, following up 2020’s “Chronicles of a Black Winter”. Fans can expect more of the same compared to the first, but it pushes the envelope a little bit. Artach embraces evolution and aspire to play tighter, and have a more professional sound, but never sound overly polished.

Artach’s process is a collaborative one between the duo, the genesis of the songs are arranged on guitar by Sruthán and very roughly recorded at home. After getting together, they record drums and flesh out the song in an afternoon and by then the song is pretty much ready for the studio recording of guitars, then bass, and lastly vocals.

Artach is recommended listening for anyone interested in raw black metal and those with an interest in Celtic Frost, Darkthrone, and Satyricon.

“Sworn to Avenge” is available via Depressive Illusions Records at the following links: DepressiveIllusions.com, Artach.bandcamp.com, Amazon, Spotify.

Previous Videos:
Shimmer – https://youtu.be/JyJ2xW2oquM
Into the Frozen Woodlands – https://youtu.be/FtfosCUA7iw
She Gathers Leaves – https://youtu.be/g0nahpQ6O6s
Tuiteam an Duine – https://youtu.be/qt98RuT4Opg
Part 1 – Track By Track – Sworn to Avenge – https://youtu.be/MsJPj_oz54w
Part 2 – Track By Track – Sworn to Avenge – https://youtu.be/a4qLyZCQ1XY

Track Listing:
1. Tuiteam an Duine (7:08)
2. Ice Throne (5:09)
3. Shimmer (6:35)
4. Endless Tundra (21:35)
5. Into the Frozen Woodlands (4:49)
6. She Gathers Leaves (5:25)
7. Mistress of Black Thorns (6:24)
8. Winter’s End (8:14)
Album Length: 1:05:23

Album Band Line Up:
Fíochmhar: Vocals, Drums, Keyboards
Sruthán: Guitar, Bass

For more info:
Facebook.com/ArtachBlackMetal
Instagram.com/ArtachBlackMetal
EPK

About:
Artach is a two-man black metal band (Sruthán: Guitar/Bass, Fíochmhar: Battery/Vokills/Keys)based in St. John’s, Newfoundland, Canada. Being from the foggiest, snowiest, wettest, windiest, and gloomiest capital city in Canada, one should not be surprised that this fuels the creation of Black Metal. Their inspiration comes from the land, nature, the bleak weather of the Canadian North, and influential black metal bands.

Since the duo’s formation in the spring of 2019, Artach has been consistently releasing new music. The band’s debut album “Chronicles of a Black Winter” was released digitally during February 2020 and later unleashed on physical CD by Depressive Illusions Records. The full length contained 9 songs of extreme, harsh, and haunting sounds, which included a cover of Celtic Frost’s ‘Jewel Throne’.

Now in 2021, the band returns with their next offering “Sworn To Avenge”, a full-length scourge of raw and relentless bruting gloom. From the calming blasts and savagery of album opener “Tuiteam an Duine” to the ingrained black metal blast beats, and headbanging riffage on “Shimmer” to the 20-minute exploration for the epic “Endless Tundra” about the doomed Franklin expedition of 1846 to the Immortal-esque riffing and unorthodox exorcism of album closer “Winter’s End”, Artach delivers a 65-minute cold deliverance of their surroundings.

The band adds:

“The music on ‘Sworn To Avenge’ is a frigid mixture of topics about nature and how it meets and interacts with the darkness of humankind. The desolation of the world, the planet, and the repeated failure of society to evolve to a place where we are a part of nature and not brutish subjugators of everything in our path… these are all themes described throughout many songs. The music is angry, savage, unhinged, but contains melody and some twists and turns to surprise the listener. Varied song tempos mixing blasting with thrashy, punky, doomy elements keep the sounds interesting and not monotone. Song structures often vary and we never limit a song to a certain length. We indulge and have them be as long, or as short as we think feels right.”

“Sworn To Avenge” will be available digitally from Artach along with CD and cassette via Depressive Illusions Records on June 25, 2021.

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“The song (She Gathers Leaves) is a thrill-ride, but also reveals elements of gothic witchiness. The raw vocals are caught up in a paroxysm of fierce, crazed adoration, venting cold-blooded roars as well as braying, throat-stripping howls and cut-throat screams. The full-throttle drumming is tumultuous, a changing array that hammers, gallops, rocks, thunders, and blasts. Urgently rising chords provide a recurring theme, surrounded by flame-throwing riffs that dart, pulsate, and spasm, drawing on elements of thrash and classic heavy metal as well as black metal. Ecstatically swirling leads further add to the wildness of the song. A mood of mystery does surface in the track’s brief intro, and that mood surfaces again in the song’s back half, leading into a necromantic guitar solo that takes flight in scintillating fashion.” – No Clean Singing

“check out Artach for a truly epic journey into the wildernesses that populate the dark fantasy land conjured through their excellent music. This sophomore album tells me that this is a band that will be releasing much good material for years to come and will soon be headlining the epic black metal stages or charts both online and at festivals. An excellent job all round.” – Metal Rules

“”Sworn to Avenge is a mind-assaulting record… You’ll hear the influences of classic black metal bands like Venom, early-Bathory as well as elements of the second wave; Immortal, Darkthrone etc. Ugly and uninviting stuff but very satisfying if you enjoy the gloomier side of metal… It’s a mammoth listen and does take its toll, but the array of ideas that Artach showcase does keep things interesting. An hour slips by, the cold has sunk deep into the bones and you’ll be left wondering if you’ll ever be warm again.” – Games, Brrraaains And A Head-Banging Life

“Very melodic black metal, yet aggressive and heavy with undeniable influences from plain old straightforward heavy metal, so while things are definitely “black metal”, there’s a lot of discipline at play and this is definitely not your average raw, chaotic black metal. There’s order to the chaos on Sworn to Avenge, but that doesn’t prevent it from being aggressive and sometimes kind of depressing and melancholic despite not descending into the slower playing usually associated with those stylings. It’s a rollercoaster of “fuck yeah!” and “kill me now” (in sort of a good way).” – The Metal Crypt

“Now for some blackened thrash from Canada’s Artach, a band with an unusual take on the genre and a very unique sound. The good news is that if you’re a thrash fan you’re going to like this album. The even better news is that if you’re a blackened thrash fan you’re going to love this album. All of your favourite elements are present, plenty of riffs, a great blend between groove, rawness and aggression and raw, high energy vocals. There is something for everyone here which is why I can see the album having a broad appeal.” – Cavedweller Music

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0 CDN Records: Streaming Now! Canada’s Hexenklad (ft. members of SIG:AR:TYR, Eclipse Eternal, Pagan Ritual) Folk/Black Metal Album “Heathenheart”

July 22, 2021
by Asher
· Hexenklad - Heathenheart (CDN Records) (2021) · Music News

NEWS RELEASE

Montreal, QC – July 22, 2021

For fans of Moonsorrow, Amon Amarth, Ensiferum, Insomnium, Windir

CDN Records: Streaming Now! Canada’s Hexenklad (ft. members of SIG:AR:TYR, Eclipse Eternal, Pagan Ritual) Folk/Black Metal Album “Heathenheart”

New Album “Heathenheart” Out July 23rd

L-R: Michael Grund – Guitar, Andrew Chalmers – Drums, Timothy Voldemars Johnston – Vocals, Matt Collacott – Bass, John Chalmers – Guitar
Photo by Vikki Kay Photography

“Heathenheart” is the second album from Canada’s Hexenklad (ft. members of SIG:AR:TYR, Eclipse Eternal, Pagan Ritual), and it shows a notable evolution over 2017’s “Spirit of the Stone”. This is primarily due to an almost complete lineup change wherein all the members had an active part in composing the music. Vocalist Timothy Johnston explains further:

“This album was written very differently than the first album which was mostly written by Hexenklad’s founder Michael Grund. It was very organic and the songs just grew together. Guitar parts were written first by both Michael and John with a few ideas put in by myself. Then drums were added by Andrew. Once those were all down and arranged, and then rearranged until everything flowed and made sense, then I let the melodies tell me what the songs were about and wrote the lyrics. Once we had the guitars, drums and vocal parts recorded, then the keyboards and bass were added.”

Johnston continues to explain that it was not difficult to pick the tracks that would be used as they were the ones that spoke to them immediately. Often, they would go through many alterations before being used, but they never abandoned a song that spoke to us.

The 13 track album has something for everyone, from the chilling, black metal “Cold Beauty of Winter”, to the mid-tempo headbanger “Dark Moon in Capricorn”, to the instrumental ”A Forest of Dead Trees” to the acoustic “We Raise a Horn”. This variance makes Hexenklad shine, their versatility is a true display of their talent and passion.

Hexenklad has a very distinct chemistry which is only amplified by years of experience in music. Almost everyone in the band comes from another band in the Ontario metal scene including Eclipse Eternal, Pagan Ritual, Battlesoul and Of Hatred Spawn. The album also features several local guests including Emmanuel “Audeath” Audet (Black Empire/Winterfog); Nick Sauter (Treats for Addicts) and Alex Chalmers.

Those who enjoy both folk and black metal, who are looking for something unique and have an open mind, will find much in this album, especially those interested in Insomnium, Windir and Moonsorrow.

“Heathenheart” will be released on July 23, 2021 via CDN Records, but can be heard in advance via its full stream premiere on Black Metal Promotion’s YouTube channel HERE.

Album pre-order available at https://cdnrecords.com/shop/hexenklad-heathenheart/

Music Video – Heathenheart – https://youtu.be/109-5f2P0N8
Lyric Video – Huginn and Muninn – https://youtu.be/uI2ORLXR8sI

Track Listing:
1. Heathenheart (5:02)
2. Cold Beauty of Winter (4:52)
3. Huginn and Muninn (4:14)
4. Dark Moon in Capricorn (5:13)
5. Rootbound (4:13)
6. The Raven Returns to the Knoll (4:33)
7. A Thousand Paths to Wisdom (4:26)
8. Olde Gods Awaken (5:53)
9. Beware the Outstretched Hand (5:21)
10. A Forest of Dead Trees (4:32)
11. Upon the Wings of Valkyries (7:03)
12. A Moment of Silence (1:00)
13. We Raise a Horn (4:07)
Album Length: 1:00:36

Album Credits:
Timothy Voldemars Johnston – Vocals, Lyrics
Michael Grund – Guitar. Bass on songs 4, 7, & 9
John Chalmers – Guitar. Bass on song 13
Andrew Chalmers – Drums & Percussion
Clare B. – Keyboards & Orchestrations
Emmanuel “Audeath” Audet (Black Empire/Winterfog) – Bass on Songs 2, 5, 8, 10, & 11
Matt “Coldcuts” Collacott – Bass on songs 1, 3, & 6
Nick Sauter – (Treats for Addicts) Guitar Solo on song 7
Alex Chalmers – Clarinet on song 13

All songs by Hexenklad
Song 2 written by Jon Kal and Hexenklad
Lyrics on songs 4 & 8 by Michael Grund
Recorded at Shiver Sound Studios by John Chalmers
Audeath’s Bass recorded at Black Amp Studio
Mixed at BWC Studios by Greg Dawson
Mastered at West West Side Music by Alan Douches
Cover art by Darek Zawiązalec of Black Forest Forge
CD Layout by Robo of Element 6 Custom lmn6.ca
Photography by Vikki Kay Photography
Canadian Content (MAPL)

Live Band Line Up:
Timothy Voldemars Johnston – Vocals
John Chalmers – Guitar
Steve Bowen – Guitar
Matt “Coldcuts” Collacott – Bass
Andrew Chalmers – Drums

For more info:
CDNRecords.com
Facebook.com/hexenklad
Instagram.com/hexenklad
Hexenklad.bandcamp.com
Spotify
EPK

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0 Newfoundland Black Metal Duo Artach Conjure Up Mysticism With “She Gathers Leaves” Off “Sworn to Avenge” Out June 25th (Depressive Illusions Records), Lyric Video Premiere via NoCleanSinging

June 1, 2021
by Asher
· Artach · Music News

NEWS RELEASE

Montreal, QC – June 1, 2021

For fans of Venom, Immortal, Celtic Frost, Darkthrone, Satyricon

Newfoundland Black Metal Duo Artach Conjure Up Mysticism With “She Gathers Leaves” Off “Sworn to Avenge”

Lyric Video Premiere via NoCleanSinging

New Album “Sworn to Avenge” Out June 25th via Depressive Illusions Records

St. JOhn’s Newfoundland is home to some of the most unforgiving, bleak, and snowiest weather in the country and local black metal act Artach uses that grey atmosphere as an inspiration for their raw and epic music.

Last year, Artach released a debut album “Chronicles of a Black Winter” and this year, will follow it up with “Sworn to Avenge”. The second single from the upcoming release is “She Gathers Leaves”, being presented in a lyric video. The single is more mystical and pagan than the other tracks on the album, as they explain:

“The music has a bit of a gothy feel in places and that leads to having some lyrics about witchy subject matter.”

They go on, to comment on the album:

“The music on the album is a frigid mixture of topics about nature and how it meets and interacts with the darkness of humankind. The desolation of the world, the planet, and the repeated failure of society to evolve to a place where we are a part of nature and not brutish subjugators of everything in our path.”

Coming from the coldest, windiest, snowiest, foggiest city in Canada, Artach’s music is heavily influenced by nature and even takes after the bleak climate they are surrounded by. “Sworn to Avenge” is an inescapable, cold and at times unhinged grimness. Raw aggression tempered with bouts of melody evoking the grandmasters of the genre while incorporating first and second wave black metal influences.

Raw and epic black metal, Artach is recommended listening for fans of Immortal, Celtic Frost, and Darkthrone.

The lyric video for “She Gathers Leaves” can be seen and heard via its premiere on NoCleanSinging HERE.

“Sworn to Avenge” is being released on June 25th via Depressive Illusions and is available for pre-order / save at the following links: DepressiveIllusions.com, Artach.bandcamp.com, Amazon, Spotify.

Previous single:
“Into the Frozen Woodlands” – https://youtu.be/FtfosCUA7iw

Album Band Line Up:
Fíochmhar: Vocals, Drums, Keyboards
Sruthán: Guitar, Bass

For more info:
Facebook.com/ArtachBlackMetal
Instagram.com/ArtachBlackMetal
EPK

The band adds:

“Sworn To Avenge” will be available digitally from Artach along with CD and cassette via Depressive Illusions Records on June 2021.

– 30 –

“The album is definitely black metal – but there are some really nice elements in that that makes this author think the musicians are truly having some fun. In particular, ‘Frozen In Time’, exhibits this by delivering several rhythmic textures and a variety of guitar techniques. The vocals are also just well placed in this track in both timing and style.” – Brutalism (Album Review – 2020 Chronicles of a Black Winter)

“Artach have overnight become one of the most interesting bands to come out of the Newfoundland metal scene in some time, not only for the Darkthrone-esque duality of their lineup, but for their genuine appreciation for all things grim and frostbitten and their unique flavour of first wave meets second wave black metal. If you’ve not given Chronicles of a Black Winter a listen yet, give it a spin or two. It’s definitely worth checking out.” – HeavyNFLD (Album Review – 2020 Chronicles of a Black Winter)

“Artach is a mysterious two-piece Black Metal band who have issued their debut CHRONICLES OF A BLACK WINTER. Artach have spawned some fierce raw and primeval Black Metal. I’m hearing lots of classic Hellhammer/Bathory/Venom and maybe even dipping into second wave stuff like Immortal. It is all very black and grim the way this type of stuff should be.” – Metal-Rules (Album Review – 2020 Chronicles of a Black Winter)

“Like the album’s title may suggest, this album’s atmosphere is as cold and bleak as the North winds. The album is very riff focused with modern production, but it isn’t too clean—I actually really enjoyed the production. Vocally, it is very unique and [not] just the same ol endless blackened screams.” – Metal Temple (Album Review – 2020 Chronicles of a Black Winter)

“A solid dose of second wave black metal.” – Astral Noize (Album Review – 2020 Chronicles of a Black Winter)

“This is an album that took a little time to grow on me and after more listens than I care to count, I still hear little twists that I hadn’t heard before. Pretty cool debut from a band that’s doing its own thing in a genre where bands are often content to imitate.” Rating: ⅘ – The Metal Crypt (Album Review – 2020 Chronicles of a Black Winter)

—

ASHER MEDIA RELATIONS

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0 Canada’s Eclipser Usher In Harsh New EP “Pages” And Debut Video For Title Track, Lyric Video Premiere via NoCleanSinging

May 10, 2021
by Asher
· Eclipser · Music News

NEWS RELEASE

Montreal, QC – May 10, 2021

For Fans of Ulcerate, Deathspell Omega

Canada’s Eclipser Usher In Harsh New EP “Pages” And Debut Video For Title Track

Lyric Video Premiere via NoCleanSinging

Top L-R – Christian Beaupre – Guitar, Sebastien Choquette – Bass
Bottom L-R – Ryan Menard – Guitar, Vocals, Christopher Joyal – Drums

Set to release their new EP “Pages” on May 28th, Ottawa’s Eclipser is unleashing out the cage, their next single and title track via its premiere on NoCleanSinging HERE.

The opener to the five-track record, “Pages” sets the tone of the whole EP both musically and lyrically. In just a little over 3 minutes, Eclipser managed to pack instrumental layers that weave in and out of each other to give the song a very dense and dynamic feel. Lyrically, the song takes a very nihilistic stance, and much like the music, it’s straight to the point.

The band adds about the track:

“Pages is the tale of a weary soul in search of faith. He seeks out God but finds only empty words and misery.”

Harsh and succinct, “Pages” primarily resides in the black metal realm, however, Eclipser also writes using techniques that are found in death metal, and even a bit of grindcore and maintain a formulaic style. The EP was produced by Eclipser; mixed by Mike Raymond of Reverence Audio, and mastered by Topon Das (Fuck The Facts) at Apartment 2 Recording. The EP artwork was done by Misanthropic-Art. It is the fourth release from the band following Pathos (2019), Promo (2018), and the 2017 Demo.

Eclipser was founded in 2017 by Ryan Menard (guitars/vocals) and Christopher Joyal (drums), they are recommended for fans of Ulcerate, and Deathspell Omega.

The entire EP releases on May 28, 2021.
EP pre-order – https://eclipser.bandcamp.com

Track Listing:
1. Pages (3:10)
2. Matternaught (1:26)
3. Carry Your Burden (2:46)
4. To Never Wake Again (2:29)
5. Fathomless (4:46)
EP Length: 14:38

EP Band Line Up:
Ryan Menard – Guiatrs, Vocals
Christian Beaupre – Guitars
Sebastien Choquette – Bass
Chris Joyal – Drums

For more info:
Facebook.com/eclipserofficial
Twitter.com/Eclipseroffici1
Instagram.com/band_eclipser
EPK

About:
A name derived from the all-obscuring sound they produce, Ottawa, Ontario’s ECLIPSER spews forth a foreboding polarity of soaring melodies and nightmarish dissonance, coiled together to create a dreadful malaise of blackened death metal promised to starve the light of everything it touches.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Canada’s Eclipser Unleash “To Never Wake Again” From New EP “Pages” Out May 28th

April 27, 2021
by Asher
· Eclipser · Music News

NEWS RELEASE

Montreal, QC – April 27, 2021

For Fans of Ulcerate, Deathspell Omega

Canada’s Eclipser Unleash “To Never Wake Again” From New EP “Pages” Out May 28th

Track Premiere via TheCirclePit

Top L-R – Christian Beaupre – Guitar, Sebastien Choquette – Bass
Bottom L-R – Ryan Menard – Guitar, Vocals, Chris Joyal – Drums

Eclipser’s “Pages” is a dark and brooding sojourn through dissonant soundscapes that write with negativity and melody. The EP primarily resides in the black metal realm however, Eclipser also writes using techniques that are found in death metal, and even a bit of grindcore and maintain a formulaic style. According to guitarist/vocalist Ryan Menard, he personally strives to master what he does rather than trying to do it all.

Today, the band presents their first single from “Pages”. Entitled “To Never Wake Again”, the track is two and half minutes into the depths of uncertainty while enjoying both a pristine and bludgeoning experience of extreme metal.

“To Never Wake Again depicts the life-denying voice of reason that manifests internally when one’s existence is reduced to meaningless suffering. A depressive mentality that justifies taking the ultimate easy way out, offering the afflicted the suggestion of a painless solution. This song is the lowest point of the record, with punishing riffs and an overall negative atmosphere that builds towards a soulful and cathartic guitar solo. In short, we’re bringing the bad vibes.” adds Menard.

“To Never Wake Again” can be heard via its premiere on TheCirclePit YouTube channel HERE.

“Pages” is harsh and succinct, the five tracks make up for a total runtime of under 15 minutes, it was produced by Eclipser; mixed by Mike Raymond of Reverence Audio, and mastered by Topon Das (Fuck The Facts) at Apartment 2 Recording. The EP artwork was done by Misanthropic-Art. It is the fourth release from the band following Pathos (2019), Promo (2018), and the 2017 Demo.

Eclipser was founded in 2017 by Ryan Menard (guitars/vocals) and Chris Joyal (drums), they are recommended for fans of Ulcerate, and Deathspell Omega.

The entire EP releases on May 28, 2021.
EP pre-order – https://eclipser.bandcamp.com

Track Listing:
1. Pages (3:10)
2. Matternaught (1:26)
3. Carry Your Burden (2:46)
4. To Never Wake Again (2:29)
5. Fathomless (4:46)
EP Length: 14:38

EP Band Line Up:
Ryan Menard – Guitar, Vocals
Christian Beaupre – Guitar
Sebastien Choquette – Bass
Chris Joyal – Drums

For more info:
Facebook.com/eclipserofficial
Twitter.com/Eclipseroffici1
Instagram.com/band_eclipser
EPK

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s Maudiir Summon A Blackened Thrash Slaughter With “Spirit of Sulfur” Off “La Part du Diable” Out Feb 19th, Single Premiere via Decibel Magazine

February 11, 2021
by Asher
· Maudiir · Music News

NEWS RELEASE

Montreal, QC – February 11, 2021

For fans of Skeletonwitch, Darkthrone, Voivod, Ihsahn, Carcass

Canada’s Maudiir Summon A Blackened Thrash Slaughter With “Spirit of Sulfur” Off “La Part du Diable”

Single Premiere via Decibel Magazine

New EP “La Part du Diable” Out February 19, 2021

Montreal’s Maudiir has a new single out, “Spirit of Sulfur” being premiered on Decibel Magazine HERE.

The second single is from the upcoming EP “La Part du Diable” due out on February 19, 2021.

The fourth of five tracks, “Spirit of Sulfur” is where it starts to get more experimental on the EP. Very bass-driven, the contagious harmonies flirt with thrash and punk, and it then develops into a kind of space rock instrumental section. The abrasive lyrics are about deceitful leaders grinding down their countries.

The biggest benefit to a solo project is being unrestricted in style and creative direction, something that is fully embraced in Maudiir’s work. An aggressive blackened thrash base is complimented with upbeat punk drumming and a heavy focus on the bass parts, resulting in a fresh take on modern metal. This uncommon attention to bass riffs resulted in this single, as Maudiir explains:

“On the first single, ‘The Slumber’ I was switching things around when I got to the bass parts. After that, I thought “why not try to write a whole song on bass?” That experiment yielded the track ‘Spirit of Sulfur’. That was very interesting for me; getting out of my comfort zone trying to figure out guitar parts that would complement the main bass lines.”

Riff-driven with big bass grooves and corrosive vocals, “La Part du Diable” is the second release from the one-man project to follow the debut EP “Le Temps Peste” released in February of last year. The intense, dark music comes with lyrics that draw on societal reflections, religion, and the environment.

Maudiir is recommended for metalheads looking for something new, especially fans of Carcass, Darkthrone, and Skeletonwitch.

The entire EP “La Part du Diable” releases on February 19, 2021 on all digital platforms.

First single “The Slumber” – YouTube, Spotify

Track Listing:
1. Fracture (4:50)
2. The Slumber (4:57)
3. The Fortunate Few (4:54)
4. Spirit of Sulfur (4:34)
5. The Crowning Hour (5:07)
EP Length: 24:24

More Info:
Facebook
Bandcamp
EPK

About:
Maudiir, coming from the underbelly of Montreal, Quebec, Canada is an outlet for observations on obedience and industrialization riddled with man-made waste. With 80s heavy metal influences alongside black metal and punk, Maudiir is unique in sound; hauntingly dark while being corrosive and galloping.

Maudiir is a one-man black/thrash metal project that formed to be musically independent. Starting with guitar, F. works his way through each sullen track, adding drums, recording all the colorations and textures of the guitars, adding bass, and finally writing the words, very often at the same time they are being recorded.

The pessimistic aura of the music combines with lyrics about consumer society, religion, science going awry, addiction to technology, and environmental decay.

Maudiir released their debut EP “Le Temps Peste” during February 2020 and now returns exactly a year later with the follow up “ La Part du Diable”
due out February 19, 2021.

Creating an intensely dark sound, “La Part du Diable” was inspired by reactions from people to the health crisis created by Covid, the political climate in the US, and conspiracy theories. It’s a riff-driven EP with big bass grooves and corrosive vocals, mixing thrash metal and black metal with progressive elements, giving it a unique sound and feel.

“I would say that with “La Part du Diable”, I’m going into a slightly more progressive and thrash sound than on the first EP. I also added distortion to the bass guitar this time around, which I think adds a Voïvod feel to the songs.”

F. (ex-Deeply Confused, Tears for the Dead Gods) is also currently leading prog/thrash metal outfit Trinity Blast.

Maudiir is F.

– 30-

“As “The Slumber” begins, a jittery, dissonant bass riff, underlaid by droning guitar and soon joined by F.‘s rabid snarl, creates an immediate feeling of incipient and dangerous derangement as it quivers above a neck-popping back-beat and a febrile bass line. But the flashing thrash riffs that come into play give the song a different and more glorious and heart-palpitating dimension. And the multi-faceted nature of the song becomes even more evident when the drums start spitting bullets and the riffing creates a manifestation of savage, blazing chaos, driven to further heights of spectacle by an incandescent guitar solo. F.‘s vocals rise to greater heights of throat-splitting madness as the feeling of perilous tension returns, but that turns out to be a prelude to another eye-popping solo and another dose of thrashing ebullience at the finale.” – No Clean Singing

“Crunchy, razor-sharp guitars, thundering drums and good vocal work all delivered with heaviness. If you’re tired of all those black/thrash bands that sound too much like each other, this is a little different. Just solid blackened thrash with a strong footing in traditional heavy metal that calls for repeat plays.” – 3.75/5 – The Metal Crypt

“I’d say that the one-man band exists in the progressive black/thrash zone, overall landing in a spot where extreme metal begins. This comes across as relatively accessible and modern, despite the pummeling drum sound, bracing guitar and bile vocals, not an easy thing to achieve. They are in the same family tree as their provincial compatriots Voivod, but on the slightly less odd side of the family. Professional in every respect, the production and playing are top notch, and the song writing is obviously advanced as well, rendering me very surprised that this hasn’t been picked up by a label yet.” – The Mighty Decibel

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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Instagram @AsherMedia
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0 Malice Divine Bring Forth The Jubilant “Triumphant Return” Off Upcoming Debut Album Out Feb 19th, Vocal/Guitar Playthrough Premiere via GearGods

February 3, 2021
by Asher
· Malice Divine · Music News

NEWS RELEASE

Montreal, QC – February 3, 2021

For fans of Dissection, Skeletonwitch, Death, Wintersun, Immortal

Malice Divine Bring Forth The Jubilant “Triumphant Return” Off Upcoming Debut Album

Vocal/Guitar Playthrough Premiere via GearGods

Self-Titled Album Out February 19, 2021

Ric Galvez – Vocals/Guitar/Bass – Photo Credit – Deborah Lawrence

The one-man act of Toronto’s Malice Divine brings to you the third and final single “Triumphant Return” from the upcoming debut self-titled album.

“Triumphant Return” is the least dark song on the self-titled and also the most uplifting song on the album overall. It still retains the aggressiveness that is present throughout the other eight songs on the offering.

Ric Galvez explains the track in his own words:

“The last of the three singles to be released before the full album, Triumphant Return is by far the most uplifting song on the album. As the song title implies, I was aiming to create a very triumphant feeling from the music with this song. The lyrics of the song further amplify the feeling of triumph that is inherent to this song, dealing with the theme of overcoming all obstacles that you face in life and bouncing back stronger than ever.”

The lyrics explored on the self-titled album are actually quite personal and deal with Ric Galvez’s thoughts and feelings regarding his life experiences. They are an outlet for self-expression, while also exploring topics such as spirituality and psychology with an underlying theme of personal empowerment.

The self-titled debut album was recorded at Monolithic Productions in Oshawa, Ontario by Tyler Williams beginning in January 2020. After the recording process had concluded, the album was re-amped and mixed by Tyler Williams and then Mastered by Lasse Lammert of LSD-Studio in Germany. This album is an excellent example of time during the Covid-19 pandemic being put to good use.

Melodic and captivating with a good blend of heavy styles, Malice Divine is recommended for fans of Death, Dissection, and Immortal.

“Triumphant Return” can be heard via its vocal/guitar playthrough premiere on GearGods HERE.

The full album “Malice Divine” drops on February 19, 2021.

Pre-save on digital platforms here.

First single – “In Time” – YouTube (vocal/guitar playthrough)
Second single – “Malicious Divinity” – YouTube (vocal/guitar playthrough)

Track Listing:
1. Somnium Lucidus (2:00)
2. Quantum Manifestation (7:11)
3. Malicious Divinity (5:54)
4. Triumphant Return (5:35)
5. Into Subconscious Depths (8:02)
6. Ancient Visions (6:14)
7. In Time (8:11)
8. Intuitive Realization (3:40)
9. The Transcendence Of Isolation (9:46)
Album Length: 56:37

More Info:
Facebook.com/malicedivineband
Instagram.com/malicedivineofficial
EPK

About:

Toronto, Canada’s Malice Divine is a solo project contrived by Ric Galvez who had always had the dream of entire creative control. He wanted to expand beyond being known as just as a lead guitarist. Ric Galvez has played in local bands previously and was a contestant on Banger TV’s Shredders of Metal Seasons 1 & 2.

Ric Galvez has a major in music from York University and through Malice Divine he shows off his prowess across instruments. His lyrics are inspired by psychology, and spirituality, as well as personal experiences especially those involving the overcoming of obstacles and hardships using the resulting verses as a form of empowerment.

The first offering from Malice Divine, a self-titled full length, comes in 2021 with Dylan Gowan (Vesperia, Iomair) playing session drums. There are plans to flesh out a live lineup for Divine Malice when the time is right.

What people can expect from seeing Malice Divine live is highly aggressive black and death metal inspired music with shreddy and virtuosic guitar solos adding a melodic layer that isn’t common in the genre.

Malice Divine’s self-titled debut album is due out February 19, 2021.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
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0 Canada’s Maudiir Announce Corrosive Black Thrash Single “The Slumber” Off Upcoming “La Part Du Diable”

January 5, 2021
by Asher
· Maudiir · Music News

NEWS RELEASE

Montreal, QC – January 5, 2021

For fans of Skeletonwitch, Darkthrone, Voivod, Ihsahn, Carcass

Canada’s Maudiir Announce Corrosive Black Thrash Single “The Slumber” Off Upcoming “La Part Du Diable”

Single Premiere via NoCleanSinging

New EP “La Part Du Diable” Out February 19, 2021

Coined as ‘blackened thrash metal’ F of Maudiir takes advantage of complete creative control and effortlessly moves between styles, adding infusions of punk, focused guitar solos, and clean production to the classic black metal vocals and chunky bass riffs.

The first single “The Slumber” off Maudiir forthcoming 2021 EP “La Part du Diable” starts on a big bass riff flirting with drone guitars and explodes into an epic instrumental black metal section. The song is about the worst personality traits we have seen awaken in some people, and that might have stayed dormant if not for the current situation. Maudiir comments on the EP as a whole:

“I had great reviews for the first EP “Le Temps Peste”. I think the new EP “La Part du Diable” expands on the first one and brings more progressive elements to the songs. I also managed to get the bass guitar at the forefront of the songs, which is not so common in modern metal, so I’m really happy about that. All in all, it’s a pretty interesting and unique listen.”

Creating an intensely dark sound, “La Part du Diable’‘ was inspired by reactions from people to the health crisis created by Covid, the political climate in the US, and conspiracy theories. This second offering from the band goes in a slightly more progressive and thrash direction than the first, F has also added distortion to the bass guitar giving a Voïvod-esque feel to the songs. It’s a riff-driven EP with big bass grooves and corrosive vocals, mixing thrash metal and black metal with progressive elements, giving it a unique sound and feel.

Recommended for fans of Skeletonwitch, Darkthrone, and Voivod, “The Slumber” can be heard via its premiere on NoCleanSinging HERE.

The single will be available on all digital platforms on January 8, 2021 and the full EP “La Part du Diable” is out on February 19, 2021.

Track Listing:
1. Fracture (4:50)
2. The Slumber (4:57)
3. The Fortunate Few (4:54)
4. Spirit of Sulfur (4:34)
5. The Crowning Hour (5:07)
EP Length: 24:24

More Info:
Facebook
Bandcamp
EPK

About:

Maudiir, coming from the underbelly of Montreal, Quebec, Canada is an outlet for observations on obedience and industrialization riddled with man-made waste. With 80s heavy metal influences alongside black metal and punk, Maudiir is unique in sound; hauntingly dark while being corrosive and galloping.

The pessimistic aura of the music combines with lyrics about consumer society, religion, science going awry, addiction to technology, and environmental decay.

Maudiir released their debut EP “Le Temps Peste” during February 2020 and now returns exactly a year later with the follow up “ La Part du Diable”
due out February 19, 2021.

F. (ex-Deeply Confused, Tears for the Dead Gods) is also currently leading prog/thrash metal outfit Trinity Blast.

Maudiir is F.

– 30-

“Touches of punk add attitude to these five angry and aggressive pieces of blackened thrash metal and make it an impressive debut EP” – Loud Enough? Magazine

“Some really great tracks and precise playing makes this debut EP a note worthy event” – Absolute Underground Magazine

““Le Temps Peste” is overall an engaging listen that, as it progresses, gets even better and more complex, gradually easing you into the building mood and feel of the EP, the first couple of tracks “Product” and “Abuse The Used” build on bleak Blackened driving riffs alongside a vitriolic rasping vocal delivery, the latter also benefiting from more of a haunting melody developing, a galloping Thrashy second half and soaring lead work which really adds to the sound.” 4/5 – The Metal Wanderlust

“Métal de bord en bord, ce projet fait partie de ceux dont les sonorités sont parfaitement heavy, mais ô combien inclassables, où se mêlent habilement les influences et saveurs auditives les plus diverses. Avec Maudiir, on fusionne avec brio black, thrash et death mélodique, avec une touche de métal classique et de NWOBHM dans les acérés riffs. Le temps peste inclut tout plein de riffs aussi corrosifs que galopants, qui rendraient très fiers autant un prêtre traître qu’une vierge de fer, risquant très bien de vous donner un sale mal de cou.” – BoulevardBrutal.com

“En tous les cas, F. ne s’enfonce pas dans l’erreur des artistes qui bossent en solo, à savoir, s’enfermer dans leur monde et devenir hermétique à l’oreille lambda. Sa musique est bien orchestrée ; même si elle fait appel à du déjà connu, elle tient la route et on y aime y retourner plusieurs fois. Il y a, à la fois de l’agressivité, de la noirceur, mais aussi de la fluidité dans ce metal un peu vieille école, mais bien vivant!” – Metal France

—

ASHER MEDIA RELATIONS

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