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Tag: black

0 Streaming Now! Blast Beats to Blood Rituals KRATORNAS Redefines Extreme Metal w/ New Album “God Of The Tribes”

  • August 21, 2025
  • by Asher
  • · Kratornas · Music News

NEWS RELEASE

Montreal, QC – August 21, 2025

Streaming Now! Blast Beats to Blood Rituals KRATORNAS Redefines Extreme Metal w/ New Album “God Of The Tribes”

Mastered by Dan Swanö (Dissection, Bloodbath, Marduk, Incantation)

“God of the Tribes”, the highly anticipated new full-length from Kratornas, will be available worldwide through Grathila Records as of this Friday, August 22nd. Before its official release, the full stream album premiere can be checked out on Decibel Magazine HERE.

This landmark release represents the most significant evolution yet for the pioneering one-man extreme metal project, originally founded in the Philippines and now residing in Saskatoon, Canada.

Breaking from the hyper-fast brutality that defined earlier Kratornas releases, “God of the Tribes”, mastered by Dan Swanö (Dissection, Bloodbath, Marduk, Incantation), showcases a more methodical approach, focusing on atmosphere, tension, and ritualistic elements. The album introduces previously unexplored instrumentation, including 7-string guitars for L/R channels and 6-string fretless bass, moving away from blast beats and heavily distorted guitars toward a more nuanced sonic palette. Kratornas comments:

“This album isn’t about being ‘advanced’ or ‘innovative’. It’s a return to roots, distilled into something raw and real. I’ve had firsthand experience with this kind of ‘indigenous music’. I was one of the drummers at festivals from fifth grade through my first year of high school. I didn’t copy those rhythms, but wrote my own, taking that foundation and fusing it with Kratornas. This album is the most natural and honest album I’ve ever done.”

The lyrics on “God of the Tribes” draw from the apocalyptic themes that have defined Kratornas since 1999, when the project shifted from its early Satanic themes to ‘doomsday predictions’. The album incorporates ritualistic chants throughout, with the creator noting that ‘the words are a bit ‘dangerous’ to chant along’.

Recommended for fans of Marduk, Beherit, Archgoat, Blasphemy, and Dark Funeral, Kratornas‘ “God of the Tribes” is available for album pre-order (CD) (Out Aug 22nd) – https://kratornas.bandcamp.com/album/god-of-the-tribes-gcd-2025​

Lyric Video – Evil and Plunder – https://youtu.be/6cIDMbs-rA4

​Lyric Video – Ravaged by Hurakaan – https://youtu.be/WcQVU7bvLx8

​

Album Artwork (non-explicit) – Kratornas – God of the Tribes

Track Listing:​
1. Cursed Sky Serpent (15:00)
2. Evil and Plunder (3:00)
3. Ravaged by Hurakaan (7:00)
4. Novena para Guerra (11:00)

For more info: https://www.facebook.com/officialkratornas

​
– 30 –

“I think it’s a good thing that it is a bit darker for music this intense and with so much “action” in the upper midrange – Dan Swano (on mastering God of the Tribes)

“The new music IS unquestionably different from what you might expect based on the last album, though if you caught the album’s first single “Ravaged by Hurakaan” you already know that, and you’ll get a further idea from the lyric video for another album track we’re premiering today, “Evil and Plunder“, which is the album’s shortest song… Now, to the music, which is surreal. In line with the raging words, the vocals are blistering in their incendiary screaming intensity, but what goes on around them is dazzling and also a bit bewildering. There are indeed no blast-beats, but the sharp clatter of the snare and crash of the cymbals are still attention-seizing, in part because the timing and nature of the outbursts is unpredictable. The fretwork is also unpredictable. Above bubbling bass upheavals the shrill guitars play off of each other. They vividly swirl and glitter, spiral and dive, squirm and spasm, dart about and blaze. Other strange sounds speckle the song with their own odd textures. The experience is exuberantly demented and exhilarating to hear, like a bizarre but still mesmerizing sonic hallucination and rightly described in a forthcoming press release as a “3-minute descent into ritualistic chaos and psychological warfare.” – No Clean Singing

“With the upcoming release of God of the Tribes, extreme metal entity Kratornas returns from the abyss with a devastating new record that leans into ritualism, atmosphere, and unapologetic chaos. For over two decades, Kratornas has operated as a one-man war machine, who has consistently rejected conformity, trends, and convention.” – Crannk

“My take on the album: It is unique and unconventional. The album is brilliantly performed and crafted. If you looking for something different with cutting edge performance this album is for you. The longer songs in the album is pure magic.” – Project Metal Music​
​
​“It’s this progressive sense of composition that separates “God of the Tribes” from many of its peers in the extreme metal scene. Even in its most chaotic moments, there’s a weird sense of direction, a dark, strange logic that guides the madness. Of course, this is not easy listening. It’s demanding, violent and uncompromising. But for those willing to give it time, attention and an open mind, “God of the Tribes” delivers the essence of underground black metal. It’s not about catchy hooks or accessible melodies—it’s about raw spirit, musical extremity and vision. And Zamora has plenty of all three. Active since 1995, Kratornas has always lurked in the shadows of the black metal underground, but this album has the potential to push the project into a more prominent position—not through trend-chasing, but by sheer force of artistic will. “God of the Tribes” is a a declaration that Kratornas is still here, still raging, and still deadly serious. Black metal fans, take note—this is an album that deserves your ears. 8/10” – Myths of Rock ​
​
​“The music was energetic, and hyper… Call this album unique, that’s for sure, and If you can deal with chaos and dissonance, this album is for you.” – Metal Temple

​
—–
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0 Exitus Stratagem Records – Streaming Now! VISITANT’s Visceral Debut Album ”Rubidium” + Michigan Metal Fest + “In the Wake of Flame Tour” (FL/GA/TN/SC/NC) w/ IATT

  • August 21, 2025
  • by Asher
  • · Music News · Visitant

NEWS RELEASE

Montreal, QC – August 21, 2025

Album Download HERE (for media use only)

Streaming Now! VISITANT’s Visceral Debut Album ”Rubidium”

+ Michigan Metal Fest + “In the Wake of Flame Tour” (FL/GA/TN/SC/NC) w/ IATT

Debut Album “Rubidium” Out Aug 2025 via Exitus Stratagem Records

The wait is over. Blackened death metal collective Visitant unleashes their highly anticipated debut album “Rubidium” via Exitus Stratagem Records, delivering seven tracks of ritualistic, unrelenting music that weaves ethereal elements into haunting soundscapes. The album represents what the band calls ‘shadow work’, a visceral exploration of the bleakest parts of being human.

“Rubidium” showcases the full collaborative power of Visitant‘s seasoned lineup across 32 minutes of immersive music. Taylor Tidwell (Unaligned) serves as the primary architect of the band’s crushing riffs, while Anthony Lusk-Simone’s (Abiotic, Lattermath) orchestral passages and thunderous drumming build the cinematic worlds that define each composition. Kilian Duarte’s (Abiotic, Scale the Summit) monstrous bass work drives the album’s forward momentum, even contributing a guitar solo on “Envies Lament”. Chelsea Marrow’s (Voraath, Video Games: DOOM ETERNAL, Senua’s Saga: Hellblade II) commanding vocals tie everything together, transforming personal experiences into ghost stories that channel the essence of restless, vengeful spirits. Thomas Weidick, on guitar, recently joined their live lineup this past June.

The album explores themes of grief, loss, betrayal, vengeance, time lost, and regret through seven carefully constructed tracks that showcase Visitant‘s ability to transcend genre boundaries.

The band shares their thoughts on the record:

Tony: “Imagine Dimmu and UADA being smashed together like action figures during recess.”​
​
Kilian: “This record, I think, threads the needle, blending a lot of different genres. But yes, imagine a bunch of metal bands as action figures in the best Super Smash bros type of way.”

Taylor: “While the genre-bending is ever-present, the release as a whole works cohesively, every part making up a piece of the puzzle.”​
​
Chelsea: “I really do think it’s genre-bending as well. I didn’t actively approach it with that in mind, but I went for what I felt each part needed or made me feel. It was a freeing experience. I was hoping we could create something that was impactful. I think we did that. After you listen to the album from beginning to end, you feel like you were just on the biggest journey. It evokes all sorts of feels. Like damn.. I feel like I was audibly hit by a big ol’ bus. In a good way… if there was a good way!”

The album was produced and mixed by Anthony Lusk-Simone and mastered by Jason Fisher, with striking artwork created by Chelsea Marrow in collaboration with Maxwell Aston for layout and logo design. Every element of “Rubidium” has been crafted to create what the band describes as ‘epic, moving, bleak, beautiful, and uncompromising’ music.

For fans of Gojira, Opeth, Naglfar, and Between the Buried and Me, ‘Rubidium’ offers a visceral experience that promises to resonate for years to come. Visitant celebrates the album release with their live debut at Michigan Metal Fest, bringing their haunting world to audiences with an intense live experience that matches the cinematic scope of their recorded work.

Watch and listen to the album full stream premiere on Decibel Magazine HERE.

Visitant‘s “Rubidium” is available for album pre-order (out Aug 22nd) via Exitus Stratagem Records at https://hypeddit.com/visitant/rubidium​

Music Videos:

Briars – https://youtu.be/XMr5E2DGX2E​

Fodder – https://youtu.be/UCfxSpoPf60​

Starless – https://youtu.be/quktaBXaeVM​

Other Dates:​
Aug 23 – Michigan Metal Fest – Leila Arboretum – Battle Creek, MI w/ Dying Fetus, Within Ruins, Ov Sulfur, The Convalescence
​
​“On The Wake of Flame Tour” – IATT, VISITANT:
Oct 3 – Pensacola, FL – Pacific Kava
Oct 4 – Jensen Beach, FL – Dark Riff Records
Oct 5 – Duluth, GA – Sweetwater
Oct 7 – Nashville, TN – Cobra
Oct 8 – Piedmont, SC – Tribbles
Oct 9 – Raleigh, NC – Chapel Of Bones
Oct 10 – Knoxville, TN – The Pilot Light
Oct 11 – Jackson, TN – TN Metal Devastation Fest (Visitant only)

Track Listing:​
1. Unworldly – 4:48
2. Briars – 5:20
3. Starless – 5:07
4. Rubidium – 5:24
5. Fodder – 4:37
6. Envies Lament – 4:56
7. Moon Bathe – 2:38
Album Length: 32:50

Album Band Line Up:​
Chelsea Marrow Vocals
Kilian Duarte Bass
Taylor Tidwell Guitars
Anthony Lusk-Simone Drums / Orchestration

Live Band Line Up:​
Chelsea Marrow – Vocals
Taylor Tidwell – Guitar & Backing Vocals
Kilian Duarte or Anthony Wheeler – Bass
Charles Webber or Anthony Lusk-Simone – Drums
Thomas Weidick – Guitar

For more info:

​Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic | X.com/exsrmusic​

​Facebook.com/visitantband | Instagram.com/Visitantband | Tiktok.com/@_visitant_​

– 30 –

“Visitant is here to utterly wreck your morning thanks to their brand new single “Fodder”, the first offering from their upcoming album Rubidium due out on August 23 via Exitus Stratagem Records. Visitant is vocalist Chelsea Marrow (Voraath, The Monster Factory, Doom Eternal, Hellblade 2, etc.), guitarist Taylor Tidwell, drummer Anthony Lusk-Simone (Abiotic, Lattermath & ex-Pathogenic), and bassist Kilian Duarte (Abiotic, Lattermath, Felix Martin & Scale The Summit). So a real powerhouse of a band that brings some savage energy to the metal world.” – Metal Injection
​
“Visitant introduce the song (Starless) with subdued classical strings and rippling piano keys which together create a sorrowful but entrancing mood. The gentle nature of that overture makes the sudden crash that follows it even more startling — a sudden attack of slashing and sizzling fretwork, gargantuan bass-moans, neck-cracking beats, savage roars, and scorching screams. The song continues to bring in classically influenced piano melodies coupled with vividly dancing guitars, creating an almost diabolical kind of elegance, but the song also ignites a blackened firestorm of blasting drums, delirious fretwork, and sweeping symphonics. The notes vibrantly dart and blaze as the rhythm section thunder, and the music both elevates to heights of daunting, haughty grandeur and sweeps like wildfire. The torrid and tormented vocals seem to hold nothing back, howling and screaming out on the bleeding edge of intensity, and as if the song couldn’t get any more extravagant, the band make room for a head-spinning guitar solo at the end, in the midst of lots of other equally head-spinning fretwork and rhythm-section spectacles.” – No Clean Singing
​
““Fodder“, presents different warps and wefts in its weave. Also presented through a video (this time we get to see the band perform), it was inspired by a very dark dream in which Chelsea attempted to bring a murdered friend back to life and lost her own life in the process, leaving the friend trapped in a hellish limbo, bound to a body over which their control had been lost to dark spirits. To be sure, this song is also musically extravagant. It features a lot of borderline deranged and technically demanding high-speed maneuvers (a tour de force that would make lots of tech-death bands jealous) but it’s also hallucinatory, and unhinged in many other respects. It further demonstrates that Chelsea Marrow can really sing, as well as howl like a wolf and scream like a goblin. It’s a highly theatrical experience, but also instrumentally kaleidoscopic and viscerally frightening, and the singing makes the song stand out as much as every other demented and dazzling aspect of it.” – No Clean Singing
​
“Emerging from the shadowy fringes of the metal scene, blackened death metal outfit Visitant has unleashed their riveting debut single, “Fodder.” Released as a precursor to their eagerly anticipated first full-length album, “Rubidium,” the track invites listeners into a deeply atmospheric yet punishing sonic landscape.” – See Rock Live Magazine
​
“Uniting seasoned musicians from the Extreme Metal underground scene with members known for their previous works in Abiotic, Scale the Summit, Unaligned and Voraath, Blackened Death Metal quartet Visitant have spent the better part of three years crafting a debut album. The promise is of something dark, beautiful, visceral and compelling with single “Fodder” an almost ritualistic journey that weaves ethereal elements into an unrelentingly aggressive soundscape. Turning personal experiences into ghost stories for the half an hour of power that is “Rubidium” caught the attention of Exitus Stratagem Records who will distribute the affair on 29th August.” – Metal Noise

—
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0 Newfoundland Blackened Thrash Duo ARTACH Unleash Video “Macha” From New Album “Morrigan…Goddess of War” Out Mid-March 2025

  • March 11, 2025
  • by Asher
  • · Artach · Music News

NEWS RELEASE

Montreal, QC – March 11, 2025

Newfoundland Blackened Thrash Duo ARTACH Unleash Video “Macha”

New Album “Morrigan…Goddess of War” Out Mid-March 2025

Newfoundland, Canada’s black metal duo ARTACH announces the release of their latest album “Morrigan…Goddess of War” due out on March 21st, 2025 via Depressive Illusions Records. This third full length represents the band’s strongest material yet. It’s a relentless assault of blackened thrash metal that captures the intensity and fury the duo have always strived for. From crushing riffs to searing melodies, every track on this release is forged with raw passion.

“We’ve poured everything into this record, and we can’t wait for fans to experience the full force of Morrigan…Goddess of War.” adds Sruthán (Guitar/Bass).

Today, Artach unveils the lead single “Macha”, one of the three songs that are part of the Morrigan trilogy on the album with the songs that also includes “Badb”, and “Nemain”.

Sruthán (Guitar/Bass). explains further:

“Macha, one of the Morrígan, was known for her prophetic visions and her role as a fierce protector of warriors. She is sometimes considered one aspect of the Morrígan, a trio of war goddesses.

The three goddesses, and what elements they represent, that make up the Morrígan in Irish mythology are:
Macha – War, sovereignty, horses.
Badb – Battle, death, chaos.
Nemain – Frenzy, panic, terror.
Together, they represent different aspects of war, fate, and destruction in Celtic mythology.”

Listen to “Macha” via its music video at https://youtu.be/JoEVeBVPaaM

​

Due out March 21, 2025, CD and Cassette for “Morrigan…Goddess of War” will be available from Depressive Illusions at https://depressiveillusions.com/search/node/Artach​

Artach is a two-man black metal band (Sruthán: Guitar/Bass, Fíochmhar: Battery/Vokills/Keys) based in St. John’s, Newfoundland, Canada. Being from the foggiest, snowiest, wettest, windiest, and gloomiest capital city in Canada, one should not be surprised that this fuels the creation of Black Metal. Their inspiration comes from the land, nature, the bleak weather of the Canadian North, and influential black metal bands.

Since the duo’s formation in the spring of 2019, Artach has been consistently releasing new music. The band’s debut album “Chronicles of a Black Winter” was released digitally during February 2020 and later unleashed on physical CD by Depressive Illusions Records. In 2021, the band returned with their next offering “Sworn To Avenge”, a full-length scourge of raw and relentless bruting gloom. In 2024, Artach took an experimental direction with the EP “Sgrios”, which was a black metal spin on industrial metal sounds.

Now in 2025, they unleash their third full length offering with “Morrigan…Goddess of War” for release in mid-March.

Track Listing:​
1. Badb – 7:08
2. Macha – 6:06
3. Nemain – 5:17
4. Nefarious – 5:21
5. Nomad – 5:09
6. Hoarfrost – 4:29
7. Cloudminders – 4:46
8. Ride… Die… Immortality – 6:08
Album Length: 44:28​
​​
Artach
 is:
Fíochmhar: Battery/Vokills
Sruthán: Guitar/Bass/Backing Vokills

 

EP Credits:​
Cover art by: Awinita Alm
Album mixed and mastered by Michael Small.
​
​Follow Artach:​
​https://www.facebook.com/ArtachBlackMetal​
​https://www.instagram.com/ArtachBlackMetal/​
​https://www.youtube.com/@artachband709​
​https://artach.bandcamp.com/​

Discography:​
2025 – Morrigan…Goddess of War (album)
2024 – Sgrios (EP)
2024 – From The Frozen Vault (EP)
2023 – Hell on Halloween (Single)
2021 – Countess Bathory (Single)
2021 – Sworn to Avenge (album)
2020 – Night Songs (single)
2020 – Chronicles of a Black Winter (album)​
​

– 30 –

“In my opinion this is another great sounding recording from Artach and if you are a fan of experimental and industrial black metal, you should check out this ep. RECOMMENDED TRACKS INCLUDE “Frozen Factory” and “Atomic Cabaret”. 8 out of 10.” – Occult Black Metal (Sgrios review)

“…offers a unique insight into the inspirations behind Artach with an eclectic and eccentric charm. 7/10” – Metal Noise (Sgrios review)

“With the jagged band name and bleak setting you can look upon the cover and get a taste of what’s in store, then you add in the hooded man with the sword and your ideas may be subverted, perhaps not. This is the real genius of Artach. They are making music that crosses genres; a bit of black metal, death metal, old school horns up fists of air grabbing metal as well.” – Killchain (2021: Sworn to Avenge)

“The song (She Gathers Leaves) is a thrill-ride, but also reveals elements of gothic witchiness. The raw vocals are caught up in a paroxysm of fierce, crazed adoration, venting cold-blooded roars as well as braying, throat-stripping howls and cut-throat screams. The full-throttle drumming is tumultuous, a changing array that hammers, gallops, rocks, thunders, and blasts. Urgently rising chords provide a recurring theme, surrounded by flame-throwing riffs that dart, pulsate, and spasm, drawing on elements of thrash and classic heavy metal as well as black metal. Ecstatically swirling leads further add to the wildness of the song. A mood of mystery does surface in the track’s brief intro, and that mood surfaces again in the song’s back half, leading into a necromantic guitar solo that takes flight in scintillating fashion.” – No Clean Singing (2021: Sworn to Avenge)

“check out Artach for a truly epic journey into the wildernesses that populate the dark fantasy land conjured through their excellent music. This sophomore album tells me that this is a band that will be releasing much good material for years to come and will soon be headlining the epic black metal stages or charts both online and at festivals. An excellent job all round.” – Metal Rules (2021: Sworn to Avenge)

“”Sworn to Avenge is a mind-assaulting record… You’ll hear the influences of classic black metal bands like Venom, early-Bathory as well as elements of the second wave; Immortal, Darkthrone etc. Ugly and uninviting stuff but very satisfying if you enjoy the gloomier side of metal… It’s a mammoth listen and does take its toll, but the array of ideas that Artach showcase does keep things interesting. An hour slips by, the cold has sunk deep into the bones and you’ll be left wondering if you’ll ever be warm again.” – Games, Brrraaains And A Head-Banging Life (2021: Sworn to Avenge)

“Very melodic black metal, yet aggressive and heavy with undeniable influences from plain old straightforward heavy metal, so while things are definitely “black metal”, there’s a lot of discipline at play and this is definitely not your average raw, chaotic black metal. There’s order to the chaos on Sworn to Avenge, but that doesn’t prevent it from being aggressive and sometimes kind of depressing and melancholic despite not descending into the slower playing usually associated with those stylings. It’s a rollercoaster of “fuck yeah!” and “kill me now” (in sort of a good way).” – The Metal Crypt (2021: Sworn to Avenge)​
—
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0 VORTEX Unleashes “When Humans Defy the Void” Off New EP “Alien Realms” Out April 2025 + Eastern Canada Tour w/ France’s XAON (ON, QC, NB)

  • March 4, 2025
  • by Asher
  • · Music News · Vortex

NEWS RELEASE

Montreal, QC – March 4, 2025

VORTEX Unleashes “When Humans Defy the Void” Off New Orchestral Blackened Death EP “Alien Realms” Out April 2025

Eastern Canada Tour w/ France’s XAON (ON, QC, NB)

L-R – Simon Desjardins (Bass), Mathieu Duguay (Guitars, Orchestrations), Alexandre Labrie (Vocals), Dany Lévesque (Guitars), Olivier Harrisson (Drums)
Photo Credit – Giuseppe Calvinisti

​Orchestral blackened death metal outfit Vortex has emerged from the void with their most ambitious release with their next concept record “Alien Realms”, set for release on April 11th, 2025, alongside the first single “When Humans Defy the Void”. With this release, they also announce eastern Canada tour dates with France’s XAON for April followed by European dates in October and November. They comment on the single:

“This song is a melodic assault, blending thrash-driven verses, hyper-melodic choruses, and an epic finale, all immersed in grand, sweeping orchestrations. Bold and daring, humans leave Earth in search of intelligent extraterrestrial life. This track is divided into three distinct sections: the thrashy, aggressive verses; the ultra-melodic choruses; and the glorious, epic ending.”

The band further explains that “Alien Realms” is a natural progression from their previous work. They’ve enhanced the orchestral elements while pushing deeper into blackened death metal territory. The EP explores humanity’s venture into space in search of intelligent life, though what they discover isn’t quite what they expected.

Known for their ability to seamlessly blend technical prowess with emotional depth, Vortex promises performances that showcase both crushing intensity and melodic sophistication. This can be witnessed at one of their live shows or felt through the song “When Humans Defy the Void”. They are recommended for fans of Septicflesh, Shadow of Intent, and Fleshgod Apocalypse.

Listen to “When Humans Defy the Void” at​ the following links:

YouTube – https://youtu.be/LRrpmT4Jaek

​Spotify – https://spoti.fi/4inCj0i

Track Listing:​
1. When Humans Defy the Void – 5:03
2. Haunting the Abyss – 5:26
3. Ripping the threads of Reality – 4:10
4. Where Wonders Dwell – 3:00
EP Length: 17:40

Symphony For The Dead Tour – Vortex + XAON (QC, ON, NB)​
April 15 – Montreal, QC – Le Petit Campus ***
April 16 – Edmundston, NB – Ateepic *
April 17 – Saint John, NB – Haven Music Hall and Cafe *
April 18 – Moncton, MB – Xeroz *
April 19 – Rimouski, QC – Coop Le Paradis *
April 22 – Ottawa, ON – The Rainbow
April 23 – Drummondville, QC – La Ste-Paix ****
April 24 – Quebec City, QC – L’Anti ****
April 25 – Saguenay, QC – Microbrasserie Port-Alfred
April 26 – Trois-Rivieres, QC – L’Entite **
​
* Omnivide
** Strigampire
*** Ulfhednar
**** Burning Attic

Vortex is:
Simon Desjardins (Bass)
Mathieu Duguay (Guitars, Orchestrations)
Alexandre Labrie (Vocals)
Dany Lévesque (Guitars)
Olivier Harrisson (Drums)

For more info (Official Website, Socials, Videos, Bandcamp, Spotify, Apple Music): https://linktr.ee/vortexband​

​
– 30 –

Canadian College Radio Charts – August 2023 – top 20 loud – #14 Vortex (earshot)

“#8 on Top 10 Quebec Band 2023 Albums – The Future Remains In Oblivion delivers a solid punch with their intense and well-felt symphonic death metal and, with a quality product like this, they have nothing to envy of the big names in the genre.” – Thorium Mag

“The Future Remains in Oblivion is the collision zone between powdered wig classical and battle jacketed death metal that should hold appeal for fans of Fleshgod Apocalypse, Septicflesh and those who like their Suffocation mixed with Dimmu Borgir.” – Decibel Magazine

“The song’s (The Walls) multi-faceted nature is further revealed in harrowing and haughty growls, jolting chords, and fiery sunbursts of sound, as well as through a swirling melodic guitar solo that spectacularly sends the song into the stratosphere. The song’s finale is itself a full-power spectacle that really gets the adrenaline surging.” – No Clean Singing

“If there’s anything that Vortex nails, it’s drama. Album highlight and banger track “First Blood” is simply massive” – Angry Metal Guy

“For some music is pure escapism but does that still hold true when bands like Canadian Melodic Death Metal monster Vortex whisk the would be listener into a bleak world that is recovering from a devastating cataclysm? Scenes of war and survival are punctuated with harrowing strings, technical riffs, and guttural and Black Metal inspired vocals as the band weave cinematic stories and orchestral touches into their third concept album “The Future Remains In Oblivion”” – Metal Noise

“the title-track The Future Remains In Oblivion, a song that will blow your mind with its insane wall of sounds, background orchestrations, epic passages, striking riffs and solos, and visceral yet intricate drums, resulting in one of the most breathtaking moments of the entire album.” – The Headbanging Moose

“An excellent group that you must discover because of the intensity they are able to show” – Ondes Chocs​
​
—–
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0 Exitus Stratagem Records – Out Now! United By Pain and Rage Hungary’s SIN OF GOD Unshackle New Album “Blood Bound”

  • February 18, 2025
  • by Asher
  • · Music News · Sin of God (Exitus Stratagem Records0

NEWS RELEASE

Montreal, QC – February 18, 2025

Out Now! United By Pain and Rage Hungary’s SIN OF GOD Unshackle New Album “Blood Bound”

Fourth Studio Album “Blood Bound” Out February 18th, 2025 via Extius Stratagem Records

L-R: Krisztián Páncél (bass) / Tamás Kis (guitar) / Tamás Schupkégel (vocals) / Balázs Botyánszki (drums)

Photo credit: László Varga/VARESZ.Fotó

​
The metal world is now “Blood Bound” with the release of Hungary’s SIN OF GOD‘s fourth studio album from Exitus Stratagem Records. With influences in thrash, ODM, and blackened and progressive death metal, Sin of God‘s sacrificial offering “Blood Bound” will please both old and new-school death metal fans at the same time. This new full-length presents a collection of variations that exhibit brutality and softness. It is something fans have heard in the past from the band but it has never sounded like this.

“This album was a very painful and gory birth. Blood Bound was born bloodied and beaten. It was hurt by viruses, epidemics, wars, pollution, stupidity, irresponsibility, lies and deception. But finally, Blood Bound is here! Blood Bound is a mirror. Look into it! You will see the past, the present, and the future. Blood Bound is not a concept album, but it is united by the pain and rage that boils inside us. It reflects the best of our current knowledge. We wanted to write something simple and raw, conveying the message clearly but musically interesting, unique, and challenging. If you look at the album artwork, you’ll know exactly what to expect. Blood Bound is (life and) death metal at its finest, not for the faint of heart, that’s for sure!” adds the band.

Recommended for fans of Aborted, Bloodbath, Cattle Decapitation, Cryptopsy, and Psycroptic, Sin of God’s latest album “Blood Bound” is now available as of February 18, 2025, from Exitus Stratagem Records, and available at the following links:

Digital – https://hypeddit.com/sinofgod/bloodbound

​

CD order – https://www.exsrmusic.com/store/p/sin-of-god-blood-bound-lp-cd​

Music Video – “No Return” – https://youtu.be/r9vmBJSdu_U

​

Visualizer – “Black Waves” – https://youtu.be/u6h13peGlrs

​

Track Listing:​
1. Blood Bound (3:52)
2. Black Waves (4:16)
3. No Return (4:58)
4. The Unbelief (4:49)
5. Diabolical Agitation (7:44)
6. Obulus (3:28)
7. Cerebral Malfunction (4:02)
Album Length: 33:09
​
​Album Credits:​
Album recorded at: Denevér Hangstúdió, Hungary
Mixed and mastered by Sam Winslow/Sam Winslow Music
Album artwork by Tamás Kis
​
​Album Band Lineup:​
Tamás Schupkégel – Vocals
Tamás Kis – Guitar
Michele Gawen Augello – Bass
Balázs Botyánszki – Drums
​
​Live Band Lineup:​
Tamás Schupkégel – Vocals
Tamás Kis – Guitar
Krisztián Páncél – Bass
Balázs Botyánszki – Drums

More info:

​Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic​

​Sinofgod.com | Facebook.com/sinofgodhu | Instagram.com/sinofgodmetal​

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“This isn’t just an all out sonic barrage, though. There are lulls where the “heavy” gets a chance to build before all Hell is once again let loose upon the listener. Lyrics are guttural and harsh, and the guitars have that classic deathmetal sawtooth edge to them. Sin of God manage to pack quite a few riffs in amongst the rapid-fire rhythms, and the drums are impressive. Maintaining a speedy double kick through most songs to keep you heart racing,” – The Moshville Times​
​
​““No Return” is an absolutely brutal death metal track, full of raging guitars and non-stop blast beats that create an intense and chaotic atmosphere for the whole song. The lyrics tackle addictive desires and how they can be all-consuming. At the same time, the rather disturbing lyric video sees the lyrics over a viscerally all-too-realistic image of angels and Jesus amongst devils in Hell. It’s all a classic death metal sound and imagery, and it gets really creepy.” – New Noise Magazine​
​
​“The upcoming Blood Bound by Sin of God is the fourth full release from the Hungarian Extreme Metal monsters and it is the best record they have ever fucking made. It is as brutal as having a stream roller run over you, slowly crushing every bone and muscle inside your body. It’s as vicious as being dressed in a meat suit while a pack of hungry, rabid dogs are set upon you. And it’s as heavy as having concrete poured down your throat, before your corpse is thrown into the deep, dark sea. It is, quite frankly, fucking brilliant…Let’s face it, Sin of God don’t fuck about and if you’re coming to Blood Bound expecting anything other than the most extreme of metal, then you’re gonna have a bad time and don’t let the door hit you on the way out. Blood Bound is a statement that Sin of God are making a claim for the Extreme Metal throne, and on the strength of this, it’s hard to see how anyone could possibly stop them.” – Black Metal Archive​
​
​“It is the sound of a machine gun that immediately kick-starts the album and it comes at you courtesy of all four musicians. It is instantly clear: Blood Bound is brutal, crushing black/death metal with no hint of mercy. The singer Tamás Schupkégel deploys two tones and uses two channels to disseminate his preachy and ominous augury. The guitar is sharp. The warm drum sound and the barrage of artillery that goes boom is probably the album’s highlight. The drummer loves his drum rolls and his blast beats and more power to him… Call yourself a fan of Aeon, Cryptopsy, God Among Insects or Pestilence? Exitus Stratagem has a CD for you! No wonder the cover art depicts a symphonic (so-called) ‘metal’ chick singer and her wimpy accolades. They are being assailed by Sin Of God and their actual metallic and symphonic music. ” – Metallian.com ​
​
​“Hungarian Extreme Metal masters Sin Of God have signed with Exitus Stratagem Records and will present their new album, Blood Bound, next month. Something that will excite old and new-school Death Metal fans, this new album echoes brutality and softness and is a mark of the challenges faced since 2016’s Aenigmata.” – Metal Talk​
​
​“I tell you that if what you are looking for are really strong emotions, this is your album. The six strings are lethal and insidious in equal measure. They cut your throat the same with sharp attacks of tremolo picking, which chill your blood with riffs darker than Lucifer’s soul. The voices are angry and macabre at all times. Yes, they are even when they anecdotally decide to use narrated clean vocals. In general, there is no feeling of respite, neither in instruments nor in vocal cords. Percussion is very extremist. Fast is very fast, and so is resounding. The use of the double pedal deserves special mention. It is a submachine gun that never uses ammunition. Don’t miss the initial ‘Bloodbound‘ nor ‘No Return (From Hell)‘ and ‘The Unbelief‘. ¡What savagery for Odin!” – Broken Tomb Magazine

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0 SVNTH Announces “Cinnamon Moon” From Anticipated Blackgaze Album “Pink Noise Youth” Out April 2025

  • January 31, 2025
  • by Asher
  • · Music News · SVNTH

NEWS RELEASE

Montreal, QC – January 31, 2025

SVNTH Announces “Cinnamon Moon” From Anticipated Blackgaze Album “Pink Noise Youth” Out April 2025

L – R – Jacopo Fagiolo – Guitars, Alessandro Canzoneri – Drums, Rodolfo Ciuffo – Bass, Vocals, Sitar, Valerio Primo – Samples, Percussion, Alessandro De Falco – Guitars

Photo Credit – Arianna Savo

Italian experimental metal outfit SVNTH has just released their single “Cinnamon Moon” off their forthcoming album “Pink Noise Youth” out on These Hands Melt Records this coming April 2025. “Cinnamon Moon” showcases SVNTH‘s distinctive approach to genre-blending, weaving together elements of blackgaze and post-hardcore to create a deeply personal sonic landscape. The track stands as an emotional open letter, chronicling the complex journey of late youth through a rich tapestry of sound that includes slowdive-inspired ethereal delays, black metal screams, and the unconventional incorporation of the electric Indian sitar. The band shares their thoughts on the single:

“It unveils some of the most interesting features offered on the album in terms of sound and mood. With its captivating mix of blackgaze and post-hardcore, the song is an open letter soaked in fragility and emotional exposure, delivered to a loved one as a memorial of the hampered paths walked together on the road of late youth.”

While their earlier work explored life’s struggles through a childhood lens, “Pink Noise Youth” examines the chaos and emotional instability of early adulthood, giving voice to a generation as unpredictable as its namesake audio phenomenon.

“Pink Noise Youth” demonstrates SVNTH‘s continued evolution, deliberately transcending genre boundaries by combining elements of hardcore, metal, shoegaze, and post-rock with unexpected instrumental choices. The album promises to take listeners on a cohesive journey through its carefully crafted track sequence, maintaining the band’s tradition of creating conceptually unified works. It is recommended for fans of Deafheaven, Alcest, and Agalloch.

Single Cover – Cinnamon Moon – Artwork by Tryfar

Listen to “Cinnamon Moon” at the following links:

Lyric Video – https://youtu.be/0hpPr0mFxQs​

Spotify – https://spoti.fi/3PWfwMK

​

“Pink Noise Youth” is due out on April 18, 2025, on Vinyl, CD, and Digital via These Hands Melt Records and is available for pre-order / pre-save at https://lnk.to/SVNTH​

Album Cover – Pink Noise Youth – Artwork by Tryfar

Track Listing:​
1. Inhale – 1:31
2. Cinnamon Moon – 5:18
3. Perfume – 4:19
4. Elephant – 6:49
5. Narrow, Narrow – 5:35
6. Exhale – 4:33
7. Winter Blues – 4:32
8. Nairobi Lullaby – 4:37
Album Length: 37:18

Album Credits:​
All music and lyrics written by Rodolfo Ciuffo
Performed by Rodolfo Ciuffo, Alessandro De Falco, Valerio Primo and Alessandro Canzoneri
Guitar solos on “Elephant”, “Exhale” and “Nairobi Lullaby” written by Alessandro De Falco
Recorded, mixed and produced by Alessandro De Falco
Mastered by Angel Marcloid at Angel Hair Studio
Photography by Alexandru Cozlan, modeling by alteaaetla_sg
Album Artwork by Tryfar

More info: https://linktr.ee/svnthband​

About:

With a various background of musical influences and artistic inspirations, SVNTH (written all caps and pronounced “Seventh”, formerly “Seventh Genocide”) from Rome, Italy has been shaping a unique equilibrium of sounds through the years moving across a huge variety of directions on the palette of contemporary alternative music to create a distinctive soundtrack for inner emotions, life scenarios, and existentialist questioning. Expanding the energy of black and post-metal over the mellow and contemplative boundaries of shoegaze, art pop, and cinematic post-rock.

From the vivid early black gaze melodies of the debut “Breeze of Memories” (2015) to the long song structures with acoustic overtures and Godspeed You! Black Emperor inspired sections of the monumental “Toward Akina” (2017); SVNTH confirms this more complex approach on the double LP “Spring in Blue” (2020), the childhood chapter of a trilogy of colors based on emotions in different phases of life.

The upcoming “Pink Noise Youth” (2025) gets back to a more traditional song format, introducing a unique use of Indian sitar, and an array of acoustic instruments and singing expressions, which develops SVNTH to a one-of-a-kind sound and personality.

As of today, the band has done several tours and single shows all over Europe and in the USA touching even non-frequently toured countries such as Albania and Turkey and performing at notable festivals like Rockstadt and Frantic Fest, bringing a defining cathartic live energy.

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“This is arguably SVNTH’s defining effort to date, and will hopefully see them gain a foothold within the scene at large…” – Distorted Sound Magazine (2020 – Spring in Blue)

“”The music seems to wail and mournfully murmur like spirits who have lost their way in a shimmering desert world. Those lonesome laments unfold into a momentum of neck-snapping beats, raking chords, and high, harrowing shrieks” – No Clean Singing (2020 – Spring in Blue)

“SVNTH sets out in hopes of bridging the rift of a jealous god, welding genres into music that can appeal to all sensibilities, without sacrificing integrity (or intensity)” – Toilet ov Hell (2020 – Spring in Blue)

“”Distortions, speed and sinister atmosphere as the tradition black imposes but also delicate chiselations from which a light filters that suggests possible trajectories capable of questioning the dictatorship of matter, Spring in Blue is an album that is not afraid to face the recognized columns of Ercole gender and to push it far beyond 8.5/10” – Grind On The Road

“an interesting take on black metal, delving deeper into psychedelia and post-rock influences on new EP SVNTH. Though the tremolo-picked guitar playing and blast beats accompanied by howled screams still remain, they are met with shimmering melodies, ambient stretches and Pink Floyd-esque guitars.” – Decibel Magazine (2018 – EP SVNTH)

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0 Canada’s BLACK PESTILENCE’s Chaotic Black Metal N’ Roll Returns With “The Devil’s Connection” Off “Chaotic Wisdom” Out Sept 2023

  • July 7, 2023
  • by Asher
  • · black pestilence · Music News

NEWS RELEASE

Montreal, QC – July 7, 2023

 

Canada’s BLACK PESTILENCE’s Chaotic Black Metal N’ Roll Returns With “The Devil’s Connection”

New Album “Chaotic Wisdom” Out September 2023

L-R – Daniel Toews – Guitar, Valax – Bass & Vocals, Davey Hellfire – Drums
Photo Credit – Wikked Twist Media

In the winter of 2008, Black Pestilence emerged from the frozen, windswept prairies of Canada, conjured by bassist/vocalist Valax. Initially, Black Pestilence was a one-man studio project, but years afterward, it evolved into a three-piece band and remains in that form. Over time, Black Pestilence has become known for an instantly recognizable sound that combines black metal, punk rock, and noise. To date, the band has released six full-length albums and two EPs. This impressive discography expands this year with “Chaotic Wisdom”, which further expands on lyrical themes including LaVeyan Satanism, current events, social issues, and the glorification of the epicurean lifestyle. Valax shares his thoughts on the first single off the album, “The Devil’s Connection”:

“The Devil’s Connection addresses the advantages of having an open mind. As esoteric as some scenarios might be, it will allow one to adapt to any situation. ”

According to Valax, fans will get the same infectious sound this band is known for but with a different style of production. On this album, it sounds a bit darker and more analog. For example, they used various different mic techniques for recording the guitars which added a very different overall sound. Each member of the trio spent more time recording their parts which results in a much better performance than the last album.

Black Pestilence started out as very chaotic black metal with small hints of punk rock and lots of noise. After, it slowly evolved into a punk rock structure with black metal vocals. Now it is much more catchy with shorter song lengths. Their chaotic black metal ’n’ roll is recommended for fans of Midnight, Toxic Holocaust, and Impaled Nazarene.

Watch and listen to their music video for “The Devil’s Connection” via its premiere on NoCleanSinging HERE.

Their forthcoming album “Chaotic Wisdom” is due out on September 8, 2023, and available for pre-order at https://blackpestilence.bandcamp.com.

Track Listing:
1. Mortal Rift (3:29)
2. A Life of Evil (3:06)
3. The Devil’s Connection (3:29)
4. Chaos and Carnality (3:18)
5. Aspect of Darkness (3:06)
6. Infernal Might (feat. Mark Russell) (2:35)
7. Animus (5:50)
Total Length: 24:53

​Facebook.com/blackpestilenceband | Instagram.com/blackpestilence | Youtube.com/blackpestilence | Spotify​

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“A recent discovery that has tickled the excitement nerves in my jaded and encrusted ear drums is Calgary’s Black Pestilence. Their take on black metal incorporates old-school thrash and punk and if you listen closely you can hear the smatterings of plain ol’ rock ‘n’ roll and swaths of noise and is a sound that has been explored and nurtured since the band formed as a one-man project in 2008. The band’s handlers claim those fans of Toxic Holocaust, Impaled Nazarene, Municipal Waste, Midnight and Cradle of Filth unconcerned with genre boundaries will enjoy Black Pestilence and we have to say the nail has certainly been hit on the head in that regard. Additionally, fans of image and theatrics will find value in the band’s aesthetic which owes to a collision of black metal, goth rock and Judas Priest’s wardrobe and fashion sense. ” – Decibel Magazine

“Hail the Flesh is a nice, quick, in and out style album. There’s no messing around, there’s no overly extended bridges or songs that overstay their welcome. This is a 9 track album that only spans 34 minutes of constant, hard hitting riffs, blasts, and downright aggressive and dominative vocals. Even the final track on the album, “Ephemeral”, which nearly reaches 7 minutes in play time feels fresh the whole way through. ” – Metal Injection

“an album that really has a surprisingly wide range within the black/thrash/punk style so if you love that sort of black and roll aggressive metal, then “Hail The Flesh” will be an album for you.” – The Rockpit

“Calgary, Canada’s Black Pestilence bring a fresh take to the sound, though. Hail The Flesh, the band’s sixth full-length album is a blackened crossover punk-thrash album. It sounds old school, yet very 2000s at the same time…. Municipal Waste, Impaled Nazarene, Toxic Holocaust fans take notice.” – Heavy Music Headquarters

“They really don’t have another gear beyond ‘top’ which makes for a splitting headache of heavy but one that satisfies. After all there are only 9 tracks and as Godless spits and snarls, Frauds to the Throne exudes filthy groove, My Will to Power rages hard and Ephemeral drags the suffering out, the over-riding thought is Black Pestilence have impressed.” 8/10 – Games, Brrraaains & A Head-Banging Life

“Honestly, anyone with the remotest interest in Black ‘n’ Thrash, Black ’n’ Roll or even just plain old Thrash is going to love this album. It is a blisteringly addictive listen. The skilfully fluid ways that all these genres are melded is both brilliant and compelling as well as being lyrically inspiring.” – MetalTalk.net

“First things first, it’s not every day you hear black metal as fun as this! That is partly because of the exciting thrash and not-so-serious punk influences, but also because the songwriting is very strong. ” 4/ 5 – The Independent Voice

“dirty, punky Black/Thrash that occasionally makes feedback noises and consistently slaughters everything in its path.” 4/5 – The Metal Crypt

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0 Streaming Now! Toronto’s MALICE DIVINE Coat Empowerment In Black Metal Textures In “Everlasting Ascendancy”

  • January 26, 2023
  • by Asher
  • · Malice Divine · Music News

NEWS RELEASE

Montreal, QC – January 26, 2023

​

Streaming Now! Toronto’s MALICE DIVINE Coat Empowerment In Black Metal Textures In “Everlasting Ascendancy”

“Everlasting Ascendancy” is the second album from Canada’s one-man black metal project Malice Divine, following up their much acclaimed self-titled debut in 2021. Able to work freely without creative impediments, Ric Galvez has poured his passion into this album and it shows. A lot of the songs have complex song structures, but there is also a lot of catchiness and melody to make this album a very memorable listen, nonetheless. He shares his excitement for the release:

“I am incredibly excited to finally have the sophomore Malice Divine album “Everlasting Ascendancy” released into the world! With this album, I am aiming to have the listener feel empowered and inspired to go after what they want in life and not settle for less. The message of Malice Divine is one of empowerment and that message can be found throughout all 8 tracks on “Everlasting Ascendancy” in some shape or form. I poured my heart and soul into this album, which will be apparent both musically and lyrically. Despite the music obviously being extreme metal, that doesn’t stop me from writing about very personal matters. All in all, I am incredibly proud of this album, and I can’t wait for everyone to hear it!”

“Everlasting Ascendancy” is a dynamic experience while also being an overall more aggressive album than the first one, especially in the vocal delivery. There are still plenty of melody and classical guitar sections, which is a major part of Malice Divine’s sound. The solos on this album are even more virtuosic than before as well.

All songs on “Everlasting Ascendancy” were written by Galvez who enlisted session drummer Dylan Gowan (Vesperia, Birds of Bellwoods, Co-Host We’re Talkin Drums, Overkill Reviewer Banger TV) to hammer them out. The album was produced and mixed by Tyler Williams (Sludgehammer, Monolithic Productions) and mastered by Jamie King (Between the Buried and Me, The Contortionist, Scale The Summit). The album artwork was done by Eka Saputra (Psychopart).

Malice Divine intends to deliver a listening experience that is highly memorable and one that will leave the listener feeling empowered and wanting to listen to it again and again. They are recommended for fans of Watain, Thulcandra, and Dissection.

Listen to “Everlasting Ascendancy” in full via its album stream premiere on MetalInsider HERE.

“Everlasting Ascendancy” will be released on January 27, 2023.

Pre-Save the album here: https://distrokid.com/hyperfollow/malicedivine/everlasting-ascendancy-2​

Guitar Playthrough Video – Silenced Judgement – https://youtu.be/1txFo60rUKI​

Lyric Video – Everlasting Ascendancy https://youtu.be/-F-J7OKMskA​

Track Listing:​
1. Silenced Judgement (4:10)
2. Apparitions Of Conquest (8:22)
3. Usurping The Paragon (6:07)
4. At One With Infinity (6:06)
5. Parasitic Demons (5:39)
6. Reclaimed Strength (5:31)
7. Illusions Of Fragmentation (8:39)
8. Everlasting Ascendancy (8:10)
Album Length: 52:44

Album Recording Credits:​
• All songs performed by: Malice Divine
• All songs written by: Ric Galvez
• Produced by: Tyler Williams
• Mixed by: Tyler Williams
• Mastered by: Jamie King
• Album Artwork by: Eka Saputra (Psychopart)
• Canadian Content (MAPL)

Album Band Lineup:​
Ric Galvez – Vocals/Guitars/Bass
Dylan Gowan – Drums (Session)

For more info: Facebook.com/malicedivineband | Youtube.com/malicedivine | Instagram.com/malicedivineofficial​

About: Toronto, Canada’s Malice Divine is a solo project conceived by Ric Galvez, who had always had the dream of being the leader of his own project. He wanted to expand beyond being known as just a lead guitarist, into also being known as a songwriter, vocalist, and frontman. Ric has played in local bands previously and was a contestant on Banger TV’s Shredders of Metal Seasons 1 & 2.

Ric has a major in music from York University, and through Malice Divine he shows off his vocal, guitar, and bass prowess. His lyrics are inspired by psychology, spirituality, as well as personal experiences that involve the overcoming of obstacles and hardships, using the resulting verses as a form of empowerment.

The second offering from Malice Divine, entitled “Everlasting Ascendancy”, will be released in early 2023. Once again it features Ric Galvez on Vocals, Guitars, & Bass, as well as Dylan Gowan (Vesperia, Banger TV) playing session drums. Malice Divine is also currently transitioning from being a solo project into being a band effort, and is set to start performing live in 2023. What people can expect from seeing Malice Divine live is highly aggressive black and death metal-inspired music, with shreddy and virtuosic guitar solos that add a melodic layer that isn’t common in the genre.

Malice Divine’s sophomore album “Everlasting Ascendancy” is set to be released on January 27th, 2023.

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“This is one of the first albums to come out this year and it is this strong. So as we gather our thoughts for AOTY 2022, an early contender for 2023 kicked this year off right! This album is essential. You’re welcome!” – Metal-Rules (2023 – Everlasting Ascendancy)​
​
​“Slaves of shred will have another reason to bow down in 2023 because Toronto-based Malice Divine will be releasing their second album Everlasting Ascendancy on January 27th. As lots of people already know, the man behind this project — Ric Galvez — has made a name for himself as a guitar virtuoso, and if anything, he elevates his skill to even greater heights on Everlasting Ascendancy. But as the album’s title track that we’re premiering today (through a lyric video) demonstrates quite convincingly, the songs aren’t just excuses to show off, but are instead well-crafted pieces that display dynamism, inspiring melodies, and the kind of hard-charging ferocity that creates primal reactions.” – NoCleanSinging (2023 – Everlasting Ascendancy)​
​
​“The solos and those vocals just emit black metallic sparks and they eat into my ear canals. Watain and Dissection merge here with his own style. An explosive mix does the honors and every track is a feast. “Eight songs long” always surprising variety. A very successful album. A uniform porridge was absolutely not touched here. The cover is like an invitation card. “Come and listen to this beast”. A great start to my first review of the year.” – Hellfire-Magazin (2023 – Everlasting Ascendancy)

“Malice Divine hop back and forth between coming off like a death metal band doing covers of stuff they’ve recorded as a black metal band and coming off like a black metal band doing covers of stuff they’re recorded as a death metal band.”- Decibel Magazine (2021 – Self-titled album)​
​
​“Whether you’re into death metal, progressive metal, or epic metal, this album ticks all of those boxes effortlessly.” – Powerplay Magazine (2021 – Self-titled album)

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0 OUT NOW! ÉOHUM (French Horn Black Metal) Unleash New EP ”Ealdfaeder”

  • March 18, 2016
  • by Asher
  • · Eohum · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – March 18, 2016

Album Promo Request here.

For fans of God Seed, Death, Hate Forest, Immortal, Neurosis

Bandcamp | Facebook | Twittter | Reverbnation | Youtube

OUT NOW! ÉOHUM (French Horn Black Metal) Unleash New EP ”Ealdfaeder”

 

      Montreal black metallers Éohum (pronounced ee-o-um) unleash their new EP ‘Ealdfaeder’ out now as of March 18thvia Mycelium Networks. Recorded at Chris Donaldson’s (Cryptopsy) The Grid, Éohum blend the most gruesome with the cleanest of black and doom metal to create hypnotic riffs with seducing French Horn. The follow up to their debut “Revelations, Aurora Of An Epoch”, ‘Ealdfaeder’ features a line up of band founder Jeremy Perkins (guitar) who birthed the band from a poetic project, the return of Annie Perreault (French Horn/Flute), Sylvain Dumont (Guitar), Barrie Butler (Vocals) plus new comers Cesar Franco (bass) and Luca Belviso (drums) whom have made up the band up for a year now along with a special guest recording from drummer Simon Mackay (The Agonist) on tracks 2-4-5 for the release. All are focused on the distinct grassroots of old school, very heavy progression that has flourished since last year to give way to a distinct path, sound and image with each member sharing common ground on the message, beliefs and ideas behind Éohum.
Lyrically the EP is inspired by poems written by Perkins on the loss of culture and tradition due to greed and colonization across the globe.

Band founder Jeremy Perkins comments on ‘Ealdfaeder’:

“The EP speaks generally about the lost voice of past cultures who were colonized and the decaying relationship humanity has with nature due to the societies we live in. The loss of traditions we held and relationships we had with nature.”

To listen to the full stream of ‘Ealdfaeder’, please visit http://eohum.bandcamp.com

1. Eurocide (6:16)
2. Unmasking A World Of Deceit (6:10)
3. The Apathetic Plague (7:41)
4. Ode To A Martyr (4:34)
5. Curative Undulations (4:39)
EP Length: 29:22
For more info, please visit http://www.facebook.com/eohumband.

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0 NEWS: IDOL OF FEAR Offer Free Download of Album Title Track ‘All Sights Affixed, Ablaze’ Due Out Nov. 18th

  • October 31, 2014
  • by Asher
  • · Idol of Fear

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NEWS RELEASE

Montreal, QC – October 31, 2014

ALBUM PROMOS FOR MEDIA COVERAGE (ex. feature, interview, album review, airplay, etc.) CAN BE REQUESTED HERE

RIYL = Shining, Craft, The Chasm, Ascension, Nachtmystium

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EPK | Download Press Photo | Download Album Cover | Download Album Lyrics

IDOL OF FEAR Offer Free Download of Album Title Track ‘All Sights Affixed, Ablaze’ Due Out Nov. 18th

1. Vanquish (4:23)
2. Morningstar (6:19)
3. Circle of Vortices (5:27)
4. All Sights Affixed, Ablaze (6:20)
5. It Demands (3:30)
6. It Militates (5:15)
7. It Tyrannizes (6:49)
8. Carrion (5:55)
Album Length:  44:01

     With their full length album ‘All Sights Affixed, Ablaze’ due out on November 18th to follow up their 2013 debut EP ‘Scavenger’. Barrie, ON black death band IDOL OF FEAR has stepped into the mosh pit withNefariousRealm.com to give fans a FREE download of their title track at the following link here.

As previously explained by vocalist and guitarist Austin Myers:

“The title track was penned during the depths of a dark winter. It is a lyrical blend of perseverance, strength, and exertion of the will through frigid existence. Our music has these themes of power and struggle that tend to reoccur, though it naturally ventures into different realms as well.”

Mastered by Tore Stjerna (Watain, Corpus Christi) at Necromorbus Studio and mixed by Jeff Wardell, ‘All Sights Affixed, Ablaze’ features eight crushing tracks that ascend to stand out with force.

Born from the powerful quote from Ingmar Bergman’s 1957 movie Det Sjunde Inseglet (The Seventh Seal) “We must make an idol of our fear and that idol we shall call God.”. Idol of Fear focuses on abstract, sliced melodies paired with upfront aggression and compelling vocal energy. Best defined as undefinable and undeniable, Idol of Fear is the definition of creative freedom.

‘All Sights Affixed, Ablaze’ is now available for pre order at the following linkhere.

Show Dates:

Nov 1 – Barrie, ON The Foxx Lounge w/ Dreamer/Deceiver, Hello Amora, We Were The Fires of Rome, Stigmachine, Like Animals. Tickets and info here.

For more info, please visit the following links:

http://www.facebook.com/idoloffear

http://twitter.com/idoloffear

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