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Tag: Atheist

0 NARCOTIC WASTELAND (ex-Nile Dallas Toler-Wade) Unleashes Its War On Drugs w/ New Video “Fentanyl Zombie Apocalypse” + EU Tour w/ I AM MORBID, ATHEIST, CANCER + USA Tour w/ FILTH, KILLCROWN

  • October 9, 2026
  • by Asher
  • · Music News · Narcotic Wasteland

NEWS RELEASE

Montreal, QC – October 9, 2026

NARCOTIC WASTELAND Unleashes Its War On Drugs w/ New Video “Fentanyl Zombie Apocalypse”

+ EU Tour w/ I AM MORBID, ATHEIST, CANCER

+ USA Tour w/ FILTH, KILLCROWN

Narcotic Wasteland, fronted by guitarist/vocalist Dallas Toler-Wade of Nile fame, has unleashed its hard-hitting new music video for the band’s latest single, “Fentanyl Zombie Apocalypse.” The video arrives as the band crosses the Atlantic this November to support I AM MORBID alongside ATHEIST and Cancer on a European tour (dates listed below). As the band brings its explosive live show overseas, the new video shines a spotlight on one of the most devastating public health crises facing communities today: the fentanyl epidemic.
​
Blending aggressive musicianship with a powerful social message, “Fentanyl Zombie Apocalypse” tackles the growing fentanyl crisis, often referred to by media outlets as the “zombie drug” due to its catastrophic effects on users and communities. The accompanying music video delivers a gritty visual experience that balances dark subject matter with moments of tongue-in-cheek horror, ensuring the focus remains on the song’s urgent message.
​
​Dallas Toler-Wade comments on the video:
​
​“This song is about the growing fentanyl epidemic, now deemed by the media the ‘Zombie Drug.’ We wanted to give the video a gritty look while keeping it somewhat light-hearted. The important thing is the message. To spread awareness and educate people about this horrible drug that is ruining people’s lives and killing them very quickly.”​
​
The single itself remains one of Narcotic Wasteland‘s most urgent and compelling works, a blistering blend of technical precision, crushing intensity, and social commentary. Addressing addiction, societal decay, and the devastating impact of fentanyl, the track serves as both a warning and a call for awareness.
​
Dallas previously commented on the release of the single:
​
​“I am very excited to release our new song, Fentanyl Zombie Apocalypse! The song is, of course, about the fentanyl epidemic and the overall impact it has on an already failing country. Musically, it really captures the mood of this very well. Fast and tricky, yet twisted and catchy! Kenji really brought some great bass and keys to the table. And Austin needs a drum set that won’t collapse under pressure! I am super proud of the work we have done together, and I cannot wait to show the world what we have been working on behind the scenes.”​
​
​Narcotic Wasteland continues to evolve into one of extreme metal’s most formidable forces. The lineup features Dallas Toler-Wade, former Nile guitarist, vocalist, and key songwriter, whose contributions have helped define technical death metal for decades. Alongside him are drummer Austin Vicars, known for his relentless power and precision, and bassist Kenji Tsunami, whose dynamic playing adds depth, texture, and ferocity to the band’s sonic assault.
​
Together, they deliver a live experience that is both punishing and surgically precise, earning praise from fans of technical and extreme metal worldwide. Their music confronts addiction, corruption, and societal collapse with unflinching honesty, propelled by musicianship that continually pushes the boundaries of the genre.
​
Recommended for fans of Nile, Suffocation, Dying Fetus, Incantation, Cannibal Corpse, Dark Funeral, Immolation, and Gorguts, watch the new music video and listen to “Fentanyl Zombie Apocalypse” at the following links:

Music Video – https://www.youtube.com/watch?v=aDtIU2Ii6N4

​Spotify – https://orcd.co/fentanylzombieapocalypse

​

Tour Dates: I AM MORBID, ATHEIST, CANCER, NARCOTIC WASTELAND​
Nov. 21 – Drachten, Netherlands – Iduna
Nov. 22 – Dordrecht, Netherlands – Bibelot
Nov. 23 – Kortrijk, Belgium – DVG
Nov. 24 – Berlin, Germany – Music Brewery
Nov. 25 – Copenhagen, Denmark – Pumpehuset
Nov. 28 – Kosice, Slovakia – Colosseum
Nov. 29 – Ostrava, Czech Republic – Barrak
Dec. 1 – Zurich, Switzerland – Dynamo
​
​EU Shows – Narcotic Wasteland​
Dec. 2 – Belvaux, Luxembourg – MK Bar
Dec. 3 – Paris, France – Sanit Mils
Dec. 8 – Bridgwater, Somerset, UK

Artwork by Stiky Graffix INC

USA Dates: Narcotic Wasteland w/ FILTH, Killcrown
​
Dec. 11 – Portage, IN – Shenanigans Live
Dec. 12 – Battle Creek, MI – Dark Christmas
Dec. 14 – Milwaukee, WI – X-Ray Arcade
Dec. 15 – Louisville, KY – Mag Bar
Dec. 16 – Greenville, SC – Radio Room
Dec. 18 – Dayton, OH – Gem
Dec. 19 – Akron, OH – Afterlife
Dec. 20 – Albany, NY – Empire Underground

More info: https://linktr.ee/narcoticwasteland​

– 30 –

“”Narcotic Wasteland dropped a caustic, pissed off new single titled “Barbarian” off their forthcoming album Digital Cordyceps. Though we don’t know too much about said album, Toler-Wade explained that the new track was essentially one big middle finger to the ruling class.” – Metal Sucks

“We’ve got the latest and greatest from drug-themed death dealers Narcotic Wasteland, the new video for “Victims of the Algorithm.” The song takes on lightning-fast and heavy riffs, in the tradition of the band, and the lyrics tackle our dependence on social media in the modern age.” – Decibel Magazine

“Narcotic Wasteland have hit us with another dark, campy gem in the form of “Sex, Lies & DNA.” The thrashy, aggressive new single is the latest from the band led by Dallas Toler-Wade of Nile fame. This track features guest vocals from Andrea_N_Black and takes on the beloved death metal fodder of true crime.” – Decibel Magazine

“Narcotic Wasteland showcases Toler-Wade’s penchant for writing killer riffs, which he did for a decade as a member of Nile, in a manner that’s reminiscent of early 1990s metal — when the lines between the “thrash” and “death” tags weren’t as rigidly defined, and everything just sounded fast and heavy as all hell.” – Denver Westword (NW Headlines Denver DeathFest 2023)

“Delirium Tremens is just pummeling, non-stop death metal that covers a ton of ground.” – Metal Injection

“More often than not, death metal bands have a tendency to stick to the familiar topics. Death, gore, killing – that sort of thing. There’s always exceptions, or bands that have a different take on the subject, but as they say, dark music demands dark themes. Narcotic Wasteland does, for one of its lyrical slants, face a slightly different (yet still suiting) take – that of addiction. Plenty of grim to still go around with such a concept, and Narcotic Wasteland hits just as hard sonically as any other death metal act to come through the pipeline.” – Dead Rhetoric

“another incredible death metal album that has the potential to end itself up on the year end top album lists.” – Metal Nexus (2017 – Delirium Tremens)

“On the track, Toler-Wade furiously rails against “expectations,” “silly rules,” and “fucking filters,” and victoriously celebrates being “totally free” with a repeated battle cry of “Let the music flow!” In case there was still any remaining doubt as to the meaning of the song, the track is as magnificently brutal an old school death metal song as you’re likely to hear this season. It gallops, it lacerates, it uses the listener’s skull as a battering ram. There can be no doubt that this truly is Toler-Wade, undiluted and free of limitations. We hope he lets this music flow for a long time to come.” – Metal Sucks (single Return to the Underground off 2017 album Delirium Tremens)

“Narcotic Wasteland have released a fantastic album in ‘Delirium Tremens’. It is not easy to thrust the listener consistently into an aural landscape orchestrated by the band and make them stay put for the entire length of the album. Narcotic Wasteland does it brilliantly as they take you through the nightmarish journey of Delirium Tremens.” – Metal Wani (2017 – Delirium Tremens)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Exitus Stratagem Records – THIRTEEN GOATS Open Up The Pit For Glacial Mutilation Metal Festival + “Tour of The Black Flame” w/ OPAL IN SKY, NAMELESS KING + New Album “Capricorn Rising” Out Now!

  • January 22, 2025
  • by Asher
  • · Music News · Thirteen Goats

NEWS RELEASE

Montreal, QC – January 22, 2024

THIRTEEN GOATS Open Up The Pit For Glacial Mutilation Metal Festival

+ Vancouver Island Tour Dates – “Tour of The Black Flame” w/ OPAL IN SKY, NAMELESS KING

New Album “Capricorn Rising” Out Now! via Exitus Strategem Records

“It’s really strong. GREAT musicians, great production, as well as a very progressive aspect without losing the darkness.” – Kelly Schaefer, Atheist

L-R: Thirteen Goats Current Lineup | Rob Fitz-Gerald (Lead & Rhythm Guitars, Backing Vocals) | Graham K. Miles (Lead Vocals, Lead & Rhythm Guitars) | Cody Lewichew (Bass, Gang Vocals) | Leonid Verman (Drums, Gang Vocals) – Photo Credit: Kevyn Lilith Hoskin

Vancouver, Canada’s Thirteen Goats announce they will be performing on this year’s lineup for the Glacial Mutilation Metal Festival being held over three nights in Vancouver, BC from February 20th to 22nd at The Wise Hall. Thirteen Goats will be the festival’s opening band alongside The Hallowed Catharsis (Vancouver, BC), Dawn of Ouroboros (Oakland, CA), Black Pestilence (Calgary, AB), and Rat King (Seattle, WA).

The festival lineup also features Exist (Baltimore, MD), Bonded By Blood (Pomona, CA), Xoth (Seattle, WA), Terrifier (Vancouver, BC), Celestial Wizard (Denver, CO), Nomad (Okanagan, BC), Art of Attrition (Red Deer, AB) and more!

Full details and lineup are available at the following links:

Facebook Event – https://www.facebook.com/events/3676238119297179​

Tickets – https://orangetickets.ca/detalles_evento.php?id_evento=1872​

In additional news, Thirteen Goats will be storming Vancouver Island, BC in March 2025 for the “Tour of The Black Flame” supporting OPAL IN SKY alongside NAMELESS KING (dates listed below). Thirteen Goats is touring in support of their second album—the extreme metal rock opera “Capricorn Rising” unleashed on Exitus Stratagem Records this past July.

Tour of The Black Flame w/ Opal In Sky, Nameless King, Thirteen Goats​
Tickets available at – https://orangetickets.ca/
March 20 – Nanaimo, BC – The Globe
March 21 – Victoria, BC – Phoenix Bar
March 22 – Port Alberni, BC – Rainbow Room
March 23 – Cumberland, BC – Masonic Hall

Thirteen Goats’s “Capricorn Rising,” tells the story of their mascot, Shepherd: a goat-skull-wearing Antichrist who raises an army of animals to liberate the earth from humanity’s constant wars and greed. This high-concept narrative is delivered with Thirteen Goats‘ signature blend of infernal riffs, huge hooks, and uniquely theatrical songwriting.

Each song on the album is part of a broader narrative that explores themes of disillusionment, radicalization, and rebellion as Shepherd and his 12 demon goats wage their crusade. Thirteen Goats delivers a unique blend of death and thrash metal, combined with a storytelling approach that takes listeners on a journey through the darkest aspects of both human and animal nature.

Listeners can expect furious riffage, ambitious song structures, and even occasional female guest vocals (courtesy of guest artist Carly Ellen Jones). What they shouldn’t expect is a record that plays it safe or falls neatly into one specific subgenre. Thirteen Goats is recommended for fans of Lamb of God, Carcass, and Mastodon.

Released on July 12, 2024, “Capricorn Rising” is available from Exitus Stratagem Records at https://www.exsrmusic.com/store/p/pre-sale-thirteen-goats-capricorn-rising​

Spotify – https://spoti.fi/41hkue1

​

Music Videos:

Murder Lives in the Heart – https://youtu.be/hpgqlbehecM

​

Sign of the Goat – https://youtu.be/D_J3sPkBPxU

​

A Wolf in Shepherd’s Clothing – https://youtu.be/6J5wSen7Emc

​

More info: Exsrmusic.com | ThirteenGoats.com​

-30-

“It’s really strong. GREAT musicians, great production, as well as a very progressive aspect without losing the darkness.” – Kelly Shaefer from Atheist

“take a spin around the room with Thirteen Goats’ “high-concept narrative” and take on modern metal stylized by everything from Mastodon and Carcass to Cannibal Corpse and Lamb of God.” – Decibel Magazine

“Tinnitist Album of The Week! Thirteen Goats ‘Capricorn Rising’ – Exitus Stratagem Records – https://tinnitist.com/2024/07/11/albums-of-the-week-thirteen-goats-capricorn-rising/​

“All in all, on “Capricorn Rising” the gentlemen from the West Coast combine the universal power of North American thrash metal into a versatile, interesting and, above all, powerful record.8/10″ – Power-Metal.de

“What makes this turbocharged song (Sign of The Goat) so damned much diabolical fun is the band’s melding of viscerally compulsive grooves, head-spinning instrumental pyrotechnics, and rapid-fire vocal assaults — and doing so in a way that makes the track highly infectious too. The song vividly intersects with the tech-death sphere through flurries of quickly darting, swirling, and swarming riffage, deliriously cavorting arpeggios, and a multitude of percussive fusillades. As displayed in the video, fingers and limbs fly like the wind, and the guttural barks and hair-raising screams in the vocal department rhythmically eject the violent words just as fast and just as furiously. But, as forecast, the song is also a viscerally groovesome beast. It’s almost relentlessly hard-slugging, but what really stands out are brutish, muscle-galvanizing jackhammer-bursts, the first of which comes only 25 seconds into the track. Another one of those episodes sets itself up as the backdrop for crazed guitar soloing that sounds like the ecstasies of fiends. And we did warn you — this thing is also immediately catchy and enduringly addictive. It comes recommended for fans of Bolt Thrower, Archspire, and Lamb of God.” – NoCleanSinging

“To get some idea of Thirteen Goats’ approach to heavy music, consider that the Straight’s own Mike Usinger once asked readers to imagine “Vulgar Display of Power-era Pantera in a cage match with Cannibal Corpse and Ministry.” That’s a great start, but it doesn’t account for tracks like “Beheading Zoo”, which tops neck-snapping thrash with enough throat-shredding black-metal screams to please even the most discerning Mayhem fan. Or “Murder Lives in the Heart”, which throws a soaring refrain of heaven-sent clean vocals (courtesy of Carly Ellen Jones) into the mix… Capricorn Rising is that rarest of things in today’s world: a true album, with a set of songs designed to be listened to in sequence. Those songs tell the tale of Shepherd, a man so distraught over the state of the world—endless wars, environmental devastation, and other human-made disasters—that he sells his soul for the power to communicate with non-human creatures… Capricorn Rising is a saga replete with scorched-earth mayhem and mass slaughter—something you can bang your head to while pondering your own complicity in the global capitalist exploitation of ecosystems and peoples alike. In other words, it’s basically the perfect LP for our profoundly fucked-up epoch.” – Georgia Straight (Vancouver Weekly)

“they turn on the thrusters for “Beheading Zoo” and “Permission To Die,” closer “Animal Kingdom” is a quasi-ballad with a ferocious second half. ” – Heavy Music Headquarters

“their music gets the blood pumping. Sounding something like Archspire mixed with Blackening-era Machine Head, the tracks on Capricorn Rising are direct and violent. ” – Metal Utopia

“I’d say this is melodic death, some brutal death stuff, melodic music, black metal vox, growns and clean vox too.” – 89.9 WORT FM – The Moshpit (Madison, WI)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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