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Tag: Atavistia

0 HYPERSPACE METALFEST (Vancouver, BC) Reveals First Batch of Bands for 2026 Lineup w/ SANCTUARY, OWLBEAR, ATAVISTIA, VOIDCHASER, LYCANTHRO and more!

  • January 6, 2026
  • by Asher
  • · Hyperspace Metal Festival · Music News

NEWS RELEASE

Montreal, QC – January 6, 2026

HYPERSPACE METALFEST (Vancouver, BC) Reveals First Batch of Bands for 2026 Lineup

w/ SANCTUARY, OWLBEAR, ATAVISTIA, VOIDCHASER, LYCANTHRO, and more!

Vancouver – April 16-17 (The Cobalt), April 18 (Rickshaw Theatre)

Vancouver, B.C.’s leading melodic and power metal festival, HYPERSPACE METAL FEST, is gearing up for its 7th edition after another year packed with unforgettable, high‑energy performances. Taking place at The Cobalt on April 16 and 17, and at the Rickshaw Theatre on April 18, the festival has unveiled its first wave of 2026 performers, including SANCTUARY, OWLBEAR, ATAVISTIA, VOIDCHASER, ARTIFICIAL LANGUAGE, WITCH KILLER, OPHELIA FALLING, LYCANTHRO, THORSGUARD, VALLEY OF DESPAIR, with more bands to be announced soon.

“We are beyond stoked to finally announce the first wave of bands for Hyperspace Metal Festival VII! Sanctuary will be performing a Canadian exclusive performance of Into The Mirror Black in its entirety! Atavistia will be headlining night 1, which will have a heavy emphasis on melodic death metal. After this year, the festival will be going on indefinite hiatus, so if you’ve been wanting to make it to Hyperspace, this could be your last chance. Let’s rage together at the Rickshaw and the Cobalt one last time!” adds festival organizer Joey Hockin of Journeyman Productions.

Hyperspace Metal Festival VI – April 16th – 18th.​
Three-day passes are available at http://hyperspace-vii.eventbrite.ca/​

Facebook Event – https://www.facebook.com/events/858534116963447​

HMF 2026 Lineup Spotify Playlist – https://open.spotify.com/playlist/29rcYoWLyYXPFyN7OKdPDB?si=7Kke2MVVSyS6v_Lxe5-KSg​

This year’s headliner, Sanctuary, is making their exclusive Canadian HMF appearance a very special one as they will be performing their highly praised 1990 album “Into The Mirror Black” in its entirety.

The American heavy metal band Sanctuary was founded in Seattle, Washington, in 1985, and quickly became a key part of the city’s influential heavy metal scene. The band’s sound, centered on the distinctive high-pitched vocals of the late Warrel Dane and established them as a prominent force. Their debut album, Refuge Denied (1988), was notably produced by Megadeth frontman Dave Mustaine, helping to launch the band into the global metal consciousness. Sanctuary gathered supporters all around the globe, upping the ante considerably when unleashing the darker, more refined masterpiece that is “Into the Mirror Black” in 1990. While the grunge style brought the band’s commercial career to an unfortunate halt, the end of the band’s first phase meant the rise of Nevermore, who released several much-acclaimed albums via Century Media Records between 1995 and 2010. In 2011, Sanctuary reformed and celebrated their live comeback, performing at high-profile festivals such as Wacken, Metalcamp, Bloodstock, and 70K Tons Of Metal cruise. In 2014, they released “The Year The Sun Died” and landed at #39 in the German charts. In 2017, the restored and remixed 1986 demo recordings were released as the historical “Inception” release, which charted at #53 in Germany. On December 13th, 2017, vocalist Warrel Dane tragically passed away. The band initially embarked on a tribute tour, recruiting Witherfall singer Joseph Michael to fill the vocal spot. The reaction to Michael’s performances was very positive, and the band chose to continue with the focus shifting to new material. The band is aiming to deliver a unique sound that remains familiar to die-hard fans. The current lineup of Sanctuary includes Joseph Michael on vocals, alongside original members Lenny Rutledge (guitars) and Dave Budbill (drums), and George Hernandez on bass. Sanctuary has, and always will be, a two-guitar band and will have a second guitar player for all upcoming live shows. You can catch the band performing special sets of Refuge Denied or Into The Mirror Black at festivals in 2026.

The band is actively working on a new full-length album, tentatively titled Transmutation. Sanctuary is eager to bring a new show and new music to Europe and the rest of the globe once again! See you on the road!

​https://www.sanctuaryofficial.com/​

Video – Future Tense – https://youtu.be/v5NCBaPE3k0​

====

Forced to cancel their 2025 performance at HMF, Owlbear has its sights set to take the stage at the 2026 edition. Formed in 2020 during a time in which plague stalked the land and time lost all meaning, the core of Owlbear is comprised of North American scene veterans Katheryn Scary (vocals), Jeff Taft (guitars), and Leona Hayward (bass), all of whom hail from different corners of the continent. A rapid exchange of demos led to the creation of their debut album Chaos to the Realm, and the runaway success of that release in 2023 transformed the band from a remote project to a full-fledged outfit, with their debut live performance occurring at the sold-out Legions of Metal festival in Chicago in 2024. Musically, Owlbear draws influence from classic heavy and speed metal and roots their lyrics in the media its members love, from the famous role-playing game that inspired the band’s namesake to the Final Fantasy franchise. Dynamic vocals, frenetic riffing, and bass that is equal parts pummeling and acrobatic drive the band’s relentless approach, and with the release of their widely praised sophomore album Feather & Claw, Owlbear aims to continue to carve out its niche within the heavy metal community with a savage swipe of a plumed talon.

​https://www.facebook.com/OwlbearMetal​

Lyric Video – Hawkriders Of The Waste – https://youtu.be/1AXFZ3ZmF5o​

====

Atavistia (HMF Alumni) is a Canadian symphonic melodic death metal band that blends aggressive riffs, cinematic orchestrations, and melancholic atmospheres. The band has built a strong international following, particularly across Europe, through consistent releases and extensive touring alongside established acts. Known for their powerful live performances and polished production, Atavistia continues to push their sound forward while remaining rooted in melodic death metal.

​https://linktr.ee/atavistia​

Video – Eternal Oceans (Reforged) – https://youtu.be/vthxzis6lzs​

====

From Montreal and Stockholm, Voidchaser is a progressive metal band. Since their inception in 2023, the band has quickly gained momentum with standout, high-caliber singles that have resonated across North America, South America, and Europe, earning widespread attention from influential outlets such as Prog Magazine, Decibel Magazine, The Progspace, Prog-Sphere, Metal Universe, and others.
​
In 2024, they released Solace, their 30-minute debut concept album written as a single continuous piece. Fusing crushing riffs, intricate arrangements, and evocative storytelling, the record ranges from the explosive Only Human (featuring Ashbreather) to the haunting acoustic ballad Alien. The album quickly amassed over 250,000 streams on Spotify, charted on Apple Music and iTunes top metal albums in multiple countries across Europe, North America, and South America, and solidified their status as one of prog metal’s most promising new voices.
​
Their follow-up EP, Trust (2025), features collaborations with Jim Grey (Caligula’s Horse), members of The Anchoret and Universe Effects, and over 10 contributors from around the world.
​
Voidchaser will embark on their debut international tour in summer and fall 2025, including performances at ProgPower Europe (25th Anniversary), the inaugural ProgStorm Festival in Montreal, and shows alongside Threshold, Kingcrow, Vulkan, Nospūn, Omnivide, Ok Goodnight, and Lux Terminus.

​https://www.voidchaser.net/​

Video – Time (feat. Universe Effects) – https://youtu.be/nnxaEiAmBv4​

====

Artificial Language is a progressive rock/metal band from Fresno, California, crafting music that blends technical precision with cinematic atmosphere. Since emerging in 2017, the group has built a reputation for intricate songwriting, dynamic arrangements, and emotionally charged performances that push the boundaries of modern prog.
​
Their sound fuses soaring melodies with complex rhythmic interplay, creating immersive sonic landscapes that reward both casual listeners and devoted prog fans. With a style that bridges the intensity of metal and the expansiveness of progressive rock, Artificial Language has carved out a distinct identity in the genre.
​
The band continues to evolve through ambitious studio work and compelling visual storytelling, including striking releases like their “Skinwalker” music video.

​https://www.artificiallanguagemusic.com/​

Video – Skinwalker – https://youtu.be/nyHudUCLQIM​

====

Forged in Ottawa’s early‑’80s metal underground, Witchkiller emerged as one of Canada’s most compelling contributions to the era’s heavy metal surge. Blending the power and theatricality of classic heavy metal with the melodic intensity of the NWOBHM movement, the band quickly carved out a cult following with their commanding musicianship and dramatic songwriting.
​
Formed in 1981 by drummer Steve Batky and guitarist Kurt Phillips, Witchkiller solidified their place in metal history with their iconic 1984 EP Day of the Saxons, released through Metal Blade Records. The record’s soaring vocals, galloping riffs, and apocalyptic themes cemented its status as a collector’s favourite and a defining release of Canadian metal’s formative years.
​
Despite lineup changes and an initial split in 1985, the band’s legacy only grew. Witchkiller re‑emerged in 2012 with renewed fire, reuniting key members and introducing their sound to a new generation of fans. Their return has been marked by a resurgence of interest in their early work, new recordings, and a revitalized presence in the metal underground.
​
Today, Witchkiller stands as a testament to the enduring power of true heavy metal spirit, a band whose influence continues to echo through collectors, die‑hard fans, and the modern revival of traditional metal.

​https://www.facebook.com/profile.php?id=100064302991214​

“Day of the Saxons” LIVE Headbangers Open Air 2025 – https://youtu.be/zcVtxUuhRmk​

====

Emerging from Vancouver’s rain‑soaked streets, Ophelia Falling (HMF Alumni) delivers symphonic metal at its most powerful, soaring vocals layered over driving power metal, orchestra, and choir. Formed in 2013 by guitarist Mark Anthony Richardson, the band found its voice when powerhouse singer Chelsea Rose joined in 2015, leading to the creation of early fan favourites like “Savage Love” and “Anybody’s Daughter.” With James Meyer on board, their explosive 2018 debut made them one of Vancouver’s most talked‑about metal acts, quickly landing them on the stage of the Rickshaw Theatre for Hyperspace Metal Festival.

Bassist Sylvain Maltais joined in 2018, helping propel the band through a breakout period that included their 2019 EP Savage Love, soundtrack placements in Karen Lam’s The Curse of Willow Song and Kevin Schultz’s Guiltless, and performances at Wacken Battle Canada (BC Finals) and Calgary’s Decimate 2.0 Festival. Drummer Chris Pallot completed the lineup in 2020.

Their debut album, “Destroyed in Delight,” arrived in October 2020, featuring the single “Tangled” and the track “Save Me,” selected for gameplay by Hipsterbait. Songs from the album continue to receive college and internet radio play worldwide. With multiple music videos released and more in production, Ophelia Falling is now writing new material and gearing up for their return to the stage.

​https://www.opheliafalling.com/​

Music Video – Destroyed in Delight – https://youtu.be/ksRUe2mCS5I​

====

Lycanthro – Photo Credit – Dana Zuk

 Lycanthro (HMF Alumni) is an enigmatic power metal band hailing from Ottawa, Canada. Their unique fusion of power, thrash, and traditional metal delivers an epic soundscape that’s as bold as it is unforgettable. Drawing inspiration from the likes of Savatage, W.A.S.P., Blind Guardian, and more, Lycanthro proudly hunts in the world of true metal. Calling out to the realms of classic horror, pop culture, and mythology, their music is a journey through the imagination via tales of personal struggle and howling victory. After an early demo and EP, their critically acclaimed full-length album, Mark of the Wolf (2021), showcased powerful storytelling, dynamic arrangements, and even collaborations with a chamber choir. Lycanthro has hunted on stages such as Power Metal Quest Fest in the UK, Legions of Metal in Chicago, and is fast inviting a worldwide audience to join the pack. Now, after joining US-based metal label Psychomanteum Records, the wolven-metal outlanders are hard at work crafting their highly anticipated second album for release in 2025. With every note, Lycanthro proves that the howl never dies, the hunt never ends, and the night is never quiet. IN METAL WE TRUST!

​https://lycanthrometal.com/​

Video – Far Beyond The Walls – https://youtu.be/g5ImX4EEwjk​

====

Thorsguard is an epic Viking metal project forged in the cold winds of Alberta, Canada. Founded in early 2022 by multi‑instrumentalist and vocalist Damien Hicks, known artistically as The Skald, the band was created with a singular purpose: to revive the ancient sagas through thunderous riffs, sweeping melodies, and battle‑hardened storytelling. According to public listings, Thorsguard is based in the Edmonton/Sherwood Park region and is driven by a passion for Norse myth, warrior culture, and cinematic metal soundscapes.
​
Drawing inspiration from genre giants such as Amon Amarth, Sabaton, Ensiferum, Equilibrium, and Brothers of Metal, Thorsguard blends melodic death metal, folk elements, and symphonic textures into a sound that feels both mythic and modern. The project’s lyrical themes revolve around Viking exploits, legendary battles, and the enduring spirit of the North, all delivered with the dramatic flair of a wandering skald recounting heroic deeds by firelight.
​
With its roots planted firmly in epic metal tradition and its eyes set on the horizon, Thorsguard stands ready to carve its name into the modern Viking metal landscape one saga at a time.

​https://www.facebook.com/THORSGUARDofficial​

Stream – Danelaw – https://youtu.be/A1Hmt5TBLJs​

====

Valley of Despair is an independent Canadian metal band blending together elements of modern rock, power metal, and thrash. The Edmonton, AB-based group released their debut EP “Burn At The Stake” on November 29th, 2024. The EP charted #1 at college radio stations across Canada and landed a spot on the Earshot National Loud Chart.

Valley of Despair toured with their EP across Western Canada in 2025 with festival stops in Armstrong, BC, and Yellowknife, NT. VoD is preparing to write their full-length debut with plans to release new music in 2026.

The band consists of Cheryl Leia (vocals & rhythm guitar), TJ Buggins (lead guitar), Joel Croft (Bass), and Preston Lehoux (drums).

​https://valleyofdespair.ca/​

Video – Burn At The Stake – https://youtu.be/vJcccWhNpUs​

====

To follow updates for Hyperspace Metal Festival 2026, please visit the following links:
​Facebook.com/HyperspaceMetalFestival​
​Instagram.com/HyperspaceMetalFestival​

Festival Press Materials Dropbox HERE.

Over the six editions of Hyperspace Metal Festival, bands from all over the world have come to play power, prog, melodic death, and speed metal on the Canadian West Coast. The festival has presented lineups that have included performances by Týr, Flotsam and Jetsam, Skelator, Enforcer, Psyhostick, Trollfest, Aether Realm, Exmortus, Striker, Riot City, Into Eternity, Witherfall, Lunar, Planeswalker, Iron Kingdom, Helion Prime, Crimson Shadows, West of Hell, Judicator, Odinfist, Tanagra, Scythia, Greyhawk, The Order of Chaos, Red Cain, and many more.​
​

– 30 –

“It’s Western Canada’s premier melodic and power metal festival with a lineup of local, national, and international acts ranging from Sweden’s Enforcer and Toronto’s Crimson Shadows to local faves Crüzer. All told, 15 acts will turn amps to 11 and bring the noize to headbanging fans.” – Stuart Derdyn, Vancouver Sun (2025)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Streaming Now! Quebec’s TROLLWAR’s Symphonic Melo-Death EP “Tales from the Frozen Wastes” ft. Guests From Kalmah, Atavistia

  • November 14, 2024
  • by Asher
  • · Music News · Trollwar

NEWS RELEASE

Montreal, QC – November 14, 2024

Streaming Now! Quebec’s TROLLWAR’s Symphonic Melo-Death EP “Tales from the Frozen Wastes”

EP Guests Veli-Matti Kananen (Kalmah), Mattias Sippola (Atavistia)

The wait is over! Quebec symphonic melodic death masters Trollwar are proud to present the full stream premiere of their highly anticipated EP “Tales from the Frozen Wastes”, before its official release on November 15, 2024.

Check out the EP stream premiere on Decibel Magazine HERE.

“Tales from the Frozen Wastes” marks a significant evolution in Trollwar‘s sound, showcasing a perfect blend of their brutal roots with refined symphonic orchestrations and progressive elements. The EP takes listeners on a journey through a dark dimension, exploring themes of fallen deities, the realm of the dead, and the consequences of mortal ambition. The band comments on the changes that can be found on the record:

“I think our EP could be described as a renewal. A renewal of our music and a new maturity for our music. I do think that you can hear it through our songs in this release. The ‘Unseen One’ and ‘In the Fields of Frost’ are both great songs that we wrote a couple of years ago, while ‘Bane of the Underworld’ and ‘The Offering’ are pretty much the new Trollwar that you should expect going forward. These two songs show a clear upgrade of how we write our music.”

This release represents the culmination of years of hard work and musical growth Trollwar has dedicated to their sound. They’ve pushed themselves to create something that’s not just heavy and melodic, but also tells a compelling story through both music and lyrics.

To celebrate the premiere, Trollwar will be hosting a live Q&A session on their official YouTube channel on the release date (Nov 15th). The band will discuss the creation of the EP, share behind-the-scenes stories, and answer fan questions. They are recommended listening for fans of Equilibrium, Wintersun, and Ensiferum.

Due out on November 15th, “Tales from the Frozen Wastes” is available for digital pre-save – https://distrokid.com/hyperfollow/trollwar/tales-from-the-frozen-wastes​

Track Listing:​
1. Prologue (2:00)
2. The Unseen One (7:05) ft. Keyboard Solo by Veli-Matti Kananen (Kalmah)
3. Bane of the Underworld (5:26)
4. In The Fields of Frost (4:05)
5. The Offering (5:46) ft. Clean Vocal / Choir by Mattias Sippola (Atavistia)
EP Length: 24:24

More info:

​Trollwar.wixsite.com/trollwar | Facebook.com/Trollwar | x.com/trollwarqc | Instagram.com/trollwarmetal/​

-30-

“Trollwar waste no time lighting a fire under the listener with blazing and darting riffage, booming and battering drums, soaring symphonics, savage snarls, and heroic choral singing. But a finger-tapped guitar also introduces magically swirling melodies; grim vibrating fretwork and heavily jolting grooves throw us into fierce combat; and rippling keyboard tones add to the song’s fantastical glories. The band build toward an extravagant finale, hard-hitting and sky-flying, entirely in keeping with the song’s overarching mythic aura.” (Single – Bane of The Underworld) – No Clean Singing

“No scene outplays another on this vivid EP. From start to finish, the blend of orchestration and metal is curated in a way that the Fantasy plays through, while the harshness of its tale is presented with wicked solos, stunning riffs, and masterful sound. As a Fantasy fanatic, and a metalhead, this EP is a stunning display of talent and imagination, utilizing skill and story to present to us one hell of an adventure. 9/10” – All Father Metal

Top 20 2018 Metal album from Quebec by Metal Universe (Oath of the Storm LP – 2018)

“The whole record is an adventure; the sequencing flows well from song to song and is bumpered nicely by an intro that sets the mood, plus an outro that gently brings things to a close, returning the listener safely back to their respective realities. At the end of the day, I definitely think Trollwar is onto something here; they are proudly waving the folk-metal banner and are destined for big things.” – PureGrainAudio (Oath of the Storm LP – 2018)

”The vocals are abrasively savage, and the swirling keyboard melody is like ear heroin. I can’t help myself — the song pushes too many buttons for me to resist.” – No Clean Singing (Oath of the Storm LP – 2018)

“OATH OF THE STORM has a wave of well-written catchy songs, good production, lots of intensity and power as well, which is something some of the other bands lack. TrollWar is a pretty appropriate name for this enjoyable act and OATH OF THE STORM is one of the more intense Folk Metal albums out this year.” – Metal Rules (Oath of the Storm LP – 2018)

“Overall, this was an outstanding album, for a band that clearly has a lot to offer. What I can’t figure out is why no one has signed them yet? The production is excellent. They have a sophistication and complexity in their sound that few others do, yet each track is very easy to listen to. It’s like you combined the best of the old, IRON MAIDEN, with the best of the new, WINTERSUN, and you have TROLLWAR, with their own unique flair. The melodies are both playful and dangerous, and the entire album is excellent from the opener through the closer. “Oath of the Storm” is a fascinating glimpse into the soul of the band, where they let it all out there for you to enjoy. And enjoy it I did!” – 9/10 – Metal Temple (Oath of the Storm LP – 2018)

”the tracks are face smashing and memorable with enough layers to satisfy even the most tech savvy of you folksters”…….”It’s hard to necessarily give you specifics other than multiple layers of instrumentation, blast beats, keys and symphonic touches with shredding guitar and vocals.”- Folk Metal.NL (Oath of the Storm LP – 2018)

“TROLLWAR deliver “Oath of the Storm”, a strong second work that should not only be interesting for fans of FINNTROLL and ENSIFERUM… The Canadians’ independent, accordion-driven folk black metal proves that real fighting roles don’t just inhabit Scandinavia and the surrounding area. Then a resounding “kippis!” or an elegant “à votre santé!”. 4/5″ – Stormbringer

“Uncompromising and lovable – Oath Of The Storm… Conclusion: “Oath Of The Storm” is an interesting folk metal album and for fans of EQUILIBRIUM or FINNTROLL. TROLLWAR is characterized by good song progression and incredible joy in playing… So if you’re still looking for a Christmas present, you can grab it here without hesitation.” – Metal.de

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Join Quebec’s TROLLWAR On A Symphonic Melo-Death Rampage w/ “Bane Of The Underworld” Off New EP Out Nov 2024 ft. Guests From Kalmah, Atavistia

  • October 16, 2024
  • by Asher
  • · Music News · Trollwar

NEWS RELEASE

Montreal, QC – October 16, 2024

Join Quebec’s TROLLWAR On A Symphonic Melo-Death Rampage With “Bane Of The Underworld”

New EP “Tales from the Frozen Wastes” – A Journey Into Darkness – Out Nov 2024

EP Guests Veli-Matti Kananen (Kalmah), Mattias Sippola (Atavistia)

Quebec, Canada’s symphonic melo-death metal powerhouse Trollwar has just released “Bane of the Underworld”, the first single from their upcoming EP “Tales from the Frozen Wastes”.

The EP is the sixth studio record from the band, and the first in six years. It boasts increased technicality and a new direction with the sound. The band shares their thoughts on the release:

“This is a song that we worked on pretty recently. We previously had a skeleton for this song, but it went into a major facelift. We introduced progressive metal breakdowns with guitar-tapping melodies, and even a catchy piano melody to create a very enjoyable, yet technical layer on the song’s melodic breakdown. All of that mixed with a solid chorus.”

As if it was not enough, some brutal old-school death metal-sounding riffs were introduced, and mixed with some heavy symphonic elements, creating an intricate-sounding end to the song. “Bane of the Underworld” is a song about warriors sending their foes to their end. Thus being sent to the underworld.

The single offers listeners a taste of the darker, more complex soundscape the band has crafted for their new EP. It’s a journey into the realm of the dead, where epic melodies clash with intense rhythms, creating a sonic experience that will resonate with their fans and new listeners alike. It is recommended for fans of Ensiferum, Amon Amarth, and Kalmah.

Liste to “Bane of the Underworld” being premiered exclusively on NoCleanSinging HERE.

Single Digital pre-save – https://distrokid.com/hyperfollow/trollwar/bane-of-the-underworld​

EP Digital pre-save – https://distrokid.com/hyperfollow/trollwar/tales-from-the-frozen-wastes​

EP Teaser – https://youtu.be/-k5SH3biGjk​

Track Listing:​
1. Prologue (2:00)
2. The Unseen One (7:05) ft. Keyboard Solo by Veli-Matti Kananen (Kalmah)
3. Bane of the Underworld (5:26)
4. In The Fields of Frost (4:05)
5. The Offering (5:46) ft. Clean Vocal / Choir by Mattias Sippola (Atavistia)
EP Length: 24:24

More info:

​Trollwar.wixsite.com/trollwar | Facebook.com/Trollwar | x.com/trollwarqc | Instagram.com/trollwarmetal/​

-30-

Top 20 2018 Metal album from Quebec by Metal Universe (Oath of the Storm LP – 2018)

“The whole record is an adventure; the sequencing flows well from song to song and is bumpered nicely by an intro that sets the mood, plus an outro that gently brings things to a close, returning the listener safely back to their respective realities. At the end of the day, I definitely think Trollwar is onto something here; they are proudly waving the folk-metal banner and are destined for big things.” – PureGrainAudio (Oath of the Storm LP – 2018)

”The vocals are abrasively savage, and the swirling keyboard melody is like ear heroin. I can’t help myself — the song pushes too many buttons for me to resist.” – No Clean Singing (Oath of the Storm LP – 2018)

“OATH OF THE STORM has a wave of well-written catchy songs, good production, lots of intensity and power as well, which is something some of the other bands lack. TrollWar is a pretty appropriate name for this enjoyable act and OATH OF THE STORM is one of the more intense Folk Metal albums out this year.” – Metal Rules (Oath of the Storm LP – 2018)

“Overall, this was an outstanding album, for a band that clearly has a lot to offer. What I can’t figure out is why no one has signed them yet? The production is excellent. They have a sophistication and complexity in their sound that few others do, yet each track is very easy to listen to. It’s like you combined the best of the old, IRON MAIDEN, with the best of the new, WINTERSUN, and you have TROLLWAR, with their own unique flair. The melodies are both playful and dangerous, and the entire album is excellent from the opener through the closer. “Oath of the Storm” is a fascinating glimpse into the soul of the band, where they let it all out there for you to enjoy. And enjoy it I did!” – 9/10 – Metal Temple (Oath of the Storm LP – 2018)

”the tracks are face smashing and memorable with enough layers to satisfy even the most tech savvy of you folksters”…….”It’s hard to necessarily give you specifics other than multiple layers of instrumentation, blast beats, keys and symphonic touches with shredding guitar and vocals.”- Folk Metal.NL (Oath of the Storm LP – 2018)

“TROLLWAR deliver “Oath of the Storm”, a strong second work that should not only be interesting for fans of FINNTROLL and ENSIFERUM… The Canadians’ independent, accordion-driven folk black metal proves that real fighting roles don’t just inhabit Scandinavia and the surrounding area. Then a resounding “kippis!” or an elegant “à votre santé!”. 4/5″ – Stormbringer

“Uncompromising and lovable – Oath Of The Storm… Conclusion: “Oath Of The Storm” is an interesting folk metal album and for fans of EQUILIBRIUM or FINNTROLL. TROLLWAR is characterized by good song progression and incredible joy in playing… So if you’re still looking for a Christmas present, you can grab it here without hesitation.” – Metal.de

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Quebec’s TROLLWAR Reveals Teaser & Artwork For New EP “Tales from the Frozen Wastes” Out Nov 2024; EP Guests From Kalmah, Atavistia

  • October 3, 2024
  • by Asher
  • · Music News · Trollwar

NEWS RELEASE

Montreal, QC – October 3, 2024

Quebec’s TROLLWAR Reveals Teaser & Artwork For New EP “Tales from the Frozen Wastes” – A Journey Into Darkness – Out Nov 2024

EP Guests Veli-Matti Kananen (Kalmah), Mattias Sippola (Atavistia)

Photo by STVFX Stephan Tremblay

Quebec-based melodic symphonic metal band Trollwar gearing up to release their fifth record “Tales from the Frozen Wastes” on November 15, 2024. The band is excited to reveal the stunning album artwork, along with offering fans a glimpse into the dark and epic world they’ve created with a new album teaser. They share their thoughts on the recording:

“We think our album could really be described as a renewal. A renewal of our music and a new maturity for our music. We do think that you can hear it through our songs in this release. “The Unseen One” and “In the Fields of Frost” are both great songs that we wrote a couple of years ago, while “Bane of the Underworld” and “The Offering” are pretty much the new Trollwar that you should expect going forward. These two songs show a clear upgrade of how we write our music.”

“Tales from the Frozen Wastes” promises to be Trollwar‘s most complex and complete release to date, showcasing the band’s evolution towards a more melodic and symphonic sound while incorporating progressive elements. The EP features five tracks, including a prologue, that will transport listeners into a darker dimension ruled by shadows and supreme deities.

The album artwork, unveiled today, depicts a desolate landscape ruled by a higher force, where darkness looms over all. This visual representation perfectly captures the essence of Trollwar‘s music – epic and hopeful, yet dark and malicious. It is recommended for fans of Wintersun, Ensiferum, and Amon Amarth.

EP Teaser – https://youtu.be/-k5SH3biGjk

​

Track Listing:​
1. Prologue (2:00)
2. The Unseen One (7:05) ft. Keyboard Solo by Veli-Matti Kananen (Kalmah)
3. Bane of the Underworld (5:26)
4. In The Fields of Frost (4:05)
5. The Offering (5:46) ft. Clean Vocal / Choir by Mattias Sippola (Atavistia)
EP Length: 24:24

More info:

​Trollwar.wixsite.com/trollwar | Facebook.com/Trollwar | x.com/trollwarqc | Instagram.com/trollwarmetal/​

-30-

Top 20 2018 Metal album from Quebec by Metal Universe (Oath of the Storm LP – 2018)

“The whole record is an adventure; the sequencing flows well from song to song and is bumpered nicely by an intro that sets the mood, plus an outro that gently brings things to a close, returning the listener safely back to their respective realities. At the end of the day, I definitely think Trollwar is onto something here; they are proudly waving the folk-metal banner and are destined for big things.” – PureGrainAudio (Oath of the Storm LP – 2018)

”The vocals are abrasively savage, and the swirling keyboard melody is like ear heroin. I can’t help myself — the song pushes too many buttons for me to resist.” – No Clean Singing (Oath of the Storm LP – 2018)

“OATH OF THE STORM has a wave of well-written catchy songs, good production, lots of intensity and power as well, which is something some of the other bands lack. TrollWar is a pretty appropriate name for this enjoyable act and OATH OF THE STORM is one of the more intense Folk Metal albums out this year.” – Metal Rules (Oath of the Storm LP – 2018)

“Overall, this was an outstanding album, for a band that clearly has a lot to offer. What I can’t figure out is why no one has signed them yet? The production is excellent. They have a sophistication and complexity in their sound that few others do, yet each track is very easy to listen to. It’s like you combined the best of the old, IRON MAIDEN, with the best of the new, WINTERSUN, and you have TROLLWAR, with their own unique flair. The melodies are both playful and dangerous, and the entire album is excellent from the opener through the closer. “Oath of the Storm” is a fascinating glimpse into the soul of the band, where they let it all out there for you to enjoy. And enjoy it I did!” – 9/10 – Metal Temple (Oath of the Storm LP – 2018)

”the tracks are face smashing and memorable with enough layers to satisfy even the most tech savvy of you folksters”…….”It’s hard to necessarily give you specifics other than multiple layers of instrumentation, blast beats, keys and symphonic touches with shredding guitar and vocals.”- Folk Metal.NL (Oath of the Storm LP – 2018)

“TROLLWAR deliver “Oath of the Storm”, a strong second work that should not only be interesting for fans of FINNTROLL and ENSIFERUM… The Canadians’ independent, accordion-driven folk black metal proves that real fighting roles don’t just inhabit Scandinavia and the surrounding area. Then a resounding “kippis!” or an elegant “à votre santé!”. 4/5″ – Stormbringer

“Uncompromising and lovable – Oath Of The Storm… Conclusion: “Oath Of The Storm” is an interesting folk metal album and for fans of EQUILIBRIUM or FINNTROLL. TROLLWAR is characterized by good song progression and incredible joy in playing… So if you’re still looking for a Christmas present, you can grab it here without hesitation.” – Metal.de

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