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Tag: Arsis

0 Scream & Growl To Los Angeles Death Shred Bloodfeast Ritual’s “Chopped Up And Burned” Karaoke Video

  • September 9, 2020
  • by Asher
  • · Bloodfeast Ritual · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – September 9, 2020


For fans of The Black Dahlia Murder, Arsis, Cannibal Corpse, Morbid Angel, Death

Scream & Growl To LA Death Shred Bloodfeast Ritual Evil Dead Karaoke Video “Chopped Up And Burned”

Debut EP “Altars of Sacrifice” Out Now!


“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal;
we love all of the aspects of death metal as a genre, and we wanted to show that with this EP.
We tried to display our influences by dramatically changing the vibe of each song.” – Bloodfeast Ritual

Los Angeles death shred Bloodfeast Ritual unleashed their debut EP “Altars of Sacrifice” this past July. It’s a five-track introduction ranging from technical death metal to melodic shred, with lyrical content that shares the trio’s love for 80’s horror movies (The Evil Dead, Dawn of The Dead), video games (Bloodborne), HP Lovecraft, and general blasphemy.

“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre, and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” says the band.

Heavy, fast, and brutal, today the band is sharing their lyric video/karaoke edition for their track “Chopped Up And Burned”, which fans can scream and growl along with on YouTube HERE.

The band adds:

“This song was born out of a mutual love for Evil Dead. The lyrics spell out the story of the movie, and we feel the music compliments it nicely.”

Bloodfeast Ritual’s debut EP “Altars of Sacrifice” is available on Bandcamp, Apple Music, Spotify, and Amazon.

Track Listing:
1. Grave Fodder (4:27)
2. Eternally Molested By The One Most Foul (4:46)
3. No More Room In Hell (4:40)
4. Chopped Up And Burned (3:39)
5. Fetid Offering (3:21)
EP Length: 20:56

More info:
Bloodfeastritual.com
Facebook.com/bloodfeastritual
Instagram.com/bloodfeastritual
EPK

About:

Formed in the barren lands of Los Angeles when guitarist Hunter Gurney found fellow guitarist Michael Bala shredding at a Guitar Center in Hollywood, CA. With the shock and awe of each other’s talent, a friendship was quickly formed, and soon after the two mad lads began jamming, jellying, and collaborating in all senses of the phrase.

Between the two of them, there was a strong, electrical creative energy that compelled the pair to both write songs. The young shredders were very inspired by HP Lovecraft, 80s horror, and older style death metal. Hunter added his own flavor to Michael’s existing songs, and Michael helped Hunter expand his own songwriting abilities. The pair worked very quickly, and composed a handful of crunchy tunes; soon after, it was time to find other members to join their cult for brutality.

Through a mutual friend, the duo met growler David Ainsworth. Michael and Hunter were taken aback at David’s ability to perform metal vocals in a wide variety of styles, and suddenly the wolf pack became a terrifying trio of tremendous heavy metal titans. The Mississippi Mutant aka David became close with Michael and Hunter and joined them on their quest for death metal domination.

After a few solid months in the practice room, the trio decided it was time to hit the studio. Five songs for annihilation were chosen to be recorded and were executed with surgical precision, under the watchful eye of Charlie Waymire from Ultimate Studios. Michael and Hunter shared bass duties on the recording, and vocalist David injected his vocal venom from with lyrics of demons and eldritch horrors. Showcasing a range from technical death metal to melodic shred, the trio’s sonic devastation “Altars of Sacrifice” (EP) was completed and set to assault the masses on July 24th, 2020.

2020 is proving to be a big year for Bloodfeast Ritual. The band is beginning their journey, and they appreciate each and everyone that has encouraged them, either in the form of inspiration or those that have taken the time to pass on a kind word. Especially during the current age of Covid.

– 30 –

“”Chunky riffs, technical playing, and vicious raspy barks make up the majority of their sound, but they also display fistfuls of melodic leads that have more of a Trad sensibility to them that helps the band stand out, particularly on the first two tracks.” – The Metal Crypt

“If you like your death metal a little bit more of the shred-tastic sides of things, and are sick of all these ‘old school’ bands, then Bloodfeast Ritual’s debut EP ‘Altars of Sacrifice’ might just be for you. Coming hard on the Arsis/Black Dahlia Murder side of things, these Los Angeles dudes are tearing it up… The mix of shredding brutality and classical guitar work here is a reason that Bloodfeast Ritual have really go something going on on ‘Altars of Sacrifice’. It is a true love letter to the genre in its myriad forms, and Bloodfeast Ritual have the chops to pull off a variety of styles to really uphold the traditions without losing their modern edge. Check it out” – The Killchain Blog

“Gruesome death metal played with loads of energy and skill that will blow you away!” – Zax Records and Reviews

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Los Angeles Death Shred Bloodfeast Ritual Shares Playthrough Video “Eternally Molested By The One Most Foul”; Debut EP “Altars of Sacrifice” Out Now!

  • August 24, 2020
  • by Asher
  • · Bloodfeast Ritual · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 24, 2020

For fans of The Black Dahlia Murder, Arsis, Cannibal Corpse, Morbid Angel, Death

Los Angeles Death Shred Bloodfeast Ritual Shares Playthrough Video “Eternally Molested By The One Most Foul”

Debut EP “Altars of Sacrifice” Out Now!


“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre,
and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” – Bloodfeast Ritual

Los Angeles death shred Bloodfeast Ritual unleashed their debut EP “Altars of Sacrifice” this past July. It’s a five-track introduction ranging from technical death metal to melodic shred, with lyrical content that shares the trio’s love for 80’s horror movies (The Evil Dead, Dawn of The Dead), video games (Bloodborne), HP Lovecraft, and general blasphemy.

“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre, and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” says the band.

Heavy, fast, and brutal, today the band is sharing their guitar playthrough video for “Eternally Molested By The One Most Foul”, where fans can witness guitarists Michael Bala and Hunter Gurney showcase the rippage with four excitable solos.

“This song was something Mike wrote at 4 in the morning because he couldn’t sleep until it was out of his head and on paper. We love the melody and song structure, and think it’s one of the most unique songs on the EP.” says the band.

Feel the shred with the guitar playthrough for “Eternally Molested By The One Most Foul” on YouTube.

Bloodfeast Ritual’s debut EP “Altars of Sacrifice” is available on Bandcamp, Apple Music, Spotify, and Amazon.

Track Listing:
1. Grave Fodder (4:27)
2. Eternally Molested By The One Most Foul (4:46)
3. No More Room In Hell (4:40)
4. Chopped Up And Burned (3:39)
5. Fetid Offering (3:21)
EP Length: 20:56

More info:
Bloodfeastritual.com
Facebook.com/bloodfeastritual
Instagram.com/bloodfeastritual
EPK

About:

Formed in the barren lands of Los Angeles when guitarist Hunter Gurney found fellow guitarist Michael Bala shredding at a Guitar Center in Hollywood, CA. With the shock and awe of each other’s talent, a friendship was quickly formed, and soon after the two mad lads began jamming, jellying, and collaborating in all senses of the phrase.

Between the two of them, there was a strong, electrical creative energy that compelled the pair to both write songs. The young shredders were very inspired by HP Lovecraft, 80s horror, and older style death metal. Hunter added his own flavor to Michael’s existing songs, and Michael helped Hunter expand his own songwriting abilities. The pair worked very quickly, and composed a handful of crunchy tunes; soon after, it was time to find other members to join their cult for brutality.

Through a mutual friend, the duo met growler David Ainsworth. Michael and Hunter were taken aback at David’s ability to perform metal vocals in a wide variety of styles, and suddenly the wolf pack became a terrifying trio of tremendous heavy metal titans. The Mississippi Mutant aka David became close with Michael and Hunter and joined them on their quest for death metal domination.

After a few solid months in the practice room, the trio decided it was time to hit the studio. Five songs for annihilation were chosen to be recorded and were executed with surgical precision, under the watchful eye of Charlie Waymire from Ultimate Studios. Michael and Hunter shared bass duties on the recording, and vocalist David injected his vocal venom from with lyrics of demons and eldritch horrors. Showcasing a range from technical death metal to melodic shred, the trio’s sonic devastation “Altars of Sacrifice” (EP) was completed and set to assault the masses on July 24th, 2020.

2020 is proving to be a big year for Bloodfeast Ritual. The band is beginning their journey, and they appreciate each and everyone that has encouraged them, either in the form of inspiration or those that have taken the time to pass on a kind word. Especially during the current age of Covid.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Los Angeles Death Shred Bloodfeast Ritual Unleash Lyric Video “Eternally Molested By The One Most Foul”; Debut EP “Altars of Sacrifice” Out Now!

  • August 12, 2020
  • by Asher
  • · Bloodfeast Ritual · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 12, 2020

For fans of The Black Dahlia Murder, Arsis, Cannibal Corpse, Morbid Angel, Death

Los Angeles Death Shred Bloodfeast Ritual Unleash Lyric Video “Eternally Molested By The One Most Foul”

Debut EP “Altars of Sacrifice” Out Now!


“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre,
and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” – Bloodfeast Ritual

Los Angeles death shred Bloodfeast Ritual unleashed their debut EP “Altars of Sacrifice” this past July. It’s a five-track introduction ranging from technical death metal to melodic shred, with lyrical content that shares the trio’s love for 80’s horror movies (The Evil Dead, Dawn of The Dead), video games (Bloodborne), HP Lovecraft, and general blasphemy.

“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre, and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” says the band.

Heavy, fast, and brutal, today the band is sharing their lyric video for “Eternally Molested By The One Most Foul”, where listeners can expect a guitar nerd’s wet dream as guitarists Michael Bala and Hunter Gurney showcase the rippage with four excitable solos.

“This song was something Mike wrote at 4 in the morning because he couldn’t sleep until it was out of his head and on paper. We love the melody and song structure, and think it’s one of the most unique songs on the EP.” says the band.

Listen and get your headbang karaoke ready with “Eternally Molested By The One Most Foul” on YouTube.

Bloodfeast Ritual’s debut EP “Altars of Sacrifice” is available on Bandcamp, Apple Music, Spotify, and Amazon.

Track Listing:
1. Grave Fodder (4:27)
2. Eternally Molested By The One Most Foul (4:46)
3. No More Room In Hell (4:40)
4. Chopped Up And Burned (3:39)
5. Fetid Offering (3:21)
EP Length: 20:56

More info:
Bloodfeastritual.com
Facebook.com/bloodfeastritual
Instagram.com/bloodfeastritual
EPK

About:

Formed in the barren lands of Los Angeles when guitarist Hunter Gurney found fellow guitarist Michael Bala shredding at a Guitar Center in Hollywood, CA. With the shock and awe of each other’s talent, a friendship was quickly formed, and soon after the two mad lads began jamming, jellying, and collaborating in all senses of the phrase.

Between the two of them, there was a strong, electrical creative energy that compelled the pair to both write songs. The young shredders were very inspired by HP Lovecraft, 80s horror, and older style death metal. Hunter added his own flavor to Michael’s existing songs, and Michael helped Hunter expand his own songwriting abilities. The pair worked very quickly, and composed a handful of crunchy tunes; soon after, it was time to find other members to join their cult for brutality.

Through a mutual friend, the duo met growler David Ainsworth. Michael and Hunter were taken aback at David’s ability to perform metal vocals in a wide variety of styles, and suddenly the wolf pack became a terrifying trio of tremendous heavy metal titans. The Mississippi Mutant aka David became close with Michael and Hunter and joined them on their quest for death metal domination.

After a few solid months in the practice room, the trio decided it was time to hit the studio. Five songs for annihilation were chosen to be recorded and were executed with surgical precision, under the watchful eye of Charlie Waymire from Ultimate Studios. Michael and Hunter shared bass duties on the recording, and vocalist David injected his vocal venom from with lyrics of demons and eldritch horrors. Showcasing a range from technical death metal to melodic shred, the trio’s sonic devastation “Altars of Sacrifice” (EP) was completed and set to assault the masses on July 24th, 2020.

2020 is proving to be a big year for Bloodfeast Ritual. The band is beginning their journey, and they appreciate each and everyone that has encouraged them, either in the form of inspiration or those that have taken the time to pass on a kind word. Especially during the current age of Covid.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Out Now! Los Angeles Death Shred Bloodfeast Ritual Debut EP “Altars of Sacrifice”

  • July 27, 2020
  • by Asher
  • · Bloodfeast Ritual · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – July 27, 2020

Interview request at asher[@]ashermediarelations[.]com

For fans of The Black Dahlia Murder, Arsis, Cannibal Corpse, Morbid Angel, Death

Out Now! Los Angeles Death Shred Bloodfeast Ritual Debut EP “Altars of Sacrifice”

“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre,
and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” – Bloodfeast Ritual

Los Angeles death shred Bloodfest Ritual have unleashed their debut EP “Altars of Sacrifice”, out now, officially as of July 24th. A five-track introduction ranging from technical death metal to melodic shred, the release’s lyrical content shares the trio’s love for 80’s horror movies, HP Lovecraft, and general blasphemy.

“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre, and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” says the band.

Heavy, fast, and brutal, the EP’s opener “Grave Fodder” resurrects the dead with its shred, guttural vocals and slamming assault of 90’s influenced Swedish death metal. Followed by “Eternally Molested By The One Most Foul”, where listeners can expect a guitar nerd’s wet dream as guitarists Michael Bala and Hunter Gurney showcase the rippage with four excitable solos. “No More Room In Hell” is a salute to ‘Dawn of The Dead’ and hits fans of old school Carcass and Cannibal Corpse with its brutal slam section, while “Chopped Up and Burned” is a tribute to ‘The Evil Dead’ and has many hints of early 90’s death metal. EP closer “Fetid Offering”, was the first song written by guitarist Hunter Gurney for the band and is about the video game Bloodborne. The track erodes what neck muscles you have left from headbanging with its blunt force trauma of The Black Dahlia Murder meets Necrophagist.

Bloodfeast Ritual’s debut EP “Altars of Sacrifice” is available on Bandcamp, Apple Music, Spotify, and Amazon.

Lyric Video – Chopped Up And Burned – YouTube

Lyric Video – Eternally Molested By The One Most Foul – YouTube

Track Listing:
1. Grave Fodder (4:27)
2. Eternally Molested By The One Most Foul (4:46)
3. No More Room In Hell (4:40)
4. Chopped Up And Burned (3:39)
5. Fetid Offering (3:21)
EP Length: 20:56

More info:
Bloodfeastritual.com
Facebook.com/bloodfeastritual
Instagram.com/bloodfeastritual
EPK

About:

Formed in the barren lands of Los Angeles when guitarist Hunter Gurney found fellow guitarist Michael Bala shredding at a Guitar Center in Hollywood, CA. With the shock and awe of each other’s talent, a friendship was quickly formed, and soon after the two mad lads began jamming, jellying, and collaborating in all senses of the phrase.

Between the two of them, there was a strong, electrical creative energy that compelled the pair to both write songs. The young shredders were very inspired by HP Lovecraft, 80s horror, and older style death metal. Hunter added his own flavor to Michael’s existing songs, and Michael helped Hunter expand his own songwriting abilities. The pair worked very quickly, and composed a handful of crunchy tunes; soon after, it was time to find other members to join their cult for brutality.

Through a mutual friend, the duo met growler David Ainsworth. Michael and Hunter were taken aback at David’s ability to perform metal vocals in a wide variety of styles, and suddenly the wolf pack became a terrifying trio of tremendous heavy metal titans. The Mississippi Mutant aka David became close with Michael and Hunter and joined them on their quest for death metal domination.

After a few solid months in the practice room, the trio decided it was time to hit the studio. Five songs for annihilation were chosen to be recorded and were executed with surgical precision, under the watchful eye of Charlie Waymire from Ultimate Studios. Michael and Hunter shared bass duties on the recording, and vocalist David injected his vocal venom from with lyrics of demons and eldritch horrors. Showcasing a range from technical death metal to melodic shred, the trio’s sonic devastation “Altars of Sacrifice” (EP) was completed and set to assault the masses on July 24th, 2020.

2020 is proving to be a big year for Bloodfeast Ritual. The band is beginning their journey, and they appreciate each and everyone that has encouraged them, either in the form of inspiration or those that have taken the time to pass on a kind word. Especially during the current age of Covid.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Edmonton Progressive Death OMNIARCH Shares Guitar Playthrough “Ohm Cairn” + New Self-Titled Album Out Now!

  • July 15, 2020
  • by Asher
  • · Music News · Omniarch

(contact info below)

NEWS RELEASE

Montreal, QC -July 15, 2020

Interview Request at asher[@]ashermediarelations[.]com

For fans of Revocation, The Black Dahlia Murder, The Absence, Arsis, Allegaeon

Edmonton Progressive Death OMNIARCH Shares Guitar Playthrough “Ohm Cairn”

Premiere Playthrough via TheProgSpace

Self-Titled Album Out Now!

Unleashing their debut self-titled album earlier this May, Edmonton progressive death metallers Omniarch are sharing with fans their new guitar playthrough for the track “Ohm Cairn”. Guitarists Mason Wilson (playing on a Solar S1.6 FR) and Morgan Lambert (playing an Ibanez RG550 in C standard) showcase the shredding fest via its premiere on TheProgSpace HERE.

The band adds:

“This is definitely our toughest and most fun song to play! It has a little bit of everything: trem picking, string skipping, melodic leads, high-flying solo sections, a classical section, and all at a blistering 250 bpm! Enjoy.”

A unique journey through history, mythology, imagination, and learning through introspection and reflection. Omniarch‘s seven-track debut full-length is a composite of progressive and technical death metal, played by five seasoned musicians that bring an eclectic set of skills to the band. The Canadian quintet is recommended for anyone with an interest in melodic, technical, relentless death metal, especially fans of The Black Dahlia Murder, The Absence, and Arsis.

Commenting on the album, the band had this to say:

“We hope fans of aggressive, progressive, and technical metal music will enjoy this one. We feel it’s something new, but still within the realms of what we know and love. This debut album is our full, headlining set, and plays great in its track listing order. We are already working on an EP of all 7 string songs to follow, as well as working on another EP more indicative of our current sound/tuning. We released what we had up until now, and pride ourselves on our fecundity as a band. We have plenty of music coming down the pipe.”

Omniarch‘s self-titled album is available on Bandcamp, Spotify, and Apple Music.

Music Video – ‘Pathfinder’ HERE.
Lyric Video – ‘Ohm Cairn’ HERE.


Track Listing:
1. Caligula (7:00)
2. A Voracious Awakening (3:57)
3. Humanaut (4:25)
4. Ohm Cairn (6:40)
5. Wrath of Erymanthos (4:06)
6. Pathfinder (3:55)
7. Ursa Major (7:39)
Album Length: 37:45

Album Band Line Up:
Morgan Lambert – Guitar
Mason Wilson – Guitar
Jon Hofmann – Bass
Mackenzie LaHaye – Vocals
Henry Giesbrecht – Drums

Live Band Line Up:
Morgan Lambert – Guitar
Mason Wilson – Guitar
Jon Hofmann – Bass
Mackenzie LaHaye vocals, Sean Higgins drums

For more info:
Facebook.com/omniarchmetal780
Instagram.com/omniarchmetal
EPK

About:
Omniarch was formed from the ashes of two former bands, Netherward and This is War. Morgan Lambert (guitar), Mason Wilson (guitar), Jon Hofmann (bass), Mackenzie LaHaye (vocals), and  Henry Giesbrecht (drums) who had played gigs together in separate bands, had always entertained the idea of joining forces. Eventually, conditions allowed for the amalgamation of the two bands into a new and wholly different alloy of metal and formed the beginning of Omniarch.

Giesbrecht, the original drummer, added a new dynamic to the band with his fresh approach to metal song structures. Eventually, Giesbrecht moved on and made way for Sean Higgins to step in and make his own indelible mark on the band with his nuanced sense of rhythm and pace. The disparate and yet congruous influences have come together to showcase a truly unique and exciting band, full of opportunity.

Each Omniarch song starts with a collaboration between Wilson and Lambert to determine the riffs, which are then brought to the rhythm section where they are morphed into a  cohesive idea that is splattered with aggressive technical death metal vocals with themes surrounding history, fantasy/science fiction, and mythology.

Omniarch is just getting started, as of spring 2020 they have a fresh self-titled release out on May My 8th with plenty more music coming down the pipe. Watch out for them on the live circuit and take your chance to witness a compelling live show that challenges boundaries.

– 30 –

“Omniarch come our way from Edmonton, Alberta, Canada, and they don’t come timidly. Their formulation of technical and progressive death metal absolutely blazes with exuberant spirit, technical virtuosity, and turbocharged energy, while incorporating memorable melodic and atmospheric accents. It’s the kind of music that will likely find welcome among fans of such bands as Revocation, Inferi, and The Black Dahlia Murder. ” – No Clean Singing

“Fire and fury with a really strong technical edge, Omniarch live and breathe their metal, choking all who share the same space…. Ursa Major is one hell of a closer. The drums and guitars taking the mood down to dark places, the vocals the sound of hellish noise in the shadows. Then out of the blue the band throw out an absolute beast of a guitar solo. It’s momentously heavy stuff.” – Games, Brrraaains & A Head-Banging Life

“Ohm Cairn is brutal, death metal with shredding solos, and some cool melodic moments!” – Ghost Cult Mag

“The Canadian crew combines a technical and melodic sound not many newer bands achieve these days and it’s rather impressive.” – Technical Music Review

“Omniarch have furnished us all with an excellent record.” – Wicked Metal Review 

“an ambitious Melodic Death Metal act that are clearly reaching for an individual sound on their self-titled debut.” – The Metal Crypt

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Edmonton’s OMNIARCH Premiere Music Video ‘Pathfinder’ via TheCirclePit; Self-Titled Album Out Now!

  • May 27, 2020
  • by Asher
  • · Music News · Omniarch

(contact info below)

NEWS RELEASE

Montreal, QC – May 27, 2020

For fans of Revocation, The Black Dahlia Murder, The Absence, Arsis, Allegaeon

Edmonton’s OMNIARCH Premiere Music Video ‘Pathfinder’ via TheCirclePit

Self-Titled Album Out Now!

Unleashing their debut self-titled album earlier this May, Edmonton progressive death metallers Omniarch are sharing with fans their new music video for the track ‘Pathfinder’ via its premiere on TheCirclePit‘s YouTube channel HERE.

The band adds:

“This song is about feeling what you love, doing what you love, and being who you truly are.” 

A unique journey through history, mythology, imagination, and learning through introspection and reflection. Omniarch‘s seven-track full length is a composite of progressive and technical death metal, played by five seasoned musicians that bring an eclectic set of skills to the band. The Canadian quintet is recommended for anyone with an interest in melodic, technical, relentless death metal, especially fans of The Black Dahlia Murder, The Absence, and Arsis.

Commenting on the album, the band had this to say:

“We hope fans of aggressive, progressive, and technical metal music will enjoy this one. We feel it’s something new, but still within the realms of what we know and love. This debut album is our full, headlining set, and plays great in its track listing order. We are already working on an EP of all 7 string songs to follow, as well as working on another EP more indicative of our current sound/tuning. We released what we had up until now, and pride ourselves on our fecundity as a band. We have plenty of music coming down the pipe.”

Stream or download of Omniarch‘s self-titled album is available on Omniarch.bandcamp.com, Spotify, and Apple Music.


Track Listing:
1. Caligula (7:00)
2. A Voracious Awakening (3:57)
3. Humanaut (4:25)
4. Ohm Cairn (6:40)
5. Wrath of Erymanthos (4:06)
6. Pathfinder (3:55)
7. Ursa Major (7:39)
Album Length: 37:45

Album Band Line Up:
Morgan Lambert – Guitar
Mason Wilson – Guitar
Jon Hofmann – Bass
Mackenzie LaHaye – Vocals
Henry Giesbrecht – Drums

Live Band Line Up:
Morgan Lambert – Guitar
Mason Wilson – Guitar
Jon Hofmann – Bass
Mackenzie LaHaye vocals, Sean Higgins drums

For more info:
Facebook.com/omniarchmetal780
Instagram.com/omniarchmetal
EPK

About:
Omniarch was formed from the ashes of two former bands, Netherward and This is War. Morgan Lambert (guitar), Mason Wilson (guitar), Jon Hofmann (bass), Mackenzie LaHaye (vocals), and  Henry Giesbrecht (drums) who had played gigs together in separate bands, had always entertained the idea of joining forces. Eventually, conditions allowed for the amalgamation of the two bands into a new and wholly different alloy of metal and formed the beginning of Omniarch.

Giesbrecht, the original drummer, added a new dynamic to the band with his fresh approach to metal song structures. Eventually, Giesbrecht moved on and made way for Sean Higgins to step in and make his own indelible mark on the band with his nuanced sense of rhythm and pace. The disparate and yet congruous influences have come together to showcase a truly unique and exciting band, full of opportunity.

Each Omniarch song starts with a collaboration between Wilson and Lambert to determine the riffs, which are then brought to the rhythm section where they are morphed into a  cohesive idea that is splattered with aggressive technical death metal vocals with themes surrounding history, fantasy/science fiction, and mythology.

Omniarch is just getting started, as of spring 2020 they have a fresh self-titled release out on May My 8th with plenty more music coming down the pipe. Watch out for them on the live circuit and take your chance to witness a compelling live show that challenges boundaries.

– 30 –

“Omniarch come our way from Edmonton, Alberta, Canada, and they don’t come timidly. Their formulation of technical and progressive death metal absolutely blazes with exuberant spirit, technical virtuosity, and turbocharged energy, while incorporating memorable melodic and atmospheric accents. It’s the kind of music that will likely find welcome among fans of such bands as Revocation, Inferi, and The Black Dahlia Murder. ” – No Clean Singing

“Fire and fury with a really strong technical edge, Omniarch live and breathe their metal, choking all who share the same space…. Ursa Major is one hell of a closer. The drums and guitars taking the mood down to dark places, the vocals the sound of hellish noise in the shadows. Then out of the blue the band throw out an absolute beast of a guitar solo. It’s momentously heavy stuff.” – Games, Brrraaains & A Head-Banging Life

“Ohn Cairn is brutal, death metal with shredding solos, and some cool melodic moments!” – Ghost Cult Mag

“The Canadian crew combines a technical and melodic sound not many newer bands achieve these days and it’s rather impressive.” – Technical Music Review

“Omniarch have furnished us all with an excellent record.” – Wicked Metal Review 

“an ambitious Melodic Death Metal act that are clearly reaching for an individual sound on their self-titled debut.” – The Metal Crypt

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Edmonton’s OMNIARCH Premiere Full Stream of Debut Album via TechnicalMusicReview; Self-Titled Album Out May 8th 

  • May 6, 2020
  • by Asher
  • · Music News · Omniarch

(contact info below)

NEWS RELEASE

Montreal, QC – May 6, 2020

For fans of Revocation, The Black Dahlia Murder, The Absence, Arsis, Allegaeon

Edmonton’s OMNIARCH Premiere Full Stream of Debut Album via TechnicalMusicReview

Self-Titled Album Out May 8th 

Set to unleash their debut self-titled album on Friday, May 8, 2020, Edmonton progressive death metallers Omniarch are sharing with fans a full stream preview of the release.

A unique journey through history, mythology, imagination, and learning through introspection and reflection. The seven-track full length is a composite of progressive and technical death metal, played by five seasoned musicians that bring an eclectic set of skills to the band.

“Most of the tracks were loosely arranged by our guitarist Mason, before Omniarch’s inception. Morgan, our second guitarist, learned the songs over time, and added, changed, and fleshed out parts. We brought the more complete versions of the songs to the full band, and everything took off quickly. Our debut album is our full, headlining set, and plays great in the track listing order of the release. We are already working on an EP of all 7 string songs to follow, as well as working on another EP more indicative of our current sound/tuning. We released what we had up until now, and pride ourselves on our fecundity as a band. We have plenty of music coming down the pipe.”  says the band.

Omniarch is recommended for anyone with an interest in melodic, technical, relentless death metal, especially fans of The Black Dahlia Murder, The Absence, and Arsis.

To hear the album’s full stream, please visit its premiere via Technical Music Review HERE. 

Album pre-order HERE.


Track Listing:
1. Caligula (7:00)
2. A Voracious Awakening (3:57)
3. Humanaut (4:25)
4. Ohm Cairn (6:40)
5. Wrath of Erymanthos (4:06)
6. Pathfinder (3:55)
7. Ursa Major (7:39)
Album Length: 37:45

Album Band Line Up:
Morgan Lambert – Guitar
Mason Wilson – Guitar
Jon Hofmann – Bass
Mackenzie LaHaye – Vocals
Henry Giesbrecht – Drums

Live Band Line Up:
Morgan Lambert – Guitar
Mason Wilson – Guitar
Jon Hofmann – Bass
Mackenzie LaHaye vocals, Sean Higgins drums

For more info:
Facebook.com/omniarchmetal780
Instagram.com/omniarchmetal
EPK

About:
Omniarch was formed from the ashes of two former bands, Netherward and This is War. Morgan Lambert (guitar), Mason Wilson (guitar), Jon Hofmann (bass), Mackenzie LaHaye (vocals), and  Henry Giesbrecht (drums) who had played gigs together in separate bands, had always entertained the idea of joining forces. Eventually, conditions allowed for the amalgamation of the two bands into a new and wholly different alloy of metal and formed the beginning of Omniarch.

Giesbrecht, the original drummer, added a new dynamic to the band with his fresh approach to metal song structures. Eventually, Giesbrecht moved on and made way for Sean Higgins to step in and make his own indelible mark on the band with his nuanced sense of rhythm and pace. The disparate and yet congruous influences have come together to showcase a truly unique and exciting band, full of opportunity.

Each Omniarch song starts with a collaboration between Wilson and Lambert to determine the riffs, which are then brought to the rhythm section where they are morphed into a  cohesive idea that is splattered with aggressive technical death metal vocals with themes surrounding history, fantasy/science fiction, and mythology.

Omniarch is just getting started, as of spring 2020 they have a fresh self-titled release out on May My 8th with plenty more music coming down the pipe. Watch out for them on the live circuit and take your chance to witness a compelling live show that challenges boundaries.

– 30 –

“Omniarch come our way from Edmonton, Alberta, Canada, and they don’t come timidly. Their formulation of technical and progressive death metal absolutely blazes with exuberant spirit, technical virtuosity, and turbocharged energy, while incorporating memorable melodic and atmospheric accents. It’s the kind of music that will likely find welcome among fans of such bands as Revocation, Inferi, and The Black Dahlia Murder. ” – No Clean Singing

“Fire and fury with a really strong technical edge, Omniarch live and breathe their metal, choking all who share the same space…. Ursa Major is one hell of a closer. The drums and guitars taking the mood down to dark places, the vocals the sound of hellish noise in the shadows. Then out of the blue the band throw out an absolute beast of a guitar solo. It’s momentously heavy stuff.” – Games, Brrraaains & A Head-Banging Life

“Ohn Cairn is brutal, death metal with shredding solos, and some cool melodic moments!” – Ghost Cult Mag

“The Canadian crew combines a technical and melodic sound not many newer bands achieve these days and it’s rather impressive.” – Technical Music Review

“Omniarch have furnished us all with an excellent record.” – Wicked Metal Review 

“an ambitious Melodic Death Metal act that are clearly reaching for an individual sound on their self-titled debut.” – The Metal Crypt

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Edmonton’s OMNIARCH Premiere Single ‘Pathfinder’ via NoCleanSinging; Debut Album Out May 8th 

  • April 14, 2020
  • by Asher
  • · Music News · Omniarch

(contact info below)

NEWS RELEASE

Montreal, QC – April 14, 2020

For fans of Revocation, The Black Dahlia Murder, The Absence, Arsis, Allegaeon

Edmonton’s OMNIARCH Premiere Single ‘Pathfinder’ via NoCleanSinging

Debut Album Out May 8th 

Canada’s Omniarch have unleashed their second single ‘Pathfinder’ from their debut self-titled album that is scheduled for release on May 8, 2020.

The album itself, as the band suggests, is a vastly differing and unique journey through history, mythology, imagination, and learning through introspection and reflection. The seven tracks are a composite of progressive and technical death metal, played by five seasoned musicians that bring an eclectic set of skills to the band.

‘Pathfinder’ is a track about personal honesty, about feeling what you love, doing what you love, and being who you truly are. The band explains their expectations of the album and hopes for listeners reception:

“It is suitable for fans of aggressive, progressive and technical metal music, it is something new, but still within the realms of what we know and love. Our debut release is our full, headlining set, and plays great in the order of the album”

Recommended for anyone with an interest in melodic, technical, relentless death metal especially fans of The Black Dahlia Murder, The Absence, and Arsis.

Listen to ‘Pathfinder’ via its premiere on NoCleanSinging HERE.

Album pre-order HERE.

‘Ohm Cairn’, the band’s first single is streaming HERE.


Track Listing:
1. Caligula (7:00)
2. A Voracious Awakening (3:57)
3. Humanaut (4:25)
4. Ohm Cairn (6:40)
5. Wrath of Erymanthos (4:06)
6. Pathfinder (3:55)
7. Ursa Major (7:39)
Album Length: 37:45

Album Band Line Up:
Morgan Lambert – Guitar
Mason Wilson – Guitar
Jon Hofmann – Bass
Mackenzie LaHaye – Vocals
Henry Giesbrecht – Drums

Live Band Line Up:
Morgan Lambert – Guitar
Mason Wilson – Guitar
Jon Hofmann – Bass
Mackenzie LaHaye vocals, Sean Higgins drums

For more info:
Facebook.com/omniarchmetal780
Instagram.com/omniarchmetal
EPK

About:
Omniarch was formed from the ashes of two former bands, Netherward and This is War. Morgan Lambert (guitar), Mason Wilson (guitar), Jon Hofmann (bass), Mackenzie LaHaye (vocals), and  Henry Giesbrecht (drums) who had played gigs together in separate bands, had always entertained the idea of joining forces. Eventually, conditions allowed for the amalgamation of the two bands into a new and wholly different alloy of metal and formed the beginning of Omniarch.

Giesbrecht, the original drummer, added a new dynamic to the band with his fresh approach to metal song structures. Eventually, Giesbrecht moved on and made way for Sean Higgins to step in and make his own indelible mark on the band with his nuanced sense of rhythm and pace. The disparate and yet congruous influences have come together to showcase a truly unique and exciting band, full of opportunity.

Each Omniarch song starts with a collaboration between Wilson and Lambert to determine the riffs, which are then brought to the rhythm section where they are morphed into a  cohesive idea that is splattered with aggressive technical death metal vocals with themes surrounding history, fantasy/science fiction, and mythology.

Omniarch is just getting started, as of spring 2020 they have a fresh self-titled release out on May My 8th with plenty more music coming down the pipe. Watch out for them on the live circuit and take your chance to witness a compelling live show that challenges boundaries.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Edmonton’s OMNIARCH Premiere Single ‘Ohm Cairn’ via GhostCultMagazine; Debut Album Out May 8th 

  • March 26, 2020
  • by Asher
  • · Music News · Omniarch

(contact info below)

NEWS RELEASE

Montreal, QC – March 26, 2020

For fans of Revocation, The Black Dahlia Murder, The Absence, Arsis, Allegaeon

Edmonton’s OMNIARCH New Single ‘Ohm Cairn’ Off Upcoming Debut Album Out May 8th

Edmonton’s Omniarch are set to release their debut self-titled album on May 8, 2020. Melodic, technical and relentless, the Canadian act is refining the chaos of death metal and adding intricate technicalities.

The first single off the debut is ‘Ohm Cairn’, a savage journey of 6-string delights and aggressive melodies. Omniarch has been toiling away on this album and is excited to show off their handiwork to local and international fans. The album is a vastly differing and unique journey through history, mythology, the imagination, and learning through introspection and reflection and the single tells the tale of the Omniarch, his rise to power and omnipotent rule.

They have cast their net wide and expect to entice fans across the metal spectrum, in their own words:

“It is suitable for fans of aggressive, progressive and technical metal music, it is something new, but still within the realms of what we know and love. Our debut album is our full, headlining set, and plays great in the order of the album.”

Any fans of technical and progressive death metal will find comfort in the blasting sounds of Omniarch, especially those who like Revocation, Inferi, and The Black Dahlia Murder.

‘Ohm Cairn’ is streaming via its premiere on GhostCultMag HERE.


Track Listing:
1. Caligula (7:00)
2. A Voracious Awakening (3:57)
3. Humanaut (4:25)
4. Ohm Cairn (6:40)
5. Wrath of Erymanthos (4:06)
6. Pathfinder (3:55)
7. Ursa Major (7:39)
Album Length: 37:45

Album Band Line Up:
Morgan Lambert – Guitar
Mason Wilson – Guitar
Jon Hofmann – Bass
Mackenzie LaHaye – Vocals
Henry Giesbrecht – Drums

Live Band Line Up:
Morgan Lambert – Guitar
Mason Wilson – Guitar
Jon Hofmann – Bass
Mackenzie LaHaye vocals, Sean Higgins drums

For more info:
Facebook.com/omniarchmetal780
Instagram.com/omniarchmetal
EPK

About:
Omniarch was formed from the ashes of two former bands, Netherward and This is War. Morgan Lambert (guitar), Mason Wilson (guitar), Jon Hofmann (bass), Mackenzie LaHaye (vocals), and  Henry Giesbrecht (drums) who had played gigs together in separate bands, had always entertained the idea of joining forces. Eventually, conditions allowed for the amalgamation of the two bands into a new and wholly different alloy of metal and formed the beginning of Omniarch.

Giesbrecht, the original drummer, added a new dynamic to the band with his fresh approach to metal song structures. Eventually, Giesbrecht moved on and made way for Sean Higgins to step in and make his own indelible mark on the band with his nuanced sense of rhythm and pace. The disparate and yet congruous influences have come together to showcase a truly unique and exciting band, full of opportunity.

Each Omniarch song starts with a collaboration between Wilson and Lambert to determine the riffs, which are then brought to the rhythm section where they are morphed into a  cohesive idea that is splattered with aggressive technical death metal vocals with themes surrounding history, fantasy/science fiction, and mythology.

Omniarch is just getting started, as of spring 2020 they have a fresh self-titled release out on May My 8th with plenty more music coming down the pipe. Watch out for them on the live circuit and take your chance to witness a compelling live show that challenges boundaries.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 #TGIF #NEWMUSICFRIDAY! Out Today! Frogg – “A Reptilian Dystopia” For fans of Obscura, Arsis, Born of Osiris, Kalmah, The Zenith Passage

  • January 17, 2020
  • by Asher
  • · FROGG
#TGIF #NEWMUSICFRIDAY!
 
Out Today!
Frogg – “A Reptilian Dystopia”
 
For fans of Obscura, Arsis, Born of Osiris, Kalmah, The Zenith Passage
 
Stream and Download on Spotify, Apple Music, Google Play at https://distrokid.com/hyperfollow/frogg1/a-reptillian-dystopia
Bandcamp – https://froggofficial.bandcamp.com/album/a-reptilian-dystopia
 
“FROGG is a dangerous force of Technical Metal making themselves known!” – The Circle Pit
 
“Technical Death rising star” – GhostCult Mag
 
“FROGG have succeeded where others in the tech-metal cesspool have failed this year. They have produced a fresh & enjoyable 5-course meal of original organic riffs, unsaturated with lameness & paired impeccably with a robust production worthy of all bedroom audio nerdz. A Reptilian Dystopia should be a huge part of everyone’s 2020 playlist.” – TrveNorth Reviews
 
“This is an incredible EP, guys. Every one of these songs has made it into heavy rotation, and I am honestly so excited to hear more in the future.” – Metal Trenches
 
““A Reptilian Dystopia” is absolutely a solid, proggy technical metal release, with all the time signature changes, insane scale runs, and gorgeous harmonies you’d expect from modern progressive shredders. Pulling no punches the EPs first track ‘Ancient Rain’ is a constantly changing beast of a track, shifting from blast beat heavy punishing riffs to entrancing melodies. I found it hard to get bored during its three and a half minutes of beautiful aggression… This guy is a beast on the axe, clearly, a great musician and I look forward to seeing this band do very well in the near future… if you’re into some proggy technical goodness, definitely for fans of bands like Obscura, The Zenith Passage or Fallujah.” Roxx100
 
“My favorite part is definitely the ability to sound different in a genre that is starting to get a little stale. Its a heavy blend of Tech while adding some extra melody. Most tech death bands literally go for face melting riffs. Which is also cool. But after a while that gets kind of boring. So for a band like Frogg to put out an EP like this, they could help lead the next generation of tech death kids.” 10/10 – Between The Lines Media
 
“The quality on show here is amazing for a first release and has left us salivating at the prospect of their debut album [9/10]” – Metal Noise
 
“Bursting into life with a colossus bang, it’s a technical monstrosity that greets listeners with Ancient Storm. It’s wild, it’s nasty but it’s built on a foundation of sharp riffs and ferocious groove.” – Games, Brrraaains & A Head-Banging Life
 
“There’s enough impressive lead guitar work to fit onto a full album, let alone all that’s crammed into these four songs.” – Heavy Music Headquarters
 
“This EP is interesting, because it’s extremely heavy, but it also has a great grasp on melody. Think like… Inanimate Existence + Born Of Osiris + Chon? It’s extremely well played – technical and fast as all hell – while remaining palatable and not overbearing. It’s an interesting balance they have going, and it’s definitely impressive for a debut, especially the 7 minute beast of a track that is DNA.” – Zax Record Reviews
 
“A Reptilian Dystopia is a succession of rock-hard riffs, complex melodies, extremes and power. The Ep is raw and brutal and according to Sky Moon Clark offers the basis for an album that will be released at the end of 2021. An album with an even more balanced track list. For the time being it is now fifteen minutes of solid extreme metal that will wake you up.” – Rockportaal
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