Tag: album

0 SIEGE PERILOUS Unveils First Single “As the Dragon Falls” ft. Fabio Lione From the Concept Album “Becoming the Dragon” Out March 2026

January 16, 2026
by Asher
· Music News · Siege Perilous

NEWS RELEASE

Montreal, QC – January 16, 2026

SIEGE PERILOUS Unveils First Single “As the Dragon Falls” ft. Fabio Lione From the Concept Album “Becoming the Dragon” Out March 2026

A narrative-driven punch of epic fantasy power metal featuring incredible guests like Fabio Lione and Kristin Starkey!

Left to Right: Mark Girard (Drums) | Eric Fischer (Bass) | Shaughnessy McDaniel (Vocals) | Ryan Flanagan (Guitar) | Scott Hancock (Guitar)

Photographer Credit – Gii Astorga

Colorado power metal storytellers Siege Perilous ignite the next chapter of their musical saga with the release of their first single and music video, “As the Dragon Falls”, featuring legendary vocalist Fabio Lione (Rhapsody, Angra). The track serves as the first glimpse into the band’s sweeping debut concept album, “Becoming the Dragon,” out March 27, 2026.

Forged from the camaraderie of live‑action roleplay and a shared love of epic storytelling, Siege Perilous has built a reputation for crafting cinematic, narrative‑driven metal that blends myth, history, and high‑fantasy adventure. Their upcoming full‑length album marks the culmination of years of collaborative writing, world‑building, and musical evolution.

“As the Dragon Falls” is more than a single; it’s a milestone for the band, especially for vocalist Shaughnessy McDaniel, who has been a devoted Rhapsody fan since his teens.

“As the Dragon Falls represents a true heavy metal dream come true for all of us, but especially for Shaughnessy. Working with Fabio far exceeded anything we could have hoped for. His classic soaring vocals combined with Shaughnessy’s lower register create a really unique and cool power metal sound,” adds the band.

The song’s narrative twist, where slaying the dragon becomes a metaphor for the double‑edged nature of achieving one’s goals, adds a bittersweet emotional core to the track. Lione himself was drawn to the story and, according to the band, “really gave it his all.”

Musically, the single fuses Siege Perilous’ signature melodic power with the symphonic grandeur of classic Rhapsody, delivering a heroic anthem that darkens into something far more ominous by its final moments.

Watch and listen to the music video for “As the Dragon Falls” featuring Fabio Lione via its premiere on MetalAddicts HERE.

Add to your Spotify Playlist – pre-save – https://distrokid.com/hyperfollow/siegeperilous/as-the-dragon-falls-feat-fabio-lione

“Becoming the Dragon” is a ten‑part epic chronicling the rise, fall, and metamorphosis of the “Child of Prophecy,” a hero who must confront fate, tragedy, and ultimately his own transformation into the titular dragon. The album features guest performances from both Fabio Lione and powerhouse vocalist Kristin Starkey (Twilight Force, Temperance), who also serves as McDaniel’s vocal mentor.

“Creating a massive, sweeping power metal epic has been a dream since before we even formed this band. This album represents our collective experience, skill, hopes, and dreams as musicians,” says the band.

The record showcases the band’s evolution since their earlier EPs, with more complex arrangements, expanded vocal range, and orchestration that heightens the album’s cinematic scope. Each track stands alone as a powerful metal anthem, yet together they form a cohesive narrative journey.

Their writing process is uniquely collaborative; every member contributes to the story and the music, resulting in songs that carry the DNA of the entire band. This approach, while unconventional, has become one of their greatest strengths.

Recommended for fans of Wind Rose, Hammerfall, Sabaton, Blind Guardian, and Iron Maiden, “Becoming the Dragon” is due out on March 27, 2026 and available for pre-order / pre-save at the following link:

https://siegemetal.bandcamp.com/album/becoming-the-dragon

Track Listing:
1. Overture (Instrumental) – (2:37)
2. Ancient Rite – (4:37)
3. As the Dragon Falls (feat. Fabio Lione) – (4:33)
4. Child of Prophecy – (4:05)
5. Shattered Mirage – (4:07)
6. Chieftain – (4:03)
7. Cut Down – (3:01)
8. Echoes of Home (feat. Kristin Starkey) – (4:48)
9. Becoming the Dragon – (5:09)
10. Eschaton – (7:50)
Album Length: 44:54

More info: Siegemetal.com | Facebook.com/siegeband | Instagram.com/siegeperilousmetal | Tiktok.com/@siegemetal

About:

Siege Perilous is a Colorado‑based power metal band specializing in epic, cinematic storytelling through music. Formed by Shaughnessy McDaniel (vocals), Scott Hancock (guitar), and Mark Girard (drums)—later joined by Eric Fischer (bass) and Ryan Flanagan (guitar/arrangements), the band draws from fantasy, history, and myth to craft immersive metal narratives. Their debut album, Becoming the Dragon, arrives March 27, 2026.

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“It gives me great pleasure to tell you that Creation’s Call is a blast. Siege Perilous has succeeded in creating what I would call Epic Power Metal for the Working Man. They don’t waste your time with overlong symphonic interludes between tracks, melodramatic narration, or overproduction that tests the limits of your sanity. The band gets right to the point and pulls you into their epic tales of heroic daring immediately. This is a nice breath of fresh air and if this EP is anything to go by, Siege Perilous has a great future ahead of them. Yes, this could be considered power metal but the no-nonsense approach and urgency to the songwriting makes this release absolutely worth checking out for those of us in the NWOTHM scene. Plus, it’s really just a lot of fun. This one is highly recommended. THENWOTHM SCORE: 9/10” – The NWOTHM

“‘Creation’s Call’ never gets boring, even on Heavy Rotation. Five gifted musicians have succeeded in creating a varied EP. The twin guitar solos are convincing the whole time. It’s just a shame that it ends after twenty-one minutes. It makes you wish for a full-length album. And, of course, a thrilling live performance. 9.3/10” – Metalheads Forever Magazine

“solid power metal style that should satiate any LARP-attendees or Dungeons and Dragons mavens. Keep an eye on this quintet – wield thy sword as they lead the battle charge for more quality power metal from the states. 8/10” – Dead Rhetoric

“There are any number of quality bands like Siege Perilous active right now but the style is popular (and I love it) and these guys are as decent as the next similar act. They lean more the Metal side of the equation using the folk and orchestral moments as flavour, not the main style. CREATION’S CALL is a fine effort and I could easily see them on tour with Brothers Of Metal, All For Metal, Fellowship and other costumed Metal heroes. Worth checking out!” 4/5 – Metal Rules

“Denver metal mob reckon that their goal on “Creation’s Call” was to build a world and tell a story in “three to five minutes.” It’s a world of fantasy, as “Oathsworn” proves, where metal rules and swords are held high. “Across The Rubicon,” however, is delivered with such skill that you can’t resist getting sucked in with them. Shaughnessy McDaniel has a brilliant “metal” voice, roaring on “Sons Of The Verdant,” and guitar duo Scott Hancock and Cody Martinez can knock out a NWOBHM riff like it’s 1982, as the title song underlines. “Brothers Of Five” brings the epic one last time, galloping in proper fashion, and it’ll be interesting to see how Siege Perilous develops. This is one hell of an opening statement, mind you. 8.5/10” – Maximum Volume Music

“Creation’s Call not only highlights Siege Perilous’ dedication to epic storytelling but also emphasises their versatility within the power metal genre. With influences ranging from historical events to high fantasy, this EP offers a rich and varied auditory experience that will captivate fans. Prepare to embark on a grand journey through myth and history as Siege Perilous delivers their latest saga.” – Amplify The Noise

“Creation’s Call it is a cohesive and well-crafted work, where the combination of rich letters in history and fantasy, with a meticulous musical execution, it makes mandatory, regardless of its short duration. [82%]” – Via Nocturna

“Creation’s Call doesn’t get boring even in heavy rotation. Five gifted musicians have created a varied EP. The solos of the twin guitars are convincing across the board. It’s just a shame that it’s over after twenty-one minutes. You want a full-length album. And of course a sweaty live performance. 9.4/10” – Keep On Rocking

“Colorfully mixed NWOTHM/Epic Heavy/Power Metal elixir that appeals to a broad range of fans between ALESTORM, BATTLEROAR, ETERNAL CHAMPION, GATEKEEPER, IRON MAIDEN, RUNNING WILD and WRATHBLADE. Awakens a huge appetite for a full long-play album. On this EP you can clearly see that the band has enormous potential and has already given a great taste of their skills. Conclusion: Strong-looking genretobak that falls out of the usual range! 8,5/10” – FFM-Rock

““Oathsworn” simply explodes out of the gate. The band ratchets every possible dial up to 11 and charges into battle with an epic statement of intent.” – Nine Circles

““Brothers Of The Five” offers classic power metal as you would appreciate it. The strain on the neck muscles is correspondingly high and in some places the number cannot deny a slight Maiden stable smell.” – Hellfire Magazin

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0 Gore House Productions – Slam Titans INSECT INSIDE Unleashes “Carnal Ruins” From New Album “Reborn in Blight” Out March 2026

January 14, 2026
by Asher
· Insect Inside (Gore House Productions) · Music News

NEWS RELEASE

Montreal, QC – January 14, 2026

Slam Titans INSECT INSIDE Unleashes “Carnal Ruins”

New Album “Reborn in Blight” Out March 2026 via Gore House Productions

Rising slam force Insect Inside are preparing to unleash their next wave of devastation with the release of “Carnal Ruins,” the newest single from their upcoming full‑length “Reborn in Blight”, arriving March 6th, 2026, via Gore House Productions. Emerging from the Eastern European underground, the band has sharpened their sound into something unmistakably their own, tight, aggressive, and drenched in the bleak atmosphere of the death metal that shaped them.

“Carnal Ruins” embodies that evolution. Described by the band as the album’s main brawler, the track delivers hardcore‑infused groove, relentless blastbeats, and a stripped‑down attack that pays homage to New York death metal icons like Soils of Fate, Internal Bleeding, and Dying Fetus. It stands as both a tribute and a declaration of the band’s place among slam’s heaviest modern acts.

The single follows the crushing momentum of “Hiveborn Abomination,” featuring Defeated Sanity’s Josh Welshman, a track that showcases the band’s ability to merge speed, groove, and suffocating atmosphere. Together, these singles set the stage for an album promising overwhelming heaviness, sharpened songwriting, and a deeper dive into the band’s dark, atmospheric tendencies.

This growth stems from a disciplined writing process shaped by distance; members living in different cities compose individually before refining ideas together. Daniel leads the songwriting, while he and Ivan craft the album’s apocalyptic lyrical vision, telling vivid stories of humanity’s extinction and the rise of an insectoid race.

Formed from a shared obsession with slamming brutality, Insect Inside evolved from casual jam sessions into a full‑fledged force featuring seasoned veterans: Bogdan (bass), Pavel (guitar), Daniel (vocals), and Ivan (drums). Their live shows are notorious for chaotic energy, relentless pits, and even fans in dinosaur costumes, a raw spirit reflected in the band’s shift toward a more visceral production style on “Reborn in Blight.”

Visually anchored by artwork the band calls gloomy and disgusting, the album delivers a grotesque fusion of groove‑based slam and dark brutal death metal across ten crushing tracks.

With “Carnal Ruins,” Insect Inside delivers another strike before the full album drops, a clear statement of intent and a promise of the brutality still to come.

Listen to “Carnal Ruins” at https://www.youtube.com/watch?v=q3wB_kSpCzY

Add to your Spotify playlist – https://open.spotify.com/album/4ZtW0SfFfeoCuA1x1zBUMy

and previous single “Hiveborn Abomination” with guest vocals from Josh Welshman of Defeated Sanity at the following links:

YouTube – https://www.youtube.com/watch?v=OhaFr5xtoEo

Drum Playthrough – https://www.youtube.com/watch?v=2sfgjF0-JVw

Recommended for fans of Relics of Humanity, Internal Bleeding, Stabbing, Devourment, and Disfigurement of Flesh, “Reborn in Blight” will be available March 6, 2026, via Gore House Productions.

Pre‑orders are now live on Digital, Vinyl, CD, and Cassette: https://orcd.co/reborn-in-blight

Track Listing:
1. Echoes Of The Swallowed Sinners – 3:31
2. Abhorrent Landscape (feat. Cephalotripsy) – 2:54
3. Fragments – 2:18
4. Putrid Lament – 3:35
5. Hiveborn Abomination (feat. Defeated Sanity) – 2:51
6. Flesh Cathedral – 3:00
7. Obscuration Worship – 1:20
8. Carnal Ruins – 2:45
9. Parasite Messiah (feat. Pestilectomy) – 3:29
10. Reborn In Blight – 5:22

Album and Live Band Line Up:
Daniel Sementsov – Drums
Bogdan Pisavnin – Bass
Pavel Pleshkov – Guitar
Ivan Tyulkin – Vocals

More info:

https://gorehouseproductions.com/

https://www.facebook.com/insectinsideslam

https://www.instagram.com/insect_inside

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“From the Russian city of Zlatoust which overlooks the river Ay, famed for its creation of swords and sabres, beautiful instruments of death, comes the decimating sonic assault of Insect Inside. Lured into the web of Gore House Productions, Insect Inside are now primed to unleash the fear infused death metal of The First Shining Of New Genus on an unsuspecting world… An intro with some impact, the squelch of footsteps through what sounds like a swamp, leading to the cries of some poor victim sets the stage for Insect Inside’s The First Shining of New Genus. Focus on the filth, because that is what this band deliver in spates across nine rough and tough death metal tracks.” – Games, Brrraaains & A Head-Banging Life

“Insect Inside relies on unpredictability to elevate beyond the brutal stereotype. Shifting tempos, groovy rhythms, technical leads, pinch harmonics, and flashes of dissonance keep its grinding slams and beatdown sections from growing too stagnant… Insect Inside’s The First Shining of New Genus offers concussive slam that will get you buzzing.” – Angry Metal Guy

“A surprisingly level of hookiness invades Insect Inside, while they still deliver on all of the body-crippling violence you would expect from such an act. The First Shining of New Genus is a release that you can groove along with in addition to getting your daily dose of utter brutality.” – Dead Rhetoric

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0 Exitus Stratagem Records – Tech-Death Shredder MATT MILLER Unleashes Guitar Playthrough for “Maimed Paralyzed Dead” From Latest Album “Fiber Tormentum”

January 14, 2026
by Asher
· Music News · Matt Miller

NEWS RELEASE

Montreal, QC – January 14, 2026

Tech-Death Shredder MATT MILLER Unleashes Guitar Playthrough for “Maimed Paralyzed Dead” From Latest Album “Fiber Tormentum”

L-R – Justice Robinett (Bass), Jordan Kelso (Drums, Synth), Matt Miller (Guitars, Synth), Biko Wright (Vocals)

Photo Credit – Lilly May Everett

Technical death metal visionary Matt Miller has unveiled a new guitar playthrough video for “Maimed Paralyzed Dead,” one of the most harrowing and cinematic tracks from his latest full‑band album, “Fiber Tormentum,” released through Exitus Stratagem Records. The video captures Miller’s trademark blend of precision, intensity, and melodic ferocity, offering fans a close look at the technical prowess behind one of the album’s most monstrous compositions.

“Maimed Paralyzed Dead” occupies a pivotal place in the album’s overarching sci‑fi narrative, depicting the grotesque physical consequences of alien‑engineered DNA manipulation.

“Musically, it’s something out of a monster movie. Like a zombie crawling on the floor or lumbering toward its victim.” The playthrough highlights the track’s relentless rhythmic shifts, soaring leads, and crushing atmosphere, all of which have become defining elements of Miller’s evolving sound,” explains Miller.

The release of the “Maimed Paralyzed Dead” guitar playthrough marks another step in that progression, offering fans a visceral look into the technical and emotional core of “Fiber Tormentum.” With its blend of cinematic horror, technical mastery, and thematic depth, the track stands as a testament to Miller’s commitment to crafting music that is both overwhelming and unforgettable.

Watch the playthrough: https://www.youtube.com/watch?v=FBIYWn7U8RI

“Fiber Tormentum” represents a major turning point in Miller’s career. Originally conceived as an instrumental record, the album transformed once he realized the material demanded a broader emotional and narrative range. The addition of vocalist Biko Wright, drummer Jordan Kelso, and bassist Justice Robinett elevated the project into a fully realized band.

“I knew it needed to be a proper album with vocals and the input of other people to make it come to life. This album features the heaviest, most melodic, and most technical music in my catalog so far,” adds Miller.

The album blends technical death metal, power metal, progressive elements, and epic vocal hooks into a sound Miller describes as relentless, soaring, crushing, intense, and epic. Lyrically, “Fiber Tormentum” forms a loose concept album centered on an advanced alien civilization subtly reshaping human DNA to enslave humanity. The story draws influence from real‑world anxieties and the societal fallout of the COVID‑19 era, giving the record a thematic weight that matches its musical aggression.

The album’s artwork, created by the late Joshua Nassaru Ward (Voraath), visually captures the torment of the narrative. The central figure’s face contorts in agony as its DNA fibers are forcibly rewritten, echoing the album’s themes of transformation, invasion, and loss of autonomy. The title itself, Fiber Tormentum, references the sound a Roman ballista makes when its ropes tighten before firing, a metaphor for tension, destruction, and the inevitability of conflict.

Miller’s journey to this moment began in 2020, when he launched his solo project during the pandemic. After touring the United States with Rings of Saturn on the Cyber Shred Tour 2022, he assembled his current lineup and soon after embarked on a European tour supporting death metal pioneers Possessed. Each member brings a diverse musical background, ranging from metal and jazz to folk and bluegrass, resulting in a dynamic and collaborative creative process.

“We strive to offer a show that grabs everyone’s attention. We play crushing technical music, but we want everyone to sing along and bang their heads,” says Miller.

The making of “Fiber Tormentum” was marked by its share of memorable moments. Vocalist Biko Wright tracked his parts between filming sessions for the Discovery Channel’s Expedition Bigfoot. The band became such regulars at a local Subway during recording that staff reserved a table for them every Tuesday and Thursday night. Their attempts to record samples using high‑end pianos and harps in music stores resulted in them being banned from multiple locations. And somewhere on the album, a hidden “One Take Willy” outburst, Biko’s triumphant shout after nailing a one‑take performance, awaits listeners with sharp ears.

Miller’s musical evolution has been steady and relentless. From his early instrumental EP in 2017 to the 2022 release of “Monument of Velocity” and his extensive catalog of covers and original material, he has consistently pushed the boundaries of extreme music. Now aligned with Extreme Management Group and backed by a full band of world‑class musicians, he continues to expand his reach and refine his sound.

Recommended for fans of Necrophagist, Symphony X, Wintersun, The Faceless, and Death, “Fiber Momentum” (released Sept 12th) is available on all major platforms through Exitus Stratagem Records.

Digital – https://hypeddit.com/mattmiller/fibertormentum

CD – https://www.exsrmusic.com/store/p/wnn3m10s6beq0pbmnot0e17ghvj629

Guitar Playthrough – Descent into Violence – https://www.youtube.com/watch?v=RCj0AKSkSTc

Music Video – Effecively Neutralized – https://www.youtube.com/watch?v=hJDoR9JL9b8

Band Playthrough – Summoned – https://www.youtube.com/watch?v=5FJxxg_dd2k

Track Listing:
1. Descent into Violence (5:04)
2. Summoned (3:33)
3. Effectively Neutralized (4:53)
4. Blight and Disfigurement (3:23)
5. Maimed Paralyzed Dead (3:12)
6. Horror Beyond Comprehension (3:15)
7. Fiber Tormentum (Instrumental) (3:31)
8. Abiotic Origin (3:14)
Album Length: 30:08

Album Lineup:
Matt Miller (Guitars, Synth)
Jordan Kelso (Drums, Synth)
Justice Robinett (Bass)
Biko Wright (Vocals)

For more info:

Exsrmusic.com | Shreded1.com | Facebook.com/matt.miller.96995238 | Instagram.com/mattmiller630

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“All in all, it’s a fascinating song (Effectively Neutralized) — head-spinning and heart-palpitating but also a heavy-hitter and a conjurer of strange, sinister, and haunting visions. In other words, in the space of just five minutes it pulls off a lot of impressive feats. And the well-filmed and well-edited video for it is a perfect complement, in that it shows us how all these talented performers executed all the impressive accomplishments.” – NoCleanSinging

“Hell yeah. Holy moly canoli. Fiverr to Fiber Momentum, and that was the album. This song is Descent into Violence. Holy moly canoli, dude. Go support, Matt Miller. That was absolutely badass. Total shredding. Jordan, also a homie of mine, your drums are incredible. The new singer, Bo, I love the harsh vocals in the clean. Total is it almost the cleans almost reminded me of Queensryche meets Cannibal Corpse. It’s pretty freaking sweet. And of course, Justice always lays down the heavy bass with the beautiful bass faces. But an absolutely incredible album….Matt Miller, you could find him everywhere. He’s an incredible guitar player, one of the best guitar players of our generation. Remember, this is Fiber Tormentum courtesy of Exitus Stratagem Records. So, a huge shout-out to them as well. Matt Miller has so many more songs. If you guys like this song (Descent into Violence), believe me, this guy is an absolute shred master. Not only does he do like a ton of his own originals, he does a ton of covers, and also he’s just a shred master of all sorts. Just exactly how they say, melodic, technical, and death. But I will definitely say the big thing that stands apart about this whole song is great structure, absolutely shredding on all levels, and the vocals are just 100% one-of-a-kind. And I totally enjoyed it. Guys, I love you guys from the bottom of my heart. This has been Matt Miller with his new song, Descent into Violence. Pick up the new album on September 12, Fiber Tormentum.” – Omar Rodriguez – The Metal Mixtape – YouTube Channel

“The songs on “Fiber Tormentum” are rather good, and make for very interesting listening sessions.” – Metal Temple

“”Fiber Tormentum” is a real killer and so refreshingly creative that you can’t help but toast this previously unknown genius in awe! Cheers! 9/10″ – PowerMetal.de

“Soaring, crushing, ferocious, emotive, and relentless, are words that strongly describe Decrepit Shed. The album has a lot to offer from various metal sub-genres and encompasses the best elements of technical guitar playing while still having well-written songs”. – Brave Words

“Monument of Velocity” initially had a different title and was not going to be a Matt Miller release and some of the songs were written with vocals in mind and were not going to be instrumental, however, it turned out to be the sixth of seven powerful albums in his discography. contains eight tracks full of technical and progressive metal eliciting feelings of suspense, and tension while being fun, melodic and brutally heavy. Miller’s melodic and relentless music has a wide range of influences and is recommended for fans of Jeff Loomis, Necrophagist, and Obscura.” – Rock’n’ Load

“Even though Miller’s music is instrumental, he likes to think of the guitar as a voice. Which in turn makes him ask what is the guitar saying? He is able to easily convey emotion, tone, and a story even without the use of vocals. Throughout his releases, his music has developed a more modern sound in both the music and the production. Musically the songs are more well written and a lot of the ideas he writes are being accurately represented. He is always trying to push himself as a musician and this is reflected in his discography. Influenced primarily by technical and progressive death metal with a dash of power metal and symphonic metal as well, Matt Miller’s music is recommended for fans of Obscura, Dragon Force, and Racer X” – Metal Sucks

“Mr. Miller can shred like his fingers are on fire” – Ever-Metal.com

“Matt shreds all over this album with guitar solos galore”. – Transcending the Mundane

“Soaring, crushing, ferocious, and emotive, Miller conveys a wide range of tones throughout his instrumental music. It is recommended for fans of Dragon Force, Racer X, and Jeff Loomis” – Metal-Rules

“For guitar enthusiasts, I guess it is a feast for the eyes and ears.” – Antichrist Magazine

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0 RAVENMOCKER Unleashes A Fierce First Step Into a New Era of Melodic Death Metal w/ Debut Single “Infallible”

January 12, 2026
by Asher
· Music News · Ravenmocker

NEWS RELEASE

Montreal, QC – January 12, 2026

RAVENMOCKER Unleashes A Fierce First Step Into a New Era of Melodic Death Metal w/ Debut Single “Infallible”

From L – R – Dylan Suierveld – Drums, George Patmas – Guitar, Tom Tierney – Guitar and Vocals, Will Buckley – Bass

Photo Credits – Kim Moran – Photographer

Southern California’s newest force in melodic death metal, Ravenmocker, has released their debut single, “Infallible”, accompanied by a music video to mark the band’s official arrival and the first of several tracks set to drop throughout the year. Formed in 2025 by guitarist/vocalist Tom Tierney, the band emerges from a period of personal upheaval, creative rebirth, and a desire to carve out a culturally rooted identity inspired by Native American lore.

Joined by guitarist George Patmas (ex‑Dianthus), drummer Dylan Suierveld (Levinia), and bassist Will Buckley (Levinia, Anubis), the band quickly developed a sound that is both nostalgic and fresh. Their influences span Children of Bodom, Insomnium, Amon Amarth, Kalmah, and Dark Tranquillity, while each member brings unexpected flavors, country, jazz fusion, blues, funk, and classical choral music into the mix.

Ravenmocker’s writing process is collaborative, dynamic, and rooted in emotional honesty. While Tierney currently leads much of the songwriting, every member contributes ideas, arrangements, and refinements.

“We want to write good songs, not just content. These songs were years in the making. The melodies should stick with you. We want people singing with us at shows. We want to give fans something they can feel together,” adds Tierney.

The band’s first single, “Infallible,” represents the moment everything changed for Tierney, the song that pushed him to leave behind a project he’d been part of for five years and fully commit to forging Ravenmocker’s path.

“‘Infallible’ was the turning point. It came from a place in my life that was harming me more than helping me. The guys immediately heard the potential, and it became the first song we worked on. A small clip online hit over 75,000 views, and that connection really showed us this was the right direction. This song started it all,” explains Tierney.

“Infallible” tells the story of a man who has spent too long in darkness, giving everything to an entity that never gave anything back. The track captures the moment he finally walks away, choosing growth, clarity, and self‑determination over turmoil. Musically, the song is energetic and uplifting, while lyrically, it remains cold, rigid, and emotionally raw. This contrast reflects the duality of stepping into a new future while still carrying the weight of resentment, anger, and frustration.

The single artwork mirrors this theme: A lone figure stands in the ruins of a devastated city, surrounded by collapsed towers and shattered structures. Amid the destruction, a statue of a raven remains standing, wings spread, defiant, symbolizing resilience, rebirth, and the courage to rise from ruin.

Watch and listen to the music video for “Infallible” via its premiere on NoCleanSinging HERE.

Spotify pre-save – https://distrokid.com/hyperfollow/ravenmocker/infallible/

More info:

http://www.ravenmocker.net/

http://www.instagram.com/ravenmockerofficial

http://www.facebook.com/ravenmockerofficial

http://www.tiktok.com/ravenmockerofficial

About:

Formed in Southern California in 2025, Ravenmocker is a melodic death metal band founded by guitarist/vocalist Tom Tierney (formerly of Thrown Into Exile). Joined by George Patmas (guitar), Dylan Suierveld (drums), and Will Buckley (bass), the band blends soaring melody with raw aggression, drawing influence from melodic death metal giants while infusing elements of country, jazz, blues, funk, and classical orchestration.

Their music explores personal struggle, emotional catharsis, cultural identity, and the resilience found in confronting darkness head‑on.

In 2026, Ravenmocker will introduce themselves to the global metal community with their debut singles “Infallible” and “Where the Raven Flies,” leading into their first EP.

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0 Gore House Productions – Blast Beats Unleashed INSECT INSIDE Posts Drum Carnage w/ Playthrough “Hiveborn Abomination” From New Album “Reborn in Blight” Out March 2026

January 8, 2026
by Asher
· Insect Inside (Gore House Productions) · Music News

NEWS RELEASE

Montreal, QC – January 8, 2026

Blast Beats Unleashed INSECT INSIDE Posts Drum Carnage w/ Playthrough “Hiveborn Abomination”

New Album “Reborn in Blight” Out March 2026 via Gore House Productions

Gore House Productions has released a brand‑new drum playthrough for “Hiveborn Abomination” from brutal death metal unit Insect Inside, showcasing drummer Daniel Sementsov performing the track with the band’s signature blend of precision, speed, and crushing heaviness. The video arrives in the lead-up to the band’s highly anticipated new album, “Reborn in Blight,” set for release on March 6, 2026.

The playthrough offers an up‑close look at Sementsov’s blistering technique, capturing the relentless blast beats, punishing double‑kick work, and intricate rhythmic shifts that define Insect Inside’s sound. Shot in a clean, focused studio setting, the video highlights the physical intensity and technical mastery behind the band’s latest material.

Watch the drum playthrough at https://www.youtube.com/watch?v=2sfgjF0-JVw

Listen to the blistering track “Hiveborn Abomination” with guest vocals from Josh Welshman of Defeated Sanity at the following links:

YouTube – https://www.youtube.com/watch?v=OhaFr5xtoEo

Add to Spotify Playlist – https://open.spotify.com/track/5m0cWWNqF9DdVqamY0i1AY

Emerging from Chelyabinsk’s underground scene, Insect Inside have carved a reputation for their tight, aggressive sound, an unholy fusion of groove‑heavy slam and oppressive atmospherics. “Reborn in Blight” marks the band’s second full‑length album and showcases a shift toward a rawer, more visceral tone. Lyrically, the record continues their apocalyptic narrative, chronicling humanity’s collapse and the rise of an insectoid race.

The album unfolds as a relentless journey through death metal’s most punishing elements. Fragments erupts with chaotic groove and sinister atmosphere, distilling the band’s love for the genre into a concentrated assault. At the album’s core lies “Hiveborn Abomination,” elevated by Defeated Sanity vocalist Josh Welshman’s ferocious guest performance and serving as one of the band’s most commanding creations to date. “Carnal Ruins” pays homage to the New York death metal tradition with a hardcore‑infused, groove‑driven tribute to pioneers like Soils of Fate, Internal Bleeding, and Dying Fetus. The brutality continues with “Abhorrent Landscape,” featuring Mr. Ochoa of Cephalotripsy, whose gutturals reinforce the album’s slam‑heavy foundation. Meanwhile, “Echoes of the Swallowed Sinners” plunges into the darkest lyrical territory, exploring the abyss of humanity’s disfigured souls. The album closes with its towering title track, “Reborn in Blight,” weaving groove, speed, and soaring guitar solos into a monolithic finale.

Formed from a shared obsession with slamming brutality, Insect Inside began as friends jamming covers before evolving into a full‑fledged force within the brutal death metal realm. Their lineup features seasoned Eastern European veterans: Bogdan (bass – Cold Blooded Murder, Traumatomy), Pavel (guitar – Ocean In My Bath), Daniel (vocals – Nauseating, Morphogenetic Malformation), and Ivan (drums – Nauseating). Writing collaboratively across different cities, the band crafts a sound that is both meticulously constructed and relentlessly heavy. Onstage, they are notorious for chaotic, high‑energy performances filled with mosh pits, slams, and even fans dressed as dinosaurs.

Drawing influence from brutal death and black metal, Insect Inside cite Disentomb, Relics of Humanity, Cryptopsy, Defeated Sanity, and Vulvectomy among their top inspirations. The album’s artwork mirrors the music’s grotesque vision, gloom‑soaked, apocalyptic, and steeped in visceral disgust.

“Reborn in Blight” will be available March 6, 2026, via Gore House Productions.

Pre‑orders are now live on Digital, Vinyl, CD, and Cassette: https://orcd.co/reborn-in-blight

Album and Live Band Line Up:
Daniel Sementsov – Drums
Bogdan Pisavnin – Bass
Pavel Pleshkov – Guitar
Ivan Tyulkin – Vocals

More info:

https://gorehouseproductions.com/

https://www.facebook.com/insectinsideslam

https://www.instagram.com/insect_inside

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0 PYTHONIC Unleash Ferocious Single “Liturgy” Ahead of SLAUGHTERFEST 2025 + New EP “Decomposition” Out Dec 2025

December 4, 2025
by Asher
· Music News · Pythonic

NEWS RELEASE

Montreal, QC – December 4, 2025

PYTHONIC Unleash Ferocious Single “Liturgy” Ahead of SLAUGHTERFEST 2025 in Edmonton

+ New EP “Decomposition” Out Dec 19th, 2025

Pythonic – Back Row – L to R: Max Hiske (Bass) | Morgan Warriner (Lead Vocals) | Vincent Kohut (Rhythm Guitar & Backing Vocals)

Front Row – L to R: Jayden Warriner (Drums) | Ryan Hunter (Lead Guitar )

Photo Credit – Carsen Warriner

Saskatoon, Canada’s death thrash force Pythonic has announced the release of their second single, “Liturgy”, following the success of their first single, “Guiltfeeder”. Both tracks pave the way for the band’s highly anticipated sophomore EP “Decomposition,” set to drop on December 19, 2025.

Formed by guitarist Vincent Kohut, Pythonic was born out of a desire to break free from subgenre constraints and deliver metal in its purest, most aggressive form. Alongside lead guitarist Ryan Hunter, bassist Max Hiske, drummer Jayden, and new vocalist Morgan Warriner, the band has forged a sound described as aggressive, groovy, raw, thick, and dirty.

“Liturgy came out so good on the recordings, we couldn’t help but spotlight this track. The riffs rip, the drums rip, the bass rips, what can we say, this song rips. It’s such a classic metal song, with lyrics about summoning a demon under a blood moon. Morgan’s guttural delivery took it to another level,” says the band.

Listen to “Liturgy” via its premiere on Bravewords HERE.

The band’s second EP, “Decomposition”, represents a heavier, more death-metal-oriented chapter for Pythonic. Tracks such as “Conceit”, “Pills”, and “Collateral” showcase themes of corruption, addiction, toxic relationships, and triumph, while “Liturgy” embodies the band’s darker, more extreme influences. The EP artwork, created by Danya Lawton, visually decays the band’s debut imagery to reflect the reimagined nature of the songs.

“When we brought in Morgan as our new singer, the songs came alive again. What once felt tired now feels powerful; his vocals gave them the chance they deserved. Max’s bass adds a soul-shaking thump, especially on Collateral, while Jayden’s heavier drumming drives the tracks with ferocity and double kicks. We also worked with Reid Paraszczynec of Lucid Distortion Audio, a longtime friend of Vincent and Ryan, whose mixing and mastering made the songs sound phenomenal. Reid’s sharp ear and easygoing nature helped usher in the next chapter of Pythonic the right way,” adds the band.

Fans can brace themselves for an all-out assault of crushing riffs, pounding bass, unrelenting drums, and guttural vocals, solidifying Pythonic as a powerhouse in Canada’s rising metal scene.

The band is set to storm Slaughterfest in Edmonton, AB, on December 6th, sharing the stage with Display of Decay, Brain Stem, Ages of Ashes, A Modern Prometheus, and Cell – info.

Recommended for fans of Lamb of God, Morbid Angel, Devildriver, and Black Dahlia Murder, “Decomposition” will be available on digital platforms on December 19, 2025.

EP pre-order – https://pythonic.bandcamp.com/album/decomposition

Track Listing:
1. Guiltfeeder (4:23)
2. Conceit (4:00)
3. Pills (3:09)
4. Liturgy (3:42)
5. Collateral (3:38)
EP Length: 18:54

EP Recording Credits:
All songs performed by Pythonic
All songs written by Pythonic with Alex Conley
Produced by Pythonic
Mixed by Reid Paraszczynec / Lucid Distortion Audio
Mastered by Reid Paraszczynec / Lucid Distortion Audio
EP Artwork by Danya Lawton

EP and Live Line-Up
Morgan Warriner – Lead Vocals
Ryan Hunter – Lead Guitar
Vincent Kohut – Rhythm Guitar and Backing Vocals
Max Hiske – Bass
Jayden Warriner – Drums

More info: https://www.facebook.com/pythonicband | https://instagram.com/pythonicband

About: Born in Saskatoon, SK, Pythonic is a death‑groove metal powerhouse that fuses the ferocity of Lamb of God, Black Dahlia Murder, and Cryptopsy with its own raw, uncompromising vision. Conceived by guitarist Vincent Kohut as a project free from subgenre boundaries, the band embraces the philosophy that “metal is metal.” Together with lead guitarist Ryan Hunter, Kohut carved out a sound that is aggressive, groovy, thick, and unapologetically dirty, a sonic identity that refuses to be confined. The addition of Morgan Warriner on vocals and Max Hiske on bass has solidified Pythonic’s most devastating lineup to date. Warriner’s guttural range, soaring highs, and earth‑shaking lows have been praised as transformative, while Hiske’s thunderous bass lines add depth and weight to every track. Anchored by Jayden’s relentless drumming, the band operates as a tightly locked unit, delivering a crushing live experience.

-30-

““EP 1” is a testament to Pythonic‘s dedication to their craft and their refusal to be confined by sub-genre limitations. Each song is a blend of technical prowess and raw emotion, offering listeners a chance to experience the full spectrum of the band’s capabilities. It is recommended for fans of Machine Head, Trivium and Pantera.” – Metal-Rules (EP01 – 2024)

“Pythonic comes from Canada with ‘Epica’, a track that features fast-paced guitar riffs, heavy drums and an engaging, torn vocal that delivers to listeners the essence of metal and subverts such as alternative, thrash and even melodic, being perfect to the circle and not to leave anyone standing still.” – Os Garot Os Deliverpool (EP01 – 2024)

“Pythonic has an EP for you. Blending Thrash with Old School Swedish Death Metal, the band manages to sound like Entombed but without losing its unique style… So if you have a few minutes of anger to drain, these guys are going to cover you!” – Metal Eclipse Reviews (EP01 – 2024)

“Overall I’m a pretty big fan of this record. If you want something that sounds maybe like an Anthrax or a Slayer record then you really want to check this out. The most dynamic and unique part of this EP, in particular is the vocals are double-tracked and they’re very high in the mix which is something that is somewhat different than a lot of the other metal releases this year which I greatly appreciate. If you want something that has a lot of the thrash guitar element then you’re really going to want to check this out. The guitar and drum parts are fantastic, they really keep the songs very tight even though the vocals are very in your face and they’re usually the the first thing that you would notice with this kind of record but overall this is very strong.” – Brutally Delicious (EP01 – 2024)

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0 PHAETON Unleash Playthrough Video “Augmented” in Support of New Album Neurogenesis + BC Show Date with ANCIIENTS

November 27, 2025
by Asher
· Music News · Phaeton

NEWS RELEASE

Montreal, QC – November 27, 2025

PHAETON Unleash Playthrough Video “Augmented” in Support of New Album Neurogenesis

+ BC Show Date with ANCIIENTS

ft. Album Guest Derek Sherinian (Dream Theater, Planet X, Sons of Apollo)

Front (L-R): Kevin Thiessen (Guitars, Keyboards), Ferdy Belland (Bass), Daniel Airth (Guitars), Back: Colin Righton (Drums)

Photo Credit – Scott Courtemanche

Instrumental progressive metal quartet Phaeton has released its latest playthrough video, “Augmented,” in support of its brand-new album, “Neurogenesis,” released on October 24, 2025. The release marks another bold step forward for the band, following their acclaimed sophomore album Between Two Worlds (2020).

The new playthrough video spotlights “Augmented,” a track inspired by humanity’s drive to transcend survival through technology, yet haunted by the dystopian possibilities of merging man and machine.

“This song was written to convey the mechanical unease and robotic inhumanity awaiting us in the near future, and how we must be on our guard,” the band explains.

Watch the playthrough via its premiere on Decibel Magazine HERE.

Formed in 2017 in Kimberley, BC, PHAETON blends neo-classical melodicism, crushing riffs, tornado percussion, and contrapuntal basslines. Their lineup includes Kevin Thiessen (guitars, keyboards; ex-Azsension, ex-Datura), Daniel Airth (guitars; ex-Chaos Logic), Ferdy Belland (bass; ex-Bif Naked), and Colin Righton (drums; ex-Chaos Machine).

Described in five words as Interplanetary Psychedelic Hyper-Melodic Metallic Prog, PHAETON’s sound is a kaleidoscope of influences ranging from Devin Townsend, Rush, Haken, Intervals, and Scale the Summit to the jazz-fusion pioneers Weather Report and Mahavishnu Orchestra. Their music blends prog-metal, tech-death, thrash, and djent into a visceral yet cerebral listening experience.

With “Neurogenesis,” the band sharpened their songwriting into concise, dynamic arrangements without sacrificing imagination. The album’s seven tracks form a connected anthology, while its themes explore the technological singularity and humanity’s uneasy march toward cybernetic augmentation. Engineered and mixed by guitarist Kevin Thiessen at The Cube in Kimberley, BC, and mastered by Jamie Sitar at Outtatown Sound in Winnipeg, MB, the album features artwork by Calgary-based artist Matt Semenok and a guest appearance by prog legend Derek Sherinian (Dream Theater, Planet X, Sons of Apollo) on the track “Isochron”.

“We’ll carry you away to the nebulae and you’ll enjoy every light-minute of it,” adds the band.

PHAETON’s journey began with their self-titled debut, establishing their technical virtuosity and adventurous spirit. Their sophomore offering, “Between Two Worlds”, expanded their sound with heavier, more emotionally impactful compositions. Now, “Neurogenesis” refines their approach with compact, hook-laden tracks that balance clarity with complexity.

Fans can expect more ambitious projects following “Neurogenesis” as the band plans to release a 22-minute epic, “Clouds of Mercury”, slated for 2026, and a fourth full-length album, “Quartum”, projected for 2027.

In additional news, the band will be opening for Vancouver prog masters Anciients in Cranbrook, BC, on November 29th, as part of their “Infinite Eclipse Tour”. Phaeton plans to deliver a heavier, crunchier, thrashier experience than their polished recordings suggest, surprising audiences with their dual identity.

“We don’t growl and shriek as if we’re imitating demons from the Ninth Level of Hell. We let the guitars and keyboards do the singing,” the band adds.

Upcoming Show Dates:
Nov 29 – Cranbrook BC – Shotties Nightclub w/ ANCIIENTS – info

“Neurogenesis” is available now on digital platforms via INB Music. Vinyl editions arrive later this year.

Spotify – https://open.spotify.com/album/46CVWFcd3u2pSRt0D9pSrV

Bandcamp – https://phaetonband.bandcamp.com/

Previous Singles:

Band playthrough – Arachnid – https://youtu.be/QxyU0U-vSOc

Isochron ft. Derek Sherinian – https://youtu.be/Ri8wXGYJcJg

Tethys Rising – https://youtu.be/mjehuUQS9G8

Track Listing:
1. Tethys Rising (6:25)
2. Discontinuum (6:37)
3. Isochron (4:12) ft. Derek Sherinian
4. Synethesia (6:24)
5. Arachnid (4:48)
6. Augmented (4:37)
7. Neurogenesis (6:16)
Album Length: 39:19

Band Lineup:
– Colin Righton: Drums & Percussion
– Daniel Airth: Lead & Rhythm Guitars
– Kevin Thiessen: Lead & Rhythm Guitars, Keyboards
– Ferdy Belland: Electric Bass

For more info: https://linktr.ee/phaetonofficial

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“”Neurogenesis” one of the hottest tips of the running season. At least when it comes to instrumental prog, the band has reached the top of the annual list!” – PowerMetal.de

“Explore the sonic evolution of PHAETON in their album Neurogenesis, blending melody and heavy instrumentation for a unique experience.” – Bass Musician Magazine

“Neurogenesis is a crushing and cerebral listen from a band that has sharpened its sound to a fine point. Phaeton confidently bridges the gap between melody and pure, unadulterated musicianship. They fuse the ferocious compositions of modern metal with the ambitious spirit of classic prog rock, creating a unique and thrilling sound that stands alone.” – AltYegMusic

“Oh prog-metal how we love thee…case in point, the new single ‘Isochron ft. Derek Sherinian’ from Phaeton. This dandy little slice of modern prog-metal is not only exceptionally recorded but is jammed full of stabbing riffs, fluid bass lines, drum rolls galore and of course keyboard wizardry courtesy of the legendary Derek Sherinian (Dream Theater, Planet X, Sons of Apollo). Keep an eye out for the new album “Neurogenesis” from PHAETON set to drop on Oct. 24th and to tide you over listen up for ‘Isochron’ on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“I’ve always maintained that instrumental bands have to work harder at their craft, because the lack of vocals is one more thing they have to find a replacement for. Lead guitar breaks can take the place of vocals, as can keyboards. They do a solid job of this on the album… They have the chops, that’s for sure.” – Metal-Temple”Neurogenesis“ is a work that combines virtuosity, atmosphere and emotion in extraordinary balance.” 4/5 – MetalUnderground.at

“PHAETON’s Neurogenesis: Where Prog-Meets-Precision, and Machines Whisper to the Riffs” – Papy Jeff Metal

“Phaeton’s sound is a kaleidoscope of progressive sounds, tech-death, thrash and djent… The album opens with the song “Tethys Rising” has in it’s a lot of austerity, but you can hear perfectly strong and expressive here sound and style. Song “Discontinuum” also holds the right one level and very exciting. The dynamics and rhythm are impressive here. Piece “Isochron” with the guest participation of Derek Sherinian, he enriches and has in great riffs, but there are also Middle Eastern elements, which it also increases the effect. Number “Synethesia” it emphasizes even more the intensity and complexity of sounds with a lot of power and energy. Track “Arachnid” he has a lot of neoclassical playing, but he doesn’t forget about it crushing playing with lots of thrills. Song “Augmented” it also has a specific level to it. Title piece “Neurogenesis” he crowns the album with pride and precision. You can hear perfectly balanced music here, which has a claw, feistiness and focuses on diversity and versatility. 4/5″ – W-Mgnieniu-Rocka

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0 Streaming Now! SHORES OF NULL and CONVOCATION “Latitudes of Sorrow” Split Album

November 20, 2025
by Asher
· Music News · Shores of Null (Spikerot Records)

NEWS RELEASE

Montreal, QC – November 20, 2025

Streaming Now! SHORES OF NULL and CONVOCATION “Latitudes of Sorrow” Split Album

Two of doom metal’s most uncompromising forces, Italy’s Shores of Null and Finland’s Convocation, have joined together to unleash one of the heaviest and most emotionally devastating split albums in recent memory. Their new release, “Latitudes of Sorrow,” premieres in full today via Doomed & Stoned, offering listeners an exclusive first encounter with this monumental collaboration before it is officially released from Everlasting Spew Records on Friday, November 21st.

Listen to the split album’s full stream via Doomed and Stoned HERE.

“Latitudes of Sorrow” transcends the idea of a traditional split release, standing instead as a profound conversation between two unique visions of doom. Shores of Null’s melodic yet crushing sound collides with Convocation’s suffocating atmospheres, opening vast, introspective landscapes where grief, mortality, and inner turmoil reverberate. The outcome is a work of staggering weight and resonance, an album destined to haunt listeners long after its final echoes fade.

Hailed as “a union of all the many shades of doom, forging one of the most grievous and heavy splits you’ll encounter for years to come,” the record presents exclusive new material from both bands. Each track delves into themes of absence, loss, and existential struggle, offering two distinct but complementary approaches to the genre’s darkest depths.

Shores of Null open the split with three tracks that balance catchiness with crushing despair. ‘An Easy Way’ reflects on depression and human frailty, pairing memorable hooks with unrelenting darkness. ‘The White Wound’ draws inspiration from the tragic 2017 Hotel Rigopiano avalanche in Italy, weaving grief and anger into a soundscape of doom passages and blackened blastbeats. “The Year Without Summer” meditates on the catastrophic events that occurred globally in 1816 after the volcanic eruption of Mount Tambora, located in modern-day Indonesia. It features guest growls from MN of Convocation to heighten its apocalyptic atmosphere.

Convocation contributes two tracks steeped in suffocating heaviness and spectral atmospheres. ‘Abaddon’s Shadow’ and ‘Empty Room’ expand the split’s themes of absence and mortality, recorded at The Desolate Dungeon and mastered at Trollhouse Audio. Together, the five tracks form a cohesive journey through grief, devastation, and the haunting beauty of doom metal.

The Shores of Null side of “Latitudes of Sorrow” was written by Raffaele Colace, Gabriele Giaccari, and Davide Straccione, and produced in collaboration with Marco “Cinghio” Mastrobuono, who also handled mixing and mastering at Bloom Recording Studios in Rome, Italy. Convocation’s contribution was recorded and mixed at The Desolate Dungeon, with mastering completed at Trollhouse Audio. Final split and vinyl mastering duties were carried out by Carlo Altobelli at Toxic Basement, ensuring a unified sonic weight across both sides of the release.

The album’s artwork, created by LL of Convocation, depicts a spectral figure and an empty chair—an evocative image symbolizing presence in absence. This visual perfectly mirrors the record’s themes, as “Latitudes of Sorrow” unfolds musically and lyrically into a harrowing journey through grief, solitude, and the crushing inevitability of mortality.

“Latitudes of Sorrow” drops digitally and on CD and Cassette physical format on November 21st via Everlasting Spew Records. The vinyl edition of the split will be issued in Spring 2026.

Album countdown and pre-save: https://open.spotify.com/prerelease/79oGZH6MpwHGsTTmnLKo8D

Pre-Order:

Physical: https://bit.ly/42PbNY8

Digital: https://everlastingspew.bandcamp.com/album/latitudes-of-sorrow

Track Listing:
1. Shores Of Null – An Easy Way – 5:56
2. Shores Of Null – The White Wound – 6:00
3. Shores Of Null – The Year Without Summer – 5:53
4. Convocation – Abaddon’s Shadow – 10:31
5. Convocation – Empty Room – 8:55
Split Album Length: 37:17

For more info: Shoresofnull.com | Facebook.com/shoresofnull | Instagram.com/shoresofnull

About: Shores of Null stand out from their contemporaries with their ability to blend seemingly disparate elements into their sound, overwhelmingly heavy and soothing at the same time: blackened aggression stands alongside gothic-doom sections without either sounding out of place. Their music can be both melancholic and majestic, made of chorale-like guitar textures across the instrument’s entire range, sustained by a powerful rhythmic section and punctuated by a refined mixture of clean and growled vocals, along with extensive use of pleasing vocal harmonies which have become the band’s trademark through the years.

The Rome-based metal band has been an unwavering presence within the metal underground since their musical outset in 2013, churning out a series of impressive records: the melodic and somber Quiescence (Candlelight, 2014), the darker and more complex Black Drapes For Tomorrow (Candlelight/Spinefarm, 2017), and the ambitious Beyond The Shores (On Death And Dying) (Spikerot Records, 2020), a 38-minute long doom manifesto that sees guest appearances of the doom-titans Mikko Kotamäki (Swallow The Sun) and Thomas A.G. Jensen (Saturnus), along with the angelic voice of Elisabetta Marchetti (Inno).

Shores Of Null’s fourth album, The Loss Of Beauty, released in March 2023, was hailed as one of the best albums of the year within the genre. The band supported the release with an extensive EU/UK tour alongside Swallow The Sun, Draconian, and Avatarium, followed by standout performances at major festivals like Hellfest, Rock Imperium, and 70000 Tons Of Metal, among others, further solidifying their status as one of the rising forces in the metal scene.

In 2025, Shores of Null released Beauty over Europe, a powerful live album capturing the raw energy and emotional depth of their performances across the continent. The release serves as a testament to the band’s commanding stage presence and the resonance of their music with audiences worldwide. Looking ahead, the band is set to unveil Latitudes of Sorrow, a highly anticipated split album with Finnish funeral doom masters Convocation, promising a profound exploration of grief, atmosphere, and sonic weight.

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““An Easy Way” is the first of three Shores of Null songs on the split, and it quickly begins in a very un-easy way, delivering slowly writhing and uncomfortably dissonant notes along with gritty, ragged growls. In its upper reaches, the music also miserably wails in glistening tones, in counterpoint to vividly throbbing beats. From there, the band ratchet up the music’s intensity, deploying hammering drums and tremolo’d riffing that creates a searing form of distress. At that point the vocals also change, soaring in song, but far from joyful in mood. The band then continue shifting gears and sensations (as well as the high/low vocal stylings), intertwining sounds of gloom and torment, as well as riffing that throbs and captivating melodies that both miserably sparkle and moodily flow above a heavy low-frequency undercurrent. At times the music seems to grieve and yearn, or to become dour and bitter, leavened with bursts of aggression that include hard jolts at the song’s conclusion.” – No Clean Singing

“The Shores Of Null tracks are atmospheric, bleak and haunting, while the Convocation pieces are crushing, very funereal and cavernous. Combined, they make a bleak, thought-provoking and sublime listen…. End-to-end, a superb EP,” – Metal Talk

“Reviewing a split release is interesting because you can often judge it from different perspectives. Should you review each band’s contribution separately or should you make a judgment of it as a cohesive front to back release? Both approaches are valid and for Latitudes of Sorrow, I think it’s a pretty good contribution from Shores of Null paired with a stellar one from Convocation, adding up to a really good release overall. If you like either band, you’ll certainly be pleased.” – 4/5 Flaming Toilets ov Hell

““Latitudes of Sorrow,” this split effort pitting Shores of Null and Convocation, lands at an ideal time, when summer has indeed ended and the cold weather is seeping into our pores. These are two bands that bury you in power and punishment, making sure the toll you pay is physical and mental. It also is perfect music for the darker days, when your hope is at its bleakest and you take some solace in knowing you don’t suffer alone. ” – Meat Mead Metal

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0 Streaming Now! Quebec Melodic Death OUTLYING Unleash Long-Awaited Album “Oblivisci”

November 20, 2025
by Asher
· Music News · Outlying

NEWS RELEASE

Montreal, QC – November 20, 2025

Streaming Now! Quebec Melodic Death OUTLYING Unleash Long-Awaited Album “Oblivisci”

L-R: Charles Alexandre Bilodeau (Bass, Back Vocals), Fred A. Dubeau (Guitar, Vocals), Martin Reithler (Drums)

Photo by Sandy Champagne

Trois-Rivières, Quebec, Canada, melodic death metal band Outlying will release their long-awaited new album “Oblivisci” on November 21st. A visceral and uncompromising work, the record blends aggression, melody, and raw emotion into a cohesive listening experience that fans will find impossible to ignore.

Formed in 2003 by high school friends jamming covers, Outlying has evolved through lineup changes and years of musical exploration into a band committed to creating music that is both powerful and accessible. Frontman Fred Dubeau, the band’s primary songwriter, sought to move beyond “music for musicians” and instead craft songs that resonate viscerally with listeners. The result is a sound described in five words: captivating, dark, aggressive, melodic metal.

The album’s title, “Oblivisci”, Latin for “to forget”, reflects themes of withdrawal, alienation, and the struggle to escape trauma. Across eleven tracks, the band explores grief, loneliness, disenfranchisement, and addiction, culminating in a three-part epic that chronicles frontman Dubeau’s personal battle with alcohol and drug dependency. Now sober, Dubeau channels those experiences into music that is both cathartic and brutally honest.

“It is a great pleasure for us after all this time and a very difficult process to introduce the world to our newest effort, Oblivisci. We are glad to be musicians who are somehow different from most other bands in our environment, and strive to make music that is expressive, dark, heavy, and brings the listener through many different kinds of atmospheres and vibes. We try to avoid trends and gimmicks, and create something that comes from our diverse musical influences, different backgrounds and lives, and many other forms of art such as movies, books, or video games. While staying true to what Outlying always was, we always try to step up our game and improve our sound and musical connection with our audience. Despite being more often than not called a melodic death metal band, the band absorbs influences from thrash, black, prog, and also 70s, 80s, and 90s rock. In a world of thousands of forgettable songs, we hope to find our way into the hearts of many metal enthusiasts locally and around the world,” says the band.

Musically, “Oblivisci” strikes a balance between relentless, heavy riffing and soaring melodic passages, enriched by clean vocal textures and dynamic arrangements. With Outlying, the band steers clear of unnecessary complexity, instead crafting songs that prioritize emotion and impact. While echoes of their influences, At The Gates, Testament, Cradle of Filth, In Flames, and Wintersun, are present, Outlying’s sound stands apart as distinct and refined, heavier yet more melodic than ever before.

The record begins with The Raven Is Gone, a blistering and epic opener that channels the urgency of escaping chaos in search of refuge. Stigma follows, rooted in old‑school melodic death metal, confronting themes of societal judgment and subcultural rejection. The atmosphere turns chilling with Snow, a haunting narrative of abuse elevated by female vocals and an expansive, epic structure. The descent continues in Pitch Black Serum, a dark and unsettling track that delves into defeatism and indulgence in fleeting pleasures. Sentinel then emerges as a poignant power ballad, weaving clean vocals with an aggressive bridge to capture grief and memory. Closing the album, the three‑part suite Dreamless Nights I–III delivers a sweeping chronicle of addiction, false escape, and painful aftermath, culminating in a climactic, melodic finale that leaves a powerful and lasting impression.

The album artwork depicts a post-apocalyptic version of the band’s home city, visually reinforcing the themes of decay, alienation, and survival that permeate the record. It mirrors the music’s balance of heaviness and melody, offering listeners a complete aesthetic experience.

With “Oblivisci,” Outlying has crafted a “no skipped tracks” album; every song matters, every riff and lyric carries weight. The band hopes to continue releasing music consistently, exploring new directions while staying true to their core sound.

Listen to the album in full via its stream premiere on Bravewords HERE.

Available on all digital platforms on November 21st, 2025.

Bandcamp – https://outlying.bandcamp.com

Spotify – https://open.spotify.com/artist/5q6oycizRFEpwSzpUBJ0Z8

Track Listing:
1 – The Raven Is Gone – 5:27
2 – Stigma – 3:49
3 – Snow – 6:02
4 – Streets Of Rats And Vultures – 4:47
5 – Pitch-Black Serum – 4:36
6 – November – 5:56
7 – Sentinel – 5:43
8 – Impaired – 5:32
9 – Dreamless Nights Part I: A Lullaby For The Insomniac – 4:19
10- Dreamless Nights Part II: From Velvet Skies – 5:13
11- Dreamless Nights Part III: Walking Out Of Eden’s Ashes – 4:25
Album Length: 55:49

Album Credits:
All songs performed, written, and produced by Fred A. Dubeau and Martin Reithler
Mixed and mastered by Fred A. Dubeau
Album Artwork by Fred A. Dubeau

Album recording lineup:
Fred A. Dubeau – Guitar, Bass, All Vocals Martin Reithler – Drums
Guest musicians for the album:
Steph from “Exotoxic” – Auxiliary percussion
Marilyn from “Chained By Illness” – Female Vocals
Sim from “Lancaster” – Guest Guitar Solo
Hardcore Band “Northwalk” – Gang Vocals

Lineup for live:
Fred A. Dubeau – Guitar, Vocals
Charles Alex Bilodeau – Bass, Back Vocals
Martin Reithler – Drums

For more info:

http://www.outlying.ca/

http://www.facebook.com/outlyingband

http://www.instagram.com/outlyingband/

https://www.tiktok.com/@outlying.band

– 30 –

“Outlying pull together ingredients of thrash, melodic death metal, and black metal to create music that’s blood-rushing and muscle-flexing, and the panoply of changing riffs is very damned infectious too.” – No Clean Singing

“In the shadow of Quebec’s steel-forged skies, Outlying emerges once again with The Raven Is Gone — a melodic death metal masterstroke that’s equal parts chaos and catharsis… The Raven Is Gone is not just a song — it’s a statement. A declaration that melodic death metal is alive, vital, and pulsing through Canada’s veins. Outlying have evolved into something rare: a band that remembers what heavy music was meant to do — confront, release, and transcend.” – See Rock Live Magazine

“Melodic death metal band Outlying released their new single Pitch-Black Serum on November 16th. The song’s biting energy and unrelenting fervor hits with an uncommon ferocity while being dynamic…” – Din Intunerec

“Outlying offers a solid Swedish-style melodic death metal sound with their own personal touch.” – MetalUniverse.net

“With a biting energy and a relentless intensity, [Pitch-Black Serum] hits with an uncommon ferocity while keeping a dynamic, melodic and catchy structure.” – MetalUniverse.net

“I had never heard of this band before, so I was all the more amazed by the high level of performance the band had already achieved in 2012 [Scars Of Daylight album]. They are reminiscent of Scandinavian melodic death metal bands of the late 1990s.” – Ammo-underground.at

“The three gentlemen serve us finely spun melodies; the musicians tie everything together into a flowing, detailed unity. A bit of clean vocals are sprinkled in here and there, and so a lot happens in this largely whipping smasher. A few threatening vibes and thrashy, straight-ahead tactics are also effectively employed, as is polyphonic vocals – everything just fits! Raising fists, enjoying details, headbanging – it’s a mystery to me why these all-rounders are still so unknown!” – Ammo-underground.at

—
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Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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0 Streaming Now! Montreal Brass Metal FALLSTAF Returns w/ New Album “Ode To The Dead”

November 13, 2025
by Asher
· Fallstaf · Music News

NEWS RELEASE

Montreal, QC – November 13, 2025

Streaming Now! Montreal Brass Metal FALLSTAF Returns w/ New Album “Ode To The Dead”

SIMM/Guitars – RICKK /Horns – IANN/Vocals – GOYY/ Bass – MATT/Drums

Photo: Sébastien Roy

After nearly ten years away from the spotlight, Montreal’s groundbreaking brass-metal band Fallstaf makes a powerful return with their highly anticipated second album, “Ode to The Dead.” Produced by Kevin Jardine (Slaves on Dope), the full album will be available to stream ahead of its official release on November 14th, premiering exclusively on Hardcore Worldwide’s YouTube channel at https://youtu.be/3PPV6LE73cs

Known for pioneering the genre of brass-infused experimental metal, Fallstaf first made waves in 2011 with their debut album, “Bastard Son of a Pure Breed,” also produced by Jardine. Their signature sound, heavy riffs, progressive structures, and a masked trombonist in full suit and tie, earned them cult status in the Montreal metal scene.

But tragedy struck in 2016 when frontman IANN suffered a near-fatal accident, resulting in a coma, multiple injuries, and the loss of his leg. The band dissolved. Now, nearly ten years later, Fallstaf reunites with Jardine to deliver a powerful, deeply personal new record that channels pain, survival, and rebirth.

“Ode to The Dead” is a seven-track exploration of mortality, from personal tragedy and mental anguish to crime, conflict, and loss. Drawing from frontman IANN’s near-death experience and the band’s shared grief, the album is both a tribute and a release.

It opens with “Sunless Friday,” a chilling retelling of IANN’s accident, where cold riffs and screaming trombone set the tone. The title track, “Ode to The Dead,” honors those we’ve lost, echoing the idea that “they walk among us.” “Battered Soul” dives into depression and suicide with sludge-heavy weight and a fading finale. “Kings of the West Side” recounts Montreal’s mafia history with gangland grit and resurrected riffs. “Under the Same Sky” reflects on global unrest and shared humanity, while “Bastard Son” tells a hitman’s legacy through galloping riffs and thrash choruses. The closer, “The Burden,” mourns the toll of cancer with crushing heaviness and a melodic, mournful release. Each track is a raw, brass-laced chapter in Fallstaf’s powerful return.

“We didn’t make this album to impress anyone. We made it out of friendship. Music is therapeutic. Metal brings people together, and we missed that energy,” adds the band.

The album artwork, featuring a layered skull photo taken by IANN, reflects the lyrical darkness without veering into the macabre. It’s a visual metaphor for the band’s rebirth: haunting, honest, and human.

Musically, the band has evolved, embracing groove metal, prog metal, metalcore, and hardcore influences while incorporating melodic choruses and complex arrangements. Fans of Pantera, Shining, Hatebreed, and Mighty Mighty Bosstones will find familiar fire in Fallstaf’s brass-laced fury.

Stay tuned for upcoming live dates and new music. The resurrection has begun as Fallstaf’s live performances are legendary, and the band plans to return to the stage in 2026. Expect suits, ties, a masked brass player, and a frontman with a robotic leg, all delivering a high-energy spectacle that defies expectations.

“People think we’re a ska band until the first chord hits. Then they know we kick ass,” says the band.

“Ode to the Dead” will be available on November 14th, 2025, on Spotify, Apple Music, Bandcamp, and more. For collectors, grab the exclusive coffin-shaped USB drive packed with interactive content and bonus material.

Album pre-order – https://fallstaf1.bandcamp.com/album/ode-to-the-dead

Add to your Spotify Playlist – https://open.spotify.com/artist/3yaTJY58SzbbDJ3RsnTlZU

Lyric Video – Ode To The Dead – https://youtu.be/GM4EPsLnMlE

Lyric Video – Bastard Son – https://youtu.be/mQtwDn00JtQ

Track Listing:
1. Sunless Friday – 2:57
2. Ode to the Dead – 3:27
3. Battered Soul – 3:40
4. Kings of the West Side – 3:31
5. Under the Same Sky – 3:31
6. Bastard Son – 3:45
7. The Burden – 4:41
Album length: 25:37

Album Credits:
Songs performed by: FALLSTAF
Songs written by: Ian Lavoie/Kevin Jardine
Produced by: Kevin Jardine
Mixed by: Kevin Jardine
Mastered by: Kevin Jardine
Album artwork by: Ian Lavoie
MAPL – Canadian Content

BAND LINE UP:
SIMM / Guitars
RICKK / Horns
IANN / Vocals
GOYY / Bass
MATT / Drums

More info: https://www.facebook.com/fallstafmontrealbrassmetal | https://www.instagram.com/fallstafmontreal/

-30-

“Groovy mix of hardcore and other metal styles with an interesting addition in the trombone” Metal Underground (2011 – Bastard Sons of a Pure Breed – LP)

“to every track of the album, giving their rather intense metal a rather nice jazzy touch. This allows Fallstaf to step outside the conventional paths to get closer to the masters of the genre like Diablo Swing Orchestra or the Norwegians from Shining” – Music Waves (2011 – Bastard Sons of a Pure Breed – LP)

“These guys are a lot different than most bands out there and I really dig what they are doing. Check them out before they get really popular and there are tons of clones of them popping up everywhere “ – Beowolf Productions (2011 – Bastard Sons of a Pure Breed – LP)

“Looking for a Different Sort of Metal? Try FALLSTAF » – A Journal Of Musical Things (2011 – Bastard Sons of a Pure Breed – LP)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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