NEWS RELEASE
Montreal, QC – November 8, 2023
STRIKER’s New Music Video Welcomes You To Enter The “Circle of Evil”
Seventh Studio Album “ULTRAPOWER” Out Feb 2024
Produced by Josh Schroeder (Lorna Shore, Tallah, King 810)
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Clockwise – L-R – Dan Cleary – Vocals, John Simon Fallon – Guitar, Pete Klassen – Bass, Tim Brown – Guitar
Photo Credit: Dana Zuk
Canadian shredders STRIKER are inviting fans to enter their “Circle of Evil”, the latest single off the forthcoming album “ULTRAPOWER”, moved from its previously announced release date of January 19th to February 2, 2024. This punishing classic metal track brings STRIKER back to its roots of speed and power.
“Secret societies, shape-shifting reptilians, and evil forces? You’d be running for your life too. We’ve got the nuclear codes and we are launching heavy metal nukes directly into your ears.” adds the band.
Filmed in the legendary Edmonton vintage video store, The Lobby, watch the music video for “Circle of Evil” at https://youtu.be/YrG-mSSvIeo
Spotify – https://sptfy.com/PbKP
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“ULTRAPOWER” follows their Juno Award-winning self-released full-length “Play to Win” (2018) released on their own label Record Breaking Records and features the band’s latest lineup addition of long-time friend and guitarist John Simon Fallon (The Order of Chaos). For the band’s seventh full-length, they teamed up with producer Josh Schroeder (Lorna Shore, Tallah, King 810), entering the studio this past March. With the band writing material since 2018, “ULTRAPOWER” is a collection of five years of Striker tinkering and exploring new avenues.
“ULTRAPOWER is the Striker’s triumphant return to reality. The reality that shredding rules and nothing can stand in its way. There are classic banger Striker songs, to dabbling in punk style choruses into full-on concept songs. There’s a lot to sink your teeth into if you’ve got the guts.” adds vocalist Dan Cleary.
STRIKER recently wrapped up their fan-supported Kickstarter campaign with exclusive special edition CDs, Vinyl, and merch to aid them with upcoming physical production, marketing, and artwork. Fans supporting the Kickstarter gave STRIKER the ability to continue as an independent band.
“Seriously… a MASSIVE thank you to everyone for your support! Some of you took us over the finish line at the last minute, breaking into the 30K tier. This means we’ll be crankin’ out some Special Edition CDs with extra bonus tracks! Fire it up!!”
Track listing, Album Artwork, singles, and tour dates will revealed at a later date.
Previous single “Best of the Best of the Best” (2023), which will be featured on the album can be viewed and heard below.
“Best of the Best of the Best” – https://youtu.be/0oX9LFx2szs
More info: Striker-metal.com | Facebook.com/strikermetal | Twitter.com/StrikerMetal | Instagram.com/strikermetal
About: Blending classic heavy metal, hard rock, and 80’s hair metal, Striker has been making shredtacular anthems since 2007. The band has toured multiple times across Europe and North America along with festival appearances at 70,000 Tons of Metal, Bang Your Head Festival (Germany), and more to add to the almost 1000 shows performed in their decade-plus career. The band has been honoured with multiple Best Album awards in their home country of Canada from the JUNO Awards, Western Canadian Music Awards, and the Edmonton Music Awards. Since their inception, Striker has released six studio albums Eyes in the Night (2010, Iron Kodex), Armed to The Teeth (2012, Napalm), City of Gold (2014, Napalm), Stand in the Fire (2016, Record Breaking), Striker (2017, Record Breaking), and Play to Win (2018, Record Breaking).
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“Play to Win, which might be their most balanced effort yet. It’s their most catchy, too: the likelihood you’ll be singing along with every song before they finish is very, very high.” – Metal Sucks
“expertly combined killer arena rock choruses with well-done, cleaner verses.” – Metal Injection
“Six albums in six years. That is something almost unheard of, even in the modern era of production that considerably lessens the time needed to record and mix albums. Striker always seems to provide a new album right around when I start to wonder, “Hey, I wonder what Striker is up to?”. PLAY TO WIN is the band’s 6th LP and to my ears, one of their best. Rest assured, the band has not altered their sound. This is still classic metal, mixed with modern elements that continues to leave all pretenders in a cloud of choking dust.” – Metal Rules
“You can hear influences ranging from Dokken to Metallica on Play to Win, and it’s all done with masterful songwriting, performances and production. This is a slick, aggressively-mixed record that drips with excitement and replayability… Striker have produced their best record since City of Gold, and all fans of straight-up hard rock and metal need to own this album.” – Heavy Music HQ
“Striker have knocked this one out of the park and into the stratosphere. You’d be hard-pressed to find a catchier slice of fine cheddar this year, and I’d highly recommend it.” – New Noise Mag
“STRIKER have done it again. They hath given unto thee one monster of a metal album that simply begs to be put on REPEAT.” – Amps And Green Screens
““Catchy choruses, well-crafted riffs and squealing solos are woven throughout… Play to Win is another solid effort from Striker.” – The Metal Crypt
“Striker gush with so much enthusiasm here, with explosive riffs swirling between the vibrant harmonies and choruses, that it’s hard not to notice…Tracks like “Former Glory” and “Born to Lose” are anthemic, catchy as hell and feature soaring vocals from Dan Cleary and terrific guitar work by Tim Brown…On Striker, the band take a host of influences and hone them into a sound they can call their own.” – Exclaim!
“From the first storm-summoning power chord on the opener Former Glory, Striker (CAN) proves their new album’s initial claim of not dwelling on the past, a high and appropriate cry of “Yeah, I’m back again!”… If you haven’t witnessed this inspiring resurrection of classic metal, the band plays Friday, April 14 at Starlite with Ravenous and Tylor Dory Trio, no doubt sharpened from the faithful overseas audiences.” – Edmonton Journal
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