• About AMR
  • Festivals & Associations
    • 420 Music & Arts Festival (Calgary, AB)
    • Armstrong Metal Fest (Armstrong, BC)
    • Calgary Metalfest
    • Calgary’s YYC Music Awards
    • Days of The Dead Festival (Red Deer, AB)
    • Loud As Hell Metal Fest (Drumheller, AB)
    • Metalocalypstick Fest (Lone Butte, BC) – Mountains, Camping and the Women of Metal!
    • ShrEdmonton Metal Fest & Conference
    • WACKEN METAL BATTLE CANADA
    • WACKEN METAL BATTLE USA
  • Services (Hire Us!)
  • Subscribe To AMR Artist News & Album Promo

Posts By Asher

0 EPK – Chain Code – Synthetic Outcomes (2024) – Out Oct 1st

  • August 22, 2024
  • by Asher
  • · Chain Code · EPKs

EPK – Chain Code – Synthetic Outcomes (2024) – Out Oct 1st

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I am pleased to finally unleash this labor of love. I started this project in 2022 and manically wrote two albums, fixated on creating paranoid yet beautiful progressive rock to express my enjoyment of dystopian science fiction that sees humanity losing its very essence to machines. The initial point musically was to have Adrian Belew join Voivod in my bizarro musical mind. I feel that this album will find an audience of weirdos who are into this type of music. I don’t think it was written for “average” music fans, as it’s a challenging listen, but there are definitely those on the outskirts of genres who could find meaning in this project. I encourage any weirdo to put on headphones and take a trip to our future with the chaotic elegance of Chain Code!” – MuRphry – Chain Code

For fans of Adrian Belew (King Crimson, Zappa, Talking Heads, solo), Voivod, Primus, with tinges of post-punk (Dead Kennedys, NoMeansNo, Jesus Lizard)

Band: Chain Code
Album Title: Synthetic Outcomes
Release Date: October 1, 2024
Label: Self-Release

Facebook.com/ChainCodeBand | ChainCode.bandcamp.com

“the new track (In Line) is a bold musical statement with one foot in modern progressive technical musical prowess, but with eye on the class and lyricism of the distant past greats of the genre.” – Ghost Cult Magazine

““Synthetic Outcomes” is a deeply satisfying listen if you like your music to be dense, multi-layered and to come with an idea and a concept that the music and the lyrics expand upon. It is spectacularly complex and rewards repeated listens to an egregious degree. It isn’t overpoweringly heavy, but it’s heavy enough to bite you in the arse and it is a challenging listen indeed. Some punters may find it a bit too much to digest in a single sitting, however Dark Juan is made of sterner stuff than that. 9/10″ – Ever Metal

“Murphy is a Milwaukee based musician and his description of Andrian Belew (King Crimson) fronting Voivod is a close description of the brilliance of the debut, Synthetic Outcomes. Bringing his love of science fiction and humor, Murphy’s style is avantgarde and fascinating. “Human” is the album opener and you get that unique approach to progressive metal. “A New Face” shows how catchy this guy can be, but still avantgarde and cool as hell. The bass really stands out (Primus is also an influence) during songs like “They’re Not Mad Scientists” and “Unlearn.” “My Buddy” has that early nineties (The Outer Limits and Angel Rat era) Voivod sound. Chain Code makes “Junk Piles and Their Lonely Owners” memorable with the busy, but repetitious music and really cool technical guitar playing. This is a definitely contender for album of the year.” – Transcending The Mundane

“Progressive rock fans, get ready to be captivated by the latest offering from Chain Code, a unique and complex solo project led by the enigmatic MuRphry who channels his love for prog rock and sci-fi into a potent sonic experience… ‘A New Face’ is a short, yet windy, frantic, and complex song that is as unpredictable as it is catchy.” – The ProgSpace

“Tickling my itch for some dissonant avantgarde stuff this week is “Synthetic Outcomes”, the debut from new US based project Chain Code. This is a “non-stop barrage of syncopation and dissonant tension”, as the press release aptly stated, spearheaded by the enigmatic vocalist/multiinstrumentalist MurPhry, and these nine tracks should present themselves as some welcome grubs for the Voivod/King Crimson/Sleepytime Gorilla Museum/Gargoyl//Shamblemaths crowd. ” The Prog Space

“If System of the Down and Primus had a child, that child would sound like the debut single “A New Face” from Chain Code… With a unique blend of melody, dissonance, and intricately stringed arrangements, Chain Code is set to spin progressive rock on its head not only with their debut single but also with their debut album Synthetic Outcomes” – Amplify The Noise

“As debut albums come, Synthetic Outcomes is quite exceptional… Keep an eye open for this captivating artist, and beware of our computer overlords that are just around the corner waiting to take over for good.” – Disagreemeent.nl

“US band Chain Code are out with the album “Synthetic Outcomes”, and progressive metal is the style explored on this production. That being said, a lot of the heart and the soul of this band appears to revolve around aesthetics from the 1970s, and then from more expressive bands from the progressive rock tradition back then. With plenty of references to King Crimson, possibly also Gentle Giant, and if you know about a band from that era that played around with avantgarde tendencies and whimsical attitudes there’s a good chance that you’ll encounter references in that line too. With a bit of a theatrical display in the vocals department to boot, and some of the flamboyant aspects from the symphonic progressive rock tradition added as a bit of a subtle seasoning. But the band have chosen to explore those landscapes in a metal guise. An understated one at that, but still with metal rather than prog as the expression and orientation of choice. An album to seek out if the idea of exploring expressive 1970s progressive rock in a metal guise strikes you as an appealing proposition.” – Progressor

[Download Album Cover | Download Album Lyrics]

Band: Chain Code
Album Title: Synthetic Outcomes
Release Date: October 1, 2024
Label: Self-Release

Track Listing:
1. Human(kind of) (8:12)
2. A New Face (4:42)
3. They’re NOT Mad Scientists (4:16)
4. Unlearn (6:18)
5. My Buddy (3:54)
6. Inadequate (4:27)
7. Junk Piles and Their Lonely Owners (5:16)
8. Reaching Out (7:02)
9. In Line (8:00)

Album Credits:
All songs written and performed by MuRphry.
All songs recorded by MuRphry.
All artwork created by MuRphry with help from Matt Altieri and Arby.
Album mixed and mastered by Dan Klein and Iron Hand Audio, 2024.
Chain Code is MuRphry-all instruments and vocals.

==================================================

Describe The Album Artwork:

Each song comes with its own specific piece of art.  The art has a lot of robots/cyborgs that have human characteristics.  The art/lyrics also observe human insecurity and self-doubt as a driving force for the creation of such technology.

Track by track (LYRICALLY & MUSICALLY)

1. Human(kind of) seeks to set the album themes up lyrically with its repetition of the word synthetic.  It is a song that expresses the idea that humans, while full of good intentions and philosophies, ultimately have a need for destruction. It is the longest song on the album and the only song with a sample in it, taken from a news story about using AI to translate brain scans into text and was chosen as the opener musically because of both its monotonous ending and slow build beginning. It is sort of a unique song on the album structurally, but seemed appropriate as an opener.

2. A New Face concerns the effort and ingenuity that went into designing a technology that eventually comes to encapsulate humanity’s inherent desire for self-destruction and war.  This was the first song written for the album and is definitely has some of the best interplay between guitar parts on the album.

3. They’re NOT Mad Scientists not only sees a bit of humor coming into the lyrics but builds off the ideas set forth in A New Face in that good intentions are in place at the onset of creating something destructive. It sets up the idea that the creators put their own insecurities and sadness into their creation, and those are what eventually create the AI’s natural need to eliminate or subjugate humans, an idea that is also found later in the album.  The song has a standard enough arrangement(in the context of prog’s fearless embracement of pop), but has a very complex midsection. In spite of that, it is one of the easier-to-grasp songs musically.

4. Unlearn is a song that juxtaposes the parts of a computer with the parts of a human being with the intention of suggesting that human beings can choose to be more than biomechanics. The vs in this song has what is perhaps the most complicated interplay of guitar and bass on the whole album.

5. My Buddy is a humorous song and shamelessly pays homage to the guitar playing of East Bay Ray(Dead Kennedys) in its verse.  However, it gives way to something off-kilter at the end.  The song starts with the line “The time I’ve wasted with my spy”, a direct reference to human beings being added by the technology they keep in their pockets, making it easier for governments or AI systems to gain power.

6. Inadequate, like A New Face and My Buddy, focuses on how human insecurities trick them into allowing technology to gain a foothold. It’s definitely a slower song on the album, more psychedelic than what comes before it.

7. Junk Piles and Their Lonely Owners was heavily influenced by King Crimson’s Red album.  The vs. has a midi Erhu(a Chinese instrument) that is set to mimic the violin playing on the aforementioned Crimson album.  This song definitely deals with human mortality more than the other songs. It also deals with intentionally expanding one’s mind in order to not be enslaved by technology.

8. Reaching out and 9. In-Line were heavily influenced by the Marvel character Ultron, an AI machine that both wants humanity and to destroy humanity.  Both songs see this character ruminating on the flaws of humanity and how he is essentially in line to surpass humans. He is waiting patiently, collecting data, observing, and finally striking out. Musically both songs have some of the more complex arrangements. In Line begins and ends with a Black Hole Sun(Soundgarden) style oddball heavy and slow, yet beautiful and melodic, riff.

==================================================

Fun Facts – Story Angles

1. Despite having many issues with modern Star Wars, I loved The Bad Batch and The Clone Wars enough to take my band name from the SW universe. Chain Code is the term denoted to the identification markers that contain biographical information on an individual.  The music was all written and finished before naming the project.

2. All things nerd influence Chain Code, from science fiction movies (Terminator, Robocop, etc) to comic books.

Chain Code is a progressive rock band from Milwaukee, WI. The project was started by sole member MuRphry in 2022 with the sole intention of playing catchy, yet complex, bizarro progressive rock, think Adrian Belew(King Crimson, Zappa, solo, Talking Heads) meets Voivod. The lyrics’ themes center largely around the ever-popular sci-fi idea of technology overcoming human beings. Using a mixture of melody and dissonance,  and a barrage of stringed instrument interplay, MuRphry seeks to capture both the beautiful moments and harsh realities of a future ever reliant upon a technology that, as all sci-fi predicts, will overtake a complacent human existence.  The debut album, “Synthetic Outcomes”, finds humanity in distress, conquered by the technology they became dependent upon, but the future is left wide open for a human uprising.  All weirdos are encouraged to put on headphones and take a trip to our future with the chaotic elegance of Chain Code! 

0 Streaming Now! Metal And Myth Intertwine In SIEGE PERILOUS’ New Power Metal EP “Creation’s Call” + Denver’s Mile High Power Fest – Aug 24th

  • August 22, 2024
  • by Asher
  • · Music News · Siege Perilous

NEWS RELEASE

Montreal, QC – August 22, 2024

Streaming Now! Metal And Myth Intertwine In SIEGE PERILOUS’ New Power Metal EP “Creation’s Call”

+ Denver’s Mile High Power Fest – Aug 24th

L-R – Eric Fischer (Bass) | Mark Girard (Drums) | Shaughnessy McDaniel (Vocals) | Scott Hancock (Guitar) | Cody Martinez (Guitar)

Photo Credit: Underhill Imagery

Denver’s Siege Perilous invites you to embark on an epic musical odyssey with their freshly released second EP “Creation’s Call”. A culmination of years of storytelling and musical craftsmanship, the EP will immerse power metal fans in a world of adventure and intrigue. Vocalist Shaughnessy McDaniel comments

“Our goal with ‘Creation’s Call’ is to present fans with an opportunity to escape the modern world and join us in the worlds of history and fantasy. For the more technically inclined, we have tight, complex arrangements and shredding solos that show off how incredibly talented my bandmates are and how fortunate I am to work with them. I like to think of this EP as a sampler platter of lyrical themes, musical ideas, and narrative storytelling that highlights what we are about in a very diverse array of 5 tracks.”

With each soaring guitar solo and thunderous drumbeat, Siege Perilous invites fans to delve deeper into the realms of their imagination, where epic battles and ancient prophecies unfold. From the thunderous opening chords of “Oathsworn” to the triumphant crescendo of “Brothers of the Five”, the EP takes listeners on a journey through realms both ancient and mythical.

Drawing inspiration from LARP, historical events, and fantasy literature, Siege Perilous crafts a cinematic landscape that resonates with fans across the spectrum of metal and fantasy fandoms. They are highly recommended for fans of Alestorm, Manowar, and Iron Maiden.

Listen to the full-stream premiere of “Creation’s Call” via MetalInsider HERE.

“Creation’s Call” is due out on August 23, 2024, and available for digital pre-save at https://distrokid.com/hyperfollow/siegeperilous/creations-call-2 and made available at band’s online store – https://siegemetal.com/store.

Lyric Video – “Oathsworn” – https://youtu.be/HaosPQrqgAw​

Lyric Video – “Sons of the Verdant” – https://youtu.be/eU4mHuSslwg​

Lyric Video – “Across the Rubicon” – https://youtu.be/8TgeXstfSso​

Spotify – https://spoti.fi/3xS9g3q​

Track Listing:​
1. Oathsworn (3:13)
2. Across the Rubicon (3:42)
3. Sons of the Verdant (4:49)
4. Creation’s Call (4:03)
5. Brothers of the Five (5:13)

Band Lineup (EP and Live):​
Shaughnessy McDaniel – Vocals
Scott Hancock – Guitar
Cody Martinez – Guitar
Eric Fischer – Bass
Mark Girard – Drums

In additional news, Siege Perilous will perform at their hometown Mile High Power Fest on August 24th, where they will be showcasing their new recordings live for fans for the first time!

Denver’s only power metal festival presented by BiteSize Productions, will be hosted at The Oriental Theater with Seven Spires, Aether Realm, Lords of the Trident, Traveler, Judicator, Seizure, Celestial Wizard, AfterTime, Graveshadow, and Starwraith. Event info can be found here.

More info: Siegemetal.com | Facebook.com/siegeband | Instagram.com/siegeperilousmetal | Tiktok.com/@siegemetal​

-30-

“It gives me great pleasure to tell you that Creation’s Call is a blast. Siege Perilous has succeeded in creating what I would call Epic Power Metal for the Working Man. They don’t waste your time with overlong symphonic interludes between tracks, melodramatic narration, or overproduction that tests the limits of your sanity. The band gets right to the point and pulls you into their epic tales of heroic daring immediately. This is a nice breath of fresh air and if this EP is anything to go by, Siege Perilous has a great future ahead of them. Yes, this could be considered power metal but the no-nonsense approach and urgency to the songwriting makes this release absolutely worth checking out for those of us in the NWOTHM scene. Plus, it’s really just a lot of fun. This one is highly recommended. THENWOTHM SCORE: 9/10” – The NWOTHM

“‘Creation’s Call’ never gets boring, even on Heavy Rotation. Five gifted musicians have succeeded in creating a varied EP. The twin guitar solos are convincing the whole time. It’s just a shame that it ends after twenty-one minutes. It makes you wish for a full-length album. And, of course, a thrilling live performance. 9.3/10” – Metalheads Forever Magazine​
​
​“solid power metal style that should satiate any LARP-attendees or Dungeons and Dragons mavens. Keep an eye on this quintet – wield thy sword as they lead the battle charge for more quality power metal from the states. 8/10” – Dead Rhetoric​
​
​“Creation’s Call not only highlights Siege Perilous’ dedication to epic storytelling but also emphasises their versatility within the power metal genre. With influences ranging from historical events to high fantasy, this EP offers a rich and varied auditory experience that will captivate fans. Prepare to embark on a grand journey through myth and history as Siege Perilous delivers their latest saga.” – Amplify The Noise​
​
​“Creation’s Call it is a cohesive and well-crafted work, where the combination of rich letters in history and fantasy, with a meticulous musical execution, it makes mandatory, regardless of its short duration. [82%]” – Via Nocturna​
​“Creation’s Call doesn’t get boring even in heavy rotation. Five gifted musicians have created a varied EP. The solos of the twin guitars are convincing across the board. It’s just a shame that it’s over after twenty-one minutes. You want a full-length album. And of course a sweaty live performance. 9.4/10” – Keep On Rocking​
​
​“Colorfully mixed NWOTHM/Epic Heavy/Power Metal elixir that appeals to a broad range of fans between ALESTORM, BATTLEROAR, ETERNAL CHAMPION, GATEKEEPER, IRON MAIDEN, RUNNING WILD and WRATHBLADE. Awakens a huge appetite for a full long-play album. On this EP you can clearly see that the band has enormous potential and has already given a great taste of their skills. Conclusion: Strong-looking genretobak that falls out of the usual range! 8,5/10” – FFM-Rock​
​
​““Oathsworn,” hits the guns from the get go, slamming through the turnstiles of time and building the great beyond.” – The Median Man

“[Betrayal of the Dracolich] was one of my favorite metal EPs of 2022” – Harry Cane Twisted Mind Radio

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 FREYA’s Intoxicating Blend Of Hardcore And Thrash Bubbles Over In “Blood Thirst”

  • August 22, 2024
  • by Asher
  • · FREYA · Music News

NEWS RELEASE

Montreal, QC – August 22, 2024

FREYA’s Intoxicating Blend Of Hardcore And Thrash Bubbles Over In “Blood Thirst”

Freya, the veteran hardcore/metal band hailing from Syracuse, USA, is set to drop their newest single “Blood Thirst”. This powerful track showcases the band’s unique blend of hardcore intensity and thrash metal fury that they have been perfecting for over two decades. The single is a straightforward banger, drummer Ethan D. Henry comments on the track:

“I’m not vegan or anything but I was just thinking of this concept of some trophy hunters entering the forest killing and taking what they wanted and leaving the corpses of their victims to rot. I imagined a grizzly bear being fed up finding rotten deer, turkey, and whatever else on his daily trek. Full of rage, he is forced to fight back and chase the men out of the forest. Like Batman haha. But a pissed-off grizzly bear.”

Drawing inspiration from the hard-hitting, old-school hardcore vibe of bands like Biohazard, the song opens with a memorable riff that immediately grabs the listener’s attention. As the track progresses, Freya seamlessly shifts into a thrash metal assault reminiscent of Slayer, showcasing the band’s ability to blend genres with precision and intensity.

Henry also comments that he wanted this track to crank and hit hard, “it’s about capturing that raw energy that makes hardcore and thrash so powerful”. “Blood Thirst” will appeal to both hardcore and metal fans alike, especially those with an interest in Earth Crisis, Terror, and Hatebreed.

Listen to “Blood Thirst” via its premiere on NoEcho HERE. ​

“Blood Thirst” is available for pre-save at https://bfan.link/blood-thirst and will be on all digital platforms as of August 23rd, 2024 via Upstate Records.

More Info: Upstaterecordsny.com/freya | https://linktr.ee/freyaband315​
​

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s INFRARED Take Aim With Their Thrash Metal Hit “Concuss” Off New Album “Manifestation” Out Sept 2024

  • August 22, 2024
  • by Asher
  • · Infrared · Music News

NEWS RELEASE

Montreal, QC – August 22, 2024

Canada’s INFRARED Take Aim With Their Thrash Metal Hit “Concuss”

New Album “Manifestation” Out Sept 2024

L-R – Alain Groulx (Drums, Backing Vocals), Kirk Gidley (Guitar, Backing Vocals), Armin Kamal (Guitar, Vocals), Mike Forbes (Bass, Backing Vocals)
Photo Credit : Carissa Broeren

Infrared is true Canadian thrash metal, which initially started in 1986. After a hiatus, they re-emerged in 2016 and have put out a handful of albums since then. Their latest offering is the full-length “Manifestation”, which will be released on September 6, 2024. Ahead of this, they are releasing their second single “Concuss” with a video. They share their thoughts:

“This is a song that was a forced collaboration right from the start of the songwriting process. While Kirk had these great grooving riffs to build the song, the chorus pops with an all-out chant and in-your-face riff that makes you want to hit stuff which was brought to the table by Armin. As usual, Mike and Al ensure the rhythm section is exactly what is needed to get fists pumping.”

They go on to explain that “Concuss” is a straight-up anthem song about retaliating against those who stand in your way, but also a tip of the hat to all those crazy metalheads that hop in the pit and destroy.

Having emerged from the 80s thrash scene, Infrared‘s music is steeped in the same intensity that defined the genre’s pioneers. “Manifestation” continues this tradition, offering a streamlined, intense listening experience that captures the essence of classic thrash. It is recommended for fans of Anvil, Exciter, and Sacrifice.

Watch and listen to the music video for “Concuss” via its premiere on Decibel Magazine HERE. ​

Due out September 6, 2024, “Manifestation” is available for pre-order at https://infraredmetal.bandcamp.com​

First single – Music Video for “Demon’s Blood” – https://youtu.be/N5RWKQXfc_0​

Track Listing:​
1. Cataclysm (2:07)
2. Temple of Sin (3:20)
3. Nikko (3:40)
4. Demon’s Blood (3:08)
5. Pressure Syndrome (4:29)
6. The Manifest (0:48)
7. Manifest Nation (3:40)
8. Concuss (4:00)
9. Reforma (4:04)
10. My Dreams Are Real (3:48)
11. Parasite Patrol (3:47)
12. Then the Earth Goes Black (4:16)

More info: http://infraredmetal.ca/​

-30-

“Heavy, powerful sound throughout and so much catchiness, it’s crazy. By now I must have listened to maybe 250 new albums this year, and this one is definitely in the top 5. Highly recommended for fans of technically minded thrash that fucking slays.” 4.75/5 – The Metal Crypt (2021 – From the Black Swamp)

“Infrared’s “From the Black Swamp” is EXACTLY what the METAL world needs right now… full of heaviness, riffy-ness, depth, progressive leanings and thrashing madness! After consecutive strong releases over the last 5+ years, Infrared’s musical growth cannot be ignored! Raging from their classic 80’s roots, they’ve yet again raised the bar in terms of what powerful thrash metal should represent and embody in today’s heavy music landscape. I cannot get enough spins of this new release! A modern thrash metal masterpiece, this new slag of heaviness incites that tingly feeling on the back of your neck that you just can’t shake off… the thrash metal flag is triumphantly waving for these Ottawa legends!”- Steve Kraus Host of 6o on CKLU 96.7FM (2021 – From the Black Swamp)

“Truly recommended as an essential to all thrash fans! 5/5” – Metal Epidemic (2021 – From the Black Swamp)

“If you are a fan of very well crafted thrash metal, plan to add From The Black Swamp to your collection. Buy Canadian!” – Sleaze Roxx (2021 – From the Black Swamp)

“INFRARED delivers vintage thrash metal with styles comparable to Slayer, Testament and early Anthrax. As all good things typically come back around and this old-school sound is a refreshing change in today’s metal landscape… As a Canadian band that started in the mid-eighties, it is impressive that INFRARED is still making a serious mark with their latest release. The impeccable studio work and enviable songwriting surely position this band for GREAT things to come. 9/10” – Spill Magazine (2021 – From the Black Swamp)

“You can expect a bouncy style featuring sneering vocals, a hefty bass tone that goes hand in hand with the crunchy riffs and solid drum mechanics – crossing lines between thrash and traditional metal, along with the occasional punk/hardcore angst that fueled the early days.” – Dead Rhetoric (2021 – From the Black Swamp)

“From The Black Swamp” is a masterpiece the world needs right here right now. Don’t call yourself a Bay Area thrash fan if you ignore it as I predict it will be someday mentioned in one breath with “South Of Heaven”, “The New Order”, “Peace Sells But Who’s Buying”, “Rust In Peace” (BIG TIME!), “Ride The Lightning” or “Master Of Puppets”, mark my words. 6/6″ – Eternal Terror (2021 – From the Black Swamp)​
​
​“Black Swamp’ is far from average, it is Infrared doing what Infrared do best and thrash fans will bang their head in appreciation.” – Metal Digest (2021 – From the Black Swamp)

“Once again, Infrared offers us a thrash metal that is both complex and easy to access: we will never get lost in watchtower-style twists and turns. 9/10″ – Soil Chronicles (2021 – From the Black Swamp)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 CHAIN CODE Announces Debut Album “Synthetic Outcomes” with New Single “A New Face”

  • August 21, 2024
  • by Asher
  • · Chain Code · Music News

NEWS RELEASE

Montreal, QC – August 21, 2024

CHAIN CODE Announces Debut Album “Synthetic Outcomes” with New Single “A New Face”

Album Out October 1st, 2024

Progressive rock fans, get ready to be captivated by the latest offering from Chain Code, a unique and complex solo project led by the enigmatic MuRphry who channels his love for prog rock and sci-fi into a potent sonic experience. Chain Code is set to release their debut single “A New Face”, which will be the first look at the debut album “Synthetic Outcomes” due out on October 1st. MuRphry comments on the single:

“The single concerns the effort and ingenuity that went into designing a technology that eventually encapsulates humanity’s inherent desire for self-destruction and war. This was the first song written for the album and has some of the best interplay between guitar parts.”

“A New Face” is a short, yet windy, frantic, and complex song that is as unpredictable as it is catchy. It was the first song written for the album and set off a writing binge in Chain Code mastermind MuRphry that would cease after writing two albums in one year. The song itself, much like the album, is full of dire situations where human beings lose the fight for existence to AI and technology.

Chain Code was formed in 2022 by MuRphry with a mission to explore the boundaries of progressive rock through a blend of melody, dissonance, and intricate stringed instrument interplay. “A New Face” exemplifies this approach, delivering a non-stop barrage of syncopation and dissonant tension that immediately draws listeners into the dystopian world that Chain Code inhabits. It is recommended for fans of Adrian Belew, Voivod, and Primus.

Listen to “A New Face” via its premiere on TheProgSpace HERE.

Album pre-order – https://chaincode.bandcamp.com/album/synthetic-outcomes​

Track Listing:​
1. Human(kind of) (8:12)
2. A New Face (4:42)
3. They’re NOT Mad Scientists (4:16)
4. Unlearn (6:18)
5. My Buddy (3:54)
6. Inadequate (4:27)
7. Junk Piles and Their Lonely Owners (5:16)
8. Reaching Out (7:02)
9. In Line (8:00)

More info: Facebook.com/ChainCodeBand

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s PRISONER Get Back To Their Heavy Rock Roots In New EP “House Of Cards” And Video “Skies are Blackened”

  • August 21, 2024
  • by Asher
  • · Music News · Prisoner

NEWS RELEASE

Montreal, QC – Augsut 21, 2024

Canada’s PRISONER Get Back To Their Heavy Rock Roots In New EP “House Of Cards” And Video “Skies are Blackened”

New EP “House of Cards” Out Now!

L-R – Murray Emery (Guitar/Vocals), Karl Pflug (Drums), Jeremy Hartmann (Guitar), Trevor MacDonald (Bass)

Photo Credit – Mikayla Loschuk

​

Prisoner is a high-energy Canadian rock band bringing you hard-hitting riffs and unmistakably tight grooves. They have their new EP “House Of Cards” out now, complemented with a video for their first single “Skies are Blackened”. The EP is a conglomeration of music with multiple elements from varying sub-genres. It bridges the gap between emotion and life experience to truly connect music to the individual. The band comments further:

“We think the EP will be received quite well from music fans. There is something for everyone in regard to genre and song range. We have songs that we believe did not fit in an LP structure but were all great together in their own way, Thus the House of Cards EP. With anthemic themes, fast riffs, and glassy acoustic guitar, each song offers something different for your casual rock fan to die-hard thrash headbanger.”

The band’s journey began in 2016 under the name “Bad Omen,” evolving into “Prisoner” with the release of the song “Prisoner of Time.” The name reflects the universal experience of being constrained by various aspects of life. Frontman Murray Emery, who started the band, formed the original lineup in London, Ontario, after attending OIART for audio engineering. Following several lineup changes and a move to Los Angeles, Emery returned to Calgary and solidified the current lineup with guitarist Jeremy Hartmann, bassist Trevor Macdonald, and drummer Karl Pflug.

Prisoner‘s dedication to their craft is evident in their unparalleled stage presence and their commitment to engaging with their audience. The band thrives on crowd interaction and creating an electric atmosphere at their shows. Off stage, they value connecting with fans and being part of the rock community. They are recommended for fans of AC/DC, Judas Priest, and Metallica.

Watch and listen to the music video for “Skies are Blackened” at https://youtu.be/dOW21VIQwEE

​

“House Of Cards” is now available as of August 21, 2024, on all digital platforms at the following links:

​Spotify​

Apple Music: https://music.apple.com/ca/artist/prisoner/1617269145​

Youtube: https://music.youtube.com/channel/UCma5RX_ENik_slc_nw5HP8A​

Amazon: https://music.amazon.com/artists/B0019BL0QC/prisoner​

Track Listing:​
1. Skies are Blackened (2:42)
2. On a Sunday (4:26)
3. House of Cards (The Game Pt.2) (3:38)
EP Length: 10:46

EP Band Lineup:
Murray Emery (Vocals/Guitar)
Jeremy Hartmann (Guitar)
Trevor MacDonald(Bass)
Wes Bartram (Drums)
Karl Pflug (Drums)

More info: https://prisonerband.ca​

-30-

“And we’ve added the outstanding new single “On A Sunday” from heavy rockers Prisoner! Elements of alternative rock & metal with a twist of modern rock. So well written with acoustic passages leading up to the electric payoff, “On A Sunday” is a special one. Be sure to catch Prisoner on your Home for the Best New Rock.” – WJOE – Findlay’s Home for Rock & Roll​
​
​“A testament to their musical prowess and diverse range as artists, Prisoner adeptly captures both their high-energy and introspective moments in House of Cards.” – Amplify The Noise

“”House of Cards” did what an EP is supposed to do and that’s whet my appetite for more music from Prisoner. I look forward to their forthcoming full-length album and to hearing what else than do with,” – Rough Edge

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Massive Scar Era – Assyad (2024) – Out October 25th

  • August 20, 2024
  • by Asher
  • · EPKs · Massive Scar Era

EPK – Massive Scar Era – Assyad (2024) – Out October 25th

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I dedicated years to studying Egyptian Zar traditions, songs, and rhythms, and I believe this EP represents a deeply rich and progressive musical experience. It’s a journey that I think will resonate with those who appreciate concept albums and are drawn to non-mainstream metal music. In the world of Zar, what you are curious about also becomes curious about you. Each song on this EP is inspired by a specific Zar spirit, and I’m eager to see how each listener connects with the EP, as I’m sure everyone will be drawn to different songs in their own unique way.

I’m incredibly proud of this collaboration that united Canadian and Egyptian musicians from completely different backgrounds who only spoke the language of music. A memorable moment was a five-minute improvisation between Simon on drums and Muhammed on the tabla. Despite the language barrier, the intensity of the metal drumming and the polyrhythmic Zar beats created a profound harmony. I instantly knew this collaboration would be a success. I cherished every moment with these musicians and am proud of Assyad. It was a unique experience, and I hope it resonates with audiences just as it did with us.” – Cherine Amr – Massive Scar Era

For fans of metal with folkloric cultural influences, Merfolk, Nawather, Zaeer, Ambrotype, Khalas

Band: Massive Scar Era
EP Title: Assyad
Release Date: August 23, 2024
Label: Self-Release

 Facebook.com/massivescarera | Instagram.com/massivescarera |

Massivescarera.bandcamp.com | Spotify | Apple Music

“Steeped in Metal, but bridging the gap to Egyptian music, Massive Scar Era is a Metal band you need to know about in 2023. The brainchild of visionary artist Cherine Amr, their new EP Metal Goes Egyptian, the seventh release in her career, is coming out in November. Not only does the band creative a ground-breaking mix of Metal and world music, Cherine had to flee her country where “the devil’s music” is forbidden to create, let alone defying gender norms that could lead to punishment, or worse. With its unique fusion of Prog Rock, post-Grunge, Egyptian music, and Heavy Metal, the group just released a new single “Between Waves!”” – Ghost Cult Magazine (2023 – Metal Goes Egyptian)​
​
​” When you’re a metal act, you either go big or you go home, and going big is what Massive Scar Era does extremely well. Today, the metal ensemble unveiled the video for their new single, “Oblivious,” off of their Metal Goes Egyptian EP. As an in-studio performance video, it’s simple but effective. It’s particularly effective due to the level of precision with which the band plays. Then you add in the orchestral elements, and you have essentially what amounts to a symphony. Beyond band founder and leader Cherine Amr, there are many minds and parties at play to bring this vision to life. Amr collaborates closely with musicians, producers, and video creators. Her goal is to combine heavy metal’s power with traditional Arabic music’s beauty and charisma. You’ll hear it all come together in perfect harmony upon Metal Goes Egyptian’s official release on November 3rd.” – V13 (2023 – Metal Goes Egyptian)

“As the title indicates, it’s metal with a middle eastern tone and style… mostly melodic death with clean and harsh vox.” – The Moshpit – WORT 89.9 FM (Madison, WI) (2023 – Metal Goes Egyptian)

“the Egyptian-Western music cocktail has an almost hypnotic effect” – PowerMetal.de (2023 – Metal Goes Egyptian)

“Through “Metal Goes Egypt”, their new EP, Canadian band Massive Scar Era invites open-minded heavy music fans to embark on a musical journey that transcends borders and creates a unique fusion of metal energy and the melodic beauty and cultural nuances of traditional Egyptian Arabic music.” – YoZone.fr (2023 – Metal Goes Egyptian)

Band: Massive Scar Era
EP Title: Assyad
Release Date: August 23, 2024
Label: Self-Release

Track Listing:
1. Muluk al-Ardiyya | The Kings of the Earth – 4:54
2. Abdel Salam Lasmar – 3:17
3. Genie, Lambo – 3:17
4. Inner Dialogue – 3:33
5. El-Leil | The Night – 4:24
6. Pretend – 3:43
7. School Girls ft. Chaney Crabb (Entheos) – 3:26
EP Length: 26:38

EP Recording Credits:
Creative producer: Cherine Amr
Zār Leader, teacher, and consultant: Muhammed Abouzeid
Community Connector, Cultural Consultant, and overseas executive producer: Dr. Kawakb Tawfik
All songs and lyrics are written by Cherine Amr.
Any Arabic vocals heard on Assyad are folkloric Zār songs.
Percussion and Kawala arrangement and performance: Muhammed Abouzeid
Traditional Zār singer: Salem Atallah
Drum arrangement and performance: Simon McKay
Bass arrangement and performance: Frédérick Filiatrault
Vocal, Guitar, and back vocals arrangement and performance: Cherine Amr.
Death Growl: Chaney Crabb on Track 7. School Girls
Music Producer: Etienne Tremblay (La Machine à Mixer)
Recorded at Studio Mix Art in Montréal, Québec, by Nicholas Pétrowski and Etienne Tremblay.
Mixed and Master by Etienne Tremblay (La Machine à Mixer)

======================================================

About The EP Artwork:

I discovered Zeinab on Behance and was captivated by her unique, obscure art. Given her cultural background of being also from the Arabic-speaking region, I knew she would easily get the cultural nuances and mostly understand the Arabic lyrics on Assyad.  I shared the EP and some jewelry related to Zar rituals with her. Although these elements aren’t directly reflected in the artwork, her inspiration is subtly evident. Zeinab truly grasped the essence of the project and created a vision for *Assyad* that fits perfectly.

About the EP as a whole (LYRICALLY & MUSICALLY):

Zār is a possession cult that incorporates music and dance into its rituals, aiming to establish reconciliation between individuals and the spirits (Assyad) believed to inhabit their bodies, causing illness. The Assyad represents the projection of fears and anxieties, and the Zār ritual seeks to alleviate suffering, challenges, and conflicts faced by the individual. At the heart of the Zār ceremony, an ensemble guides the devotees through a trance dance, breaking down barriers to personal identity through rhythmic and melodic patterns deeply rooted in emotional and cultural contexts. This allows individuals in a trance to identify with the possessing spirits, providing a unique sensory experience.

The EP Assyad blends traditional Zār songs and rhythms with metal. Each track is inspired by a specific Zār spirit.

Track by track (LYRICALLY & MUSICALLY):

1. Muluk al-Ardiyya | The Kings of the Earth | ملوك الأرضية  (first song we worked on)

Muluk al-Ardiyya is a song for the spirits living on the mainland. They are among the oldest kind of invisible creatures whose agency is related to the forces and life on Earth.

2. Abdel Salam Lasmar | عبدالسلام الاسمر

Abdel Salam al-Asmar, a revered religious figure in Libyan Muslim history, lived from 1455 to 1575 CE. Began an ascetic (zahid) in Libya’s expansive desert, known for performing miraculous acts for the needy. Later in life, he became a mujahid (holy warrior), defending his city with fervour. Revered across North Africa, he features in traditions like Zār, Gnawa, and Stanbeli. His militant stance inspired many Sufi orders in anti-colonial and military resistance efforts.

3. Genie, Lambo | جني يالمبو

Spirit of the fire, Jinn Lambo is a spiteful creature and a servant of Sultan al-Nar, the fire sultan. The music retains strong African elements, maintaining a profound connection to Zār’s Eastern African roots. The ritual necessitates the presence of fire and lit candles during the trance dance.

4. Inner Dialogue

Inner Dialogue is inspired by the Zār song “Salila, the Master of the Water,” depicted as a mermaid symbolizing rebirth and abundance. Salila is a captivating yet proud female spirit, drawn to wealth and gold, but also capable of transformative generosity and support for humanity.

5. El-Leil | The Night | الليل

“The Night serves as an ode to the day and sun. The benevolent Asyad sing to the night, longing for its swift departure, as darkness is associated with malevolent spirits.

6. Pretend

Pretend draws its inspiration from the esteemed spirits of Mamma el-Sultan and Sa’det El-Bar. Mamma el-Sultan presides as the revered master over all Zār spirits, while Sa’det El-Bar command the domain of Al-Midan, the battlefield.

7.  School Girls  | بنات المدرسة ft. Chaney Crabb (Entheos)

“School Girls” represents a dialogue between the Mu’allima (teacher) spirit, brought to life by Chaney’s voice, and the outside world. The chorus is adapted from the traditional Zar song “Banat el Madrassa,” which reflects a significant era in Egyptian society and feminism. It highlights the pursuit of higher education by middle and upper-class women in the 1950s, symbolizing their aspirations and empowerment. The Mu’allima serves as both a guide within the female Zar realm and a social archetype.  

===================================================================

Story Angles – Band Fun Facts:

1. When I formed this band In 2004, in Alexandria, Egypt, it was established with an all-female lineup. The reason behind this choice was the restriction imposed by my family, which prohibited me from playing music with male musicians. While some perceived it as a feminist statement, I personally experienced it as one of the most oppressive situations I had ever encountered

2. In the SWANA (Southwest Asia and North Africa) region, each country has its unique microtonal system. In the orchestra that recorded the Arabic Music, the members hailed from various backgrounds within the Arab-speaking region. However, despite their diverse origins, they all tuned in together and delivered an authentic Egyptian sound.

3. Traveling with my Egyptian passport has proven to be an extremely arduous task primarily due to the stringent visa procedures involved. In 2017, during the implementation of the Trump travel ban, MSE received an invitation to perform at SXSW. I personally had a physical appointment at the embassy, clearly stating the purpose of my travel, and providing the official SXSW invitation, I was granted the visa. However, upon reaching the borders, I faced an unexpected setback: I was denied entry, even though Egypt was not included in the travel ban list.

Massive Scar Era – Cherine Amr – Photo Credit  by Big Rock Films

Massive Scar Era, the visionary Egyptian/Canadian metal project led by Cherine Amr, is thrilled to announce the release of their new single “School Girls | بنات المدرسة”. This track, featuring the dynamic vocals of Chaney Crabb from Entheos, is the lead single from their upcoming EP, “Assyad”, set to drop in October 2024. With “School Girls”, Massive Scar Era breaks genre boundaries again, blending progressive rock, post-grunge, Egyptian music, and metal into a captivating sound that resonates deeply with fans worldwide. Amr comments on the unique track:

“‘School Girls’ represents a dialogue between the Mu’allima (teacher) spirit, brought to life by Chaney’s voice, and the outside world. The chorus is adapted from the traditional Zar song “Banat el Madrassa,” reflecting a significant era in Egyptian society and feminism. It highlights the pursuit of higher education by middle and upper-class women in the 1950s, symbolizing their aspirations and empowerment. The Mu’allima serves as both a guide within the female Zar realm and a social archetype.”

Amr, the creative force behind Massive Scar Era, has dedicated years to studying Egyptian Zār traditions, weaving this deep cultural understanding into her music. Zār is a cult of possession in which ritual incorporates music and dance. Zar aims to establish a state of reconciliation between the individuals and the possessing spirits (Asyad) that inhabit their bodies and are believed to be the cause of illness.

For this EP, Amr received invaluable support from the community and cultural consultant, Dr. Kawkab Tawfik, who introduced her to Zar Abou El-Gheit, led by the master Zar musician, Muhammed AbouZeid. Muhammed invited Amr to attend one of their ceremonies held for a patient at his home in the village of Abou El-Gheit, a couple of hours outside Cairo, Egypt. They formed an immediate connection there, and Muhammed was instrumental in deepening Amr’s understanding of Zar songs.

Amr later invited Muhammed and his bandmate Salem to Montreal, where we engaged in daily songwriting workshops. Joining them were metal musicians Simon Mckay (the drummer of The Agonist) and Frédérick Filiatrault (bassist of Vvon Dogma I) for a month-long residency. Amr worked closely with Simon, recording the Zar songs played by Muhammed and Salem on a DR-70 Tascam. Amr would then take these recordings home to develop the songs further, sometimes sending Simon rough versions with unquantized drumlines or even without any drumlines. Simon would then rewrite the drumlines and occasionally assist with the guitar arrangements. The next day, they would reunite in the studio to share and refine their ideas. This process, which they repeated five days a week, was truly collaborative.

As Massive Scar Era continues to evolve, the release of the single “School Girls” marks a new chapter in the band’s journey, offering fans a glimpse into the rich, progressive musical experience that awaits in “Assyad”, which will be a concept record that blends Egyptian Zār songs with prog rock and metal.

“I believe this EP will be a journey that and I think it will resonate with those who appreciate concept albums and are drawn to non-mainstream metal music. In the world of Zar, what you are curious about also becomes curious about you. Each song on this EP is inspired by a specific Zar spirit, and I’m eager to see how each listener connects with the EP, as I’m sure everyone will be drawn to different songs in their own unique way.” adds Amr.

This single “School Girls” is a testament to Amr’s commitment to exploring and honoring these traditions while pushing the boundaries of modern metal music along with it being a bold statement, blending traditional Zār songs and rhythms with the raw power of metal into a unique and distinctive sound.

Recommended for fans of Merfolk, Nawather, and Zaeer.

More Info:

Massive Scar Era is the brainchild of the visionary artist Cherine Amr, who leads a collaborative journey with diverse musicians in every EP, bringing her unique vision to life. Originating from Alexandria, Egypt, and currently based in Montreal, QC, Massive Scar Era defies genre boundaries, weaving together a captivating tapestry of progressive rock, post-grunge, Egyptian music, and metal, resonating deeply with audiences across the globe.

Since its inception in 2004, Massive Scar Era has been at the forefront of musical innovation, pioneering a remarkable fusion of fierce vocals, intricate violin melodies, distorted guitars, and the pulsating rhythms of Egyptian percussion. Her music reflects the cosmopolitan allure of Alexandria intertwined with the raw essence of Cairo’s urban landscape. The project’s distinctive sound and cultural influences have garnered widespread recognition, leading to its inclusion in two highly influential documentaries that shed light on the vibrant music scenes across the SWANA region: “Microphone” (2012) and “Before the Spring After the Fall” (2013).

She has embarked on extensive tours throughout Europe and North America, gracing renowned stages and captivating audiences with her magnetic presence.

Discography:
Assayd (2024)
Metal Goes Egyptian (2023)
Color Blind (2018)
30 Years (2016)
Comes Around You (2012)
Precautionary Measures (2011) (physical only)
Unfamiliar Territory (2010) (physical only)
Reincarnation (2006) (physical only)

Music Placements – Microphone Movie 2012

Shared Stage with: Kreator, Dream Theatre, Dimmu Borgir, Septic Flesh, The Algorithm, Moonspell, Tyr

Tours and Festivals:
2019 – USA East Coast Tour
–  USA West Coast Tour
– D-CAF Music Festival Cairo, Egypt
2018 –  No Visa Required Cross Canadian Tour
2017 – Metalocalypstick (Lone Butte, BC)
2016 – Metalocalypstick (Valemount, BC)
2015 – SXSW (Austin, TX)
2014 – Total Metal Festival (Italy)
2014 – Inferno Metal Festival (Norway)
2013 – FreakStock Festival (Borgenstreich, Germany)
2013 – SXSW (Austin, TX)
2012 – Saxstock Festival (Germany)
2012 – Slot Art Festival (Poland)
2011 – Whiskey A Go Go (Los Angeles)
2011 – Metal Asylum, Dubai (UAE)
2011 – Cornerstone Festival, USA
2010 – Dubai Film Festival (UAE)
2010 – Cornerstone Festival (Marietta, IL)
2007 – SOS Music Festival (Egypt)
2008 – Sweden Rock Festival (Sweden)

0 STRIKER Unveils Music Video “Live To Fight Another Day” + Shredding North America Tour w/ Seven Kingdoms, Lutharo, Osyron

  • August 20, 2024
  • by Asher
  • · Music News · Striker

NEWS RELEASE

Montreal, QC – August 20, 2024

STRIKER Unveils Music Video “Live To Fight Another Day” + Shredding North America Tour w/ Seven Kingdoms, Lutharo, Osyron

Seventh Studio Album “ULTRAPOWER” Out Now!

Produced by Josh Schroeder (Lorna Shore, Tallah, King 810)

Clockwise – L-R – Dan Cleary – Vocals, John Simon Fallon – Guitar, Pete Klassen – Bass, Tim Brown – Guitar
Photo Credit: Dana Zuk

Every day is a new day! And STRIKER has a new music video “Live To Fight Another Day” to announce their upcoming USA and Canada tour dates with Floridian power metallers SEVEN KINGDOMS, Hamilton, ON’s melodic metallers LUTHARO and Calgary, AB’s thunderous progressive symphonic metallers OSYRON whom will support select dates.

Striker will kick off preliminary dates with a performance at ProgPower USA in Atlanta, GA on September 4th followed by Canadian shows with Lutharo in September, and then push things into full gear in November to start the “Shredding North America Tour” in Corpus Christi, TX on November 9th and wrap up the month-long tour in Orlando, FL on December 8th (dates listed below).

“Live To Fight Another Day” is off the shred master’s new album “ULTRAPOWER” produced with Josh Schroeder (Lorna Shore, Tallah, King 810) released this past February. The band explains the track:

“Originally this was just a regular Striker song. Tim had the idea that we should just try turning it into a synth-wave track. It fits like a glove. We’ve always been into Synthwave but never had the guts to do it ourselves. Until now! This is our first attempt at it and we are stoked about how it turned out. This one is another track about keeping it together and taking on life one day at a time.”

Watch the video for “Live To Fight Another Day” at https://youtu.be/BR2zXgqwpWw

​

“ULTRAPOWER” is the seventh full-length from Striker and follows their Juno Award-winning self-released record “Play to Win” (2018) unleashed on their label Record Breaking Records.

With the band writing material since 2018, “ULTRAPOWER” is a collection of Striker tinkering and exploring new avenues. From the album’s opening track “Circle of Evil”, a Malmsteen-esque metal banger about secret societies and the evil dealings behind closed doors to their previously released single “BEST of the BEST of the BEST” serving up some big riffs and hockey arena vocals to “Blood Magic”, which might be one of Striker‘s most progressive songs, taking cues from bands like King Diamond, with its unconventional structure and punctuated guitar solos. From the band delving into their obsession for late 80s AOR and pop rock with “City Calling”, an ode to 1987, and bands like Toto and Kenny Loggins with their hook-powered albums. To fans experiencing the band’s first attempt at a synth-wave track with “Live To Fight Another Day”, this new offering sees Striker making a shredding love letter to the hard-rocking era of guilty pleasures.

The band comments on the album:

“Starting with the album cover, we wanted the artwork to represent how we feel as a band right now. We are an engine that is fired up and ready to roll. We’re made of metal and our circuits gleam! The album itself is an amalgamation of 5 years of writing and exploring music. With influences from AOR to Speed Metal, Hardcore to Hair Metal, Steely Dan to Deathcore, you name it, it made its way into the album. In the end with the help of Josh Schroeder’s guiding hand, we melted it all together to present something uniquely Striker. Lyrically we’ve stuck to the Striker tradition of writing montage songs for movies that don’t exist, songs about our spiraling serfdom, and lyrics about the evils that lurk in the shadows.”

“ULTRAPOWER” is available at https://www.striker-metal.com/shop/ (CD, Vinyl, Digital)

Spotify – https://spoti.fi/3SnIshu

​

Tour Dates:​
Sept 4 – Center Stage – ProgPower USA – Atlanta, GA
​
​Striker, Lutharo​
Sept 11 – La Source de la Martinière – Quebec City, QC
Sept 12 – Piranha Bar – Montreal, QC
Sept 13 – Overflow Brewing Company – Ottawa, ON
Sept 14 – Lee’s Palace – Toronto, ON
​
​Shredding North America – Seven Kingdoms, Striker, Lutharo, Osyron ​
# = w/ Osyron
Nov 9 – Boozers Rock Bar – Corpus Christi, TX
Nov 10 – Come And Take It Live – Austin, TX
Nov 11 – Haltom Theater – Haltom, TX
Nov 12 – 89th Street – Oklahoma City, OK
Nov 13 – Launchpad – Albuquerque, NM
Nov 14 – Vultures – Colorado Springs, CO
Nov 16 – Last Exit Live – Mesa, AZ
Nov 17 – Sinwave – Las Vegas, NV
Nov 18 – Brick by Brick – San Diego, CA
Nov 19 – Knucklehead – Los Angeles, CA
Nov 20 – DNA Lounge – San Francisco, CA
Nov 21 – Hawthorne Theater – Portland, OR
Nov 22 – El Corazon – Seattle, WA
Nov 24 – Jackknife – Kelowna, BC
Nov 25 – Dicken’s – Calgary, AB #
Nov 26 – The Starlite Room – Edmonton, AB #
Nov 27 – The Black Cat – Saskatoon, SK #
Nov 28 – Sidestage – Winnipeg, MB #
Nov 29 – TBA – St. Paul, MN
Nov 30 – Reggie’s – Chicago, IL
Dec 1 – Sanctuary – Detroit, MI
Dec 3 – Meadows – Brooklyn, NY
Dec 4 – Metro – Baltimore, MD
Dec 5 – Hangar 1819 – Greensboro, NC
Dec 6 – The Masquerade – Atlanta, GA
Dec 7 – The Orpheum – Tampa, FL
Dec 8 – Conduit – Orlando, FL

More info: Striker-metal.com​

About: Blending classic heavy metal, hard rock, and 80’s hair metal, Striker has been making shredtacular anthems since 2007. The band has toured multiple times across Europe and North America along with festival appearances at 70,000 Tons of Metal, Bang Your Head Festival (Germany), and more to add to the almost 1000 shows performed in their decade-plus career. The band has been honoured with multiple Best Album awards in their home country of Canada from the JUNO Awards, Western Canadian Music Awards, and the Edmonton Music Awards. Since their inception, Striker has released seven studio albums Eyes in the Night (2010, Iron Kodex), Armed to The Teeth (2012, Napalm), City of Gold (2014, Napalm), Stand in the Fire (2016, Record Breaking), Striker (2017, Record Breaking), Play to Win (2018, Record Breaking), Ultrapower (2024, Record Breaking).

– 30 –

“If you liked the last three albums (as much as I did), Ultrapower will equally satisfy. I know this one will be in my top 10 albums of the year. 8.5/10″ – Bravewords

“All in all, Striker’s Ultrapower may be their finest album to date. Their traditional, “keep it true,” heavy metal has never been more fresh, creative, and versatile, and so also, breathing new life into this classic genre. Easily recommended. 5/5″ – Dangerdog Music Reviews

““Ultrapower” is quite frankly a magnificent album. It has a feel good 80’s movie soundtrack aura about it with the spirit of artists such as John Farnham and Stan Bush standing tall alongside pure 80’s metal throwback. If you love 80’s rock and metal then this album is going to have you grinning from ear to ear. I think I’m gonna be grinning for days after several listens. Some fans of Striker’s more speed metal inclined sound may find this album a bit jarring but I can safely say it is the best album they have done and they have released some corkers. For the pure joy it has given me, this album is going to be hard to top in 2024 and we are still in the early part of the year.” – The Razor’s Edge

“Striker are more-than-ready to show us all the power of heavy music with Ultrapower, and I’m sure you’ll enjoy the ride with one of the best (of the best of the best) bands of the current Canadian landscape.” The Headbanging Moose

“an album that is bold, daring and as mentioned shows a band that are not afraid of fusing styles of music together… there are simply to many high quality songs on this album that simply blows me away. This is a polished, highly refined album with top quality production! 9/10” – The NWOTHM

“I really like the diversity in this album. 4/5” – KNAC

“I’m giving this one an 8 of 10 “Flaming Fists”. You can tell there’s a lot of work put into the album, they don’t half-ass anything. The production was good, it’s really hard to make amazing Arena-style rock without a decent budget, but they did a solid job…. if you liked the late 80’s and early 90’s bands you’ll really dig this. Overall, I’m really happy and thankful for this band continuing to do what they do.” – Rock Rage Radio

“The heavy, power, and traditional melodic metal landscape is in great shape thanks to bands like Striker producing high quality songwriting year after year. These Canadians continue to explore horizons while still maintaining the endearing qualities that helped put them on the map in the first place since the late 2000’s. Ultrapower is the seventh full-length studio record, and probably their most varied attack to date – incorporating everything from speed/thrash to AOR and old Wild West vibes. ” – Dead Rhetoric

“Striker’s execution and sense of humor makes for an enjoyable ride.” – Heavy Music HQ

“How do you say when bowling when you clear all the pins with a throw? It is a strike! STRIKER has achieved a great strike with their album „ Ultrapower “. All songs on this album are real hits! Each song has its own character and rocks what it takes. It is a wonderful homage to the 80 ’ years. I would say: The STRIKER engine is in full swing!” – Metal-Heads.de

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canadian Folk Metal Masters FORSAKEN RITE Unleash Epic Music Video “Call to War” Off Upcoming EP “The Forgotten West” Out Sept 2024

  • August 20, 2024
  • by Asher
  • · Forsaken Rite · Music News

NEWS RELEASE

Montreal, QC – August 20, 2024

Canadian Folk Metal Masters FORSAKEN RITE Unleash Epic Music Video “Call to War”

New EP “The Forgotten West” Out Sept 2024

L-R – Forsaken Rite – Räv Dagdrömmare (Keyboard) | Ulfbjorn Weirsson (Bass Guitar) | Adaria Ravencroft (Drums) | Ursa (Female Vocal/Flute) | Emrys Faol (Male Vocal) | Peregyr (Guitar)

Photo Credit: VOH Photography

Forsaken Rite, the symphonic folk metal warriors from the northern plains of Edmonton, Canada, are thrilled to announce the release of their latest music video “Call to War” This powerful and visually stunning video is the second single from their upcoming EP “The Forgotten West”, out this coming September 2024. “Call to War” showcases Forsaken Rite’s signature blend of epic storytelling, intricate musicianship, and high-energy performance, as they explain:

“‘Call to War’ is the finale of The Forgotten West journey. The war party has made it to their destination… for now. They have found villages and life isn’t so bad, it’s different than before, but yet… oh so familiar. But as if destiny had other plans, peace lasts only so long before history begins to repeat itself as new enemy forces move in to take what little the village has left. Call to War is a battle speech and a rallying cry, because this time, we all stay to fight, unlike so long ago, before the journey of The Forgotten West.”

The drums of war are sounding and Forsaken Rite’s final rally cry leads warriors into battle. “Call to War” is a heavy war song led by the power of unclean vocals as clean vocals build the narrative. The song’s bridge is a grand battle speech and a march towards victory climaxing in a multi-layered instrumental and vocal breakdown to round out the EP.

Forged in the cold northern plains of Edmonton, AB, Forsaken Rite has been crafting tales of ancient lore and heroic feats since their formation in 2012. Drawing inspiration from their northern ancestry and the wild landscapes of Canada, the band has built a reputation for delivering electrifying live performances and transporting their audience into fantastical realms. They are recommended for fans of Eluveitie, Nightwish, and Faun.

Watch and listen to the “Call to War” music video via its premiere on Bravewords HERE.

“The Forgotten West” is due out on September 27th, 2024, and will be available for pre-order at https://forsakenrite.bandcamp.com/​

First single “The Storm” via the following links:

Lyric Video – https://youtu.be/o8qp-l83nAI​

Spotify – https://spoti.fi/4a3a8zS​

Track Listing:​
1. The Forgotten West – 5:01
2. How Long is Forever? – 4:14
3. The Storm – 4:29
4. Fire Circle – 4:19
5. Call to War – 4:12

More info: Facebook.com/ForsakenRite | Instagram.com/forsaken_rite​

-30-

““The Northern Saga” is definitely worth checking out as it has some solid songs, strong performances and catchy tracks. Another epic album from north of the border.” – Folk-Metal.nl (2017)

“…The conquest based on riffs warriors and vindictive is launched, no prisoners and drink in the skull of our enemies tonight! But FORSAKEN RITE is not just a fight, it’s also a real passion for Scandinavian shamanic atmospheres that are inserted in small touches along the tracks…” (Translated from French) – kaosguards.com (2017)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Calgary Post-Metal ATOMIS Showcases Their Progressive Rock Side w/ Video “Maelstrom” Off Upcoming “The Void Box Set” In Memory of Passing Drummer

  • August 19, 2024
  • by Asher
  • · ATOMIS · Music News

NEWS RELEASE

Montreal, QC – August 19, 2024

Calgary Post-Metal ATOMIS ATOMIS Showcases Their Progressive Rock Side w/ Video “Maelstrom”

Out Aug 30th – “The Void Box Set” In Memory of Passing Drummer

Top Left: Taylor Johnson (Guitar), Top Right: Nathan Navetto Drums, Bottom Left: Matthew McLaughlin (Guitar/Vox/Keys), Bottom Right: Bryan Buss (Bass)

Atomis, the avant-garde rock band known for their deeply immersive soundscapes is excited to announce the release of a comprehensive “The Void Box Set”, a tribute to our late drummer Nathan Navetto, which contains all the music they’ve ever written. They are ushering in this release by dropping a music video for the single “Maelstrom”, from the self-titled album, which they comment on:

“Recorded 10 years earlier, it makes sense to finish off the album with something familiar, taking the listener back to the beginning, creating a nice loop, and ending the album with a bang. This 9+ minute track has been called an album on its own and was previously the band’s only musical release for the last 14 years. It finally has an album to properly close out, as it was always intended.”

The upcoming “The Void Box Set” is a monumental release, featuring three CDs that showcase the evolution of Atomis‘ sound. From the polished debut album, which includes previously unheard tracks, to the experimental “Welcome to the Void” album—Nathan’s version that includes remixes and ambient compositions—the collection offers a deep dive into the band’s creative process.

Formed by Nathan Navetto and Taylor Brooks from Somastate, alongside Matt Langley of Pure City, Atomis set out to create music with “no holds barred”. Drawing inspiration from cinema, poetry, and nature, the band aimed to craft an enveloping experience that went beyond just sound. Their performances became legendary for their custom light shows, specially edited film backdrops, and exclusive screen-printed posters.

Recommended for fans of Neurosis, The Ocean, and Godspeed You! Black Emperor, Atomis’ introspective and ambitious music is sure to please fans of progressive music.

Watch and listen to the music video “Maelstrom” at https://youtu.be/xYRM2gJZZT4

​Spotify – ​https://spoti.fi/46VyICc

Due out August 30th, 2024, “The Void Box Set” pre-order at https://atomismusic.bandcamp.com/​

Teaser – The Void Box Set – https://youtu.be/QLYuz28NRbE

Previous single – 12 Chains

Youtube – https://youtu.be/VkqDM7jHSPA​​

Atomis 3 album “The Void Box Set”
#1 Atomis Self-titled album (never performed live, recorded in 2014)
#2 Welcome to the Void ( Nathan Navetto (Drums) experimental version of the album – never performed live recorded 2014-2018)
#3 Atomis Live (Live off the floor demos album, songs performed live 2010-2014)

Album 1: Recorded in 2014 – ATOMIS (Self-titled)​
Track Listing:
1. 12 Chains – (7:27)
2. Awakening – (14:03)
3. In The Realm of Hungry Ghosts (7:35)
4. Maelström – (9:23)

Album 2: Welcome the Void (Nathan Navetto (Drums) version of the debut album, which includes 8 extra synth-laden experimental tracks that he wrote solo from 2014-2018)​
Track Listing:
1. Genesis – (4:54)
2. oooo wormhole – (1:38)
3. Creation’s Bridge – (7:43)
4. Accretion – (5:13)
5. Entropy – (7:02)
6. Into the Void – (3:11)
7. 12 Strands – (7:22)
8. The Descendant – (3:04)
9. Terrestrial – (9:08)
10. In The Realm of Hungry Ghosts – (7:54)
11. Reflection – (2:49)
12. Events Horizons – (14:17)

Album 3: ATOMIS – Live Demos (Live off the floor demos album, songs performed live 2010-2014)​
Track Listing:
1. Intro – (3:13)
2. Maelström – (9:12)
3. The Charmer and His King – (5:57)
4. Interlude A – (2:24)
5. They Thought It To Be Impossible, So They Did It – (5:55)
6. Lot Lizard – (6:22)
7. Interlude B – (2:05)
8. Titus Andronicus – (7:44)
9. Bellewether – (10:03)
10. The River – (6:45)
11. Unconsciousness – (6:47)
12. NEW SOG! – (7:35)

Albums lineup:​
Nathan Navetto (Drums)
Matthew McLaughlin (Guitar/Vox/Keys)
Taylor Johnson (Guitar)
Bryan Buss (Bass)

More info: Facebook.com/atomisofficial | Instagram.com/atomis.official

-30-

What the press has said about them:

“The songs are epic and can almost be described as soundscapes, as they incorporate everything from crushing metal riffs to peaceful ambient noise.” – Matt Petti, Beatroute Magazine

“Before the first viewing of the video, Canadian director and film-maker Doug Cook gave an introductory speech about the making of the video and working with Atomis. They created a video that perfectly complimented the band’s music and fans asked to watch it a second time (and then even a third time before the venue closed). Cook has been working with many Calgary metal bands lately, such as Divinity, Orphan Hammer and the Unravelling. He has also worked on some videos that may be a little more well known around the globe including “Breaking the Broken” by Control Denied, “Prolong the Agony” by Morta Skuld and the upcoming video for Death’s “Pull the Plug”.” – Evilg – Metal Sucks

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

Page 88 of 1844
  • 1
  • …
  • 86
  • 87
  • 88
  • 89
  • 90
  • …
  • 1,844

Asher Media Relations Tweets

Tweets by AsherMedia

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 2,174 other subscribers

Blog at WordPress.com.

  • Bandcamp
  • Twitter
  • Facebook
  • YouTube
  • Subscribe Subscribed
    • ashermediarelations.com
    • Join 653 other subscribers
    • Already have a WordPress.com account? Log in now.
    • ashermediarelations.com
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...