via Concert Review – Striker & Unleash The Archers (The Velvet Underground, Toronto, ON, 10/01/2018)
Type: quote
0 The Headbanging Moose: Concert Review – Striker & Unleash The Archers (The Velvet Underground, Toronto, ON, 10/01/2018)
0 Japan’s SABER TIGER Posts New Video “Worst Enemy” + New Album “Obscure Diversity” Out October 10th via Sliptrick Records

(contact info below)
NEWS RELEASE
Montreal, QC – October 2, 2018
For fans of DIO, Rainbow , Symphony X, Kamelot
Japan’s SABER TIGER Posts New Video “Worst Enemy”
New Album “Obscure Diversity” Out October 10th via Sliptrick Records
Japanese progressive power metal group Saber Tiger have released an official video for their song “The Worst Enemy”, one of many standout tracks on their forthcoming album “Obscure Diversity” due out October 10th, 2018 on Sliptrick Records. Brutal and subtle in equal measures, Saber Tiger are taking no one prisoner in this video.
Watch “The Worst Enemy” at https://youtu.be/-b3anig_QhE
Note: The fleeting outdoor shots seen in the video were taken from the bands recent trip to Latvia in the Baltics (specifically at the ruins and beach in Karosta) very close to our home base at Sliptrick Records in Liepaja.
“Obscure Diversity” demonstrates a band that has no intention of slowing down more than three and a half decades after their formation. If anything, their trademark blend of classy melodicism and fierce intensity is in better balance than ever. Tracks like speed monsters “The Crowbar Case” and “Permanent Rage” feature every aspect that fans have come to expect from Saber Tiger; from the whirlwind guitar work of Akihito Kinoshita and Yasuharu Tanaka to Takenori Shimoyama’s passionate vocals and the intricate rhythms of drummer Yasuhiro Mizuno and bassist hibiki. “Beat Of The War Drums” is heavy and modern, while more atmospheric tracks like “The Shade Of Holy Light” and “The Forever Throne” show a surprisingly introspective side of the band without sacrificing any of the band’s renowned heaviness. “Distant Signals”, hibiki’s first songwriting contribution to Saber Tiger’s body of work, even manages to take the band to surprisingly progressive territories. Saber Tiger pulls all of these musical directions off with equal class and conviction, truly accounting for the diversity that they have promised in the album’s title.
Unlike their previous release “Bystander Effect”, which was mixed and mastered by founder Kinoshita himself, Saber Tiger sought international assistance for the sonic representation of “Obscure Diversity”. The band was looking for a certain degree of clarity and power and found exactly that when they enlisted the help of Simone Mularoni, guitarist of Italian progressive power metal band DGM and owner of the Domination Studio in San Marino.
“Obscure Diversity” will be released internationally by Sliptrick Records on October 10th, 2018 and is now available on pre-order here plus will be available on all major music platforms.
- Daguerreotype Of Phineas Gage
2. The Crowbar Case
3. The Worst Enemy
4. Stain
5. Beat Of The War Drums
6. Distant Signals
7. The Shade Of Holy Light
8. Permanent Rage
9. Seize Your Moment
10. Divide To Deny
11. Paradigm And Parody
12. The Forever Throne
13. The Forever Throne (Acoustic Version) (Bonus Track)
Saber Tiger are:
Takenori Shimoyama – Vocal |
Akihito Kinoshita – Guitar
Yasuharu Tanaka – Guitar
Yasuhiro Mizuno – Drums
hibiki – Bass
For more info:
https://sliptrickrecords.com/saber-tiger
http://www.sabertiger.net
https://www.facebook.com/sabertiger.official
https://twitter.com/sabertiger_jp
– 30 –
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
0 OMINOUS ECLIPSE Announce Ottawa & Montreal Show Dates; Streaming New Album “Sinister”

(contact info below)
NEWS RELEASE
Ottawa, ON – October 2, 2018
For fans of Gojira, Amon Amarth, Children Of Bodom, Death, Revocation
OMINOUS ECLIPSE Announce Ottawa & Montreal Show Dates; Streaming New Album “Sinister”

L-R- James Close (Guitar/Vocal), Graham Murphy (Guitar/Vocal), Ryan Clements (Bass), Jeremiah Marshall (Drums) – Photo Credit: Max Southwood
Drawing their inspiration from a wide variety of genres, OMINOUS ECLIPSE is a brutal quartet that create a unique hybrid sound with death metal being the main aspect combined with elements of thrash, groove, black, melodic, etc. Unleashing their sophomore album “Sinister” last month on September 14th, the band will be performing their hometown CD release show on October 6th at House of Targ in Ottawa along with performing in Montreal, QC the following week on October 13th at Piranha Bar.
Show Dates:
Oct 6 – Ottawa, ON – House of Targ – info – w/ Lord Almighty, Infrared, Scepter
Oct 13 – Montreal, QC – Piranha Bar – info – w/ Tribal Bones, The Flaying, Scars Of Creation, Torrent
Their new album “Sinister” is now streaming at the following link:
Plus available on Bandcamp, iTunes, Amazon, Google Play and Spotify.
Music Video – “Sinister” – https://youtu.be/ZkCr2u_wHfs
The band comments:
“There’s no concept or theme on this album so all the songs have different meaning. The title track itself divulges into the inevitable end to humanity and potentially the world with it. It discusses the issues around the globe and also addresses the ignorance and selfishness of those indirectly affected by the chaos. It has a strong “United We Stand, Divided We Fall” theme in regards to how people can turn their backs on those in need in order to save their own skin, which ironically will lead to our end as it causes people to turn on each other. Musically for this album, you will notice we have evolved from the first release and have moved away from thrashy overtones to become more diverse including more heavily stated melodic and technical with a solid groove and death foundation.”
The album follows their 2015 debut full length “End Of Days” and EP “Beyond The Apocalypse” released that same year. Active since 2014, OMINOUS ECLIPSE is a very ambitious band passionate about writing and playing extreme music. They have already shared the stage with the likes of Revocation, The Agonist, Kalmah, Archspire, Incantation, Vesperia, Beyond Creation, Rivers of Nihil to name a few.

1. Death By Dissection (6:13)
Album Length: 50:14
For more info:
https://www.facebook.com/ominous.eclipse
EPK – https://wp.me/pciNW-b0k
– 30 –
“Their new song “Spiral Into Insanity” has a strong death metal foundation, including very melodic leads, but there’s more than enough groovy thrash inspiration and even a hint of black metal there. ” – Decibel Magazine
“a game changing release for Ominous Eclipse that places them center stage for my pick of the best Canadian Metal release this year….Every track stands strongly on its own, thanks to the band’s immense talent and flawless production. Ominous Eclipse is a band that carries the banner for the N.W.O.C.D.M. with pride and distinction. Out September 14th on all streaming platforms, I would recommend Sinister to fans of Death, Iron Maiden, Infernal Majesty and Gojira.” – Hellbound
“Demonstrating their ability to blend genres within metal to create a compelling album, this is an impressive sophomore delivery. Each track brings something different and feels refreshing even after multiple listens.” – Splice Magazine
“‘Sinister’ is a high-energy track launched by heartless riff jabs, ear-scouring string squeals, and neck-snapping drumwork. The vocals come for your throat, too, in an effusion of heartless roars and face-scraping shrieks, and the song is accented by flurries of spidery, darting fretwork and by a pair of flashy, fluid, but demented solos. It becomes a thrashing gallop, but without becoming any less venomous in its delivery.” – No Clean Singing
“The crowd was stellar at Mavericks, where each of the four bands were well represented by their fan bases. Opening on the night were Ominous Eclipse, whose chunky, frantic thrash metal din was led by their howling frontman. Largely drawing from their 2015 album End of Days, the four-piece pounded through six songs, tackling tracks like “Pestilence,” Abandoned” and the album’s particularly solid title track. Helping to limber the crowd for the chaos to come, they called for a “wall of death” in the confines of the club and the fans delivered, clearing the centre of the floor before the opposing sides barrelled into one another, bodies flying everywhere.” – Exclaim! (Live Review opening for Kalmah April 2016)
—
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
0 Nataliez World – INTO ETERNITY’S TIM ROTH TALKS OF SINGLE AND ALBUM RELEASES!
0 EPK – The Great Sabatini – Goodbye Audio (2018)
The Great Sabatini – Goodbye Audio (2018)
For fans of Melvins, Unsane, Neurosis, Metz, KEN mode, and Today Is The Day
Release Date: November 16, 2018
PR Rep – Jon Asher – ashermedia (@)gmail.com
thegreatsabatini.com | Facebook | Instagram | Youtube | Metal-archives | Spotify | Itunes
Sales links: Bandcamp | Big Cartel
Record Label(s): No List Records, Ancient Temple Records, No Why Records, Pink Lemonade
Download promotional photo | Download album artwork
“The band’s noisy riffs border on doom, with yelled vocals and a punchy rhythm section; fans of Melvins, Unsane and KEN mode will find plenty to love here.” – Decibel Magazine
“Montreal’s the Great Sabatini practice sludgy hardcore with tinges of noise rock, but most importantly do it with a ferocity rarely seen nowadays. Their approach is downright venomous, hitting the midpoint between Melvins’ Stoner Witch and Unsane’s Scattered, Smothered, & Covered — violent, calculating and downright disturbing. Goodbye Audio is the band’s latest offering, fans of the aforementioned as well as Helmet, KEN Mode, Today is the Day and others, pay attention, this record is for you.” – Revolver Mag
“Goodbye Audio is a heady album in all of the best ways possible, honouring the past while also elevating the genre in ways so unexpected and desperately needed.” – Exclaim!
“Four years on from their psyche ravaging third album, Dog Years, Canadian noise sludgers The Great Sabatini return with another maelstrom of noise bred dissonance which, to continue a trend set from their first releases, is their most irresistible trespass to date. Goodbye Audio is around thirty five minutes of sonic abrasion as unpredictable creatively it is expectantly striking; an invasion of raw and toxic noise intent on caustic seduction.” – The Ringmaster Review
“If you were impressed with The Great Sabatini’s 2014 ‘Dog Years’ LP then prepare to have your jaw kicked off your silly face, because ‘Goodbye Audio’ is even better. ” – Collective Zine
“The other half is a wall of incredibly weighty, borderline-doom metal wailing, contingent upon instrumental tones that constrict like pythons and don’t let go.” – Stereogum
“…hails from further out in left-field with more peaks and valleys than the heads-down-tits-up sludgy rock they fire at you from the stage…these dudes have a 90s alt-rock edge grinding against their love affair with riffs that crash bolts of lightning into stacks of Orange amps in delivering a rumbling calling card of hellacious noise.” – Decibel Magazine
“In 2012, the unpredictability and wickedness of Matterhorn and the gritty violence of the companion release The Royal We established the group as one to watch closely; Dog Years confirms that attention was well worth it.” – Exclaim! Magazine
“The Great Sabatini are not just playing by-the-numbers sludge, but rather mixing things up, and transposing their punk attitude into new forms of musical expression beyond what you might be expecting.” – The Sleeping Shaman
The Great Sabatini – Goodbye Audio (2018)
Release Date: November 16, 2018
LABEL: No List Records, Ancient Temple Records, Pink Lemonade, No Why Records
DISTRIBUTION: Independent
Track Listing:
1. Still Life With Maggots (2:06)
2. Dog Years (4:21)
3. Strip Mall or, The Pursuit Of Crappiness Parts 1-4 (3:11)
4. You’re Gonna Die (Unsatisfied) (3:28)
5. Tax Season In Dreamland (4:06)
6. Brute Cortege (3:16)
7. Hand Of Unmaking (14:06)
Album Length: 34:37
Sales link: Bandcamp | Big Cartel | Spotify
• All songs were written and performed by The Great Sabatini
• Produced by: Sean Pearson (Cursed, Shallow North Dakota)
• Mixed by: Scott Evans (Kowloon Walled City)
• Mastered by: Carl Saff (Kowloon Walled City, Big Business, KEN mode)
• Album Artwork by: Sean Arsenian/Marisa Parisella
L-R – Rob Sabatini (guitar/vocals), Joey Sabatini (bass/vocals), Steve Sabatini (drums/vocals), and Sean Sabatini (guitar/vocals)
Photo credit: Dave Levitt Photography
SHORT BIO:
Since forming in Montreal, Canada in late 2007, The Great Sabatini has released four EPs and four full length albums, and logged seemingly endless tour dates around North America and Europe. The music is an aggressive mixture of noise rock, doom, hardcore, and metal wrapped up in a burly sludge aesthetic.
The intrepid Sabatini’s; Sean (guitar/vocals), Joey (bass/vocals), Rob (guitar/vocals), and Steve (drums/vocals) got together with the intention of pursuing their musical dreams with similar goals: slow it down, tune it down, turn it up and keep screaming. With all four of them belting out the lyrics, they play loud, and with conviction.
The raw sound compliments the persistent theme of mortality that the new album centers on, with Sean concocted most of the lyrics for, but with heavy input from his band mates. Going forward, The Great Sabatini is less focused on complicating their parts and set on being direct along with working together and highlighting each other’s strengths.
LONG BIO:
Since forming in Montreal, Canada in late 2007, The Great Sabatini has released four EPs and four full length albums, and logged seemingly endless tour dates around North America and Europe. The music is an aggressive mixture of noise rock, doom, hardcore, and metal wrapped up in a burly sludge aesthetic.
The intrepid Sabatini’s; Sean (guitar/vocals), Joey (bass/vocals), Rob (guitar/vocals), and Steve (drums/vocals) got together with the intention of pursuing their musical dreams with similar goals: slow it down, tune it down, turn it up and keep screaming. With all four of them belting out the lyrics, they play loud, and with conviction.
The years of hard work have paid off and to date The Great Sabatini has released an extensive catalogue of recorded works: ‘Burning Wilderness’ EP (2008); ‘Sad Parade Of Yesterdays’ (2009); ‘Napoleon Sodomite’ EP (2011); ‘The Royal We’ EP (2011); ‘Matterhorn’ (2012); ‘Dog Years’ (2014); a split with Anthesis (2015); a split with Godstopper (2016); and ‘Goodbye Audio’ (2018). To amplify on this impressive discography they have also toured extensively across North America and Europe.
After working together for 11 years, the band has refined their heartfelt noisy sludge to perfection. Overcoming situations that prohibit them from getting together often, demos and samples are passed around amongst themselves until a final cohesive body of work is completed. Their upcoming album “Goodbye Audio” due out November 16th, 2018 is a prime example of the harmony and aptitude that can only come from over a decade of being together; it’s a more robust and evolved sound, but still maintaining the caustic energy they had when they started.
When asked about “Goodbye Audio”, they responded: ‘
“We’re trying to give people a raw-ass document of abrasive sludge and noise rock in the most hi-fi package possible. We’re not interested in polish or smoothing over any rough edges… just achieving something of high sonic quality that presents the band that we are today…”
The raw sound only compliments the persistent theme of mortality that the new album centers on, with Sean concocted most of the lyrics for, but with heavy input from his band mates. Going forward, The Great Sabatini is less focused on complicating their parts and set on being direct along with working together and highlighting each other’s strengths.
“Goodbye Audio” will be available on vinyl from No List Records, Ancient Temple Records and No Why Records. Cassette version will be available from Pink Lemonade and feature an exclusive bonus track “Drain The Swamp” only available on that format. Digital download available on TGS’ Bandcamp here.
Split Tape with Godstopper (2016)
Split mini CD with Anthesis (2015)
Dog Years (Full Length) (2014)
Matterhorn (Full Length) (2012)
The Royal We (EP) (2012)
Napoleon Sodomite (EP) (2011)
Sad Parade Of Yesterdays (Full Length) (2009)
Burning Wilderness (EP) (2008)
Shared the stage with:
Yautja, Pyrrhon, KEN mode, Kvelertak, Today Is The Day, Coliseum, Metz, Valient Thor, CKY, Godstopper, Indian, Dopethrone, Fuck The Facts, and Hivesmasher.
Tour Dates & Festivals:
- 4 date stretch of Canadian cities on the Yautja/Pyrrhon tour November 2017
- European tour November 2015
- Fall North American Tour September 17-October 6, 2014
- Western Canada/USA tour May 22-June 13, 2014
- Calgary Metal Fest (2014)
- Eastern Canada tour August 28-September 4, 2013
- European tour April 2-April 27, 2013
- Western USA/Canada Tour September 28 -October 19, 2012
- Midwestern USA/Canada Tour August 2-August 13, 2012
- Arsonfest (2012)
- North American Tour March 1-March 24 2012
- Eastern Canada Tour with KEN Mode August 4-August 14, 2011
- North American Tour March 9-April 3rd, 2011
- Full North American tour Sept 29-Oct 31, 2010
- Eastern USA tour May 13-May 22, 2010
- Eastern Canada tour February 11-February 20, 2010
- East coast Canada tour September 19-September 28, 2008
- Coast to coast Canadian tour February 29-April 5, 2008
Endorsements:
Steve Plays Los Cabos Drum Sticks
0 Bravewords Premiere: Hamilton’s Lutharö Unveil First Video For EP Title Track “Unleash The Beast”; EP Out Nov 16th

(contact info below)
NEWS RELEASE
Montreal, QC – October 1, 2018
For fans of Arch Enemy, Judas Priest, Anthrax, At The Gates, Iron Maiden
Hamilton’s Lutharö Unveil First Video For EP Title Track “Unleash The Beast”; EP Out Nov 16th

L-R = Victor Bucur – Guitars/ Backup Vocals, John Raposo – Guitars, Krista Shipperbottom – Vocals, Ruslan (Rusty) Lypovsky – Bass/ Backup vocals
Photo Credit: Samantha Carcasole
Lutharö, from Hamilton, Canada is proud to premeire their music video for their single “Unleash The Beast” via Bravewords.com. The single is the title track off their upcoming EP and is an enticing amalgamation of death metal growling and punchy double kicks accompanied by power metal cleans and fiery guitar solos.
The myriad of dynamic elements and groovy bits make this one powerhouse of a song. Its lyrics follow the familiar situation of someone restraining themselves for too long in fear of judgement or emotional pain; as this goes on they feel an anger grow inside of them until it eventually turns into a full on monster seeking vengeance. The range on the vocals masterfully paint a vivid image of all hell breaking loose.
Further expanding on where Shipperbottom’s lyrics come from:
“The lyrics specifically on this EP were all inspired by emotional experiences in her day to day life with a more morbid twist and added metaphors.”
The band has crafted this EP in the hope their listeners will have a positive and and lasting experience, finding it enjoyable and authentic but also relatable. Giving nods to some of their noticeable influences including Arch Enemy, Metallica, Black Sabbath, Behemoth and Iron Maiden, Lutharö sits imposingly on the border of the death, power and thrash sub-genres.
The video for “Unleash the Beast” can be heard at http://bravewords.com/news/exclusive-canada-s-lutharo-premier-unleash-the-beast-music-video-new-ep-out-in-november
“Unleash the Beast” is due out November 16th and will be available on Bandcamp, iTunes, and Spotify. Download of the EP title track is available on the band’s Bandcamp here.

Track Listing:
1.Intro
2. Dead Ringer
3. Unleash The Beast
4. Black Scorpion
5. Temple of The Damned
For more info:
https://www.facebook.com/Lutharoband
http://www.instagram.com/lutharoband
https://twitter.com/Lutharoband
BIO:
Born in 2013, Lutharö (Elvish for “the enchanter”) has been refining their sound which is complete with catchy riffs, blazing solos and vocals ranging from vicious growls to cleans that will send a chill down your spine. Starting out as more of a fantasy band, Lutharö has deviated into taking a more intimate path and now explores more relatable concepts.
Victor Bucur (guitar) initially starts the writing process with an idea or a few cool riffs which John Raposo (guitar), Cory Hofin (drums) and Ruslan Lypovsky (bass) add their own ideas to. Krista Shipperbottom (vocals) then adds the lyrics and melodies twisting the songs together into something dark and charismatic. Dominating the stage with an enormous presence, they have so far produced two EPs “Incarnadine” in 2015 and Unleash the Beast in 2018. They have hinted at returning to the studio late 2018 to start work on an anticipated third album.
– 30 –
—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
0 ATRIA Unleash New Video “Someone With Me”; Debut EP “New World Nightmare” Out Nov. 16th

(contact info below)
NEWS RELEASE
Montreal, QC – October 1, 2018
For fans of In Flames, Soilwork, Trivium
ATRIA Unleash New Video “Someone With Me”; Debut EP “New World Nightmare” Out Nov. 16th

L-R – Tim Ross (Guitar), Brent Westmoreland (Bass), Tom Emmans (Vocals), Matt McGuire (Drums), and Travis McGinnis (Guitar)
Playing heavy, yet catchy music with prime influences including Lamb of God, Soilwork, Tool and Slipknot, Canadian anthemic metal band ATRIA will be unleashing their debut EP “New World Nightmare” on November 16th.
The debut release for the band is just a teaser of what is to be expected from them. Not just sticking with the usual heavy formula of the genre, they also add plenty of synth and orchestral parts and experiment with varying degrees of technicality over four introductory tracks.
Vocalist Tom Emmans expands on his vision for the band’s direction:
“I’ve always been a fan of catchy choruses. I like when bands can bring something dark and heavy, but also give me something to sing along to. We’ve tried to do that with our new single and I think we’ve accomplished that. Also the lyrics have a great deal of depth and personal meaning to them. The rest of the album is much heavier but there are still plenty of good hooks worked in there.”
Their new music video for that single “Someone With Me” can be viewed at the following link on Spaceuntravel Youtube channel:
Even as a relatively new band, ATRIA is finding their place in the Canadian underground scene and making their name known among a wide variety of metal fans.
EP pre-order available on Bandcamp here along with playlist pre-save on Spotify playlist here.

Track Listing:
1. New World Nightmare
2. Someone With Me
3. Less Than Equal
4. Follow You Home
EP Length: 24:24
Album and Live Line Up:
Tom Emmans – Vocals
Tim Ross – Guitar
Travis McGinnis– Guitar
Brent Westmoreland – Bass
Matt McGuire – Drums
https://www.facebook.com/AtriaOfficialCanada
https://twitter.com/official_atria
https://www.instagram.com/atria_official_canada
BIO:
Founded by Tom Emmans (vocals) and Tim Ross (guitar) in August of 2017, ATRIA takes its name from a music venue in a nearby city at which Emmans and Ross played their first gig at with a different band. The experiences had at that place resonated enough to be cemented as the band’s moniker. Eventually they recruited Matt McGuire (drummer), Brent Westmoreland (bass) and Travis McGinnis (guitar) to fill out the lineup and have played a handful of shows and festivals with a great response and are hungry for more. The debut release for the band, New World Nightmare EP, is due November 16th, 2018. Even as a relatively new band, Atria is finding their place in the Canadian underground scene and making their name known amongst a wide variety of metal fans.
– 30 –
—
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
0 HITMAN – The Offering: Side 1 – “an attention grabbing slab of stoner metal ferocity blended with classic and fresh essences of rock and metal. It is a mixture which has a familiarity as potent as the individuality it breeds and most of all a concoction which incites thick enjoyment as neck muscles keeps busy and the body bounces…It maybe only four tracks but side 1 of The Offering is a rich and thick morsel of rock ‘n’ roll.”
“an attention grabbing slab of stoner metal ferocity blended with classic and fresh essences of rock and metal. It is a mixture which has a familiarity as potent as the individuality it breeds and most of all a concoction which incites thick enjoyment as neck muscles keeps busy and the body bounces…It maybe only four tracks but side 1 of The Offering is a rich and thick morsel of rock ‘n’ roll.”
https://ringmasterreviewintroduces.wordpress.com/2018/09/28/hitman-the-offering-side-1/
0 The Headbanging Moose – Striker – Play To Win – “Blending the music by Iron Maiden with Motley Crüe, Stratovarius and Van Halen, which in the end resulted in sheer awesomeness, Striker offer us the thrilling On The Run, showcasing a brilliant vocal performance by Dan while William keeps extracting that metallic sound we all love form his bass, whereas The Front is another classic song by Striker, also feeling as it was taken from an 80’s Hair Metal album…Striker are a band that keeps winning no matter what with each and every release and the flame of Canadian metal will remain alive and vibrant while we have those skillful metalheads from Edmonton among us, always playing to win.”
Blending the music by Iron Maiden with Motley Crüe, Stratovarius and Van Halen, which in the end resulted in sheer awesomeness, Striker offer us the thrilling On The Run, showcasing a brilliant vocal performance by Dan while William keeps extracting that metallic sound we all love form his bass, whereas The Front is another classic song by Striker, also feeling as it was taken from an 80’s Hair Metal album…Striker are a band that keeps winning no matter what with each and every release and the flame of Canadian metal will remain alive and vibrant while we have those skillful metalheads from Edmonton among us, always playing to win.
https://theheadbangingmoose.wordpress.com/2018/09/28/album-review-striker-play-to-win-2018/






