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Posts By Asher

0 TALES OF THE TOMB Premiere EP Stream “Volume Two: Mendacium” via Decibel Mag

  • September 26, 2019
  • by Asher
  • · Music News · Tales of The Tomb

(contact info below)

NEWS RELEASE

Montreal, QC – September 26, 2019

For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal

TALES OF THE TOMB Premiere EP Stream “Volume Two: Mendacium” via Decibel Mag

Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)

 Photo Credit – Kylee Thompson Photography

Painting their canvas of extreme music with inspirations of real-life stories of murder, conspiracy, supernatural horror, and terror, Edmonton’s Tales of The Tomb will unleash their new EP “Volume Two: Mendicium” on September 27th. The EP is a collection of narratives surrounding government cover-ups, national lies and the heinous crimes committed amongst the shadows. Before the EP officially drops, the duo has teamed up with Decibel Magazine for its exclusive full stream HERE.

A sonic attack layered with grinding blast beats, injected with menacing guttural lows “Volume Two: Mendicium” is a sound straight from hell with gore-filled lyrics leaving little to the imagination, destroying your eardrums like a corpse is erased in an acid-filled bath. Mixed and mastered by Cryptopsy guitar player and Head Engineer/Owner at The Grid Studios Christian Donaldson. The EP also contains a bonus track about the Japanese horror film Mermaid in a Manhole. Featuring artwork by Tony Midi of Tonymidi Artworks.  Pre-order the album HERE.

Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music.  Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (guitar, vocals) out of inspiration from the original murder metal band Macabre.

Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.

Videos:
‘The Sinful Messiah’ here.
‘The Nightmare Hall’ here.
‘Nine Eleven’ here.


Track Listing:
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44

More info:
Facebook
Instagram
Twitter
EPK

– 30 –

“RIYL: Serial killers and death metal. Now, many of you may think the two already go hand in hand, but new dimensions of depravity are opened when you take the murderous criminals Macabre and Church of Misery have been glorifying forever and backdrop it with noise more akin to Cannibal Corpse Fist-****ing At The Gates. Or Vice Versa.” – Decibel Magazine

“It’s got a European death metal feel to it, and while it’s definitely heavy, it’s centerpiece is a melodic guitar solo. If the rest of the EP, out on November 27th, is anything like the first taste of it, signals Tales of the Tomb as a band we’ll be hearing more – Metal Insider

“Grooves entwine and work their way under the skin like toxic vines, whilst the body of the song strolls with a deceitful calm as much hued in more classic metal essences as it is in death metal voracity.” – RingMaster Review

“Volume One: Morpras stands as a melodic treat fans of cold sounding death metal, melodic or otherwise, will definitely get a kick out of.” – Apochs Metal Review

Prairie Finalist for Wacken Metal Battle Canada 2016

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher(@)ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia

AsherMediaRelations.com

0 Edmonton’s SLEEPING IN TRAFFIC Premiere Full Streams of Double EPs ‘That Which Saves Us’ and ‘That Which Destroys Us’ Out Sept 27th

  • September 26, 2019
  • by Asher
  • · Music News · Sleeping In Traffic

(contact info below)

NEWS RELEASE

Montreal, QC – September 26, 2019

For fans of Between The Buried & Me, Devin Townsend, Tool, Thank You Scientist

Edmonton’s SLEEPING IN TRAFFIC Premiere Full Streams of Double EPs
‘That Which Saves Us’ and ‘That Which Destroys Us’ Out Sept 27th

L-R: Ryan Berehulke – Bass, Cory Bosse – Vocals/Synth, Greg Turner – Guitar, Andrew Bateman – Drums

Photo Credit: Graham Gnarles

Edmonton’s SLEEPING IN TRAFFIC have been busy writing and recording two EP’s, which while complementary to each other are still dramatically different and allow fans to explore each side of the band’s music as its own entity and to hear each aspect fully fleshed out instead of blended together.

With influences from Between The Buried & Me, Devin Townsend and Tool, the newest album is a split EP that explores that dual nature of the band’s music. One EP “That Which Destroys Us” is dark and aggressive, while the other EP “That Which Saves Us” is upbeat and catchy. The band explains the duality in their vision:

“The first ‘That Which Saves Us’ is the “upbeat EP”. It strongly represents a lot of the pop-punk influences that Ryan and Greg bring to the band, and features songs with inspiring themes and uplifting major keys. The other ‘That Which Destroys Us’ displays more of the band’s extreme metal influences, without abandoning some of the weirdness the band is known for. The EPs continue to explore odd time signatures and polyrhythms in the context of heavily distorted guitars, snarling synths, and guttural vocals.”

Teaming up with Metal-Rules.com, they are premiering the exclusive full stream of the EPs at the following link HERE.

The EPs will be available on September 27, 2019 and available for pre-order on Bandcamp.


Track Listing:
1. Through Method And Rigor (4:43)
2. Fungal Symbiosis (feat. Elle T.) (3:50)
3. Exoplanets (feat. Elle T.) (6:09)
4. False Alternatives (5:13)
5. The Scrupulous Study Of Everything (5:41)
EP Length: 25:38


Track Listing:
1. (√-π)÷0=1 (3:58)
2. Audaciousness Of Him (7:10)
3. Narcicystic Pustule (1:26)
4. Masculine Toxin (4:38)
5. Gaia Shrugged (feat. Elle T.) (6:07)
6. The Inevitable Heat Death Of The Universe (5:32)
EP Length: 28:53

Show Dates:
October 5 – Edmonton, AB – Wellinton Community Hall (Double EP Release Show)

For more info:
SleepingInTraffic.com
Facebook
Instagram
Twitter
Youtube
EPK

Bio:

Based out of Edmonton, Canada, Sleeping In Traffic is a progressive metal band whose artistic vision is built around the concept of change. Nothing in the band’s music is intended to remain static. Each album and performance brings new adaptations and innovations; always playing with the sonic possibilities.

Influenced by the likes of Between The Buried and Me, Devin Townsend, and Porcupine Tree, they have been manifesting dynamic, and ever-evolving music since 2014. Sleeping In Traffic released their debut self titled EP in 2014 and the full length ‘Feminism’ in 2017 that is a guitar-driven hard rock/metal concept album that borrows heavily from ska, jazz, pop-punk, and classic prog rock. They have graced many stages in Western Canada including performances at Alberta’s Farmaggedon Metal Fest (2015) and Edmonton’s Shredmonton (2016/17).

Sleeping In Traffic is releasing two new EPs in 2019, ‘That Which Saves Us’ and ‘That Which Will Destroy Us’ each with a different character. One explores the darker, heavier metal influences of the band, while the other channels the more upbeat side to their music. Synthesizers will form a core element to both of these releases due on September 27, 2019.

Sleeping in Traffic consists of four members, each with their own unique and eclectic musical tastes, which influence their contributions to the band.

Greg Turner’s unusual approach to guitar is a core element of Sleeping In Traffic’s music. Stuttered, chaotic time signatures and bizarre chord voices in catchy patterns flow from his fingers to form the basis of many of the songs. His use of a multitude of pedals adds colourful timbres and occasionally acts as their own instrument.

Ryan Berehulke carves out a thundering obelisk of depth from his 5-string bass and his tower of speakers. His style is definitive in a way that meshes perfectly with the guitars to provide a wall of reinforcement, yet often also takes the main stage, without ever abandoning the supreme role as the band’s foundation. His ingenuity in his approach to bass playing is indispensable; from the funky groove and raw, pounding roars; all the way to evolving, ambient textures.

Andrew Bateman is a mad scientist behind a drum-kit. With his intricate knowledge of rhythms, he weaves complex patterns in and around the eccentric time signatures that the music follows. His array of styles ranges from pulverizing metal to pattering, offbeat jazz and everything in between. He is always searching for novel rhythmic cadences and new ways to strike the same drums. He is highly technical, yet playful; often improvising on the spot and testing the limits of his fellow musicians.

Cory Bosse acts as the voice of the band, as well as the source of many of its most unexpected sounds. His bombastic singing style has its roots in the metal music that originally inspired him to make music, yet weaves in a multitude of techniques from the myriad of styles he has explored since. Operatic vibratos flow into passionate howls, jazz scat collapses into death growls, and beat boxing meanders into throat singing in a pandemonium of vocal exploration. To help compliment each song’s particular character, he harnesses the power of a host of instruments, including keys, saxophone, synthesizers, and guitar.

– 30 –

“The 9-track record comes with a focused story-telling, remarkable songwriting and with an offer of something that separates them from the bigger part of the prog gang. The band is not shy to explore within pop, indie rock or alternative and fuse these elements with sound-defining progressive rock and metal influences.” – Prog-Sphere

“Feminism possesses great balance between the up-beat rock tunes polished with rock’s progressive and alternative subgenres, but what this album shows is talent of the band which certainly can bring something epic. Until then, let Feminism shows itself in its full brilliance.” – Progzilla

“sound more like their fellow countrymen Protest the Hero, albeit with a sax in the mix of things. Their overall style is the same careening prog metal that PtH are good at… For a debut album, I am impressed with “Feminism.”… I think Sleeping in Traffic have potential, so they are worth following.” – Progressive Music Planet

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher@ashermediarelations.com
Facebook | Tweet @AsherMedia | Instagram @AsherMedia

AsherMediaRelations.com

0 Canada’s Fuzz Lords CHRON GOBLIN Premiere Album Stream For “Here Before” via Kerrang!

  • September 25, 2019
  • by Asher
  • · Chron Goblin · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – September 25, 2019

For fans of Red Fang, Kyuss, Orange Goblin, Black Sabbath, The Sword

Canada’s Fuzz Lords CHRON GOBLIN Premiere Album Stream For “Here Before” via Kerrang!


New Album ‘Here Before’ Out Sept 27th via Grand Hand Records

Canadian Tour Dates w/ Black Mastiff

 

L-R – Devin ‘Darty’ Purdy – Guitar, Richard Hepp – Bass, Josh Sandulak – Vocals, Brett Whittingham – Drums

Photo credit:  Mario Montes

Canadian fuzz lords Chron Goblin will be releasing their new album “Here Before” on September 27, 2019 via Grand Hand Records. Teaming up with Kerrang!, the band is premiering the full length’s exclusive stream at the following link HERE.

Rock and sludge combine into a mix are what sets CHRON GOBLIN apart from other bands in the genre and after 10 years, they have perfected crafting their tunes that have been enjoyed around the world. Kerrang! has noted them as one of “The 20 Canadian bands you need to know right now”. CHRON GOBLIN brings an exciting energy that can be felt throughout their new album “Here Before” along with being truly witnessed live. Fans of Red Fang, Kyuss, and Orange Goblin will strongly enjoy!

Guitarist Devin ‘Darty’ Purdy gives insight:

“With any Chron Goblin album, you can expect heavy riffs, soaring vocals, and thunderous drums!  What sets this album apart is that it’s a bit more refined and mature – probably as a result of doing this for 10 years!  We also experimented quite a bit with our sound on tracks like ‘Ghost’, ‘Slipping Under’, and ‘Giant’ which moved away from our traditional Chron Goblin sound and added in more dynamics and melody.  The vocals really stand out on ‘Here Before’ and demonstrate a more melodic sound than previous albums.  We feel this album will be enjoyed by our long term fans while giving them a sense of a new sound and direction in addition to the classic ‘full steam onslaught riff attack’.”

Album pre-order is available on Bandcamp here.

In additional news, CHRON GOBLIN will be hitting the road to promote the new album for the “Tourgether At Last” with Grand Hand Records label mates Edmonton’s BLACK MASTIFF. The Canadian tour will be kicking off in Lethbridge, AB on October 10th and head east towards Montreal, QC to then circle back out west to wrap up on October 26th in Red Deer, AB.

Canadian Tour Dates: Chron Goblin + Black Mastiff ‘Tourgether At Last’
October 10 – Lethbridge, AB – Owl Acoustic Lounge
October 11 – Calgary, AB – The Palomino Smokehouse
October 12 – Regina, SK – The German Club
October 13 – Winnipeg, MB – The Handsome Daughter
October 15 – Sudbury, ON – The Asylum
October 16 – Ottawa, ON – House of Targ
October 17 – Montreal, QC – Turbo Haus
October 18 – Toronto, ON – Hard Luck
October 19 – Windsor, ON – Dominion House
October 20 – Hamilton, ON – This Ain’t Hollywood *
October 21 – Sault Ste. Marie, ON – Six Two Oh! *
October 22 – Kenora, ON – Bob’s Burgers *
October 23 – Saskatoon – Black Cat Tavern *
October 25 – Edmonton, AB – Temple
October 26 – Red Deer, AB – The Vat
*= Black Mastiff Only

Track Listing:
1. Aurora (0:22)
2. Oblivion (4:16)
3. Giving In To Fun (3:37)
4. Out Of My Mind (3:49)
5. Ghost (6:04)
6. War (3:51)
7. Giant (4:40)
8. Slipping Under (4:43)
9. Little Too Late (4:46)
10. Waiting (3:53)
11. Afterglow (1:52)
Album Length: 41:57

Line Up:
Josh Sandulak (vocals)
Brett Whittingham (drums)
Richard Hepp (bass)
Devin ‘Darty’ Purdy (guitar)

More info:
ChronGoblin.com
Facebook
Instagram
Twitter

Bio:

From the dusty coulees of Alberta’s Badlands to the jagged peaks of the snow-capped Rockies, the musical entity known as Chron Goblin is a true force of nature. Yet there’s simply no reckoning the immensity of the sound that these hard rockin’ Calgarians are capable of generating once they hit the stage boards. Grind-ing it out in the trenches and pits of venues and festivals across North America and Europe since 2009, the fuzz clad foursome knows no bounds when it comes to laying down the rugged riffage and cranking up the volume on a sweet Southern rock-tinged blues-metal breakdown. Surrender to the smoke show, heed the call of the Chron and inhale the melodious commotion churned up by the Goblins. The botanically-infused gin in your work-a-day tonic, Chron Goblin will obliterate those vexing worries and liberate your immortal soul.

Recorded in July 2018 at Juno Award Winning OCL Studios, ‘Here Before’ is the fourth full-length album from Chron Goblin and will be released and distributed by Grand Hand Records. Produced, recorded and mixed by Josh Rob Gwilliam (Michael Bernard Fitzgerald, Ghosts of Modern Man), Here Before demonstrates a new maturity in songwriting and production for the band. From the propulsive singles of ‘Slipping Under’ and ‘Ghost’; mixed by Mike Fraser (AC/DC, Metallica, Corrosion of Conformity), to the hypnotic riffs of ‘Oblivion’ – Chron Goblin has created an intoxicating collection of rock n’ roll.

(Bio written by Christine Leonard)

– 30 –

“What the band have in spades that sets them apart from the usual weed-worshipping crew is energy, giving even their stonier material enough oomph to keep them from lethargically ripping off Sabbath. “ – Kerrang Magazine

“ Fun, fast, and surprisingly slick” – VICE/ Noisey

“These guys caught my ear right away because in the local market there are precious few bands playing this style of hard Rocking Metal. Sonically this has groove, rock and some sludge written all over it. A certain sense of fun pervades all the tracks, energy creativity and a spirit of rock and roll.” –  Metal-Rules.com 

“It is no wonder why so many respected bands have took them under their wing. This is a band to keep your eyes firmly locked on” – The Sludgelord 

“The band’s love of the riff is highly in evidence, wrapped around a classic rock sensibility that, for once, sits well with the more obvious stoner and desert rock influences upon which the band have historically built their reputation.” – Ghost Cult Magazine

“While too many fuzz bands forget either how to be heavy or how to have fun, Chron Goblin shows a near mastery of these important concepts “ – New Noise Magazine

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher(@)ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia

AsherMediaRelations.com

0 Huge Hails Horns! \m/\m/ Thank you Canada! MDs and DJs for all the airplay! Scimitar Debut #5 and Kosm back at #7 on Canadian College Radio National Loud Charts! For the Week Ending: Tuesday, September 24, 2019

  • September 25, 2019
  • by Asher
  • · KOSM · Scimitar
Huge Hails Horns! \m/\m/
Thank you Canada! MDs and DJs for all the airplay!
Scimitar Debut #5 and Kosm back at #7 on Canadian College Radio National Loud Charts!
For the Week Ending: Tuesday, September 24, 2019
https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2019-09-24

0 Scimitar – Shadows of Man – Release Date: August 23, 2019 – Canadian College Radio Charts

  • September 25, 2019
  • by Asher
  • · Scimitar

Scimitar – Shadows of Man – Release Date: August 23, 2019

 

Highlight: #19 on Top 20 – November 2019 – National Loud Charts (Earshot)

Highlight: #8 – The National Loud Chart – For the Week Ending: Tuesday, November 19, 2019 (Earshot)

Highlight #4 on Top 20 – October 2019 – The National Loud Chart (Earshot)

Highlight: #1 – The National Loud Chart – For the Week Ending: Tuesday, October 22, 2019 (Earshot)

Highlight: #9 – The National Loud Chart – For the Week Ending: Tuesday, October 8, 2019 (Earshot)

Highlight: #5 – The National Loud Chart – For the Week Ending: Tuesday, September 24, 2019 (Earshot)

Chart Appearances – March 3 2020
Station Chart Rank
CJSW Calgary, AB Loud 8
Total This Week: 1
Chart Appearances – December 10 2019
Station Chart Rank
CFRU Guelph, ON Loud 9
CFUV Victoria, BC Loud 8
Total This Week: 2
Chart Appearances – December 3 2019
Station Chart Rank
CFUV Victoria, BC Loud 6
Total This Week: 1
Chart Appearances – November 26 2019
Station Chart Rank
CFRU Guelph, ON Loud 7
CJSW Calgary, AB Loud 7
Total This Week: 2
Chart Appearances – November 19 2019
Station Chart Rank
!earshot Loud 8
CFUV Victoria, BC Loud 3
CJSR Edmonton, AB Loud 9
CJSW Calgary, AB Loud 9
CKXU Lethbridge, AB Top 30 25
Total This Week: 5
Chart Appearances – November 5 2019
Station Chart Rank
CJSW Calgary, AB Loud 5
Total This Week: 1
Chart Appearances – October 29 2019
Station Chart Rank
CFBX Kamloops, BC Loud 10
CFRU Guelph, ON Loud 10
CJSW Calgary, AB Loud 5
Total This Week: 3
Chart Appearances – October 22 2019
Station Chart Rank
!earshot Loud 1
CFRU Guelph, ON Loud 2
CFUV Victoria, BC Loud 2
Total This Week: 3
Chart Appearances – October 15 2019
Station Chart Rank
CFUV Victoria, BC Loud 3
Total This Week: 1
Chart Appearances – October 8 2019
Station Chart Rank
!earshot Loud 9
CJSR Edmonton, AB Loud 6
CJSW Calgary, AB Loud 4
Total This Week: 3
Chart Appearances – October 1 2019
Station Chart Rank
CJSW Calgary, AB Loud 2
Total This Week: 1
Chart Appearances – September 24 2019
Station Chart Rank
!earshot Loud 5
CFUV Victoria, BC Loud 2
CJSW Calgary, AB Loud 1
Total This Week: 3
Chart Appearances – September 17 2019
Station Chart Rank
CJSR Edmonton, AB Loud 7
Total This Week: 1
Chart Appearances – September 10 2019
Station Chart Rank
CJLO Montreal, QC Loud 9
Total This Week: 1

0 Winnipeg Cosmic Black Metal CELL Kick-Off USA/CAN Tour For New Album “Ancient Incantations Of Xarbos”

  • September 25, 2019
  • by Asher
  • · Cell · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – September 25, 2019

 

For fans of Emperor, Death, Morbid Angel, Immortal, Goatwhore

Winnipeg Cosmic Black Metal CELL Kick-Off USA/CAN Tour For New Album “Ancient Incantations Of Xarbos”

New Album ‘Ancient Incantations Of Xarbos’ Out October 4th


CELL – ‘Ancient Incantations Of Xarbos’ USA/Canada Tour
09/26/19 – Fargo, ND @ Red Raven Espresso Parlour
09/27/19 – Minneapolis, MN @ Mortimer’s Bar
09/28/19 – Milwaukee, WI @ Quarters
09/29/19 – Chicago, IL @ Live Wire Lounge
09/30/19 – Pittsburgh, PA @ Black Forge Coffee House
10/01/19 – Cleveland, OH @ Now That’s Class
10/04/19 – Providence, RI @ Koto PVD
10/05/19 – Charlotte, NC @ Skylark Social Club
10/07/19 – Raleigh, NC @ Slim’s Downtown
10/08/19 – Baltimore, MD @ The Sidebar
10/09/19 – Everett, MD @ Banshee Den
10/10/19 – Brooklyn, NY @ Brooklyn Bazaar
10/11/19 – Montreal, QC @ Piranha Bar
10/12/19 – Quebec City, QC @ La Source de La Martiniere
10/13/19 – Ottawa, ON @ Pour Boy
10/14/19 – Sudbury, ON @ The Asylum
10/19/19 – Winnipeg, MB @ The Goodwill Social Club

 

Winnipeg, MB cosmic black metal trio CELL are preparing to hit the road across the USA and Canada in support of their upcoming album “Ancient Incantations Of Xarbos”. The tour will kick off in Fargo, ND on September 27th and end in their hometown of Winnipeg, MB on October 19th opening for Immolation.

CELL’s new album “Ancient Incantations Of Xarbos” continues their dramatic and theatrical storytelling in their conceptual science fiction universe. Following up their debut 2016 album “The Frozen Moon Of Erebath”, the next chapter will be available on October 4, 2019.

Taking place on a planet called Xarbos, two races collide over different ways of life. The listener can expect to be pummelled with blast beats and speed and put into a hypnotic doomy trance while floating through an atmospheric and cosmic cleans. CELL goes into the details of the story the album follows:

“Each track has its own story in the album that leads to one big ending which is the decimation of the Xarbonite hierarchy. In the story, there are two races of beings on this planet: one race chose to rise with power, tech, money and the lower race is actually the oldest of Xarbos and know the ways of the land and its magic. There are a few side stories within the album that trail off but still, stay within the main story.”

Following in the footsteps of classic bands like Emperor, Death, Morbid Angel, and Immortal, CELL have become weavers of the arcane adding a theatrical stage show to their modern take on black metal.

Song Streams:
‘God of The NetherRealm’ here.

‘The Wailing Sea Of Emptiness’ here.




Track Listing:
1. The Rise Of Gorthar (2:31)
2. Defiling The Ancient Hierarchy (7:16)
3. All I See Is Them (4:15)
4. The Wailing Sea Of Emptiness (5:59)
5. Ancient Incantations Of Xarbos (1:35)
6. God Of The NetherRealm (8:32)
7. Valley Of Assimilation (5:24)
8. Altering Matter In The Realm Of The Frost King (10:38)
Album Length: 46:12

Album Band Line Up: Hypnos (Drums), Hyperion (Guitar, Vocals), Demios (Bass, Vocals)

Live Band Line Up: Hyperion, Lowell Winters, and Brett Leier

More info:
Facebook
Instagram
Twitter
Bandcamp

– 30 –

Bio:

Cell is a three-piece conceptual black metal band that formed in 2014 reigning from Winnipeg, Canada. They blend elements of old school and modern black metal with hints of death metal, hardcore, thrash, and doom to create reality-altering unrelenting cosmic black metal. Their concept is based on a science fiction comic book idea that Hyperion (guitar/vocals) was working to bring to life, but decided instead to turn into music.

Each song starts with Hyperion taking the reins by writing the song structure, riffs, and lyrics; Deimos (bass/vocals) and Hypnos (drums) adding in their preferences for riffs, lyrics and other such things to alter the songs for the better. There is a lot of cathartic emotion put into each song that connects to each member on a personal level while keeping within the dark sci-fi concept and using metaphors of what we as humans do to this planet and the life on it.

Using these topics, it’s easy for Cell to let everything out on stage every during every performance. They use a lot of art and theatre within the live show including using corpse paint, blood, armor, pro audio lights, and lasers. To see our show is to experience something emotional, aggressive, theatrical and cosmic.

Cell has toured across Canada multiple times and have been featured on several festivals including Black Mourning Light, Loud As Hell Metalfest, Armstrong Metalfest and Manitoba Metalfest sharing the stage with the likes of Skeletonwitch, Goatwhore, DRI, Revocation, and Aggression. They released their debut album ‘The Frozen Moon Of Erebath’ in 2016 and follow it up in 2019 with ‘Ancient Incantations Of Xarbos’.

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher@ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia
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0 “Shadows of Man is gritty, furious, and packs way more variety into it than I would have ever expected. With a sound that’s in the realm of Ensiferum and Vanir, Scimitar’s combination of death, black, and folk elements will be welcome with any fan of the dark side of folk metal.” – The Metal Observer

  • September 24, 2019
  • by Asher
  • · Scimitar

“Shadows of Man is gritty, furious, and packs way more variety into it than I would have ever expected. With a sound that’s in the realm of Ensiferum and Vanir, Scimitar‘s combination of death, black, and folk elements will be welcome with any fan of the dark side of folk metal.” – The Metal Observer http://www.metal-observer.com/3.o/review/scimitar-shadows-of-man-review/

0 Surface Of The Sun – Panacea “If you are a fan of progressive metal such as Tool, Karnivool and Chevelle then you may enjoy this…It takes great knowledge and talent to be able to play multiple instruments, sing and master an album. I give much credit where it’s due on the production and execution of the music.” – The Independent Voice

  • September 24, 2019
  • by Asher
  • · Surface of The Sun

Surface Of The Sun – Panacea “If you are a fan of progressive metal such as Tool, Karnivool and Chevelle then you may enjoy this…It takes great knowledge and talent to be able to play multiple instruments, sing and master an album. I give much credit where it’s due on the production and execution of the music.” – The Independent Voice https://www.theindependentvoice.org/2019/09/05/surface-of-the-sun-panacea/

0 Panacea by Surface Of The Sun “When you take into consideration all the different elements that went into making these four songs were the creation of one person (minus the percussions) then you can see how truly impressive the undertaking of ‘Panacea‘ was. It definitely should be on your playlist! ” – The Music Below

  • September 24, 2019
  • by Asher
  • · Surface of The Sun

Panacea by Surface Of The Sun “When you take into consideration all the different elements that went into making these four songs were the creation of one person (minus the percussions) then you can see how truly impressive the undertaking of ‘Panacea‘ was. It definitely should be on your playlist! ” – The Music Below https://themusicbelow.com/2019/09/09/panacea-by-surface-of-the-sun/

0 Tinnitist – Short Subjects | Seven Indie EPs That Won’t Waste Your Time – Surface Of The Sun

  • September 24, 2019
  • by Asher
  • · Surface of The Sun

Tinnitist – Short Subjects | Seven Indie EPs That Won’t Waste Your Time – Surface Of The Sun

https://tinnitist.com/2019/09/17/short-subjects-seven-indie-eps-that-wont-waste-your-time/

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