Progressor.net – Kosm – 2019 – Eyes on the Inside – “Polished, bright, it cannot be long before they break out of their Vancouver homeland and start making a real name for themselves.”
https://www.facebook.com/notes/progressornet/kosm-2019-eyes-on-the-inside/2924695304209680/
Pick Up The Book Copy of Heavy Music Artwork 2019 Monochromes featuring artwork for Morgan Rider and the Deep Dark River The best monochromatic metal artworks of 2019 100 Artists with 100 Bands on 100 releases, with bands and artists commentary. https://heavymusicartwork.bigcartel.com/product/monochromes-2019
Pick Up The Book Copy of Heavy Music Artwork 2019 Masterpieces featuring artwork for TripleMurder and Iron Kingdom https://heavymusicartwork.bigcartel.com/product/2019-masterpieces
TDT Tylor Dory Trio – Unsought Salvation Rockportaal https://www.rockportaal.nl/tylor-dory-trio-unsought-salvation/
The Music God’s AUDITORY RIOT presents The Best of 2019 Metal Top 50 releases | http://TapDetroit.com 48) Extrema (Rockshots Records) – Headbanging Forever 41) Motive – Fight The World 30) Fractures & Outlines – Defenseless 19) Damage SFP (RockshotsRecords) – Damage SFP
Last Rites Best Of 2019 – Manny-O-War: Tales Of Woe And Abstract Sympathy #14 Tanagra https://yourlastrites.com/2019/12/16/best-of-2019-manny-o-war/
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NEWS RELEASE
Montreal, QC – December 13, 2019
For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal
TALES OF THE TOMB Shreds Tech Death Metal In Guitar Playthrough ‘Nine Eleven’
New EP “Volume Two: Mendacium” Out Now!
Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)
Photo Credit – Kylee Thompson Photography
Unleashing their latest EP “Volume Two: Mendicium” this past September, Edmonton death metal duo Tales of Tomb are sharing with fans and technical guitar shredders their new playthrough video for the track ‘Nine Eleven’ via its premiere on TechnicalMusicReview HERE.
The band explains the story behind the track:
“Very few people (if any) are unaware of the tragic events that unfolded on Sept 11. 2001. We originally wrote this song for the last show of another Edmonton local band called Villainizer. When starting to plan out the second EP we wanted to have a concept like our first one. With songs like Nine Eleven and Faul wrote this point. We look common factors were in the songs and came to the conspiracy/lies concept. This EP is an important installment that embodies the fundamentals of the band — the reality is more horrifying than fiction. This is a concept EP based on the Latin word Mendacium — meaning untruth and or to be lied to. The first single Nine Eleven is just that — presenting a version of tragic historical events from various angles and the alleged truths that were presented. The intention of each song is to unmask the deception forced upon the masses pushing them to challenge their own perception of reality.”
Painting their canvas of extreme music with inspirations of real-life stories of murder, conspiracy, supernatural horror, and terror, Tales of The Tomb‘s new EP “Volume Two: Mendicium” is a vicious bite of grinding blast beats, technical shredding accompanied by venomous guttural lows. Inspired by true events, the duo offer up gore-filled lyrics with a quivering soundscape. The EP was mixed and mastered by Cryptopsy guitarist and head engineer/owner at The Grid Studios Christian Donaldson along with featuring artwork by Tony Midi of Tonymidi Artworks.
“Volume Two: Mendicium” is available on Bandcamp, Spotify, Apple Music.
Previous Videos:
‘The Sinful Messiah’ here.
‘The Nightmare Hall’ here.
‘Nine Eleven’ here.
‘Dyatlov Pass’ here.
‘Mermaid In A Manhole’ here.
Track Listing:
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44
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About:
Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music. Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (guitar, vocals) out of inspiration from the original murder metal band Macabre.
Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.
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“RIYL: Serial killers and death metal. Now, many of you may think the two already go hand in hand, but new dimensions of depravity are opened when you take the murderous criminals Macabre and Church of Misery have been glorifying forever and backdrop it with noise more akin to Cannibal Corpse Fist-****ing At The Gates. Or Vice Versa.” – Decibel Magazine
“It’s got a European death metal feel to it, and while it’s definitely heavy, it’s centerpiece is a melodic guitar solo. If the rest of the EP, out on November 27th, is anything like the first taste of it, signals Tales of the Tomb as a band we’ll be hearing more – Metal Insider
“Grooves entwine and work their way under the skin like toxic vines, whilst the body of the song strolls with a deceitful calm as much hued in more classic metal essences as it is in death metal voracity.” – RingMaster Review
“Volume One: Morpras stands as a melodic treat fans of cold sounding death metal, melodic or otherwise, will definitely get a kick out of.” – Apochs Metal Review
Prairie Finalist for Wacken Metal Battle Canada 2016
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NEWS RELEASE
Montreal, QC – December 12, 2019
For fans of Joe Satriani, Rush, Yngwie J Malmsteen, Steve Vai
Canadian Guitar Prog PYRAMIDS ON MARS Next Single ‘The Ambassador’ Off Upcoming Album Out Dec 21st
Guitarist Kevin Estrella’s project Pyramids On Mars has a new album being released on December 21, 2019, entitled “Edge of the Black”. The full length offers up an aural palette of intense instrumental progressive shredding rock that’s emotional, provocative and 4-dimensional.
Teaming up with MusicLegends.ca, Pyramids On Mars is premiering the next single ‘The Ambassador’ here.
Estrella explains the track in further detail:
“The idea for The Ambassador was actually sparked from the guitar it was played on. It is played on a Signature ‘Aurora’ Guitar. Built by the Signature Guitar Company sometime around 1987. Alex Lifeson of Rush made the guitar famous playing it exclusively for the albums “Hold Your Fire” and “Show of Hands”. Alex designed the guitar, along with Russ Heinl. What makes it unique is the balance of Basswood (from a rare variety found only in Quebec) and has the three active single-coil pickups, giving the guitar a very unique: clear, bright yet warm distinctive sound. No guitar sounds like it. It was meant to be the ultimate Superstrat. It’s almost like an acoustic guitar on hyperdrive. Only 500 Signatures were ever made. My Signature Aurora is quite unique. The original owner purchased it from Steve’s Music Store in Toronto back in the late eighties. It was a floor model. It doesn’t even have a serial number. It is quite the collector’s item.
The Ambassador was written by-that-guitar. I didn’t write the song, the Signature guitar did.
Speaking of Rush, the song is heavily influenced by Rush’s early works from the eighties. The concert video Show of Hands comes to mind was a huge influence on the Edge of the Black sound, particularly in the songs The Ambassador and Arcturian Rain.
The theme of the song is about an Ambassador who has been selected from Earth, chosen to be a spokesperson for the people of Earth. Scientists found a way to open a portal to another galaxy and he was chosen to go through it and hopefully meet some Extraterrestrial nation on the other side.
Some other interesting things come to mind in the song. The guitar solo is doing some interesting combinations of two-note per string sweep picking, combined with string skipping arpeggios a-la Paul Gilbert style. The solo ends in a nice diatonic extension arpeggio legato phrasing. These and other techniques I teach on my online instructional guitar lessons https://pyramidsonmarsguitarlessons.pivotshare.com/“
Following Pyramids On Mars’ two previous albums, “Edge of the Black” was written, composed and performed solely by Kevin Estrella who cites influences from musical greats including J.S Bach and Antonio Vivaldi along with today’s guitar virtuosos Yngwie Malmsteen and Joe Satriani. “Edge of the Black” pays homage to these artists while still maintaining Estrella’s own creative flair. Estrella shares his thoughts on the album:
“On Edge of The Black, I wanted to put emphasis on songwriting and telling a story. The emphasis is not just on the lead guitar melody, but on the band as a whole. Harmonic variations on repeating themes are strongly utilized; like rhyming phrases in spoken language that allows easier accurate retelling of the original story. This idea of repeating music phrases/themes so the audience can easily recall it and hum it all the way home.”
“Edge of The Black” pre-order available on Bandcamp.
Singles:
‘F-22 Raptor’ here.
‘Song of Light’ here.
‘Nacht Waffen’ here.
Track Listing:
1. Blood Moon 5:42
2. Nacht Waffen 6:56
3. Song of Light 5:44
4. F-22 Raptor 5:53
5. The Ambassador 4:57
6. Mercury Magnetar 4:58
7. Arcturian Rain 4:38
8. Time to Believe 4:40
9. Arioso Lullaby 4:39
10. Whale Song 4:28
Album Length: 52:40
For more info:
PyramidsOnMars.com
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About:
Every once in awhile there comes along a band that is so different or unique, you would think they were dropped on Earth from another planet. Pyramids On Mars is one of those bands. What first catches you, is that they are an instrumental band. A combination of elements such as hard rock, industrial, metal and psychedelic rock: and then the lead guitar comes soaring in. Well crafted, beautiful, melodic phrases so catchy and memorable they will be stuck in your head for the rest of the day.
Pyramids On Mars is the solo project of guitarist Kevin Estrella. He wanted to do something musically different that would stand out from the crowd. Estrella’s musical style is very similar to world-renowned rock guitarist Joe Satriani, so much so that Estrella has nicknamed himself the “Satriani of the North.”
“Of course Satriani has had a huge influence on me,” he says “But he (Satriani) does more of a bluesy thing whereas I am more influenced by classical music. I absolutely love the Baroque classical composers J.S Bach and Antonio Vivaldi who are my biggest musical influences.
Estrella recorded, produced, engineered and mastered his debut album, self-titled “Pyramids On Mars” in 2013. Since then, he has been capturing music industry attention-getting international radio airplay in the U.S, Canada, South America, and Europe. He is a regular guest on Brian ‘the hammer’ Jackson radio (Los Angeles) to over 4 million listeners and a weekly speaker on Real Rock Radio (Chicago).
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Original Rock – Pyramids on Mars “The whole album is persistently conceptualising the idea of a place beyond the black, leaving a lingering sense of both existentialism and awe at Kevin Estrella’s musical talent and ability. He fully allocates all the elements of the band equal respect to create a holistic and visceral thrill that emotionally charges the whole album whilst telling a story that has to be listened to.” https://originalrock.net/2019/12/13/album-review-pyramids-on-mars-edge-of-black/
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