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Posts By Asher

0 The Fate of Socrates Is Reflected In Helion Prime’s New Music Video “Gadfly”, Premiere Music Video via MetalInjection, New Album “Question Everything” Out October 5th, 2020

  • September 8, 2020
  • by Asher
  • · Helion Prime · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – September 8, 2020

For fans of Unleash the Archers, Iron Maiden, Helloween

The Fate of Socrates Is Reflected In Helion Prime’s New Music Video “Gadfly”

Premiere Music Video via MetalInjection

New Album “Question Everything” Out October 5th, 2020


L-R – Alex Bosson – Drums, Mary Zimmer – Vocals, Jason Ashcraft – Guitar, Chad Anderson – Guitar, Jeremy Steinhouse – Bass
Photo Credit: Casey Frederick

Helion Prime have released their third single and the first music video from the upcoming album “Question Everything” due out October 5th.

“The Gadfly” is based on the Greek philosopher “Socrates”. He was found guilty of “impiety” and “corrupting the young”, sentenced to death, and then required to carry out his own execution by consuming a deadly potion of the poisonous plant hemlock.

The video reflects Socrates’ ultimate decision to honor his conviction and carry out his death by hemlock while his followers and friends stood by having to accept his fate.

The video for “The Gadfly” can be viewed via its premiere on MetalInjection HERE.

It’s been about two years since the band’s sophomore release “Terror of the Cybernetic Space Monster” and Sacramento sci-fi power metallers Helion Prime returns with their third effort and the much shorter title “Question Everything” set for release on Monday, October 5th, 2020 via their label Saibot Reigns.  This is Helion Prime‘s first album with new vocalist Mary Zimmer, who has also accompanied the band on two separate tours of the United States. It also sees the band’s original singer, Heather Michele, returning in a writing capacity and contributing all lyrics and melodies. Heather Michele also along with other former Helion Prime vocalist Sozos Michael and with John Yelland (Judicator/Dire Peril) add their guest vocals on the full length.

The highly anticipated third record is a concept album, with each song revolving around different figures throughout human history that had the courage to question the status quo of their respective worlds/societies, in some cases even dealing with harsh persecution as a result. Those Helion Prime chose to write about-faced prejudice, mockery, ex-communication, and persecution – yet through it all, they held true to their beliefs and ideas. Time would be their greatest ally as their ideas and identities were eventually validated, oftentimes not until after their passing. They serve as an inspiration for all minds to continue thinking outside the box and staying true to themselves.

Jason speaks on the album itself:

“This album has truly been amazing to work on. The idea behind it is something I’ve been holding on to since around the time I started the band. Aside from writing some of what I consider to be Prime’s best work it was a great experience getting to work with Heather again on an album as she once again contributed her talents for the lyrics.”

“Question Everything” was produced by Jason Ashcraft and Alex Nasla. Mixing was done by Chris Collier and mastered by Brett Caldas-Lima along with additional mixing/drum edits/reamping plus writing and performance of keyboard arrangements by Alex Nasla of Gear Gods Studio. Guitar/Bass edits by Michael Goodrich and cover art by Marc Whisnant.

“Question Everything” is out worldwide on October 5th, 2020 via Saibot Reigns. Album pre-order at Helionprimemetal.com.

Previous singles:
“The Forbidden Zone” YouTube (Lyric Video), Spotify.
“Madame Mercury” Youtube (Lyric Video), Spotify.

Track Listing:
1. The Final Theory (4:20)
2. Madame Mercury (4:19)
3. Prof (3:55)
4. The Gadfly (6:35)
5. Photo 51 (5:13)
6. E Pur Si Muove (5:48)
7. Words of The Abbot (4:55) ft. guest vocals John Yelland (Judicator, Dire Peril)
8. The Forbidden Zone (4:32)
9. Question Everything (5:56) ft. Heather Michele (ex-Graveshadow, ex-Helion Prime) and Sozos Michael (ex-Helion Prime, Planeswalker)
10. Reawakening (6:54)
11. Kong at the Gates (Misfits Cover)
Album Length: 56:12

Helion Prime is:
Mary Zimmer – Vocals
Jason Ashcraft – Rhythm Guitars
Chad Anderson – Lead Guitars
Jeremy Steinhouse – Bass
Alex Bosson – Drums

For more info:
Helionprimemetal.com
Facebook.com/helionprimemetal
Instagram.com/helionprimemetal
EPK

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s Wither Within Pay Homage To Slipknot With Award-Winning “Maggot Juice”

  • September 8, 2020
  • by Asher
  • · Music News · Wither Within

(contact info below)

NEWS RELEASE

Montreal, QC – September 8, 2020

For fans of Slipknot, Babymetal, Bring Me The Horizon, Born Of Osiris, Poppy

Canada’s Wither Within Pay Homage To Slipknot With Award-Winning “Maggot Juice”

 


L-R – Noah Nikolas Laidlaw (Bass), Eitan Melody (Guitars/ Vocals/ Synths), Isaac Nicoletto (Drums & Percussion), Kurtis Bradimore (Keyboards & Synths)
Photo Credit – Eitan Melody: Photographer & Photo Editor, Erin Clayton: Photographer Assistant

Ontario’s Wither Within have their introductory release ready for ears and eyes, the Slipknot inspired “Maggot Juice (Instrumental Version)” in both audio and video formats.

Wither Within is made up of members from Her Majesty The King, Mount Abora, and So Long Shoreline and with this release, they won the July 2020: Metal/Core Songwriting Contest. Aggressive, melodic, and genre-bending, they provide listeners with a heavy, theatrical, horror-inspired experience. They touch on their musical abilities in their own words:

“We all put in what we can to combine our ideas into the best possible material. Each member is talented at multiple instruments so musically, we can all contribute in multiple ways.”

The DIY band formed because they wanted a group of like-minded individuals from different aspects of the local music scene to create music together that is different and unique.

The unique blend of metal, pop, and hip hop music brings something new to the table. Wither Within is recommended for fans of Slipknot, Babymetal, and Bring Me The Horizon.

“Maggot Juice (Instrumental Version)” was released on July 26, 2020, and is available on all music streaming platforms HERE and the music video is on YouTube.

Wither Within is:
Noah Nikolas Laidlaw (Bass)
Eitan Melody (Guitars/ Vocals/ Synths)
Isaac Nicoletto (Drums & Percussion)
Kurtis Bradimore (Keyboards & Synths)

For more info:
Facebook.com/WitherWithinOfficial
Instagram.com/WitherWithin_Official
EPK

About:

Comprised of like-minded individuals from different aspects of the local music scene, Noah (bass), Eitan (guitars/vocals/synths), Isaac (drums/percussion), and Kurtis (keyboards/synths), Ontario’s Wither Within formed with a love of horror culture, heavy music, and a thirst to do something different, and memorable.

Established in July of 2020, they won the July 2020 Metal/Core Songwriting Contest (sponsored by Double Impact Drums) with their unique combination of metal, pop, and hip hop music. Many of their song ideas come about with Eitan writing and recording an instrumental track and sending it to the rest of the band members. Everyone then adds in their ideas and builds off of it.

Noah tracks his bass, Kurtis adds synth parts and layers existing parts, and Isaac adds drum fills and transitions to the MIDI track. In the end, Eitan puts it all together, mixes and masters, and voila, we got music!

To date Wither Within has released the single/video “Maggot Juice” with more music on the way.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Wither Within – Maggot Juice (single) (2020)

  • September 6, 2020
  • by Asher
  • · EPKs · Wither Within

EPK – Wither Within – Maggot Juice (single) (2020)

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

Album Title: Maggot Juice (Instrumental Version)
Release Date: July 26th, 2020
Label: Self-Release
Distribution: The Foundation Agency (digital distribution only)

For fans of Slipknot, Babymetal, Bring Me The Horizon, Born Of Osiris, Poppy

Facebook.com/WitherWithinOfficial | Instagram.com/WitherWithin_Official

Bandcamp | Spotify | Apple Music   

 

Album Title: Maggot Juice (Instrumental Version)
Release Date: July 26th, 2020
Label: Self-Release
Distribution: The Foundation Agency (digital distribution only)

Track Listing:
1. Maggot Juice (Instrumental Version) (4:13)

Album Credits:
• All songs performed by: Wither Within
• All songs written by: Wither Within
• Produced by: Eitan Melody S.
• Mixed by: Eitan Melody S.
• Mastered by: Eitan Melody S.
• Album Artwork by: Eitan Melody S.
• Canadian Content (MAPL)

Recording and Live Band Line Up:
Noah Nikolas Laidlaw (Bass)
Eitan Melody (Guitars/ Vocals/ Synths)
Isaac Nicoletto (Drums & Percussion)
Kurtis Bradimore (Keyboards & Synths)

Discography:
2020 – Maggot Juice (Instrumental Version) – single

L-R – Noah Nikolas Laidlaw (Bass), Eitan Melody (Guitars/ Vocals/ Synths), Isaac Nicoletto (Drums & Percussion), Kurtis Bradimore (Keyboards & Synths)
Photo Credit – Eitan Melody: Photographer & Photo Editor, Erin Clayton: Photographer Assistant

Comprised of like-minded individuals from different aspects of the local music scene, Noah (bass), Eitan (guitars/vocals/synths), Isaac (drums/percussion), and Kurtis (keyboards/synths), Ontario’s Wither Within formed with a love of horror culture, heavy music, and a thirst to do something different, and memorable.

Established in July of 2020, they won the July 2020 Metal/Core Songwriting Contest (sponsored by Double Impact Drums) with their unique combination of metal, pop, and hip hop music. Many of their song ideas come about with Eitan writing and recording an instrumental track and sending it to the rest of the band members. Everyone then adds in their ideas and builds off of it.

Noah tracks his bass, Kurtis adds synth parts and layers existing parts, and Isaac adds drum fills and transitions to the MIDI track. In the end, Eitan puts it all together, mixes and masters, and voila, we got music!

To date Wither Within has released the single/video “Maggot Juice” with more music on the way.

0 Canada’s T-Rex Marathon Get Political With “Faux News” Off Upcoming Album “Days Without Incident”

  • September 4, 2020
  • by Asher
  • · Music News · T-Rex Marathon

(contact info below)

 

NEWS RELEASE

Montreal, QC – September 4, 2020

 

 

For fans of Silverstein, Billy Talent, Alexisonfire, A Day to Remember, Taking Back Sunday

Canada’s T-Rex Marathon Get Political With “Faux News” Off Upcoming Album “Days Without Incident”

“Days Without Incident” Out October 16, 2020


L-R- Alex Hodges (guitar, vocals), Jeremy Toppings (bass, vocals), Darien Swolfs (drums), Adam Sakauye (lead vocals) and Aaron Stafford (guitar, vocals)

 

Ottawa’s T-Rex Marathon is releasing their first full-length album this year and it is chock full of melodic, energetic, and authentic pop-punk and post-hardcore.

The reception T-Rex Marathon is hoping for is one of mild nostalgia. As much as they are a new band, they aim to send their listeners back in time to the 2010 era when life felt a little simpler and times were a little happier for their fans.

That is exactly what their new album, “Days Without Incident” does. The nostalgia is the initial hook, however progressing through the album, the listener takes in the sonic variety they’ve provided leaving a complex emotional response. Each of the songs was carefully chosen to reflect the past, present, and future of the band. They tell a story of a fledgling high school band that’s growing up and becoming a serious act with a message to say.

The first single from the album is “Faux News” and T-Rex Marathon shares the motivation behind it:

“Let’s get political. The title is a pun on “Fox News” and fake news (as if it wasn’t obvious). It’s us holding a mirror to our neighbours to the south and diagnosing some of the more obvious issues with them and by extension, the rest of the western world.”

Making use of a stadium punk style sound (a la Billy Talent), the band explores ideas of consumerism, kabuki theatre democracy, individual responsibility, and what it means to exist in the world we do. The song is catchy, simple, and easy to shout along with and is the kind of song that would galvanize young budding activists to dive deeper into the ideas the band is trying to convey.

For fans of Silverstein, Billy Talent, and Alexisonfire; “Faux News” can be heard via its premiere on GhostCultMag HERE.

The full release of “Days Without Incident” is out on October 16, 2020.
Album pre-order at T-rexmarathon.bandcamp.com and pre-save on Spotify, Apple Music here.


Track Listing:
1. All For Nothing (2:56)
2. No Words (4:56)
3. Faux News (3:05)
4. A Prison Just For Us (4:08)
5. Turnpike (4:06)
6. Pick Your Poison (4:58)
7. Misfits (4:24)
8. Sheltered (4:01)
9. Futures and Goodbyes (4:32)
10. 5 Centimeters Per Second (5:58)
Album Length: 43:09

Album Credits:
• All songs performed by: T-Rex Marathon
• All songs written by: T-Rex Marathon
• Produced by: T-Rex Marathon and Mike Bond
• Mixed by: Mike Bond
• Mastered by: Mike Bond
• Album Artwork by: Jeremy Toppings
• Member of SOCAN
• Canadian Content (MAPL)

Album and Live Band Line Up:
Aaron Stafford – Guitar/Bass/Keys/Vocals
Adam Sakauye – Lead Vocals
Alex Hodges – Guitar/Bass/KeysVocals
Darien Swolfs – Drums/Percussion
Jeremy Toppings – Bass/Vocals

For more info:
Facebook.com/TheTRexMarathon
Twitter.com/TRexMarathon
Instagram.com/TRexMarathonofficial
EPK

About:

Starting out on the Ottawa metal/hardcore scene, T-Rex Marathon has adopted a unique sound that comes from a mix of Alternative Rock, Punk, and Post-Hardcore.

Formed by friends in high school, the band began to really take shape almost by accident and through dumb luck. The current lineup consists of Aaron Stafford (guitar/bass/keys/vocals), Adam Sakauye (lead vocals), Alex Hodges (guitar/bass/keys/vocals), Darien Swolfs (drums/percussion), and Jeremy Toppings (bass/vocals).

In a fiercely democratic writing process, every single member has input and a veto, sometimes resulting in a very long but completely organic process resulting in a synthesis of something everyone is happy with. As the band progresses, so does the love and attention that is put into each and everything they produce. The T-Rex Marathon family is and has always been, dedicated to making kick-ass music and leaving a mark in the industry, not only for them, but for their fans.

The boys in T-Rex, as the band is called for short, endlessly value their dedicated fans, affectionately known as Marathoners. After all, it is for them that they continue to write about what they want and play what feels right. T-Rex Marathon’s music is a simple blend of attack and melody that has the main goal of being not only fun to play, but fun to listen and rock out to.

The stage is a performing area, and this band refuses to give anything but their all at every show. They have had the pleasure of sharing the stage with bands such as: Of Burning Empires, Flesh Over Faith, Faithful Unto Death, and Project Mantra. They have also played Wretched Fest 1&3, Unite and Ignite 2012, 2014.

 

To date, the band has released 2 EPs Aurelia (2017), Eponymous (2016), and are readying to share with fans their first full length ” Days Without Incident ” due out October 16th, 2020.

– 30 –

“Each band member draws in a different musical influence, from Alexisonfire (post-hardcore) to Blink-182 (pop-punk), to even Coheed and Cambria (progressive rock), creating a sound that is impossible to be kept in a box.” – Asha Swann

“For fans of hardcore, punk and just good rock n roll, people from all over the spectrum should get on this!” – Punkanormal Activity

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Earth’s Yellow Sun New Animated Video “Part III – Betrayal”, “The Infernal Machine” Celebrates 5 Years!, Re-release EP Tracks w/ Animated Videos

  • September 4, 2020
  • by Asher
  • · Earth's Yellow Sun · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – September 4, 2020

For fans Periphery, Snarky Puppy, Dream Theater, Animals As Leaders, Thank You Scientist

Earth’s Yellow Sun New Animated Video “Part III – Betrayal” 

“The Infernal Machine” Celebrates 5 Years!

Re-release EP Tracks w/ Animated Videos

Top L-R Brian Dhari (Tenor Sax), Josh Hanff (Guitars), Chris Bruder (Keyboards)

Bottom L-R Duncan Stan (Bass), Julien Bigras (Drums), Murray Heaton (Alto Sax)

Photo Cred: Michele Dalgarno, Samantha Carcasole, Eric Soto

Five years ago Toronto’s Earth’s Yellow Sun released their sophomore EP “The Infernal Machine”. Now to celebrate the anniversary of that EP, they are re-releasing the tracks in the form of animated videos. The band has unleashed two videos so far, “Part I – Assembly” and “Part II – Unveiling”. Today, the band unveil their third video for the track “Part III – Betrayal”, continuing the next chapter of their illustrated story.

The band explains the track:

“‘Part III – Betrayal’,  the robot realizes the contradiction between its core mission of bringing peace and stability to the world, and the violent path that has bet set for it by its human creators.  The intelligence chooses to revise its own mission parameters, and proceeds to turn on the human civilization in order to bring peace and stability to the world at large.  Violence ensues.”

The animated video for “Part III – Betrayal” can be viewed HERE.

Previous videos:
“Part II – Unveiling” HERE.
“Part I – Assembly” HERE.

Earth’s Yellow Sun‘s concept EP “The Infernal Machine” is the perfect soundtrack to these videos, the premise lying in a futuristic society, the dependency on technology and artificial intelligence, and the conflict that arises between man and machine. Guitarist Josh Hanff shares his excitement for this project:

“The release in question, The Infernal Machine was actually released exactly five years ago, but we are releasing this comic book video concept for the five-year anniversary.  The project has been in the works between myself and a couple of artists since the actual EP was completed, and we’re really excited to be able to finally show our fans (and potential fans) the story behind the music, which was always in my mind (and my co-producer’s mind) as we created the EP back in 2014/2015. “

An incredible mix of guitars, saxophone, choir, violins, and a heavy rhythm section, Earth’s Yellow Sun is difficult to label yet easy to enjoy. Recommended for fans of Periphery, Dream Theater, and Animals as Leaders.

To hear “The Infernal Machine” in full, please visit the following links on EarthsYellowSun.bandcamp.com, Apple Music, Spotify


Track Listing:
1. Part I – Assembly (6:09)
2. Part II – Unveiling (2:58)
3. Part III – Betrayal (3:31)
4. Part IV – Bastion (3:12)
5. Part V – Rapture (7:14)
Album Length: 23:06

For more info:
EarthsYellowSun.net
Facebook.com/EarthsYellowSun
Instagram.com/EarthsYellowSun
EPK

About:

Difficult to Label; Easy to Enjoy

We are Earth’s Yellow Sun, an instrumental band hailing from Toronto, Canada. While often described as “progressive metal”, you’ll quickly find that it’s not so simple to label us – our unique approach to writing music is unlike anything you’ve heard before. Blending a crushingly heavy rhythm section with soaring melodic saxophone lines and funky organ pads, Earth’s Yellow Sun is like the love child of Periphery and Snarky Puppy that you didn’t know you needed in your life.

Our most recent release “Under the Covers” features our cover arrangements of three songs from vastly different corners of the musical world, featuring collaborations with some talented vocalists. From the progressive rock realm, we cover Rush’s “Overture 2112/The Temples of Syrinx”, featuring the incredible Rody Walker of Protest the Hero. From jazz territory, we cover pianist Tigran Hamasyan’s instrumental rhythmic mind-bender “Entertain Me”. And from the pop world, we cover the Backstreet Boys hit “Larger Than Life”, featuring the vocals of Lauren Babic of Red Handed Denial.

As an instrumental band, we rely on our music to convey our stories. Our sophomore release “The Infernal Machine” is a concept record that chronicles a futuristic society’s dependence on technology and artificial intelligence, and the ensuing conflict between man and machine. The creation of this EP saw us venture further into experimental territory, incorporating unconventional instrumentation such as violin, choir, and tabla into sound.

Earth’s Yellow Sun was initially conceived in 2014, while we were attending Humber College’s music program. After bonding over our mutual interest in heavy progressive music, and our shared desire to write innovative music of our own, we formed a school ensemble where we first toyed with the idea of incorporating saxophones into a metal band. This experiment proved to be a great success, and Earth’s Yellow Sun rose from the ashes of the school ensemble once classes came to an end.

Our unique and eclectic sound allows us to fit into a variety of different concert bills. Since our live debut in 2015, we have been fortunate enough to share the stage with several notable acts, including Between the Buried and Me, Protest the Hero, Intervals, Intronaut, Plini, Thank You Scientist, Moon Tooth, Auras, and Red Handed Denial. We greatly look forward to returning to the stage as soon as we can, bigger and better than ever.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 “Anthelion” Highlights The Elaborate, Elegant Complexities of Every Hour Kills’ “Re:Awaken”, “Anthelion” ft. guest vocals Chris Thoresen (Shark Infested Daughters) & guest guitar solo Travis Montgomery (Threat Signal, Meytal), Premiere Single via NewFuryMedia

  • September 4, 2020
  • by Asher
  • · Every Hour Kills · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – September 4, 2020

Interview request at asher[@]ashermediarelations[.]com

For fans of Soilwork, In Flames, Starset, Bring Me The Horizon, Veil of Maya

“Anthelion” Highlights The Elaborate, Elegant Complexities of Every Hour Kills’ “Re:Awaken”

“Anthelion” ft. guest vocals Chris Thoresen (Shark Infested Daughters)
& guest guitar solo Travis Montgomery (Threat Signal, Meytal)

Premiere Single via NewFuryMedia

New EP “Re:Awaken” Out October 9th

Photo: L-R Sacha Laskow (Guitar & Programming) | Jerrod Maxwell-Lyster (Vocals) | Brent Stutsky (Bass) Photo Edit: Empirius

Canada’s Every Hour Kills have the third single off the upcoming EP “Re:Awaken” ready for ears. The second of four tracks on the album is spacey, heavy with a complex barrage of sounds making it truly euphonic.

“Re:Awaken” is a concept album with a rich and colourful story that plays into the lore of Every Hour Kills. It sends the listener into the 22nd century, where humanity is deteriorating and the only help seems to come from a race of aliens, the Illusions. Their proposition was simple: in exchange for children who had not yet been consumed by the plague, they would give us medicine to heal the sick.

The single “Anthelion” features a guest guitar solo from Travis Montgomery of Threat Signal, Meytal, and Kill The Lights and is an angry tale of a man having his autonomy and rights taken away by the elite race and the loss of privacy in the new technological age. The band explains the listening experience in their own words:

“It is meant to smash together progressive metal with a cinematic film score. There are literally hundreds of tracks of synth and orchestration going on underneath the metal band foundation; so, each listen should uncover new tidbit of ear candy and layers, especially with headphones or good speakers!”

As an internet-only project, Every Hour Kills leverages this sole focus in bringing in a wide variety of guest artists from around the world and collaborates with artists of all kinds. This EP comes with a visual storybook from Splice Comics that supplement the themes of the band.

Geared towards fans of sci-fi, djent, and progressive metal, especially those with Scar Symmetry, Starset, and Bring Me the Horizon in their rotation “Re:Awaken” comes out on October 9, 2020.

The single “Anthelion” can be heard via its premiere on NewFuryMedia HERE. 

The full EP “Re:Awaken” will be releasing on October 9, 2020. EP Pre-Save HERE.

Previous singles:
 “Veiled Aurora” YouTube, Spotify, Facebook
“Time” ft. guest guitar solo Rick Graham (Joe Satriani cover) YouTube


Track Listing:
1. Veiled Aurora (ft. guest vocals Shaley Bourget of Dayshell, Of Mice & Men & guest guitar solo Morgan Reid of Bloodshot Dawn) (4:18)
2. Anthelion (ft. guest vocals Chris Thoresen (Shark Infested Daughters & guest guitar solo Travis Montgomery of Threat Signal, Meytal) (4:26)
3. Re:awaken (4:12)
4. Time ft. guest guitar solo Rick Graham (Joe Satriani cover) (5:04)
5. Veiled Aurora (Instrumental) (4:18)
6. Anthelion (Instrumental) (4:26)
7. Re:awaken (Instrumental) (4:12)
8.  Time (Joe Satriani cover) (Instrumental) (5:04)

More info:
EveryHourKills.com
Facebook.com/EveryHourKills
Instagram.com/alansachalaskow
Twitter.com/everyhourkills
EPK

About:

“Every hour wounds, but the last one kills” – Anonymous

Every Hour Kills is a powerhouse ensemble featuring the core of ex-Divinity / Enditol guitarist Sacha Laskow, bassist Brent Stutsky (ex-Breach of Trust), along with vocalist Jerrod Maxwell-Lyster (ex-Out of Your Mouth).

The new EP titled ‘Re:Awaken’ set for release on October 9, 2020, tells the stories of individuals existing in this fragmented future; their struggle to exist amidst the chaos of forces of the elite race and the constant encroaching tide of technology. An accompanying illustrated short storybook by Splice Comics will delve even deeper into the EHK lore.

Every Hour Kills was built to challenge the idea of what defines a “band”. Rather, the group sees itself as a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand. The lyrics, artwork, visuals, and themes all look toward the future, asking the key postmodern question of how will emerging technology and our humanity progress and co-exist?

Shared Stage with: Godsmack, Apocalyptica, Trivium, Obey the Brave, Into Eternity, Kobra and the Lotus

Endorsed by: Fractal Audio, Bareknuckle Pickups, Toontrack

Nominated YYC Music Award – 2016, 2019 for Metal Recording of The Year

– 30 –

“The band plays a sound of metal sounds extremely modern and melodic, coming across as a mix of Scar Symmetry and Fear Factory, with sprinkles of djent for added flair.” – New Noise Magazine

“Should the band be able to hold this standard on their first full-length album, one has to count on Every Hour Kills in the first league of Modern Metal. CrypticRock gives Every Hour Kills 4.5 out of 5 stars.”

“The song has an amazing feel to it that is uplifting and empowering at the same time and it makes you feel like could run a marathon and finish first place. “ – Headbanger Review

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 EPK – The Myopia Condition – Event Horizon (2020)

  • September 3, 2020
  • by Asher
  • · EPKs · The Myopia Condition

EPK – The Myopia Condition – Event Horizon (2020)

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

Album Title: Event Horizon
Release Date: October 16, 2020
Label: Independent

For fans Oh Sleeper, Death, Gojira, Beyond Creation, As I Lay Dying

Facebook.com/TheMyopiaCondition | Instagram.com/themyopiacondition.band | YouTube

““Separation From Classification” proves to be a mix of moods and sensations, as well as stylistic accents. Through dragging chords, a lumbering gait, and wailing notes it manifests gloom and despair. A ringing riff creates a sense of coiling tension and encroaching menace. Swirling leads dose the mind with feelings of eeriness and dread. It erupts in bouts of jackhammering brutishness and drops low-end detonations. And about three minutes in, the band create a stark juxtaposition, beginning with a moody yet enthralling guitar solo and then exploding in an assault of pulverizing rhythms, soaring yet ominous melody, and frantic fret-burning mayhem. Throughout, the vocals create their own juxtapositions, veering from heartless growls to skin-splitting shrieks but continually amplifying the song’s intensity. The combination of all these sensations creates a visceral response, and the overarching mood is one that seems to combine anxiety and beleaguerment with fierce defiance.” – No Clean Singing

“I love genre mashups, and the debut record from Canadian group The Myopia Condition mixes the ideal ingredients for a hot & spicy chaos cocktail. Clocking in at 28 minutes, “Event Horizon” is a short and compact release, but one that will jolt and drill your brains so fiercely that you’ll be begging for mercy. This hard-hitting beastie runs on a drilling deathcore motor and a djenty gearbox boosted by a tech-death turbine that allows it to take you from 0 to 60 head injuries in just under 4 seconds.” – The Prog Space

“The Myopia Condition don’t waste any time teasing and they go straight for the jugular. “Event Horizon” is superbly technical and madly aggressive all the way through. The production is clean and hi-fi, showcasing all sounds and textures in great quality, but it also allows the grit and grind to scrape your ears. There are some stand-out moments like the menacing keyboard driven intro, the clean guitar and bass break in  ‘Separation from Classification’ and the use of shouty clean vocals in ‘Fighting Fables’. When it’s all wrapped, we have a nasty little 28 minute devil that takes no prisoners and also shows a remarkable degree of creativity! 8/10 ” – The Prog Space

“The Myopia Condition showcase some serious skill and killer musicianship with their debut release. Watch out for their release this fall and prepare to get shaken!” – The Independent Voice

“”Event Horizon” is not a long album, just twenty-eight minutes consisting of eight tracks and an intro, but it’s what The Myopia Condition manage to squeeze into this time frame that really matters. It’s an intense and well filled album that demonstrates a lot of seriously good musicianship. An engaging meld of crushing rhythmic grooves, devastating breakdowns and face searing growls all delivered as very ambitiously constructed tracks that ooze technical excellence and brutality in a very engaging manner that results in an all-out assault on the senses. 4.5/5” – The Metal Wanderlust

“If you listen to one album this week that you haven’t heard before; make it this one. You won’t be disappointed. [8.5/10]” – Metal Noise

““Event Horizon” is a reflection of approach desolation with an array of weapons and, as such, takes the fight against this inevitable ending. If you are going to tell a story, then you need to tell it well – and here the precision, the delivery and the language are executed with the craft of an ancient fabulist. 8/10” – CVLT Legion

“The worlds of technical death metal and metalcore rarely, if ever meet, but I think I’ve just stumbled upon the purest combination of the two that money can buy, and it’s actually really badass! Meet The Myopia Condition, they’re a Canadian act, and this is their first album, Event Horizon. It’s pretty short, as it clocks in at under 30 minutes, but it packs a punch all the same. You can hear a lot of Meshuggah, Veil Of Maya, and modern tech death like Inferi in their sound, but they have a flare that’s all their own.” – Noob Heavy

“Event Horizon is an impressive debut” – Scream Blast Repeat

BAND STORY ANGLES / FUN FACTS FROM THE BAND

1. Loud As Hell festival is always a crazy memory fuzzed time. You sorta get on the liquor train with all the games and fun everyone has going on. Whether it be beersbie or beer bongs. Beer anything really. Anyways our guitarist Josh had a bit too much of the beer indulging the day before our set. We played early afternoon and as some of you may know it gets freakin’ hot in that Drumheller area. I (Josiah) remember looking over at Josh near the end of our set and he was looking like something wasn’t right. After the set, he ran out back and hurled. hahaha. None the less he was a trooper and killed the set and we put on a wicked show.

2. Festivals are always the most fun. When we played Armstrong Fest we got to do an interview with Taylor Made Studios. It was awesome. We all sat in a pool and answered in a goofy manner. It’s funny though because out of all the interviews we have had, for some reason Josh hasn’t found his way into one of them. Hopefully one of these times he will be able to jump in a pool and answer some questions with us.

3. This moment was at the last battle of the bands for Wacken Metal Battle Canada. It was our last song of the set, Fighting Fables. Right at the beginning one of Greggins kicks had a malfunction. It’s crazy because he had to play the rest of the set with just one kick. And if you listen to that song you should be impressed by that. hahaha. The funny thing is if you watch the live video of it you can just see the sheer “uh oh” moment in Greggins face. But he recovered like the beast that he is and finished off the set using just one kick.

4. Song 9000 actually was the writing name of the track. I (Josiah) just took too long figuring out a name for it and the boys were just like, “Let’s just keep the name Song 9000.” It is one of those things that just shows our goofy side I suppose. Lyrics are far from the name of the song, but hey, it’s a sweet title none the less.  

L-R – Craig MacKenzie – Guitar, Josh Gould – Guitar/Vocals, Josiah Dyck – Vocals, Robert Fearey – Bass, Vocals, Greg Glenn – Drums

Photo Credit: Robert Fearey

Through a will to create pure rhythmic brilliant chaos, came a manifestation of power and heaviness from the west Canadian prairies.  The Myopia Condition was created.

It started with a melding of minds between Josh Gould (guitars) and Greg Glenn (drums). Immediately they went to work toying with ideas that had been in Josh’s head for some time. They soon brought in Robert Fearey (big guitars) and the chemistry was immediately noticed. On vocals is the gritty powerhouse Josiah Dyck and finishing off the five-piece on guitars is shred-meister Craig Mackenzie.  The vibe between the boys is vastly apparent. They have found a groove to exploit and continue to refine their sound.

Hailing from Sh-Red Deer, Alberta The Myopia Condition has a sound that combines crushing rhythmic grooves, devastating breakdowns, and ballsy in the pocket riffage. With influences ranging from Periphery and Meshuggah to Lamb of God and Oh Sleeper.

In 2018 The Myopia Condition made its way to the Canadian Wacken Metal battle finals which goes to show the hard work and passion these boys put into their music and their stage performance.

The boys have made appearances at festivals such as Armstrong Metalfest and Loud As Hell, and continue to hone their Djent-Core sound. Their debut eight-song album “Event Horizon” is being released on October 16, 2020.

Discography:
2020 – Event Horizon

Shared Stage with:
Blackwater Burial, Nekrogoblikon, Protosequence, The Slyde, Fjell Thyngor, The Kodiak, Plaguebringer, Fit For An Autopsy, Omniarch, Origin, This Gun for Hire, Archspire, Quietus, Dusty Tucker

Tour and Festivals:
2018 – Loud As Hell – Drumheller, AB
2019 – AMF – Armstrong, BC
2019 – Canadian Wacken Metal Battle Finalist

[Download Album Cover | Download Album Lyrics]

Album Title: Event Horizon
Release Date: October 16, 2020
Label: Independent

Track Listing:
1. Event Horizon (1:01)
2. Separation From Classification
3. Brainwashed (3:08)
4. AfterLife (2:57)
5. Walk Me Home (2:45)
6. Song 9000 (3:28)
7. Empty Room (2:50)
8. Rotting Soul (3:05)
9. Fighting Fables (4:26)
Album Length: 23:43

Album Credits:
• All songs performed by: Josh Gould, Greg Glenn, Rob Fearey, Josiah Dyck, David Luchenski
• All songs written by: Josh Gould
• Produced by: Heath West, Diego Fernandez, Robert Fearey, Josh Gould
• Mixed by: Diego Fernandez
• Mastered by: Diego Fernandez
• Canadian Content (MAPL)

Album Band Line Up:
Josh Gould – Guitars/Vocals
David Luchenski  – Lead Guitars
Rob Fearey – Bass Guitar/Vocals
Josiah Dyck – Lead Vocals
Greg Glenn – Drums

Live Band Line Up:
Josh Gould – Guitars/Vocals
Craig MacKenzie – Guitars
Rob Fearey – Bass Guitar/Vocals
Josiah Dyck – Lead Vocals
Greg Glenn – Drums

0 Sadistic Embodiment’s Nightmares Come Alive With “Phantom Tormentor”, Single Premiere “Phantom Tormentor” via Decibel Magazine, New Album “Blood Spell” Out September 18th, 2020 via CDN Records

  • September 2, 2020
  • by Asher
  • · Music News · Sadistic Embodiment

(contact info below)

NEWS RELEASE

Montreal, QC – September 2, 2020

For fans of Gojira, Rotting Christ, Bloodbath, Kataklysm, Strapping Young Lad

Sadistic Embodiment’s Nightmares Come Alive With “Phantom Tormentor”

Single Premiere “Phantom Tormentor” via Decibel Magazine

New Album “Blood Spell” Out September 18th, 2020 via CDN Records


L-R – Bryan James Newbury (Drums); Jason Cullen (Rhythm Guitar); Wally Fischer (Lead Guitar); Curtis Vieville (Bass)
Photo Credit: Danika Challand AKA Demonika

Canada’s Sadistic Embodiment will be unleashing their new album “Blood Spell” on September 18th via CDN Records. Prior to its official release, the band is sharing with fans their next aural assault with their third single “Phantom Tormentor”. The track itself is all about nightmares, post-traumatic stress, and hallucinations. The driving extreme rhythm mixes with tortured vocals along with plenty of subliminal content throughout with lyrics sourced from dark personal experiences of guitarist Wally Fischer.

Fischer explains further:

“Originally written very shortly after our 2019 EP ‘Beloved Imprisonment’, this song in its early form was part of our set list throughout 2019, but parting ways with our vocalist meant this song needed new lyrics. 2019 and 2020 was a brutal time in my personal life. Waking up in cold sweats, tormenting nightmares, and conscious anguish was a constant. One such night, I woke up and felt darkly inspired. While watching streams of abstract horror games on YouTube in the background, I wrote the lyrics chronicling my emotions. The recording transcended this song from its original form, and I think many will find it speaks to their own demons, both internal and external.”

Today, the band has teamed up with Decibel Magazine for the premiere of “Phantom Tormentor” and its lyric video, which can be heard HERE. 

Sadistic Emboidment‘s new full length “Blood Spell” follows the band’s three EPs Beloved Imprisonment (2019), Blodörn (2018), and Self-Titled (2018). Continuing their sonic onslaught, each of the nine songs on “Blood Spell” has a distinct feel given the variation in vocal and instrumental styles throughout the album. Each song stands out and yet they are all uniquely Sadistic Embodiment. This will please old school death metallers and the new school with a variety of punch-in-your-face hooks, melodic passages, and absolutely brutal anthemic choruses.

The band comments:

“After spitting out three EPs this last couple of years, we were really stoked and kind of nervous settling into a longer writing and recording process for Blood Spell. As per usual, we cranked out the material during bi-monthly jams, but this time we really took our time crafting the music once the main structure of the songs was built. Our sound is still exactly the same, but the listeners may hear more broad musical influences across the nine tracks.  There are tracks that sound distinctively Wally and Jason and certain tracks where you really hear Bryan shine as he shows off his technical prowess.

A lot of our songs are longer than your average death metal track, and they are relatively simple in regards to guitar and lyrical work. But with longer playtime, we were able to fit in more ambiance and guitars solos into every nook and cranny.”

“Blood Spell” will be released on September 18, 2020 on all major digital platforms along with being available for pre-order (CD) from CDN Records here.

The album is for fans of both old school death metal and newer that will appreciate it. Especially fans of Gojira, Bloodbath, and Kataklysm. Like a pungent black onion, “Blood Spell” has many layers of groovy, mid-tempo riffs, choruses alongside pain, anguish, and rage; the instrumental and vocal nuances meticulously build into each song.

Lyric Video – Catherine’s Braid – YouTube
Lyric Video – Gallows Hill – YouTube


Track Listing:
1. Stranger (4:41)
2. Gallows Hill (5:33)
3. Catherine’s Braid (6:03)
4. Phantom Tormentor (4:41)
5. Nebulae (Call of the Void) (2:48)
6. Suicide Ceremony (3:09)
7. Global Enema (4:06)
8. Flesh Deposition (5:37)
9. Cerebral Termination (5:26)
Album Length: 42:08

Sadistic Embodiment is:
Bryan James Newbury (Drums)
Jason Cullen (Rhythm Guitar)
Curtis Vieville (Bass)
Wally Fischer (Lead Guitar)

For more info:
CDNRecords.com
Facebook.com/sedeathmetal
Instagram.com/sadisticembodimentofficial
EPK

About:

The sadistic death metal quartet was originally conceived in Edmonton, Alberta. Although all Edmonton born half of the group now resides in Calgary, travelling frequently to join the others in crafting extreme musical works. Each member brings their own distinct flair to the music, live theatrics, and social media content.

Drummer Bryan Newbury (also known from Into Eternity, Untimely Demise) formed the project in the fall of 2017 by inviting Curtis Vieville and Helge Lipphardt to jam simple and catchy death metal. A couple of months later, Jason Cullen joined the group and then Nate Mandrusiak joined shortly thereafter, forming the five-piece that produced their Self-Titled (March 30th, 2018) and Blodørn (September 8th, 2018) EPs. Curtis Vieville left to travel for the summer of 2018, leaving the band to record bass and vocals for the Blodørn release on his behalf.

During the late fall of 2018, the group parted ways with Helge Lipphardt and brought on Curtis’ old bandmate Wally Fischer. Continuing their relentless musical onslaught the group wrote and released the EP Beloved Imprisonment on January 31st, 2019, showcasing their evolved sound. But the work was far from over and after a few gigs; the group began work constructing their first full-length album. During that period the band parted ways with their singer Nate in early 2020, and from thereafter the group became a three-pronged vocal assault team.

Completing their work in the spring of 2020, the milestone album “Blood Spell” was finally realized. As if sensing the impending debut, CDN Records approached the band with a record deal just as the final touches were being completed. And thus Sadistic Embodiment joined the CDN Records family.

Each release from Sadistic Embodiment grows in depth and complexity while maintaining simple and heavy death metal passages. They pride themselves on having catchy choruses intermixed with powerful and epic melodies. The newest material exhibits dark soundscapes with a lot of variation in song type and feel. Listen closely and you will find evil and pain lurking in the mix

“Blood Spell” is due out September 18, 2020 via CDN Records.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Rockshots Records: Australian Sleaze Rock LACED IN LUST New Single “Save Me”, New Album “First Bite” Coming 2021

  • September 2, 2020
  • by Asher
  • · Laced In Lust (Rockshots Records) · Music News

(contact info below)

 

NEWS RELEASE

Montreal, QC – September 2, 2020

For fans of Airbourne, Scorpions, Status Quo

Rockshots Records: Australian Sleaze Rock LACED IN LUST New Single “Save Me”

New Album “First Bite” Coming 2021

Australia’s naughty sons of Adelaide, Laced In Lust announce their signing to Rockshots Records for the release of their debut full length “First Bite” due out in 2021. The debut album follows the band’s fan loved EPs “Party’s Over” (2016), “Firing Lines” (2014), and “Fire” (2012) that the band supported with tours across Australia and Europe along with sharing the stage with Crashdiet, Fear Factory, Gloryhammer, Tygers of Pan Tang and an arena tour in Switzerland with Status Quo as main opening act.

With a sound frequently described as a “Sleazy Status Quo” with the image of the “Sunset Strip”, Laced In Lust has been turning heads since their first show in April 2012. The 14 track debut album is a diverse record with some major sleaze elements to hold true to the genre, but also have some just good ol’ Aussie rock n’ roll tones with a slice of dirty blues.

Bassist Oopie adds:

“This album is full of blood, sweat, tears, and perhaps some other fluids! It’s been one hell of a party. With numerous E.Ps it was the next logical step, but little did we know it was writing itself whilst we were giving it all playing live shows all over the world and meeting the most important members, the fans, supporters, our new friends, which for me is who this album is really for. The events leading up, the love, the loss, the highs and lows, and all the experiences in between are what makes “Bite Me” something I’m really proud of and ready to share with the rest of the world.”

Today, the band is teasing fans with their first single “Save Me (L.I.L. Woman)” off the forthcoming album. The band explains the story behind the track.

“Well ‘Save Me’ is a story from touring. It’s really talking about the game of cat and mouse at the bar between sexes. It gets lonely on the road sometimes and everybody needs somebody at some stage. That’s why the L.I.L Woman (Laced In Lust Woman) part is sung, as really without these women and these adventures and even those relationships we wouldn’t have experiences to sing about or develop as people. So overall the song is really a dedication to all our women friends and the ongoing battle of ‘sex is war’.”

Listen to “Save Me (L.I.L. Woman)” at the following links:
YouTube (Lyric Video)
Spotify


Laced In Lust is:
Torsten Steel – Lead Vox/Guitar
Nick Robinson – Lead Guitar/Vox

Oopie – Bass/Vox
Russell Boyd – Drums/Vox
Caleb Wynne (Touring Bass Player)

For more info:
Rockshots.eu
Lacedinlust.com.au
Facebook.com/lacedinlust
Instagram.com/lacedinlustband

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Autocatalytica – Powerclashing Maximalism (2020)

  • September 1, 2020
  • by Asher
  • · Autocatalytica · EPKs

EPK – Autocatalytica – Powerclashing Maximalism (2020)

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

For fans of Devin Townsend, Meshuggah, Protest The Hero, Dillinger Escape Plan

Album Title: Powerclashing Maximalism
Release Date: October 16, 2020
Label: Self-Release

Facebook.com/Autocatalytica | Instagram.com/autocatband | Youtube.com/Autocatalytica

Spotify | Autocatalytica.bandcamp.com | Amazon

“With a bewildering, cross-pollinated sound that makes The Dillinger Escape Plan sound like Nickelback, the math-metal crew Autocatalytica are pushing the boundaries so far that they may just fall off the world’s edge…  While the math-metal scene seems to have stayed in the same creative spot for the last 15 years, Autocatalytica’s music exists in its own psychotic realm, wherein jazz-tinged extremity and melodic mazes conjure a disorientating blur of psychedelic noise. The band have also earned themselves a formidable reputation as a truly mind-bending live act.” – Metal Hammer

“Crazy mathcore meets jazz-infused progressive music and avant-garde… Fabulously unique and always thrilling”- Metal Trenches

“Autocatalytica aren’t alone in bringing in so many outsides elements into a mathcore-focused sound, they are definitely one of the most ambitious and grandest groups I’ve heard do so to date.” – No Clean Singing

BAND STORY ANGLES / FUN FACTS
1. Autocatalytica has had upwards of 15 different members, so many so that at one point they printed T-shirts for all ex-members with “I used to be in Autocatalytica” printed on them.
2. Autocatalytica has always been extremely DIY for better or worse, with Eric Thorfinnson doing most of the mixing/production on every release.
3.Autocatalytica has a strong connection to classical music, with an arrangement of Claude Debussy’s “Tarantelle Styrienne” appearing on their first release.
4. At one point during the initial recruiting process, Autocatalytica would have potentially had 3/4 of its member’s named Eric(k)
5. Many of Autocatalytica’s lyrics are influenced by Eric Thorfinnson’s experience with meditation retreats & practice.

Pictured – Guitarist/Vocalist/Producer – Eric Thorfinnson

Photo Credit: Walker Esner

Autocatalytica is a bubbling cauldron of scatter-brained prog-metal insanity helmed by Guitarist/Vocalist Eric Thorfinnson.

Formed as a solo project in 2009, Thorfinnson has always drawn inspiration from a vast collage of different artists. From The Dillinger Escape plan, to The Mars Volta, to Bjork, to Devin Townsend, to 20th century composer Bela Bartok, Autocatalytica’s sound is sure to surprise and intrigue listeners of all persuasions.

Upon moving to Boston to study at Berklee in 2010, Thorfinnson recruited guitarist Erik Sorensen, Drummer Emmett Ceglia, and bassist Jon Anderson to flesh out Autocatalytica’s line-up. Over the next few years the band played its first shows and in April of 2012 released their debut EP “Horror Vacui”.

The group relocated to Brooklyn in the fall of 2012 and immediately began to rehearse and write a full-length record. In June 2013 the group began recording its eponymous LP, while continually playing shows along the east coast of the US. They released their Debut LP “Autocatalytica” in June 2014, and continued to play shows in and around Brooklyn, all the while furiously composing a follow-up record.

In early 2015, Thorfinnson found out he was going to have to move back to his native Toronto, ON, but despite this, the band decided to finish writing and recording the songs to their follow-up LP. In October 2015 tragedy struck the group when Guitarist Erik Sorensen suddenly passed away from an undiagnosed heart condition. Despite reeling from this massive trauma and coming to terms with Thorfinnson’s impending relocation, the group finished tracking drums to their next LP and played their final show as a Brooklyn-based incarnation on Nov. 21st, 2015.

Thorfinnson spent most of 2016 toiling away at the tracking and mixing of this next record at home in his native Oakville, Ontario, and December 9th, 2016 the group released the LP “Vicissitudes”, a 16-track maximalist genre-gauntlet of sporadic insanity.

Over the next few years, Thorfinnson spent most of his time on other projects, as the future of Autocatalytica remained uncertain. In 2018 he decided there was still more music to be had from Autocatalytica, and teamed up with his friend and drummer Neilroy Miranda (of local Jazz-math stalwarts “Dog Drive Mantis”) to rehearse and record a new record. The idea for this record was to be a much more collaborative effort than previous releases that had seen Thorfinnson handing all vocal and most guitar duties. The record features a smattering of collaborators including Parliament Owls / Telomere’s Devlin Flynn, Northern Heirs’ Scott Carruthers, and Plethora’s Gary Walsh to name a few. The LP “Powerclashing Maximalism” explores all corners of Autocatalytica’s sound in a tight eight tracks and 36-minute runtime, from the Meshuggah-esque stomp of “Borndun” to the Jazzy Math Rock of “Cheggo”. While at this time Autocatalytica exists solely as a recording project, but no one knows what the future holds!

Thorfinnson adds about the upcoming album:

“‘Powerclashing Maximalism’ is an expression of the many different facets of progressive and heavy music I am engaging at this point in my life, with little to no regard for thematic consistency between tracks. Each song is a fully realized island of uniqueness that expresses something totally different from the previous one. On the last record, I felt like I was really losing perspective with what was good and quality (especially in the vocal department) seeing as I did so much of it completely isolated. With this record, I really wanted to move away from that mindset and integrate as many collaborators as possible to create a sort of “Broken Social Scene” of metal type vibe. This was a fantastically inspiring experience and I am really grateful for having been able to work with so many different amazing musicians throughout the process.”

Autocatalytica’s third album “Powerclashing Maximalism” is due out October 2020.

Discography
2020 – Powerclashing Maximalism – LP
2016 – Vicissitudes – LP
2014 – Autocatalytica – LP
2012 – Horror Vacui – EP

Shared Stage With:
Bangladeafy, Impossible Voyage, Binary Code, Pyrrhon, Tippwerk, Oculescics, Knucklewagon, Sulene, Replacire, Bear Language, Das Muerte, The Fine Constant

Tours and Festivals:
Autocatalytica October Tour 2014

Album Artwork by Rachel Lindover & Eric Thorfinnson

[Download Album Cover | Download Album Lyrics]

Album Title: Powerclashing Maximalism
Release Date: October 16, 2020
Label: Self-Release

Track Listing:
1. Borndun (5:18)
2. Zippler (3:33)
3. Trash Serum (5:19)
4. Cheggo (4:35)
5. Dukka Dukka (6:00)
6. Bananas Have Potassium (4:05)
7. Crawboi (6:08)
8. Graveo (2:32)
Album Length: 37:34

Album Credits:
• Drums tracked / Engineered by Calvin Hartwick @ Dream House Studios Toronto
• Mixed by Eric Thorfinnson with help from Luc Chiasson
• Mastered by Reuben Ghose @ Mojito Mastering
• Artwork by Rachel Lindover & Eric Thorfinnson
• Drums on tracks 1,2,3,4,5 & 7 by Neilroy Miranda
• Screams on tracks 1,2,3 & 5 by Gary Walsh
• Clean Vocals, lyrics on tracks 1,3 & 5 by Scott Carruthers
• Clean Vocals, lyrics on track 2 by Devlin Flynn
• Clean Vocals on track 7 by Amy Beth Anders
• Saxophone on track 4 by Derek Serbin
• Violin on tracks 1 & 2 by Laura C. Bates
• Guitar Solo on track 1 by Jeffrey Corcoran
• Track 8 written by Erik Sorensen, arranged by Eric Thorfinnson
• All other guitar, bass, drums & vocals recorded at home by Eric Thorfinnson
• All songs written by Autocatalytica
• Canadian Content (MAPL)

Album Band Line Up: See credits

Live Band Line Up: TBA

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