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Posts By Asher

0 EPK – Knecht – Self-Titled (2021) (EP)

  • June 7, 2021
  • by Asher
  • · EPKs · Knecht

EPK – Knecht – Self-Titled (2021) (EP)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Haken, Dream Theater, Porcupine Tree, Plini, Liquid Tension Experiment

Instagram.com/joeknecht.exe | Facebook | YouTube | Spotify

EP Title: Knecht
Release Date: July 16, 2021
Label: Joe Knecht
Distribution: Distrokid

“I wanted to write something that was short and that people could groove too.  While there are some complex sections in my songs, they serve a purpose and are not just there to be flashy. The EP sounds like a blend of new and old.  Djenty riffs combined with the classic keyboard sounds like the Hammond Organ and Minimoog.  My songs have a more bluesy feel like classic 70s Prog even though I used a fair amount of mixed meter and poly meters.  If you listen closely you can hear Jimmy Page licks in my solos and melodies.” – Knecht

====================

BAND STORY ANGLES / FUN FACTS:

1. Joseph Knecht is a multi-instrumentalist, first playing piano when he was five and picked up playing guitar one year later with learning to play bass in high school.

2. The track Working Title is entitled as a kind of inside joke. When Joseph first started writing the song, he could not come up with a proper name. So he called it this and the more he kept writing the more the name seemed to fit.

3. Tabernacle Jam is named after Joseph Knecht’s hometown Tabernacle.

================

The EP as a whole:
The EP sounds like a blend of new and old. Djenty riffs combined with the classic keyboard sounds like the Hammond Organ and Minimoog. My songs have a more bluesy feel like classic 70s Prog even though I used a fair amount of mixed meter and poly meters.  If you listen closely you can hear Jimmy Page licks in my solos and melodies.

Track by Track explained:
Transformation – This was one of the first songs I wrote with my 8 strings. It’s a hard-hitting sludgy mixed-meter riff.  With a hint of Tesseract in the middle with the staccato Djenty section.  This song represents my transformation into the style that I have developed.

Tabernacle Jam – It’s an upbeat groove that leans more on the classic Prog side.  The intro was inspired by Chick Corea”s song Spade.

Working Title – Yes that’s the actual name, the main groove makes you want to nod your head in time.  This is my most riff-focused song as it has a lot of polymetric and odd meter sections.

Overture – This is my cover of the Overture from the game Halo Reach.  It’s a much more hard-hitting aggressive take on the original.

Summer Nights – I wrote this song to be a breather.  It’s calming like a warm summer night, with a loud solo section in the middle.  It’s a nice break before the final song.

Destruction – When I wrote this, I knew this was going to be the finale.  It captures everything about my style, with elements from 70s prog rock and modern prog rock.

EP Title: Knecht
Release Date: June 15, 2021
Label: Joe Knecht
Distribution: Distrokid

Track Listing:
1. Transformation (4:50)
2. Tabernacle Jam (3:50)
3. Working Title (4:42)
4. Overture (Excerpt From Halo Reach) (3:42)
5. Summer Nights (3:16)
6. Destruction (5:09)
EP Length: 25:31

EP Credits:
• All songs performed by: Joseph Knecht and Jason Stewart
• All songs written by: Joseph Knecht
• Produced by: Joseph Knecht
• Mixed by: Charles-Henry Volk
• Mastered by: Charles-Henry Volk
• EP Artwork by:
• Member ASCAP

EP Band Line Up:
Joseph Knecht – Guitar, Bass and Keyboards
Drums – Jason Stewart

Pictured – Joseph Knecht – Photo credit – Tristan Ahearn

Joseph Knecht, from Tabernacle, New Jersey, USA, has been playing music since he was a small child. He started out with piano when he was five and picked up the guitar a year later. Bass came along in high school and he attended Berklee College of Music to further his music education.

Looking to share the music he was writing and playing, he created his instrumental solo project Knecht, where he plays everything from classic rock to more modern progressive metal. He performs originals and covers as well as teaches private guitar lessons.

With influences rooted mainly in progressive and groove metal, he replaces vocals with sweeping, complex guitar melodies that are written like vocal melodies. A typical song starts with the rhythm, for him the rhythm guitars by themselves should be interesting and be able to garner attention through the piece. While he is doing this, he is thinking about what he might want the other instruments to be doing as well as keyboard sounds if there will be keyboards. For the drums, he will program a track for writing and recording purposes, but ultimately leaves it wide open for Jason Stewart.

Knecht’s debut self-titled EP is available on July 16, 2021. It features Jason Stewart on drums and was mixed and mastered by Charles-Henry Volk.

0 Canadian Prog Metallers MAITREYA’s New Music Video “Bloom” Off Upcoming Album “Hyper Reels” Out June 25th, Music Video Premiere via V13.net

  • June 7, 2021
  • by Asher
  • · Maitreya · Music News

NEWS RELEASE

Montreal, QC – June 7, 2021

For fans of The Contortionist, Between the Buried and Me, Protest the Hero, Periphery

Canadian Prog Metallers MAITREYA’s New Music Video “Bloom” Off Upcoming Album “Hyper Reels”

Music Video Premiere via V13.net

New Album “Hyper Reels” Out June 25, 2021

L-R: Matt McCabe (Guitar), Steve McMillan (Drums), Matt Cutrara (Vocals), Lyam Morrison (Bass), Mark Wylie (Guitar)
Photo Credit – Jon Butler

Canadian progressive metalcore outfit Maitreya will be unveiling their new album “Hyper Reels” on June 25th. The sophomore full length boasts a higher degree of musical complexity, filthy breakdowns and a wider range on the vocals ebbing from melodic cleans into sustained growls set to a whirlwind of complicated riffs. The record is a heavily layered listening experience, a cacophony of styles, merging together to create an intense wall of sound that forces you to pay attention to all the subliminal notes and tempo changes.

Since January of this year, the band has been revealing videos and singles in lead-up of the album’s release.

Today, the band presents their final single “Bloom” and its music video before “Hyper Reels” officially makes its full audio entrance into the progressive metal moshpit.

Similar to previously revealed singles that were inspired by well-known TV shows and movies, “Bloom” came to life after the band viewed the experimental adult animated film “Waking Life”.

“Bloom takes inspiration from the concept of lucid dreaming and the cryptic messages from the subconscious mind experienced in the dream state. Dreams are something we all share, whether it’s a pleasant walk through a garden with a long-lost friend, a surreal inversion of mundane life, or a horrific run-in with an unknowable evil, we all have them at some time. As universal as dreams themselves is the wish to control these experiences. Bloom explores this idea, through the eyes of a dreamer who finds themselves tormented until they gain control.” adds the band.

The music video visually emulates the inspiration taken from “Waking Life” and can be experienced via its premiere on V13.net HERE.

Spotify here.

“Hyper Reels” is out on June 25, 2021 and is recommended for fans of The Contortionist, Between the Buried and Me, and Protest the Hero.

Album pre-save here.

Previous Music Videos:
“Pilgrim”  https://youtu.be/DHIXyR9nguc
“Summit” https://youtu.be/yvacOheiE3Y
“Catalyst” – https://youtu.be/sLOVpNchls8

Track Listing:
1. Catalyst (7:23)
2. Departed (6:04)
3. Radical (5:31)
4. Summit (4:31)
5. Invaders (6:18)
6. Bloom (4:26)
7. Pilgrim (4:44)
8. Flesh Engine (4:31)
9. Hyper Reels (0:57)
10. Iswara (4:27)
Album Length: 48:56

Album and Live Band Line Up:
Matt McCabe – Guitar
Steve McMillan – Drums
Matt Cutrara – Vocals
Lyam Morrison – Bass
Mark Wylie – Guitar

For more info:
Maitreyametal.com
Facebook/MaitreyaMetal
Instagram.com/maitreyametal
MaitreyaMetal.bandcamp.com
EPK 

– 30 –

“We’re always on the hunt for interesting new metal bands, and Canada’s Maitreya certainly qualifies. The band’s newest single, “Catalyst”, treads familiar progressive metal territory – think vocals similar to Leprous and instrumentation akin to older BTBAM – but rest assured it sounds fresh.” – New Fury Media

“Ambitious and aggressive, Canada’s Maitreya break boundaries from the beginning with Departed. Heavy, contemporary metal chords are underscored by droning, chorusing vocals, but blink and you’ll miss them as Maitreya soon change direction to a growling verse pandemonium. Their riffing is adventurous and deadly, cutting through weighty, rolling rhythms and movements.” – Jace Media

“Their musical abilities were astounding, and I believe they could have been each individually the most technically capable with their instruments of those performing that night.” – Metal Master Kingdom

“Lead-heavy, yet at the same time musically complex, Maitreya’s music is sonic baptism, taking the listener from the fire pits to the icy peaks. The band’s self-titled album weaves an intricate melodic narrative, where both headbanging metal-heavy riffs and reflective vocal lines co-exist in the vortex of sonic alchemy, presented to the listener in its raw, unfiltered elemental form.” – Dentata Music 

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Underground N Proud – ECLIPSER – NEW EP – PAGES

  • June 6, 2021
  • by Asher
  • · Eclipser

https://undergroundnproud.com/2021/06/02/eclipser-new-ep-pages/

0 MyRevelations.de – KARPENTER – SLEEPLESS – Rockshots Records – Review

  • June 5, 2021
  • by Asher
  • · KARPENTER (Rockshots Records)

https://www.myrevelations.de/2021/06/01/karpenter-sleepless/

0 House of Prog – Before & Apace – The Denisovan (2021) – A totally brilliant piece of rock escapism fusing together bundles of extensive guitar histrionics, erratic but well-considered time changes and with a multitude of both off-beat vocals and cleverly worked out harmonies.

  • June 4, 2021
  • by Asher
  • · Before & Apace

A totally brilliant piece of rock escapism fusing together bundles of extensive guitar histrionics, erratic but well-considered time changes and with a multitude of both off-beat vocals and cleverly worked out harmonies.

https://houseofprog.com/blog/2021/06/02/before-apace-the-denisovan-2021/?fbclid=IwAR1EKAYwjdImzV4y1qvh4qKxM0f6e-vOMmOmhVXzhMCKJLIeLrGTMNZVi3w

0 Metal Jacket Magazine – CRAWLING MANIFEST: QUARANTINE STORY

  • June 4, 2021
  • by Asher
  • · Crawling Manifest

http://metaljacketmagazine.com/crawling-manifest-quarantine-story/

0 Metal Jacket Magazine – AVALAND: QUARANTINE STORY

  • June 4, 2021
  • by Asher
  • · Avaland (Rockshots Records)

http://metaljacketmagazine.com/avaland-quarantine-story-2/

0 Every Hour Kills Juxtapose Angular Heaviness With Soaring Melody On “Euclidian”

  • June 4, 2021
  • by Asher
  • · Every Hour Kills · Music News

NEWS RELEASE

Montreal, QC – June 4, 2021

For fans of Veil of Maya, Born of Osiris, Periphery, Erra, Spiritbox

Every Hour Kills Juxtapose Angular Heaviness With Soaring Melody On “Euclidian”

Every Hour Kills, from Calgary, Canada, has a reputation for putting out solid, immersive EPs and creatively artistic music videos. Their latest work “Vacua” is expanding on their trademark sound, albeit it’s a twisted, heavier version than what fans have got used to over the years. This new release will see a new vocalist in the form of Jei Doublerice (Abiogenesis, Despite Exile, Sensory Amusia) and with his inclusion; EHK does away with a lot of the melody and clean vocals, swapping them for brutal breakdowns and turbulent vocals. The initial glimpse into this new form is through the single “Euclidian”.

The single was co-written with Chris Wiseman (Currents, Shadow of Intent) and is an introduction to the new style with Doublerice. His riffing style complements Sacha Laskow’s perfectly and what came out was an amalgamation of this technical riffing with whacky synths/time signatures/cinematic breakdown. Doublerice came in over top with his signature intense style to wrap everything up. This is the shortest song on the EP and gets in and gets out with no filler.

Acknowledging that this new EP might not be for everyone, founder, guitarist, and producer Sacha Laskow, shares that this work is the result of a “dark, tumultuous fucked up year” for him personally, along with many other people. He explains further:

“As lucky as I am to still have work and my basic needs met, the emotional rollercoaster still affected me strongly and I ended up unemployed for a period in 2020, and thus this EP was born. It is both more human in that I collaborated more strongly with new songwriters and Jei on vocals, but also more mechanical as I also wrote with the assistance of AI creation tools, and most of the instrumentation is programmed MIDI. I feel like this is my most honest work as a writer, to express what comes to mind rather than fit into a box or template of what Every Hour Kills ‘should’ sound like. It may alienate some people but so be it!”

“Vacua” will be the fourth studio release from the band, following “Every Hour Kills” (2015), “Fragile Machine” (2018) and “Re:awaken” (2020). The djenty scorecore is recommended for fans of Veil of Maya, Born of Osiris, and Periphery

The single “Euclidian” is out now as of June 4th and can be heard on the following platforms:

YouTube – https://youtu.be/pD7ZRyeu0P4
Spotify, Apple Music, Bandcamp – https://everyhourkills.com/ig/

EP “Vacua” will be released later this year.

For more info:
EveryHourKills.com
Facebook.com/EveryHourKills
YouTube.com/everyhourkills
Instagram.com/alansachalaskow
Twitter.com/everyhourkills

About:
“Every hour wounds, but the last one kills” – Anonymous

Every Hour Kills is a rotating collective ensemble featuring the core of ex-Divinity / Enditol guitarist and producer Sacha Laskow, bassist Brent Stutsky (ex-Breach of Trust), along with vocalists Jei Doublerice (Despite Exile, Abiogenesis) and Jerrod Maxwell-Lyster (ex-Out of Your Mouth).

Every Hour Kills was built to challenge the idea of what defines a “band”. Rather, the group sees itself as a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand. The lyrics, artwork, visuals, and themes all look toward the future, asking the key postmodern question of how will emerging technology and our humanity progress and co-exist?

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Rockshots Records: Endless Chain Shares Lyric Video “Scars On Me” From Upcoming Album “Forthcoming Past”

  • June 4, 2021
  • by Asher
  • · Endless Chain · Music News

NEWS RELEASE

Montreal, QC – June 4, 2021


For fans of Katatonia, Helloween, Amorphis, Anthema

Rockshots Records: Endless Chain Shares Lyric Video “Scars On Me” From Upcoming Album “Forthcoming Past”

Debut Album “Forthcoming Past” Out June 25, 2021
ft. guests Mikko Heikkilä (Kaunis Kuolematon, Dawn Of Solace, Black Aeon Sun),
Ville Hovi (Blackstar Halo), Aki Salonen (Nemecic), Sami Yli-Sirniö (Kreator, Waltari),
Antti Kolehmainen, (Waltari), Samuli Mikkonen (Korpiklaani)

Finnish songwriter Timo Mölsä will be releasing his studio project Endless Chain‘s debut album “Forthcoming Past” via Rockshots Records on June 25th, 2021. The album features guests Mikko Heikkilä (Kaunis Kuolematon, Dawn Of Solace, Black Aeon Sun), Ville Hovi (Blackstar Halo), Aki Salonen (Nemecic), Sami Yli-Sirniö (Kreator, Waltari), Antti Kolehmainen, (Waltari), and Samuli Mikkonen (Korpiklaani). The full length was recorded, mixed, and produced by Aleksanteri Kuosa (Before the Dawn, Wolfheart, Waltari) along with mastering done by Juho Räihä (guitarist of Swallow the Sun).

Today, Endless Chain is now ready to unveil their third single “Scars On Me” with a lyric video. The track features guest vocals from Ville Hovi (Blackstar Halo) and a guitar solo from Sami Yli-Sirniö (Kreator, Waltari).

Mölsä adds:

“This is the most “rock” song on the album. It’s a fast and catchy rally, a powerful track with great lyrics.”

Lyric Video – https://youtu.be/99b6S-kU02Q
Digital – https://backl.ink/146711365

A late bloomer to being a musician, Endless Chain‘s Timo Mölsä had his musical awakening in 2016, however, he has been listening and influenced by various genres of metal music for over 30 years. It took re-introducing himself to guitar with long-time friend Ari Hokkanen as a fun pastime that drove Mölsä to create his own songs. What would soon follow is a new project with contributions from Hokkanen for writing and lyrics.

Soon after, Mölsä shared his demos with drummer Samuli Mikkonen (Korpiklaani), who, after listening, joined the project and performed all the drums on the debut record.

Step by step things fell into place, through Mikkonen, Mölsä became acquainted with producer Aleksanteri Kuosa who had a big impact on the completion of the debut album.

“Aleksanteri is an imaginative producer and he was also very patient with a perfectionist like me. He knew how to weed out extra notes from my compositions and finally got the most out of my songs. There were maybe a total of 20 songs in the beginning, of which we went through less than 15 in the preliminary production. Finally, 10 songs had been selected for the album. Through Aleksanteri, I also got many other great musicians involved in the project.”

The end result is Mölsä‘s dark and melancholic sound premiered through Endless Chain‘s first offering “Forthcoming Past”.

Album pre-order – http://bit.ly/ForthcomingPastCD

Lyric Video – Nothing More – https://youtu.be/3ZeUhMPttYM
Lyric Video – All of The Above – https://youtu.be/b9nbm_euL9U

Track Listing:
1. Forthcoming Past (6:41)
2. They’re The Ones To Fall (4:31)
3. Hold Out Hope (5:30)
4. All of The Above (3:45)
5. A Letter (4:31)
6. Nothing More (3:53)
7. Feel (3:38)
8. The Wild One (3:53)
9. Scars On Me (3:18)
10. The Memories (4:33)
Album Length: 44:19

Album Credits:
Endless Chain:
Timo Mölsä, Guitar
Special guests on the album:
Mikko Heikkilä, Vocals on no. 2, 3, 5, 7 ,10
Ville Hovi, Vocals on no. 1, 4, 6, 8 and 9
Aki Salonen, Rough Vocals on no. 1, 4 and 6
Salla Sundberg, Vocals on no. 7
Aleksanteri Kuosa, Guitar, Bass, Keyboards
Samuli Mikkonen, Drums
Sami Yli-Sirniö, Guitar Solo on ”Hold Out Hope” and “Scars on me”
Antti Kolehmainen, cello on ”Hold Out Hope” and “The Wild One”
John Egerton, opening speech on “Forthcoming Past”

For more info:
Rockshots.eu
Facebook.com/endlesschainband
Instagram.com/endlesschainband

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Very cool! Kanlı Teneke Metal Magazin from Turkey featuring an interview with Toronto’s Ischemic

  • June 3, 2021
  • by Asher
  • · Ischemic

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