Thank You Canadian MDs and DJs for the airplay love \m/\m/ #3 Juliet Ruin , #8 No Hope For The Lost
!earshot – The National Loud Chart For the Week Ending: Tuesday, May 11, 2021 https://www.earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2021-05-11
NEWS RELEASE
Montreal, QC – May 12, 2021
For fans of Black Dahlia Murder, Allegaeon, At the Gates, Arch Enemy, Revocation
Canada’s Param-Nesia Are Serving Fresh Technical Death Metal With “Pestilence of Man” Off “Aspect of Creation”
Music Video Premiere via The Circle Pit
EP “Aspect of Creation” Out June 18th, 2021
Param-Nesia comes roaring out of Vancouver, Canada with a mission to bring their new EP “Aspect of Creation” to metal fans around the world. Ready to fuel the incoming tech-death fire, the band is giving fans a preview of the record with their music video “Pestilence of Man”, which can be viewed via its premiere on The Circle Pit YouTube channel – https://youtu.be/1jbpbQiwBt0
Their second release after 2019’s EP “The Beginning”, “Aspect of Creation” is heavy, melodic, and rides through technical death metal that will take you on an adventure. Param-Nesia explains how the single came to be in their own words:
“Devastating brutality delivered in a groove-driven whirlwind. This song kicks off with a war cry-worthy group vocal chant backed by pulverizing guitar and drum work. Book tomorrow off, your neck will be sore! This song was initially inspired in the most ridiculous way, Andy Cahalin wrote a riff, (the intro) played in a fast rushed feeling way, then a Doctor Pepper/Dr. Dre commercial inspired him to SLOW IT DOWN, and the song found its groove. Absolutely insane, but it’s the truth!”
Param-Nesia comes from the mind of Andy Cahalin who has been writing and recording solo for years while searching for the right members to begin this project. The ultimate goal is to write solid, fun songs, record and release albums, and tour/gig as much as possible. While fans will have to wait for a live performance, they can look forward to a lot of energy, rocking out, big smiles, and tight playing.
The five tracks on the EP cross subgenre boundaries making this brutal assault applicable for most metalheads, especially fans of The Black Dahlia Murder, Allegaeon and At the Gates.
“Aspect of Creation” comes out June 18, 2021.
EP pre-order – https://param-nesia.bandcamp.com
Track Listing:
1. Pestilence of Man (4:44)
2. Forsaken (4:44)
3. Lethocerus (5:29)
4. Home (5:47)
5. Journey to Nothing (7:09)
EP Length: 27:54
EP Band Line Up:
Andy Cahalin – Lead Guitar/Bass
Matthew Burnham – Rhythm Guitar/Bass
Cayle Charlton – Vocals
Derek Hill – Drums
Live Band Line Up:
Andy Cahalin – Lead Guitar
Matthew Burnham – Rhythm Guitar
Cayle Charlton – Vocals
Colton Hession – Bass
Derek Hill – Drums
For more info:
Facebook.com/ParamnesiaVan
Instagram.com/paramnesiavan
EPK
About:
Param-Nesia is a five-piece metal band hailing from Vancouver BC. Their visceral sound combines melodic death, thrash, and hints of prog to create music that takes you on a journey from beginning to end. Originally founded in 2016 by guitarist Andy Cahalin, and drummer Derek Hill, followed shortly by vocalist Cayle Charlton, the lineup is now complete with the addition of Matt Burnham on guitar and Colton Hession on bass. Param-Nesia released their debut EP “The Beginning” in Feb 2019, and are set to unleash their follow-up EP “Aspect of Creation” on June 18th, 2021. They are committed to their craft, striving to create music that is heavy, emotionally charged and engaging. With a hard work ethic, Param-Nesia is actively seeking shows/tours (post covid) and building an online presence to add to their repertoire.
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NEWS RELEASE
Montreal, QC – May 12, 2021
For fans of Lamb of God, Megadeth, Power Trip, Testament, Exodus
Streaming Now! CRAWLING MANIFEST’s Thrashy New Album “Radical Absolution”
Album Stream Premiere via GhostCultMag
“Radical Absolution” Out May 14th
Crawling Manifest has been kicking around since 2014, however, after their last tour; they decided to go in a new direction musically. They ended up being reduced to a duo, but that has only made the fire burn hotter as evident with their new album “Radical Absolution”.
This change has been hugely satisfying for Andrew Gladu (vocals/bass/drums) and Trevor Layton (guitars) who are eager to show off their own style, a modern take on classic thrash metal. “Radical Absolution” was intended to be a four-song EP, but in the wake of Covid, morphed into a full eight-track album. Crawling Manifest explains it in their own words:
“The start of the album being an emotional instrumental build-up to the first track “Land of the Free”, and the last track “Onslaught” really reminds us of taking a deep breath, letting everything that’s been building up inside out, and then starting fresh. The singles we’ve been able to release so far, “World War III” and “Revolution” have been our most successful tracks to date, we are excited to hear what people think of the rest of the album!”
Crawling Manifest cites that their goal in writing music is to make their fans feel something and “Radical Absolution” delivers just that. This new album, really dug deep into a current event/political mindset, with almost all of the lyrics reflecting on the struggles of the everyday person in the world of 2020.
Loud powerful thrash with the old school themes of yelling about the government, “Radical Absolution” is a perfect grab for those interested in Power Trip, Testament, and Exodus.
The full album is now streaming over on Ghost Cult Magazine HERE.
The album releases officially on May 14, 2021 and will be available on Crawlingmanifest.bandcamp.com, Spotify, Apple Music.
Lyric Video – World War III – https://youtu.be/mR1YdGGrDw4
Track Listing:
1. Land of The Free (2:27)
2. World War III (4:42)
3. Nothing To Lose (6:11)
4. Right To Refrain Silence (4:27)
5. Radical Absolution (6:49)
6. Blood Born (4:08)
7. Revolution (4:08)
8. Onslaught (5:00)
Album Length: 39:01
For more info:
Crawlingmanifest.com
Facebook.com/CrawlingManifest
Twitter.com/crawlingm
Instagram.com/crawlingmanifest
EPK
About:
Crawling Manifest was formed in 2014 on the Eastern Shore of Maryland, USA. The thrash metal band incorporates elements from death metal, modern metal and core.
After multiple line-up changes, live shows, and tours, playing alongside bands such as Fleshgod Apocalypse, Soulfly, Soilwork, Carach Angren, and Kataklysm, remaining members Andrew Gladu and Trevor Layton made the decision to write new music taking influence from the bands they grew up listening to and combining a love of death and thrash metal into a powerful new sound.
It starts off with a beer, which turns into a riff and it just goes from there; Gladu and Layton work closely together on all aspects of the writing process, save for when they veer off to pay specific attention to lyrics and vocals.
So far, Crawling Manifest has released two EPs “Forevermore” (2016) and “Lords of War” (2019), and the full-length “Battlegrounds” (2016). In 2021, they will release a second full-length, the politically charged “Radical Absolution” on May 14th.
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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NEWS RELEASE
Montreal, QC – May 12, 2021
For fans of Venom, Immortal, Celtic Frost, Darkthrone, Satyricon
Take A Walk Through The Northern Cold With Newfoundland’s ARTACH’s “Into the Frozen Woodlands” Off “Sworn to Avenge”
Lyric Video Premiere via ThisIsBlackMetal
New Album “Sworn to Avenge” Out June 25th via Depressive Illusions
Coming from the bleak coastal city of St. John’s, Newfoundland, Artach brings forth a wave of black metal inspired by the cold, damp terrain they call home. Their upcoming release “Sworn to Avenge” will send a chill down the spines of listeners. Leading up to the album’s debut, they have a lyric music video for the single “Into the Frozen Woodlands”.
“Sworn to Avenge” is eight pummeling tracks, that clock in at just over an hour in total and is the follow up to 2020’s “Chronicles of a Black Winter”. What can listeners expect from this new album? According to Artach, it’s similar to the first, as they explain:
“Anyone who enjoyed our first release will be pleased. We haven’t drifted from the raw energy from the style on the first release. We have improved and tried some new things, but the format we established from the very first song we wrote hasn’t been forgotten.”
The single “Into the Frozen Woodlands” is loosely based on the book/film “Into The Wild”. Through abrasive and raw black metal, it explores thoughts of leaving the shitty world behind and wandering into the wilderness. Of course, it didn’t end well for the unprepared protagonist in this story.
Artach has been working quickly since they first formed, with the desire to play raw and noisy music. Within nine months, they had an album’s worth of material recorded. Now, a little over a year later they have more than enough for the second album.
Cold and dramatic, Artach is recommended for fans of Venom, Immortal, and Celtic Frost.
The video for “Into the Frozen Woodlands” can be heard and viewed via its premiere on ThisIsBlackMetal YouTube Channel – https://youtu.be/FtfosCUA7iw
“Sworn to Avenge” is being released on June 25th via Depressive Illusions and is available for pre-order / save at the following links: DepressiveIllusions.com, Artach.bandcamp.com, Amazon, Spotify.
Track Listing:
1. Tuiteam an Duine (7:08)
2. Ice Throne (5:09)
3. Shimmer (6:35)
4. Endless Tundra (21:35)
5. Into the Frozen Woodlands (4:49)
6. She Gathers Leaves (5:25)
7. Mistress of Black Thorns (6:24)
8. Winter’s End (8:14)
Album Length: 1:05:23
Album Band Line Up:
Fíochmhar: Vocals, Drums, Keyboards
Sruthán: Guitar, Bass
For more info:
Facebook.com/ArtachBlackMetal
Instagram.com/ArtachBlackMetal
EPK
About:
Artach is a two-man black metal band (Sruthán: Guitar/Bass, Fíochmhar: Battery/Vokills/Keys)based in St. John’s, Newfoundland, Canada. Being from the foggiest, snowiest, wettest, windiest, and gloomiest capital city in Canada, one should not be surprised that this fuels the creation of Black Metal. Their inspiration comes from the land, nature, the bleak weather of the Canadian North, and influential black metal bands.
Since the duo’s formation in the spring of 2019, Artach has been consistently releasing new music. The band’s debut album “Chronicles of a Black Winter” was released digitally during February 2020 and later unleashed on physical CD by Depressive Illusions Records. The full length contained 9 songs of extreme, harsh, and haunting sounds, which included a cover of Celtic Frost’s ‘Jewel Throne’.
Now in 2021, the band returns with their next offering “Sworn To Avenge”, a full-length scourge of raw and relentless bruting gloom. From the calming blasts and savagery of album opener “Tuiteam an Duine” to the ingrained black metal blast beats, and headbanging riffage on “Shimmer” to the 20-minute exploration for the epic “Endless Tundra” about the doomed Franklin expedition of 1846 to the Immortal-esque riffing and unorthodox exorcism of album closer “Winter’s End”, Artach delivers a 65-minute cold deliverance of their surroundings.
The band adds:
“The music on ‘Sworn To Avenge’ is a frigid mixture of topics about nature and how it meets and interacts with the darkness of humankind. The desolation of the world, the planet, and the repeated failure of society to evolve to a place where we are a part of nature and not brutish subjugators of everything in our path… these are all themes described throughout many songs. The music is angry, savage, unhinged, but contains melody and some twists and turns to surprise the listener. Varied song tempos mixing blasting with thrashy, punky, doomy elements keep the sounds interesting and not monotone. Song structures often vary and we never limit a song to a certain length. We indulge and have them be as long, or as short as we think feels right.”
“Sworn To Avenge” will be available digitally from Artach along with CD and cassette via Depressive Illusions Records on June 2021.
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“The album is definitely black metal – but there are some really nice elements in that that makes this author think the musicians are truly having some fun. In particular, ‘Frozen In Time’, exhibits this by delivering several rhythmic textures and a variety of guitar techniques. The vocals are also just well placed in this track in both timing and style.” – Brutalism (Album Review – 2020 Chronicles of a Black Winter)
“Artach have overnight become one of the most interesting bands to come out of the Newfoundland metal scene in some time, not only for the Darkthrone-esque duality of their lineup, but for their genuine appreciation for all things grim and frostbitten and their unique flavour of first wave meets second wave black metal. If you’ve not given Chronicles of a Black Winter a listen yet, give it a spin or two. It’s definitely worth checking out.” – HeavyNFLD (Album Review – 2020 Chronicles of a Black Winter)
“Artach is a mysterious two-piece Black Metal band who have issued their debut CHRONICLES OF A BLACK WINTER. Artach have spawned some fierce raw and primeval Black Metal. I’m hearing lots of classic Hellhammer/Bathory/Venom and maybe even dipping into second wave stuff like Immortal. It is all very black and grim the way this type of stuff should be.” – Metal-Rules (Album Review – 2020 Chronicles of a Black Winter)
“Like the album’s title may suggest, this album’s atmosphere is as cold and bleak as the North winds. The album is very riff focused with modern production, but it isn’t too clean—I actually really enjoyed the production. Vocally, it is very unique and [not] just the same ol endless blackened screams.” – Metal Temple (Album Review – 2020 Chronicles of a Black Winter)
“A solid dose of second wave black metal.” – Astral Noize (Album Review – 2020 Chronicles of a Black Winter)
“This is an album that took a little time to grow on me and after more listens than I care to count, I still hear little twists that I hadn’t heard before. Pretty cool debut from a band that’s doing its own thing in a genre where bands are often content to imitate.” Rating: ⅘ – The Metal Crypt (Album Review – 2020 Chronicles of a Black Winter)
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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Flashback to when you were a young metalhead in the 80’s. If you’re anything like me, when you were between the ages of 10 and 15, the only thing you liked as much as metal, was wearing out VHS tapes of action movies.
We all had our favourite action heroes too.For me, the band was Iron Maiden, and the action hero was Van Damme – the muscles from Brussels.
Fast forward to 2021, and I haven’t grown up at all.Why should I?
I still love cheesy action movies, and I still love metal, so imagine my excitement when an email lands in my inbox touting a Van Damme themed metal band from Canada.You have my attention, but honestly, my expectations are low…
It’s only 2 tracks spanning 13 minutes, so it’s worth a shot right?
9 seconds in to the first track, “Lethal Tender”, I honestly have an ear to ear…
View original post 202 more words
NEWS RELEASE
Montreal, QC – May 11, 2021
For fans of Portal, Howls of Ebb, Morbid Angel, Gorguts, Imperial Triumphant
30 immolated; 16 returned Usher In The Spring With A Violent Take On Stravinsky’s “The Rite of Spring”
Lyric Video Premiere via NoCleanSinging
Top – L-R – Dr. Death (garotte and vomit), Disgusting Smith (Flayer and Barks)
Bottom L-R – Madame Champville (Whips and Shrieks), Mr. Bones (Impalements and Bellows)
30 immolated; 16 returned is an obtuse, frightening, and aggressive avant-garde metal band who are heavily inspired by the Marquis de Sade’s 120 Days of Sodom and are meant to recreate the violent sensorial experience of the book. They bring this horror to life while demonstrating the close relationship between extreme metal and modernist classical music, which many prog and tech-metal fans will enjoy, especially the technical prowess and complex nature of the work as well as the driving primal rhythms, strange harmonies, and quirky melodies.
Their latest offering is the upcoming album “The Burial of the Dead”, an arrangement of Igor Stravinsky’s controversial 1913 ballet “The Rite of Spring”. The first glimpse will be with the single “The Augurs of Spring (The Burial of the Dead)”; 30 immolated; 16 returned share their thoughts on what they call “a spring time sacrificial ritual”:
“It begins with a primal pounding of all instruments in unison in a moderato tempo. It then carries through several textural changes, complex harmonies, and folk-like melodies that trade between guitars. The vocals are minimal, but are inspired by T.S. Eliot’s famous work The Wastelands. In the context of our act – it translates into the brutal murder of innocence to appease our never-ending hunger for the destruction of purity through vice.”
“The Augurs of Spring (The Burial of the Dead)” was the first song from The Rite of Spring that was arranged and learned by the band. In T.S Eliot’s work “The Burial of the Dead”, the poem dwells on the violence of Spring – how it pushes aside the dead that has wasted away from the previous year and then uses it to generate new life. Spectacular new life through the appropriation of the dead. This excerpt is a sneak peek into a larger project, to be finished in 2023.
Chaotic and extreme, 30 immolated; 16 returned take avant-garde, to a new technical level. They are suggested listening for fans of Portal, Howls of Ebb, and Morbid Angel.
The lyric video for the single “The Augurs of Spring (The Burial of the Dead)” can be heard and watched via its premiere on NoCleanSinging HERE.
“The Burial of the Dead” is out on May 14, 2021.
Album pre-order – https://30immolated16returned.bandcamp.com
Track Listing:
1. Introduction (Spleen) (1:30)
2. The Augurs of Spring (The Burial of the Dead) (3:57)
3. The Ritual of Abduction ( Glorious Love/Languid Agony) (2:48)
4. Spring Rounds (A Paean) (4:22)
Album Length: 12:38
More Info:
Facebook.com/30-immolated-16-returned-1440005762811312/
Instagram.com/30immolated.16returned/
EPK
About:
30 immolated; 16 returned are Hamilton, Canada’s most despicable extreme metal band. Developed through intense and abstract systematic theories of chaos and transgression – 30 immolated depicts the sexual taboos found in the Marquis de Sade’s 120 Days of Sodom, through a non-stop battery of screaming guitars, punishing drums, and thundering bass accompanied by the cries of torture and violence. In addition, Madame Champville often brings her favourite pet(s) / slave(s) along, who under threat of further violence, distribute gifts of Shit Cookies and Blood to the band’s spectators.
30 immolated; 16 returned began their sadistic journey in Edmonton, Alberta, but have since moved to southern Ontario in search of new willing victims! They have since played several concert dates in Toronto and Hamilton, most notably at the Hamilton Death Fest for Neurotic Entertainment and as openers for Toronto’s own Arcanevil, and for Mexican death metal outfits Darkside Ritual and Disrupted.
30 immolated; 16 returned ’s sonic violence has been exported internationally with physical and digital sales in China, the United States, and Slovenia. Their goal is to continue to expand their terror throughout southern Ontario, Canada, and beyond to the rest of world!
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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