Posts By Asher

0 EPK – Necronomicon Ex Mortis – Self-Titled (2023)

February 6, 2023
by Asher
· EPKs · Necronomicon Ex Mortis

EPK – Necronomicon Ex Mortis – Self-Titled (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Black Dahlia Murder, Obscura, Arsis, Racer X, Megadeth

“The music and lyrics are 90s death metal riffs and 80s guitar solos. We want the listener to feel like they’re trapped in an 80s B horror movie. On VHS, obviously.” – Necronomicon Ex Mortis

Band: Necronomicon Ex Mortis
Title: Necronomicon Ex Mortis
Release Date: March 31, 2023
Label: Self-Release
Distribution: Distrokid

Necronomiconexmortisband.com | Facebook | Instagram.com/necronomiconexmortisband | Spotify | Necronomiconexmortis.bandcamp.com

“You might suspect we’re exaggerating, but we’re really not. The four songs on the EP are undeniably sinister and ferocious, but the dominant impression of the music is that it’s exhilarating and exultant, the work of people who decided to put their formidable talents to the test, while having a shitload of fun doing that. When you listen it will make sense to hear that the EP comes recommended for fans of Black Dahlia Murder, Obscura, Arsis, Racer X, and Megadeth.” – No Clean Singing

“Inspired by Swedish Death Metal “Celestial Tomb” lays down the blast beats while having an interesting melodic lead that flies into a monstrous extended face melting solo of the highest order, confirming if there was any doubt that these musicians have the capability to step on stages with World Superpower level bands and hold their own. If it wasn’t for their love of old school works, you could easily see them going down the more technical road of an Archspire or Inferi, the clues to that murder mystery are all wrapped up within this whirlwind of an opener for all to witness.” – Metal Noise

“the EP feels solid. It has remarkable melodies, a good sound and a cool cover.” – Metal Bite

“Epic/symphonic black metal, good technical and proggy stuff too.” – WORT FM 89.9FM (Madison, WI)

“They are young, their desire is noticeable and they are also capable of entertaining… “Earth Cancer” radically changes the record and becomes something more classic, sounding more like things like CANNIBAL CORPSE or CANCER, but maintaining the technique of the former. I am very surprised by the work of both guitarists, since they are capable of combining good riffs with a certain dose of brutality without leaving an unintelligible hodgepodge.” – Necromance Magazine

[Download EP Cover | Download EP Lyrics]

Band: Necronomicon Ex Mortis
Title: Necronomicon Ex Mortis
Release Date: March 31, 2023
Label: Self-Release
Distribution: Distrokid

Track Listing:
1. Celestial Tomb (4:35)
2. Earth Cancer (4:22)
3. Nocturnal (4:00)
4. The Burning (4:59)
EP Length: 17:58

EP Recording Credits:
All songs performed by: Michael Nystrom Bala (Guitar), Manuel Barbará (Guitar), Yusuf Rashid (Bass), Joey Ferretti (Drums), Craig Schmul (Vocals)
All songs written by: Michael Nystrom Bala
Produced/Mixed by: Charlie Waymire at Ultimate Studios
Album artwork by: Lucas Korte
ASCAP Member

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The EP as a whole (LYRICALLY & MUSICALLY)

The music and lyrics are 90s death metal riffs and 80s guitar solos wrapped in a B horror movie.

Ttrack by track (LYRICALLY & MUSICALLY)

1. Celestial Tomb
This is a Swedish-style rager with an interesting melodic twist. Lyrically, it was inspired by the chalice dungeons in Bloodborne.

2. Earth Cancer
A song about angering God so he curses the human race with overpopulation. Musically, this is more meat-and-potatoes old-school death metal to contrast with the previous song.

3. Nocturnal
A combination of Michael’s favorite thrash riffs. It’s about murdering teenagers at a summer camp.

4. The Burning
The final track on this EP as well as future releases will always be named after a horror movie. This song is about The Burning, the acclaimed 80s horror movie. Musically, it is the most complex to play, it involves a key change, it’s the fastest song on the EP, and the most interesting.

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FUN FACTS – STORY ANGLES

1. The members of this band are good friends from Berklee

2. While in LA recording this EP, Mike, and Manuel listened to Dua Lipa’s Future Nostalgia at least 5 times

3. Yusuf learned and recorded the bass parts the same day he joined the band (saving us the trouble)

4. An extreme love for the Evil Dead franchise is what ultimately willed this band into existence.

5. While recording, we spent several days complaining about how difficult the rental truck was to drive until our engineer pointed out you can disable the 4-wheel drive.

Top – Michael Bala – Guitar, Manuel Barbarà – Guitar

Bottom – Yusuf Rashid – Bass, Craig Schmul – Vocals, Joey Ferretti – Drums

Chicago, USA’s Necronomicon Ex Mortis is a bubbling cauldron of 80’s horror movies, the 80s shred goods, modern production, and tight thrash metal. They are gearing up to release their debut self-titled album which is intended to transport listeners into a VHS tape of campy horror and aggressive riffs.

Encapsulating all the best that horrors have to offer, from old school horror movies, horror games and H.P. Lovecraft, Necronomicon Ex Mortis introduce their bloody music with gusto in hope that it will worm its way into the brains of metal fans around the world.

Necronomicon Ex Mortis was formed out of extreme love for 90s death metal and 80s shred. The idea came to be when Bala called some of his best friends from Berklee and used a combination of pestering, begging, and trickery to get them to play metal with him.

This EP acts as a trailer for their music, a taste of the feature-length that is on the horizon, and a small sampling of what is the gory good time that awaits in the future. It is recommended for fans of Black Dahlia Murder, Obscura, and Arsis.

The self-titled debut EP is due out March 31st, 2023.

0 EPK – Surface of The Sun – Dragon (EP) (2020)

February 3, 2023
by Asher
· EPKs · Surface of The Sun

EPK – Surface of The Sun – Dragon (EP) (2020)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Tool, A Perfect Circle, Chevelle

“Musically the two songs were meant to contrast. Dragon was written to be on the fringe of what I would normally classify as a Surface of the Sun song. I had radio in mind when I wrote this, and tried to keep the song within boundaries that one typically needs for radio, but still make sure it has the Surface of the Sun feel. Vanguard was meant to be more progressive, and contrasting, and a current example of the roots of Surface of the Sun.

Lyrically, Dragon and Vanguard are essentially part 2 and 3, after the lyrics of Oblivion. Oblivion is basically about overcoming the voice inside that might tell one they are not good enough; it’s about overcoming self doubt. Dragon is about, now having beaten that voice, finding that inner strength, the Dragon, to become what one is meant to or wants to be. Vanguard is about, now having become that thing, the dragon, becoming a leader who can inspire others to do the same. So, its cyclical. It’s a process of growth that repeats itself, spreading from one person to the next.” – Devon Egger – Surface The Sun

Band: Surface The Sun
Album Title: Dragon
Release Date: Aug 17, 2020
1. Dragon (3:47)
2. Vanguard (6:19)
EP Length: 10:06

Surfaceofthesunmusic.com | Instagram.com/surface_of_the_sun_music | Facebook.com/surfaceofthesun | Youtube.com/@surfaceofthesun

Surfaceofthesun.bandcamp.com | Spotify | Apple Music

“Panacea is a very well put together release and really showcases Eggers’ production and musical skills” – Powerplay Magazine UK (2019 – Panacea EP)

[Download EP Cover | Download EP Lyrics]

Band: Surface The Sun
Album Title: Dragon
Release Date: Aug 17, 2020
1. Dragon (3:47)
2. Vanguard (6:19)
EP Length: 10:06

EP Credits:
Music: All music and lyrics written and performed by Devon Eggers, except the drums, which were performed by Chris Warunki.
Produced, recorded, edited, and mixed by Devon Eggers at Surface of the Sun Studios.
Mastered by Andrew Downton at Railtown Mastering.
EP Artwork: By Vohrart
Member of SOCAN
Content is Canadian Music (MAPL)

==================================================

The EP as a whole and track by track:

Musically the two songs were meant to contrast.

Dragon was written to be on the fringe of what I would normally classify as a Surface of the Sun song. I had the radio in mind when I wrote this and tried to keep the song within boundaries that one typically needs for radio, but still make sure it has the Surface of the Sun feel. Vanguard was meant to be more progressive and contrasting, and a current example of the roots of Surface of the Sun.

Lyrically, Dragon and Vanguard are essentially parts 2 and 3, after the lyrics of Oblivion. Oblivion is basically about overcoming the voice inside that might tell one they are not good enough; it’s about overcoming self-doubt. Dragon is about, now having beaten that voice, finding that inner strength, the Dragon, to become what one is meant to or wants to be. Vanguard is about, now having become that thing, the dragon, becoming a leader who can inspire others to do the same. So, it’s cyclical. It’s a process of growth that repeats itself, spreading from one person to the next.

Musically:

Dragon: Dragon is a catchy, yet heavy track, that is driven by a kick drum like a dance (EDM) song would be. It even has, after the bridge, an EDM-like “drop” into the final chorus. It blends a dance-like feel into a prog-rock track.

Vanguard: Vanguard is a longer, progressive soundscape that follows a unique arrangement that allows for interesting builds and dynamics between sections. The vocal arrangement is kept simpler to allow for more complexities within the Asian instruments that complement the heavy guitar tracks.

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Fun Facts – Story Angles

1. Surface of the Sun is a solo project by Devon Eggers, with almost 100% of all things being created and done by Devon Eggers. Each album is a massive undertaking that requires him to wear multiple hats, use multiple skillsets, have crazy patience, utilize thorough planning, and manage a project that normally requires several skilled people. He also does this while being 100% independent, with no finanical support or other support of any kind. Surfuce of the Sun is likely to be one of the most “independent” and “solo” projects anyone will encounter.

2. Oblivion, Surface of the Sun’s first hit single, was not written to or intended in any way to be a radio single. Yet, through an interesting combination of events, ended up reaching 26 on the Canadian Rock Radio TOP 40 chart.

3. Oblivion, released in 2019, captured the attention of Billboard, giving Devon Eggers and Surface of the Sun an artist spotlight.

4. Devon received a 4-page interview spread in Long & McQuades 2019 fall cataloge.

5. Devon Eggers also writes, performs, and releases music from multiple genres under his own name. These are entirely solo endeavours, just like Surface of the Sun. He is also a novelist, having written two books in a series that has received 5-star reviews on Amazon. Book 3 is in the works.

Photo Credit – Charmaine Schmaltz

After moving to Vancouver, Canada, in 2002 to obtain an education in audio engineering, Devon Eggers worked as an in-house and freelance engineer in many of the major studios around the city. During this time, he focused on developing his skills as an engineer and producer, learning from studio regulars such as Garth Richardson (Red Hot Chili Peppers, Chevelle, Rage Against the Machine), Devin Townsend (Strapping Young Lad, Devin Townsend Project), and Dave Genn (Matthew Good Band, 54-40).

During that time Devon also wrote original material with other musicians. Nothing serious ever developed, but he continued to write, finding his sound and voice as an artist. It wasn’t until around 2005, intrigued by the challenge, that he decided to pursue his music as a solo endeavour, which required moving beyond being just a guitar player. Devon focused on developing his skills with other instruments and singing and then wrote his debut album, A Dying Star. He performed all music and lyrics (except for drums), and after some significant life changes, completed recording and mixing the album in a very small town in northern British Columbia. In 2011 Devon chose the project name, Surface of the Sun, and A Dying Star was released.

Since then Devon released the EP, Panacea(2019), which had it’s single, Oblivion, peak at 26 on the Canadian radio Rock TOP 40 charts, and the single, Dragon (2020). From Oblivion’s success, Devon received an Artist Spotlight by Billboard in 2019, and a feature article by Long & McQuade in the Fall 2020 magazine.

Devon experimented with other genres releasing two EPs under a secondary solo project that will be re-released under his name in 2021. He also self-published his first novel, an action-packed thriller with a sci-fi twist called, Sky View (available as an e-book on Amazon and Kobo). He continues to develop his expertise as a safety professional specializing in improving workplace safety and culture and started acting in short films in 2020.

Devon also offers multiple music services including mixing, training, and production. Please feel free to send him a message on Facebook if you’re interested to learn more about these services.

Discography:
2011 – A Dying Star
2019 – Panacea
2020 – Dragon

0 Out Now! Multi-Instrumentalist MATT MILLER’s Remastered Album “Decrepit Shed”

February 3, 2023
by Asher
· Matt Miller · Music News

NEWS RELEASE

Montreal, QC – February 3, 2023

Out Now! Multi-Instrumentalist MATT MILLER’s Remastered Album “Decrepit Shed”

Matt Miller – Photo Credit – Luna Rose Wolf

Two years almost to the day, Akademia-Award-winning producer, engineer, and songwriting shredder Matt Miller unveils the remastered version of his first full-length of originals entitled “Decrepit Shed” via Blood Blast Distribution (powered by Nuclear Blast & Believe Digital. “Decrepit Shed” was originally recorded at the peak of Covid-19 lockdowns and released in February 2021. The re-release was freshly remastered by Matt Miller himself.

“The original release of Decrepit Shed was extremely ambitious while still full of nuance and depth. Like standing back and viewing a painting to see the bigger picture I felt that the smallest details which gave Decrepit Shed its foundation were somewhat obscured. The remastered version brings all these small but crucial pieces into focus and takes an already exciting listening experience to another level. The remastered version of Decrepit Shed takes an extremely strong 2-dimensional album and brings it into a 3-dimensional world.” says Miller.

Soaring, crushing, ferocious, emotive, and relentless, are words that strongly describe “Decrepit Shed”. The album has a lot to offer from various metal sub-genres and encompasses the best elements of technical guitar playing while still having well-written songs.

“Decrepit Shed” is now available as of February 3, 2023, on digital platforms at the following links:

(Spotify, Apple Music) – https://bfan.link/decrepit-shed-remastered

Bandcamp – https://mattmiller2.bandcamp.com/album/decrepit-shed-remastered

Step into the Light – Guitar Playthrough – https://youtu.be/3hwcBIFQOjA

Fans can also check out Matt Miller‘s his latest instrumental album “Monument of Velocity” released this past July, which also took him on the CYBER SHRED TOUR with Rings of Saturn, Extortionist, Distinguisher, and Voraath.

Containing eight tracks full of technical and progressive metal eliciting feelings of suspense, and tension while being fun, melodic, and brutally heavy, “Monument of Velocity” was well received by fans, especially those into bands such as Jeff Loomis, Necrophagist, Dragon Force and Obscura. Can listen to the album at https://mattmiller2.bandcamp.com/album/monument-of-velocity.

Track Listing:
1. Through the Doorway (1:38)
2. Step into the Light (2:55)
3. Smoldering Ruin (2:33)
4. Skynet Sonata (4:32)
5. Downward and Onward (3:39)
6. Noise Shaping (4:44)
7. Meddling of Wizards (3:07)
8. Tension and Release (4:31)
Album Length: 26:04

Album Credits:
All music written by Matt Miller
Recorded, Mixed, Mastered, and Produced by Matt Miller at The Kill Box 2021 Album art by Hand Rot Art
Guitar, Bass, Keyboards, and Programming by Matt Miller
Remastered 2022 by Matt Miller at the Kill Box

For more info:
https://mattmillerhhakmusi.wixsite.com/mattm
https://www.facebook.com/profile.php?id=100052177364686
https://www.instagram.com/mattmiller630

Matt Miller is endorsed by:
Kahler USA
EMG Pickups
GHS Strings
Stevens Cables and Effects Pedals

Booking – Extreme Management Group
Mark Kloeppel – emg.markkloeppel[@]gmail[.]com

About:
Akademia-Award-winning producer, engineer, and songwriter MATT MILLER side-steps these industry achievements to embark on something deeply introspective and personal; a transcendent, reactionary and vile personage embodying soaring progressive melodies and captivating crushing rhythms which engulf the listener in black clouds of desperation and shimmering hope.

Drawing upon the gut-wrenching timed-precision of European death metal stalwarts NECROPHAGIST and SPAWN OF POSSESSION, MATT MILLER progressively blends this approach with deep synthetic and symphonic atmospheres like that of DEVIN TOWNSEND, often arriving at surprisingly emotive and heart-clenching metallic passages like that of RIVERS OF NIHIL.

Calling upon other single-member death metal projects such as PUTRID PILE or INSIDIOUS DECREPANCY, the live performance can best be described as a reclaiming and repainting of the earth by a relentlessly sweeping and deranged berzerker appealing to the vast minions of the extreme music. The combination of elements within MATT MILLER distills the traditions of the international metal realm, the progressive atmospheres of modernity, and reactions to a vile world into a single unrelenting persona of despair and vengeance.

MATT MILLER’s first self-produced instrumental EP came in 2017, drawing on influences from classic metal bands such as MEGADETH and IRON MAIDEN to shredders like YNGWIE MALMSTEEN and PAUL GILBERT, while combining a technical death metal approach to create a maximum intensity music with a frenetic and frantic feel and ferocious atmosphere. Since then, and a few releases into this brief career, MATT MILLER boasts 12,000 consistent monthly listeners on Spotify before hitting the international touring circuit. This was garnered from his 2017 EP, the 2021 self-released ‘Decrepit Shed’ LP, the ‘Reekomposer/Decomposer’ covers double LP, as well as the ‘8E’s’ 1980’s themed covers LP.

In 2022 Matt released the formidable original instrumental LP Monument of Velocity on Blood Blast Distribution. Matt also toured supporting Rings of Saturn on the CYBER SHRED TOUR 2022. 29 shows encompassing the continental United States. Matt has released the cover LP Only What the Light Allows through Blood Blast Distribution as well.

Matt Miller hails from the rain soaked northern Oregon Coast; influenced by the natural foreboding environment. Moving into the present, MATT MILLER has joined up with Extreme Management Group to spread a singularly relentless auditory mind-bend.

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—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Rockshots Records – Out Now! Australia’s NOTHING SACRED EP “Leviathan”

February 3, 2023
by Asher
· Music News · Nothing Sacred (Rockshots Records)

NEWS RELEASE

Montreal, QC – February 3, 2023

Rockshots Records – Out Now! Australia’s NOTHING SACRED EP “Leviathan”

Out now! Australia’s Nothing Sacred unleash their new EP “Leviathan” via Rockshots Records to follow their first album in 30 years entitled “No Gods” released in 2021.

“The 2021 album “No Gods” was well received so we were keen to get back into the studio and follow up as quickly as possible. The new release is another mix of new tracks and older tracks that builds on what we did with “No Gods”. We think it takes things a step forward – Sacred fans will find plenty to enjoy.” adds the band.

Fans of Nothing Sacred will notice on the band’s forthcoming EP “Leviathan” that there has been a lineup change that now sees the return of Chris Stark taking the reins as lead vocalist, replacing James Davies. Stark had previously sung with the band for a number of years and has now returned in time to lay down the vocal tracks for their next monster.

The EP “Leviathan” has plenty of riffs, killer solos, and big melodies from vocalist Chris Stark. The EP also includes the song “Sudden Death”, a thrashy unreleased track that was a mainstay during the band’s live gigs in the mid-’80s plus re-recordings of a few tracks from the band’s first album “Let Us Prey” and two new songs. All the new songs were written in group sessions with everyone jamming, throwing around riffs and arrangements into the mix. Overall, the EP is a blend of old and new, and something they could get done without a follow-up taking too long.

Album order – https://bit.ly/LeviathanCD

Digital – https://bfan.link/Leviathan

Track Listing:
1. Leviathan – 3:27
2. Drone – 4:35
3. Guardian – 3:40
4. SirMegma – 3:02
5. Sudden Death – 2:29
6. DroneTrance – 4:33
EP Length: 21:49

Nothing Sacred is:
Stu Bedford – Guitar
Chris Stark – Vocals
Karl Lean – Bass
Sham – Drums
George Larin – Guitar

For more info: Rockshots.eu | Facebook.com/NothingSacredMetal | Instagram.com/nothingsacredaustralia | Nothingsacredau.bandcamp.com

About: Conceived in Melbourne in 1983, Nothing Sacred went on hiatus for two decades. During the 80s, the heavy metal band unleashed their EP “Deathwish”, which catapulted them as one of the most sought-after pit makers with the record’s title track becoming a classic within the Australian metal scene. Three years later in 1988, Nothing Sacred unleashed the full-length entitled “Let Us Prey” on Cleopatra Records. Unfortunately a year after that LP’s release, the band disbanded in 1989. Lead guitarist Mark Woolley, bassist Karl Lean, and drummer Sham went on to contribute to Hobbs’ Angel of Death‘s early work in the late 1980s. Woolley also appeared on Hobbs’ first self-titled album in 1988. Vocalist Mick Burnham later joined the short-lived Melbourne band Seizure in 1993.

Although their tenure was short-lived, Nothing Sacred still remains an underground metal phenomenon in Australia. Songs from the Deathwish EP still get airplay on several Australian metal radio programs.

In 2012, Nothing Sacred performed a series of 30th anniversary shows with Ross Percy (Ion Drive, Little House Godz) joining George Larin on guitar that included a support slot for the ex-Iron Maiden vocalist’s Paul Di’AnnoP/Blaze Bayley Australian tour. Despite the success, the band agreed not to continue and returned to retirement.

In 2015, the band decided to re-activate with a lineup of Sham, Karl Lean, George Larin, Ross Percy, and new vocalist Chris Stark. A slot on Melbourne’s Brewtality Metal Festival received positive reviews before the band embarked on a short tour of Japan (That footage was released in 2021 as a part of a 3 disc boxset), which inspired them to continue and lead the band to headline day one of the Steel Assassins Festival in Sydney.

Line-up changes again slowed the band, James Davies was recruited for vocals along with Stu Bedford on guitar. From there, the band spent most of 2019 and 2020 writing and recording, what was their first full-length in over 30 years. Entitled “No Gods”, the record witnessed Nothing Sacred‘s resurrection to the metal world. The album peaked on the Australian iTunes metal charts in October 2021 at #4 along with metal media outlets giving multiple praising reviews.

Now ready to follow up “No Gods”, Nothing Sacred has gone through another lineup change swapping singer James Davies out with the return of Chris Stark. Chris had sung with the band previously for a number of years and has now returned in time to lay the vocal tracks down on their next release “Leviathan” set for release in February 2023 via Rockshots Records.

– 30 –

Australian iTunes charts, October 2021. No Gods #4 in the Metal charts.

“The highly infectious intensity this album began with has not diminished in any way shape or form. And if you ask me – the thirty-year wait for a new album has been well and truly worth it.” – Metal Roos – 4.5 / 5 – No Gods

“Dramatic speed changes with a dense rhythm section. Powerful vocals with that speed metal scream added to the top. They are definitely very good at what they do.” – Metal Epidemic – 4 / 5 – No Gods

“Excellent production but above all the perfect rhythmic synchrony between the powerful riffs and the war machine called Sham behind the skins … A record for those who inevitably feel strong and ready to never back down. A great Job.” – Metal Wave (Italy) – No Gods

“ ‘No Gods’ is full of dark, yet energetic riffs with a vocal style that is easy to understand yet doesn’t sound whiny or too dramatically sorrowful.” – Brutalism.com

“In their decades amiss from the public NOTHING SACRED has managed to keep under wraps a form that manages to sound contemporary yet as well offers the classical indulgences of Thrash roots.” – Metal Temple

“Time may have marched on, but with ‘No Gods’, the band pick up almost exactly where they left off 30 years ago … there is a lot of quality here and a real chemistry bubbling beneath that surface.” – Metal Digest

“Overall, if you are a fan of US power metal, more melodic thrash metal and, of course, power-thrash, you should check this album out” – Metal Music Archives – 4 / 5 – No Gods

“This new album, “No Gods” is a culmination of musical experience and renewed energy … a band who have nothing to prove and are just enjoying the creativity.” – UK Thrasher

“If you ever come across this EP (“Deathwish”) , do not hesitate to get it! It’s essential listening for lovers of obscure old school metal.” – Encyclopedia Metallum

–
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Rockshots Records – France’s Manigance Unveil “All Your Excesses” Off English Version of New Album “The Shadows Ball (Les Bal Des Ombres)” Out Feb 2023

February 3, 2023
by Asher
· Manigance (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – February 3, 2023

Rockshots Records – France’s Manigance Unveil “All Your Excesses”

English Version of New Album “The Shadows Ball (Les Bal Des Ombres)” Out Feb 2023

France’s Manigance will be releasing an English version of their latest album “The Shadows Ball (Les Bal Des Ombres)” on February 24th, 2023 via Rockshots Records. The original francophone version was released on March 18, 2022.

Today, the band presents their next single “All Your Excesses”, a song that denounces the behaviours and human activities that lead to the progressive and rapid destruction of our environment, our planet.

“All our excesses have serious consequences. It’s our responsibility to change,” says Carine Pinto (vocals/lyrics)

François Merle (guitar) adds:

“This is the most complicated piece in terms of rhythm. The bass/drums part is very precise and an acoustic guitar solo brings a Hispanic touch. The vocals on the chorus are particularly high and very metal.”

Listen to “All Your Excesses” at the following links:

Visualizer – https://youtu.be/bITiDUggM6Y

Digital – https://bfan.link/all-your-excesses

What started out as a cover band to doing full fledge originals and being garnered “Best French Group of 2003” by Hard Rock Magazine and triumphing on the stage at Hellfest (Live video), “The Shadows Ball” is the band’s eighth studio album and first to be sung in English by new vocalist Carine Pinto who replaced Didier Delsaux in 2018. The band made the decision to do English songs as they wanted to make their music more accessible to foreign audiences in preparation for their 2023 European tour with Rhapsody of Fire in March.

“This album contains different songs from the Manigance standards. We have shortened the songs and worked on the arrangements. We think we can play a lot of these songs in our shows. It’s a sign that the fans should enjoy these songs. They are adapted to be played live. We have evolved in our writing process. The songs are still very rich, but the structure is simpler. We also listen to the latest productions to offer a modern album with a current sound.” adds guitarist François Merle.

The new album features twelve tracks that are inspired by Pinto’s lyrics from personal and intimate emotions, but also can relate to most listeners, from the betrayal of a friend, the burning of Notre Dame Cathedral (Paris – France), climate change, violence against the LBGT community, confinement during COVID, and domestic violence.

“The Shadows Ball” is recommended for fans of heavy metal and bands like Battle Beast and Accept.

Album pre-save – https://bfan.link/theshadowsball

CD pre-order – https://bit.ly/theshadowsballCD

Music Video – “The Shadows Ball” – https://youtu.be/lWoGUusvcvY

Track Listing:
1. Odyssey – 1:23
2. Cold Blood – 4:24
3. All Your Excesses – 4:28
4. End of Lock Up – 4:26
5. The Shadows Ball – 5:14
6. Death Warrant – 4:01
7. High Treason – 4:48
8. Eternity – 4:36
9. At Gates of Memory – 4:42
10. In Spite of Everything – 4:42
11. Dawn of The New Fight – 4:49
12. Forgotten Survivor – 4:34
Album Length: 52:12

For more info:
https://www.rockshots.eu
https://www.facebook.com/MANIGANCE.Official
https://www.instagram.com/manigance.official
https://twitter.com/Manigance64

– 30 –

0 Canada’s FEED AFTER MIDNITE Release Striking Music Video For Groovy Single “False Awakening”

February 2, 2023
by Asher
· Feed After Midnite · Music News

NEWS RELEASE

Montreal, QC – February 2, 2023

Canada’s FEED AFTER MIDNITE Release Striking Music Video For Groovy Single “False Awakening”

L- R: Denis Bastien (Guitar), Sean Bolster (Drums), Yvon Gauthier (Vocals), Marc Bastien (Guitar)
Photo Credit – Feed After Midnite

Based in Ottawa, Ontario, Canada, Feed After Midnite was formed in March 2018. They recently released their debut EP “The Hunger” and have a new music video out now for the song “False Awakening”. “The Hunger” is a collection of different, unrelated stories bringing out the full groove of the band. The single is based on the films “The Matrix” and “They Live” and it relates to how life and society are ruled by the media and government and their narrative and we the people are tired of being controlled and lied to. The band continues to explain:

“It is the fastest, most aggressive song on the EP. It starts off sounding old-school Slayeresque but quickly shifts into a headbang-inducing double bass groove. It was actually the last song written for the EP. It really came to its final form as we were recording the other songs. Joe Lyko really helped us with the breakdown on this one. We were really pleased with how it turned out post-production, so we decided to make it the first single. This is the fastest tempo song out of all and really represents a new level of technical skill for us all.”

Feed After Midnite hopes listeners will appreciate their attention to groove and melody while still maintaining a level of heaviness. Each song stands on its own, but leaves you with a hunger for more. Their sound has definitely changed over the years, moving away from the hard rock/classic metal in the beginning, the newer stuff is heavier and a bit more aggressive. Closer categorized as metalcore or groove metal they are recommended for fans of Deftones, Avenged Sevenfold, and In Flames.

Watch and listen to “False Awakening”, which was self-directed by the band via its premiere on the Spaceuntravel YouTube channel – https://youtu.be/wHhiDClKjp0

“The Hunger” was released on Nov 25, 2022, via the band’s label Feed On This Records and available on Spotify, Apple Music, Feedaftermidnite.bandcamp.com.

Track Listing:
1. Shadows of the Night – 1:13
2. False Awakening – 4:02
3. Red Dead – 4:20
4. Ascending the Flames – 5:00
5. Book of the Fallen – 5:28
EP Length: 20:04

EP Credits:
• All songs performed by: Feed After Midnite
• All songs written by: Feed After Midnite
• Produced by: Feed After Midnite and Joe Lyko
• Mixed by: Joe Lyko
• Mastered by: Joe Lyko (Dark Moon Productions)
• EP Artwork by: Marc Bastien
• Member of SOCAN
• Canadian Content (MAPL)

EP Band Line Up:
Marc Bastien – Guitar/keys
Denis Bastien – Guitar
Sean Bolster – Drums
Dylan DeRepentigny – Bass
Yvon Gauthier – Vocals/keys

Live Band Line Up:
Marc Bastien – Guitar/keys
Denis Bastien – Guitar
Sean Bolster – Drums
Yvon Gauthier – Vocals/keys

For more info: Feedaftermidnite.com | Facebook.com/FeedAfterMidnite | Instagram.com/feedaftermidniteband | Youtube.com/@feedaftermidnite

– 30 –

0 What Comes Around Goes Around! Saudi One Man Prog DUSK New Music Video “Karma” ft. Moe Steiger – New Album “Spectrums” Out Feb 2023

February 2, 2023
by Asher
· DUSK · Music News

NEWS RELEASE

Montreal, QC – February 2, 2023

What Comes Around Goes Around! Saudi One Man Prog DUSK New Music Video “Karma” ft. Moe Steiger

New Album “Spectrums” Out February 2023

Saudi Arabia’s one-man prog metal unit DUSK (from the mind of Meshari Sangora) is unveiling the next single “Karma” ft. Moe Steiger from the upcoming full-length entitled “Spectrums”. The album follows two previously unleashed EPs “To Where I Belong” (2021) and “Ascension” (2020) along with multiple stand-alone singles that were used to introduce the project’s music to the world in 2020.

The album’s second single talks about someone in the Saudi metal scene with whom DUSK (Meshari Sangora) crossed paths with and was less kind and more condescending towards others. DUSK goes into further detail about how the song and collaborating with More Steiger.

“I was very grateful for coming across Moe when I was looking for a vocalist with this type of energy for the track, I knew I had to look in a place that is known for being crazy in music, and where to look other than Germany! So I contacted my friend Tom Haberland who happens to be the producer I worked with in “Origin” and now the album. When I mentioned that I’m looking for artists he recommended Moe to me, and before I knew it, Moe has already followed me on my socials and sent a message to let me know that he got the news from Tom, and I swear to god it couldn’t be more perfect. Everything started to fall in place and once we had a talk about the theme for this particular song and went over a few things, Moe started writing the lyrics and the song came out to be one my favorites in the album.”

Listen to “Karma” ft. Moe Steiger” via its music video premiere on TheCirclePit – https://youtu.be/j631NPh_rAc

Digital pre-save – https://distrokid.com/hyperfollow/dusk14/karma-will-find-you-feat-moe-steiger

For “Spectrums”, DUSK recruited various many guests such as Saudi musicians Khalid C (Entropia) and Abdulrahman Elghazali (who was a featured guest on EP ‘To Where I Belong”) along with international artists such as Aron Harris of the New York death metal based band Solemn Vision and the great Jaani Peuhu, previously known as a member of Swallow The Sun and his current band Ianai. The album features 12 tracks and is a multi-lingual expression with various songs sung by its contributors in English, German, Finnish, and Arabic.

DUSK comments on the forthcoming album:

“As a musician and one of the pioneers in the local Saudi Scene, I wanted to bring more creativity to the game and make this project an inspiration standpoint to the new upcoming bands and musicians who look up to me both locally and internationally, so right then and there, I decided to make this album into two different themes, something that will speak to every music lover out there, from the heavy and raw guitar tones to the Synth-ish spacy sounds that ease the listener to a very dynamic and emotional ride.”

Once a college DJ in UAE, that time in his life lead to his rediscovery of all forms of metal and was just the beginning of creating his own music as a self-taught musician and producer. DUSK created the new album to be listened to as Side A and Side B. The first half of the album (Side A) is aggressively sounding, and more guitar-focused and has a build-up of more hostility to each track while the listener moves forward. The second half (Side B) aims for a new sound from DUSK infusing more of the electric/EDM-ish sound where it’s more focused and digitized sounding and widely more appealing to the non-metal listener, all while keeping the same aggression level building up with each track.

“I wanted to bring more to the table and make this album a possible gateway to new audiences and perhaps fans from both sides, the metal heads & the non-metal listeners. I think all people who enjoy music will be interested in it, with all that has been added and all the different genres mixed in. What I’m trying to do with this record is to make everyone experience their own feelings and their own journey, the topics for this project are big and very stretched, some of the topics deal with real issues like betrayal and disposition, Love, Hate, and Hope.” adds DUSK

Recommended for fans of Currents, Born of Osiris, Novelists, and Deftones, along with everything under the vein of progressive metal, metalcore, and djent, “Spectrums” will be released on all digital platforms including vinyl on February 17th, 2023.

The album was fully written & recorded at Dusk’s studio with the mixing and mastering done by Tom Haberland of Crushing Waves Studio. Album artwork created by Giannis Nakos from Remedy Studios.

Album pre-order – https://dusk94.bandcamp.com/

Previous single:

“Lethal Perspectives ft. Aron Harris”

Lyric Video – https://youtu.be/rcOw6G0VgKE

Digital (Spotify, Bandcamp, Apple Music) – https://distrokid.com/hyperfollow/dusk14/lethal-perspectives-feat-aron-harris

Track Listing:
1. The World We Used To Know ft. Abzy & Khalid C – 5:42
2. Digging Deeper ft. Alex Hamilton – 4:05
3. Breath In, Breath Out ft. Adnan – 4:20
4. Hatred ft. Alex Hamilton – 3:12
5. Lethal Perspectives ft. Aron Harris – 3:02
6. Agnes Of Rome ft. Abzy – 5:00
7. Burning In My Mind ft. Moe Steiger – 3:31
8. Karma Will Find You ft. Moe Steiger – 4:19
9. Someone To Trust ft. Jon Thomas – 3:38
10. Only You ft. Jaani Peuhu – 5:39
11. Celestials ft. Iman Ahmed & Abudlrahman Elghazali – 4:37
12. Absence Of Full (Album Outro) – 2:18
Album Length: 50:00

For more info:
Facebook.com/Officialdusk94
Instagram.com/official__dusk
Twitter.com/Official__Dusk

About Album Guests: Abzy, Khalid C, Alex Hamilton, Adnan, Aron Harris, Moe Steiger, Jon Thomas, Jaani Peuhu, Iman Ahmed, Abdulrahman Elghazali

1- ABZY is a Self-taught singer-songwriter who started in 2007 Located In Kuwait city. Band (WAZIN), SOLO Project (SARAI)

2 – Khalid C is an electric guitar player located in Riyadh, Saudi Arabia, and is one of the founders of the band Entropia along with his new rock solo project Astrofrog.

3 – Adnan Mryhi is a singer and a Twitch streamer located In Dubai, UAE, Adnan also helped and still helping to build the Metal Scene in the UAE since 2006. Solo Project (Unmuted)

4- Alex Hamilton is a Canadian musician who operates Nova Nine Productions and offers session musician services, mixing/ mastering, and recording. His band is Wazmo.

5- Aron Harris also known as AceSirBell is the vocalist for the band Solemn Vision and the band telochvovin666 and the founder of Visionary Booking, a booking company focused on helping out-of-town bands break into NYC, and build lasting connections through different scenes.

6- Jaani Peuhu is a Finnish musician, producer and songwriter. Jaani has worked with artists like Before the Dawn, Swallow The Sun, To/Die/For, Thunderstone, Wiidakko and Anna Eriksson. More info – https://en.wikipedia.org/wiki/Jaani_Peuhu

7-Iman Ahmed is an Arab/British singer and bass player who is the founder of Unicorn Squad – a global music community for unsigned artists and bands within the rock/ metal/alternative scene.

8-Abdulrahman Elghazali is an electric guitar player located in Riyadh, Suadi Arabia, previously featured on the “To Where I Belong EP” and a guitar player for the local thrash metal band Dune.

9-Moe Steiger is a session vocalist located in Germany. Editing and mixing engineer.

10- Jon Thomas is a singer, songwriter, guitarist, and session musician based in Canada.

11. Jonathan Hammond has solo projects Dark Horse and Thrifted Souls.

– 30 –

0 EPK – Maudiir – Soliloque (2023)

January 31, 2023
by Asher
· EPKs · Maudiir

EPK – Maudiir – Soliloque (2023)

Publicist – Jon Asher – asher[@]ashermediarelations[.com]

For fans of Skeletonwitch, Darkthrone, Voivod, Ihsahn, Carcass

Band: Maudiir
EP Title: Soliloque
Release Date: April 7, 2023
Label: Self-Release

“‘Soliloque’ is a riff-driven EP with big bass grooves and corrosive vocals raging on environmental issues, mixing thrash metal, black metal and progressive elements, giving it a unique sound and feel.

‘Soliloque’ is a different EP than ‘La Part du Diable’, which was also different than ‘Le Temps Peste’. I like to think that the overall production is getting better with every release. I don’t want to repeat myself or focus on some kind of recipe. The overall sound of ‘Soliloque’ is very different from ‘La Part du Diable’; different guitar, bass, and drum sounds. I also used less effect on the vocals, a more in-your-face approach. One song was recorded with a 7-string guitar, and I dabbled with some slide guitar on another… Trying new stuff. I particularly like the bass sound that cuts through really well. Being primarily a guitar player, I‘ve really come to enjoy giving a lot of space to the bass guitar in my music. It’s the instrument that I have the most pleasure recording.” – Maudiir

Facebook.com/people/Maudiir/100063607593649 | Twitter.com/maudiir1 | Youtube.com/@maudiir356 | Instagram.com/maudiirofficial

Maudiir.bandcamp.com | Apple Music | Amazon | Spotify

Canadian College Radio Loud Charts: #1 – The National Loud Chart – For the Week Ending: Tuesday, February 16, 2021 (Earshot)

“As “The Slumber” begins, a jittery, dissonant bass riff, underlaid by droning guitar and soon joined by F.‘s rabid snarl, creates an immediate feeling of incipient and dangerous derangement as it quivers above a neck-popping back-beat and a febrile bass line.” – No Clean Singing

“Feel free to imagine Maudiir as a mix of early Metallica and Enslaved, Darkthrone, Diamond Head, Skeletonwitch, Martyrdöd, Skitsystem and fellow French Canadian technology users/abusers, Voivod. Sitting at home with no shows to attend or play for a year has provided F. the opportunity to work in isolation and create the next chapter in the Maudiir story, La Part du Diable. The five songs within continue stirring the influence pot with the result being simultaneous sweet and sourness, light and darkness, uplift and despondency.” – Decibel Magazine

“If you’re tired of all those black/thrash bands that sound too much like each other, this is a little different. Just solid blackened thrash with a strong footing in traditional heavy metal that calls for repeat plays.” – The Metal Crypt

“If this is what Maudiir can achieve in only 24 minutes and 24 seconds, bring on a full-length. If you’re into Skeletonwitch, Voivod, or Ihsahn, give release this a listen!” – 4/5 Metal-Rules.com

“It’s The Crowning Hour that closes out a banger of an EP. Where the guitars blur reality and the drums hammer so hard, the brain begins to ache. The tempo is fiery, and the passionate delivery is joyfully received again.” – Games, Brrraaains & A Head-Banging Life

“The first thing you notice about Maudiir‘s new EP, La Part du Diable, is just how good the record sounds. Crystal clear production on a blackened thrash release might not be at the top of every listener’s shopping list, but here the production absolutely works for F.” – Sentinel Daily

“What’s so refreshing with this E.P. is the flourishing evolution of styles and the sheer confidence in which the music is played. Aided by the crisp and professional production, this is a genuinely exciting release.” – The Razor’s Edge

“Maudiir entertain those who like black metal but also are open to prog and old school heavy metal. The mix is pleasing and the whole thing works very well.” – CGCM Podcast

“Touches of punk add attitude to these five angry and aggressive pieces of blackened thrash metal and make it an impressive debut EP” – Loud Enough? Magazine

“Some really great tracks and precise playing makes this debut EP a note worthy event” – Absolute Underground Magazine

““Le Temps Peste” is overall an engaging listen that, as it progresses, gets even better and more complex, gradually easing you into the building mood and feel of the EP, the first couple of tracks “Product” and “Abuse The Used” build on bleak Blackened driving riffs alongside a vitriolic rasping vocal delivery, the latter also benefiting from more of a haunting melody developing, a galloping Thrashy second half and soaring lead work which really adds to the sound.” 4/5 – The Metal Wanderlust

“Métal de bord en bord, ce projet fait partie de ceux dont les sonorités sont parfaitement heavy, mais ô combien inclassables, où se mêlent habilement les influences et saveurs auditives les plus diverses. Avec Maudiir, on fusionne avec brio black, thrash et death mélodique, avec une touche de métal classique et de NWOBHM dans les acérés riffs. Le temps peste inclut tout plein de riffs aussi corrosifs que galopants, qui rendraient très fiers autant un prêtre traître qu’une vierge de fer, risquant très bien de vous donner un sale mal de cou.” – BoulevardBrutal.com

“En tous les cas, F. ne s’enfonce pas dans l’erreur des artistes qui bossent en solo, à savoir, s’enfermer dans leur monde et devenir hermétique à l’oreille lambda. Sa musique est bien orchestrée ; même si elle fait appel à du déjà connu, elle tient la route et on y aime y retourner plusieurs fois. Il y a, à la fois de l’agressivité, de la noirceur, mais aussi de la fluidité dans ce metal un peu vieille école, mais bien vivant!” – Metal France

[Download EP Cover | Download EP Lyrics]

Band: Maudiir
EP Title: Soliloque
Release Date: April 7, 2023
Label: Self-Release

Track Listing:
1. Toxic Cloud (5 :24)
2. L’Éloge du Cuivre (5 :02)
3. Residue (4 :30)
4. Regarde au Ciel (4:41)
5. CH4 (5:44)
EP Length: 25:24

EP Credits:
• All songs performed by: F.
• All songs written by: F.
• Produced by: F.
• Mixed by: F.
• Mastered by: F.
• Album Artwork by: cover artwork by bergZ, band logo by Dopesmoker
• Member of SOCAN
• Music is Canadian Content (MAPL)

EP Recording Lineup:
F. – Everything

================================================

The EP as a whole explained:
‘Soliloque’ is a riff-driven EP with big bass grooves and corrosive vocals raging on environmental issues, mixing thrash metal, black metal, and progressive elements, giving it a unique sound and feel.

Track by Track explanation:

1. ‘Toxic Cloud’ starts off with a classic metal/almost hard rock feel, then goes into a black metal frenzy with a very epic ending. The song is about the Bhopal disaster.

2. ‘L’Éloge du Cuivre’ is a very different song for Maudiir. I would describe it as Helmet/Prong meets ‘Spirit of Sulfur’ from the previous EP ‘La Part du Diable’. A result of experimenting with a 7-string guitar, I think it’s a very catchy song and I really love the instrumental thrash metal section. The song is mostly about the Fonderie Horne in northern Quebec, but also touches on any non-repenting polluting company.

3. ‘Residue’ starts off with a 90’s death metal feel, then goes into a Killing Joke-type chorus. It’s about the additives/pollutants we are forced to consume, be it through food, water, or air, and their effects on our health.

4. ‘Regarde au Ciel’ is my first try at composing a song in French Québécois, my native tongue. A fast number that starts off with an odd time signature riff then goes into a very melodic bass-driven passage and has a black metal bridge section. The lyrics are about the general state of the environment, and how we are pretty much powerless and somewhat disinterested in really doing anything about it.

5. ‘CH4’ is a black/thrash metal hybrid with a very catchy chorus and an instrumental section where I experimented with slide guitar. It’s about the landfill fires in India, and the people living around these landfills.

Maudiir – Band Photo Credit: bergZ

Maudiir, coming from the underbelly of Montreal, Quebec, Canada is an outlet for observations on obedience and industrialization riddled with man-made waste. With 80s heavy metal influences alongside black metal and punk, Maudiir is unique in sound; hauntingly dark while being corrosive and galloping.

Maudiir is a one-man black/prog/thrash metal project that formed to be musically independent. Starting with guitar, F. works his way through each sullen track, adding drums, recording all the colorations and textures of the guitars, adding bass, and finally writing the words, very often at the same time they are being recorded.

The pessimistic aura of the music combines with lyrics about consumer society, religion, science going awry, addiction to technology, and environmental decay.

Maudiir released the debut EP “Le Temps Peste” in February 2020 and a year later unleashed the follow-up “La Part du Diable” in 2021.

Now in 2023, two years after the sophomore record, Maudiir returns with the third offering “Soliloque”, an intense and aggressive five-track record built on thrash metal foundations, flirting with prog and melodic tendencies.

“It’s not a linear EP; certainly not the same song repeated again and again. Open-minded people, step in. Those who have heard my past EPs will notice ‘Soliloque’ is different than ‘La Part du Diable’, which was also different than ‘Le Temps Peste’. I like to think that the overall production is getting better with every release. I don’t want to repeat myself or focus on some kind of recipe. The overall sound of ‘Soliloque’ is very different from ‘La Part du Diable’; different guitar, bass, and drum sounds. I also used less effect on the vocals, a more in-your-face approach. One song was recorded with a 7-string guitar, I dabbled with some slide guitar on another… Trying new stuff. I particularly like the bass sound that cuts through really well. Being primarily a guitar player, I‘ve really come to enjoy giving a lot of space to the bass guitar in my music. It’s the instrument that I have the most pleasure recording.” adds Maudiir.

“Soliloque” is due out April 7, 2023.

F. (ex-Deeply Confused, Tears for the Dead Gods) is also currently leading prog/thrash metal outfit Trinity Blast.

Maudiir is F.

Discography:
2023 – Soliloque (EP)
2021 – La Part du Diable (EP)
2020 – Le Temps Peste (EP)

0 Feel The Instrumental “Digital Soundscape” From Vancouver Orchestral Metal Ensemble OPUS ARISE (ft. members of Svneatr, Thousand Arrows, Ysgaroth)

January 31, 2023
by Asher
· Music News · Opus Arise

NEWS RELEASE

Montreal, QC – January 31, 2023

Feel The Instrumental “Digital Soundscape” From Vancouver Orchestral Metal Ensemble OPUS ARISE (ft. members of Svneatr, Thousand Arrows, Ysgaroth)

New Album “The Network” Out Now!

L-R – Derek Ho – Cello (live only), Matthew Logan – Drums, Violin II, Ellen Smith – Viola, Michelle Gao – Violin I, Kyle Hagen, Shawn Hillman – Guitar, Cello, Matthew Hannah – Keyboards

Photo Credit Jade Weekes

Canadian orchestral metal ensemble Opus Arise (ft. members of Svneatr, Thousand Arrows, Ysgaroth) are sharing their next video for the track “Digital Soundscape” from their sophomore album “The Network” released this past December. The concept record is a cyberpunk tale that brings together classical strings and metal rhythms to create luscious soundscapes to dissonant chaos.

As part of the album’s storyline, “Digital Soundscape” is a track that conveys the feeling of what the digital realm of the network is like. Both characters in the story plot focus on the details of their lives, listening to the ambient, distorted, pulsing sounds of the digital realm.

The video for “Digital Soundscape” can be seen and heard via its premiere on Sonic Perspectives HERE.

Vancouver’s Opus Arise‘s latest album, “The Network”, is a cyberpunk world filled with neon lights backed by progressive metal riffs and classical themes. The eight-track record was produced and mastered by Maor Appelbaum; mixed by Ryan Shepard, with the album artwork done by Daniel Reyes. The nine players on the record bring forth their skills on guitar, cello, bass, drums, violin, keyboards, viola, and contrabass in a sometimes collaborative effort, which is primarily composed and scored by Matthew Logan and Matthew Hannah. The drums were recorded in a mansion back in 2018 where the original rehearsal space was, and the same location was used to film the music videos for the singles “Reminiscence”, “Change” and “Inner Skepticism”.

“The Network” has a modern metal influence and different composers from their first album. It is best described as orchestral neo-classical instrumental progressive metal and is recommended for fans who enjoy Powerglove, Scale The Summit, and Animals As Leaders.

“The Network” is available at Opusarise.bandcamp.com, Spotify.

To watch previous music videos, please the band’s YouTube.

Track Listing:
1) Inner Skepticism – 5:50
2) Electric Jungle – 6:02
3) Antimatter – 3:22
4) Digital Soundscape – 4:38
5) Reminiscence – 5:21
6) Change – 5:23
7) Timeshift – 5:21
8) The Unanswered Question – 5:13
Album Length: 41:13

Album Band Lineup:
Shawn Hillman Guitar, Cello on “Digital Soundscape”
James Readman: Guitar
Daniel Carmago: Bass Guitar (Tracks 1-3, 5-7)
Matthew Logan: Drums, Violin II
Matthew Hannah: Keyboards
Michelle Gao: Violin I
Ellen Smith: Viola
Darrell Bennett: Cello
Kyle Hagen: Contrabass, Bass Guitar (Track 8)

For more info:
https://www.facebook.com/opusarise
https://www.instagram.com/opusarise
https://twitter.com/OpusArise

– 30 –

“On its latest album, the Network, Vancouver orchestral rock crew presents a cyberpunk concept driven by cello, viola and violin as much as electric guitar. With members drawn from the ranks of local metal acts Svneatr, Thousand Arrows and Ysgaroth, the eight-track, 40-minute record is another fine release from the globally recognized and appreciated B.C. metal scene.” – Vancouver Sun

“An instrumental journey with a lot of charisma… Anyone who likes to think outside the box from time to time and likes instrumental music should definitely give “The Network” a try.” – PowerMetal.de

“… this is great progressive music… the album is strongly recommended if you’re open minded and you like your music to sound like a detailed and complex story. Great stuff!” – Metal Rules

“Sometimes there comes a prog metal act with something new or at least different than most others. And Opus Arise surely fits this description! Their songs are instrumental to begin with. But that’s far from all.” – Melodic.net

“A magnificent album, original, inventive and of great musicality.” – Pierre Davidson – A Progressive Life – CFUZ 92.9 FM – Penticton, BC

““Inner Scepticism,” shimmers through the linement of time and brings about an intricate braid.” – The Median Man

“This new record teleports the listeners to a cyberpunk world filled with neon lights punctuated with progressive riffs. The album has a modern metal influence and different composers from their first album.” – Canadian Beats

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Rockshots Records – The “Bandits” Are Coming! BAD BONES New Album “Hasta El Final!” Out March 2023

January 31, 2023
by Asher
· Bad Bones (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 31, 2023

Rockshots Records – The “Bandits” Are Coming! BAD BONES New Album “Hasta El Final!” Out March 2023

Photo Credit – Federica Bagagiolo – Hellucination Photography

Rockshots Records is proud to announce their signing of dirty rockers Bad Bones for the release of their sixth album “Hasta El Final!” on March 17th, 2023.

Influenced by NWOBHM to the LA street rock scene, Bad Bones was formed in 2007. The band has made a name for themselves with tours across Europe along with making the move from Italy to LA in 2009 to make a foothold in the USA until returning to their home country in 2010. Over the years, the band has consistently toured the USA and Europe with appearances at events such as the Hollywood Rock Convention, Italian Gods of Metal, and Metalitalia Festival along with supporting bands like Steel Panther, Hardcore Superstar, Crucified Barbara, Entombed, Gotthard, Crazy Lixx, Strana Officina and more.

True Metal Magazine named “Bad Bones” the Best Hard Rock band of the year for 2010 along with Metal Hammer Italy awarding “Demolition Derby” the Best Album of The Year for 2016.

A musical amalgamation of blues, punk, classic rock, and heavy metal, Bad Bones’ latest offering “Hasta El Final!” is a powerful record, that shakes your bones and must be listened to in one go, in its entirety, just like taking a shot of whiskey, throw it down and then enjoy it while it warms your guts.

“Hasta El Final! hits you like a punch in the face, we thought it like this, compact and powerful, we didn’t use samples, nor quantized/triggered fake drums, everything was played live, even the overdubs were kept to a minimum, and we wanted to keep the fierce spirit of our first albums.” adds the band.

Making uncompromising rock that is meant to be loud in volume and make ya sweat in the pit, Bad Bones give listeners classic old-school rock n’ roll fun. Their lyrics reflect the things they see and hear, from memories, and life experiences, but also from movies or places they’ve been, there have many sources of inspiration that fans can clearly relate to.

Today, they share the first single “Bandits”, a song that hammers fast, between Motorhead and Iron Maiden, to sum up street life and bad intentions in the alleys of a big city.

Listen to “Bandits” at the following link:

Album pre-order – https://bit.ly/HastaElFinalCD

Track Listing:
1. Bandits – 3:13
2. Behind The Liar’s Eyes – 3:58
3. Rattlesnake – 3:54
4. Wanderers & Saints – 3:43
5. Sand On My Teeth – 3:58
6. Libertad – 4:45
7. To Kill Somebody – 3:33
8. Home – 2:14
Album Length: 29:21

Album Credits:
Recorded @ Rima Maia Studio – Dronero ( CN) – December 2022 by Riccardo Paravicini
Produced by Bad Bones
Mix & Mastering by Riccardo Parravicini @ Rima Maia Studio
Words : Steve Balocco
Music : Bad Bones
Cover Artwork: Christian Wallin
Dedicated to the memory of Andrea “Benny” Bernini a true rocker! Miss ya!

Bad Bones is:
Mekk Borra – Vocals & Guitars
Steve Balocco – Bass & Vocals
Lele Balocco – Drums

Discography:
2009 – Smalltown Brawlers (Red Pony Records)
2010 – A Family Affair ( Nadir Music)
2012 – Snakes And Bones (Bagana Records)
2016 – Demolition Derby (Sliptrick Records)
2018 – High Rollers (Sliptrick Records)
2023 – Hasta El Final! (Rockshots Records)

For more info: Rockshots.eu | Badbones.it | Facebook.com/badbonesband | Instagram.com/badbones_official

– 30 –

“Rough, Rude, dirty… simply irresistible!!! Bad Bones know how to Rock !!” – Metal Maniac

“Bad Bones are on a mission for the god of rock’n’roll!” -Rockandmetalinmyblood.it

“Bad Bones have harnessed all the great sounds of the 80’s and brought it into the present. These guys just have that element that instantly grabs people and gets you going. They have the high gain distorted guitar sound with catchy riffs full of hard rock and blues. The leads are flashy and tight as well. They have a great rhythm section and every song is packed full of melody. They have a sound that is reminiscent of Trixter, Whitesnake, Def Leppard and Mr. Big, This album is 100% awesome form start to finish. Demolition Derby is already top of my play list and with one listen it will be on the top of yours. “The Dirty Room – USA)

“Bad Bones liefert sauber eingespielten, klassischen Hardrock amerikanischer Art. Knackige Gitarren, solider halbhoher Gesang, satter Groove und dieser nicht unerhebliche 80er-Touch sorgen für Stimmung sowie Gefühlswallungen in Richtung Sunset Strip. Man kann die Herren getrost zwischen rockigen Trixter, Hardline, Firehouse und Whitesnake platzieren – und selbst dann findet sich immer noch die eine oder andere Truppe, die man ebenfalls mit dem Stil der Italiener in Verbindung bringen könnte” – Classic Rock Deutschland

” … Over the years, the Bad Bones have become the nicest thing of hard rock of our country” – Simone Sacco – Metal Hammer Italy
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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