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Posts By Asher

0 Reminder – June 3rd – TOLEDO DEATH FEST w/ SIGNS OF THE SWARM, THE CONVALESCENCE, CASKET ROBBERY, SUMMONER’S CIRCLE and more!

  • May 29, 2023
  • by Asher
  • · Music News · Toledo DeathFest

NEWS RELEASE

Montreal, QC – May 12, 2023

Reminder – June 3rd – TOLEDO DEATH FEST w/ SIGNS OF THE SWARM, THE CONVALESCENCE, CASKET ROBBERY, SUMMONER’S CIRCLE and more!

TDF 2023 – Spotify Playlist – https://spoti.fi/3ItXuNG​

TOLEDO DEATH FEST will be stirring up the most extreme mosh pit to ever tornado Ohio and its surrounding states. This year’s event is being hosted on June 3rd in Toledo at Mainstreet Bar and will feature headliners, Signs of the Swarm alongside The Convalescence, Casket Robbery, Summoner’s Circle, and many more (full lineup below).

Since its inception in 2009 by Keith Wampler, the frontman of The Convalescence and owner of The Legend Agency, the festival has showcased the talents of some of the American Midwest’s best up-and-coming metal bands. Past editions have seen past support from well-known artists such as Jungle Rot, Malevolent Creation, and The Breathing Process among many more. The festival has been an extreme metal pilgrimage for fans living in the surrounding states of Michigan, Illinois, Indiana, Pennsylvania, Kentucky, and West Virginia.

“I am very happy to be able to bring Toledo Deathfest back in 2023 with one of the most insane lineups we’ve ever had. This festival has come from being local bands at small venues to a two-stage festival featuring bands from around the country thanks to the incredible support of everyone who attends each year. Thank you to everyone who has supported Toledo Deathfest and I look forward to seeing everyone again on June 3rd!” adds

Tickets are available at https://theconvalescence.bigcartel.com/ (General Admission, VIP Packages)

Event: https://www.facebook.com/events/1456718568446520/​

Highlights of the confirmed bands include headliners Signs of the Swarm with their slamming brutal chugs, to black metal-tinged frenzies and groove-driven downtempo bursts of aggression, the band cohesively captures a vile sound spreading across the genre’s various styles. The Convalescence is one of the USA’s unstoppable tour de force, touring Europe in 2022 with Chelsea Grin along with their latest single “No Survivors” ft. Scott Ian Lewis of Carnifex, that has fans demanding more and more. Emerging from the darkest and most desolate areas of the Midwest, Casket Robbery creates its own signature style of death metal by infusing horror and occult themes. Their trademark huge riffs and unstoppable grooves create the unrelenting, brutally catchy, and eerie sound that only Casket Robbery is known for. Summoner’s Circle, hailing from Dandridge, TN, is a six-piece theatrical metal band that blends elements of doom, death, black and progressive metal into what they refer to as simply Epic Metal.

Toledo Death Fest 2023 Full Lineup:​
Signs of the Swarm (Pittsburgh, PA)
The Convalescence (Toledo, OH)
Casket Robbery (Madison, WI)
Summoner’s Circle (Dandridge, TN)
Hive (Chicago, IL)
Carrion Vael (Richmond, IN)
WoR (Raleigh, NC)
Within Chaos (Fort Worth, TX)
The D.O.O.D (Sarasota, FL)
Squidhammer (Watertown, WI)
Filth Spewer (South Bend, IN)
Ignominious (Norwalk, OH)
Cephlic (Toledo, OH)
Death Hex (Toledo, OH)
Pharohound (Fort Wayne, IN)
Extinction Agenda (Ohio)

To follow updates for Toledo Death Fest 2023, please visit the following links:

​Facebook.com/ToledoDeathfest | Facebook.com/thelegendagency | Instagram.com/thelegendagency/​

Festival Press Materials Dropbox HERE.

Sponsors: Fultztron Entertainment, Bloodlust Media, Dedfish Productions, Inverted Realm Designs, and Lost In The Dark Podcast

Vendors Onsite: Peril Hot Sauce, Creature Feature Spoo-Tique, and Hostile Creations

About: Toledo Deathfest was originally created in 2009 as a way to bring bands in Northwest Ohio and Southeast Michigan together once a year and showcase their music to the local scene. It has continued as an annual festival featuring Local, Regional, and Underground Touring artists. In 2021 Festival Promoter Keith Wampler (The Legend Agency/The Convalescence) decided to expand the festival to multiple stages and to feature larger artists as well as a variety of underground acts with plans to grow the festival even more each year with Jungle Rot headlining 2021, Malevolent Creation headlining 2022, and now Signs of the Swarm headlining 2023.

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo Death Fest)

0 Rockshots Records – Out Now! Canada’s WALK WITH TITANS’ Debut Album “Olympian Dystopia” (Greek Myths Meet Power Metal)

  • May 26, 2023
  • by Asher
  • · Music News · Walk With Titans

NEWS RELEASE

Montreal, QC – May 26, 2023

​

Rockshots Records – Out Now! Canada’s WALK WITH TITANS’ Debut Album “Olympian Dystopia” (Greek Myths Meet Power Metal)

Photo Credit – Dani Rod – Above the Sky Studios

Out Now! Rockshots Records presents epic power metal with a twist of Greek Mythology from Montreal, Canada’s Walk With Titans, and their debut album “Olympian Dystopia”.​

Efficient, epic, well executed, heavy, and mythical, this is what power metal fans will discover from 50 minutes of Walk With Titans’ first full-length “Olympian Dystopia” brought forth by Nikko Cyr (drums), Nick Maugy (rhythm guitar), Louis Jacques (lead guitar) (ex-Blackguard), Lydz Grondin (bass), and Jonathan Vézina (vocals & orchestrations). Greatly inspired by Greek mythology and the band’s perspectives on life, it’s a unique trait that will not leave you indifferent.

”We are stocked to have our album ‘Olympian Dystopia’ finally released. We couldn’t be happier about them sharing our songs. Our music has been described as if Stratovarius, Rhapsody of Fire, and Angra had a child. We’re very happy to bring ‘Olympian Dystopia to the world! Making it was quite a ride and we had so much fun, we hope fans will have as much fun listening to it!” adds guitarist Louis Jacques.

Walk With Titans is recommended for fans of Angra, Stratovarius, and Rhapsody of Fire.

Album order – https://bit.ly/WalkWithTitansCD​

Digital – https://bfan.link/olympian-dystopia

Lyric Video – Seven Against Thebes – https://youtu.be/B8RxVmKbLKY

​Music Video – Herakles – https://youtu.be/3I3cQG9F7Fo

​

Track Listing:​
1. Herakles (4:08)
2. Edge of Time (4:34)
3. Gods of the Pantheon (5:53)
4. As Titans Fall (4:36)
5. Lost Ways (4:28)
6. Final Dawn (5:31)
7. Gift of Fire feat. Renato Osório (5:38) – Guest guitar solo by Renato Osório (Atomic Elephant, ex-Hibria)
8. Lost Paradise (5:17)
9. Seven Against Thebes (4:16)
10. Eurydice (5:46)
Album Length: 50:22

Walk With Titans is:
Drums : Nikko Cyr
Rythm Guitar : Nick Maugy
Lead Guitar : Louis Jacques
Bass Guitar : Lydz Grondin
Vocals & Orchestrations : Jonathan Vézina

Album Credits:​
Album Artwork: Jean-Michel Lima
Logo and album cover layout: Jivago Raymond
Booklet Layout: Simon Bertrand
Recordings: Nick Maugy and Louis Jacques, and vocals were at Silverwings Studio by Jonathan Lefrançois
Mix and Mastering: Francis Gagné from Progressive Acoustics
Drums on the Album: Martin Plante (session drummer)
Music by Walk With Titans
Guest solo on ”Gift of Fire” by Renato Osório (ex-Hibria)
Lyrics: Jonathan Vézina, Louis Jacques, and David Zinay (lost paradise, final dawn)

For more info: Rockshots.eu | Facebook.com/profile.php?id=100064909415917 | Instagram.com/walk_with_titans

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

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0 GAMERRA’s “Tedium” Is Reminiscent Of Top Thrash Bands And Is One Of The Heaviest Releases Of The Year

  • May 26, 2023
  • by Asher
  • · Gamerra · Music News

NEWS RELEASE

May 26, 2023 – Montreal, QC

 

GAMERRA’s “Tedium” Is Reminiscent Of Top Thrash Bands And Is One Of The Heaviest Releases Of The Year

L-R – Reece Benoit (Rhythm Guitar), Jacob Broussard (Lead Guitar/Vocals), Jake Meche (Lead Vocals)
Photo Credit: Tyson Pate of CobraTai Photography

Louisiana’s Gamerra is a good-time thrash band seeking the ultimate jam. Mixing in spicy doses of death metal and progressive metal, producing a sound akin to a fusion of Exodus and Death with the intense vocal patterns and delivery of Warbringer, the aggressive and experimental leanings of Revocation, the ferocious rhythm guitar tone of early Meshuggah, and the attitude and fun-loving vibes of Havok, all played in the spirit of old school Sepultura. These influences are honored in their latest album “Tedium”, which is their fifth release. They comment on the release:

“We’re really pumped to finally get this material out to the public and very relieved that it came out better than we hoped. We’ve had the songs demoed out for about a year and we got the art done for it way in advance. We hope everyone enjoys it. It’s a culmination of negative energy funneled into something productive. This in our eyes, created thrash which transcends the limitations of its subgenre. Our hope is that it will make people look at thrash in a new light.”

Over the years Gamerra has gotten a lot more intense and progressive musically and the vocal patterns and lyrics have gotten considerably more mature (not in content, but in quality). They quote that they are pretty far forward from the sound people heard in “Detached from Reality” (2019).

Through many lineup changes, Gamerra survives in the new decade. Despite consistently not having a drummer, and still lacking a bassist, Jacob Broussard, Jake Meche, and Reece Benoit persist on and will continue to write, record, and release music in the hopes of catching the ears of musicians that might be interested in playing with them.

Gamerra’s M.O. with this release was to make the heaviest thrash release they could muster, and they now present it for the fans to decide. It is recommended for listeners of Exodus, Death, and Revocation.

“Tedium” is out now as of May 26th, 2023, and available at the following links:

Album Stream via TheCirclepit – https://youtu.be/c1fjaP_ZNZA

 

Digital- https://distrokid.com/hyperfollow/gamerra/tedium​

CD – https://gamerra.bigcartel.com​

Music Video – Tedium – https://youtu.be/SvEIif6n4ys

Track Listing:​
1. Tedium (4:15)
2. Cryogenesis (6:34)
3. Vicariously Experienced (6:18)
4. Suspended Animation (3:23)
5. Obsessively Aware (10:29)
6. Nefarious Entities (6:58)
Album Length: (37:57)

Band Lineup:​
Jake Meche- Lead Vocals
Jacob Broussard- Lead Guitar/Vocals,
Reece Benoit- Rhythm Guitar
​
​For more info:​
​https://www.facebook.com/GAMERRAThrash​
​https://www.instagram.com/gamerra_thrash_metal​

About: A good-time thrash band seeking the ultimate jam. Mixing in spicy doses of death metal and progressive metal, producing a sound akin to a fusion of Exodus and Death with the intense vocal patterns and delivery of Warbringer, the aggressive and experimental leanings of Revocation, the ferocious rhythm guitar tone of early Meshuggah, and the attitude and fun-loving vibes of Havok, all played in the spirit of old school Sepultura. Through many lineup changes, Gamerra survives in the new decade. Despite consistently not having a drummer, and still lacking a bassist, Jacob Broussard, Jake Meche, and Reece Benoit persist on and will continue to write, record, and release music in the hopes of catching the ears of musicians that might be interested in playing for them.

– 30 –

“Born from friendship and a love of commenting on the world around them, thrash metal band Gamerra is making a name for itself around Acadiana”… “Detached from Reality- available on iTunes- relies on observation of sociopolitical happenings and even touches on past events such as the Vietnam War.” – Miranda Davis from 008 Magazine (In February/March issue on page 81).
​
“Where does one start when talking about the mighty Gamerra? These Lafayette, Louisiana thrash metal inspired gents are young and they are dead set on blowing-I mean killing the Lafayette Metal Scene. Jacob Broussard, Reece Benoit, and [Jake] Meche are three highly talented musicians who have created a sound all their own.” – Moe Solet of Tales From the Riff
​
​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 EPK – Gamerra – Tedium (2023)

  • May 26, 2023
  • by Asher
  • · EPKs · Gamerra

EPK – Gamerra – Tedium (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

Release Date – May 26, 2023

Label – Self Release

For fans of Exodus, Death, Revocation, Warbringer, Havok

​Facebook.com/GAMERRAThrash | ​Instagram.com/gamerra_thrash_metal

Spotify | Apple Music | Amazon

Digital- https://distrokid.com/hyperfollow/gamerra/tedium​

CD – https://gamerra.bigcartel.com

“Born from friendship and a love of commenting on the world around them, thrash metal band Gamerra is making a name for itself around Acadiana”… “Detached from Reality- available on iTunes- relies on observation of sociopolitical happenings and even touches on past events such as the Vietnam War.” – Miranda Davis from 008 Magazine (In February/March issue on page 81).
​
“Where does one start when talking about the mighty Gamerra? These Lafayette, Louisiana thrash metal inspired gents are young and they are dead set on blowing-I mean killing the Lafayette Metal Scene. Jacob Broussard, Reece Benoit, and [Jake] Meche are three highly talented musicians who have created a sound all their own.” – Moe Solet of Tales From the Riff

[Download Album Cover | Download Album Lyrics]

Track Listing:
1. Tedium (4:15)
2. Cryogenesis (6:34)
3. Vicariously Experienced (6:18)
4. Suspended Animation (3:23)
5. Obsessively Aware (10:29)
6. Nefarious Entities (6:58)
Album Length: (37:57)

Album Credits:
-All songs performed by Gamerra.
-All Rhythm Guitar recording by Broussard
-Drum Programming and bass tracking by Broussard
-1st guitar solo on the song Tedium, 2nd guitar solo on the song Cryogenesis, and 2nd, 3rd, 5th, 7th, & 10th guitar solos on the song Nefarious Entities tracked by Benoit
-All other guitar solos by Broussard
-All main vocal parts tracked by Meche, with occasional lead vocal parts by Broussard.
-Backing vocals by Benoit, Broussard, & Meche.
-All songs written by Gamerra
-Lyrics mostly written by Broussard. Most lyrics on Vicariously Experienced by Meche with one line by Broussard
-All music written by Broussard except for the bulk of Nefarious Entities and solos performed by Benoit

Band Lineup:
Jake Meche- Lead Vocals
Jacob Broussard- Lead Guitar/Vocals,
Reece Benoit- Rhythm Guitar

=================================================================

The EP as a whole:

Tedium: The result of a very quick burst of inspiration. Dark moments in our own lives brought out the music and lyrics present in this EP.

Track By Track:
-Tedium: The Title track of the EP. A fast, short, easily consumable Thrash song with interesting twists. The lyrics reflect my mindset at the time that I wrote it. I hated my job, I felt lost, and I felt like I wasn’t going anywhere. The song is about the repetitive and grinding nature of everyday life. Life in itself felt tedious, hence the name “Tedium.”

-Cryogenesis: Home to some of the most dissonant and cold riffs I have ever written. Super fast and intense at most parts, but long and spacy at some parts. Varied sounds across the whole track. My favorite lyrics on the EP are on this song. The song is based on the concept that on this planet, there is ice that has remained frozen for eons. Some of it has remained frozen for a couple million years. Within that ice are microbes that haven’t been released since they were frozen. So basically, there are bacteria and various pathogens that no current living creature on this planet has immunity to. So, if these ices were to melt completely like the current melting rate would suggest, these pathogens would undoubtedly get out and do untold damage to Earth’s current ecology. So this song is kind of science fiction in that it slightly exaggerates the effects, but it is completely rooted in reality.

Scientists would go into the melt sights and accidentally release these pathogens into the world’s population, at least according to the song.

-Vicariously Experienced: Probably, objectively the best song on the EP. It came out better than we expected. A good mix of chunky groove, and the melodic, progressive elements we’ve folded into our sound over the years. I even added a little bit of Goatwhore influence a little before the solo. The song is about watching people you care about make bad decisions and ruin their lives in the process, then using those observations to craft yourself into a better individual as you grow up. This is a concept the three of us in the band are very familiar with.

-Suspended Animation: The only instrumental track on the EP. Very inspired by the melodic side of Revocation. Short and Sweet.

-Obsessively Aware: The long, epic song of this release. I wanted to really bring out my prog side with this one. Much of the beginning of the song is very much an ode to old-school Meshuggah. Think Contradictions Collapse, None, and Destroy Erase Improve. The majority of the rest of it is a serious nod to our love of Revocation and Death. A lot of dissonant, weird timing bits for all the Progressive Death Metal nerds to sink their teeth into. At 10 and a half minutes, this song is a wild ride. Lyrically the song is about my mind when I’m put into stressful situations like meeting band deadlines or being the only manager on duty on a Sunday with a crap load of people in the store and things are going wrong left and right. I’m a pretty high-strung person, so it kinda feels like I’m losing my mind when situations like that arise, despite my external demeanor seeming to not show it.

-Nefarious Entities: The only collaborative musical effort on the EP. Reece wrote the majority of this one and I brought in a handful of riffs to round out the structure. A lot of crazy stuff on this one. A true culmination of our influences. There are Exodus sounding parts, Revocation sounding parts, Death sounding parts. There’s even a Suffocation part Reece threw in at the end. Lyrically, most people would mistakenly label it as political. While there are political jabs thrown in, the song has more to do with the structure of rule in the world. What most people don’t understand is that most of what we’re told is a lie and the people we’ve been led to believe control the country are actually just puppets. Most people say it’s the politicians holding us down. A fewer, more accurate group say it’s the corporations. In reality, these sentiments are both simultaneously true and untrue. The people who really control the world as we know it use these two entities as attack pieces on a chess board. It’s the world’s royal families, the Vatican, and the dynasties left over from the monopoly holders back in the early 1900s that really pull the strings and put us in this position. They hold the corporations in their hands, the corporations hold the governments of the world in their hands, the governments hold the militaries and police, so on and so forth. Most bands would use this as a rallying cry for a government overthrow. Not us. We take a more realistic view. This will likely never change, so we might as well stop watching the news and keep to ourselves, writing music about it instead. That’s what the final track on Tedium is really about.

=========================================================

STORY ANGLES / FUN FACTS ABOUT THE BAND

1.  I had to play drums for a couple shows because our drummer quit after we booked the shows, and we don’t like to cancel. This included when we opened for Insomnium.

2.  Jake’s first show ever was when we opened for Goatwhore.

3.  Jake’s second show ever was when we opened for Warbringer.

4.  My dad once did a backflip in the mosh pit of one of our shows from the impact.

5.  Reece jumped off the stage on the last show of our Southeast Louisiana Mini Tour and messed his knee up pretty badly and he finished the set laying down on the stage. I was concerned, but he said keep going.

L-R – Reece Benoit (Rhythm Guitar), Jacob Broussard (Lead Guitar/Vocals), Jake Meche (Lead Vocals)
Photo Credit: Tyson Pate of CobraTai Photography

A good-time thrash band seeking the ultimate jam. Mixing in spicy doses of death metal and progressive metal, producing a sound akin to a fusion of Exodus and Death with the intense vocal patterns and delivery of Warbringer, the aggressive and experimental leanings of Revocation, the ferocious rhythm guitar tone of early Meshuggah, and the attitude and fun-loving vibes of Havok, all played in the spirit of old school Sepultura. Through many lineup changes, Gamerra survives in the new decade. Despite consistently not having a drummer, and still lacking a bassist, Jacob Broussard, Jake Meche, and Reece Benoit persist on and will continue to write, record, and release music in the hopes of catching the ears of musicians that might be interested in playing for them.

Band Lineup:
Jake Meche- Lead Vocals
Jacob Broussard- Lead Guitar/Vocals,
Reece Benoit- Rhythm Guitar

Discography:
May 26th, 2023- Tedium-EP
December 23rd, 2022- The Cover Up- Cover EP
October 28th, 2022- Couillon Death Squad- EP
May 20th, 2022- REDO- EP
June 20th, 2021- Demo 2021- Demo
December 13th, 2019- Detached from Reality- LP
September 18th, 2017- Gnarlymetalextreme- Demo

0 Jason Ashcraft (Helion Prime, Dire Peril) Teams Up w/ Stu Block (Into Eternity, ex-Iced Earth) For New Track “My Vengeance Is Everything”

  • May 26, 2023
  • by Asher
  • · Jason Ashcraft · Music News

NEWS RELEASE

Montreal, QC – May 26, 2023

 

Jason Ashcraft (Helion Prime, Dire Peril) Teams Up w/ Stu Block (Into Eternity, ex-Iced Earth) For New Track “My Vengeance Is Everything”

Cover Art by Tullius Heuer

Guitarist Jason Ashcraft (Helion Prime, Dire Peril, Planeswalker, Of Romulus) has teamed up with Stu Block (Into Eternity, ex-Iced Earth) to breathe new life into a re-recording of a Dire Peril song released back in 2014 “My Vengeance Is Everything”. This song is the title track on a new two-song EP, which also features a cover of “Blood Upon the Snow” originally written by Bear McCreary for the God of War Ragnarok Soundtrack, fitting the God of War trilogy theme of the EP.

Jason Ashcraft comments:

“I was listening to the old Dire Peril EPs one evening as sometimes it’s nice to revisit the past and see how far you’ve come. While listening to them I was really digging into this song and thought to myself ‘You know there is still potential here and I bet with a new coat of paint it could really shine’. I knew there was one man I wanted to help me bring this back to life – Stu Block. He did such an amazing job on this song I’m excited for everyone to hear it!”

Also joining Jason Ashcraft on the recordings for the EP is drummer Alex Bosson (Helion Prime, Lunar), bassist Chelsea McMasters (ex-Dire Peril), guitarist Taylor Washington (Paladin), vocalists Heather Michele (ex-Helion Prime) and R.A. Voltaire (Ravenous E.H.) along with bassist Carlos Alvarez (Power Theory), guitarist Alon Mei-Tal, and Key Arrangements by Anthony Stahl.

Ashcraft continues: “I knew I wanted to do more with this release and really make it special. That’s why I decided to do a cover of “Blood Upon the Snow” and I love the way it turned out we all really made it our own. I brought Heather Michele on board for this one and she did such a great job. Even got a few words out of R.A. Voltaire (Ravenous E.H.) for this tune”.

Watch and listen to the lyric video for “My Vengeance is Everything (Chaos Reigns)” ft. Stu Block at https://youtu.be/5k6APHUUwoE

“My Vengeance is Everything” EP was mixed by Carlos Alvarez of Dirty Viking Audio and mastered by Brett Caldas-Lima of Tower Studio.

The EP “My Vengeance Is Everything” is available as of May 26th at https://jasonashcraft.bandcamp.com/album/my-vengeance-is-everything​

Track Listing:​
1. My Vengeance is Everything (Chaos Reigns) – 5:44
2. Blood Upon the Snow – 4:38
​
Credits:
My Vengeance is Everything (Chaos Reigns) Recording Lineup:
Jason Ashcraft – Rhythm Guitars
Stu Block – Vocals
Alex Bosson – Drums
Chelsea McMasters – Bass
Taylor Washington – Lead Guitars
​
Blood Upon the Snow Recording Lineup:
Jason Ashcraft – Rhythm Guitars
Heather Michele – Vocals
Alex Bosson – Drums
Carlos Alvarez – Bass
Alon Mei-Tal – Lead Guitars
R.A. Voltaire – Male Chants
Anthony Stahl – Key Arrangements
​
My Vengeance is Everything (Chaos Reigns)
Music by Jason Ashcraft and Brett Tardif
Lyrics by Jason Ashcraft
Original vocal arrangements by Norman Skinner.

More info: Facebook.com/jdashcraft | Instagram.com/jason_ashcraft_/​
​

– 30 –

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 Rockshots Records – Metal Duo KRASHKARMA New Music Video “Survive The Afterlife” Off New Album “Falling To Pieces” Out June 2023 + EU / USA Tour Dates

  • May 25, 2023
  • by Asher
  • · KRASHKARMA · Music News

NEWS RELEASE

Montreal, QC – May 25, 2023

 

Rockshots Records – Metal Duo KRASHKARMA New Music Video “Survive The Afterlife”

New Album “Falling To Pieces” Out June 2023

EU / USA Tour Dates

Los Angeles duo KRASHKARMA is unveiling their latest single “Survive The Afterlife” accompanied by a music video in support of their forthcoming album “Falling To Pieces” due out on June 23rd via Rockshots Records. The song is about whether heaven or hell really exists, or if they’re just inventions made by those who can benefit from them. The band explains the track further:

“These lyrics are about a fictional character who dies and enters the afterlife, only to be rejected by “heaven” and then sent to a place with all the sinners and whores. However, he was also rejected by this “hell” and returns to the living world. The message is that we are all human and no one is good enough to deserve heaven or bad enough to burn in hell. We all share the same fate and should focus on being the best version of ourselves here on Earth. The song touches on themes of redemption, forgiveness, and the search for meaning after death.”

Watch the music video for “Survive The Afterlife” at https://youtu.be/yOVjRd7GUs0

​

Digital – https://bfan.link/survive-the-afterlife

KRASHKARMA can easily be described as one of metal’s most accomplished duos. With an impressive track record, which includes over 3 million views on their YouTube channel, over 100,000 followers on Facebook, and more than 600 shows performed around the globe, the band is ready to unveil new material with their 6th studio album entitled “Falling To Pieces”.
​
Looking behind the facts and figures, the band is one of the only few metal duos with a female drummer and vocalist, and a single guitarist/bassist. From behind the drum kit the energetic Niki Skistimas keeps the rhythm rock-tight as she delivers her seductively-charged vocals; meanwhile, guitarist/bassist and co-vocalist Ralf Dietel brings the material to life with his unique Frankenstein guitar/bass creation. Never before have two people created a sound so immense yet so vibrant.

For the new full-length, the duo wrote and recorded at Karma Kollective Studios in North Hollywood, California along with Ralf Dietel taking on producing, mixing, and mastering plus artwork duties. They are a self-producing duo that can be considered a jack of all trades when it comes to everything from creating to presenting their music.

A representation of the universal human experience, where the blending of differences creates something extraordinary, KRASHKARMA is intense, raw, dynamic, and electrifying. Featuring 12 tracks, “Falling To Pieces” is a story that will take fans on a journey from start to finish. From the thunderous drum intro and heart-wrenching scream pouring out of Niki Skistimas’ whole being, it sets the stage for what’s to come. From there, the album takes you on a wild ride, with ups and downs that will keep listeners’ ears excited to hear what’s next. KRASHKARMA has put a lot of effort into crafting a narrative that’s both compelling and epic, with each song building on the last to create a cohesive whole. Along the way, listeners will encounter soaring melodies, crushing riffs, and blistering solos over hammering grooves interplaying with the vocal harmonies between Niki and Ralf that KRASHKARMA is known for.

“Our fans will absolutely love our new album. It’s heavier and better than anything we’ve ever done before. We are confident that they will be blown away by it. There are all the elements that make our sound our own. Ralf really dove into utilizing every resource available to him to write the most creative riffs and bass lines possible on his prototype guitar/bass instrument, Ms. Frankenstein. We wanted the sound on the record to be as close to how we will play it live as possible and kept that in mind in the recording process. Our fans know we love a good melody and any opportunity to chant together, so there will be plenty of that as well. All the songs represent a significant moment in time for us and we’re excited to share them with the world.” adds drummer/vocalist Niki Skistimas.

Recommended for fans of Lacuna Coil, In Flames, and Stone Sour, KRASHKARMA‘s “Falling To Pieces” is out June 23, 2023, and is available for album pre-order at https://krashkarma.com/preorder.

Music Video – “Falling To Pieces” – https://youtu.be/cGCQGpFkvEU

​

Track Listing:​
1. Falling To Pieces – 3:43
2. 15 Minutes Of Pain – 4:50
3. Survive The Afterlife – 3:42
4. Tap Dancing Through Minefields – 4:12
5. Last Rites – 5:23
6. Voodoo Devil Drums – 3:28
7. How God Lost Her Virginity – 4:08
8. Orphans In Zombieland – 4:00
9. Shut Up – 2:36
10. Fireball – 2:24
11. mONSTERS eXIT tHE hOPELESS – 4:18
12. Before The World Moved On – 5:42
Album Length: 48:32

KRASHKARMA is:
Niki Skistimas – Drums/Vocals
Ralf Dietel – Guitar/Bass/Vocals

Tour Dates:​
June 3 – Rock in Rebrech – Orleans, FRANCE
June 18 – Logo – Hamburg, GERMANY (with Butcher Babies)
June 20 – Cassiopeia – Berlin, GERMANY (with Butcher Babies)
June 21 – Hydrozagadka – Warsaw, POLAND (with Butcher Babies)
June 22 – Tama – Poznan, POLAND (with Butcher Babies)
July 19 – Sunshine Studios – Colorado Springs, CO USA
July 21 – King Of Clubs – Columbus, OH USA
July 22 – Nicstock – Norwich, NY USA
August 3 – Queyrock Open Air Festival – Ginestet, FRANCE
August 16 – Malmofestivalen Rock Stage – Malmo, SWEDEN
August 18 – Backstage ROCKS – Högbo, SWEDEN
September 1 – Alhambra – Luckenwalde, GERMANY
September 2 – Merseburger Rocknacht – Merseburg, GERMANY
September 21 – Le Brin De Zinc – Barberaz, FRANCE
September 25 – Cherrydon – Marseille, FRANCE
September 30 – Handi Rock Bike Festival – FRANCE
November 3-5 – Horns Up Metal Cruise – Oslo, NORWAY

For more info: Rockshots.eu | Krashkarma.com | Facebook.com/krashkarma | Instagram.com/krashkarma | Tiktok.com/@krashkarma

– 30 –

“Album of the month!” -Rock City Magazine

“Some of the catchiest Rock metal I’ve EVER heard.” -Battlehelm Mag

“…aces in songwriting that need to be heard. 10 out of 10 points.” -Terrorverlag

“…concentrated energy that is released with their mix of Rock, Metal, Hardcore and electronic elements.” -Zillo

Surprise of the month” -Powermetal.de

“Erotic-melodic with heavy beats, KrashKarma play Rock for the 21st century.” -Sonic Seducer

“…a highlight of modern, song-oriented Alternative Rock.” -Musikreviews.de

“…have a freshness that balances everything” -Sleaze Metal

“…this is banging from the first to the last minute.” -Legacy

“…the strongest song material” -Heavy Magazine

“Brutal and dancable at the same time.” -The-Pit

“…the biggest surprise! ” -Johntucker.com

“…promising mix of Industrial Metal, Alternative Rock, a graceful female singer and aggresive male vocals.” -Rock Hard

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 EPK – Rockin’ Engine – Altered By Evil (2023)

  • May 25, 2023
  • by Asher
  • · EPKs · Rockin' Engine

EPK – Rockin’ Engine – Altered By Evil (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Gojira, Metallica, Megadeth, Slayer, Lamb Of God

EP Title: Altered By Evil
Release Date: July 7, 2023
Label: Self-Release

“People who already follow us will notice a huge musical growth since our last EP in 2020. Our sound has evolved quite a bit, technical and more refined, but still punchy and heavy as Hell! After “The Wretched And The Damned”, we knew exactly where we were heading with our next record, and we can proudly say that we achieved our goal. It’s horror, it’s creepy, it’s dark, yet it’s also creative, fun and theatrical at times. Anyone who listens to this album will be brought into a psycho-horror fantasy, where Wes Craven meets Stanley Kubrick, where Ramirez meets Bundy, where “Tubular Bells” meets “Dies Irae”. The various subtle influences and nuances gathered in this work will please any hardcore horror movie fanatic, but also anyone who can plunge themselves into an imaginary world of monsters and evil spirits. We are certain that our new EP ‘Altered By Evil’ will define the future of Rockin’ Engine and that fans will receive this as our best work yet!” – Rockin’ Engine

Facebook.com/rockinengineofficial | Instagram.com/rockinengine | Twitter.com/Rockin_Engine | Youtube.com/c/RockinEngine

Rockinengine.bandcamp.com | Spotify | Apple Music

“It’s a six-song, high-energy EP that’s just as succinct in purpose and impact as it is intricately composed.” – Metal Underground

“There’s a scathing, contemporary thrash quality throughout the song “Libre Ex-Mortis” that brings to mind Lamb Of God musically while juxtaposed against melodic vocals that are almost pop-like in the vein of Night Demon. This contrast is interesting and most notable on “Monsters Under Your Bed” because of the interplay between the beaming vocals and the slick, pseudo-death metal barrage. Considering the accessible sounds, it’s obvious that the Canucks seek commercial success should that path become available to them. However the cookie may crumble in time, “Altered By Evil” is an enjoyable release for those who don’t mind aspects of the popular side of modern metal.” – Metal Underground

“Altered by Evil is a powerful and adrenaline-fueled ride through the realms of Heavy Metal. With their impressive musicianship, strong songwriting, and commanding vocals, Rockin’ Engine delivers an album that will leave fans of the genre craving more.” – Metal Express Radio

“The fusion of hard rock, thrash, and modern groove metal gives Rockin’ Engine potential to appeal to numerous audiences based on the material present with Altered by Evil. Standing on the precipice of glory, this quartet could be valuable to most label rosters based on the talent and quality songwriting delivered here. 8/10” – Dead Rhetoric

“The Shining inspired “Room 185” finds the band joined by Steph Jomphe of Insurrection fame for a cut that brings the blood stained curtain down in style. The riffs hit like tidal waves, the percussion from Joel Bilodeau absolutely huge and the mix from Dark Moon Productions absolutely nailed to perfection [8.5/10]” – Metal Noise

“Unlike others who choose to combine their love of horror and metal, what makes Rockin’ Engine stand out is they’re not winking at us here. These are tracks inspired by horror, both fiction and non-fiction, and moulded around Rockin’ Engine’s thrash sound. They’ve not adapted their music to fit the horror, it’s the other way around. 8/10” – Games, Brrraaains & A Head-Banging Life

“Vocalist/guitarist Steve O Leff is the ceremonial leader to this dramatic mayhem, whether from the perspective of a murderer on “Psycho Path” or the literal ringleader to a psychopathic band of killers on “Carnival Of Evil.” For those with knowledge of all things horror, half of the enjoyment to Altered By Evil is figuring out what each song is about.” – Heavy Music Headquarters

““Altered By Evil” has an enormously powerful and balanced sound for a disc that was created entirely on its own. Respect gentlemen! Mandatory listening!” – My Revelations

“Heavy, powerful and charismatic, “Altered By Evil” is by far their best work. Look forward to the hell Rockin’ Engine will ignite wherever they perform. If Gojira, Lamb Of God and Rob Zombie had a child, Rockin’ Engine would be their bastard son. Their fusion of hard rock and thrash metal will set any stage ablaze and leave everyone with bad whiplash.” – Amplified Mag

“Another skull battering of technical riffs with a killer guitar tone “Monsters Under Your Bed” is a huge arena filling sing-a-long anthem with a *ahem* monstrous chorus but doesn’t lose any of the bands trademark guitar punch in its creation. The balance they have found on this one is on a knife edge and if it didn’t happen to be the bands tribute to Wes Craven and the Nightmare on Elm Street saga then Steve O Leff has actually done a fantastic job at giving us something lyrically to which we can all relate. Who hasn’t had a sleepless night running from the demons of their past mistakes?” – Metal Noise

“This is obviously a band that knows how to play to their strengths. As the subject matter changes for each song, The Exorcist, The Evil Dead, The Shining, etc.. so does the music. Not drastically, you can still tell it’s the same band, but it keeps everything nice and fresh through the release. Six tracks over a 30-minute period is about right… other bands take note… Quality over quantity wins it for me every time. This is as good as anything I hear from mid-sized labels over here in Europe. The fact that this is a self-release tells you how fucked our industry is as this really deserves a bigger and more widespread audience that’ll probably get. Puck this up on July 7th.” – Smorg Mag

“Although the band is often labeled a Heavy Metal band on the album’s opening notes, we clearly feel more violent influences than heavy, we could almost put them on the border of Thrash. So the band proposes an album having an identity that is its own while trying to renew the style, the prod while being modern does not fall into the cliché of the over-auction and the crossing of different styles gives an excellent result so you can be tight be surprised to hear a riff or beat that could very well have been in the middle of a death album to which the band add a brilliant voice for a very convincing result. We’ll wait to see the sequel to know if the group will want to lead, even if we don’t really know where the group wants to go, it’s a refreshing approach to them.” – Metal In Veins

“If you like it a bit spooky and love rock at the same time, this is the place for you. Let’s go” – Metal-Heads.de

“This is a seriously interesting half hour of entertainment, both music and story wise.” – Wings of Death

“Speed, brutal, so good !!” FRÉQUENCE METAL

“this ENGINE is runnin’ and rockin’ on all cylinders with no signs of slowing down anytime soon.” – KNAC

“Anyone who likes groovy and modern Heavy Metal should definitely risk an ear here and get an idea of the morbid goings-on.” – PowerMetalde

“Followers of PANTERA, MEGADETH, FIFE FINGER DEATH PUNCH, GOJIRA, LAMB OF GOD and PRONG should feel addressed by this motley horror metal cocktail mix. Interested people should risk an ear and listen to be on the safe side.” – FFM-Rock

“I have the feeling that as the EP progresses the music gets darker and darker, and I like that. Of course horror is an interesting source of inspiration for dark (metal) music, I think Rockin’ Engine has handled that very well here. This is a seriously interesting half hour of entertainment, both music and story wise.” – Wings of Death

“Midnight Road Rage” has great instrumental ideas. It’s an album that makes us proud. Love at first sound. It’s such a pity that it is only of eight tracks. Believe me. You won’t regret.” – Metal Addicts (2019 – Midnight Road Rage)

“a bombastic and heavy hitting forty minutes of metal and rock, full of swagger and sass.” – Metal Gods TV (2019 – Midnight Road Rage)

Matzes Gitarrenbude Radio Station: Album Of The Year – 2019 – Midnight Road Rage

[Download EP Cover | Download EP Lyrics]

EP Title: Altered By Evil
Release Date: July 7, 2023
Label: Self-Release

Track Listing:
1. Carnival Of Evil – 5:45
2. Day Of Wrath – 4:22
3. Liber Ex-Mortis – 4:59
4. Monsters Under Your Bed – 5:11
5. Psycho Path – 5:23
6. Room 185 – 4:13 ft. guest vocals Steph Jomphe (Insurrection)
EP Length: 29:55

EP Credits:
All songs performed by: Rockin’ Engine (Guest feature of Steph Jomphe “INSURRECTION” in Room 185)
• All songs written by: Rockin’ Engine
Produced by: Dark Moon Productions
Mixed by: Dark Moon Productions
Mastered by: Dark Moon Productions
Album Artwork by: Steve O Leff (Image reference from Adobe Stock and Shutterstock)
Member of SOCAN

EP Recording and Live Band Lineup:
Steve O Leff – Vocals/Rhythm Guitar
Ste Vy Leff – Lead Guitar
JP Buzzard – Bass
Joel Bilodeau – Drums/Vocals

==================================================================

The EP as a whole

“Altered By Evil” is a tribute to everything we love about horror movies and serial killer documentaries. There’s a fascination behind the love of the macabre and the grotesque that we wanted to explore with our lyrics and expose different nuances of some classic works of art. With this album, we’re bringing the audience into a fantasy world of monsters and evil spirits, with a dash of historical elements that makes the listening experience even more interesting. 

Track by Track explained:

Carnival Of Evil:

Inspired by the works of Rob Zombie, more specifically Sid Haig’s fictional character Captain Spaulding, the Carnival Of Evil is a group of creepy gypsy-looking psychopathic killers moving from town to town, not only to amuse the audiences but also to terrorize them as their spectacles take place. They are ruthless yet charismatic, and they will stop at nothing to deliver a performance to die for!

Day Of Wrath:

This dramatic piece was originally inspired by one of my favourite horror movies, The Exorcist. However, it was only when I did some research on the origins of its musical score that I discovered the amazing historical value behind this masterpiece. Mike Oldfield’s Tubular Bells, is probably one of the best horror movie songs ever written, but there were certain parts in the movie where I had the feeling I’ve heard similar music before and it got me curious. In fact, Dies Irae (Day Of Wrath) was originally a poem written by Christian monks in the thirteenth century describing the day that God would descend on earth and unleash his final judgment on us all. This poem was later compiled amongst other literature pieces in a manuscript named Carmina Burana. The manuscript, which is thought to have been written in the fifteenth century, was only found in 1803 in the Benedictine monastery of Benediktbeuern, in Bavaria. This collection later inspired many orchestral virtuosos, including Verdi and Carl Orff, to compose what I think are the best classical works of all time.

Liber Ex-Mortis:

Inspired by the amazing Evil Dead saga, more specifically Army Of Darkness, Liber Ex-Mortis (Book Of The Dead) is the story of a man who was sent into the Middle Ages through an evil spirit wormhole and is forced to battle the undead in his quest to return to the present. He forms an alliance with two rival armies, and together, they vanquish the forces of evil to send them back into the Book Of The Dead, the spirit world.

Monsters Under Your Bed:

This is the story of a young woman haunted by her past, her imaginary monster. Being sleep deprived for a long time, she fears falling asleep as she constantly feels her monster’s presence around her. The monster, however, can only harm her in her dreams, her nightmares… or so she thinks! Inspired by the genius work of Wes Craven, Monsters Under Your Bed is our version of the infamous Nightmare On Elm Street. This piece is heavy, punchy, and catchy, and will satisfy the eyes and ears of any horror movie fanatic!

Psycho Path:

I’ve always been fascinated and intrigued by human behaviour, especially the deviant nature of humans. I’m a huge fan of serial killer documentaries, not because I support their actions, but mostly to try to understand the origin and the nature of Evil. Actor Christian Bale in his role in American Psycho is actually the main reason why I started learning more about actual historical psychopathic characters such as Ted Bundy and Richard Ramirez. During the writing process of this song, I wanted to take a different approach to their stories and tell them according to their point of view, like an actual psychopath. It’s the most evil and disturbing song we’ve ever written!

Room 185:

Jack Torrance, the character played by Jack Nicholson in Stanley Kubrick’s The Shining, has to be my favourite horror movie character of all time. That performance is what made me addicted to horror movies. I wanted to write a song about this movie as an homage to this masterpiece. When we started to work together on this song, we soon realized that this would be our heaviest composition to date, and we needed someone to help us express this emotion in order to be satisfied with our work. After doing some research, we approached Insurrection’s lead vocalist Stef Jomphe in an attempt to have his voice on the track, just to make it that much better! We were absolutely honoured and excited when he accepted the project and headed straight to the studio. This song hits you in a way that you have no choice but to headbang!

=====================================================================

BAND STORY ANGLES / FUN FACTS

1. Being huge fans of the 80’s rock era, Joel and Ste Vy once decided to kidnap me (Steve O Leff) to go see Steel Panther live in Quebec City, which was a 5-hour drive from where we live. We unfortunately missed the show since the place was sold out and we couldn’t get in. We ended up in a bar to see our friends from The Agonist perform and spend the night. Surprisingly, the guys from Steel Panther end up in the same bar and we told them about our little misfortune. We ended up partying with them all night, singing karaoke, and drinking tequila shots. One thing’s for sure, they certainly live up to their image!

2. All our music videos have references to popular movies. We also do all our special effects, costumes, and makeup for the video shoots. I also like to write a script beforehand to help everyone grasp the ideas behind every scene, that way we can really capture the emotions we’re trying to expose in the videos. 

3. When we shot the video with Dark Moon Productions for our song “The State Of Nature”, we rented a Victorian-style reception space, located in a church basement in Ottawa. Everyone was dressed in Victorian gothic fashion, with vampire fangs, pale skin, and some blood. Joel built a super nice table for the human sacrifice scene, which was very bloody of course. Little did we know, a mass was taking place in the church above us and two priests came downstairs to ask us to lower the music. Let’s just say that when they came on set and saw all the blood and vampires everywhere, their faces were priceless!!!

4. As we did in our previous music videos, we always build our own props and video sets ourselves. Only, with the videos for this album, we decided to go big and build our own mechanical effects as well. After posting a few of our projects on social media, we started receiving demands to build props and special effects for other bands, which made us realize that we had something special to offer. We are now working on commercializing our creations to help out music video and even movie producers, while creating amazing professional relationships and perhaps making a living out of it.

5. JP Buzzard is quite the animal on stage! He really brings the spirit with his wicked long hair, leather pants, and signature moves. One of his moves is to throw his bass toward the crowd at the very end of our show but quickly grabs it back with his bass strap before it hits someone. But since not all stages are made for this beast, he once threw his bass right on a sprinkler head and everyone was going nuts… until we realized the sprinklers were deactivated. Talk about being lucky!

L-R – Ste Vy Leff (Lead Guitar), Steve O Leff (Vocals, Guitar), Joel Bilodeau (Drums), Jean-Pierre Proulx (Bass).

Photo Credits: Lisa Thompson of Dark Moon Productions

PEDAL TO THE FLOOR, MOTOR RUNNING HIGH

That’s how Rockin’ Engine rolls, full throttle, no compromise. Officially formed in 2018, they released their first self-produced album “Midnight Road Rage” which caught the attention of many hard rock and heavy metal enthusiasts throughout Europe and America. After joining forces with Dark Moon Productions to produce their first professional music videos, it was clear that this quartet’s path toward heavy metal eminence was only beginning. They later released a post-apocalypse concept EP, “The Wretched And The Damned”, that truly reflected the direction in which the band was heading. Their creativity, high-octane energy, and will to succeed, granted them a few honourable opening performing spots with Tony MacAlpine, Ross The Boss, Death Angel, and Yngwie Malmsteen.

Switching things into high gear for 2023, Rockin’ Engine produced their very anticipated new EP “Altered By Evil” inspired by 80’s psycho horror, ready to be released this summer. They claim it is by far their best work yet and look forward to raising Hell wherever they set foot. If Gojira, Lamb Of God, and Rob Zombie made a baby, Rockin’ Engine would be their bastard son. Their fusion of Hard Rock and Thrash Metal will set fire to any stage and leave everyone with a bad case of whiplash.

Rockin’ Engine is:
Steve O Leff – Vocals/Rhythm Guitar
Ste Vy Leff – Lead Guitar
JP Buzzard – Bass
Joel Bilodeau – Drums/Vocals

Discography:
2023 – Altered By Evil
2020 – The Wretched And The Damned
2019 – Midnight Road Rage

Shared Stage with: Angelus Apatrida, Yngwie Malmsteen, Anvil, Death Angel, Exmortus, Hell Fire, Ross The Boss, Tony MacAlpine, Warrior Soul, Ghoulunatics, Fractures & Outlines, Cevilain, Colorsfade, Scepter, Lycanthro, Cynical Sons.

Tours and Festivals:
2019 – Canadian Army Run, Ottawa.
2018 – Canadian Army Run, Ottawa.
2017 – Canadian Army Run, Ottawa.
2016 – Canadian Army Run, Ottawa.

0 ETHEREAL VOID Explore War, Suffering And Demise In “Gods of a Dead World” Streaming Now!

  • May 25, 2023
  • by Asher
  • · Ethereal Void · Music News

NEWS RELEASE

Montreal, QC – May 25, 2023

 

ETHEREAL VOID Explore War, Suffering And Demise In “Gods of a Dead World” Streaming Now!

Behold Ethereal Void, a trinity of death metal musicians whose music emanates from the shadows of Ontario, Canada. Infused with groove and progressive elements, their rhythmic dirges speak of the void beyond time and space, a place of emptiness and desolation. Forged in that void, their music embodies the hopelessness of existence, reminding us of the futility of our struggles. Their third album “Gods of a Dead World” is now ready to be shown the light of day and they invite you to indulge in the album stream. They comment:

“This album is definitely our most consistent offering to date. We refined the sound both in writing and production while maintaining a unique angle for every song. The biggest stand-out is the introduction of orchestral elements to the sound. It feels like a long time coming, at least from my perspective. The album is much more refined musically as well. While we generally keep to the traditional EV themes, There is a constant-running sub-theme of the futility and violence of warfare.”

Throughout the album, Ethereal Void takes up through moments of tension, traditional death metal, instrumental interludes, relentless riffs, and anxious melodies. They cover bleak and harsh topics such as war, suicide, a dying planet, and the worship of entropy. The organic conjuring of the album is initially created by Terci Ruina creates, further embellished by Nemesis, and completed by “Voiicide” who also produced, mixed, and mastered it.

“Gods of a Dead World” is raw, visceral, and primitive. The groove-based death metal darkness within is recommended for fans of Gojira, Septic Flesh, and The Design Abstract.

Listen to it in full via its album stream premiere on Bravewords HERE.

​“Gods of a Dead World” is due out May 26, 2023, via Abstrakted Records.

Album pre-order – https://design.bandcamp.com/album/gods-of-a-dead-world​

Lyric Video – Seeds of Hatred – https://youtu.be/ZN2wTUjij8c​

Track Listing:​
1. Overture to Annihilation (1:35)
2. The Voiceless (2:59)
3. Seeds of Hatred (3:44)
4. The Art of Ruination (2:48)
5. Psychosomatic Suicide (2:59)
6. Decay (Interlude) (0:46)
7. Return to the Void (3:34)
8. The Brown Stone Spire (2:32)
9. Gods of a Dead World (5:49)
Album Length: 26:50

For more info: Facebook.com/EtherealVoid​

– 30 –

““The Voiceless” is a rushing charge. It gets the listener’s pulse pumping because the song itself has such a mad pulse. Many of them actually, from the fast jolts in the fuzzed-out riffage to the die-stamp hammering of the snare and the jackhammer impact of the bass. And it does sound like a mad pulse, thanks to the swarms of frantic tremelo’ed fretwork, the relentless double-bass strafing, and the ugly ravenous growls. While the head-hooking energy of those assaulting ingredients never really lets go, the music does also move sideways. Eerie spectral tones ring out, creating an overlay of melancholy. The music even seems to elevate in wailing splendor, as a prelude to a sorcerous guitar solo that sounds both inviting and yearning, both enticing in its glimmering tones and downcast in its mood. Even the unhinged screams of the vocalist almost sound like singing (almost).” – No Clean Singing

“A compact and concise release, Gods of a Dead World comes in at around 26-minutes long and features a number of sharp and savage pieces of music. Kicking off with a frantic showcase of guitar screams and squeals, with the chunky familiarity of death metal heaviness, Overture to Annihilation gets in, smashes stuff up, and gets out.” – Games Brrraaains & A Head-Banging Life​
​
​“or a Death Metal cut “Overture to Annihilation” is a real eye opener, blood soaked in cinematic orchestration and virtuoso lead guitars, the barked vocals having that story telling quality to them. That flows nicely into “The Voiceless“, which introduces the lyrical themes and creatures with Voiicide playing both victim and killer as vocals come from alternate angles with a vocal tweak. It works incredibly well, the riffs flowing freely with chugging aggression, the leads bright and vibrant against the darkness. The way the cuts have been put together has been well thought through, the segway into “Seeds of Hatred” barely noticeable as the flow continues like an orchestral piece but there is also enough of shift to identify the track as being separate.” – Metal Noise​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 Streaming Now! WHYTHRE’s Electrifying Melo-Death Album “Impregnate My Hate”

  • May 25, 2023
  • by Asher
  • · Music News · Whythre

NEWS RELEASE

Montreal, QC – May 25, 2023

​

Streaming Now! WHYTHRE’s Electrifying Melo-Death Album “Impregnate My Hate”

L-R – Steve Fournier – Drums, Adam Chambers – Vocals, Guitars, Synths, Eric Close – Bass, Shon Petrey – Guitars, Synths
(Photographer Credit – Carolina Chambers)

Seattle-based Whythre’s new album “Impregnate My Hate” is about to be released on Friday, May 26th and before it officially drops, its full album stream is being premiered on Metal-Rules HERE.

Whether it’s writhing with wailing solos, slithering with sinuous synth lines, or awash with waves of riptide riffs, Whythre’s latest is without remorse. They came to lay waste and write solid album titles — and they’re all out of album titles. Consequently, “Impregnate My Hate” opens with the single “Scorchbreath”, an onslaught of solos, slamming breakdowns, subtle orchestration, and a sing-along chorus that embodies Whythre’s deft formulation of melodic death metal singed with a blackened edge.

Having been fixtures in the Seattle metal scene since 2016, band members Shon Petrey, Adam Chambers, Eric Close, and Steve Fournier know their way around both riff craft and laying down a tight performance. But Whythre’s latest expulsion of fury seethes like a band that’s only getting started, from the first violent lick to the final double-bass kick.

Follow along to standout tracks like “Immanence”, which thunders along with the certainty of slow death and offers little in the way of forgiveness, or to Scorpions of Sinai, which has a groove guaranteed to move any circle pit. The fury of Whythre’s writing is real, but fury is rarely this much fun: expect to get your ass kicked, and enjoy it.

When asked how they expect the album to be received by fans, Chambers replies that they just enjoy the creative process and evoking good memories, and are otherwise not concerned about how other people view it. Petrey expects that his mother will be just as, if not more disappointed with this one as previous efforts, Fournier suggests that fans will be surprised with their new material citing new blood in the band and a concise vision helped shape their most impressive record to date; and Close says that fans will be able to feel the energy from the album and that it will provide an electrifying experience for them.

For those who have the privilege of seeing Whythre play live, at the conclusion of their performance they will either hear the Mortal Kombat voice in their heads saying ‘FLAWLESS VICTORY’ or feel relief that they chose to shelter in the bathroom during their set.

The album was produced and mixed by Shon Petrey, it was mastered by Levi Seitz at Black Belt Recordings, the album artwork was done by Andrzej Masianis and the graphic design was done by Ryan Ricketts.

Recommended for fans of Children of Bodom, Hypocrisy, and Hans Zimmer, “Impregnate My Hate” is due out on May 26th, 2023 via High Point Records and is available for pre-order at https://whythre.bandcamp.com.​

Music Video – Scorchbreath – https://youtu.be/tVGnpIA6Gk8

​

Lyric Video – Scorpions of Sinai – https://youtu.be/cowdXndpbVU

​

Animated Video – Impregnate My Hate – https://youtu.be/strDy2KrWs4

​

Track Listing:​
1. Scorchbreath (3:54)
2. Impregnate My Hate (3:11)
3. Can’t Escape This (4:55)
4. Scorpions of Sinai (3:29)
5. C Section S1urpee (2:48)
6. Death Frontier (3:09)
7. Tantric Aspects of the Cross (2:32)
8. Immanence (4:02)
9. Run it Red (3:50)
Album Length: 31:54

For more info: Whythre.com | Facebook.com/Whythre | Instagram.com/whythreofficial

– 30 –

“The album as a whole is a hell of a twisting and turning trip, which might appeal especially to fans of Hypocrisy and Children of Bodom. You’ll get another taste of the album in its first single, “Scorchbreath“, which features backing vocals by Gabe Tachell (Whythre‘s first vocalist) and Carolina Chambers.” – No Clean Singing

“There is no mistaking that with this new album Whythe sound rejuvenated, the new rhythm section as precise and destructive as a laser guided missile. As a listener, opening cut “Scorchbreath” is exactly what you want. Punchy and aggressive, crossing sub-genre territories with death defying leaps with an onslaught of Thrash infused riffage, short and violent bursts of Black Metal inspired blast beats, gang chant moments in the chorus and the odd ethereal touch a real demonstration of prowess. That’s before we’ve mentioned the twin axe attack of the extended solo which will melt your face off… before the kick in the guts that is the title track “Impregnate My Hate“.” – Metal Noise

​
—
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0 EPK – All Else Fails – The Incident at Black Lake (2022)

  • May 24, 2023
  • by Asher
  • · All Else Fails · EPKs

EPK – All Else Fails – The Incident at Black Lake (2022)

Publicist – Jon Asher – jon[@]ashermediarelations.com

“This EP is an evolution of All Else Fails in every aspect of its musicality, its songs are heavier, more complex, and deeper than ever. Employing elements of other genres like industrial noise, moody electronics, or ambient sampling has always been a hallmark of the band, but “The Incident at Black Lake” takes a new approach. It is a fusion of these core elements with a new level of technical metal prowess and a dramatically more dynamic vocal style. The three original songs and one cover explore themes of devastating mental illness, dystopic mass existential nihilism, and ideological fascism. “It took over 2 full years to write and produce this EP, we took our time with every part, every note, every modulated warble. Every musical element has a place and purpose. We are telling a horrifically personal, furiously aggressive, and unnervingly beautiful musical story of mental terror and surviving despair. With a dark heart, we present The Incident at Black Lake”.” – Barrett Kelsko – All Else Fails

 

For fans of Chimaira, Killswitch Engage, Revocation, Soilwork, Fleshgod Apocalypse

Band: All Else Fails
EP Title: The Incident at Black Lake
Release Date: Sept 30, 2022
Label: Self-Release
Distribution: CD Baby

Facebook.com/AllElseFailsCanada | Instagram.com/allelsefailscanada | YouTube.com/user/allelsefailscanada

Allelsefails.bandcamp.com | Spotify | Apple Music

“The Incident at Black Lake might be “just” a four-track EP by All Else Fails, but its 25 minutes of music are absolutely intense and electrifying, proving why they’re undoubtedly one of the most important names of the Canadian Metalcore scene.” – The Headbanging Moose

“The third theme is my favorite without a doubt. “Flesh/Excess/Wealth” has one of the most vibrant riffs starting at minute 2`40« and they make up for it with a percussion chorus that had previously been heard on the vocals. Finally, when I couldn’t like it more, ALL ELSE FAILS decides to end with a tribute to my beloved DEATH. The cover that they do with “Crystal Mountain”, uniting the trail that Chuck Schuldiner left us while leaving his personal mark, to take off his hat. I love these Canadians and look forward to their next album.” – 9.5/10 – Necromance Magazine

“The EP itself is a cyclone of melodic metalcore fire, death metal toxicity and progressive imagination revealing ALL ELSE FAILS at their most open, intense and thrilling.” – The Ringmaster Review

“Being dark in nature, it tells the suffering that Klesko was facing and what he was seeing in his head. While very dark at times, it’s mind-bendingly beautiful to see it from this perspective. And I can’t wait to hear what else the band has to offer.” 4/5 – Metal Epidemic

““Flesh/Excess/Wealth” is a close second for my favorite song, however. Klesko says he wrote it about losing his sense of humanity. It’s a really aggressive song, but also contains some really beautiful clean singing and a wicked guitar solo. The final song on the EP is a cover of “Crystal Mountain” by the band DEATH, a song much loved by the band. Lyrically, the song fits the dark tone the band set for the previous songs on the EP. I think the band did a good job with the cover and putting their own sound to it. Overall, I thought this was a great EP where I could really feel the emotions that went into writing it.” – Metal-Temple

“”The Incident At Black Lake” is a solid EP” – Powermetal.de

“Canadian band All Else Fails are out with the EP “The Incident at Black Lake”, and this is a production that probably will be of interest to some fans of progressive metal. While a variety of a core based style of metal is at the heart of the proceedings here, the different vocal tones, the changes and alterations over to atmospheric laden and melodic metal, what might be described as thrash metal as well as some quirky instrument movements and expressive arrangement choices does add what I’d describe as a progressive spirit to the proceedings here… If metalcore with an expressive orientation and progressive aspirations sounds interesting to you, this is an EP you might consider becoming a bit more familiar with.” – Progressor

“A Monster of a Metal Opus” – The Edmonton Journal (The False Sanctuary 2018)

“All Else Fails has a striking level of detail, constant melodic bloodshed and unremitting rhythms that push through your throat leaving you with no choice but to bang your head.” – Boston Rock Radio (The False Sanctuary 2018)

“They are by turns pissed and melodic, speedy and anthemic – but always organic sounding….their song “The Sons Of Plenty”, a tune that encompasses all those things and demonstrates what the band is capable of.” – Gear Gods (The Forever Lie 2017)

“Guttural heaviness + impacting music = You’ll like it!” – CFMU 93.3 FM – Master Radio (Hamilton, ON) ( The Forever Lie 2017)

“From song to song you are greeted by pummeling riffs, heavy blasting drums, thick bass lines and vocals that transition between menacing and deadly growls to soaring and highly intoxicating cleans. Before you know it All Else Fails has you headbanging and singing along to each of their songs.” – Cadaver Garden  (The Forever Lie 2017)

“this six track EP sees this quartet expand their mutant thrash blueprint with doses of melodic crooning and bursts of dizzying orchestral strings on Obedience At The Altar Of Sacrifice.” – Metal Hammer Mag UK (Fucktropolis – 2013)
““Fucktropolis”. What an awesome name for an EP. And what an awesome EP it is.” – Metal Temple (Fucktropolis – 2013)

“They have a very ominous sound, if you will, with quick, intricate and skillful instrumentals – especially the drumming. Their talent really shows through in their final product.” – Spill Magazine (Fucktropolis – 2013)

[Download EP Cover | Download EP Lyrics]

Band: All Else Fails
EP Title: The Incident at Black Lake
Release Date: Sept 30, 2022
Label: Self-Release
Distribution: CD Baby

Track Listing:
1. I, Defiler (5:48)
2. Devour the Sun (8:24)
3. Flesh /Excess /Wealth (5:36)
4. Crystal Mountain (5:19)
EP Length: 25:09

EP Recording Credits:
• All songs performed by: All Else Fails (Barrett Klesko, John Saturley, Coco Lee, Nelson Collins-Lee)
• All songs written by: All Else Fails (Barrett Klesko, John Saturley, Coco Lee, Nelson Collins-Lee)
• Produced by: All Else Fails (Barrett Klesko, John Saturley, Coco Lee, Nelson Collins-Lee)
• Mixed by: Bevin Booth
• Mastered by: Bevin Booth
• Album Artwork by: Zulmi_m (https://www.fiverr.com/zulmi_m)
• Member of SOCAN
• Canadian Content (MAPL)
EP Recording and Live Band Line Up:
Barrett Klesko – Vocals, Guitar
John Saturley – Guitar
Coco Lee – Bass, Vocals
Nelson Collins-Lee – Drums

==============================================

The EP as a whole (LYRICALLY & MUSICALLY):

This EP is fucking dark, musically and lyrically. I wrote my parts in the darkest, most distressed headspace I have ever been in. Most of the time during the writing of this EP, I was convinced that I had been unglued from time, I was barely functioning. Through the fog and sensation of reality warping around me, I somehow found clarity in my writing. Weirdly, at first, I didn’t know that I was writing about myself, I was just kind of writing. I remember there was a day when we got our first mix back, and I hadn’t heard the songs in a few weeks, 30 seconds into the first verse, I collapsed in this park I was walking in, and I realized that the songs were me, describing the suffering I had been experiencing so that I could understand what was happening in my own head, it was completely overwhelming. I had created something so direct, with zero awareness that I was doing so. It was a mind-bending experience as if a past version of myself had reached out through time to help me understand what was happening to me, an absolute headfuck. For my contributions musically I created tones and sounds that conveyed how distorted the world around me felt, I was attempting to use the music to level out the turmoil I was experiencing internally. I was experiencing reality in waves of vertigo, time-loss, and visual blackouts, I was trying to push back on these sensations with music. I think this EP is beautiful, there is elegance in darkness. I think it’s sad because I know the turmoil and pain it took to write it, and I think it’s powerful because it’s the first time I have truly been honest in my music.

Track by Track explained (LYRICALLY & MUSICALLY):

I, Defiler: The first song I wrote lyrically for the EP. In the early days of my spiral, when confusion about my own state was at its highest. I was doing everything I could to understand the suffering I was experiencing. I tried using Acid in an attempt to explore my own mind. Informally guided trips allowed me to see aspects of myself that I hadn’t considered, and I was desperately searching for clarity I couldn’t find in the real world. Primarily this song is about those explorations of self, both the positives and the futility. The song opens with the line “We are the Watcher” which is the experience of standing outside my own body and judging myself as lacking. During one of these trips my mind disconnected from the flow of time for the first time, I describe it as being able to “slide the scale” into different times in my own life, often which had points anchored in trauma, but occasionally were sitting in places of peace and beauty. The lyrics attempt to put to music these sensations, and the following experiences of both déjà vu and Jamais vu, sometimes simultaneously. Musically the song is erratic, kinetic, and industrial. It is heavy, both in guitars but in electronics and noise as well, and carries a time change into its bridge that furthers the disconnect between perception and reality.

Devour the Sun: This song is an allegory. A child from a beautiful nameless place travels across existence. It was born in warmth and life, from an engine of creation, and its only need is to share who it is with whatever it comes in contact with. As it travels, it leaves a piece of its radiance behind as a gift, a tiny slice of its essence that it shares with exuberance. It travels for years, shining it’s light on whatever it encounters, however, over the long years, it eventually forgets who it is, and with that, where it came from. The child drifts, older now, and comfortable at first to be pulled along by the forces around it, buffeted across the ether, fulfilled by the simple act of experience. Over time, however, discontent begins to grow. Who was it? There must be a purpose beyond drifting endlessly in the black. Its questions turn to screams and cries in the heavens, but the black has no answers. Eventually, devoid of solace, its voice becomes quiet and its mind despondent. It slowly diminishes, becoming a faded husk, lost inside its own ruminations, until one day it enters the atmosphere of a nameless biome. For the first time in years, it sees its own reflection. Cast back unto itself by the starry eyes of a young girl, undistorted by expectation, its fragmented and damaged memories return. It knows once again that long ago it was a star, a sun, burning bright in the deepest reaches of the universe. In this child’s eye, the light that was once a star becomes an experience; bright, beautiful, and warm, and then a memory; comforting and soft. For a moment, the light knows peace in the surety of itself, but the child sleeps, the memory fades, and the light from the long-dead star is lost forever in nothingness. Musically this song follows an unconventional narrative. It ebbs and flows, thrash riffs turn to piano-esq clean parts. Soaring melodies devolve into full-bodied guttural torment before becoming aethereal whispers.

Flesh /Excess /Wealth: This song explores the horror of having the sense of my own humanity removed from my conscious existence. I live in a time where I am taught to ignore my strongest human instincts, to follow systems put in place to hurt me, and to ignore what I perceive with my senses. I put progress and individualism over kindness and community, I have forgotten that I am part of a greater universe to which humanity has barely opened our eyes to. I hurt myself in the name of our god; currency, I humiliate myself at the altar of ego. I place the needs of the unknown few above the wanting many and am often not aware of doing so. This song is about disconnection. Musically it is oppressive, militant, violent, and aggressive.

Crystal Mountain: This is a song we love, and felt that we could cover faithfully at its core, while adding our own twists to its soundscape, to justify its existence. Lyrically it speaks to religious oppression on a personal and community level.

=======================================================

BAND STORY ANGLES / FUN FACTS:

1. During a festival performance in India, Barrett was stage diving in the crowd. When he tried to return over the barricade, he was mistaken for a fan rushing the stage, and beaten with what he describes as “whapping sticks”.  Post-show, the security team asked for selfies which Barrett agreed to on the condition that he got to hold one of the sticks.

2. During the recording of this album the band founded a “Bourbon Club”, in which they sampled (consumed) and reviewed over 60 bottles of Bourbon. The group favorite for both quality and price point: Four Roses.

3. The band initially intended to release this album as one 25-minute song due to the flow between songs and old-school story telling vibe that it evoked, but scrapped the idea in favour of a more fan friendly, standardized experience. The album is still recommended by the band to be consumed as a whole.

4. John and Barrett miscalculated the strength of some weed edibles once on tour, leading to an incident called “The Brain-Lasering”.

5. The programming / keyboards / noise were originally started as an afterthought to a very guitar forward album, but as the band began work on writing these parts, the songs took on a whole new dimension, fundamentally changing their sound. The intensity of the work and the level that these layers affected the songs have led us to described the process as “scoring the soundtrack to our own album”.

About:

Over the last 15 years, Edmonton, Alberta based award-winning metal band All Else Fails has become a cornerstone of the melodic heavy metal community in Canada. Combining intense riffs, intricate rhythm sections, brutal guttural screams, and melodic yet unusual vocal lines paired with relevant and relatable lyrics, All Else Fails’ message resonates with us all.

Formed in 2006 with the release of their self-titled EP, All Else Fails has gone on to release 9 studio albums, many of which have garnered awards and nominations from across the Canadian music industry and have propelled the band into live performances all over the world, including their massively successful tour of India in 2017.

For the past two years, the band has been hard at work writing their new album “The Incident at Black Lake.” A deeply personal, brutally honest, and staggeringly complex take on the reality-bending mental struggles of vocalist and founder, Barrett Klesko (The Misfires, The Order of Chaos). The band is filled out by guitarist John Saturley (The Order of Chaos, Skepsis), bassist and vocalist Coco Lee (Eternal Prophecy), and drummer Nelson Collins-Lee (The 21st Agenda, Skepsis). The album is produced by Bevin Booth of In the Booth Recordings and engineered at The Electric Treehouse in Edmonton, Alberta.

In 2022, the band is returning to their DIY roots by mindfully abandoning their social media and redirecting their energy to contributing to their local metal scene by building a direct personal connection to their fans and followers, living in line with a humanist philosophy and encouraging a culture of support between artists. All Else Fails’ new single “Flesh /Excess /Wealth” drops in early September with the full EP “The Incident at Black Lake” releasing September 30th. Fans can experience their explosive new live show this fall in Western Canada.

All Else Fails is:
Barrett Klesko – Vocals, Guitar
John Saturley – Guitar
Coco Lee – Bass, Vocals
Nelson Collins-Lee – Drums

Discography:
2022 – The Incident at Black Lake (EP)
2018 – The False Sanctuary (EP)
2017 – The Forever Lie (EP)
2013 – Fucktropolis (EP)
2012 – Ruins Punk for Everyone – LP
2011 – The Oracle: What Was, Is, and Could Have Been Special Edition Re – Release (full length)
2010 – The Oracle: What Was, Is, and Could Have Been EP
2008 – Against the Darkening Sky – LP
2007 – Of Ashes and Accusations Live DVD / CD
2006 – Self-Titled EP

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