http://intunemagazine.ca/intune-social/articles/2012/october/indieweek-day-2-coverage.html
“energetic and fun band to watch, The Rabid Whole fuse several genres of music together to produce a truly engaging sound, sure to get the crowd moving. Definitely a good way to end the night.”
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THE RABID WHOLE Return To Quebec, December Show Dates in Montreal, Sherbrooke, Quebec City
From Left to Right: JJ Tartaglia: Drums | Andreas Weiss: Vocals, Guitar | Oscar Anesetti: Bass Guitar | Chalsey Noelle: Keyboards, Vocals | George Radutu: Guitar (Photo Credit: Darko – www.darkophoto.com) [ DOWNLOAD – HIGH-RES PRESS PHOTO ]
Electro alt rockers The Rabid Whole just can’t sit still these days. When they’re not busy playing festivals in their newly adopted hometown of Toronto, recording music videos or creating new tunes, they’re on the road, playing to new crowds and old fans, getting their music out there from coast to coast. This winter, they’ll be bracing Quebec’s snow and slush and playing three dates across the province. December 14 will see them stopping in Montreal, then it’s off to Sherbrooke and finally Quebec City with Ogenix and Nanochrist rounding off the bill. These are sure to be nights filled with great live rock and drinks aplenty. What else could you possibly need to keep you warm?
Drum Solo at Indie Week – http://www.youtube.com/watch?v=FY-S8f3NQMQ
FREE DOWNLOAD – ‘Delusion’ – http://puregrainaudio.com/audio/the-rabid-whole-delusion-free-download
FREE DOWNLOAD – ‘Future’ – http://puregrainaudio.com/audio/the-rabid-whole-future-free-download
“Refuge”
1. Future
2. Metro
3. Corporate
4. New System
5. Serenity Falls
6. Solution
7. Rhythmic Reflection
8. Stargazer
9. Delusion
10. Refuge
About:
There’s something to be said for fate in the music world. One moment you’re left with the skeleton of a band, unsure when you’ll be able to follow your calling again, the next you’ve got a whole new line-up, a brand new home, a stronger, more defined sound and are recording with some of the biggest names in the industry. This is the tale of The Rabid Whole.
Disenchanted with playing in bands whose music was unchallenging and run of the mill, vocalist/multi-instrumentalist Andreas Weiss set out to remedy his predicament. Purchasing an arsenal of music and noise-making gadgets, he began writing songs for his own band’s 2009 debut album, Autramaton.
Recruiting musicians along the way, the first incarnation of The Rabid Whole was solidified, releasing their first album and touring Canada, sharing the stage with the likes of The Birthday Massacre, Econoline Crush, Hinder, Apoptygma Berzerk, and 16Volt.
But that’s when things began to take a turn. Following the departure of several band members, Weiss decided to leave his hometown of Regina, SK behind, taking a leap of faith and moving to Toronto, ON along with guitarist and founding member George Radutu.
Through some lucky online ads, he discovered drummer JJ Tartaglia and bass guitarist Oscar Anesetti while a Christmas trip back home to Regina put him face-to-face with Chalsey Noelle, a friend of a friend looking for a new career path after quitting her job. Wouldn’t you know it – Noelle was a talented keyboardist and vocalist.
Now, the new and improved Rabid Whole is set to release their second album, Refuge, on May 1, 2012. A direct reflection of the emotional and external changes of Weiss’ journey, the album deals with relatable themes.
“I sold my house, quit my engineering consultant job and moved…We were starting from square one again, but with more uncertainties than ever and weren’t sure when we would even have a full band again. Part of the writing had begun randomly scattered over the past couple of years, but the majority came right after the move. I set up the studio in the basement of my house and got to work. I didn’t leave the house for two months and wrote from the moment I’d wake up until I’d fall asleep,” says Weiss.
Recorded and produced by Karl Schubach (Misery Signals, Solace), mixed by Dave Ogilvie (Jakalope, Nine Inch Nails, Marilyn Manson) and mastered by Noah Mintz (Broken Social Scene, Death From Above 1979), the finished product delivers rock and electronic elements pushed to the max, a male and female vocal showdown and, as Weiss puts it, showcases “a 21st century, high-energy, electro alternative, orgasmic-punch-in-the-face-rock band.”
Isn’t it time you fell down the rabid whole?
http://www.beowolfproductions.com/MusicReviewsNov12.html
“TITANS EVE is another great band that should be in every Thrash Metal collection! Thrash on!”
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