NEWS RELEASE
Montreal, QC – March 10, 2026
Canada’s IRON KINGDOM Announces 6th Studio Album “Shadows and Dust”
Reveal Album Artwork and Teaser + Headline Hometown Show in Vancouver!
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L-R: Max Friesen (Drums) | Chris Osterman (Lead Vocals / Lead Guitar) | Megan Merrick (Lead Guitar) | Leighton Holmes (Bass)
Photo Credit – Cailin Haley
Canadian traditional heavy metal torchbearers Iron Kingdom will release their sixth studio album, “Shadows and Dust,” on June 6, 2026, marking a powerful milestone in the band’s history. The date aligns with the group’s 15th anniversary when they formed in June 2011, and the 82nd anniversary of D‑Day, a coincidence the band describes as “the planets aligned… but we will let the music speak for itself.”
Alongside the announcement, Iron Kingdom has revealed the album’s striking cover artwork by Alan Lathwell and a first-look teaser, offering fans a glimpse into their darkest and most ambitious record yet.
Album Teaser – https://www.youtube.com/watch?v=nmWn8pKOyh0
Recorded entirely in the band’s newly completed home studio, another first in their career, “Shadows and Dust” explores themes of death, hardship, impermanence, and resilience, wrapped in the band’s signature blend of classic heavy metal, power metal, and NWOBHM influences.
“A fantastic collection of songs that will really open up our live sets… it comes from a little bit more of a rock n’ roll edge overall, but there are so many elements hidden within, and I think it will be a real journey to experience it front to back. Lyrically, the album plays in quite a dark realm of topics… but I also think that’s exactly what will make this album accessible to people going through tougher times, and hopefully a place of hope, and to help them see that they are not alone,” adds frontman Chris Osterman (Lead Vocals / Lead Guitar).
Bassist Leighton Holmes also comments:
“The newly unveiled cover art draws directly from the song “Blood and Steel”, depicting an army marching across a brutal, unforgiving landscape, some soldiers falling to the elements as others push forward. The imagery was inspired by the Malazan Book of the Fallen series by Steven Erikson. Many die, many lose hope, and many don’t understand why they do what they do… Life is often like this: we have to go through things that are uncomfortable, even dangerous, to reach the position we need to be to accomplish what it is we are trying to do.”
To celebrate the release, Iron Kingdom will headline their biggest hometown show to date at Vancouver’s iconic Rickshaw Theatre on Friday, June 5, 2026, a significant milestone for the band. For more info, please visit https://orangetickets.ca/detalles_evento.php?id_evento=2127
“It is the same venue we got to open for headlining bands such as HammerFall, Angra, Sanctuary… and to feel in some way that we have worked our way up to headline a venue of that size is very exciting.”
In addition to the album launch festivities, Iron Kingdom will also appear at the 2026 editions of Armstrong Metal Fest and Loud As Hell Open Air Festival, bringing their new material to one of Western Canada’s premier heavy metal gatherings. These performances will mark some incredible highlights for the year to come.
Formed in Vancouver in 2011, Iron Kingdom has spent 15 years championing the classic heavy metal spirit of Iron Maiden, Judas Priest, Helloween, and the Scorpions. Known for their high-energy stage presence, intricate melodies, and raw, no‑backing‑tracks live performances, the band has toured across Canada, the U.S., Europe, and Brazil, sharing stages with Night Demon, Blaze Bayley, HammerFall, Angra, and more.
Their discography includes Curse of the Voodoo Queen (2011), Gates of Eternity (2013), Ride for Glory (2015), On the Hunt (2019), and The Blood of Creation (2022). “Shadows and Dust” marks their sixth full-length album.
Album pre-order (release date June 6th, 2026) available at the following links:
Official Merch store: https://www.iron-kingdom.com/shop
Bandcamp: https://iron-kingdom.bandcamp.com/music
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For more info:
https://www.iron-kingdom.com
https://www.facebook.com/ironkingdomofficial
https://www.instagram.com/iron_kingdom
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“Loads of riffs and melodies some excellent lead breaks and pounding rhythms. This is bonafide, foot on the monitor, fist pumping, horn throwing real metal. I have never heard Iron Kingdom before but on the strength of this I will be obtaining the back catalogue very soon.” – My Global Mind (The Blood of Creation 2022)
“If you haven’t checked out Iron Kingdom’s earlier releases and you dig pure ’80s metal, grab a copy of The Blood of Creation then get ready to hunt down their earlier catalog. You will not be disappointed.” – The Metal Crypt (The Blood of Creation 2022)
“I am compelled to say that IRON KINGDOM most surely outdone themselves with “The Blood Of Creation”… A distinctively distinguished experience in Heavy Metal relishment distils at an epically entrancing adventure, should you desire it… an injection in infectiously venomous momentum most definitely deserves interest – do check it out.” – Metal Temple (The Blood of Creation 2022)
“With The Blood Of Creation, Iron Kingdom have forged a masterpiece that brings tears of joy to the eyes of every traditional metalhead. There is only high-quality material and everyone is encouraged to include this album in their choice of this year’s Top10. ” – Soundmagnet (The Blood of Creation 2022)
“To put a bow on IRON KINGDOM’s The Blood of Creation, it’s dang good, borderline perfect and any fan of hard rock and heavy metal that is slathered with soaring epic vocals, dual guitar rhythm and shredding solo’s layed down on a feather bed of thunderous, galloping and filling chattering drums and bass then go, go, go get you some of this. A monster thank you to Chris for taking the time to chat me up and gift me this glorious CD. Now I need to go and get the back catalog…” – KNAC (The Blood of Creation 2022)
“a barnstorming barrage of blistering heavy metal, highly head bang-able and immensely infectious.” – Metal Gods TV (The Blood of Creation 2022)
“”The Blood of Creation” is a satisfying excursion into metal classicism.” – Wormwood Chronicles (The Blood of Creation 2022)
“This is a solid album of heavy metal delivered in the style that is true to the cause and therefore, what the listener gets here with ‘The Blood of Creation’, is an album which mounts its steeds and charges forward in a cavalry strike as galloping riffage and rhythms never give the listener the chance to let up with tracks such as ‘Queen of the Crystal Throne’, ‘In the Grip of Nightmares’ and ‘Witching Hour’ having some very impressive twin guitar lines. This would impress any fan of Iron Maiden, Riot V and Iced Earth, but also sticks within the remit of trad metal with bands such as Katana, Skelator and Toledo Steel.” – Metal Digest (The Blood of Creation 2022)
“Anyone who likes beautiful and playful melodies, extensive guitar solos, detailed arrangements and double lead guitars will be well served with “The Blood Of Creation”.” – PowerMetal.de (The Blood of Creation 2022)
“The musicianship is solid, the lead work sharp and Osterman’s high-pitched vocals can certainly hit the heights. His soaring shrill delivery on ‘Queen of the Crystal Throne’ demonstrates that perfectly. New drummer Max Friesen makes his recording debut for the band and puts in a sterling effort with some robust and powerful performances.” – Ever-Metal (The Blood of Creation 2022)
“Iron Kingdom created an iron-bound, battle-hardened piece of traditional Heavy Metal that truly made me want to turn the clock back to those long-gone days of glory. Times when metal was just that, the pure joy of a style that was still new, exciting, and powerful. Or to let the band speak in their own words, they “…decided to play metal the way it used to be played in the 70s and 80s.” Well, mission fucking accomplished. Well done, guys.” – Rock Music Raider (The Blood of Creation 2022)
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