NEWS RELEASE
Montreal, QC – September 23, 2025
Out Nov 2025 Trois-Rivieres’ OUTLYING’s New Album “Oblivisci” Explores Pain and Redemption
Streaming Single “November”
|
|
L-R: Charles Alexandre Bilodeau (Bass, Back Vocals), Fred A. Dubeau (Guitar, Vocals), Martin Reithler (Drums)
Photo by Sandy Champagne
After nearly a decade of silence, Trois-Rivieres, Quebec metal band OUTLYING returns with a vengeance. Their long-awaited third full-length album, “Oblivisci,” drops November 21st, delivering a visceral blend of melodic death, thrash, and black metal that’s as emotionally raw as it is sonically aggressive. The first single, “November,” is now available for streaming on all major platforms.
Founded in 2007 by vocalist/guitarist Fred A. Dubeau, OUTLYING began as a group of high school friends jamming covers in 2003. Over the years, the band evolved into a force of original expression, rejecting technical excess in favor of music that hits straight to the gut.
“We wanted to create something anyone can feel and understand. Music that’s captivating, dark, aggressive, and melodic,” says Dubeau.
“Oblivisci,” Latin for “to forget,” is a concept album exploring themes of trauma, alienation, grief, and addiction. The band’s signature sound is heavier and more melodic than ever, with no filler tracks and a commitment to emotional authenticity. Fans can expect a dynamic listening experience, with tracks ranging from thrashy punk anthems to atmospheric ballads. Highlights include “Snow,” a harrowing tale of abuse featuring female vocals, and “Sentinel,” a grief-stricken power ballad that echoes the band’s earlier fan favorites. The album closes with a three-part epic chronicling Dubeau’s personal journey through substance abuse and recovery.
“After a long and challenging journey, we’re proud to finally share Oblivisci with the world. This album reflects our commitment to staying true to ourselves while evolving our sound. We’ve never followed trends; our music is dark, heavy, and emotionally charged, shaped by diverse influences from metal to classic rock, and even film, books, and games. Oblivisci builds on what OUTLYING has always stood for, but pushes deeper into atmosphere and intensity. Though often called melodic death metal, our sound draws from thrash, black, prog, and beyond. In a sea of forgettable songs, we hope this one leaves a mark,” adds Dubeau.
The first single, “November,” showcases OUTLYING’s evolved sound: a haunting, melodic death metal track about obsession and longing. It’s a powerful preview of what’s to come.
YouTube – https://youtu.be/xfbMerlsRwc
Add to your Spotify playlist – https://open.spotify.com/track/5sf9bFl0ncHIZyOQcMA9QQ
OUTLYING’s current lineup is a story of pure coincidence. Drummer Martin “Frenchy” Reithler first heard Fred on a metal podcast while living in France. After hearing Fred mention he was looking for a permanent drummer, Frenchy, who was already planning a move to Quebec, reached out. Fred initially thought the message was spam.
Later, Fred was asked by a friend to lend a soldering iron to fix a bass guitar. That visit led to him meeting Charles Alex Bilodeau. Weeks later, when searching for a new bassist, Fred remembered Charles Alex, and the lineup was complete.
Despite being based in Trois-Rivières, none of the members grew up there. Fred hails from near Bécancour, Charles Alex from Victoriaville, and Frenchy from a suburb near Paris, France.
Live, OUTLYING promises raw energy and passion, eschewing overproduced trends in favor of pure rock and roll intensity.
“We want every show to feel like a journey, different vibes, different ambiance, all created with just our instruments,” says Dubeau.
With influences ranging from At The Gates and Testament to Cradle of Filth and Wintersun, OUTLYING’s sound is rooted in melodic death metal, thrash, black, and groove metal. Their previous releases include Within The Jail Of The Unfortunate (EP) (2008), Scars Of Daylight (2012), and Frameworks For Repression (2016).
The album artwork for “Oblivisci” depicts a post-apocalyptic version of the band’s hometown, reflecting the lyrical themes of societal decay and personal collapse.
“Oblivisci” will be available on November 21st on all streaming platforms.
|
|
Track Listing:
1 – The Raven Is Gone – 5:27
2 – Stigma – 3:49
3 – Snow – 6:02
4 – Streets Of Rats And Vultures – 4:47
5 – Pitch-Black Serum – 4:36
6 – November – 5:56
7 – Sentinel – 5:43
8 – Impaired – 5:32
9 – Dreamless Nights Part I: A Lullaby For The Insomniac – 4:19
10- Dreamless Nights Part II: From Velvet Skies – 5:13
11- Dreamless Nights Part III: Walking Out Of Eden’s Ashes – 4:25
Album Length: 55:49
Album Credits:
All songs performed, written and produced by Fred A. Dubeau and Martin Reithler
Mixed and mastered by Fred A. Dubeau
Album Artwork by Fred A. Dubeau
Album recording lineup:
Fred A. Dubeau – Guitar, Bass, All Vocals Martin Reithler – Drums
Guest musicians for the album:
Steph from “Exotoxic” – Auxiliary percussions
Marilyn from “Chained By Illness” – Female Vocals
Sim from “Lancaster” – Guest Guitar Solo
Hardcore Band “Northwalk” – Gang Vocals
Lineup for live:
Fred A. Dubeau – Guitar, Vocals
Charles Alex Bilodeau – Bass, Back Vocals
Martin Reithler – Drums
For more info:
http://www.facebook.com/outlyingband
http://www.instagram.com/outlyingband/
https://www.tiktok.com/@outlying.band
– 30 –
“Outlying offers a solid Swedish-style melodic death metal sound with their own personal touch.” – MetalUniverse.net
“With a biting energy and a relentless intensity, [Pitch-Black Serum] hits with an uncommon ferocity while keeping a dynamic, melodic and catchy structure.” – MetalUniverse.net
“I had never heard of this band before, so I was all the more amazed by the high level of performance the band had already achieved in 2012 [Scars Of Daylight album]. They are reminiscent of Scandinavian melodic death metal bands of the late 1990s.” – Ammo-underground.at
“The three gentlemen serve us finely spun melodies; the musicians tie everything together into a flowing, detailed unity. A bit of clean vocals are sprinkled in here and there, and so a lot happens in this largely whipping smasher. A few threatening vibes and thrashy, straight-ahead tactics are also effectively employed, as is polyphonic vocals – everything just fits! Raising fists, enjoying details, headbanging – it’s a mystery to me why these all-rounders are still so unknown!” – Ammo-underground.at
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media PR News
Instagram – AsherMedia
Tweet – AsherMedia
ashermediarelations.com 
Comments
Trackbacks & Pingbacks
No incoming links found yet.