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Canada’s DOLL Sinks Teeth into “Shark Bait” as New EP “Better Days, Different Times” Drops July 18th

  • July 4, 2025
  • by Asher
  • · DOLL · Music News

NEWS RELEASE

Montreal, QC – July 4, 2025

Canada’s DOLL Sinks Teeth into “Shark Bait” as New EP “Better Days, Different Times” Drops July 18th

Canadian alt-rock powerhouse DOLL is making waves this summer with the release of their biting new single “Shark Bait”, arriving just as the world celebrates the 50th anniversary of Steven Spielberg’s iconic thriller Jaws.

The timing is no coincidence, though it might feel like fate. “Shark Bait” is a snarling, doom-tinged anthem that channels the same primal fear and survival instinct that made Jaws a cultural phenomenon. With razor-sharp riffs and frontwoman Christina Kasper’s haunting vocals, the track explores emotional predators and the fight to stay afloat in a world full of teeth.

“Shark Bait was a fun song that we came up with after playing around with some hardcore style riffing and our passion for the Jaws movies. We have always had a strong attraction to shark movies, and when Pete came up with the riff for the chorus, it just felt so right with the “Shark Bait” vocals, everything was clicking, and we just went for it,” says Christina Kasper.

“Shark Bait” is the second track from their highly anticipated EP, “Better Days, Different Times”, set for release on July 18, 2025.

The new EP marks a bold evolution for DOLL, who first made waves with their 2009 debut “Inside the Dollhouse” and 2011’s “The Ragdoll Diaries”. “Better Days, Different Times” represents a significant evolution in both sound and approach, incorporating new collaborators and instruments while maintaining the raw, honest edge that has defined Doll since their inception. Core songwriting duo Christina and Pete have expanded their creative process, bringing in local Ottawa musicians and even a cellist to add depth and new textures to their established sound.

Doll is recommended for fans of Nobro, SoftCult, Amyl and the Sniffers, and The Pretty Reckless.

Listen to “Shark Bait” on Spotify at https://distrokid.com/hyperfollow/doll14/shark-bait​

EP-pre-order (out July 18th) – https://doll.bandcamp.com/​

Music video – Doll‘s cover of Deep Purple’s “Smoke on the Water” at https://youtu.be/cynliYX-Djk​

Spotify – https://spoti.fi/3FPB3oZ​

Track Listing:​
1. Bleeding – 4:32
2. Shark Bait – 3:07
3. Smoke on the Water – 4:26
4. Scene Dream – 4:28
5. Ends Like This – 3:24
6. Goodbye – 3:27
Album Length: 23:29

Album Credits:​
All songs performed by: Doll
All songs written by: Doll
Produced by: Josh Hart, Jason Jaknunas
Mixed by: Josh Hart
Mastered by: Josh Hart
Album Artwork by: Mark Kidd

Album Lineup​
Guitar: Pete Kasper
Guitar, Vocals, Bass: Christina
Drums: Chris Zimmerman – Smoke on the Water,
Josh Hart – All the Rest
Cello: Raphael Weinroth-Browne
Keys: Phil Campbell
Extra Guitars : Athanasios Maravelis

More info: https://www.facebook.com/dollband​

-30-

“The Rag Doll Diaries” is the story of a road weary/world weary band with so much to say and share. Its the combination on heartache and despair offered with a hand meant for holding. In other words here is real music for the real world.” – Heavy Metal Time Machine (2013 – The Ragdoll Diaries)

“Doll was conceived as a bridge between punk and rock, a bridge that was fulfilled in the early ’90s by bands like Nirvana and the mid-’90s by Foo Fighters… A good punk band doesn’t write about the joys of picking daisies and Doll is no exception.” – The Whig Standard (Kingston, ON) (2013)

“Doll provides a missing link between punk and rock.” – The Intelligencer (Belleville, ON) (2013)

“The four-piece are definitely reminiscent of the grunge era and have provided a concise four-word biography of the band: “Rock N’ Fucking Roll.” – Exclaim! (2011 – The Ragdoll Diaries)

“One of the most striking aspects of Inside The Dollhouse, after Christina’s whiskey-and-hell voice, is a fictional character by the name of Sally created to carry the songs. A concept completely unexpected given the band’s twentysomething youth, immediately reminiscent of Alice Cooper’s infamous character Steven, introduced on Welcome To My Nightmare in 1975.” – Bravewords (2010 – Inside the Dollhouse)

“The debut from Ottawa’s Doll caught me instantly like a fish on a hook. This is serious music. Dark, intense and magnetic, this is the kind of gritty ’90s grunge that doesn’t fuck around. Fronted by the vocally vicious Christina Kasper, Doll recall an angry and confused era of music devoid of pop but not catchiness. Kasper howls in the vein of Courtney Love and Brodi Dalle, and while the lyrics are simple and not exactly fresh, they are impacting. Songs like “Perfect” deal with trying to live up to society’s standards, while “Sally Lost Her Shoelaces” and “Daddy’s Little Girl” deal with hurt, confusion and heroin against a backdrop of chunky guitars, assaulting drums and badass attitude. Julie-Anne Madore’s backing vocals add a whispered, haunting feel to this record. If the dirty rock’n’roll alone doesn’t reel you in, nothing will.” – Exclaim (2009 – Inside the Dollhouse)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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