NEWS RELEASE
Montreal, QC – March 27, 2025
SVNTH Unleash Emotional Shoegaze and Hardcore Black Metal Screams w/ Video “Narrow, Narrow”
New Album “Pink Noise Youth” Out April 2025
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L – R – Jacopo Fagiolo – Guitars, Alessandro Canzoneri – Drums, Rodolfo Ciuffo – Bass, Vocals, Sitar, Valerio Primo – Samples, Percussion, Alessandro De Falco – Guitars
Photo Credit – Arianna Savo
Italian experimental metal outfit SVNTH‘s new album, “Pink Noise Youth,” will be unveiled on April 18th, 2025, via These Hands Melt Records. They have shared two singles from the record, “Cinnamon Moon” and “Perfume,” in the lead-up to its release. Their next offering in preview to their fourth full-length “Narrow, Narrow,” a song with a dreamy Deftones-like intro soaked in delay and reverb that evolves immediately into a hardcore-oriented explosion with black metal screams alternated with emotional shoegaze-y sections.
“As much as the song “Wings of the Ark” from the previous album “Spring in Blue” was based on the experience of a loss during childhood, this song does the same but in the late youth phase of life. The final refrain, “We will never come back again, but we’ll always be here’ is intended to be considered a sort of anthem that reflects on the shortness of our life as humans compared to the eternity of our memory that remained in the people we left,” adds the band.
Watch and listen to the music video for “Narrow, Narrow” via its premiere on NoCleanSinging HERE.
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“Pink Noise Youth” is SVNTH‘s fourth studio album to follow their 2020 “Spring in Blue”. This new full-length demonstrates SVNTH‘s continued evolution, deliberately transcending genre boundaries by combining elements of hardcore, metal, shoegaze, and post-rock with unexpected instrumental choices. The album promises to take listeners on a cohesive journey through its carefully crafted track sequence, maintaining the band’s tradition of creating conceptually unified works.
“This album is also full of new things, starting from a consistent line-up change of more than half of the band, the introduction of many new instruments such as electric Indian sitar, clean singing, classical and 12 strings guitars, and in addition songwriting goes back to a more traditional song in opposition to the more suite-like approach of the previous album. People will surely welcome it with curiosity,” adds the band.
The music of SVNTH has always been aiming to give the listener emotional vibes. This record, in particular is conceptually based on exploring late youth emotions, and the music is created for reflecting such instability.
Recommended for fans of Deafheaven, Alcest, and Agalloch, “Pink Noise Youth” is due out on April 18, 2025, on Vinyl, CD, and Digital via These Hands Melt Records and is available for pre-order / pre-save at https://lnk.to/SVNTH
Previous Singles:
Music Video – “Perfume” – https://youtu.be/0uFkBHfOWbA
Lyric Video – “Cinnamon Moon” – https://youtu.be/0hpPr0mFxQs
Spotify – https://spoti.fi/3PWfwMK
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Track Listing:
1. Inhale – 1:31
2. Cinnamon Moon – 5:18
3. Perfume – 4:19
4. Elephant – 6:49
5. Narrow, Narrow – 5:35
6. Exhale – 4:33
7. Winter Blues – 4:32
8. Nairobi Lullaby – 4:37
Album Length: 37:18
Album Credits:
All music and lyrics written by Rodolfo Ciuffo
Performed by Rodolfo Ciuffo, Alessandro De Falco, Valerio Primo and Alessandro Canzoneri
Guitar solos on “Elephant”, “Exhale” and “Nairobi Lullaby” written by Alessandro De Falco
Recorded, mixed, and produced by Alessandro De Falco
Mastered by Angel Marcloid at Angel Hair Studio
Photography by Alexandru Cozlan, modeling by alteaaetla_sg
Album Artwork by Tryfar
More info: https://linktr.ee/svnthband
About:
With a various background of musical influences and artistic inspirations, SVNTH (written all caps and pronounced “Seventh”, formerly “Seventh Genocide”) from Rome, Italy has been shaping a unique equilibrium of sounds through the years moving across a huge variety of directions on the palette of contemporary alternative music to create a distinctive soundtrack for inner emotions, life scenarios, and existentialist questioning. Expanding the energy of black and post-metal over the mellow and contemplative boundaries of shoegaze, art pop, and cinematic post-rock.
From the vivid early black gaze melodies of the debut “Breeze of Memories” (2015) to the long song structures with acoustic overtures and Godspeed You! Black Emperor inspired sections of the monumental “Toward Akina” (2017); SVNTH confirms this more complex approach on the double LP “Spring in Blue” (2020), the childhood chapter of a trilogy of colors based on emotions in different phases of life.
The upcoming “Pink Noise Youth” (2025) gets back to a more traditional song format, introducing a unique use of Indian sitar, and an array of acoustic instruments and singing expressions, which develops SVNTH to a one-of-a-kind sound and personality.
As of today, the band has done several tours and single shows all over Europe and in the USA touching even non-frequently toured countries such as Albania and Turkey and performing at notable festivals like Rockstadt and Frantic Fest, bringing a defining cathartic live energy.
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“Do you dig blackgaze, in the vein of Deafheaven and Alcest? What about post-hardcore? What about a mixture of the two?! Well my dears, you’re in a bit of luck, because the Italian experimental band Svnth just released their new single “Cinnamon Moon.” Give it a lil listen” – Metal Sucks
“This is not music that settles into one feeling; it is an album that lives in the tension between them, where grief fuels rebellion, where pain and resilience are inseparable, and where every song feels like a battle between destruction and redemption. In the end, it does not leave the listener broken, but neither does it offer false comfort. It does not promise that everything will be okay, but it does promise that the struggle is worth something. It is an album that carries both the weight of sorrow and the fire of defiance, the burden of grief and the light of something that refuses to die. 9/10″ – Metal-Temple (2025 – Pink Noise Youth)
“This is arguably SVNTH’s defining effort to date, and will hopefully see them gain a foothold within the scene at large…” – Distorted Sound Magazine (2020 – Spring in Blue)
“”The music seems to wail and mournfully murmur like spirits who have lost their way in a shimmering desert world. Those lonesome laments unfold into a momentum of neck-snapping beats, raking chords, and high, harrowing shrieks” – No Clean Singing (2020 – Spring in Blue)
“SVNTH sets out in hopes of bridging the rift of a jealous god, welding genres into music that can appeal to all sensibilities, without sacrificing integrity (or intensity)” – Toilet ov Hell (2020 – Spring in Blue)
“”Distortions, speed and sinister atmosphere as the tradition black imposes but also delicate chiselations from which a light filters that suggests possible trajectories capable of questioning the dictatorship of matter, Spring in Blue is an album that is not afraid to face the recognized columns of Ercole gender and to push it far beyond 8.5/10” – Grind On The Road
“an interesting take on black metal, delving deeper into psychedelia and post-rock influences on new EP SVNTH. Though the tremolo-picked guitar playing and blast beats accompanied by howled screams still remain, they are met with shimmering melodies, ambient stretches and Pink Floyd-esque guitars.” – Decibel Magazine (2018 – EP SVNTH)
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