The Slyde – Awakening (2018)
For fans of Rush, Dream Theater, Coheed and Cambria, Haken
Release Date: May 18, 2018
Label: Self-Release
Distribution: DistroKid
Publicist – Jon Asher – ashermedia(@)gmail.com
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“Vigorous and passionate, these players shine brightly, each contributing dynamic passages as witnessed in “Walk With Me”, “Fading”, and “Divide”. ” – Bravewords.com
“The Slyde have written a full-length rock record that is retro yet contemporary, edgy yet smooth. There are plenty of dynamics while staying high-energy and never boring or overwrought. Well-balanced and entertaining, these songs are progressive but not pretentious. Have a listen then tell your friends! ” – Progressive Music Planet
“If you’re looking for a familiar prog-rock band in the stylings of Rush, Dream Theater, Coheed and Cambria, and even a bit of Protest the Hero with a new-age twist, look no further and grab the album today ” – Canadian Beats
“An album with an incredible energy and a vocalist that keeps up with them, The Slyde make a formidable record. This band have many highlights on Awakening, including ‘Walk With Me’ and ‘So Blind’ where the band make clear just what they can do.” – Thinking Lyrically
“It’s obvious that The Slyde is very passionate about their music, and for good reason. The tracks contained on this album are top notch progressive jams, each offering their own unique spin on the prog rock/metal genre.” – Under Air Media
“Awakening is a thoroughly entertaining affair, especially for fans of Rush and early Dream Theater. ” – Disagreement.net
“…This is quite possibly the greatest thing I have heard from the underground in a while, at least in North America. The Slyde have nailed a style many deny exists, and done it with true flair. I really hope this band picks up, since they are one of the current unsung talents of this earth.” – The 10th Doctor of Prog, on The Slyde’s 2012 EP ‘New World Sympathy’
“…an impressive step forward/return to form for these Canadian bright-eyed musicians and stands to solidify their name as one of the more promising ventures in the increasingly prolific progressive metal scene.” – Heavy Blog is Heavy, on the ‘Back Again’ EP
“Back Again is a breath of fresh air as all four songs bounce along with spirit and confidence, not to mention a great blend of strong hooks, succinctness and technical ability which is evident but not rammed down our throats. Everything just sounds right, if that makes sense.” 8/10 – The Man of Much Metal
“Not just an epic heavy prog-fest, The Slyde have delivered an intelligent and compelling 4-track EP that hints at much promise to come from this Canadian four piece.” – ProgRadar, on the ‘Back Again’ EP
“The Slyde will be the band I remember from IndieWeek. Thanks for making it worthwhile guys. Incredible set. Best band of the week by a mile.” – Music Vice
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[Download Album Lyrics]
Release Date: May 18, 2018
Label: Self-Release
Distribution: DistroKid
Track Listing:
1. Awaken (0:37)
2. Walk With Me (3:01)
3. In Silence (4:39)
4. These Wars (4:50)
5. Awakening (3:51)
6. So Blind (4:20)
7. Fading (3:54)
8. Join The Parade (4:39)
9. Divide (4:48)
10. Back Again (5:31)
Album Length: 40:16
Album Credits:
• All songs performed by: The Slyde
• All songs written by: The Slyde
• Produced by: The Slyde
• Mixed by: Andres Puche
• Mastered by: Matt Glover
• Album Artwork by: Casey Shea
• Member of SOCAN
• Canadian Content (MAPL) Yes
• Album Band Line Up:
– Nathan Da Silva (Vocals, Guitar)
– Sarah Westbrook (Keyboards, Samples)
– Alberto Campuzano (Bass, Vocals)
– Brendan Soares (Drums, Vocals)
Discography:
2018 – Awakening LP
2017 – Back Again EP
2012 – New World Sympathy EP
2011 – Feed The Machine
2010 – The Slyde II (demo/EP)
2009 – The Slyde I (demo/EP)
Shared Stage with:
Protest The Hero, Down With Webster, Pain of Salvation, Fuck The Facts, Dana Fuchs Band, Timber Timbre, Moxy, Heaven’s Fire, Sumo Cyco, Warmachine, Prismind, Polarity, Panzerfaust, Vesperia, Sierra, Coldrift, Reglement 17, Odd Ones, A Primitive Evolution, The Dead Centuries, Perpetuate, Akoufen, Colony, Parliament Owls, Cast in Cadence, Last Bullet, The Great Diversion, TimeGiant.
Festival and Tours:
2019 – ’10 Years And Counting Tour’ (ON/QC)
2019 – Wacken Open Air – Germany
2018 – Awakening Tour (ON/QC)
2016-2017 – 14 dates in Ontario in support of Back Again EP
2013-2014 – 32 dates in Ontario/QC in support of New World Sympathy EP
2013 – IndieWeek – Toronto, ON
2013 – Cornwall Lift-Off – Cornwall, ON
2013 – Wacken Metal Battle Canada – Toronto, ON
2013 – CMW – Toronto, ON
2012 – 31 self booked shows in Ontario/Quebec in support of NWS EP/Feed The Machine
2012 – Right To Exist, Right To Resist, U of T – Toronto, ON
2012 – IndieWeek – Toronto, ON
2012 – Friends For Peace, City Hall – Ottawa, ON
2012 – Arts In The Park – Cornwall, ON
2012 – The Edg3 – Maxville, ON
2012 – Big Money Shot – Ottawa, ON
2011 – 27 dates – Ontario/Quebec in support of Feed The Machine
2011 – IndieWeek – Toronto, ON
2011 – Cisco Ottawa Bluesfest – Ottawa, ON
2011 – RiverFest – Brockville, ON
2010 – 36 dates in Ontario/Quebec/NB/NS in support of 2010 Demo release
2010 – Big Money Shot – Ottawa, ON
2010 – Cisco Ottawa Bluesfest – Ottawa, ON
2010 – RogersTV Daytime – Ottawa, ON
2009 – Big Money Shot – Ottawa, ON
Music Placements:
‘Take Us Away’ was licensed via BedTracks.com and used in the TV show ‘Don’t Drive Here’.
L-R: Nathan Da Silva (lead vocals, guitar), Sarah Westbrook (keyboards, samples), Andrew Suarez (drums), Alberto Campuzano (bass guitar, backup vocals)
Winners of the 2019 Wacken Metal Battle Canada competition, Toronto’s melodic proggers The Slyde are ready to represent Canada at the Wacken Metal Battle international final, at Wacken Open Air in Germany.
The band will be showcasing highlights from their latest album “Awakening”. The band (formerly known as just Slyde) dropped their ten-track album in 2018, harnessing the intricate, contrapuntal prog metal they’ve honed over the last decade. Described by critics as “a highly impressive, thunderously powerful, thought-provoking collection of songs” and “vigorous and passionate”, The Slyde carve their own path and take no prisoners.
In true prog fashion, The Slyde stays true to their mission statement with their quirky arrangements, aggressive edge, and ominous lyrics. The result is a thought-provoking, high-octane brand of prog metal for fans of Rush, Dream Theater, Haken, Coheed and Cambria, and Megadeth.
Driven by Nathan Da Silva’s elegant vocals, Sarah Westbrook’s powering keyboard skills, and the powerful rhythm section of bassman Alberto Campuzano and drummer Andrew Suarez (with longtime drummer/songwriter Brendan Soares), the band are to catch the ears of any technically minded melodic prog rock and metal fan.
The Slyde has played nearly 200 shows on the Eastern Canadian circuit, sharing the stage with such bands as Protest The Hero, Down With Webster, Angra, Pain of Salvation, F*ck The Facts, Dana Fuchs, and Timber Timbre among others, and have made past appearances at Ottawa Bluesfest, Canadian Music Week, IndieWeek, and Cornwall Lift-Off.
THE SLYDE is:
Nathan Da Silva (Vocals, Guitar)
Sarah Westbrook (Keyboards, Samples)
Alberto Campuzano (Bass, Vocals)
Brendan Soares (Drums, Vocals)
Track by Track explained:
1) Awaken – An intro track; a swell erupting into scene of a protest. Mystery that sets up destruction for:
2) Walk With Me – A straight forward, punk-inspired upbeat opening track with a breakdown catchy chorus and breakneck keyboard solo. This song talks about media control and propaganda. Reminds me of System Of A Down and Megadeth.
3) In Silence- about the metaphorical and literal abuse of people- contrasts of heavy intricate sections, with a quiet mid-section, ramps up into a rhapsodous catchy part then leads to a crazy screaming guitar solo! People might ‘get triggered’ by these lyrics because it has the word ‘rape’ in it. Musically similar to The Fall of Troy, Megadeth, and Opeth.
4) These Wars – happy joyful intro riff using major tonality, pretty heavy lyrics, contains a double guitar/key solo then more key solo. This song is about narcissism and the takeover of social media in society. Musically similar to riffs heard in Soilwork, and Dream Theater.
5) Awakening – The title track, usage of organ tones gives a Deep Purple vibe. Quirky, monophonic riffs remind me of Dream Theater and Symphony X. Also has a catchy chorus, and probably the most technical song on the album.
6) So Blind – Another fast, punk and metalcore-inspired heavy song. Very catchy Chorus at 1:00. Awesome keys/guitar double solo, keys solo breaks out of double solo. Very dirty outro at 03:30 that abruptly shifts the pacing of the song. As is the title: No one can shove their way through the everyday hustle and bustle to see that the most basic of their own human rights are being eliminated. (the last 4 songs from here were previously released as an EP in 2017 called ‘Back Again’)
7) Fading – Intro is a big anthemic auditorium sound. Lots of key and guitar dueling underneath soaring vocals. The interplay between the guitar and keys remind me of old school In Flames and other Eurometal bands like Soilwork and MyGrain. Aliens don’t want to be our friends. Humans are too messed up.
8) Join the Parade – A more progressive cut from the album, using shifting meters, funky bass lines (reminiscent of Daft Punk), and a tempo change halfway through into a Metallica-inspired thrashy section for a keyboard solo. Hooky chorus as well. The song is about not having freedom and conforming.
9) Divide – Another Eurometal-inspired song with its guitar riffs, hard hitting drums and bass, and dualing keyboard and guitar lines. Verses have punky vocals and chorus has a repeating call-and-answer hook from the backup vocals. This song talks about the politics of division and fear, and was written in secret as an anti-trump song during the 2016 campaign. Finishes with a moody piano outro.
10) Back Again – Our only ballad on the album, this song is the most radio friendly of all the songs, and showcases the most dynamic and variety in our sound. Lots of ambiance and sparse textures, with a middle section that has our signature sound that’s prevalent throughout the record, then comes back down to finish the song. The tune was inspired by Carl Sagan’s Pale Blue Dot concept and how the fragility and beauty of our world is taken for granted and often forgotten about.
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