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0 Thank you Canada! Huge Hails Horns \m/\m/ to Music Directors and DJs Thanks for supporting Canadian Thrash #1 MUTANK – !earshot – The National Loud Chart For the Week Ending: Tuesday, August 15, 2017
0 NEWS: Bravewords Premiere CENTURIES OF DECAY’s New Video “Wings of Death”; Debut Self-Titled Album Out Now!
(contact info below)
NEWS RELEASE
Montreal, QC – August 18, 2017
For fans of Enslaved, Opeth, Gojira, Isis, Strapping Young Lad
Bravewords Premiere CENTURIES OF DECAY’s New Video “Wings of Death”
Debut Self-Titled Album Out Now!
L to R: Rob McAllister (Lead Guitar, Backing Vocals), Anthony Zhura (Bass), Devin Doucette (Rhythm Guitar, Main Vocals), Derrick Doucette (Drums)
Photo Credit – Brendan Smyth. www.smythphoto.com
We live on the layers of deep time and history, strata of times past; life literally depends on centuries of decay. Now, progressive extreme metal visionaries CENTURIES OF DECAY build on the metal that has come before to create the metal of the future. Known for creating an intense powerful atmosphere and letting the metal speak for itself in their live performance, the Toronto based quintet are bringing that experience to fans in their debut self-titled concept album recently released on August 4th.
Teaming up with Bravewords.com, the Toronto band is premiering their new video “Wings of Death” at the following link: http://bravewords.com/news/exclusive-centuries-of-decay-premier-wings-of-death-video
Drummer Derrick Doucette comments:
“We spend so much time at our rehearsal space drilling and perfecting our live sets, that it seemed fitting to film us in our ‘natural environment.’ Our video is an intense, intimate glimpse into what it’s like to be at one of our rehearsals. I feel that it captures our energy and passion in an artistic and authentic way.”
Album order available on Bandcamp here and Amazon here.
Track Listing:
1. Intro (1:10)
2. Centuries of Decay (9:56)
3. The Architect (4:12)
4. Asylum (5:46)
5. Odyssey (8:50)
6. Wings of Death (4:55)
7. Rise (6:26)
8. Demise (12:18)
Album Length: 53:37
2. Centuries of Decay (9:56)
3. The Architect (4:12)
4. Asylum (5:46)
5. Odyssey (8:50)
6. Wings of Death (4:55)
7. Rise (6:26)
8. Demise (12:18)
Album Length: 53:37
Album Band Line Up:
Devin Doucette (Rhythm Guitar, Main Vocals)
Rob McAllister (Lead Guitar, Backing Vocals)
Derrick Doucette (Drums)
Anthony Zhura (Bass)
Devin Doucette (Rhythm Guitar, Main Vocals)
Rob McAllister (Lead Guitar, Backing Vocals)
Derrick Doucette (Drums)
Anthony Zhura (Bass)
Live Band Line Up:
Devin Doucette (Rhythm Guitar, Main Vocals)
Rob McAllister (Lead Guitar, Backing Vocals)
Derrick Doucette (Drums)
Matt Hems (Bass)Show Dates:
Sept 30 – Hamilton, ON – Doors Pub – info
Devin Doucette (Rhythm Guitar, Main Vocals)
Rob McAllister (Lead Guitar, Backing Vocals)
Derrick Doucette (Drums)
Matt Hems (Bass)Show Dates:
Sept 30 – Hamilton, ON – Doors Pub – info
For more info:
http://www.facebook.com/centuriesofdecay
https://twitter.com/centuriesdecay
https://www.instagram.com/centuriesofdecay
EPK – http://wp.me/pciNW-aon
About:
We live on the layers of deep time and history, strata of times past; life literally depends on centuries of decay. Now, progressive extreme metal visionaries CENTURIES OF DECAY build on the metal that has come before to create the metal of the future.
Formed in 2013 in Toronto, Ontario, CENTURIES OF DECAY sound is ‘atmospheric, intense, powerful, dynamic, and heavy’.
Drummer Derrick Doucette explains the roots of the band’s name.
“The intention of the name is to paint an image of nature reclaiming the lands and cities and erasing the traces of humanity once people have been removed from the world. This can also be open to interpretation. Some may see Centuries of Decay as being in reference to an extended period of social degradation or the idea of the planet being a barren land void of life entirely. We chose this name because we felt it conveyed a powerful image and atmosphere, which appropriately went hand-in-hand with our musical style.”
That style will be unleashed by the four-piece on their self-titled debut album due out August 4, 2017, which drummer Derrick Doucette is eager for fans to hear.
“I was told recently that someone found our sound very unique and refreshing. That really meant a lot to me and I would love if that opinion was shared by both old and new fans. I find we’ve taken our influences from various sub-genres of extreme metal and turned them into a tasteful blend of compelling, climactic and devastating intensity on these seven tracks.”
Fans can also expect more music in the future.
“We are already looking forward to writing more material and refining our sound more. I’m excited to see how our sound will evolve…Our fans can expect multiple albums as that was the intent from day one!” adds Doucette.
Live, CENTURIES OF DECAY have their own unique approach to performing, they make every set flow together, creating a huge atmosphere and letting the metal speak for itself.
(bio written by Steve Earles)
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“”Centuries Of Decay bring together old styles to create new, exciting sounds on debut…From the lurching behemoth of the aptly titled “Centuries of Decay” all the way through to the grandiose finale of “Demise”, Centuries Of Decay bring familiar sounds together and forge a glorious new path forward.” – Rock and Roll Fables
“This is not a one-dimensional album that’s easily described. Each song has its own style and flavour, mixing different styles together with well-deserved contempt for genre restrictions and constraints. Centuries of Decay have crafted a modern extreme metal release that effectively combines these different strains of metal into something all of their own.” – Wonderbox Metal
“A concept record regarding the changing times & how life depends on centuries of decay, the ten minute self-titled opening song showcases melodic metal with deep oceans of imagination. Haunting but with a real sense of beauty, the guitar melody alongside a fascinating drum beat is such an appealing sound. A sound that suddenly takes on a darker tone, upping the heaviness & dealing out an absolutely stunning chugging guitar attack. There is no arguing with that start, absolutely mesmerising.” – Games, Brrraaains & A Head-Banging Life
“Up next was Centuries Of Decay, who gave us some atmospheric death metal. Devin Doucette and Rob McAllister shared guitar and vocal duties. Devin sang lead and handled a chunk of the brutal vocals but they gave a few great harmonized melodic vocals. Their last song had an additive time signature, which is something that really catches my attention as a musician.” – Metal Master Kingdom (Live Review Wacken Metal Battle Canada 2016 – Toronto)
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0 NEWS: One Man Band BURIED REALM To Unleash “The Ichor Carcinoma” Sept 29th w/ All Star Metal Guests; New Noise Mag Premiere Guitar Playthrough For Album Title Track
(contact info below)
NEWS RELEASE
Montreal, QC – August 18, 2017
For fans of Soilwork, Symphony X, Dissection, Kreator, Carcass
One Man Band BURIED REALM To Unleash “The Ichor Carcinoma” Sept 29th w/ All Star Metal Guests
New Noise Mag Premiere Guitar Playthrough For Album Title Track
Josh Dummer (all instruments and vocals) – Photo Credit – Tamara Clarke
A true visionary is a rare thing; but such a man is Josh Dummer. Providing all instruments and vocals on his creation BURIED REALM‘s debut, “The Ichor Carcinoma”with the exception of some very exciting guests such as Bob Katsionis (Firewind, Septicflesh), Brandon Ellis (Arsis, The Black Dahlia Murder, Cannabis Corpse), Christopher Amott (Arch Enemy, Armageddon), Dean Paul Arnold (Vital Remains), Marios Iliopoulos (Nightrage), Peter Wichers (Soilwork), Ryan Strain (Recode The Subliminal), Teemu Mäntysaari (Wintersun) and Travis Montgomery (Threat Signal, Jeff Loomis band). Dummer is a man who is not afraid to gaze into the abyss for music and lyrical inspiration.
Inspired by Opeth, Kreator, Old Man’s Child, Symphony X (and tons of old Hair Metal!); Dummer describes BURIED REALM‘s music as ‘fierce, cutting, technical, melodic, and memorable’. The studio project represents a hidden dimension within himself where the ‘buried disputes’ of his life are confronted only through music; where he can express musical ideas without compromising.
Eager for the fans to hear his debut album, Dummer reflects.
“I feel that listeners can appreciate it, not only on a musical level but hopefully enjoy the listening experience too. This album was a long time in the making and hopefully that translates. ‘The Ichor Carcinoma’ was originally supposed to be an EP. However, I had too many pre-production demos and didn’t want to scrap them, so I decided on a full-length, which fans can expect many guests across the entire album!”
Not afraid to draw deep from a painful wellspring of inspiration, Dummer adds.
“Many people close to me, myself included, have been though unfortunate life-threatening situations recently. No one is invincible and everyone walks though life like they are…I couldn’t ignore those events when it came to writing lyrics for this release. Some of the songs go into further detail about the terror I’ve experienced and personal demons I’ve faced. The lyrics are about the mental and physical battles of terminal illness/diseases and the attempt to rebuild.”
Teaming up with New Noise Magazine, Dummer reveals his shredding skills with a guitar playthrough video for the album’s title track “The Ichor Carcinoma”. The track also features guests Bob Katsionis (Firewind/ ex-Septicflesh) and Peter Wichers (ex-Soilwork).
““The Ichor Carcinoma” – The title track of the album… This was the second song I wrote for the record. The riffs are racing and melodies/ solos are flying all over the place. The lyrics are about the mental and physical battles of terminal illness, personal demons and the attempt to rebuild.” says Dummer.
Watch it now at the following link: http://newnoisemagazine.com/buried-realm-ichor-carcinoma-playthrough/
Track Listing:
1. Portal (0:34)
2. The Ichor Carcinoma (4:56)
3. Asphyxiation’s Lullaby (5:04)
4. Through These Darkened Halls (4:05)
5. Apeiron I – The Legacy (5:02)
6. On Serpent Soil (4:46)
7. Apeiron II – Global Dreamer (5:06)
8. Unscrupulous (6:15)
9. Hidden Chapter (2:20)
10. SuperSpell (8:08)
Album Length: 46:20
For more info:
EPK – http://wp.me/pciNW-aAA
– 30 –
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ASHER MEDIA RELATIONS
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#.514.581.5780 | ashermedia@gmail.com
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#.514.581.5780 | ashermedia@gmail.com
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0 NEWS: New Noise Mag Premiere Montreal Two Bass Band THE GREAT RUSSIAN EMPIRE Cop Shoot Cop Cover “If Tomorrow Ever Comes”; Debut EP “Low Ends” Out September 8th
(contact info below)
NEWS RELEASE
Montreal, QC – August 18, 2017
For fans of Faith No More, Interpol, Joy Division, Russian Circles, Cop Shoot Cop
New Noise Mag Premiere Montreal Two Bass Band THE GREAT RUSSIAN EMPIRE Cop Shoot Cop Cover “If Tomorrow Ever Comes”
Debut EP “Low Ends” Out September 8th
THE GREAT RUSSIAN EMPIRE (TGRE) is a dark rock collective from Montreal QC, born of a desire to create music in an environment where guitars don’t exist. This project features a double-bass approach from bassist Benoît Forté (The Lonely Sidewalkers/Coco Méliès/ex-Fallstaf/ex-North East Bistro) and bassist Nicolas Miquelon (Norilsk/Mortör/ex-Kintra).
The project is bred by the 1980’s new wave and early 1990’s alternative genre, by way of modern folk and various rock influences. Its bass orientation carries something different at its core, although familiar in its construction and arrangements. Far from referencing a pastiche, THE GREAT RUSSIAN EMPIRE’s name is a wink to the collective and eclectic nature of this musical venture.
TGRE released a first single, “Pig’s Blood” in 2014, to showcase the new entity’s persona. After revisiting the song’s arrangements, writing more material, and adding a few soldiers to its ranks (either permanent or session musicians), the collective re-entered the studio to assemble “Low Ends”. Dark in content, the EP’s lyrics are crafted around tragic personal events, and layered with vocals, violin and cello.
Teaming up with New Noise Magazine, THE GREAT RUSSIAN EMPIRE is premiering their second single and cover of Cop Shoot Cop’s “If Tomorrow Ever Comes” at the following link: http://newnoisemagazine.com/stream-great-russian-empire-tomorrow/
Bassist Benoît Forté comments:
“I knew Tod A. from CSC wrote all the songs so I got in touch with him about 2 years ago. He gave me his blessing on recording our version of IF TOMORROW EVER BECOMES. TGRE was born the first I heard CSC, about 25 years ago. Just didn’t know it yet at the time.”
“Low Ends” is due out September 8, 2017 and will be available in digital format via Bandcamp along with the CD version presented in a gatefold digi-sleeve.
Their first single “Blood Everywhere” can be heard at the following link here.
Track Listing:
1. Full of Blood (6:19)
2. The Hands That Bring The Road Kill To The Side (3:49)
3. If Tomorrow Ever Comes (Cop Shoot Cop cover) (6:03)
4. Blood Everywhere (3:52)
5. Pig’s Blood (3:56)
6. The Fence (4:15)
EP Length: 28:19
EP Band and Live Line UP:
Benoît Forté – Bass
Nicolas Miquelon – Bass
Mathieu Lassonde – Drums
Additional guest musicians:
Jason Mateus – Vocals
Sara Jasmin – Violon
Julien Thibault – Cello
For more info:
https://www.facebook.com/TheGreatRussianEmpire
– 30 –
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
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#.514.581.5780 | ashermedia@gmail.com
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0 NEWS: 80’s Pop Anthems Go Metal w/ MOONLIGHT DESIRES New Cover Video “Something About You” via PureGrainAudio; New Album “Just The Hits: 1981-1985” Out September 15th via Infamous Butcher Records
(contact info below)
NEWS RELEASE
Montreal, QC – August 17, 2017
For fans of Sons of Butcher, Me First And The Gimme Gimmes, Foo Fighters, Soundgarden, 80s pop hits
80’s Pop Anthems Go Metal w/ MOONLIGHT DESIRES New Cover Video “Something About You” via PureGrainAudio
New Album “Just The Hits: 1981-1985” Out September 15th via Infamous Butcher Records
Moonlight Desires might only play 80s cover songs, but you’d be wrong to dismiss them as just another cover band. Formed by long-time Hamilton, ON musician Trevor Ziebarth (Actor/Writer/Composer on Teletoon’s adult comedy series Sons of Butcher), Moonlight Desires is his ode to the raunchy romances and youthful misadventures of summer’s past. By re-working synth laden pop hits of the 1980s, Ziebarth manages to turn familiar guilty pleasures into modern, guitar-driven rock anthems.
“For those unfamiliar, I created a television show with my brother Jay Ziebarth back in 2005 called ‘Sons of Butcher’. It was a unique adult comedy cartoon series that aired on Teletoon and was sold to over 200 countries around the world. The show was the first to blend video heads into a cartoon world. The Sons of Butcher characters worked in a butcher shop by day and were a spandex clad rock outfit by night, with my character (Ricky Butcher) relentlessly trying to make it as a big rock star. As a companion to the show, Sons of Butcher recorded and released a few comedy rock albums using songs from the show as inspiration, and travelled across Canada twice on a sponsored tour by Teletoon. As a live band, Sons of Butcher used to perform heavied-up covers of 80s songs and they often became fan/crowd favourites. Ultimately, I noticed the positive response and it led to the formation of Moonlight Desires in 2013.” says Trevor Ziebarth.
As an homage to their Canadian music heritage, the band decided to take their name from the popular 80s song ‘Moonlight Desires’ by iconic singer/songwriter Gowan.
“I wanted to have a direct (1980s song) reference …but I also thought it would fit in nicely with the band’s heavier direction.” says Ziebarth.
Joined in the studio by drummer Dave Dunham (Not Of, DAVIDS, ex-Chore, ex-Sons Of Butcher) and lead guitarist Marco Bressette (Dead Tired, ex-Threat Signal), he says “Just The Hits: 1981-1985” is “…a more layered, fully realized version of the band. We really just wanted to show people a good time, while still staying true to our metal, grunge and hard rock influences. Thanks to Mitch Bowden at Mechanical Noise, the production sounds big and warm, and I think this album really captures the fun of what Moonlight Desires is all about.”
While their 2014 debut album “Frankie Goes To Hamilton” delivered a rollicking arrangement of classic love songs, the band’s follow-up “Just The Hits: 1981-1985”transforms timeless hits such as “Sunglasses At Night” by Corey Hart and “Something About You” by Level 42 into party rock anthems. Satisfying that hunger to escape the shackles of reality with fun times and familiar hits, Moonlight Desires entire catalogue will be available for the first time on all major digital platforms (including iTunes, Spotify, Google Play) on September 15, 2017.
Their first video for their cover “Something About You” by Level 42 is being exclusively premiered on PureGrainAudio.com and can be viewed at the following link: http://puregrainaudio.com/videos/moonlight-desires-travel-to-the-80s-in-tubular-something-about-you-music-video-exclusive-premiere
Album Pre-Order for “Just The Hits: 1981-1985” is available on iTunes at https://itun.es/ca/y0-Plb
Track Listing:
1. A Criminal Mind (3:43)
2. Sunglasses At Night (2:56)
3. Out of Touch (3:17)
4. Hungry Like The Wolf (2:59)
5. Young Turks (3:51)
6. Bettie Davis Eyes (3:01)
7. Holding Back The Years (3:31)
8. Valerie (3:15)
9. Promises Promises (3:03)
10. Something About You (2:50)
11. The Power of Love (4:38)
Album Length: 37:09
Upcoming Show Dates:
October 6 – Hamilton, ON – Casbah (CD Release Party)
For more info:
http://www.facebook.com/moonlightdesires
http://www.facebook.com/moonlightdesires
EPK – http://wp.me/pciNW-axE
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“This album is comprised of hard rock 80s pop covers that often border on metal, and it is every bit as fun as it sounds.” – Hellbound.ca
“It is glorious, a less tongue in cheek Me First and the Gimme Gimmes. It is the Alpha and the Omega. Life has meaning, and it’s buried in the dreams of a girl with teased hair and a boy with a tennis racket for a guitar…” – Nine Circles
“…Moonlight Desires’ second offering is filled with the top-notch heavy covers of 80s Synth Pop classics their fans have come to expect.” – Bradmachry.ca
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ASHER MEDIA RELATIONS
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#.514.581.5780 | ashermedia@gmail.com
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0 Georgia Straight (Vancouver) – Zaum brings “old world meditative mantra doom” to the Astoria
0 NEWS: Decibel Mag Premiere: Full EP Stream and Track-By-Track Commentary: PROTOSEQUENCE’s “Biophagous”; Out Aug 18th
(contact info below)
NEWS RELEASE
Montreal, QC – August 17, 2017
For fans of After The Burial, Rings of Saturn, All Shall Perish, August Burns Red, Born of Osiris
Decibel Mag Premiere: Full EP Stream and Track-By-Track Commentary: PROTOSEQUENCE’s “Biophagous”
Out August 18th
L-R – Jacob Teeple (Bass), Kyle Hunter (Guitar), Joseph McKee (Vocals), Logan Vars (Drums), Dylan Parker (Guitar and Vocals)
Photo Credit: Ryan Wiesner at Trivium Photography
Drawing influence from acts like All Shall Perish, August Burns Red, and The Black Dahlia Murder, PROTOSEQUENCE root their music in technicality while layering emotional, yet gruff vocals weaved into every track. The band transitions seamlessly through djent riffs, grinding drums and groove elements, making their sound versatile and ever-changing. Their new EP “Biophagous” due out August 18th is the follow up to their 2016 debut “Schizophrene”.
Teaming up with Decibel Magazine, PROTOSEQUENCE are sharing an exclusive full stream of the EP along with a track by track commentary. Check it out at the following link: https://www.decibelmagazine.com/2017/08/17/full-ep-stream-track-track-commentary-protosequences-biophagous/
“Biophagous” available for pre-order on the band’s Bandcamp here plus will be available on all major online retailers.
Track Listing:
1. DFL (3:42)
2. Parasitic (4:42)
3. Shepherd (5:02)
4. The Hate Subsides (4:08)
EP Length: 17:35
Upcoming Show Dates:
For more info:
EPK – http://wp.me/pciNW-a9P
About:
Edmonton’s own Protosequence offer a rush of groovy guitar parts met with story-filled lyrics and serene, landscape-sized instrumentals that roll like hills into a valley.
Protosequence is a reference to the original genome where all life began — much like the band, which existed in principle before they even had a presence. Each of the members were lying in wait to be activated and become the strain that is now Protosequence. Kyle Hunter (guitar) was constantly crafting near-complete songs that were ready to be realized. It did not take long for Kyle and Logan Vars (drums) to finally meet. It seemed as though there were two projects destined to combine into a singular effort to form the final line-up for the band: Logan (drums), Kyle (guitar), Parker (guitar), Joseph McKee (vocals), and Ryan Schaffler (ex-bassist) who is now replaced by Jacob Teeple. Members have a long history in the Edmonton music scene, playing in bands like Anubian and In The Midst Of A Murder since the early 2000s.
The band draws influence from acts like All Shall Perish, August Burns Red, and The Black Dahlia Murder. With a foothold on their influences, they root their music in technicality while layering emotional, yet gruff vocals weaved into every track. The band transitions seamlessly through djent riffs, grinding drums, and groove elements, making their sound versatile and ever-changing. Each live performance is crafted like an album played from front to back, with each song bearing a story and painting the room like a canvas — leaving the colours and experiences on each audience member.
The band will be releasing their new EP “Biophagous” on August 18th, 2017 to follow their 2016 debut EP “Schizophrene”.
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“Edmonton’s Protosequence perform an agile balancing act on the new song “Shepherd” we’re bringing you from their forthcoming EP, Biophagus, a high-wire performance that deftly straddles a stylistic divide without ever losing their path forward.” No Clean Singing
“In the vein of bands like All Shall Perish & Born of Osiris, Protosequence kick proceedings off with the furiously tech riffing of Parasitic, a wild & untamed slab of death metal. That is until a surprising tempo change that brings in some keyboards & more classic metal sounding guitar solo. It’s a damn strong start, one that leaves you wondering just what more Biophagous has to offer.” – Games, Braaaiiins And A Headbanging Life
“Protosequence is an act of quality over quantity. I get seriously lost in their music, be it through a spine-damaging headbanging session (“DFL”) or stretch of melodic introspection (“Shepherd”). Biophagous offers up another nice showcase of the band’s skill across a variety of substyles and paces.” – Metal Trenches
“Protosequence takes the insane melodic riffage of metalcore bands like August Burns Red or Novelists, and mixes them with tech death elements of bands like The Black Dahlia Murder which makes for what I think could be a band that has the potential to break through and make it huge…Biophagus is of another caliber, every aspect of it is flawless, and will not only be in my playlist but should be in everyone else’s as well. Whatever you do, do not sleep on this band. Make sure you pick up Biophagus when it releases August 18th! ” – Blood Rock Media
“Incorporating elements from deathcore, technical death metal, and, yes, even djent, Protosequence manages to maintain the listener’s interest while developing an identity that is not only unique to Canada, but to the world. ” – It Djents
“Traversing between djent and technical progressive metal” – Somberlane
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ASHER MEDIA RELATIONS
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#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
0 PURE RADIO KAOS Wednesday August 2nd, 2017 with BOBBY M ZAUM DOOM METAL @ HOUSE OF TARG INTERVIEW
0 Metal Underground – Centuries of Decay – Pit Stories: Should We Have Maybe Brought Goat’s Blood?
0 El Corte Mag – Omnisight, Endemise
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