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NEWS RELEASE
Montreal, QC – April 12, 2017
For Fans of Cult of Luna, High on Fire, Neurosis, Khemmis, Unearthly Trance
TheSludgelord Album Premiere Ottawa Doom LONGHOUSE ‘II: Vanishing’
Returning to Wolf Lake Studios to record with Mike Bond (Loviatar, Norilsk, Arms of the Girl) once again as producer and engineer. “II: Vanishing” continues the pleasing progression of their debut while retaining the band’s core sound of heavy, intricate riffs, splashed with a touch of post-metal to guide you on a dark and visceral journey spanning nearly 40 minutes over five tracks.
Vocalist / bassist comments:
“II: Vanishing has a logical evolution that is evident in the composition, as well as production. I also think that fans should take a moment to reflect on some of themes that are threaded throughout the album. The bulk of my ideas musically and lyrically come from exploring Indigenous ways of knowing. I am Algonquin First Nations. My family’s community is Kitigan Zibi, outside of Maniwaki, QC. However, I grew up in the city, mostly detached from my culture. As a father, I have been trying to immerse myself in the stories, wisdom, and strength of our Elders, knowledge keepers and story tellers, so that I can pass that on to my daughters. Because this takes up so much space in terms of who I am, and who I am becoming, it plays a very large part in terms of influences I draw upon.”
“II: Vanishing” can be heard at the following link: http://thesludgelord.blogspot.ca/2017/04/album-premiere-ottawa-ontarios.html
Along with album pre-order available at https://longhouse1.bandcamp.com/
2. Vanishing (6:13)
3. Blood And Stone (5:57)
4. No Name, No Marker (7:59)
5. The Vigil (10:06)
LONGHOUSE is:
Marc Casey – Guitar
Joshua Cayer – Vocals / Bass
Mike Hache – Drums
– 30 –
“Man, I don’t think I’ve been this geeked out about a Canadian post-sludge record since Pyres put out Year of Sleep back in 2013!” – Hellbound.ca – 8/10
“It might only be 5 songs long but Longhouse do more in that time then many bands do in double that. It’s a doom masterpiece that isn’t afraid to mess around with different ideas.” – Games, Brrraaains & A Head-Banging Life
“The one song from the album released for public listening so far is “No Name, No Marker“, and if you guess that refers to graves, you would be correct. It’s a riveting mix of doom and post-metal with blackened shrieking in the vocal department. After a haunting, grief-stricken opening, the track becomes heavier and more intense by orders of magnitude, eventually becoming a big juggernaut of earthquaking chugs and groaning chords, with guitar leads that shimmer, flicker, and spiral around the powerful rhythms like ghost lights. The wrenching vocals add to the music’s intensity, and the grinding bass solo is a nice touch as well.” – No Clean Singing
“This is an album that’s an extremely accomplished and enjoyable listen. For a great mix of sludgy doom with progressive, post-metal and atmospheric elements, Longhouse might very well be one of my new favourites.” – Wonderbox Metal
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Jon Asher – Music Publicist
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