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NEWS RELEASE
Montreal, QC – April 5, 2017
For Fans of Cult of Luna, High on Fire, Neurosis, Khemmis, Unearthly Trance
ToiletOvHell Premiere Ottawa Doom LONGHOUSE ‘Vigil’; New Album ‘II: Vanishing’ Out April 14th
Photo Credit – Amber Erica
“This song was written as a collaborative effort with JD Gobeil from Loviatar. It is an exploration of stories of the Thunderbirds. In First Nations stories and traditions, the Thunderbirds are powerful spirits, second only to the Creator. These immense birds dwell in the mountains and have the primary purpose of protector and nurturer of Mother Earth – guarding her from harm, quenching her thirst, and replenishing her garments. Thunderbirds are the enemy of the horned-serpents, who live deep beneath the waters and threaten to spread across the land and devour all life. They hold a constant vigil, to protect Mother Earth and all life from their foe. The Thunderbird is a good spirit, however, they are to be feared as they are quick to anger by those who ignore or disobey the natural laws, and are indifferent to humans and animals in their guardianship of our Mother, the earth.”
‘Vigil’ can be heard on ToiletOvHell.com at http://www.toiletovhell.com/premiere-longhouse-the-vigil/
and the band’s first single ‘No Name, No Marker’ can be heard at https://longhouse1.bandcamp.com/track/no-name-no-marker-2
LONGHOUSE came into being in 2013 when guitarist Marc Casey and bassist/vocalist Joshua Cayer turned their long-standing song-writing partnership into a full band with drummer Mike Hache to complete their circle of dark, riffy, heavy textured doom metal. They released their debut album ‘Earth from Water’ in 2015, a spiritual odyssey into the perseverance of the human spirit and the lessons we can learn from the natural world.
“II: Vanishing has a logical evolution that is evident in the composition, as well as production. I also think that fans should take a moment to reflect on some of themes that are threaded throughout the album.”
says vocalist / bassist Joshua Cayer. “The bulk of my ideas musically and lyrically come from exploring Indigenous ways of knowing. I am Algonquin First Nations. My family’s community is Kitigan Zibi, outside of Maniwaki, QC. However, I grew up in the city, mostly detached from my culture. As a father, I have been trying to immerse myself in the stories, wisdom, and strength of our Elders, knowledge keepers and story tellers, so that I can pass that on to my daughters. Because this takes up so much space in terms of who I am, and who I am becoming, it plays a very large part in terms of influences I draw upon.”
2. Vanishing (6:13)
3. Blood And Stone (5:57)
4. No Name, No Marker (7:59)
5. The Vigil (10:06)
– 30 –
“Man, I don’t think I’ve been this geeked out about a Canadian post-sludge record since Pyres put out Year of Sleep back in 2013!” – Hellbound.ca – 8/10
“The one song from the album released for public listening so far is “No Name, No Marker“, and if you guess that refers to graves, you would be correct. It’s a riveting mix of doom and post-metal with blackened shrieking in the vocal department. After a haunting, grief-stricken opening, the track becomes heavier and more intense by orders of magnitude, eventually becoming a big juggernaut of earthquaking chugs and groaning chords, with guitar leads that shimmer, flicker, and spiral around the powerful rhythms like ghost lights. The wrenching vocals add to the music’s intensity, and the grinding bass solo is a nice touch as well.” – No Clean Singing
“Longhouse plays a musical style that takes sludge and doom metal and mixes them with with a very heavy vocal approach to create a very dark sounding recording, the production sounds very professional while the lyrics cover various spiritual and occult concepts.” – Doomed to Darkness
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Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
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